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In the enigmatic realm of electronic music, The Black Dog stands as a visionary act, responsible for crafting, among other things, the mesmerising album "Silenced". Notably, this release marks a significant milestone in the band's evolution, being the first album from the new line-up and their collaboration with the fledgling label Dust Science.

Defying industry norms, The Black Dog embodies a Do-It-Yourself (DIY) ethos. Their artistic journey remains steadfast, with a commitment to originality and creative freedom, unfettered by the limitations imposed by the commercial music industry.

The record label Dust Science takes pride in championing The Black Dog's musical prowess, with its first release being the band's 4-track EP "Bite Thee Back". However, this EP was only a prototype for the revitalised collective, eventually leading to the composition of Silenced, which followed soon after.

This creative period denotes a fresh start for The Black Dog, a testament to their resilience and a commitment to evolving their sound. The resulting album represents a new beginning, celebrating and transcending the echoes of the past. It redefines the band's sonic landscape and establishes a distinct musical narrative that resonates with dedicated followers and newcomers alike.

a A1 The Black Dog Trojan Horus Part 1 (Album Mix / Remastered) 00:05:42
b A2 The Black Dog Trojan Horus Part 2 (Album Mix / Remastered) 00:02:29














q D2 The Black Dog 4 3s 555 Part 1 (Album Mix / Remastered) 00:02:57
[r] D3 The Black Dog 4 3s 555 [Part 2] (Album Mix / Remastered) 00:08:16

[a] A1 Trojan Horus [Part 1] (Album Mix / Remastered) 00:05:42
[b] A2 Trojan Horus [Part 2] (Album Mix / Remastered) 00:02:29














[q] D2 4 3s 555 [Part 1] (Album Mix / Remastered) 00:02:57
[Part 2] (Album Mix / Remastered) 00:08:16

[a] A1 Trojan Horus [Part 1] (Album Mix / Remastered) 00:05:42
[b] A2 Trojan Horus [Part 2] (Album Mix / Remastered) 00:02:29














[q] D2 4 3s 555 [Part 1] (Album Mix / Remastered) 00:02:57
[Part 2] (Album Mix / Remastered) 00:08:16

The ashtrays in the music cellar are getting cold. Nobody coughs, that Beer tastes stale, and the disco ball spins in slow motion the sequins are missing. Only a small illuminated sign shines on the counter. Tonight: LO FAT ORCHESTRA – New Wave HIT-MACHINE from Schaffhausen, Switzerland. The band – three men with a sense of well-being Melodies – sets off on a ghost ride. “I’m not your dancer,” sings Chrisi Schmid, the singer behind it powerful synthesizer that writes the lyrics without them to write down. "I'm not your fucker." I'm not your puppet, you clown. This is the essence of the new Lo-Fat album “LFO_09”, which contains eight songs. That the name of the album just as well could come from a UFO is consistent. You don't have to Wanting to fit in or be cool for the sake of being cool. If in doubt, for the doubt. “I was afraid to talk to you,” sings Chrisi in the song “Sound,” and his Synth hops a wild dance. “I was afraid I wouldn’t like you. And I didn’t want to be like you.” The band still doesn't need a guitar. The bass works for two (the new bassist is Dominic Rubli). Drummer Daniel Zimmermann switches seemingly effortlessly between high-speed, Ballade scene and assembly line. “Love is for free,” sings Chrisi in the wonderful ballad “Good Times”. “This place is killing me.”

New material from The Disciples (UK). Very killer new roots dubs. TIP!

" Brand new hit from the UK’s greatest dubmaster Russ Disciples as a first release on Seafront International… Produced & mixed at the Backroom studio inna original 90’s style ‘n fashion. Three release-exclusive mixes on a crisp 10” for your musical pleasure.:"

2025 Repress

Chicago legend, Green Velvet, returns to Toolroom as he locks horns with label founder Mark Knight and studio partner, James Hurr, for 'The Greatest Thing Alive'. A low slung, chunky affair that screams Miami Space terrace at 8am! Quirky, full of character and Green Velvets unmistakable vocal re-work of the classic 'Mannish Boy' from Muddy Waters pushes this record into a really special place. Green Velvet debuted on the label back in 2015 alongside Technasia with 'Suga', a record that went onto to be an overall Beatport #1 and remained as their highest selling track for many years that followed, the track also sits on an impressive 9m streams. On the flipside, head honcho Mark Knight, returns with studio cohort and DJs favourite James Hurr, as they take on one of House music's all-time classic records; 'Lady (Hear Me Tonight)'. No messing around, Mark and James offer up an alternative take to this stone cold classic, bringing the infectious vocal and iconic guitar riff to the forefront, mixing into a signature Mark Knight club heavy beat. Having previously collaborated on 'Make You Happy' with Todd Terry and last year's 'You Are A God' with vocalist Cari Golden, Mark Knight and James Hurr are fast becoming a killer duo in the studio, and throughout the scene. Offering up a killer reinterpretation of legendary House classic 'Lady (Hear Me Tonight)' by French House duo Modjo, a record which transcended the boundaries of dance music back in the early 2000's and has since become a record synonymous with the era. True to form, Mark Knight and James Hurr mix their musical prowess together and deliver yet another stomping hit for the clubs!

Countless radio plays on Radio 1 from Danny Howard, Sarah Story, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

Matt & Lee team up with the grammy award winning Terry Hunter to deliver this soulful house weapon ! Matt & Lee also deliver a killer Masters At Work inspired soulful house mix. Jazz Apple smash out a Mario Biondi style jazz mix that fits the Jazz & Northern Soul Market.

Jamwax presents the resurrection of a hard-hitting space synth masterpiece that's set to ignite your senses and shake the very foundations of sound systems worldwide. 'In Ting Sound' is a sonic juggernaut, a hard-as-nails sound bwoy killer that refuses to be confined to the constraints of time. With its pulsating beats and infectious rhythms, this track commands attention from the moment the first note hits. But it's the heavy drums that truly set it apart, pounding with relentless force and driving the groove forward with unstoppable momentum.

Get ready to embark on a sonic journey like no other as this reissue comes with three exclusive unreleased tracks :
'Mandela': Feel the pulse of liberation with this uptempo digital killer, featuring Winston's impassioned plea to "Free Nelson Mandela...he never done no wrong, he is just a conscious man..."
Let the rhythm of justice resonate as you groove to this powerful anthem of freedom. 'Life All Over': Flip over to the B-side for a digital roots tune that- hits hard with its strong bassline and conscious lyrics. "Life AllOver" dives deep into the essence of existence, delivering a message of hope and resilience that reverberates with every beat. 'Finnegan' aka 'Life All Over Dubwise': Prepare to enter the realm of dub mastery. The second part of "Life All Over" takes you on a journey through the echoes of space and time, where the music transcends boundaries and the spirit of dub reigns supreme.

About Winston Fergus : Winston Fergus, a stalwart of the UK reggae scene whose career spans over four decades. Winston kickstarted his journey in 1976 as the vibrant lead singer of The Equators, renowned for their iconic track 'Father Oh Father' released under Joe Sinclair's esteemed Klik label. Not only did The Equators make waves in their own right, but they also provided the musical backdrop for rising star Pablo Gad, solidifying Winston's reputation as a mentor in the industry.

In 1977, Winston ventured into solo territory with the soulful release 'Give Me Love' on Jah Jah Bus, marking the beginning of a prolific solo career. Lightning Records recognized his talent and signed him, resulting in the release of 'African Woman'. Throughout the '80s, Winston remained a prominent figure, collaborating with luminaries like Clement Bushay, Clive Stanhope, and John Dread, producing hits such as 'Jezebel Woman', 'Keep On Dancing', and 'Hope For The World'.

In the late 80's, Winston's entrepreneurial spirit led him to establish his own imprint, Fergie Music label, marking a new chapter in his illustrious career.

Early Moods’ sophomore album A Sinner’s Past is the ultimate dosage of classic early 70s proto-metal, 90s grunge riffing and timeless songwriting delivered with an explosive youthful energy. The Los Angeles area quartet burst onto the scene fully formed with a sound that somehow simultaneously merged gritty underground Street Doom with slick “big box” Heavy Metal melodies on their self-titled RidingEasy debut album in 2022. And it’s the band’s highly skilled musicianship paired with exquisite aesthetic taste — in addition to their killer live show — that has made them an immediate popular favorite. A Sinner’s Past takes those elements several steps higher with a nod to Soundgarden’s huge sonic depth, the low-mid fuzz drenched tones of Sabotage and classic 70s melodies and structures of Ulli Roth-era Scorpions. The latter in particular inspiring the album’s intricate tonal shifts and shimmering twin leads. “I’m very proud of these songs,” says guitarist Eddie Andrade. “We did a lot of different things, took a lot of chances and show a lot of growth, and I think people will pick up on it. I was trying to use more open chords, not the typical styles. We came off touring with Candlemass and Pentagram, sharing those shows with our heroes really pumped us up. We went into the studio just hungry to record.” The album was recorded near the band’s home base in Pico Rivera, CA by Allen Falcon of Birdcage Studios, who also mixed their debut album. “He’s a good friend of the band and we wanted to be more comfortable, in a relaxed environment for this,” Andrade says. “He had a lot of input and his ideas made a lot of impact on this recording.” The band started recording in May 2023, then worked on the album on and off for 3 months between tours, which also lends to its very refined sound. Early Moods was founded in 2015 by Andrade and vocalist/keyboardist Alberto Alcaraz after a few years of playing in thrash and death metal projects before the two realized that the classic doom that they’d grown up with was what they really wanted to explore. Going through a few lineup changes while delving deeper into the diverging influences that were calling, Early Moods arrived at the sound and lineup that grew their fanbase locally. The band released their debut EP Spellbound in 2020 on German label Dying Victim Productions, followed by their self-titled debut full length on RidingEasy Records in 2023. Early Moods is Oscar Hernandez on lead guitar, Chris Flores on drums, Elix Felciano on bass, Alcaraz on vocals/synth and Andrade on guitar.

"Nemesisters is the third and final studio album recorded by Babes in Toyland. It was produced by Tim Mac at AmRep Studios in Minneapolis, Minnesota and released in May 1995. Unlike on the group's previous releases, they opted to record together to capture a ""live band"" sound; on their previous release, Fontanelle, bassist Maureen Herman had recorded her bass tracks separately from vocalist-guitarist Kat Bjelland and drummer Lori Barbero. This album contains a killer version of Sister Sledge’s ""We Are Family"" and a cover version of Eric Carmen's ""All by Myself"". Nemesisters is available as a limited edition of 750 individually numbered copies on purple coloured vinyl, housed in a gatefold sleeve. "

Nemesisters by Babes In Toyland, released 5 April 2024, includes the following tracks: "Drivin' ", "Surd", "Killer on the Road ", "Middle Man " and more.

This version of Nemesisters comes as a 1xLP in a(n) Gatefold Sleeve packaging.

“..we are witnessing, first-hand, the evolution of a phenomenal new pop star…” – Ones To Watch Der US-Singer-Songwriter Conan Gray veröffentlicht am 05. April sein mit Spannung erwartetes, drittes Album „FOUND HEAVEN“. In nur wenigen Jahren hat der Texaner mit irisch-japanischen Wurzeln es geschafft, sich zu einem der aufregendsten neuen Stimmen der Popwelt zu entwickeln. Sein Hit „Maniac“ wurde vom Billboard und Forbes Magazin zu den „50 Best Songs Of 2020 (So Far)“ ernannt, das Debütalbum „Kid Krow“ als eines der „Best Albums Of 2020 (So Far)“. „Kid Krow“ erreichte Platz 5 der US Billboard-Charts, das zweite Album „Superache“ erreichte die Top 10 der Albumcharts in u.a. USA, UK und Niederlande. Sein neues Album „FOUND HEAVEN” beinhaltet die Singles „Never Ending Song“, „Winner“, „Killing Me“ und „Lonely Dancfers“.

Laced Records, id Software and Bethesda proudly present the music of seminal 1997 first-person shooter Quake II on vinyl.

19 specially remastered tracks by Sonic Mayhem and Jer Sypult will be pressed onto heavyweight discs. Sleeve artwork is by id Software, with Jason Williford providing character illustrations.

The bulk of the soundtrack was created by Sascha Dikiciyan aka Sonic Mayhem — his first game project among an enviably long credits list. Having caught id Software’s ear with an unofficial Quake album (alongside production partner Dave Valencia), Sonic Mayhem and id Software went on to develop Quake II’s trademark aggro-industrial metal sound, inspired in part by Metallica. The killer riffs, repeated for effect, urge players forward through the Strogg city and beyond, a trail of gibs in their wake. Jer Sypult’s “Climb” complements the selection with its driving industrial groove.

It’s been one hell of a wild ride for Wine Lips.

Das Quartett konnte sich über die letzten Jahre bereits eine beachtliche Fanbase erspielen, allein das Vorgängeralbum "Mushroom Death Sex Bummer Party” bringt es auf sagenhafte 20 Millionen Spotify-Streams und bescherte der Band und ihrem hochenergetischen Rock, der teils an frühe Hives, Gluecifer oder Hellacopters denken lässt, zahlreiche Headline-Shows und volle Clubs.
"Super Mega Ultra" ist ein absolutes Biest. Aufgenommen von Simon Larochette im The Sugar Shack in Ontario, ist das Album vollgepackt mit 12 überschallschnellen, ohrenbetäubenden akustischen Köstlichkeiten. SMU ist wahrscheinlich das bisher ehrgeizigste musikalische Unterfangen der Band, die thematisch neue Wege beschreitet und dabei ihre unverkennbare Mixtur aus Psych-Garage-Punk-Rock-Elementen beibehält.

We’re hugely excited to announce the brand new album from Dee C. Lee - ‘Just Something’, out 22 March on Acid Jazz. It follows the incredible response to the new single ‘Walk Away’ and last year’s double-sider ‘Don’t Forget About Love’ / ‘Be There In The Morning’, marking the return of one of the UK’s most revered soul singers. Dee is known for her work with The Style Council, Wham!, Slam Slam and Animal Nightlife, and an illustrious solo career (including the Top 3 hit ‘See The Day’). ‘Just Something’ is her first new record since 1998, and her debut for Acid Jazz. Available on LP and CD, all pre-orders from the Acid Jazz Store will be signed by Dee.

‘Just Something’ features 11 songs: nine originals co-written by Dee, a song penned by her daughter Leah Weller, a successful singer/songwriter in her own right, and two inspired covers. Produced by Sir Tristan Longworth, the album is a soulful collection that frames her instantly recognisable vocals in luxurious horns, percussion and keys, and heritage soul with a disco backdrop. While making the record has been a collaborative process, ‘Just Something’ is nevertheless the sound of a singer in charge of her own style and direction. Her vocal delivery and phrasing steal the show throughout, bright and lilting one moment, passionate and ringing the next. She cites Chaka Khan and Jean Carn as major influences, but Lee’s voice is resolutely her own, the product of a life lived.

Inspired by classic Motown, current single ‘Walk Away’ was written by Dee with one of her ‘brothers from another mother’, former fellow Style Council member Mick Talbot, and features Talbot’s distinctive piano and Wulitzer playing on the track. Talbot also plays on another of the album’s many standouts, the Leah Weller-penned ‘Everyday Summer’.

Three of the album’s songs, opener ‘Back In Time’, first single ‘Don’t Forget About Love’ and ‘How To Love’ were co-written with Michael McEvoy and Ernest McKone, whom Dee wrote with back in the 1980s. All three songs channel her musical past, from the thrill and excitement of those early Wham! days, going out and partying, to The Style Council’s trademark jazzy soul, and expressive balladry and killer choruses, which places Lee in the lineage of classic soul singers.

Elsewhere, on ‘Anything’, co-written with Paul Barry, Dee sings her heart out on a song full of optimism and hope for the future, while ‘For Once In My Life’, the oldest song here dates back to 1998, is effortlessly commercial and has hit written all over it, with Lee empowered and regal sounding over a warm blanket of bassy funk.

The album’s two covers, meanwhile, were both suggested to Lee by Acid Jazz’s Eddie Piller. In Lee’s hands, Renee Geyer’s ‘Be There In The Morning’ is pure celebration, taking its cue from the Norman Connors version from 1979. ‘I Love You’, written by Don Blackman and recorded by Weldon Irvine in 1976, could have been written with Lee in mind. A big club tune, Dee recalls hearing it everywhere she went and I wanted to keep as close to the original vibe as she could.

Dee’s relationship with Acid Jazz the goes back to The Style Council days, and it was the 2019 documentary ‘Long Hot Summers’ that renewed Dee’s friendship with label founder Ed Piller and director Dean Rudland. We’re honoured to release this record and be a part of Dee’s return to the forefront of UK soul music.

Baba Stiltz has written and produced the award winning soundtrack for the Swedish Movie „Shame On Dry Land (Syndabocken)“. Awarded the „Guldbagge“ price for best feature film soundtrack in 2024, the music is dense, at times oppressive, than again light-mediterranean, all perfectly accompanying the stories vibe. The score is now available on vinyl and digitally for the first time.
Baba Stiltz moving between Stockholm & LA. A myth, a young legend. Writing music since the tender age of 13, not bound by genres or expectations. Used to do Skweee before he defined his own sound of Tech House - skipped that (temporarily?). Now moving on to more folkloristic styles: country, rock, indie… you name it. Good Musik.

After making the rounds as a digital “test press”, and getting support from some pretty heavy hitters, Super Badman Riddim finally gets its vinyl release! Double A goes full house mode, with tribal drums, a cheeky soul sample flip, and some big badman vocals. Heavy descending sub puts the icing on this cake. This one’s been killing it on dance floors for a while now, so grab it while you can! Side AA / James Nasty / Fan Dem Off A seasoned Baltimore Club veteran, we’re thrilled to welcome James Nasty to the Mountain 45s family. Although this previously circulated as a digital-only gem, this is a 7” vinyl debut for this banger. You don’t see much (any?) B-More on 7” so it’s also a bit of a unicorn. Big Dancehall vocal flip, absolutely banging uptempo drums, and a killer buildup makes for some sure shot dance floor ammo. Don’t snooze!

The Nomads remastered reissue of their album Solna, recorded by the Swedes in 2012, limited edition of ww 500 copies. The tracklist here is following the 2013 US release of the album, comprised of nine original album album tracks, but cutting three tunes to have those replaced with three songs culled from the Loaded Deluxe EP. After many years of career, The Nomads produced their strongest album to date. The group perfected their sound, live and in the studio. Solna is the distilled essence of what Nomads are known for. The Nomads deliver hair-raising authenticity of rock and roll with unsurpassed purity. Nobody coughs on them or will cough on them. They are still as good as ever. The formula is simple: a strong frontman, Nick Vahlberg, a guitar hero, Hans Ostlund, a powerful drummer, Joakim Werning, and a multi-talented bassist and composer, Bjorne Froberg. The Nomads are an institution in Europe after more than 40 years of career. Their last album, "Solna" was named after the Stockholm neighborhood from which they emerged in 1981, paving the way for the garage rock scene of the time. "Aside from the Pebbles compilations, not much was known about the garage bands of the 60s and many people first heard those great songs in The Nomads version," according to Chips K (famous Swedish producer - Hellacopters, la Secta_- and member of Sator). "But one thing that distinguishes the band from many other revival bands is that they never just copied the sound of the originals. They added extra influences such as punk, power pop and hard rock. That special recipe is what still makes their sound unique." Bands like The Hellacopters, Maharajas and Sator are direct descendants of what The Nomads created. They were closer to Australian punk rock and took varied influences to create something completely their own.

Red Vinyl Repress!

(Feat. Joe Killington & Duane Harden)

The world’s leading disco house artist Purple Disco Machine teamed up with Joe Killington & Duance Harden to deliver ‘Devil In Me’ which was the first official single taken from his highly anticipated debut LP ‘Soulmatic’.

This vinyl features an extended mix, a Club Dub mix from Purple Disco Machine himself and a mix from one of dance music’s most established and decorated stars, Fatboy Slim.

Erstmals seit 1982 auf Vinyl erhältlich: 'Psychotic Jonkanoo' war das sechste Creation Rebel-Album in drei Jahren, ursprünglich lizenziert an das Glasgower Post-Punk-Label Statik. Ein weiterer solider Killer-Dub, weniger instrumental, mehr ausgereichtet auf bewusste Vocals im militanten Stil samt unterstützenden Harmonien im Black Uhuru-Stil. Mit Backing-Vocals der Punk-Legende John Lydon (The Sex Pistols, Public Image Limited) und einer ausgesprochen experimentell-britischen Herangehensweise an traditionell-jamaikanischen Roots-Reggae, was zu einem unverwechselbaren Hybrid-Sound führt, der immer noch frisch klingt.

'Anybody searching Adrian Sherwood's catalogue for an easy point of entry would do well to start here, and everyone else can simply applaud Psychotic Jonkanoo as the last truly great roots reggae album of the 1980s.' - All Music

Warehouse Find!

Repress!

He made remixes matter more than the original songs. He introduced dramatic, forceful horns to rap’s sonic discussion. It almost goes without saying that Pete Rock is among the greatest hip-hop producers of all time, and Soul Brother #1 is still crafting timeless music. Now back on vinyl for the first time in years, Pete’s acclaimed album NY’s Finest features an impressive lineup of vocalists, including Wu-Tang emcees Raekwon and Masta Killa, Jim Jones, Little Brother, Styles P, Redman, Max B, Papoose, and more. Entirely produced by Pete Rock, the album is a modern masterpiece from a legendary artist. This repress also includes the bonus track “It’s So G” featuring Roc Marciano, a lost treasure from the NY’s Finest sessions that wasn’t on the original tracklist.

For Fans Of... El Michels Affair, Adnan Younge, Roy Ayers, Karnem Riggins, The Roots, Khruangbin. Producer "Grimez"” has been making music for 20 years deep, Grimez has ghost produced tracks for 50 cent, Hi-Tek, Kool Keith, Stick man (DEAD PREZ), Killah Priest, Sadat X, MOOD & Talib Kweli, and Mighty Diamonds to name a few. Gritty & raw analogue instrumentals. Very limited black vinyl LP. Genre: Hip Hop. Doctor Bionic is back on the airwaves. The newest album from Cincnnati based executive producer Jason Grimez is an instrumental collection of classic soul, jazz, and hip-hop sounds. The first instalment of a three-part series, Terrestrial Radio offers 37 minutes of carefully curated jams. Tune in to catch the vibe on 1/26/2024. Jason Grimez is an engineer, executive producer, and the owner of Chiefdom Records. Growing up in the 90s, he fell in love with hip hop at an early age. He started scratching on a pair of 1200s and sampling records with an MPC 3000 in high school Years of sampling, mixing, producing, and sharing his own music led him to where he is today. His independent label Chiefdom Records has released close to 30 albums in the last seven years. His studio persona Doctor Bionic was one of the first to see a release on the new implant. The project features a rotating cast of incredibly talented session musicians. Jason is responsible for writing, recording, producing, mixing, and releasing the records. Grimez sets the scene on track one of Terrestrial Radio, aptly titled “Time Continuum.” The listener is greeted with the scrubbing sound of a radio dial We pause for a few seconds when the signal is strong enough to catch an ad-read from an old cereal commercial, or to gather an update from a sports announcer. Grimez takes the listener to a new era each time he spins the dial. Our search comes to an end on the channel where we’ll cruise through the next six songs, hand-picked by the Doctor himself. Terrestrial Radio features some of Cincnnati's best session musicians. “Keep Your Kids in School” highlights a killer rhythm section. Brian Batchelar-Glader recorded the organ over an effortlessly funky foundation formulated by Manan Havéans (drums) and Aaron Jacobs (bass). With an equally punchy bass line, funky guitar jabs , and thoughtful trumpet arrangements (Michael Mawnidoglou), “Wire Fraud” s the perfect soundtrack for your next bank heist. The remainder of the record offers everything from shuffling gospel grooves to head-nodding drum breaks. As Doctor Bionic, Jason Grimez has carved out a niche for a community of musicians to thrive in and build upon. Grab a copy of Terrestrial Radio on 1/26/2024 and stay tuned for the second instalment in the series.

Release one of a 5 plate series from Blame.

Release one carries a killer V.I.P of Sith that featured in blames recent and very rare DJ appearance at a VNR event in Germany. Lost Science on the flip was produced in 1998 and appeared in Blames Logical Progression Sets from those days.

The series will build with each release culminating with a collectors box to house the series.

* 50th anniversary reissue of the ground-breaking set, originally released on Charisma in 1974.
* A record that at the time straddled the world between `Pub Rock’ scene and the then seemingly new sound of reggae music, at least to UK years.
* Released hot-on-the-heels of the Wailers’ `Catch a Fire’ and `Burnin’’ when “reggae fever” was starting to take root in the UK.
* G.T. Moore had previously been part of the legendary folk group Heron, before becoming the first white musician to make any serious attempt to make authentic reggae.
* The eponymously titled debut set from the Reggae Guitars featured session musician John `Rabbit’ (who has worked with Wailers, Free and The Who) and was mixed by Tom Platt who engineered the `Catch a Fire’ album.
* The set mostly consists of originals with the exception of covers of tracks by Bob Dylan, Heptones and Diana Ross.

Sparks Leks kind of a best of represses from Architek 17, 19 & 26, Free Style Listen 100, Les Oreilles Libres HS, Da Fonky Pump 09, Op System 13, Tactical Synopsis 04, Mizadisk 01...
A selecta of his best tunes on Various Artists releases...

With a visual by EXPEXP, released by Vstee FDB, a cut from Simon Davey at The Exchange...
Blue vinyls, of course !!!

Tom Saltas (Deathloop, PUBG, Halo) zutiefst beunruhigender Soundtrack zum Horror-Survival-Spiel 'The Outlast Trials' (Red Barrels Games, 2023) wurde komplett (35 Tracks) für 180g Heavyweight-Doppelvinyl gemastert und erscheint samt Linernotes-Einlage. 'The Outlast Trials' bietet einen abwechslungsreichen Horror-OST mit gruseliger Audioproduktion und ungewöhnlichen Orchester- und Musique-Concrète-Techniken, ergänzt durch einen nervtötenden falschen Mid-Century-Jingle, jazzige Fahrstuhlmusik und Honky-Tonk-Klavier. Salta nutzt geschickt die Sprache der Musik, um die Menschen in eine alptraumhafte emotionale Dimension eintauchen zu lassen und die grausamen Erlebnisse zu unterstützen, denen die Spieler begegnen werden.

"I Oughtta Give You a Shot in the Head for Making Me Live in This Dump is the debut studio album by American alternative rock band Shivaree. The album was originally released in 1999 and featured their big hit “Goodnight Moon”, which featured in the tv-series Dawson’s Creek and the films Kill Bill: Volume 2 and Silver Linings Playbook. The album spawned a second single, “Bossa Nova”. I Oughtta Give You a Shot in the Head for Making Me Live in This Dump celebrates its 25th anniversary and is therefore available on vinyl for the first time and includes an insert. "

I Oughtta Give You A Shot In The Head For Making Me Live In This Dump by Shivaree, released 29 March 2024, includes the following tracks: "Daring Lousy Guy", "Oh, No", "Goodnight Moon", "Pimp" and more.

This version of I Oughtta Give You A Shot In The Head For Making Me Live In This Dump comes as a 1xLP. This release comes with (a) Insert(s).

It’s obvious listening to Sarah Shook and the Disarmers’ clear-eyed, biting, and unafraid songs that integrity is the most important thing to the Chapel Hill, North Carolina, country-punk outfit. “A lot of artists are in this industry for fame, recognition, and money but those things don’t mean anything to me,” says bandleader River Shook. “Songwriting is it for me. It’s the only real healthy coping mechanism I've ever had. It’s life-saving. I don't care about any superficial things when I’m making a record.” On their resonant fourth album Revelations, produced by Shook and out March 29 via Thirty Tigers, these raw and resilient tracks come first. Throughout, Shook’s deft storytelling documents regular people getting by and keeping on, all presented without filter or pretension. In 2022, Shook was remarkably productive. They released two albums: debut solo indie rock record Cruel Liars under the moniker Mightmare (Kill Rock Stars) and a third Disarmers full-length called Nightroamer (Thirty Tigers). Compared to every Disarmers record before that, which captured the in-the-room energy of the band with live recorded songs, the latter LP was instead more of a product of the studio with meticulous tracking sessions and an outside producer. While that effort was well-received, Shook believed the songs on Revelations deserved a more direct approach. “Since the Disarmers started in 2015, our strength has always been in our live performance,” says Shook. “To me, an album should capture the essence of a band. With this new set of songs that are all super special to me, I didn't trust anybody else to capture the songs and decide how to best serve each song.” Shook, who honed their production skills with their Mightmare LP and Izzy Ryder’s debut record, confidently took the reins during a blistering recording session, capturing 10 songs in two days. For Shook, it was paramount the recordings match the band’s tangible live ferocity because these songs boast their most immediate lyrics yet.

Moustache records 050 ! TAFKAMP and David Vunk present: Frequent Flyers - Skypriority EP Jacking Chi-house electro acid techno project ouwe stijl. 3 fistpumping peaktime jams for the dancefloor. Recorded produced and mixed by 2 underground club djs from Rotterdam in the bunker downtown Rotterdam city center. A1 The Jacker. Jack Jack Jack Jack the house. A hard rocking banger for the floor and a tribute to the Chi-town. Expect a massive bassline and crazy rhythm section. B1 Acid Party. A jacking acidtechno oldskool-ish track with tb303 acid funk and some track muting fader action for the freaks. Hands in the air guaranteed. B2 Interzone. Raw Acid Electro, early rave steps. No fillers only killers. Skypriority red coloured 180 gram Vinyl. Don't sleep on this very limited pressing. A true collectors item for the KLM fans and fetishists.

On Rotation returns with the second instalment of its Genetic Memories V/A series, showcasing the diversity of the label’s sound through 4 floor-focused cuts from a spectrum of global talent.

Fresh from dropping an EP with our good friends space:lab, Rambal Cochet delivers a mind-melting A1 to start things off. Deep, tasteful and making full use of his trademark sound design, “Meteora” is one for the witching hour!

Bolam steps up next with the party-starting “Dream Machine”. Colourful synths sit atop driving breaks, with the peak-time energy dialled up to 11.

Flipping the record reveals a darker, hazier sound. Moisk’s “GooSE Attack” is reminiscent of long nights (and mornings, and afternoons) in the smoky clubs of Berlin and Amsterdam, while the dark, rolling tech house of “X-Stream” by Aussie heroes Primitive Needs is pure afters’ fodder - a real B2 killer for those who know.

On Rotation is a Leeds-based event & mix series turned label, with 6 genre-defining releases featuring scene stalwarts such as Adam Pits, Solar Suite, Anderson, Roza Terenzi and Hybrid Man, Jamie Leather & more.

2024 Repress

Introversion Created A Name For Himself With His Remarkable Debut With The First Record On The Label, The Record Is Still In Rotation Today, And Surely Will Be Part Of The Rave Scene For A Big Timespan, He Is Back With A Complete 12", Providing His Ravy Personal Sound Reminiscence To The 90's, Now More Than Ever The Artist Is Defining His Own Sound, Creating A New Window Following The Old And Good Roots.

2024 Repress

Another episode of the notorious 'You Can Trust A Man With A Moustache Series. Containing 4 crazy electro house energizing nu-italo top hits! A1 The mysterious super hit wanted and sought after by many DJs, played at numerous clubs and festivals by Moustache records label boss David Vunk, the mega anthem by the super collective ; Tending tropic - Hondebrok!!! A2 Cafius the super talented electronic music producer hailing from Ukraine is part of Moustache family now. He Delivered a massive club banger for the dancefloor: Cafius - Tonight is the night. Already played by DJs around the glove! B1 Im Kellar the infamous project by 30 years friends David Spanish and David Vunk ebm electro, dark and pure from the analogue cellars of downtown Rotterdam city, Im Kellar known for their super rare always sold out 12inches. Im Kellar - Not to be compromised dont miss this killer track with that strange melodie ;) B2 Moustache is super pleased to have the boss of Barca on board. Italo moderni label ceo Adrian Marth with his electro house hi energy track: Icon of the night! Expect deep basslines and peaking party drops. You can trust a man with a Moustache Vol. 5 comes in a super great designed 12inch sleeve full colour Artwork. Dont sleep on this ultra rare vinyl super limited only 500 copies no repress! Don't play this record underwater!

Kann ein Albumtitel lügen? Ja, das kann er. Die vier Mitglieder der österreichischen Band BAITS nennen ihr zweites Studioalbum "All Filler No Killer". Doch der Inhalt ist genau das Gegenteil von dem, was auf dem Cover steht. Ist der Albumtitel eine subversive Kritik am Größenwahn eines alternden Rockstars? Das ist nicht ganz klar. Aber eines ist sicher: Das Album enthält keine Füller, nur Killer. Das Quartett um die charismatische Frontfrau Sonja Maier serviert auf "All Filler No Killer" 11 absolute Hits, die zwischen Nirvana, Weezer, Hole, Ramones und Amyl and the Sniffers oszillieren und dennoch eine einzigartige, unverwechselbare Identität bewahren. Punk ist nur das Basislager. Von dort aus erklimmt die vierköpfige Band musikalische Höhen, die unterschiedlicher nicht sein könnten. Ob tanzbarer Popsong, mitreißender Garagenrock oder harmoniereiche Punkhymne - all diese Songs haben eines gemeinsam: Sie graben sich erst ins Ohr und dann direkt ins Herz.

'Born Sandy Devotional' ist das zweite Album der Australischen Alternative-Rock-Band The Triffids und enthält mit 'Wide Open Road' einen ihrer erfolgreichsten Songs. Es erschien erstmals im März 1986 und wurde damals von Mark Angelo und Gil Norton (Pixies) produziert. Nun wieder als LP erhältlich!

Buffalo & Detroit are America’s broken dream. They are once thriving cities, now known for frigid temperatures and violent crime. The cities were birthed in a different era, forged in fire, built of cold steel. It follows that the rawest Hiphop in recent memory has bled from these two regions. No two artists exemplify this hard truth more than legendary Detroit producer Apollo Brown and Buffalo’s maverick emcee Che’ Noir. The two artists came together to create a sound as natural as calm after the storm. The soulful, head-nodding production of Apollo Brown has been a staple called on by some of the greatest to ever do it. From Ghostface Killah to Danny Brown, and from Freddie Gibbs to Chance the Rapper, Apollo Brown’s signature style has become an iconic staple of the culture. Meanwhile, Che’ Noir has stepped onto the scene as smoothly as any double dutch veteran. Having already worked alongside Benny The Butcher, Kool G Rap, and Fred The Godson, she has emerged as one of the most extraordinary New York talents heard in years. The pair’s new album, “As God Intended”, drifts up and down city streets and offers a glimpse behind closed doors, telling the stories of gunshots, missing fathers, & playing the system. The album from Apollo Brown & Che’ Noir features Skyzoo, Blakk Soul, Planet Asia, Ty Farris, and Black Thought. Part of the Mello Music Group 24 for '24 Artist Series featuring limited edition vinyl art by oil painter KipDaFog.

As God Intended by Apollo Brown & Che' Noir, released 22 March 2024, includes the following tracks: "Hustle Don't Give (feat. Black Thought)", "Hours", "Daddy's Girl", "The Apple (feat. Planet Asia)" and more.

This version of As God Intended comes as a 1xLP.

The vinyl is pressed as a brown disc.

Electric Feel Good a band from Hälsingland that has been around since 2015 are now releasing their
third Album "Jane's Inn" on the 23 of Feb! With their roots in the English seventies rock landscape they
started off with Faces as one their leading stars. Later on they've moved on to blend their seventies rock
sound with the Swedish pop-rock of the nineties. Electric Feel Good's third album is a must have for
anyone who's into Faces, The Rolling Stones, Atomic Swing and Ennio Morricone!

Diese Split-LP wird auf dem Vinyl-Drehtisch einen bleibenden Eindruck hinterlassen: "LEAVE A TRACE" bietet zwei der aktuell besten europäischen Streetpunk, Oi! & Hardcore-Acts mit jeweils fünf neuen und exklusiven Songs. "This Means War" melden sich 5 Jahre nach ihrer letzten Scheibe "Heartstrings" (Pirate Press) zurück! Mit veränderter Besetzung (neu dazugestossen Tom (Ex Dead-Bleed) sowie Steve von Chron-Gen, neuem Label, neuen Songs, Ihren Style nennt die Band nach wie vor "Bleeding Punk" und mit Killersongs wie "We owe the night" oder "Raging Souls" kann man nur sagen: Was für eine gelungene Überraschung! Die Italienischen "No Restraints" dagegen machen wie üblich keine Gefangenen und bieten den optimalen Härtegrad mit ihrem Mix aus brachialen Sing-a-long Shoutern, Oi!-Core und einer perfekten Dosierung melody & "Direct Hit-Punches"....schon der Opener "Rough & tough" bedarf keiner weiteren Kommentierung. Ihren Stil-Mix und Songwriting haben sie dabei ein weiteres Mal mit feinen Nuancen perfektioniert, ihre lyrics hinterlassen deutliche Spuren im brüchigen Mauerwerk dieser verlogenen Gesellschaft. Oder um den Refrain von "Forever in disguise" zu zitieren": No chance to close your eyes....

Diese Split-LP wird auf dem Vinyl-Drehtisch einen bleibenden Eindruck hinterlassen: "LEAVE A TRACE" bietet zwei der aktuell besten europäischen Streetpunk, Oi! & Hardcore-Acts mit jeweils fünf neuen und exklusiven Songs. "This Means War" melden sich 5 Jahre nach ihrer letzten Scheibe "Heartstrings" (Pirate Press) zurück! Mit veränderter Besetzung (neu dazugestossen Tom (Ex Dead-Bleed) sowie Steve von Chron-Gen, neuem Label, neuen Songs, Ihren Style nennt die Band nach wie vor "Bleeding Punk" und mit Killersongs wie "We owe the night" oder "Raging Souls" kann man nur sagen: Was für eine gelungene Überraschung! Die Italienischen "No Restraints" dagegen machen wie üblich keine Gefangenen und bieten den optimalen Härtegrad mit ihrem Mix aus brachialen Sing-a-long Shoutern, Oi!-Core und einer perfekten Dosierung melody & "Direct Hit-Punches"....schon der Opener "Rough & tough" bedarf keiner weiteren Kommentierung. Ihren Stil-Mix und Songwriting haben sie dabei ein weiteres Mal mit feinen Nuancen perfektioniert, ihre lyrics hinterlassen deutliche Spuren im brüchigen Mauerwerk dieser verlogenen Gesellschaft. Oder um den Refrain von "Forever in disguise" zu zitieren": No chance to close your eyes.... Orangenes Vinyl!