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Beautiful debut album from the incredible, Ce´lia. Conducted & arranged by Arthur Verocai and Roge´rio Duprat; featuring songs by Lo Borges, Antonio Adolfo and Joyce amongst others.
Ce´lia recorded four self-titled albums for Continental between 1971 and 1977, 'Amor' in 1982 plus several more before she sadly passed away late in 2017, aged 70. This is her debut album from 1970.
Ce´lia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career. Joyce was particularly supportive in the making of this album, writing the beautiful 'Abrace Paul McCartney' and her husband at the time, Nelson A^ngelo, recorded some of the songs.
Features an exclusive insert of a translated interview with Celia, completed in 2011 in her hometown of Sa~o Paulo. Focusing, in particular on her recording work with Arthur Verocai, it showcases her wonderful sense of humour and how she was embracing her new legion of fans, particularly in the world of hip hop.
Official Mr Bongo reissue. Licensed from Warner Music.

From Mississippi, Veatrice Thomas moved to Los Angeles and in 1967 began recording as Ty Karim. She worked closely with her writer/producer husband Kent Harris since her debut single 'Lighten Up Baby' through to the rare groove/modern soul masterpiece 'Keep On Doin'' first released in 1980. Both the 7' and 12' have been highly desirable on the collectors scene, exchanging hands for vast sums of money. This is pure quality, as you would expect from Expansion. Features co-lead vocals by George Griffin.

Massturbator was originally recorded 1995 in Bizz O.D.'s kitchen in Brooklyn, New York. This hardcore acid 12" went straight to number #1 of the CMJ techno charts back in the days and has not lost any of it's Acid-Punk power. The four tracks are somewhat of a blueprint for bands like Animal Collective's hyper-jazz or Sleaford Mods proto-punk. They mentioned Massturbator in interviews as an inspirational force. For most DJ's too fast, too hard, but thanks to modern technology you can always pitch down 30bpm to please some fat ass, old, Berghain crowd. Jack Off and hail mAssturbator!

The compilation album The Best of the Guess Who is the ultimate collection of the best songs The Guess Who recorded in the '60s and early '70s. The multi-talented Canadian band created a masterpiece by recording their single hit "American Woman". The 11 track album shows a versatile band, starting with the keyboard hook and guitar accent of "These Eyes". Other Guess Who classics included on this album are "Laughing", "Share the Land" and "No Time".

The Guess Who is one of Canadian's most successful band's, originated in 1965. Fifty years later they're still performing live, with founding member drummer Gary Peterson sitting behind his kit.

The Best of the Guess Who includes an insert and exclusive poster.

Mad, hypnotic rhythms and darker ambient by DJ Neumann. Contactless over Bank Transfer. Zero EUR paid. Brought to you by Funkycan & Max Gee. Double 12 inch plus: locked grooves included!

Black Truffle is excited to announce the release of the first-ever vinyl reissue of Ruedi Häusermann's Galerie Randolph, a masterpiece of solo multi-tracking originally released on CD by Unit Records in 1995. Born in 1948 and residing in the medieval Swiss town of Lenzburg, and virtually unknown outside of the German-speaking world, Häusermann is a multi-instrumentalist and enormously prolific composer who works primarily in the medium of absurdist music-theatre. A virtuoso wind player and free improviser who also composes for traditional classical instrumentation, his work is characterised by subtly surreal humour and the unlikely combination of extended technique and simple, at times almost child-like, melodic ideas. Named after his rehearsal room in Lenzburg, Galerie Randolph uses an enormous array of instruments to craft a work of singular compositional vision. Each of the twelve pieces begins from the same two elements: a woozy, sliding scatter of tones played on a home-made contraption stretching two guitar strings between the top of Häusermann's alto saxophone and an amplified cup, and a series of uneasy block chords sounded on accordion and reeds. On each piece these two elements (whose pitch gradually raises throughout the record) are complemented by entirely different material, all of it played by Häusermann. Ranging from layered flutes to one-finger piano melodies to unintelligible vocals to musique concrete interjections to free jazz saxophone explosions, these additional layers combine with the endlessly returning idée fixe of the foundational elements to create a truly dream-like listening experience, a gently deranged realm in which we lose all sense of linear time. Calling up the most unlikely combinations of possible predecessors - Erik Satie, Gerry Mulligan, and Helmut Lachenmann perhaps -Galerie Randolph ultimately defies comparison. Almost unknown except to a select group of cognoscenti such as Jim O'Rourke, yet destined to become a cult classic, Galerie Randolph is an instance of that most rare thing: music the likes of which you have never heard before.

Presented in a deluxe gatefold sleeve with gorgeous archival images by the composer. Design by Stephen O'Malley. Mastered and cut by Rashad Becker at D&M, Berlin

Key selling points: - Black Truffle is excited to announce the release of the first-ever vinyl reissue of Ruedi Häusermann's Galerie Randolph, a masterpiece of solo multi-tracking originally released in 1995, the album utilises an enormous array of instruments to craft a work of singular compositional vision.

- Calling up the most unlikely combinations of possible predecessors - Erik Satie, Gerry Mulligan, and Helmut Lachenmann perhaps -Galerie Randolph ultimately defies comparison.

- Each of the twelve pieces begins from the same two elements: a woozy, sliding scatter of tones and a series of uneasy block chords sounded on accordion and reeds. On each piece these two elements are complemented by entirely different material, ranging from layered flutes to one-finger piano melodies to unintelligible vocals to musique concrete interjections to free jazz saxophone explosions, these additional layers combine with the endlessly returning idée fixe of the foundational elements to create a truly dream-like listening experience, a gently deranged realm in which we lose all sense of linear time.

- Almost unknown except to a select group of cognoscenti such as Jim O'Rourke, yet destined to become a cult classic, Galerie Randolph is an instance of that most rare thing: music the likes of which you have never heard before.

- Galerie Randolph is presented in a deluxe gatefold sleeve with gorgeous archival images by the composer with design by Stephen O'Malley. Mastered and cut by Rashad Becker at D&M, Berlin

Born Marian Himburg, Causa has been on the rise for several years now, with a tight and impressive discography on labels including Crucial Recordings, Infernal Sounds, and J:Kenzo's Artikal Music UK. Known for carefully focused cuts that marry dub sensibilities with dubstep weight, his debut for ZamZam is exactly what you'd hope: heavy 140 wares for deep dances.

'Space Dub' is an orbiting station of decaying delays and insistent bleeps that resolve into an absolutely massive riddim that causes pure murderation on the floor. Machine sounds and lasers spar over dread, lurching bass, while thick snares cut through the reverb haze to reveal the cold, starry cosmos beyond.
'Concrete Dub' works with a similarly industrial sound palette in the service of a minimalist, skanking steppers that drives hard into the heart of sound system. Disembodied voices, growling-deep horn stabs, a single piercing flute note, and a myriad of other sonic signifiers emerge and retreat, as if being pulled under by the unrelenting force of the primordial sub & kick attack. You've been warned!

Masterworks Music Rolls Into Town Once Again, This Time With France's Very Own Chevals Firmly In The Saddle. Four Peak Time Disco Edits Of Tried And Tested Dancefloor Anthems, Ready And Raring To Be Unleashed.

First Out Of The Blocks, 'my Feet Keep Changin', Drenched In Uplifting, Gospel Leaning Vocals That Will Have Hands Reaching For The Heavens. Couple That With Dazzling Piano Melodies, A Pulsating Bass And Staccato Strings, Alongside A Spiritual Breakdown That Will Bring About Full-on, Holy Disco Enlightenment. Next Up, A Filtered Disco House Gem In The Form Of 'this Time Is Dedicated To Love'. Shimmering Vocals, Synth Trills And Guitars That Radiate Warmth Combine With Fresh Percussive Samples And Lush Female Harmonies.

Take To The B Side And You're Hit With 'never Will I Leave You Baby'. Sun-kissed, Beachside, Wind In The Hair Vibes - Bringing Back Memories Of Those Warmer Months, Where Everything Just Seemed That Little Bit More Blissful. '80s Synths, Fuzzy Hats, Filtered Phrases And Sweet Chord Progressions In Abundance. Closing Out The Ep Chevals Goes Heavy On The Modulated, Wobbly Synthwork And Rich Bass Tones On 'love Somebody' Before Those Deep, Soulful Keys Take Centre Stage.

Disco Edits Done Properly!

A never before released version of a truly, legendary house record from the late great Frankie Knuckles...working in collaboration with The Frankie Knuckles Foundation who will receive 50% of the profits from this project, SoSure Music is proud to present the Director's Cut re-production of 'Baby Wants To Ride'. Alongside this, a vinyl exclusive edit by Jimmy Edgar, which was originally a tribute release after Frankie's passing in 2014, finally gets an official release.

2011 saw the launch of Frankie and long-time production partner Eric Kupper's 'Director's Cut' project, with the aim to release new music, whilst re-producing classic cuts to fit with the modern dancefloor. SoSure Music is now working alongside Eric Kupper and Hector Romero, with the blessing of both Def Mix and The Frankie Knuckles Foundation, to bring a renewed focus to some of this material.

First up, the illustrious, evocative 1987 anthem, 'Baby Wants To Ride'. Rightly regarded as a masterpiece of early Chicago house and a pioneering classic through and through. Knuckles and Kupper extend the intro and outro to allow for those sweeping blends, whilst adding deft touches and reprogrammed lines to give a crisper, more detailed feel to this sumptuous slice of definitive house music. Couple that with newly spiritualised vocals and fresh erotic ad libs from Jamie Principle and prepare to rekindle that infectious energy 32 years down the line.

On the B side, Jimmy Edgar showcases his trademark touch to provide a fresh spin on the original whilst staying true to its essence. Reworking the arps, adding atmospheric drops and crunchy percussive elements, whilst holding off on the iconic vocal till the last section, all combine to give this version a unique, big room character that nods to the past, yet reinterprets for the present. A fitting tribute from an artist whose own productions are clearly laced with influence from Frankie Knuckles.

Das Duo Boy Harsher Aus Northampton, Massachusetts Gibt Es Seit 2014 Und Sie Verbinden Düstere Dance-beats, 80er-jahre-versatzstücke Mit Sehr Ätherischen Vocals Und Schaffen So Eine Unheimliche, Intensive Und Fesselnde Klangwelt.
Nach Ihren Ersten Ep&album-veröffentlichungen "lesser Man (diverse Pressungen 2014 - 2018, Soft Science / Nachtaufnahmen / Aufnahme + Wiedergabe / Nude Club) Und "yr Body Is Nothing" (diverse Pressungen 2016 - 2018, Dka Records / Nude Club), Ist - careful Nun Der Nächste Schritt - Vielleicht Noch Einen Schritt Weiter In Richtung Dunkelheit.

Augustus Muller Entwickelt Den Unterbau Der Tracks Aus Präzisen Und Kraftvollen Beats (die Irgendwie Nach Damals Klingen, Aber Von Heute Stammen) Und Schleift Darüber Noch Sägende Synthies, Während Jae Matthews Dazu Haucht, Schreit Und Singt. Diese Kathartischen Aber Auch Magnetisierenden Tracks Wurden Innerhalb Kurzer Zeit Zu Hits Eines Real Existierenden Untergrunds. Das Album - careful Wurde Hauptsächlich In Massachusetts Geschrieben, Mit Einer Handvoll Synthesizern Und Einem Laptop. Für Muller Ist Ein Minimales Set-up Sehr Bedeutend In Diesem Prozess. Gemischt Wurde In Italien Mit Maurizio Baggio Von La Distilleria Studio.

Boy Harsher Haben Sich Über Die Letzten Jahre Bereits Eine Sehr Treue Untergrundgemeinde Er- Und Zu Beginn Des Jahres Eine Triumphale, Restlos Ausverkaufte Tour Durch Europa Gespielt. Es Folgte Eine Weitere Tour Durch Europa Und Zwei Us-touren, U.a. Mit The Soft Moon. Im Frühjahr Folgt Die Eigene Headline-tour Durch Europa.

Rich, Deep, Percussive Soulful Folk Album From Master Togolese Singer, Akofa Akoussah.

The Album Moves Through Uptempo Afro-folk-funk On 'tango' To Deep Ballads Of 'ramer Sans Rame' And 'i Tcho Tchass' And Lighter Moments On 'g Blem Di' And 'mitso Aseye'. Akofas Exceptional Songs And Soaring Vocals Are Decorated With Percussion, Guitar Lines, Subtle Backing Vocals And Horns To Create A Unique, Rich Sonic. The Album Was Recorded For Release By French Label Sonafric In 1976. Produced By Gérard Akueson; Founder & Owner Of African Record Label, 'akue', Based In Paris.

Music Was Truly In The Blood Of Julie Akofa Akoussah. She Began Singing At The Age Of Three, Inspired And Led By Her Mother And Older Sister And Became Principal Soloist In Her School Choir, St. Peter & Paul Choir Of Our Immaculate Conception Parish Of Nyékonakpoé, At The Age Of 8. From There Her Career Blossomed, And Singing Often Took Precedence Over Her Studies. In Order To Master Her Art She Spent Time Studying And Working Closely With Local Groups Including Mélo Togo, Rocka Mambo, Rio Romamcero, Ok Fiesta, Eryco Jazz, Afro Cubano, Los Muchacho, Elégance Jazz And Togo Star Amongst Others. In Her Own Words: 'luck Opened The Door In January 1966 Where I Had The Honour Of Being Selected To Share The Stage With Bella Below - One Of The Best Voices Of

Africa - At The 1st 'negro Arts Festival' In Dakar. On My Return, I Was Approached By Ambroise Ouyi, The Highly Respected Singer & Poet, And We Wrote 'tu Ne M'écris Plus', My Very First Opus.'

The Popularity Of Her Work Led To An Increased Exposure For Togolese Music Outside Of The Country, In Neighbouring Ghana And Benin Most Notably. During Her Career She Collaborated And Performed With Greats Including Manou Djibango, Queen Pelagie, Abeti Massikini, Aycha Koné And Myriam Makeba. Akoussah Was Also Dedicated To, And Widely Recognised For, Her Work For Social Causes, Championing And Nurturing Young Musical Talent, And The Fight Against Aids. She Was President Of The National Union Of Artists Musicians Of Togo (unam) Before Sadly Passing Away In April 2007 After A Long Illness, At The Age Of 57.

Jimi Tenor delivers another 7" on Philophon. This time he teamed up with the two glorious gospel queens Florence Adooni and Lizzy Amaliyenga from Bolgatanga/Northern Ghana. This release is a first insight into the next album by Jimi on Philophon, which will be released later the year.

Vocalize My Luv is a charmingly presented lure for love. The secret of the song is that drummer Ekow Alabi Savage's upfront high-life beat is triggering a Jimi-operated Korg MS-20 bass synth. Man and machine are melting down into a light and sportive groove, which irresistibly invites you to do some frisky aerobic moves on the 3am dancefloor. Ki'igba is a classic Frafra gospel song by Alogte Oho, completed with some jubilating flute by master Jimi.

Jaye P Morgan's 1976 million dollar private press featuring the cream of the LA jazz and funk scene and one of David Foster's first productions is finally reissued. Wewantsounds is delighted to announce the release on deluxe LP and CD of Jaye P. Morgan's ultra rare private press originally released in 1976. This lost classic recorded in LA at the legendary Sound City Studios is also the first full-blown production by David Foster two years before he co-produced Earth Wind and Fire's album I Am and went on to become one of the hottest producers on the scene. Featuring an extraordinary line up of the best LA musicians including Harvey Mason, Ed Greene, Jay Graydon, Ray Parker Jr. Tower of Power, Ernie Watts and many more, it's probably one of the most expensive private press ever produced and a delight of sophisticated Los Angeles funk featuring Jaye's superb soulful vocals. The LP edition will come with the original 4 page insert full of session photos and credits.

With a line-up that reads like a who's who on the 70s Californian scene, this album was a bold move for the singer who had made her mark in the 50s and 60s as a popular music singer and actress. Hiring Foster was a masterstroke as he hadn't yet produced any noticeable hit but together they gathered the most impressive crew of musicians you could think of including two of Foster's closest associates, guitarist Jay Graydon and singer / arranger Bill Champlin (of Sons of Champlin's fame) and created the perfect white Soul album with a breezy California feel.

Featuring masterful renditions of such iconic songs as Stevie Wonder's songs as Seems So Long and Earth, Wind And Fire's Can't Hide Love (for the anecdote, Foster, Champlin and Graydon would soon pen After The Love Has Gone which would become a mega hit for Earth Wind AND Fire two years later), together with a handpicked selection of originals, the sound alternates between uptempo funk and soulful mid-tempo ballads, all served by Morgan's superb vocals. The missing link between Steely Dan and Earth, Wind and Fire, Jaye P. Morgan is pure, undiluted Funk music and an essential LA classic which Wewantsounds is glad to make available for the first time.

From Their Unassuming Origins As A Group Of
School Friends Drawn Together By A Shared Passion
For Music To The Global Touring Force (supporting
The Cure And Editors At Arenas And Stadiums) They
Have Quietly Become, The Twilight Sad's Ascent Has
Been Forged The Old Way, With Grit, Graft And Four
Exceptional Studio Albums.
Now Signed To Mogwai's Rock Action Records, The
Band's Fifth Album Does Not Disappoint And Will
Certainly Please Fans Of Their Previous Works. It Will
Also Appeal To Fans Of The Cure, Frightened Rabbit,
The National, Interpol And Editors.

"I love you" is arguably one of the best obscure soul ballads out there. The highly anticipated re-release of this rare and collectable 45 is another collaboration with my good friend Brian Sears, Brooklyn based collector/researcher. Hailing from Dallas, Willie Griffin is a self-taught guitarist and singer-songwriter with a very unique style, which is on full display on both sides of this record. Although "I Love You" has long been a favorite among ballad collectors, do not sleep on "Where There's Smoke, There's Fire". For this limited release we were ecstatic to uncover the original master tape from 1984, in pristine condition, yielding the perfect reproduction. We hope you enjoy this special record.

The latest episode on Piezo's no nonsense, hand stamped and heart warmed Ansia label has arrived! ANSIA003 is the follow up to his early 2018 'Parrots EP' and for this release the Milanese producer has enlisted 3 other disparate yet like minded artists to let loose on this monster 4 tracker. StabUdown Productions (James Donadio aka Prostitutes) kicks it off with the opener 'FyeRRR!' A deadly burst of blown out ragga replete with an arsenal of kicks and vocal cut up shrapnel. Next up label head Piezo drops 'OiOiOi', a masterwork of electro gated basslines, jungle breaks and absurd delay feedbacks. A perfect continuation of the surrealistic/abstract path started by tunes like 'All My Money' on 'Parrots EP'. Fresh off his Lobster Theremin's album, Kreggo/G-23 (Super Rhythm Trax, Secret Rave, Art-Aud) delivers 'Ligeti': a flat out mover with it's skittering percussion and deep haunted stabs hovering around the supernatural subs. It all finishes up with Bristol's Facta, whose releases on Idle Hands, Livity Sound and his own excellent Wisdom Teeth really needs little introduction. 'Not Now' is an elastic, low gravity heavy hitter that snakes through bass bins and before you know it, you're completely wrapped.

Basic Rhythm arrives on Arcola following two killer albums for Type and one as East Man for Planet Mu. Up top, 'Dough Boy' rolls a tough LFO heavy dance floor number that is sure to mash heads up everywhere it is deployed, while the anthemic 'Can't You See' shifts between early AI synths and an ambient dancehall vibe that while it has its roots in early 90's jungle and hardcore, has its sight fixed firmly on the future."

Made in the Designers Republic. 12" EP house in full print outer sleeve with clear foil detailing and custom die-cut holes plus custom print inner sleeve.
Mastered and cut by Beau at Ten Eight Seven.
Limited to 500 units worldwide

The man behind Workshop and Out To Lunch famously takes his time to make electronic productions that are, in turn, out of time. Over the course of his career he's released tracks that could have been made yesterday, years ago, or a decade into the future. with Avenue 66 he's found a leftfield home that celebrates pure creativity, that embraces the liminal, the weird and the sublime. Light Surfing fits all of these descriptors.

The double-LP rewards deep, repeated listening. There's plenty to unpack, but those who cherish the murky bangers that have been Lowtec's stock and trade will find plenty to love. "Boy With The Broken Glasses" weaves a subtle, dancehall-inflected riddim into hazy ambient house, while the closer, "Burnt Toast," is the latest example of Kuhn's uncanny ability to perfectly fit a soulful vocal sample into an alien dance floor soundscape.

Unexpected moments of sideways beauty also unfurl across the four sides. The two-part "Light Surfing" is one of Lowtec's most evocative suites to a date-its mournful string soundtrack is the album's recurring, longing motif. Elsewhere, as on "Mynthenquai," Kuhn applies avant-garde strategies to his synth leads, taking us on head-spinning melodic journeys.

Light Surfing is a masterful balancing act between dream states and machine-like efficiency, the experimental and functional, precision and spontanaeity. Lowtec could have only gotten here by taking his time.

Working with artists like David August and Daniel Brandt, Frieder Nagel is known for managing projects in venues ranging from theatres to clubs, for concerts to audiovisual experiments. He finally signs his first solo work Distract Robots to be released on January 18 on InFiné and invites his listeners to get lost in an universe that spans from euphoric to devastating excitement. - mastered by Zino Mikorey, the magician behind Nils Frahms latest album.

Frieder Nagel invites his listeners to get lost in a universe that spans from euphoric to devastating excitement. He is known for managing projects in venues ranging from theatres to clubs, for concerts to audio-visual experiments - working with artists like David August, La Boum Fatale and Daniel Brandt (Brandt Brauer Frick). The first time he appeared on stage, in 2016 at Berlin's infamous Radialsystem V, armed with several synthesizers, effects, drum machines, one grand piano; and backed by the German Symphony Orchestra (DSO). This critically acclaimed debut was streamed by Boiler Room later and led to further collaborations with Philharmonie Essen or his ensemble show at Reeperbahn Festival.

Now finally Nagel Žs first solo work Distract Robots will be released by French label InFineŽ. This 12" has become an album in miniature with a final polish by mastering guru Zino Mikorey known for his work for Nils Frahm Žs All Melody. This EP offers up a mystical world, full of warm synths and detailed sound clusters morphing into each other to form utterly dark and dystopian ballads. Nagel gets lost in obsessively endless sessions with his instruments. He isolates himself and spends night after night drifting away from reality. The result is that his tracks carry moments of utterly deep relief and deliverance, as well as despairing sadness and stoical escapism.

Beautiful 1 Lp Edition 140g Vinyl, Heavy 350gsm Sleeve, Sticker

- Official Reissue Of Hard-to-find Favorite L'univers De La Mer By Dominique Guiot, Considered By Some The Greatest Library Album Ever Recorded. Available On Vinyl For The First Time Since 1978 And For The First Time Ever On Vinyl And Digital.
- For Fans Of Synthesizers, Library Music, Prog-rock, Experimental, Ambient, Folk, Medieval, Movie Soundtracks, Sci-fi, Schicke Führs Fröhling (sff), Tangerine Dream, Mike Oldfield, King Crimson, Didier Bonin, Claude Perraudin, Jacques Wyrs, Oceanic Vibes And Giant Squids.

Wrwtfww Records Is Honored To Announce The Official Reissue Of Super Rare And Fabled Prog-rock/library/synth Album L'univers De La Mer By French Composer Dominique Guiot. The Full Length Release Is Sourced From Original Masters, Available On Vinyl Lp For The First Time Since 1978 And Housed In A 350g Sleeve With A Spellbinding Artwork By Surrealist Sci-fi Artist Jacques Wyrs. It It Also Available On Cd And Digital Formats For The First Time Ever.

Written, Composed And Played By Dominique Guiot With His Mellotron, Minimoog, Clavinet, Organ, And Guitar, L'univers De La Mer Draws Its Inspiration From Deep Sea Exploration, Oceanic Creatures, And Underwater Kingdoms. The 12-track Album Navigates Organically Through Diverse Mutations Of The Prog-rock And Synth Kind, From Scenic Meditation Pieces ("wind Surf Ballad"), To Medieval Electronica ("une Ballade Pour Une Goélette"), Spacey Smooth Jazz ("les Deux Poissons"), Funked Out Fantasy Folk ("l'univers De La Mer"), Or Even Incredible Sega Mega-cd Vibes ("la Danse Des Méduses") - Altogether Painting A Fascinating World Of Eerie Magic And Subaquatic Sensuality. It's Escapism At Its Best With Subtle Overtones Of Schicke Führs Fröhling, Mike Oldfield, And Claude Perraudin.

The Sound Of The Album Is Brilliantly Captured By Its Surreal Cover Art, The Work Of Legendary Artist Jacques Wyrs, Whose Memorable Record Sleeves Include Klaus Schulze's Picture Music, Eloy's Floating, Ange's Le Cimetière Des Arlequins, And The 1974 Reissue Of Larry Coryell's Spaces.

In folklore, the witching hour or devil's hour is a time of night associated with supernatural events. Creatures such as witches, demons and ghosts are thought to appear and to be at their most powerful and magic is thought to be most effective at this time.

It is also the time when we are at Underground parties, this is considered the main time of the party before it tapers off into the ethereal realm of translucent soundscapes and marionette dance moves. This is when we feast on sound intoxication and our parallel daywalker skins are shed into ancient dances and rites of sacred drums.

The witching Hour takes our souls back to our ancient pagan rituals of music and dance till the cleansing of dawn, this is where revelations happen and where groups of like minded people form a coven of sorts and bond in non verbal communications thru the expression of movement.

This is a new label project from Jay Tripwire and TJ Mc Au, they will be presenting underground minimal sounds specifically designed for the dancefloor and for the DJ.

This EP features Creepshow and Klangtone. Creepshow is a dark bassy roller with an eerie underground atmosphere that holds the groove but it also designed for mixing and layering. Klangtone features a percussive groove, voices from the Tikuna rainforest tribe and a haunting modular flute line with a massive sub bass that is sure to rattle bassbins. This is classic Tripwire with modern production but still keeping the his roots of his trademark sound.

Funnuvojere is the new imprint founded by Massimiliano Pagliara. Now marking his third album release, after countless remixes and EPs, the Panorama Bar resident widens the horizon of his musical contributions by launching a label "deep as the ocean" as the name suggests, and open to different musical genres. The first instalment comes from James Booth. Known also as The Gardener and North Vest, the Manchester born producer has been known for his distinctive deep sound very dear to Los Angeles based imprint 100% Silk and Hamburg's Growing Bin Records that released his latest LP in 2017. "Bath Time" is a thrillingly deep-cosmic cut rich in melodies and emotions. The EP starts off with a spaced-out, italo classic cut where form assumes a different dimension as the music layers intertwine in an everlasting flow. If the title track seems ironically like a perfect place to start a party night, "Roller Chrome" is an emotional ballad for hopeful dance floors; while "Such Is Life" is a nostalgic piece of balearic tradition.

Tikita return with more of their deep and groovy techno, this time from Lapien, who is one half of Artefakt and a master of deep voodoo sounds. His 'Brumal' EP includes a remix from label mainstays natural/electronic.system. that completes a deep and powerful three track disc.

Lapien s 'Brumal' kicks off with deep, swirling pads and punchy drums. It s soft and atmospheric techno with a dubby bottom end and cosmic moods that is soothing and warm. The natural/electronic.system. remix of 'Moonset' is simmered down into an absorbing ambient soundscape with rolling, rubbery drums deep down below. It s thoughtful mind music to get utterly lost in. Last of all, the original 'Moonset' is another richly layered and spacious techno groove, with gentle percussion over underlapping drums and synths smearing out in all directions. It s brilliantly expansive music for intimate dance floors.

Mondo Groove Präsentiert In Zusammenarbeit Mit I-robots Von Opilec Records Eine Großartige Doppel-lp Compilation Mit Groovigen Italo Disco Funky Boogie Diamanten Von Drums Records, Dem Italienischen Label Aus Turin, Das Viele Schwer Zu Findende Singles Aus Den 70er Und Frühen 80er Jahren Veröffentlicht Hat.
Alle Melodien Wurden Von Original-masterbändern Übernommen. Einige Sind Bisher Unveröffentlicht.

Following on from one of the most sought after reissues of recent years 'MUSICA PARA EL FIN DE LOS CANTOS' on Berlin's Cocktail D'amore, Iury Lechs debut LP 'Otra Rumorosa Superficie' is made available for the very first time on vinyl launching the reissue division of London based Utopia Records set up in 2015 by Alexander Bradley.
This cassette only release from 1989 is a minimal masterpiece practically unheard until now. Arguably a more complete album than '...De Los Cantos', originally composed for two short films 'Final Sin Pausas' and 'Bocetos Para Un Sueno' as a full score, the arrangement is a beautiful listening experience spanning through ambient, meditational and cinematic minimalism of real depth, romanticism and sincerity.

Iury Lech is a Ukrainian born multidisciplinary artist, whose main focus now is as the curator of 'Madatac' a festival based in Madrid focused on new media art, video art and audio visual technologies which has featured the work of Brian Eno amongst many others.
During the late 1970s and 80s he rose as a pioneer within a moment focused on electronically generated audio and visual media. Drawing on the ground gained by Minimalist pioneers like Steve Reich, Terry Riley, and Philip Glass - built from repetitive rhythm and sheets of rippling resonance, drone, and ambience, Lech's work of the period is so striking and beautiful, that it seems shockingly unjust that it was overlooked until now.

The album comes in 180 gram vinyl edit form in deluxe sleeve.
Utopia Originals sets out to promote and reinvigorate music and artists in the most authentic way possible.
'OTRA RUMOROSA SUPERFICIE' has been remastered from original master tapes at Central Dubs, Bern Switzerland and the original artwork licensed through Argentine visual artist Pablo Siquier.

Awaiting their second studio-album Rotkat Records releases LOS BOLLEN, the first live (mini) album of the Belgian un-urban band Borokov Borokov (mastered by CJ BOLLAND)

Lance Ferguson's Raregroove Spectrum is a collection of newly recorded versions of classic funk, soul, jazz and latin vinyl rarities, which features some of Melbourne's finest musicians across the album, including past and present members of The Bamboos, The Putbacks and Hiatus Kaiyote.

As the man at the helm of many musical projects over the years including Cookin' On 3 Burners, Menagerie & his solo project Lanu, Lance is no stranger to the art of imaginative musical re-interpretation, be the material soul, funk and jazz based or the works of James Blake, Roxy Music and Prefab Sprout.

For Raregroove Spectrum, Lance explains that much of the inspiration for the re-works comes from his experience as a DJ, "Some of these versions can almost be looked at as DJ re-edits, sometimes we're extending what may be a really short track into something longer, or teasing out the elements in a song that really make it work on a dance-floor. It's essentially what someone does with a club re-edit, except we went the extra step and re-recorded the whole thing with a live band".

In other cases, top-shelf classics have been re-imagined in different guises: James Mason's 'Sweet Power, Your Embrace' as a sun-drenched Samba, or Anderson Paak's sure shot tune 'Am I Wrong' given an 1980's style Boogie/Jazz Funk makeover. Stir into this musical gumbo stew the raw Deep Funk of 'Egg Roll', the swinging Mod R&B of Googie Rene's 'Smoky Joe's La La' to the epic, widescreen Jazz-Funk of Pleasure's 'Joyous' - Rare Groove Spectrum provides new perspectives on the obscure to the well-loved, from old-school to new sounds - this is rare grooves re-grooved... beautifully.

Massive industrial Techno, acid and loud out bass ! Pirlouiiiit

ad ass a-side with this long progressive tune of acid cheap kick... that can sound really good on a sound system, but soudns so low-fi on a HiFi^^... The flip offers 2 jewel of minimalItalian hardtek. A rising style that gonna boost the dancefloor up to crazyness ! MASSIVE IS THE LAST TUNE !! SOLID SHIT BABY !!

Massive industrial warmachine.. Dancefloor Killer ! Record comes in a printed sleeve.

Bendik HK is now launching his debut EP “Depot” via Oslo based label Mutual Intentions. The EP boasts Bendik HK’s futuristic approach in the realm of techno, house and ambient. His progressive production revolves around melodic structures, rhythm and soundscapes. On all four tracks Bendik HK uses an atonal percussion instrument called “Sixxen”, brought to life by the Greek contemporary composer and architect Iannis Xenakis. On “Depot”, this instrument is fused with more classic synths, in an attempt to “challenge” the club genre and invite something new; not only through rhythm and production, but tonality as well.
Vital sales points:
Bendik HK (Bendik Hovik Kjeldsberg) is best known for being one of Norway's most skilled and sought after drummers, playing alongside acts such as Charlotte Dos Santos, Ivan Ave & Gundelach.
He also works regularly with the internationally renowned composer/producer Pantha Du Prince, touring the world and playing events and venues such as Berghain, Sonar, Mutek, and Boiler Room.

Caspar Brötzmann Massaker's masterful debut album from 1989 - remastered.

The power trio's blunt force execution is directed by Brötzmann's explosive and exquisite six string conjuration. Channeling Hendrixian vibrations, mixed with hard German industrial atmosphere.

2024 Repress

midnight in tokyo is a compilation series that aims to be the perfect companion to nights in tokyo, collecting tracks by japanese artists that sound best at night. while vol.2 focused more on '80s jazz fusion, the latest installment, vol.3, picks up where vol.1 left off, bringing together forgotten soul, disco, and new wave gems. the compilation opens with japanese rare groove classic 'more sexy,' a provocative song by 'the queen of sexy songs,' yoko hatanaka. 'kimi no yume,' from the album yume no yonbai by the wandering poet masumi hara, is one of the best balearic acid folk song to come out of japan. 'silhouette call' is an electric bossa nova track—in the vein of antena—taken from a rare album called octopussy by yuki nakayamate, a singer songwriter who also worked as a backing vocalist for motoharu sano. 'theme of high school student' is a dubby cut featured on the soundtrack to the japanese '80s film kougen ni ressha ga hashitta, written by atsuo fujimoto of colored music—one of the key artists in the recent wave of global interest in japanese music. 'get to paradise' is a stone cold funk jam by mari kaneko, who was known as the janis joplin of shimokitazawa in her heyday, and is now known as the mother of the drummer and the bassist of popular rock band rize. following that is one of japan's greatest new wave disco track, 'hannya,' taken from tomoko aran's popular third album fuyu-kukan—produced by masatoshi nishimura who was part of the friends of earth project with haruomi hosono. masako miyazaki—whose rendition of seawind's 'he loves you' is a fan favorite—puts her own spin on the earth, wind & fire classic, 'fantasy,' singing in her accent-heavy english which gives the song an undeniable character. 'watashi no koukoku' is a certified disco boogie classic by popular singer junko sakurada. the brazilian-esque jazz fusion, 'sunshine bright on me' is by a fusion group called kangaroo, who were often billed as 'the japanese shakatak.' 'stranger's night' is a synth-pop number by pop idol maiko okamoto, which bears a suspicious resemblance to rah band's 'the shadow of your love.' electro-pop disco 'singing lady'—off the sole album released by the one-off project the fad—sounds like something giorgio moroder could've cooked up. 'magic eyes' is a disco anthem recorded by songwriter tetsuji hayashi's disco project, the eastern gang. following that is japanese soul gem 'crazy baby,' found on a rare 7 inch entitled minato no soul by rinda yamamoto—also composed and arranged by tetsuji hayashi. and last but not least, closing out this collection of 14 japanese rare groove goodies is 'i'm in love', a bittersweet mellow dance number by tomoko aran.

Caspar Brötzmann Massaker's Masterful Second Album From 1989 - Remastered.

The Power Trio's Blunt Force Execution Is Directed By Brötzmann's Explosive And Exquisite Six String Conjuration. Channeling Hendrixian Vibrations, Mixed With Hard German Industrial Atmosphere.

One of the first techno-pop songs made in USSR. Written and produced in his Kiev home studio in 1985 by Ukrainian composer Vadim Lashuk. Source audio from master tapes discovered in the attic were kindly provided for this release by the author's family. Limited to 300 copies vinyl edition.

Les Disques du Crepuscule presents Signals Into Space, a brand new studio album by acclaimed electronic duo Ultramarine. SIS is their seventh album, having debuted on Crepuscule back in 1990.
The new long player was conceived by Ian Cooper and Paul Hammond over a three year period and features four songs co-written with North American musician Anna Domino, a firm favourite of the group since her leftfield pop releases on Crepuscule and Factory in the 1980s. 'For this project we wanted to do something more ambitious and perhaps more accessible than our last album in 2013,' explains Paul. 'We were keen to start collaborating with other musicians again, as well as develop our method of performance-based writing and recording, which is partly improvised.'
 Signals Into Space also features contributions from saxophonist Iain Ballamy (ECM, Food, Loose Tubes) and percussionist & vibraphone player Ric Elsworth. It was recorded and mixed in London with Andy Ramsay (Stereolab) and mastered by Noel Summerville.
 'To some extent Signals Into Space is an escapist record,' reveals Ian. 'Our rehearsal space is a small windowless room on an industrial estate in Essex. Possibly as a result we ended up with a collection of visually suggestive tracks, conjuring mental images of cities, deserts and tropical islands, which gradually came into focus as Anna's lyrical ideas developed. So while the music might have been conceived in a closed space it's imbued with a positive spirit - looking outwards, seeking contact.'
 Cover art by Studio Heretic. Available on CD, digital and vinyl LP (vinyl format includes a free digital copy on MP3).

Jurek Przedziecki's solo Epi Centrum project thunders back with a brand new LP out on Damon Wild's Synewave Records imprint. After a handful of enthusiastically received (supported by, among others, Laurent Garnier, DJ Hell and Joey Beltram) records on numerous renowned Euro labels, Warsaw-based classically trained composer and Buchla System 200e affictionado, delivers a massive dose of muscular-yet obsessively detailed acid funk techno. His 8-tracker - Excrescence" mixes old and new, tapping on seminal Detroit retrofuturism and heavy-duty pounding mania. One can also hear ghostly echoes of his 90s post-industrial faves like Coil or SPK. Record, quite varied in itself, ranging from relentless bangers ('Association') to mental acid cuts ('Blaming Others') and slow bass pulsations ('Limited Useful Life'), should fit nicely in the Synewave repertoire. Simply unmissable.

Riccardo Schiro continues his exploration for the dancers and deejays out there with this massive acid-mental track for big rooms. On the flipside "Islands", an immense ambient jam recorded live by the Gravity Graffiti crew, a genuine psy-kraut voyage.

Italian directors GUALTIERO JACOPETTI and FRANCO PROSPERI gave birth to a whole new subgenre of 'non-fiction' exploitation movies with their 1962 hit MONDO CANE. After repeated accusations of forgery, unethical behaviors and war crimes, they decided to make a movie about the atrocities of American slavery as an apology of sorts. It was 1971 and the movie was FAREWELL UNCLE TOM (ADDIO ZIO TOM) The famous critic Roger Ebert called the result 'the most disgusting, contemptuous insult to decency ever to masquerade as a documentary' Naked flesh, voyeurism and violence is constantly used but gorgeous photography and a memorable score from Academy Award nominee RIZ ORTOLANI add a sickening slickness to it all: rock- beat tunes mixed with classic big band themes, waltz and funny marches and the beautiful OH MY LOVE, with the vocals from Katyna Ranieri, used, among many others by Winding Refn in his cult movie DRIVE (2011).

FIRST VINYL REISSUE EVER
LIMITED EDITION OF 500 COPIES
COMPLETE EDITION WITH EXTRA TRACKS

Ben Gomori dons his G. Markus mask once again for two chunky house workouts. 'Red E' channels classic '90s pianos and sassy spoken vocals with thumping beats and a plump-ass bassline, while 'Cum Thru' is a woozy slice of late-night deep house with a garagey twist in the second half.

Digging: Disclosure, Jeremy Underground, Hercules & Love Affair, Detroit Swindle, Âme, Auntie Flo, Melé, DJ Aakmael, Fouk, Till Von Sein, Voyeur, Jad & The, Horse Meat Disco, Richy Ahmed, Danvers, Laurence Guy, Hernan Cattaneo, jozif, Souldynamic, Delicieuse Music, Ethyène...