Search:d by d

2025 Repress

Debut album of Bristol's own Tubby Isiah - a brand new project launched by Jevon Ives (De-Tu) & his dad Jason Ives. Out June the 19th on vinyl and digital.

Back in 1986, the Italo Disco community welcomed the first release by Virgin on Time Records, 'Tell Me Why', including the vocals of Italian songbird Tiziana Negrello. As time passed, the sound of Virgin evolved into Eurobeat with several different vocalists. Today, the team at Iventi d'Azzurro are delighted to team up with the original Virgin vocalist Tiziana and the talented Mirko Hirsch to deliver the latest Virgin hit 'Let's Dance', a must have in any Italo Disco collection.

DISCHI presents Pablo Bozzi's new EP, Fantasy. After releasing multiple singles, the Berlin-based producer and DJ is back with three fresh tracks. Saddle up and get ready to ride with Sunday Rodeo, opening the EP with upbeat bouncy bass, hard-hitting 90s synths and a piano-driven melody. On Fantasy, an alluring voice leads, accompanied by potent kicks and zesty lines, sprinkled with a touch of acid. Closing the EP is Siempre, a dreamy, gleaming synthwave journey scattered with distant yet intimate voice samples. Once again, Bozzi demonstrates his undeniable ability to get dancefloors moving.

2nd pressing on 2xLP Black Vinyl with Starlight Sparkle Vinyl 2nd pressing comes with a 2x7" EP on Transparent Yellow & Magenta Vinyl Please Note: "quality of sparkle vinyl comparable to vinyl with metallic effects" Sparkle / Starlight: Large silver particles Carefully designed, beautifully remastered and loaded with new ways to play - "Risk of Rain" is back and better than ever! Dive into the iconic roguelike full of unique loot combinations, enhanced with new Survivors, overhauled multiplayer, fan favourite content from Risk of Rain 2 and more! Ten years after "Risk of Rain" was released into the world to become a true classic, the game was revived in November 2023 as "Risk of Rain Returns" to reconnect with its fans and be discovered by those who didn't realise what they were missing. Time to give the iconic game soundtrack an update as well, isn't it? Creator Chris Christodoulou gives an insight on his work as well as the extensive and luxurious new vinyl release that comes with some remarkable extras: "Can you believe it's been ten years already? It seems like yesterday that I was sitting in my small bedroom/studio in front of an aching computer writing the music for `Risk of Rain'. And here we are, ten years later, returning to it to, adding to its musical compendium. What an unexcepted, magnificent journey! With this very special release we're celebrating both, the 10-year anniversary of `Risk of Rain' and the release of `Risk of Rain Returns'! This modular album contains the entire Risk of Rain soundtrack remastered and the four new tracks written for `Risk of Rain Returns' (with contributions from special guest musicians Damjan Mravunac & Maria Papageorgiou). Daniele (art), Kevin (Black Screen Records) and I worked very hard to make this complex release a reality and we are extremely proud of it! We hope you enjoy every aspect of it as it is a labour of pure love! Finally, a very special thanks to all of you who have carried this music across the past decade! You have my love, Chris

Innershades comes with a follow up on his Clone Jack For Daze debut from 2019 with his buddy Betonkust.. This time he digs in the local history from his homebase Belgium. The country that brought us the New Beat craze which had its breeding grounds in club's such as Boccaccio. A venue which used to be one of the prime locations in the Benelux to hear the latest House and Techno releases in '89,'90 and '91. All the fresh new sounds from Chicago, Detroit, the big New York labels and producers, Early UK rave and of course the local producers from the Benelux and specificaly those on labels such as R&S, Music Man and USA Import records could be heard in this euphoric club. No surprise that Serge, the founder of Clone records has some fond memories of his visits to Boccaccio and no surprise that this era always has been a huge influence on Innershades. This Homage EP brings a collection of tracks drenched in bleepy acid lines, topped with choir pads and slightly detuned slowly phased chords and dominant mixed bass sections. Energetic tracks that capture the spirit of those days with a contemporary touch from Innershades. Tracks that fit perfectly to the Clone Jack For Daze series inspired by these early days, where people danced for daze on all these energetic and futuristic sounds from the underground.

Peter sitzt mit Kelly im Park, als ihm mulmig zumute wird. Irgendetwas stimmt hier nicht: Bobachtet die Statue des Dreiäugigen Schakals sie etwa? Die beiden nehmen die Bronzefigur genauer unter die Lupe, als plötzlich etwas geschieht, mit dem niemand gerechnet hat! Peter und Kelly verlassen vor lauter Schreck fluchtartig den Park. Die Statue mit dem Schakalkopf hat eindeutig ein dunkles Geheimnis. Was verbirgt sich hinter der kalten Hülle? Justus und Bob stehen ihrem Freund zur Seite - die drei ??? beginnen ihre Recherche. Trackpunkte:01 Das blanke Entsetzen! 02 Die Spur des Pick-ups 03 Rapper 04 Ein wahrer Freund 05 Fall gelöst? 06 Eine dunkle Nacht 07 Der Schlüssel zu allem Buchautor: Ben NevisSkriptautor: André MinningerSprecher:innen & Mitwirkende:Erzähler Axel MilbergJustus Jonas, Erster Detektiv Oliver RohrbeckPeter Shaw, Zweiter Detektiv Jens WawrczeckBob Andrews, Recherchen und Archiv Andreas FröhlichKelly Juliane SzalayKommissarin Merryweather Anne MollNina Radamus Astrid Kollex Luke Kingsbury Mars Saibert Jana Anika Baumann Ryan Ford Michael Grimm Constantin Krueger Martin May Mick Manson Patrick BachOnkel Titus Erik SchäfflerTravis Fabian Harloff Breezy Sonja Stein Big Rock Patrick Baehr Joe Jürgen Holdorf Hank Fabian Müller Wächter Achim SchülkeBankangestellter Martin Rowedder Buch und Effekte: André MinningerRegie und Produktion: Heikedine KörtingRedaktion: Maike MüllerTitelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan-Friedrich Conrad, Jens-Peter Morgenstern, Andris Zeiberts, Detlef Oels, Bert Brac, Fabian Harloff, Nathaniel SteinbrecherCover-Illustration: Silvia Christoph - Design: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von Ben Nevis, erschienen im Kosmos Verlag, Stuttgart. © 2024. Based on characters created by Robert Arthur.Mit freundlicher Genehmigung der Universität Michigan.

Peter sitzt mit Kelly im Park, als ihm mulmig zumute wird. Irgendetwas stimmt hier nicht: Bobachtet die Statue des Dreiäugigen Schakals sie etwa? Die beiden nehmen die Bronzefigur genauer unter die Lupe, als plötzlich etwas geschieht, mit dem niemand gerechnet hat! Peter und Kelly verlassen vor lauter Schreck fluchtartig den Park. Die Statue mit dem Schakalkopf hat eindeutig ein dunkles Geheimnis. Was verbirgt sich hinter der kalten Hülle? Justus und Bob stehen ihrem Freund zur Seite - die drei ??? beginnen ihre Recherche. Buchautor: Ben NevisSkriptautor: André MinningerSprecher:innen & Mitwirkende:Erzähler Axel MilbergJustus Jonas, Erster Detektiv Oliver RohrbeckPeter Shaw, Zweiter Detektiv Jens WawrczeckBob Andrews, Recherchen und Archiv Andreas FröhlichKelly Juliane SzalayKommissarin Merryweather Anne MollNina Radamus Astrid Kollex Luke Kingsbury Mars Saibert Jana Anika Baumann Ryan Ford Michael Grimm Constantin Krueger Martin May Mick Manson Patrick BachOnkel Titus Erik SchäfflerTravis Fabian Harloff Breezy Sonja Stein Big Rock Patrick Baehr Joe Jürgen Holdorf Hank Fabian Müller Wächter Achim SchülkeBankangestellter Martin Rowedder Buch und Effekte: André MinningerRegie und Produktion: Heikedine KörtingRedaktion: Maike MüllerTitelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan-Friedrich Conrad, Jens-Peter Morgenstern, Andris Zeiberts, Detlef Oels, Bert Brac, Fabian Harloff, Nathaniel SteinbrecherCover-Illustration: Silvia Christoph - Design: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von Ben Nevis, erschienen im Kosmos Verlag, Stuttgart. © 2024. Based on characters created by Robert Arthur.Mit freundlicher Genehmigung der Universität Michigan.

--The fourth outing on Spray’s Punctuality imprint comes in the form of the much anticipated Ode to Beachball EP by Eoin DJ. The release is a fully realised vision of moods and grooves inspired by Nalin & Kane’s 1997 chart topper ‘Beachball’.

Sparse, organic percussion, simple basslines and lush atmospherics form the bedrock of the EP, placing it firmly at the intersection of starry-eyed euphoria and heads-down club-stomp, lending the tracks a timeless but contemporary feel.

Those with their ears to the ground will know that the title number has been somewhat of a sleeper hit for the past two summers. Ode to Beachall’s understated stabs, rolling bass and transcendental vocals have soundtracked many sunsets and have bore the brunt of numerous failed shazam attempts via spins in mixes by trendsetting auteurs like Job Jobse, Sally C and label head Spray.

Bliss Inc’s remix turns up the energy dial with a club-focussed remix of Ode To Beachball, adding extra dynamics to the rhythm and low end, propelling the original into a modern hard-house roller complete with big-room breakdowns and euro-centric stabs, firmly aimed at the dancefloor.

On the flip both Infinite Well and On Lilac Skies stick to the beachball brief- swung bongos and congas, undulating low end and mercurial vocal chops add to the balearic beach techno mood of the entire EP. Both tracks are exemplary practices in dancefloor restraint and are sure to be staples in bags and sticks of discerning DJs for many summers ahead. Another stellar release from Irish atlantean Eoin DJ.

Tasty Treats Squad is a new project created by Mirko Casalini for his label Tasty Treats Records.

The track is a blend of latin,blues and jazz influences blended on this groovy bassline.

B-side mix,with a powerful drums section and more percussions elements,has been touched by Mirko to create a dancefloor oriented version of the track.

Legendary 7X GRAMMY and Emmy Award-winning artist/producer Dr. Dre celebrates the 30th anniversary of his magnum opus, The Chronic by announcing the album will be re-released. The Chronic, which is not currently available on streaming services, will again be available to fans on all major DSPs .

Steve Berman, Vice Chairman of Interscope Geffen A&M, said: “Dr. Dre is without a doubt one of the most iconic and groundbreaking artists in the modern era. He has also used his platform to fuel some very impactful philanthropic efforts that will ensure his legacy is felt for generations to come. Dre’s solo career all started with the The Chronic, one of the most celebrated recordings of all time.

First released on December 15, 1992, The Chronic peaked at No. 3 on the Billboard 200 and has spent 97 weeks on the chart since its release. The album also spawned three top 40 hits on the Hot 100, including top ten records with "Nuthin' But a “G” Thang" (No. 2) featuring Snoop Dogg and "F— Wit Dre Day" (No. 8). The Chronic topped the Top R&B/Hip-Hop Albums chart for eight weeks, while "Nuthin’ But a "G" Thang" hit No. 1 for two weeks on Hot R&B/Hip-Hop Songs. Last June, Rolling Stone placed The Chronic on its 500 Greatest Albums of All-Time List, boasting how the album "redefined the West Coast Hip Hop sound." Pitchfork also holds the seminal album in high standing, saying The Chronic lives on as a “timeless show of strength” and “gave shape to L.A.’s present and future.” Videos from The Chronic are also available on Dr. Dre’s official YouTube channel.

Last year, Dr. Dre dazzled during the Super Bowl LVI Halftime Show in Los Angeles. His enormous set was star-studded, as Dre performed alongside some of music's biggest stars, including Snoop Dogg, Kendrick Lamar, Mary J. Blige, Eminem, and 50 Cent. Dre commanded the stage – just a few miles from his birthplace of Compton – with a groundbreaking setlist anchored by hits such as "The Next Episode" and the 2Pac-led "California Love." The historic performance earned Dr. Dre his first-ever Emmy for Outstanding Variety Special (Live). The Hollywood Reporter called the halftime show "thrilling and nostalgic," while Billboard credited Dre for his "seismic impact" on music.

Erstes umfassendes Archivprojekt für The Police, welches erweiterte, mehrformatige Wiederveröffentlichungen enthält. Dazu enthält das Projekt bisher unveröffentlichtes Bonusmaterial, neue Linernotes und Interviews, sowie seltene Archiv-Memorabilien und Fotos.
Alle Tracks wurden direkt von den Originalbändern durch Audio-Remastering in den Abbey Road Studios neu bearbeitet.
Die Neufassung ist ab sofort als limitierte farbige 2LP Deluxe erhältlich.

2026 Repress

Seit seinem kostenlosen Mixtape "LiveLoveA$AP" aus dem Jahr 2011 gehört A$AP Rocky zu den meistgehypten Rappern der neuen Hip Hop Generation. Mit seinen Songs "Peso", "Purple Swag" und seiner aktuellen Single "F#king Problems" hat er in der Hip Hop Blog Welt eingeschlagen wie ein Komet. Sein Rap-Style speist sich sowohl aus Bone Thugs-N-Harmony, Mobb Deep und The Diplomats, als auch der Down South-Ästhetik von UGK, DJ Screw und Three 6 Mafia. Sphärischer Hipster-Hip Hop von Produzenten wie Clams Casino, Burn One, Beautiful Lou, A$AP Ty Beats und SpaceGhostpurrp, dazu Südstaaten-Drums mit Chop & Screw-Spaß und die Überheblichkeit, wie sie nur ein echter New Yorker rüberbringen kann.

"Hipster by heart, but I can tell you how the streets feel."

A$ap Rocky ist ein Star. Das erkennen nicht nur die Szene-Postillen recht schnell, sondern auch die Major-Industrie. Sony bekommt den Zuschlag und nimmt ihn und seine A$AP Crew unter Vertrag. Das Dollar-Zeichen im Namen steht ab sofort zurecht da.

Dentelles Records is proud to present its latest vinyl release!

We are excited to share the newest release from Greg All, the founder of Dentelles Records and the visionary behind the celebrated Les Dentelles Electroniques festival. This 2-track EP is a perfect reflection of his passion for music that unites people on the dance floor, offering two tracks that will resonate with house music lovers worldwide.

The first track, Last Night, delivers a powerful Tech House groove that will get you moving from the first beat. With its infectious rhythm and captivating vocal layers, this track is a true crowd-pleaser — full of energy and just the right amount of tension to keep the dance floor alive.

The second track, Tomorrow, shifts gears into the realm of Afro House, offering a rich, percussive journey complemented by an evocative vocal performance. It’s a track that speaks to both body and soul, with a driving energy that builds towards an emotional crescendo, sure to resonate deeply with listeners.

This EP marks another milestone for Dentelles Records, bringing together the unique sounds of Greg All with the infectious spirit of the festival. Whether you’re experiencing it live in the club or streaming it at home, Last Night and Tomorrow will transport you into the heart of the celebration.

Dentelles Records est fier de présenter sa dernière sortie vinyle !
Nous sommes ravis de vous présenter la toute nouvelle sortie de Greg All, fondateur de Dentelles Records et créateur du célèbre festival Les Dentelles Electroniques. Cet EP de deux titres est un parfait reflet de sa passion pour la musique, une musique qui rassemble les gens sur le dancefloor, et offre deux morceaux qui résonneront avec les amateurs de house à travers le monde.

25 Jahre nach seinem Durchbruch zieht Eminem den Schlussstrich unter das aggressive Slim Shady-Kapitel,
mit dem 1999 alles anfing – auf dem 12. Studioalbum „The Death of Slim Shady (Coup De Grâce)“.
Weltbekannt für seinen bissigen Humor und seinen einzigartigen Flow, zählt Eminem seit gut 25 Jahren
zu den größten Heavyweights der Hip-Hop-Welt – und als popkulturelle Ikone. Schon kurz nach der
Veröffentlichung der „The Slim Shady LP“ im Jahr 1999 avancierte er zum meistverkauften Rapper der
Musikgeschichte. Abgesehen von inzwischen weit über 220 Millionen verkauften Alben, konnte Eminem
bereits 15 GRAMMYs sowie einen Academy Award in Empfang nehmen. In den USA erhielt er bereits
seine sechste Diamant-Auszeichnung (!). Zuletzt hatte Eminem im Jahr 2020 mit dem Vorgänger-Album
„Music to Be Murdered By“ zum 10. Mal Platz #1 der Billboard-200 eingenommen. Während auch
hierzulande etliche Alben regelmäßig Platz #1 der Charts belegten (u.a. „The Eminem Show“, „Encore“,
„The Marshall Mathers LP2“), ist Eminem inzwischen der Musiker mit den meisten Studioalbum, die schon
für sich genommen Streams in Milliardenhöhe verbuchen. Mit „The Death of Slim Shady (Coup De Grâce)“
schlägt der 51-jährige ”Über-MC” das 12. Albumkapitel auf und sorgt dafür, dass sich der Kreis schließt.

Next Edits Collection by, one of Chicagos finest exports, with 4 cuts from disco to house.

Had a bad day? Well, news of this 2005 smash album (also known as Daniel Powter) finally receiving a vinyl release should turn it around! Yes, it does indeed include the #1 hit "Bad Day," which is one of those songs that has so fully infiltrated pop culture that most people don't even know who the original artist was who sang it! But reissue of this record should remind them; it's a model of finely-crafted adult alternative pop, produced (but not overly polished) by Mitchell Froom. DP went Top Ten not just in the U.S., but in the U.K., Japan and of course it was a huge hit in Powter's native Canada.

For more than five decades Carlos Santana has been the visionary force behind artistry that transcends musical genres and generational, cultural, and geographical boundaries. To date, Santana has won ten GRAMMY Awards and three Latin GRAMMY Awards, received the Billboard Century Award, is a member of the Rock and Roll Hall of Fame, received the Billboard Latin Music Awards’ Lifetime Achievement honor, is the recipient of the Kennedy Center Honors Award, and has been cited by Rolling Stone as #11 on their list of the “100 Greatest Guitarists of All Time.” Teaming up with producers Lino Nicolosi, Nicolosi Team, and Narada Michael Walden (Whitney Houston, Mariah Carey), Santana presents three distinct versions of his composition “Let The Guitar Play” - The Radio Version, The Soul Radio Version, and The 70's Version. The first two feature Run DMC's Darryl McDaniels who delivers a poetic rap over an EDM-style drum beat, serving as a dynamic catalyst for Santana to intricately weave his signature guitar magic. This limited edition three song 12” is pressed on tie-dye vinyl. This is a 2024 Black Friday Record Store Day release.

Finally! The first Sally Shapiro album re-issued. Almost 20 years later sound as fresh as the first listening.

When Sally Shapiro’s iconic debut LP, Disco Romance, hit the European scene in late 2006 (and the following year in North America), it created a bit of an earthquake, the vibrations of which the duo of Sally Shapiro and Johan Agebjörn are still riding today. Pitchfork awarded it “best new music” and an 8.5 review. Nearly 2,000 music fans on the big RateYourMusic forum ranked it the top Italo Disco album of all time. It wasn’t that it was the only Italo Disco revival album. However, Disco Romance was notable for the particularly high quality of the songwriting and production, for Sally’s ethereal vocals, and for the depth and breadth of the album’s scope.

Sub Pop and Pissed Jeans mark 15 years of King of Jeans, Pissed Jeans' thunderous third album, with a fresh clear-vinyl pressing, limited to 1,000 copies. If 2005's Shallow was Pissed Jeans coping with moving out of their parents' homes, and 2007's Hope for Men their initial reaction to the mechanical lifestyle of a wage-earner, King of Jeans is their formal and uneasy acceptance of adulthood, by way of one hell of a rock record. Working with renowned producer Alex Newport (who holds a Fudge Tunnel pedigree and has worked with such luminaries as At the Drive-In, The Locust and Sepultura), Pissed Jeans have pushed further into the raw, minimal core of heavy rock music with King of Jeans. Masters of the mundane, beasts of the banal, high priests of the humdrum: these four, white, male high school graduates hardly look further than their own appendages for artistic inspiration, content to execute their own brand of brash and heavy punk music in the Joe Carducci-approved standard rock formation of guitar, bass, drums and vocals. From simple minds and simple fabrics comes this King of Jeans. And there can be only one.

Suicide AFTR 7 is a musical partnership forged across two continents. This cross-Atlantic collaboration was founded in Barcelona by New York’s Neud Photo and London’s Antic.Distributed by Runas, a new label also based in Barcelona. New beat and Proto-Wave influences permeate the 12”.

Lean, mean, and evocative, "Soft Geometry" sets the stage with its blend of classic analogue textures and a sound palette that evokes the darker, more hypnotic side of electronic music. Throaty samples whisper through a synthesizer smoke, sodden bass lines throb against scaling crystalline chords.

The standout track, "Interplay", is an instant classic. Lyrics are distant, words ring, “Distant shadows," as snapping snares and warming pulses pull the listener closer drawing you deeper into its hypnotic world. Across the four offerings, a brooding dance floor looms; a
shadowy square of bodies shrouded in fog, pierced by strobe. This track will stick with you long after the music fades, a perfect blend of light and shade. It's the undeniable dancefloor moment on the EP, forever playful, forever bumpin.

"Last Word" pulses with a cold, hypnotic groove, driven by a deep 808 groove that'll get you moving. Think hypnotic rhythms, driving basslines, and a touch of electro grit. Slow, ethereal strings and shimmering synth stabs create an atmosphere of tension, punctuated
by film noir samples.

A sinister seam runs through the entire EP, coming to the surface for “Blind Spot.” Terse percussive patterns and eclipsed synthlines are stalked by vocals stripped of emotion, the mantra of “We are your enemy” encircling to a close.

'Floating' by Monika Linges should be repressed due to its enduring popularity and influence in the jazz fusion genre. Original copies are rare and highly sought after by collectors, with the only repress coming in 1992 and now selling between £30 and £60. The repress aims to make this classic album accessible to new audiences and satisfy the demand from djs who have had this in their wants list for a long time. Repackaging the album in a limited lilac vinyl, with liner notes written by German DJ and tastemaker Rainer Trueby

70s Nigerian psychedelic soul rock to be filed next to Shuggie Otis’ Inspiration Information. Some albums are more than the sum of their parts. This is one of them. Nothing quite explains the luscious layers of sounds. The wholesome feeling that exudes from the first note to the last. Shuggie Otis meets Grotto/Ofege is what comes to mind.

The band was a ragtag band of teenage musicians who hung around Federal Palace Hotel in classy Victoria Island, listening to the resident band, led by the incomparable Yom Yem with Papa Doe and Gboyega Adelaja on keys. Frank who had some experience stringing around studios in Lagos, approached the George Veira (Vocals, Guitar), Nadi brothers (Clifford and Gerrard) with the idea of making a record. Odion Iruoje had enjoyed massive success with Ofege and Frank knew he might be open to the idea of producing the band. “It happened very fast, as Georges had songs already written or half completed. We started jamming with a few gigs at Surulere Night Club, which was run by Tee Mac at the time. Odion heard the material and did not need any convincing. We Then we went into the studio to lay the vocals, drums and guitars. The keys and further production was done in London.

“My routine at the time was to finish records in London, at Abbey Road Studios. It was the best way to get the sound I wanted and allowed my use London based musicians which brought a special flavour. I liked to lay the rhythm tracks and vocals at our Wharf road studio in Lagos. That was the core of the work”. Mr Odion Iruoje

(Resident A&R exec/Producer, EMI Nigeria)

The Trails label appeared as a natural continuation of the crew’s parties. By joining minds with select producers they aim to showcase pieces that capture their collective vision of electronic music.

On TRAILS001, they bring us their close friend and graphic designer Bogdan Năstase going by the alias DJ Bogdan. As a reflection of the label’s philosophy and taste, the EP presents themes of melancholy, introspection, mystery and hope, all wrapped in a sound aesthetic reminiscent of 2000’s electro-techno with a touch of synth-pop. Shade Detector kicks off the A side with enough energy to entice crowds during those peak hours of the night. Next up comes the title track, Freakshow Parallax, a melancholic piece for the afterhours. Moving on to the B side we find Videofreex. This one’s a creative and flexible tune suitable at any point of the party. We wrap up with Fântâna Carteziană, a wonderfully twisted minimal techno track that pays homage to a lost period of Bucharest’s history.

1.12Bangin' On The Freeway - Bonus Track
1.13ECRP - Bonus Track

In diesem Jahr hat Kim Gordon ihr hochgelobtes und bahnbrechendes zweites Soloalbum The Collective veröffentlicht. Das Album wurde von Fans und Kritikern gleichermaßen gelobt. Die New York Times, Pitchfork, Rolling Stone, VOGUE, Vulture, NME, The Quietus und viele mehr nannten es bereits eines der besten Alben des Jahres 2024. Nun erscheint eine Deluxe Edition des Vinyls. Die Deluxe Edition enthält zwei neue Songs, das bereits veröffentlichte "ECRP" und den neuen Track "Bangin" On The Freeway", der von einem Video unter der Regie ihrer Tochter Coco Gordon Moore begleitet wird. Kim sprach über die neue Veröffentlichung und 2024 und sagte: "Ich fühle mich, als würde ich gerade erst anfangen! Danke für die ganze Liebe!" Die limitierte Deluxe-Version der Vinyl-Platte enthält eine 7" mit den 2 Bonustracks im LP-Sleeve und ist auf silbernem Vinyl gepresst. Gordon hatte ein turbulentes Jahr, in dem sie in ausverkauften Sälen und auf Festivals auf der ganzen Welt spielte, darunter Auftritte beim Glastonbury, Le Guess Who, Bumbershoot Festival und Ohana Festival. Das in Gordons Heimatstadt Los Angeles aufgenommene Album The Collective folgt auf ihr 2019 erschienenes Debüt No Home Record und setzt ihre Zusammenarbeit mit Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor) fort, mit zusätzlicher Produktion von Anthony Paul Lopez. Das Album treibt ihre gemeinsame Welterschaffung voran, wobei Raisens beschädigte, aufgeblasene Dub- und Trap-Konstruktionen die Folie für Gordons intuitive Wortcollagen und hooky Mantras bilden, die Kommunikation, kommerzielle Sublimierung und sensorische Überlastung beschwören.

Preceded by some of Bolan’s most fondly-remembered singles, “Children Of The Revolution”, “Solid Gold Easy Action” and the classic “20th Century Boy”, 1973’s Tanx was the first T. Rex album to make full use of the ever-expanding range of studio gadgets. And while the album represented a new musical departure, several tracks maintained a direct link to the old sound.

The album reached number 4 in the UK album charts and has gone on to influence numerous musicians from Suede to Depeche Mode’s Martin Gore. This edition includes the complete album remastered by producer Tony Visconti and Ted Jensen.

“Mata leao” means “lion killer” in Portuguese, an appropriate title for this beast of an album, Biohazard’s first as a trio. In this case less is more; with a sound blending so many ingredients (hardcore, rap, metal), the increased focus brought on by the streamlined line-up just hardens the tip of the jackhammer.

Produced by Dave Jerden of Jane’s Addiction and Alice in Chains fame, this 1996 release sees its first US issue on vinyl, complete with printed inner sleeve.

War Head Constriction, a trio that defined an uncompromising afro psych-rock sound, began by playing shows that combined dark proto-metal influences from Black Sabbath and Deep Purple with afro-rhythmic elements. Their raw energy caught the attention of Afrodisia, a progressive record label, which signed them to release a single in 1973: "Graceful Bird" b/w "Shower of Stone." Unfortunately, the record was too experimental for mainstream audiences and quickly faded, leading to the band's breakup. Despite this, they played their biggest show opening for Fela & the Afrika 70 at the National Stadium in Lagos before disbanding. However, the members quickly moved on, continuing to form new groups.

Amenechi recalls jamming with Soga Benson, his cousin Skid, and Ben Bruce at St. Gregory’s, where they wrote and performed together. Benson, who had previously been in rival groups, became close with Amenechi once he joined Greg’s. Benson, a talented guitarist, joined Ofege for their second and third albums in 1975 and 1977. Despite this, his main group, Grotto, had yet to record. That changed when EMI Records, the leading afro-rock label, took interest in Grotto in 1977.

Odion Iruoje, A&R manager at EMI Nigeria, recalls his first encounter with Grotto, noting their cocky attitude and raw material. He sought to help them find an authentic sound, avoiding the typical influences of British rock or groups like Ofege. Iruoje was passionate about youth bands, seeing them as a fresh opportunity to experiment and create something unique. Despite skepticism from EMI Nigeria about the youth market, Iruoje felt confident that Grotto’s originality would shine through.

RAWAX proudly presents the 3rd release by Ricardo Villalobos non his own series!
This time we have the honor to unveil "HEIKE", originally released on LOFI Stereo in 1998. This gem will be available only on Vinyl!

Special thanks to Christian Rindermann aka C-Rock!

Named by Q Magazine as one of the "5 Best Compilations of 2000," Romeo Must Die: The Album is the soundtrack to the Andrzej Bartkowiak 2000 film, Romeo Must Die. With executive production from Timbaland, Barry Hankerson, Jomo Hankerson and Aaliyah, the film's star, the album features production from Irv Gotti, Rapture Stewart, Ant Banks, Eric Seats, Mannie Fresh and J Dub. Appearances include B.G., Chanté Moore, Dave Hollister, Destiny's Child, Ginuwine, Joe, Lil' Mo, Mack 10, Playa, Stanley Clarke, and Aaliyah, who appears on four songs. The album debuted at number 3 on the Billboard 200 and was certified Platinum shortly after it's release.

Originally release in March 2009, Midle Cyclone is repressed for 2025. 'Middle Cyclone' was produced by Case with Darryl Neudorf and recorded in Tucson, Brooklyn, Toronto, and Vermont. It features Case backed by her core band - guitarist Paul Rigby, bassist Tom V. Ray, backing vocalist Kelly Hogan, multi-instrumentalist Jon Rauhouse, and drummer Barry Mirochnick - along with numerous guests including M. Ward, Garth Hudson, Sarah Harmer, and members of The New Pornographers, Los Lobos, Calexico, The Sadies, Visqueen, The Lilys, and Giant Sand, among others. In addition to twelve new songs written by Case, 'Middle Cyclone' includes covers of "Never Turn Your Back on Mother Earth" by Sparks, and "Don't Forget Me" by Harry Nilsson.

In 2006, SPIN Magazine called Case "one of pop music's best" voices, and Interview Magazine hailed her album 'Fox Confessor Brings The Flood' as "one of the most original, beguiling, honest records of the year." The album also earned Case Female Artist of the Year honors from the PLUG Independent Music Awards, and a Top 10 placement in the Village Voice's annual Pazz and Jop Critics Poll of the year's best releases. 'Fox Confessor' was Case's first album to debut in the Billboard Top 100, and has sold nearly 200,000 copies in the U.S. alone.

WRWTFWW Records is delighted to announce the first official worldwide reissue of Satsuki Shibano’s Wave Notation 3: Erik Satie 1984, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa. Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa’s own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982).

The highly sought-after album, sourced from the original master tape, is available as a double LP (housed in a luxurious heavyweight sleeve) for the first time ever. Digipack CD and digital formats are also available. This exclusive reissue, including English and Japanese liner notes by the artist, was supervised by Japanese ambient legend Yoshio Ojima.

Wave Notation 3 is a splendid tribute to seminal French composer and pianist Erik Satie, himself one of the main influences behind kankyo ongaku / environmental music (alongside Brian Eno, John Cage to name a few). The alphabetically-sequenced album features 26 pieces showcasing Shibano's unique piano interpretation of Satie’s works.

The artist explains: « For this album, I sequenced the compositions in alphabetical order of each title, irrespective of the period of each composition or style. By doing this, I attempted to effectively create ‘Music as an environment’ and at the same time, allow the listener to genuinely experience Satie’s music. »

Satsuko Shibano’s minimalistic approach to ambient classical is simply perfect and offers a beautiful and tranquil listening experience, furniture music with extra comfort and soothing simplicity, relaxing to the mind and to the soul. This Wave Notation deserves a spot among the pillars of Japanese environmental music, next to Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, and Satoshi Ashikawa’s Still Way.

The intrepid composer and field recordist Jacob Kirkegaard is no stranger to perilous and hostile regions of the world. His 4 Rooms invoked the radioactive decay through the amplification of architectural resonance in Chernobyl, Ukraine; and he has ventured to the arctic environments of Greenland on a number of occasions to document that barren, icy territory. His recurrent use of shadow and mystery through his work both as metaphor and as extended sonic technique reflects the complex, existential conditions that cross-contaminate what we consider civilization and what we consider wilderness. Waste disposal, firearms, the decomposition of dead bodies, the eerie stillness of morgues. These have also been the source material in Kirkegaard's formidable work.

With Snowblind, Kirkegaard turns to history, and a poetic, failed attempt for a team of Swedish explorers to reach the North Pole by balloon in the late 19th Century. Perhaps driven by blind adventurism, perhaps consumed by his own delusions, S.A. Andrée launched this ill-fated flight in July 1897, registering only two days in the air before crashing into the ice and ultimately failing to navigate the frigid waters and ice floes. Yet documentation of their expedition - photographic, scientific, and diaristic - survived, to be discovered some thirty years after their deaths.

"I wanted to created a cold and hostile album, where there is no escape, no warmth and no happy ending," as Kirkegaard explains about Snowblind. "Yet, I wanted to leave out any immediate drama. It is the creeping shock, the icy feeling from realizing what has been lost and that there's no escape."

Yes, Snowblind is a very bleak album, but one that eschews the isolationist, long-form drone of conceptually similar works by Thomas Köner, Lustmord, Werkbund, and Lull with interconnected constellations of cryptic tone, thrumming reverberation, arctic bluster, and a plethora of harrowing sonic proclamations.

On (ii), London & Vienna-based duo Bara & Isa present their singular version of devotional music. After meeting at an experimental choir in Café OTO, the duo started collaborating, mostly by exchanging files (initially during the pandemic and now between London and Vienna). (ii) is their debut album which follows a handful of self-released singles and an EP.

Described by the duo as a "sort of document of personal development, and also the struggles of everyday motions", this is music which embraces contradictions. Themes of reflection, acceptance and care sit side by side with notions of spiralling and falling, as Bara & Isa explore the nuances and complexities of quotidian life. Working with a rich sound palette of organ pipes, electric organ, voice notes, field recordings, vocals, harp, chimes, tuning forks, singing bowls, bells and flute, the duo slow-cooked and composed these beautiful songs between 2021 and 2024, mostly by exchanging files. And that's exactly what this music sounds like: a digital call with a loved one, glitching, slowed down, disembodied, yet heartwarming and comforting. Mesmerizing, inviting and bewildering all at once.

“Their music toys with proximity and intimacy, it carries a romanticism which feels forged from a struggle for connection in an isolating world. Tender, precarious folk ballads for a time which struggles to stay in sync.”
Daryl Worthington — The Quietus

“Late Junction 3 airplay”
Jennifer Lucy Allan — BBC Radio 3

"Color LP" is pressed on gold vinyl. Black Up is the new sonic move from Shabazz Palaces. Like rich velvet hijabs or gold threaded abayas. Luxury as understood by the modest. Shabazz Palaces. If Bedouins herded beats instead of goats and settled in Seattle instead of the Atlas Mountains, this would be their album. Forward thinkers but nostalgic for a sparer time when ancient astronomers only recognized five planets. Hip hop. Black light uses electromagnetic radiation to eradicate microorganisms, but shabazz didn't come to kill a sound, just to shine their own incandescent lamp on this. Hear. Hard and clear. Fifty thousand years in the making. Honorable._palaceer pink gators. Produced by Knife Knights.plcrs at Gunbeat Serenade Studio in Outplace Palacelands. It was recorded and mixed in Lixx-alog by Blood.

This record _produced by Bomp's Greg Shaw_ is the result of pure teenage exuberance!! Garage punk at its best that transports you back to either 1984 or 1966! Produced by Greg Shaw, "All Black and Hairy" was originally released in 1984 on his label Bomp!, resulting the only LP ever recorded by the band in their short career. Unavailable for over a decade now we are thrilled to reissue this essential `80s garage gem as part of a series of releases celebrating Bomp! 50th anniversary. Includes a booklet with notes by band member John Hanrattie and rare photos.

Today, the Toronto-born-and-raised singer, songwriter, producer, and multi-instrumentalist Charlotte Day Wilson announces her highly-anticipated sophomore album Cyan Blue out May 3rd via Stone Woman Music / XL Recordings

Along with the announcement of her new album comes the release of first single, "I Don"t Love You", a stark and devastatingly beautiful confessional, highlighting Wilson"s immaculate production skills and chill inducing vocals laid atop smooth groove piano chords and soft drums. The track also arrives with a visual directed by Dani Aphrodite featuring layered low fi footage of the artist and producer performing at home, living every day life and having moments of solitude in her car, a theme that comes up throughout the album. Cyan Blue finds Wilson crafting a smoothly woven cyan tapestry of her eternal influences; thumping gospel piano, warm soul basslines, atmospheric electronics, and penetrating R&B melodies. Yet, it possesses a sense of vastness that rings in a new era for Wilson, one in which she"s embracing collaboration and newfound creative openness tinged with wistfulness and yearning and a reflection on youthful innocence. "I want to look through the unjaded eyes of my younger self again," Wilson explains of making Cyan Blue. "Before there wasn"t as much baggage, before so much life was lived. But I also wish that my younger self could see where I am now. It would be nice to be able to impart some of the wisdom and clarity that I have now onto her.

" Working with producers like Leon Thomas (SZA, Ariana Grande, Post Malone), and Jack Rochon (HE.R, Daniel Caesar), Cyan Blue demonstrates Wilson´s sonic expertise while also showcasing the next evolution of her time-bending songwriting. Through 13 hypnotizing tracks, she continues to use music as a vessel for unpacking relationships, which in turn allows her to meet and understand herself in life-spanning, panoramic focus.

But, on Cyan Blue, she challenged herself to kick her perfectionist tendencies. "Before, I was extremely intentional about creating music with a strong foundation, a bed of artistic integrity," Wilson reflects. "But that was a bit stifling, like, "Let me just make a great piece of art that will stand the test of time, no pressure." Now, I think I"m getting out of this frozen state of needing everything to be perfect. I"m more interested in capturing feelings in the moment as they happen and leaving them in that moment."

While this is only her second album, Wilson"s influence in music has made a major mainstream impact. Wilson broke out in 2016 with her critically acclaimed EP, CDW, followed by 2018"s Stone Woman and made her debut studio album an official coming out moment in 2021 with the critically acclaimed, self-released Alpha.

Over the past decade, she´s been sampled by Drake, John Mayer, and James Blake, while Patti Smith has recently praised and covered Wilson´s 2016 breakout single "Work." Additionally, she´s collaborated with artists like Kaytranada, BADBADNOTGOOD, and SG Lewis, demonstrating that there´s no sound Wilson can´t adapt to and sprinkle her cyan-colored magic over.

Freedom Sound, the 1961 debut by The Jazz Crusaders, began a prolific and successful decade-long association with Pacific Jazz. The Houston, Texas founded band featuring Stix Hooper, Joe Sample, Wayne Henderson, Wilton Felder, and Jimmy Bond blended jazz aspirations with R&B roots to create an enticing sound. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

After two years in the making, Wyatt E. seals their long-awaited return in 2025 with the highly anticipated narrative sequel to "al beluti darû": zamaru ultu qereb ziqquratu Part 1 (Music from inside the Ziggurat); is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem. Featuring contributions from 7 international collaborators, zamaru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production & conception and will be released by the finest label in the genre: Heavy Psych Sounds. The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Faz?l Say is also present, with a quotation from his symphony Mesopotamia. For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem's choir conductor, Tomer Damsky delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch.

Gold vinyl, limited to 550 copies. After two years in the making, Wyatt E. seals their long-awaited return in 2025 with the highly anticipated narrative sequel to "al beluti darû": zamaru ultu qereb ziqquratu Part 1 (Music from inside the Ziggurat); is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem. Featuring contributions from 7 international collaborators, zamaru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production & conception and will be released by the finest label in the genre: Heavy Psych Sounds. The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Faz?l Say is also present, with a quotation from his symphony Mesopotamia. For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem's choir conductor, Tomer Damsky delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch.

The Leaves’ sophomore album weaves blues, folk and garage together through kaleidoscopic shards of psychedelia to bring listeners All The Good That’s Happening. On translucent chlorophyll green vinyl! Fired by youthful exuberance and a well-rounded repertoire of musical fashions, The Leaves, by all rights, should have turned into major stars. Despite the fact the band’s second and final album, “All The Good That’s Happening,” parented no winning singles and isn’t quite as potent as the first disc, the platter remains terribly underappreciated. Tracks such as the moody stupor of “On The Plane” and the ping-pong pulsations of “Lemmon Princess,” which carries a chaotic circus-like air, are decorated in psychedelic decals, while “Twilight Sanctuary” features some hard-driving harmonica blowing chained tight against giddy blues rock jamming.

The band’s blues influences additionally prevail on honest recyclings of Jimmy Reed’s raspy-throated “Let’s Get Together” and Buffy Sainte-Marie’s candidly cryptic “Codine,” along with “Flashback (The Rhythm Thing),” a retooling of John Lee Hooker’s “Crawling King Snake” that morphs into an intense boogie woogie instrumental. A copy of Manfred Mann’s “The One In The Middle” weighs in as another blues based item, and “To Try For The Sun” is a stark and haunting folk ballad. Snapping guitars, compounded by strong and solid harmonies give the album a strutting garage rock edge, where smatterings of offbeat arrangements and curious effects zone in on the freakier side of The Leaves. To call the album trailblazing would be stretching the truth, but there are enough amusing and exciting ideas to keep listeners awake and interested. Personnel issues, paired with lack of promotion prevented “All The Good That’s Happening” to be heard, resulting in the end of a band that died on the vine (pun intended) way too soon.