Acoustic Vision’s outlet Human Endeavour nurtures yet again its creators’ artistic persona and brings out into the world the second techno installment.
Characterized by a euphoric hypnotism, it carries the listener through a wide spectrum of influences. From A1’s subtle Italo influences to the last track—a more modern approach to a precise yet ethereal piece—the record finds room to fit everything from vocoders to mind-bending arpeggios and completes the package with a remix from the techno veteran Allen Saei, better known as Aubrey. His Solid Groove legacy manages to bridge the early ’90s sound with the sounds of today and tomorrow. If you’re looking for a strong yet fresh techno record, I have most likely found your piece right here!
Balmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.
Hrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.
Wolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.
But Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.
Artist’s Statement:
Edward and I have been friends for years, but we really started to get to know one another better after I hired him to make music videos for my songs “Woodland Encounter” and “The Culmination Of.” For those projects we got to spend a lot of time hiking in various locations around the Pacific Northwest with his camera, very nice lenses, and tripod. Keeping quiet, hidden, and vigilant we searched for wildlife, good light on the trees, meadows, lakes, rivers, and skies. Edward was already an appreciator of my music and I was already in awe of his filmmaking talents so it felt like a great fit. Although we work in different areas of art our styles compliment one another. We both tend toward slow and careful pacing, with a focus on emotion and introspective reflections on life and the landscapes around us. For this reason, Iknew that I could trust Edward to create videos for my music. We saw so many beautiful and unexpected things on our filming days, but I was moved to tears once I saw how magnificent and poetic it all was. His video work from the cinematography, to the editing, and color correction helped bring my inner vision to life.
A few months after that, Edward surprised me with an invitation to work on the soundtrack for his new film, Hrafnamynd. I enthusiastically said yes. I had always wanted to work on a film, and I knew that his filmmaking style would be inspiring to write music for. I had recently acquired an UDO Super 6 synthesizer but hadn't used it much. I decided that this would be the synth that I'd use for the film. It has the ability to sound very modern, but can also sound so warm and fuzzy, like a synth from the 1970s. It turned out to be the perfect instrument for this project as the film itself straddles time from the ’70s to today.
When Edward sent me the rough cut of the film, he used placeholder music to help give me an idea of the emotion and energy that he was hoping to achieve for each scene. For many of the scenes, Edward used music from my albums as temporary tracks. This told me that he trusted my work and style and therefore I should just trust my intuition with how to proceed. I wanted to make sure that everything that I made was a direct reflection of what was happening on screen, a mirror of its emotion and energy so people could really lock into the film psychologically. This process took my composing to unexpected places—like being led by a strange cat or a raven that seemed to have something to show me. I found that the approach made the music so much more dynamic than my usual style. I really enjoyed being influenced by the action and dialog on the screen. Thankfully, Edward was very happy with the work. I made sure to handle this project with the utmost care because this is about his life and his family, and an exploration of the experiences that made him an artist and filmmaker. While watching the film many times over, I found myself thinking about my own family and my early memories with them and how the place where I grew up has influenced who I have become. I found that his film invites the viewer to reflect on their own lives in a similar way. I hope that this music and film can guide others to contemplate on the history of their beingness and the people and places that shaped them.
Another aspect to this project is the splendor and wonder of Iceland itself. I had the opportunity to visit Iceland for the first time in 2023. I got to play a show there for the Extreme Chill Festival and met many friendly and brilliant Icelanders. I also got to collect field recordings that I used in the film. It's a fascinating place and culture that easily captures the hearts and imaginations of anyone who visits. Whether you spend your time in the city immersed in its impressive arts scene, or venture out into the wilderness to behold its wondrous landscape, it will leave a lasting impression. The soundtrack is also a love letter to Iceland itself.
Obrador originated from Olympia the capital state of Washington. A multifaceted group that consisted of many members over the years. They were together from 1976-2006 and was led by band leader Michael Moore. The members were, Steven Bentley ~ Drums, Connie Bunyer ~ Clarinet, Guitar, Vocals, Paul Hjelm ~ Guitar, Bass, Trap Drums, Piano, Steven Luceno ~ Bass, Guitar, Michael Moore ~ Keyboards, Michael Olson ~ Percussion, James Pribbenow ~ Saxophone, Vincent Soluna ~ Sax, Vincent Soluna ~ Sax
They recorded 5 albums over the period of 30 years. One track of which “Willow” you will find tucked on the B side of this lovely new release. We wanted you Kats to have great value for money and pack the record with two stone wall Dingwall style killer recordings.
The A side “Blink Samba” was recorded at Russian Hill Studios San Francisco in July 1983, after the group made the long journey down from Olympia and back to record a whole Lp that has lay unissued since 2023 only getting a digital release. We stumbled across the tracks whilst doing some research and was blown away. A few chats with member Michael Olson and we knew these had to be on vinyl. They are pure fire jazz with a slightly latin Esq vibe. We can almost see the sweat dripping from the Jazz dancers as they cascade to the rhythm of the percussion “Blink Samba”
Flip it over whilst the floor is still rocking to the track “Willow” Unlike “Blink Samba’s opening percussion this one kicks in straight away with a rasping baseline. You hold on to the bars like you been strapped into to a rollercoaster and get ready for the ride.
Parallelle & Nicolas Masseyeff return to Crosstown Rebels with dynamic new EP, ‘Shake It Out’. The trio deliver their third collaborative release on the label on 18th July 2025, backed by a standout remix from Airrica.
Following their acclaimed collaborations ‘Renegade’ in 2023 and ‘Surrender’ in 2024, Parallelle and Nicolas Masseyeff return to Damian Lazarus’ Crosstown Rebels with a third instalment of their evolving partnership on the imprint. Titled ‘Shake It Out’, the release arrives in the heart of summer and showcases two original productions from the Dutch-French trio, alongside a vibrant remix from US rising star Airrica.
Dutch brothers Parallelle and French mainstay Masseyeff share a deep-rooted musical connection, honed across years of collaboration and a shared love for expressive, forward-thinking electronic music. With past releases on labels such as DGTL, Systematic, Rose Avenue, and Masseyeff ’s own Diversions Music, the trio have built a sound that’s rich in detail and driven by emotion, combining analog warmth, live instrumentation, and club-ready energy in equal measure.
A fusion of sharp production and live sensibility, ‘Shake It Out’ leads with layered drums, psychedelic stabs and a commanding vocal that urges listeners into motion. On the B-side, ‘Everything’ delivers a more stripped-back and introspective mood, with hazy textures and wonky sonics for the late hours. Joining the package is Airrica, making her return to Crosstown following 2024’s ‘Hi Speed Lover’. Her rework of ‘Shake It Out’ adds a new dimension to the original, dialling up the energy with crisp percussion, pulsing acid-dipped low-ends, and warped vocal treatments that inject a driving twist into the hypnotic groove.
For our ninth chapter, X/Y/Secret hands the controls to Sira. Surfacing is a study in tension: grooves tight enough to steer a packed floor, yet spacious enough for long blends or sudden cuts. Each element arrives with purpose, opening pockets of air to breathe just before the pressure rises again. Both sides speak the same language while delivering different messages. Phil Berg distills the title track into a focus-sharpening remix, before Sira closes with a late-hour mover built to steady the room while the lights stay low.
Demuir has been driving his jackin’ house sound for over 20 years. No stranger to our imprint, we have been championing his sound down under for years! We are excited to welcome him back to the label with 4 jackin’ house cuts that will definitely fit perfectly in your bag.
Look’n In Your Eyes is a jazzy, groovy joint with an infectious vocal sample that just instantly makes those hips swing. A Night At Patria switches gears and puts the foot down when its comes to energy to deliver a club ready weapon with just the right flavour.
On the B side, Never Too Young keeps the pace with clever sampling, snappy drums and a groove that doesn’t quit. We round out with Sweet Surrender, blending his signature drums, rolling basslines and classic vocal sample that fits into any set. As always, all class and no BS, Demuir doesn’t miss.
SEVEN welcomes Seoul-based Suman, whose vocal-driven signature sound marks our seventh release. This EP, exclusively showcasing the talents of Korean artists, features longtime affiliates of Seoul's club FAUST and early friends of SEVEN. The B-side is enriched with two remixes by female artists, DAMIE and Mars Parck. While the opening track drives forward with a more energetic, fast-paced vibe, the remaining tracks on the A-Side embrace dreamy, laidback house grooves accented by slightly cheesy yet classic vocals - perfect for a daytime dance.
Italian artist Raffaele Attanasio kicks off the New Year for Mutual Rytm with his superb 'South Signatures' EP, channelling multiple techno styles into one potent package.
Landing as Raffaele Attanasio's second outing on SHDW's Mutual Rytm label, following his incredible debut 'Quasar' and recent appearance on the third instalment of the label's Federation Of Rytm compilation, the EP is a showcase of an exciting artist with a new school take on techno while bringing real respect for the roots of his sound. He has played live on stage with the legendary Jeff Mills, and is involved in several other musical projects in different genres but reserves his finest techno for his own name.
'Madrigal' opens the EP, with Attanasio crafting an apocalyptic anthem composed of one sound, the Nord Wave 2 synthesizer and a pumping groove. It is pure dance floor heat with unrelenting drums that lock in the crowd. The brilliant 'Heat' then brings tribalism, with a powerful rolling groove peppered with chord stabs that bring it to life. 'Aogiri Tree' features rousing drums that emerge from the undergrowth and accompany the macabre lead synth. Its mischievous notes hint at hidden danger and keep you on your toes.
Keeping the energy high, 'Stratford Fog' delivers a battle between drums and the constantly pulsing bass. Edgy chord stabs and raw percussion make for a breathtaking groove that never lets up and keeps you utterly engaged. The title track is a laser-focused production that harks back to the golden age of Neapolitan techno with a perfectly designed groove, before digital bonus 'Eleven' brings hints of stylish Detroit techno with its lush chords and arpeggiated saw bassline, creating a continuous flow right to the last beat.
Berlin techno talent Regent returns to Mutual Rytm with second 12" release, 'Delta Hyve' - a five-track package lined with peak-time heat.
Regent is an ever-growing voice in the global techno conversation. His tracks have found their way into high-profile sets worldwide and are renowned for their impressive blend of the past and the present. Versatile but always designed for maximum impact, delivering an impressively crafted sound made for powerful systems, this new outing offers a wealth of different moods and grooves for various parts of the night. Returning to SHDW's Mutual Rytm imprint following 2023's successful 'Coral Knife' EP, he unveils a fresh selection of cuts that emphasise his emergence with 'Delta Hyve'.
The title cut 'Delta Hyve' opens up with devastating low ends and busy synths that scurry about the mix to bring dynamism to the rooted drums, while 'Ophaal' delivers thumping kicks and coarse, textured hits scrape and scratch, while supersized hi-hats bring the intensity to all new levels. 'Hygea Core' brings the pressure with hunched-over drum patterns and a sense of urgency in the bass, while creepy pads create an unsettling atmosphere. 'New Narrative' powers on like a train with high-speed rhythms and metallic percussive surfaces, all sweeping you off your feet, before 'Ree 54' switches things up with bright synth flashes and more extraverted grooves that hark back to the machine soul of early Detroit techno.
The first digital bonus, 'Presence', is intense and tinged with the grit of a warehouse and menacing vocals, while 'Rheplica' delivers unrelenting loopy drum funk with shattered glass melodies to close the show.
Exos returns to Mutual Rytm for second standout EP, 'Icebreaker'.
A renowned global talent, Iceland's Exos was last on Mutual Rytm earlier this year with his successful 'Infrared' EP in April. The debut release on the label's new 10" vinyl X-Series, the EP picked up a wealth of high-profile plays while delivering an absorbing journey through techno soundscapes. The release was followed up by his 'Evil Nation' LP, exploring a harder, more intense approach to techno on his own Planet X imprint, ext to tunes on the likes of Figure and X/OZ. However, he returns with more skilfully crafted ammunition across five stand-out productions and two digital bonus gems on SHDW's burgeoning imprint for a second outing packed with his trademark sound spanning mystic yet driving and impactful spheres.
The package opens up with 'Voices Of Volcano', a powerful track with a monstrous low end and quickened drum kicks that compel you to march in time as the twisted synths peel away up top. 'Enter The Danger' has a steamy feel, as if racing through a humid jungle with the sounds of bird calls and haunting voices next to the loopy percussion and driving rhythms.
The brilliant 'Icebreaker' keeps up the intensity with more precision drumming working dancers into a meditative state while the cosmic synths grow up out of the groove to become bright and unsettling. 'Mocoa Beats' is another warm techno cut that fizzes with synth energy and unfolds like an ancient ritual, while 'Chicat' brings some sensuality to the party with whispered, intimate vocals over more macho and unrelenting drums. Bonus tracks 'Codebreaker' and 'Spliffmatch' round out this high-grade EP of timeless techno in style, offering a unique closing treat for digital purchasers.
An obscure yet relevant experimental album from 1995 where IDM meets Jazz, Funk, Ambient and Downtempo, originally released on the Input Neuron Musique label and now fully remastered & reissued. Roupe aka Rupert Brewer was responsible for delivering two Long Player's combined with two EP's and a smattering of a few compilation appearances - something which given his obvious talent should have resulted in much more at the time. His 'Strom' album is something which is not easily defined yet remains sounding fresh today as it was back then despite not fitting easily into any classification but being packed full of variety and quality. A real gift for the adventurous listener.
Cinthie makes a welcome return to her own 803 Crystal Grooves imprint this June for its sixth release, the project comprises four original"s showcasing Cinthie"s many different sonic styles and influences.
The past decade has seen Berlin"s Cinthie moving from strength to strength, racking up milestone achievements like her DJ Kicks mix compilation and a steady stream of critically acclaimed material via the likes of Aus, Heist, Shall Not Fade and of course her own 803 Crystal Grooves label where she returns here with some fresh machine jams.
"Grooves" kicks off the package, a dynamic dance floor cut fuelled by processed vocals uttering the track title, murky bass stabs, heavily swung drums and gritty saturated stabs all dynamically evolving and unfolding throughout. "Boxer" follows next and showcases Cinthie"s love for dub-tinged sounds, laying down spiralling dub echoes, a snaking bass groove and hypnotic chord sequences atop a robust, swinging rhythm section.
"Hands Up" then kicks off the B-Side, shifting gears to a classic House aesthetic with dreamy keys, bright stab sequences, glistening synth textures and smooth strings, intertwined with soulful vocals and classic 909 workout. "She Wants It" then concludes the EP on a more cinematic tip with sweeping lead synths, fluttering arpeggios, elongated bass drones and vocal lines running with raw, crunchy drums.
Tunnel was made in Naples in 1978 by Giorgio Verdelli and Danilo Rustici only on 7inch and it was the theme song for two RAI radio programs. Going through the names of the musicians we begin with the inimitable voice and the splendid guitars of Danilo Rustici, then passing through the saxophones of Enzo Avitabile we arrive at the keyboards of Joe Amoruso, musician-arranger who left a great void with his untimely death. For Joe, who crossed his experience with Premiata Forneria Marconi, Zucchero, Vasco Rossi, Mauro Pagani and was part of that 'dream team' of Pino Daniele - made up of technically extraordinary musicians, but above all gifted with an inimitable sound - this one-off project represented his recording debut. 'Tunnel Lights' and 'Speed Up' have been brought to light by Dario Di Pace and Claudio Casalini, two visionaries who believe that Neapolitan music is a sonic mixture of ancient and modern musical registers even if it sometimes develops a conflict between tradition and modernity as the recovery of popular tradition is strongly opposed to the push for innovation. This therefore is the reason for a 12" reissue in which the evocative original songs - from almost 50 years ago - are reflected in the new versions created by a bevy of talented DJ-arrangers including Massimo Berardi (with the bassist Luca Andreozzi) and by the industrious and passionate Francisco & Malkuth (ed: Francesco De Bellis and Cosimo 'Cosmo' Mandorino in disguise) in turn assisted by other zealous musicians and dee-jays - including the very good and always very collaborative Raffaele Arcella - who took part in a remix of this EP with enormous fervor The 12" reissue of Tunnel was released both on the classic black vinyl and in the very limited red vinyl version, in order to reflect the lips of the extravagant cover, a graphic work by another brilliant and multifaceted artist: Lino Vairetti, legendary singer of the historic prog rock band Osanna. The envelope developed by Best Record is embossed (front and back cover) to further enhance the passion that Neapolitan musicians have always had in knowing how to combine their roots with all the other musical genres of the world.
A collection of obscure and unheard metaphysical sounds, 1980-1992
Lost Coast: Some Visionary Music from California assembles little unknown sounds from California’s metaphysical underground. Each recording is stylistically different—dream pop, guitar soli, fourth world, avant-electronic—but they are held together by a regional ethos of the “visionary.” This is music that envisions, seeing through the mind’s eye and conjuring new worlds.
Some people say that California is where “the nuts stop rolling”—where those too eccentric to fit in elsewhere ended up. What was meant pejoratively is easily reclaimed as a celebration of the free-thinking and the freely-freaking. Until the turn of the millennium, all manner of seekers rolled westward until they hit the pacific. Stationed along this edge, music was a way to roll still further: to imagine territories unencountered and wavelengths as yet unheard.
Lost Coast is a commemoration of the people who made these journeys and a resurrection of recordings they made little effort to broadcast. While some of the tracks were originally released on cassettes with modest distribution, others were only shared among friends or never shared at all. Assembled from the personal collection of House Rules operator Zully Adler, these recordings were all found on cassettes in flea markets, barn sales, rural thrift stores, and even stranger places—outside a gem and mineral shop, for example, and on the ranch of a retired mescalin dealer.
Nonetheless, these recordings are eminently listenable. California is a place where the strange and the pleasurable are frequent bedfellows.
Here's a true double-A 45. The A-side, "If We Try," a new cut from Thee Sinseers finds them in a more uptempo pace the band, and thriving! With Joey Quinones and Adriana Flores trading leads on this one, this tune is sure to get the dance floors packed! The B-side, "Give It Up You Fool," features the unmistakable voice of Brian Ponce on lead and finds Thee Sinseers right in their slow and sweet pocket. It's an album cut that simply had to be put on a 45.
We reach the 10th release in our LTD series , And extremely proud to present you with this double pack vinyl by the legendary Tommy Vicari Jnr! 8 carefully selected tracks that have been chosen over the last 18 months , supported by some of the biggest names in business , LTD 200 press only , be sure to get your hands on this one !
RAWAX MOTOR CITY EDITION presents Black Eyes - Ocean FLoor Funk EP
We are very happy to spread the news about this outstanding deep monster record!
Three original tracks by high rising Black Eyes plus a timeless warm and filigree remix by Abacus.
BUDDHA-BAR SUMMER SESSIONS - MONTE-CARLO BY RAVIN A MUSICAL ODYSSEY TO CELEBRATE SUMMER & THE 15TH ANNIVERSARY OF BUDDHA-BAR MONTE-CARLO Under the starry sky of the Riviera, lulled by the warm breeze, an invitation to travel rises. A beat, a melody... and the mind drifts away. Buddha-Bar, the temple of world music and sonic elegance, celebrates 15 years of magic in Monte-Carlo with an exceptional compilation: Buddha-Bar Summer Sessions Monte-Carlo by Ravin. Conceived as a musical odyssey, this double compilation weaves captivating atmospheres, blending ethereal lounge, organic electro, and world sounds, in an intimate dialogue between East and West, tradition and modernity. Each track (including more than a dozen unreleased tracks) has been carefully selected by Ravin, who creates a captivating and chic experience, a true invitation to dance and escape.
JR Disc has already become a firm part of the Detroit new school with his two previous outings on this label. Once again here he shows off his raw but emotionally poignant style and knack for a catchy groove. 'Bust' has rusty hi-hat sounds and deep, cavernous bass with rough edge drums a la Omar S. 'Wonder Traxx 1' then picks up the pace with heavy but inviting kicks that are again all frayed and dusty while some jazzy melodies bring a cheeky and playful twist. Pure Motor City gold if you ask us.
With a clutch of EPs under his belt spanning a wealth of pallets, Henzo narrows the focus on his debut studio album “The Poems We Write For Ourselves” - a culmination of persistent iterations over several years, distilling his sonic milieu into something that feels decidedly his own. The album proper is coupled with a debut live performance which reinterprets the tracks and splices them with omitted material from the time of writing - recorded in full in the intimate confines of Manchester’s growingly infamous Stage and Radio basement. Honing his craft in the shadows of Lancashire, Poems is an expansive reflection of the producer’s time spent away committing to the scope of an LP.
A thread of stratified sound design weaves throughout the record, but with a discerning dancefloor proclivity mostly prevalent. Cold opener “Noggin” riffs on noughties Raster-Noton a la Byetone rebuilt with fractal tear out DnB, with closer “Indulgence” following suit on a puckered plod of Dub Techno ambience. More club-focussed moments come in the form of “Rustica Slump” and “Blue Will...”, the former’s sickly sweet vocals resolved by the latter’s stoic UKG/Techno rudeness. “A Bouquet of Clumsy Words” channels mechanical shuffle with a stripped back 2/4 pulse whilst maintaining a firmly FWD>>energy alongside “Plant Your Roots In Me” on a similar vector - swapping out a straight kick pattern for a bludgeoning 808 assault on an early Hessle-indebted tip.
“Take Stock, Touch Grass” harks to golden era ClekClekBoom and Night Slugs with a bare bones kick and vocal motif, updating the formula with a tweaking lead line that places it firmly in the contemporary space. “Swell:Shrink” sings from the same sheet with a shrieking, space age wobble doing the heavy lifting, knocking the pace back to a shoulder-lean swagger on a slow fast conundrum Henzo has shown his flair for on previous releases.
The outliers to Henzo’s more known approach, “Worm Grunting” with Belfast’s Emby, an amalgamation of halfest time DnB and illest mannered Road Rap, plus “The Rest Is The Mess You Leave”, a starkly anti-retro Ghettotek endeavour, give grounds to the LP. Clearly rooted in the comfortable universe of the dancefloor, these tracks expand the producer’s realm into loftier heights as he graduates into long play land.
James Mac has had a breakthrough year with recent single’s, ‘Try Again’ & 'The Boy Is Mine', topping the charts and receiving support from the likes of Keinemusik, Cloonee, and Armin van Buuren. His new single, 'Breathe', continues to highlight his gift for creating immersive House Music with powerful vocals. The package also features his collab with Lazarusman – ‘Manifest’ and on the flip we have the 2 previous single’s as an added bonus.
Atlantic Records is thrilled to announce F1 The Album - the supercharged companion album to Apple Original Films and Warner Bros. Pictures’ high-octane, action-packed film F1, starring Brad Pitt. From the label that brought you the award-winning, blockbuster soundtracks Barbie The Album, Twisters: The Album, The Greatest Showman, Suicide Squad and more, F1 The Album is driven by brand new tracks from an exhilirating lineup of superstar artists.
Kulture Galerie returns with its fourth vinyl compilation, showcasing a futuristic collection of Techno and Tech House tracks infused with hints of Braindance, Electro, and Acid. The compilation opens with tracks from London’s rising star YSANNE (Semi Delicious) and Rare Happiness, both delivering perfect dancefloor destroyers that have already been tested in clubs across Europe.
Next, analogue enthusiast Perseus Traxx presents a relentless live jam packed with squelchy sounds, while on the flip side, Uncanny Valley’s Herzel teams up with North Macedonia's own L.O.V.D to deliver a slow and chuggy Electro cut.
The compilation closes with Barcelona’s mysterious and multitalented artist Sal Abi and his track “Mariani,” a unique machine-made beat full of soul and magic. Following this is the fast-paced groove of “Expandy” by Acid maestro FLX, and finally, the record concludes with the blissful and timeless “Parking” by Global Aphasia.
Nach über 25 Jahren Pause meldet sich Planet Pump Records eindrucksvoll zurück – und wie!
Label-Artist Stan-Lee aka Stanley Hottek reanimiert das legendäre Leipziger Technolabel mit einer kompromisslosen Vier-Track-EP: roh, druckvoll und tief verwurzelt im Sound der 90er – made for the underground.
Die EP „We Are“ versteht sich als klares musikalisches Statement: elektronische Musik mit Seele, Haltung und Herkunft – kein generisches Tool für Social-Media-Content, sondern echte Club-Energie.
Der Sound ist puristisch, treibend und analog produziert – ganz in der Tradition früher Planet Pump-Releases: raue Drum-Maschinen, wummernde Basslines und hypnotische Sequenzer, konsequent für den Dancefloor gedacht.
Die erste neue Planet Pump kommt auf klassisch schwarzem Vinyl, verpackt in einer bedruckten Stecktasche – limitiert auf 200 Stück.
Support Vinyl. Support Independent Labels. Support True Techno.
After more than 25 years, Planet Pump Records makes a powerful comeback – and how!
Label artist Stan-Lee aka Stanley Hottek revives the legendary Leipzig techno label with a relentless four-track EP: raw, driving, and deeply rooted in the sound of the ’90s – made for the underground.
The EP "We Are" stands as a clear musical statement: electronic music with soul, attitude, and heritage – not just another generic tool for social media content, but real club energy.
The sound is purist, driving, and produced with analog gear – staying true to the spirit of early Planet Pump releases: gritty drum machines, rumbling basslines, and hypnotic sequencers, all crafted strictly for the dancefloor.
The first new Planet Pump release comes on classic black vinyl, packed in a printed sleeve – limited to just 200 copies.
Support vinyl. Support independent labels. Support true techno.
The landing isn’t soft. The collision with the wax sends waves of sound and matter. Basslines deep as craters, elliptical grooves, harmonies both dissonant and familiar. The astronaut realizes that this isn’t a crash. He’s arrived on Planet Tapes.
The new EP takes you on a dynamic sonic adventure, blending introspection with dancefloor energy.
A1 – Produced by Riccardo. This track is a mystic and introspective voyage, built on warm, enveloping sounds, a captivating rhythm, and subtle electro textures. Perfect for deep listening.
A2 – Crafted by Two Opposites. This cut is all about movement, interlocking melodies and arpeggios designed to storm the dancefloor with relentless energy.
B1 - Italomario delivers pure electro soul sharp, dark, and packed with attitude. A raw, hypnotic groove that commands attention.
B2 – Torrent closes the journey with a harmonious farewell romantic, serene, and reflective. The calm after the storm.
The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre.
His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With 9 Is A Classic, Slaves To The Rave, Pitch-Hiker, Stereo Murder and We Have Arrived, just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties!
The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp.
All original tracks have been re-mastered to the highest possible standard of quality.
HYPERSPACE COMMUNICATIONS is releases a new remix package of the original Los Microwaves first LP: What's That Got To Do (With Loving You) is a two disc release in Lime and Clear colored vinyl; remixed by Kit Watson from the original analog 24 channel multi-track tape.Disc One is an EP containing six songs from the original Life After Breakfast LP (Poshboy Records) that have been remixed for the dance floor and pressed at a popping 45 rpm. There are 3 songs on each side including the title track, Time To Get Up, TV in my Eye and more.Disc Two is a full length LP at 33 rpm featuring the previous tracks plus four more mixed as instrumentals for film and TV synch use.These can also be used for custom length live cross mixes.This limited edition comes in a gate fold sleeve that pays homage to the Poshboy generic disco sleeve and original LP cover, and also features photos by Fred Kaplan.
h C2 Time To Get Up Instrumental
i C3 T.V. In My Eye Instrumental
j C4 Home Alone Instrumental
k C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]
[h] C2 Time To Get Up [Instrumental]
[i] C3 T.V. In My Eye [Instrumental]
[j] C4 Home Alone [Instrumental]
[k] C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]
[h] C2 Time To Get Up [Instrumental]
[i] C3 T.V. In My Eye [Instrumental]
[j] C4 Home Alone [Instrumental]
[k] C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]
Following a string of huge sold out shows together, Sonny Fodera and Dom Dolla now team up for new single ‘Moving Blind’ via Sweat It Out / Solotoko.
Moving Blind weaves husky vocal hooks with elastic synth leads and bumping basslines, making for a hypnotic house groover destined to be heard in its natural club setting and intimate home dancefloors alike.
DJ Support :
Pete Tong, Mistajam, John Summit, Just Kiddin, Riva Starr, Sam Divine, Claptone, Biscits, Ferreck Dawn, Dombresky, Simon Dunmore, TCTS, Robosonic, Marco Carola, Andi Durrant, Joachim Garraud, Slipmatt, Paco Osuna, Fatboy Slim, MK, Riva Starr, Rudimental, and Richie Hawtin
This package of strictly dub mixes from Louie Vega, Tommy Musto and Soul Clap push 2fox and Laville’s 'Elevation' further into the night. Louie Vega’s dub mix of 'Elevation' gives the DJs a chugging tool to work it out complete with a chant - 'Everbody!'.
Tommy Musto’s 'Zero Hour Dub Mix' folds over Renell Shaw’s bassline into a thick throbbing bounce. With knife-like precision Musto slices up components from the original including the drums, percussions, organs and pianos, serving up the individual musical ingredients of 'Elevation' on a delicious sonic platter. The Soul Clap Dub digs even deeper into its Detroit influence, building and uplifting with chord stabs, melodic themes and glistening arpeggiation.
Das gleichnamige Album von 1993 war das bis dato am schnellsten verkaufte Debütalbum im UK überhaupt. Natürlich inkl. der famosen Singles 'So Young', 'Animal Nitrate', 'Metal Mickey' und 'The Drowners' erscheint es zum 30-jährigen Jubiläum nun als 180Gr. Half-Speed-Remaster-Version. Die sorfältig von Phil Kinrade bearbeitete Version erscheint auf 180Gr. Black Vinyl, inkl. 4-Seiten-Insert und OBI-Strip.Die 2CD-Version kommt im Gatefold 7inch-Packaging inkl. 8-Seiten-Booklet und 10 Bonustracks auf CD2, darunter B-Seiten und einer Cover-Version des Pretenders-Songs 'Brass In Packer', ursprünglich von einer Covemount-MC-Beilage des NEW MUSICAL EXPRESS.
01. Marco Lys - River ft. Rions S. (Original Mix)
02. Murphys Law - Disco Rocker (Original Mix)
03. Dilby - Swingstate (Original Mix)
04. Splonie - Your Desire (Original Mix)
Support, played by: Dom Dolla, Fisher, Joseph Capriati, Carl Craig, Joris Voorn, Victor Ruiz, Paco Osuna and many more.
La Ruka is a prominent artist from Colombia's Pacific Coast. She blends hip-hop, salsa, Afro-Colombian roots and urban Latin genres in her music even though she is now based in Barcelona. Her live shows are always high on energy and tunes of hers like 'No Quiero Marido' and 'Todo Es Plata' are some of many standouts from the last 20 years. Her lyrics often focus on Afro-descendent women and life in Buenaventura and this new EP is another injection of Latin rhythms direct to your soul. Each one is sun kissed and percussive with irresistible production from the likes of JMoney, Village cuts and Lanzapro.
Hologram Teen is the solo project (and anagram) of former Stereolab keyboardist Morgane Lhote. Her colourful playful songs are heavily influenced by disco and 80s French pop.
Initially from Paris, Morgane relocated to Los Angeles where she concentrated on her solo material. Captain Fluo is a disco-fuelled love letter to 1980s Paris and its underground nightlife, record store discoveries and the exhilaration of growing up as a gay teenager in a world of self-discovery.
Produced and mixed by Andrew Claristidge (Acid Washed) at Duca Sonora Studios in Brittany Captain Fluo is a vibrant fusion of propulsive beats, bouncy synths and funky basslines. Morgane’s signature keyboards weave through a constellation of guest vocalists including Sandra Zettpunkt, Maxwell Farrington, Eric D Clark and Alex Aikiu. From the euphoric pulse of ‘Lust Pill’ to the radio crooner nostalgia of ‘Fréquence Gaie’ each track is a portal to the dance floors and late-night airwaves of a bygone era.
Drawing inspiration from French pop icons like France Gall, Michel Berger and Louis Chedid alongside the sleek productions of Italo disco pioneers Kasso and the genre-defining touch of David Bowie, Nile Rogers, Quincy Jones and Depeche Mode, Captain Fluo is a heartfelt ride through an era when music was liberation.
* Limited edition 2 x LP vinyl with full colour outer sleeve and printed inners.
* The sound of a D&B original. Carlito's debut LP blends timeless vibes with fresh energy and presents a masterclass in liquid funk.
* A long-awaited debut from one of liquid drum & bass's true pioneers, Fiesta En La Playa sees Carlito step out solo on Liquid V with a full-length that's been years in the making. Known for his work with DJ Addiction and iconic releases on labels like Moving Shadow, Creative Source, Hospital Records and Defunked, Carlito helped shape the early sound of soulful D&B, and here he refines it with maturity, depth and a forward-thinking touch.
* Includes the standout singles Fiesta En La Playa, Wide World, Savanna Rain and Take Me Down, plus a host of new tracks exclusive to the LP.
* An album that brings Carlito's classic touch into the present — deep, melodic and musical, with the weight and clarity to hold its own in any modern DJ set. Also featuring vocal contributions from V regular MC T.R.A.C.
* "I've always loved the more musical side of things," says Carlito, "and with this album I really wanted to stay true to my sound but bring it into the now."
* A personal and creative milestone, marking Carlito's return to the scene and celebrating the spirit of D&B culture past, present and future.
* Full support from Bryan Gee, DJ Marky, LTJ Bukem, Jumpin Jack Frost and the V family, with roots that run deep and a sound that continues to inspire across generations.
* Built around standout singles and brand new material, the LP is as much about feel as it is finesse, lush, rolling and warm, but with weight where it matters. From start to finish, it's the sound of a producer reconnecting with the craft: "I still get the same buzz turning the kit on, not knowing where a session might go."
* With a legacy that spans decades, Carlito delivers a record that speaks to both long-time heads and the new wave alike — soulful, confident and packed full of funk.
New chapter from Urban Underground Grooves bring the sign of duo No Hype DJ’s, comin’ back on the label with a new package of funk filtered cuts .
For the real lover of the MPC sampled style this package will take you back in the 90s era of the Henry Street Records heroes like DJ Sneak, Mateo & Matos or Johnick.
A side is fully dedicated to the dance floors energy with uplifting A1 banger “FnK’ It” reminding that Gene Farris wheel recordings feeling !
The A2 “Tribaldoria” it’s a Tribal banger that will shake your booties all the night.
B is very emotional and more relaxing, opening with a nice romantic theme “Rainy Dayz” to go towards a french filter crunchy jam and ending with a clear message of Be Yourself closing the records that represent a big meaning for this EP.
Lots of late nights and sunrises spent together between St. David and Wildbox in their labs and this the result of this hard work told as fairytale of 5 beautiful cuts.
Mixed and Mastered by St. David at TOW Records in Bari, Italy
Machine Girl's debut album celebrates its tenth anniversary with a long-awaited reissue, which marks the first time it arrives on CD as well as vinyl. Originally released in 2014, WLFGRL fused footwork, jungle, digital hardcore and rave into a chaotic, euphoric sound that helped launch a global underground movement. The album's packed with raw intensity and plenty of breakcore influence so it introduced a new generation to extreme electronic music and to celebrate its return, a one-off livestreamed show at Brooklyn's Trans-Pecos accompanied the release. As we are reminded listening back now, WLFGRL is a real high-water mark in outsider music culture.
Joseph Salvador's impressive young Universo Positivo label returns with a new EP from the boss himself alongside Europe mainstay Orlando Voorn. The dynamic duo serve up four cuts that perfectly embody their timeless sound. Salvador has been at the heart of the underground since the 1990s. He is deeply involved on the scene on many different levels from running the cult Tomorrow Is Now Kid! nights in Amsterdam to labels like TINK Records and also working as part of house acts like Black Tulip & Wendell Morrison, Thyone Girls, Digital Cartel and many more. His music always operates at the sharp end of the spectrum and has come on labels like Tribal America, EMI and Sony Columbia. Orlando Voorn is equally as vital to the evolution of techno. His sound famously builds a bridge between Detroit pioneers and the contemporary European sound and he has worked with greats such as Blake Baxter and Amp Fiddler. He recently remixed South Bay Jams on this label and has also dropped music on the likes of Rush Hour, R&S and Housewax. 'Every Man Loves' brings lavish disco strong stabs to a mid-tempo groove that is packed with warmth. Funky bass riffs and jumbled toms all bring it to life next to an exquisite diva vocal that brings the soul. 'Slap My Funk' hits harder with raw drum loops and a touch of filter house energy. Chopped vocal stabs keep things driving with more live funky bass next to jazzy chords. The steamy 'So Well' is a fulsome house sound with big trumpet stabs and smart vocal samples worked into a heavy, party-starting but emotional groove. Last but not least, 'Break It Down' layers up freeform Rhodes jams with crashing drums and smeared synths to make for a real dance floor weapon. These are four potent and expressive new house gems from this dynamic duo.
Florian Picasso returns with When I Saw U, a playful, feel-good track that sparks the thrill of young love, excitement, and electrifying anticipation. With pulsating beats, shimmering synths, and irresistibly catchy vocals, it’s an anthem designed to make everyone move. 'I wanted something fresh and fast-paced—built for dancing but with depth,' Picasso shares. 'It’s not just about making tracks; it’s about pushing sound and arrangement to new heights.'
With When I Saw U, Florian Picasso cements his place at the forefront of electronic music’s evolution, proving that his legacy is one of reinvention, innovation, and fearless artistry
There is so much that we at Dirter could say about the legend that is Chris Connelly performing his takes on the music of the equally legendary TG, but this time we’re going to leave it in the words of the man himself. This record goes ahead with the blessing of the surviving members of Throbbing Gristle, Chris Carter & Cosey Fanni Tutti. “Having carved a twisted career with behemoths MINISTRY & REVOLTING COCKS over the past 40 years, starting life with the formidable FINI TRIBE and collaborating with disparate characters such as KILLING JOKE, CABARET VOLTAIRE, JIM O’ ROURKE, and too many others, I have returned to my first love, THROBBING GRISTLE, armed with a cassette recorder, a reel to reel, a razor blade and some tape, I want to invoke the spirit of mid to late 70’s live TG , random, tense, scary & compulsively fascinating…….WHITE PHOSPHORUS is for the TG connoisseur, for the morbidly curious, and the tragically dysfunctional amongst us”. This record is packaged in the spirit of the earliest Throbbing Gristle releases and is very much coming from a ‘70s Xerox angle. It’s pressed on 180gram heavy black vinyl.
Liquid Memory returns with Stephan Bazbaz – Lithium EP, a collection of three dancefloor-certified heavy hitters.
Packed with deep grooves and undeniable energy, this record is destined for the record bags of the most discerning DJs and clubbers—a must-have for those who appreciate expertly crafted club weapons.
A long-time praised producer, Stephan Bazbaz makes a true comeback with this release, marking his first in four years after over a decade of delivering top-tier music. With extensive experience behind the decks and in the studio, he has honed a sound that seamlessly blends minimal dub and crisp house. From his celebrated residencies to his own vinyl-only label, No Waves, his deep understanding of club culture shines through in every groove.
Mary Yuzovskaya unveils the 'The More You Know' remix EP on her vinyl-only Monday Off imprint, releasing 6th June 2025. Featuring reworks from Spain's ORBE, 90s US Techno legend Mike Parker, Judas Records' JUDAS, and Duna founder CONCEPTUAL.
First up, Token and Mote-Evolver artist and Orbe Records boss ORBE remixes 'Ittiologia', maintaining the original's hypnotism by amplifying its eerie soundscapes for a loopy, deep space trip. JUDAS, shrouded in mystery yet known for his self-released EPs on his eponymous label and releases on ARTS, then revisits 'Micologia', completely reworking its tripped-out sequences into short bursts of droning synth work.
Tresor, Semantica, and Prologue's Mike Parker also provides a version of 'Micologia', with the US Techno lynchpin slowing down its rhythm while its weighted synthlines bubble up between its kicks and rides. Closing out this remix package, Italy's CONCEPTUAL reworks 'Ittiologia', building tension via the original's dark and shadowy atmospheres but switching up its low-end for an electric, late-night feel.
Mary Yuzovskaya is a storyteller. Through delicate, masterful curation and a deep knowledge of experimental, trippy Techno, she weaves together sonic journeys - with 'The More You Know - Remixes' making for another excellent addition to her Monday Off label.
hereandthere releases their first EP compilation with tracks from IGLO, Ecilo, Arthur Robert, and Anna Kost, with a digital bonus from Pink Concrete. A solid unit of rhythmic techno sounds, brought forward by driving basslines, dub chords, and repetitive synth lines with melancholic undertones.
Bold yet restrained, each track moves forward at an energetic pace that is both assertive and gracefully structured. After plenty of testing, they have become staples of the hereandthere dance floor, guiding the way through numerous early mornings and defining the current sound of the collective.
Crowns by The Rebel feat. Corey James Gray is out now on 7’’ via Little Beat More!
The Rebel, aka Tommaso Taroni, producer from Rome and Founder of DJ’s Choice label, delivers a raw, soulful track that opens the door to his debut album. Crowns features the sharp lyrics and smooth, magnetic delivery by Corey James Gray (FKA Ill Spookin), riding over a sturdy groove with crisp drums and deep guitar loops.
On Side B a further explosion comes: Clap! Clap! signs a Power Trio remix of the track that flips everything on its head. With thunderous syncopated riddim and wild brass stabs, this version hits like a futuristic brass band from New Orleans: unrelenting, joyful, and rhythmically overpowering. A bold reimagining by one of Italy’s most visionary electronic producers.
Packaged in a stunning disco bag illustrated by El Moro, this 7” is both a record to play and a piece to keep. A snapshot of a fresh project in the pipeline, ready to go!
For the latest Klasse Wrecks release, the label combine with Japan's finest festival and events crew Rainbow Disco Club to collaboratively present WRECKSRDC. Overrocket were an electro-pop band from Tokyo that enjoyed a grip of great releases in the early 2000s while signed to Neon Discs and its parent label Aten. During a digging session Luca Lozano discovered the forgotten tracks 'Duralumin' and 'Shadow of the Sun' and immediately set out trying to contact the band's members to arrange a re-release and remix. A few months of patient trying, the connection was finally made and wheels were set in motion. Musically the EP conjures up perfectly the sonics of that time, a grey area between analog convention and the unexplored territories of new digital freedom. Shadow Of The Sun is electro-pop perfection, with breezy vocals and a bouncing beat that sounds like nothing else around...past, present or future. Duralumin is a more dancey collection of blips and beats, one that will make sense in the current return to early 2000s aesthetics. To round out the release and propel it into 2025, KW label bosses take a track each and interpret in their own way. Lozano revisits his electro roots with two remixes of Shadow of the Sun, distorted 808s and growling 101 basslines provide a simple backdrop for the perfect vocals. Mr. Ho takes Duralumin into a more driving and pacey direction, upping the energy and excitement with fast percussion and a huge side chained breakdown that recalls the unbridled rawness of the early 2000s, when everything was just a little bit more fun. Keeping within the confines of Japan and in an effort to bring everything full circle, the label enlisted Japanese artist Gonno to master the tracks for an updated modern sound. The tracks themselves being mastered a few miles from where they were originally penned over 20 years ago.
Introducing the second release under the Statica imprint “MyCn18: Engraved Hourglass”
STATICA002 comes from Berlin-based artist Johannes Mai aka John Spring. John's productions have gained legendary notoriety over the past decade with his early releases revered for their timeless sound and experimental edge, whilst always keeping to a ritual of dancefloor compatibility. An influential artist who pushed the boundaries of minimalism and helped lay the foundations that have sculpted the sound of the present. It's a great honour to be releasing his first EP in over 13 years with 3 never before heard tracks from the mid 00’s.
“Train Ride” is an energetic A1 with pacey drums and a marching topline, while the A2 “Ravebehave” delves deep into spring reverb mastery and wavering synths. The B1 “Melodic Ten” begins with rolling percussion and uplifts with the whispers of enchanting vocals. B2 comes as a remix of Melodic Ten by Fabric resident and stand out London artist Harry McCanna aka Henry Hyde! stripping it back even further and introducing his own sinister synths, growling bass and groove-led drum patterns. It's a pleasure to have Harry featured on the release.
MyCn 18 is a young planetary nebula in the southern constellation Musca. It was discovered by Romano Coradi and Hugo Schwarz in 1991. MyCn 18's hourglass shape is produced by the expansion of a fast stellar wind within a slowly expanding cloud which is denser near its equator than its poles. The central star of the nebula is unknown.
Credits-:
A massive thank you to John Spring & Harry McCanna for their Contributions. Distributed by Deejay.de. Mastering by Justin Drake. Design and Curation by Alix
More Water pairs the dancefloor stylings of Sub Basics and Witch Trials through the platform of Temple Of Sound. Beckoning the listener to the centre of the dancefloor with haste, there they will remain as the tracks appropriately travel from light, to dusk, to dark. All the while holding a high-paced tumbling percussion, encouraging complete expressive movement.
Encapsulating bright keys travelling on a wave of undulating rhythm, littered with muffled vocals that enhance the persistent energy that traverses daytime house. All the way to warehouse rackets that hiss and pump with 4 AM energy, this release has something for every moment of the night.
Over the decades, the image of Kompakt as a pirate ship has taken root in our minds, braving the dangers of the seven seas of the music market. Sometimes it glides with a tailwind through calm waters, sometimes it has to survive violent storms. When we set sail in 1993, we never would have dreamt that our journey would still be going on after more than three decades and with 500 releases to date.
In our fast-paced business, the 500 mark is rarely reached, so we want to celebrate it with a lavish 5LP box set. In a democratic process, we have selected 50 pearls from the thousands of tracks released over the last 33 1/3 years and pressed them onto 5 brightly coloured vinyls. Alongside many Kompakt evergreens, there are also some real rarities from the early ‘Kompakt Sound of Cologne’, which have been lovingly remastered here to shine in new splendour.
The box also contains a 144-page book that tells the story of Kompakt from 1993 to today with detailed texts and images. In addition to the manifold musical and graphic achievements of Kompakt, the multidisciplinary links to the visual arts are also highlighted here.
The Bonus Picture Disc opens with the symbolic tolling of 500 bass drums, followed by 50 locked grooves from the 5 Kompakt founders, looping into infinity at 133 1/3 BPM, and the ‘33 1/3 Years Loop Opera’ – in which the loops are combined into one track that, in its reduced essence, is more than the sum of its individual parts. The magic of groovy loop minimalism and the ‘art of omission’ are once again brought to the proverbial point.
On 23 May 2025, the big KOMPAKT 500 art exhibition will open at the venerable Kölnischer Kunstverein to coincide with the release. The entire visual cosmos of Kompakt will be shown here in an unprecedented way on three floors, with the participation of many renowned artists. Of course, there will also be dancing and partying at the vernissage party, with DJ sets and live shows by the Kompakt Allstars.
The last one turns off the bass drum.
Im Laufe der Jahrzehnte hat sich in unseren Köpfen das Bild von Kompakt als Piratenschiff festgesetzt, das den Gefahren der sieben Weltmeere des Musikmarktes trotzt. Mal gleitet es mit Rückenwind durch ruhige Gewässer, mal muss es heftige Stürme überstehen. Als wir 1993 die Segel setzten, hätten wir uns nicht träumen lassen, dass unsere Reise nach über drei Jahrzehnten und mittlerweile 500 Veröffentlichungen immer noch andauert.
Die 500 ist in unserem schnelllebigen Geschäft eine selten erreichte Katalognummer und soll daher mit einer üppigen 5LP-Box gebührend gefeiert werden. In einem demokratischen Prozess haben wir aus den tausenden Tracks der letzten 33 1/3 Jahre 50 Perlen ausgewählt und auf 5 knallbunte Vinyls gepresst. Neben vielen Kompakt-Evergreens finden sich auch einige echte Raritäten des frühen “Kompakt Sound of Cologne”, die hier liebevoll remastered in neuem Glanz erstrahlen.
Die Box enthält außerdem ein 144-seitiges Buch, das mit ausführlichen Texten und Bildern die Kompakt-Geschichte von 1993 bis heute erzählt. Neben den mannigfaltigen musikalischen und grafischen Errungenschaften von Kompakt werden hier auch die multidisziplinären Vernetzungen zur bildenden Kunst beleuchtet.
Die Bonus Picture Disc wird mit einem symbolischen Glockenschlag von 500 Bassdrums eröffnet, gefolgt von 50 Endlosrillen der 5 Kompakt-Gründer, die sich bei 133 1/3 BPM in die Unendlichkeit schleifen sowie der “33 1/3 Years Loop Opera”, in der die Loops zu einem Track zusammengefügt werden, der in seiner reduzierten Essenz mehr ist als die Summe seiner Einzelteile. Die Magie des groovenden Loop-Minimalismus und die “Kunst des Weglassens” werden einmal mehr auf den sprichwörtlichen Punkt gebracht.
Am 23. Mai 2025 eröffnet parallel zum Release die große KOMPAKT 500 Kunstausstellung im ehrwürdigen Kölnischen Kunstverein. Der gesamte visuelle Kosmos von Kompakt wird hier unter Beteiligung vieler namhafter Künstler*Innen in nie gesehener Form auf drei Etagen gezeigt. Selbstverständlich darf zur Vernissagenparty auch getanzt und gefeiert werden zu DJ Sets und Liveshows der Kompakt Allstars.
Double trouble from the depths with this audacious edit package taking in two ultimate, belt from the bottom of your heart classics. Reworked, reloved and revamped to provide maximum dancefloor elation. Two big, bold edit beasts to help you break on through to the other side.
Belgium's iconic DJ and producer, Yves Deruyter, who celebrates his 40th DJ career in 2025, makes a triumphant return to the music scene with the much-anticipated remaster of his seminal second album: "2001".
Renowned for his pioneering influence on techno and classics, Deruyter's re-release is packed with timeless tracks, including the unforgettable anthem "Back To Earth" and also including but not limited to: "Music-Non-Stop", "Rhythmic Bazz", the much sought after Transfusion and as a special bonus "Born Slippy".
Available in an exclusive 2 x 12" vinyl release, collectors and fans alike can choose between a special light blue edition, limited to 500 copies, or an ultra-limited faded smoked black-to-transparent white 180-gram audiophile version, limited to just 200 copies.
Each version comes repackaged in a stunning, redesigned sleeve, making it a must-have collector's item for true enthusiasts. Don't miss the chance to own a piece of techno history!
It’s been 6 years now since our last collaboration with Roar Groove and The Revenge in 2019. So it was about time to unleash some new heavy hitters by this House master.
With the opener “Twisted Signal” this EP sets the pace and tone to spiraling and pulsating sines, great grooves and hypnotic vocal use. Dark dance floor material at it’s best! Followed by the deep “Spiral Highway” the a-side is one long live jam. On the b-side we take back the pace and make it groovy-er with the House cut “Open Your Eyes” in a true classic “Revenge” style. Closing out with the excellent lush journey that is “Your Life”, bringing back again his great vocal sample use and adding deep soulful chord flavors.
Get real Deep with this new 4 tracker by The Revenge! Enjoy!
All tracks mastered by Salz Mastering in Cologne. Art by Hugo Barne.
The highly prolific and stylish Konerytmi returns to Analog Concept Records in high funk resolution with the Megapikseli Ep.
Experience tricky video game vibes from both analogue and digital synths inside this pack of slick electro tracks; beginning with Kirsikka, highlighted by rubbery bassline funk, laser zaps, sharp 808 rhythms and awakening pads complimenting the attack.
Then there is the moody and groovy title piece, Megapikseli, heavy on the bass, with intricate clever electro percussion, and fog light chords, formulated to leave your mind stimulated and pixelated; reinforced by an abstract remix in its own cinematic world from the vision of Fleck ESC.
Flip to side B for the twin, Mikropikseli, bringing more of sunlit aura, cosmic atmospheres, emerald textured leads, and playful, vivid effects to the set.
Lastly, is the late night electrosoul aura and rhythm resonating from Puro; confident with rolling acid basslines, starry fx, to pure dark and lovely melody, guaranteed to emit grooves of energy easily.
For the lovers of immersive electro, marinated in the classy flavor of cartridge era platform games, Megapikseli Ep by Konerytmi is the real deal system to entertain.
When SW. AKA, Stefan Wust, first established SUED in 2011, their compelling, cosmic and anonymous material struck a rare chord, emanating far beyond the freeform Berlin underground in which it was written. Unknowingly, Los Angelean Oliver Bristow had
established a parallel musical universe, founding the hyper-specific label Acid Test, inviting pioneering artists such as Donato Dozzy, Tin Man and Pepe Bradock to indulge in glorious interpretations of 303 control. Without compromise, these were records that quietly
reinvigorated electronic music.
Some years later, a new label, SWOB, unites Wust and Bristow in a very different landscape. And while it would be easy to transform the purity and integrity of this special alchemy into something like nostalgia, yearning for an alternative culture before
influencers and against algorithms, SWOB endeavours to find inspiration in arguably tougher truths.
“By the mid-90s, the techno scene had already reached a breaking point”, recalls Wust.
“Today, the scene is so highly professionalized that it barely resembles what was once called the "underground. But "underground" was never more than the simple reality that music circulated on cassettes among friends or that dubplates were played at illegal
parties... The consequence of today’s professionalization is the death of the original movement.”
Still, no one can kill an idea. Here, inspired by the “Outside Tekno” or “Outkast Techno” that emerged to subvert even back in the day, SWOB are proud to introduce the tekkNOthing trilogy, a new project from SW. beginning on cassette and culminating later
on vinyl. Some years in development, tekkNOthing first began to take shape during the 2020 global pandemic, when ‘the underground’ quickly began to mean something radically different once again.
“I noticed how everything was accelerating while simultaneously spinning in circles – existing in a kind of creative limbo on a global scale”, recalls Wust. “And that’s where true freedom lies: for artists – in any sense – to consciously engage with this necessity. In
other words, irrationality or nonsense can eventually generate meaning.” While hardly capitulating to the contemporary hammering of techno’s most recent developments, tekkNOthing’s first chapter quickly establishes a frenetic pace; tracks like ‘nuclearFALLoutX’ and ‘paslolESmess’ interlock and unfold at a tempo removed from that typically associated with SW. while ‘euroBSS’ and ‘viscousHEAT’ successfully experiment with a more guttural palette, veering far into a rejuvenating and previously uncharted leftfield.
A resolutely human endeavour, the music of SW. is nonetheless written and recorded in the looming shadow of AI, whose free-form adoption of pop culture, hip-hop and techno reminds Wust of “when photography emerged in the 19th century... painting was no
longer bound to naturalism. Similarly, music today is no longer bound to fixed standards – through AI, it can become truly free.”
If not in competition, than taking inspiration from this landscape of new opportunity, tekkNOthing diversifies further with eight unpredictable tracks across part II, taking in stuttering machine-funk on ‘crAMPDUNK’, a freeform organ jam via ‘sonicENdo’ and the
inexplicable piston-percussive, post-punk exotica heard on ‘poorTENOOR#a#01’ DJs with dual cassette decks skills might even find function in the more overtly floor-focused ‘DU ¨NEhowSE#1takeÄ’ or ‘lookLOOK’.
The times may have changed, but the promise remains simple; more music, more freedom.
Old Soul Records are proud to present Chris’ seminal garage classic ‘Set If Off’, the tune that’s cemented his name as a 2-Step elder. Whilst the reworked version has seen a re-issue on a Pure Garage comp in recent times, this original version is presented here in it’s raw, unfiltered form. If that wasn’t enough it’s backed up with not one but two previously unreleased versions – ‘Set It Off (Bang Mix)’ & ‘Set If Off (Original Dub)’. This package is a testament to Chris’ production and all the tracks sounds as fresh now as when they were first committed to DAT during those heady foundational days.
THE REISSUE OF ITALIAN DUO'S SELF-TITLED DEBUT ALBUM – A DELUXE VERSION
OF THE 2015 SOLD OUT RELEASE -180-GR VINYL • 12-PAGE BOOKLET ALUMINIUM FOIL BAG
AND NOW ENTITLED - TEN, (which stands for) Tenth Edition Newness
Drawing inspiration from a wide range of cultures and musical traditions, C'mon Tigre is a dynamic duo that develops its identity into a collective of musicians and artists from all over the world. Along the years, they have collaborated with musicians such as Colin Stetson, Seun Kuti, Arto Lindsay, Xênia França and artists Gianluigi Toccafondo, Harri Peccinotti, Danijel Žeželj and Paolo Pellegrin to name a few. TEN, which stands for Tenth Edition Newness, is an expanded edition of their iconic Self Titled debut album, which was initially published in 2015 through Africantape on a limited vinyl pressing. It sold out quickly, was later repressed by the band and sold out again. Today, it finds its chance to be reissued with the Computer Students™ treatment. Fans will love this remastered version, which sounds substantially better than the original. The album's expansion features a slightly altered record cover in addition to a 12-page booklet with a number of writings and images. TEN will be offered on double black vinyl, audiophile quality pressing 180-gram, inside a gatefold cover. The entire package is housed in a unique heat-sealed aluminum Type-2 foil bag, courtesy of Computer Students™.
* Light Years: A captivating late-night roller, reflecting the distances traversable through sound. Layered drums breaking like waves across a vast alien ocean, with 808 subs providing the ballast.
* Dust: Textured patterns move through the atmosphere like fine particles, drawing listeners into the haze. Mystery and nostalgia combining to produce jungle which looks back over its shoulder whilst racing forward, into the future.
* Antares: The red super-giant at the heart of the scorpion. Deep, resounding bass below, providing the foundation for the pulsating choppage, and shimmering harmonies above.
* Omega 7: Jungle drum & bass which shamelessly revels in the virtues of everyone’s favorite fatty acid. High-energy beats, nourishing rhythms and therapeutic low-end, emulsified to provide a supplement which promotes balance and wellness.
Wilson Tanner return to dry land with Legends, a wine-soaked agricultural fantasy, made among the grapevines at Manon Farm in South Australia. Where their earlier works settled into the sun-struck torpor of a suburban Perth backyard (69) or drifted off-course on a riverboat on Port Phillip Bay (ii), Legends trades salt air for vineyard sweat, the scrape of boots on dry earth and workers’ radios humming with the summer test cricket season.
Through this agricultural haze an image of a working vineyard emerges - ducks, dogs and plovers intrude; tractors and quads fly-by; stainless steel gleams at the edges. Recorded without mains power, the Manon demos overflow with farmyard ingenuity. Wind, brass, balalaika, balloon, pipe and synth are trained onto the staff with wire, tape and string.
A caricature of Australian viticulture, Legends is packed to the horns with the mythology and manure of natural wine. Swigging and belching in camaraderie, Wilson Tanner press their surroundings into something raw and unfiltered, letting bum notes, leftovers and sediment linger in the bottle. A cornucopia of biodynamic sounds.
Mutual Rytm welcome back Swiss DJ/producer Chlär for a bustling, high-octane return as he unveils his latest six-track EP, 'Intrinsic Drive'.
Swiss artist and mastering engineer Chlär's last outing on Mutual Rytm, his 'Optimized Grooves' EP, was a standout success that made an impact far and wide across the techno realm. It was another big step for the fast-rising producer, who is also a dexterous DJ that plays across three and even four decks in the club. A craftsman of sounds, his take on techno is full throttle and has come on labels like Iceland's NIX and Stranger's Self Reflektion imprint. Always looking to improve his sounds, he hits a perfect sweet spot with a fresh and visionary approach across six fresh productions with his 'Intrinsic Drive' EP, again showcasing exemplary creative progression in his ever-impressing production skills.
Up first is 'Dopamine Rush', a quickened techno pumper with synths peeling off the straight-ahead drums and locking you into a state of hypnosis. The title track 'Intrinsic Drive' is a tightly woven mix of drums, hits and bass that never lets up, while the supple rhythm is overlaid with alien sound designs to up the intensity. 'For Marco' takes a heavier path with darkened and more weighty kick drums under eerie synth loops. There is a real swing in the drums of 'Steady Pace' as the crisp hits and vocal fragments all up the ante, before 'Greedy Man' delivers a tough panel beater with skewed synths and an industrial undertone. Digital bonus 'May I Dance?' rounds things out with raw textures and unhinged loops that take you to the heart of a strobe-lit dance floor, shaping up another
mighty fine statement of intent from the ever more vital Swiss native.
DJ Sotofett presents a double 12inch with 8 strictly underground & classic Techno tracks. The album features regular collaborators LNS, L.A. 2000, Ronny Nyheim and Zarate_Fix while scanning through a set of tracks designed for DJ Sotofett's resident nights at Berlin's Tresor club. Energy driven Dub-Techno, overtonal and percussive Acid, pumping bassline-riding power Dubs and Deep Techno wraps up this DJ friendly but versatile double pack. The programming, mixing, mastering and cutting on "WANIA mk1" has been perfected for an attempt to resurrect real undeground & no-bullshit club music, strictly for real DJ's and clubbers who passionately loves the core of true Techno music. Includes the bombastically percussive "Preparation" and 909-vocoder driven "My Spirit Is In Techno Music" as well as alternative mixes from the previously released "WANIA mk2".
THIS 2x12" SET IS CUT WITH LOUD VOLUME FOR EXCELLENT CLUB USE!
After the dazzling debut of their first LP "Latin Freaks", the Funkool Orchestra is back with a brand new single that anticipates the release of their second studio album. A pure adrenaline double sider 7" vinyl with two dancefloor killer tracks.
"Tengo che ffà"
A dancefloor where the sun never sets, pulsing with a Mediterranean heartbeat. Funkool Orchestra return with "Teng Che Fa", a vibrant fusion of funk, disco, and Neapolitan groove. Following their sold-out debut Latin Freaks, this Maledetta Discoteca production delivers pure feel-good energy: sweaty, euphoric and made for endless dancing under golden skies. Perfect for global grooves, nu-disco, and upbeat funk playlists.
"P-Funk (Dance with Pezz)"
A rhythm that grabs your hips and won’t let go, while you smile to the world. Funkool Orchestra set the dancefloor on fire with ‘2-P–Funk’, a percussive, Latin-infused groove drenched in funk and soul. This Maledetta Discoteca production is built for shaking and radiating pure joy, packed with irresistible horns and unstoppable rhythm. Perfect for Latin funk, soulful disco, and global grooves playlists.
Italian producer Giuseppe Scaccia aka D-leria, affiliated with labels such as Avian, Semantica and Non Series, debuts on
Sublunar with his 'Contrasto' ep.
The ep showcases Scaccia's ability to move between the most classic techno to the most futuristic, while maintaining his own well-defined and recognisable identity.
The record opens with the dirty groove and hypnotic vocals of 'Carioca', before moving on to the more classic and edgy sound of 'Disorder', a secret weapon produced in 2016 and played in every set by the artist.
This is followed by the tribal, resonant sound of 'Pangea' on the B-side, and the fast-paced, sound design laden 'Rabid'.
Fresh on the heels of ‘Forgotten Ones’, the jazz-fusion LP from Culross Close, Esencia presents two cuts from K15.
‘Brighter’ is one for the steppers - packed with a weighty bassline, dreamy synths and a sense of wonder throughout. ‘Darker’ is a visceral workout, where off-kilter chords meet drum machines.
The end result? Two tracks made for discerning dancefloors everywhere! 12” vinyl in a white gloss sleeve, complete with full colour sticker.
Something special happens when acts like 2fox and vocalists like Laville team up. In 2024 theybrought us one of the year’s most exciting soulful house releases called 'Elevation'. The trackhit #2 on Traxsource’s Best of ADE 2024 and it was consistentlyin the top 10 of soulful housecharts across DJ retail sites. This catchy vocal floating on top of a modern Motown inspiredbass line has had crowds singing along night after night. On this vinyl and digital package,legends Louie Vega and Tommy Musto take their remix turns on 'Elevation' along with labelbosses Soul Clap plus an exclusive percapella from 2Fox.
Louie Vega’s remix turns up the tempo and swings with a heavy bass piano line, knocking percussions, sweeping synth pads. Laville and background vocalists Nandi and Beth Aggetthave plenty of space to soar and give this remix a gospel tinge. It’s a nine plus minute ceremonyof sound that will still leave you wanting more and more!
Tommy Musto’s Zero Hour Mix dials in the soulful sounds of the track, bringing the organforward for a jazzy take for those who want to feel cosmic vibrations.
Soul Clap’s remix is future forward and Detroit inspired. As it evolves over 8 plus minutes, astrong melodic build up and eventual release will leave every listener feeling elevated!
These remixes along with original extended mix are available digitally and also packaged on 12-inch vinyl with artwork designed by Noah Prebish of Unknown Pleathers. Stay tuned for a dubs 12-inch release just a few weeks from now with unique versions of these remixes
From the same recording sessions as Bézier's first EP on Körperspannung records 'Negative Velocity', 'Contraption' channels a few moods and scenarios.
On the a-side 'Contraption' is an insignificant droplet darting through the sky. Soon it joins a disarray of objects positioned above the atmosphere, maneuvers in formation to reveal randomized, decentralized nodes packed for mayhem.
On the b-side Bézier shows a slice of his lived experience. Back in 2004 he used to go to house parties around East LA with friends they grew up with every weekend to listen to music. Winding through the Southern Californian roadway sprawl they'd drive 1/2 an hour to 1 hour on the I-10 (sometimes diverting to Route 60 if gridlock is expected) to get to the location, usually in a residential neighborhood. Being respectful of the communities and the struggle of the progenitors of this music, Bézier presents 'Blue Halo' as an homage to that sound with a twist: Cumbia-Synth to provide a little sauce for your ears. Dave Easlick joins the milieu to provide a percussive framework for this tune.
Lastly, 'Bit by an Electric Wire' showcases Easlick's drumming with an overlay from Bézier. As Dave rips and shreds through his drum kit the OCD machine living inside Yang's brain switches on and organizes, collates and files that dataset into a hardcore rhythm track.
The first official reissue of Dorothy Carter"s folk-music exegesis comes 46 years after its original release, 20 years after Dorothy passed, and 11 years before the centennial of her birth. Yet it seems right on time for a new celebration of her music. Appalachian folk tunes, old and ancient psalms and hymns, Scottish, Irish, French and Israeli melodies, and original tunes flow together effortlessly in hypnotic gardens of eternal world musics. A highly energized, alternately meditative and proselytic recital whose vitality has only burgeoned in the decades since it appeared. As it should be: the music of Dorothy Carter is akin to a portal, linking her and us with the eternal. This edition of Troubadour reproduces the original album package, adding an insert adorned with additional photos of Dorothy and her collection of instruments, as well as notes from Eric Demby exploring the era - his childhood - from a vantage point of some 50 years. This reissue is a long-held family dream come true, and it is dedicated in loving memory to Bob Rutman, Constance Demby, David Demby and Dorothy Carter.
The Situation collective headed up by Mr Mulatto and Frank Situation return with their much-anticipated new album ‘Audio Proxemics’. Across nine sumptuous tracks it explores a warm array of sounds from jazz-flecked deep house to soulful nu-disco with guests like Javonntte, Faze Action's Robin Lee and more. Situation is a collective of DJs, producers, editors, and musicians who hail from the five valleys of Stroud in the UK. Between them they have deep roots in electronic music and have been entrenched in the scene on many levels from hosting their own events, organising free parties, releasing everything from deep house to tech under several aliases and, since 2014, have established Situationism Records with cultured sounds from the likes of Ashley Beedle, Greg Wilson, Dr. Packer, and more.
This accomplished new album has been two years in the making and began with three tracks recorded by South African vocalist Venessa Jackson while she was on tour in the UK. As well as Venessa’s sweet tones, vocalists from across the globe contribute alongside some core Situation members: James Payne, Phil aka Dr Keys and Jon Gray aka BitterSuite who take care of bass, arrangement, production, and guitar.
It’s a timeless record that spans everything from jazz to funk with real musicality and standout instrumental skills lighting up each track. Underground favourite Javonntte adds deep and smoky tones to the flute laced and sunny house sounds of 'Bullit' while 'Never Taken A Weekend Off' is a lush broken beat sound with radiant synth leads and vocal hooks that echo classic Brit funk. 'Mrs Donovan' is a more club-ready sound with dazzling keys dancing over dusty house drums and 'Fairy Godmother' is a gorgeous slice of disco house with vibrant strings from Faze Action's Robin Lee and an effortlessly cool acid jazz vocal. Add in 'Over & Over', a lovely jumble of chords, organic percussion and life-affirming horns, and the hip-swinging drums and expressive interplay of sax and synth on the uplifting 'Rodborough Groove' and you have an album perfectly suited to bright days and hot summer nights.
Amber Run is a British indie rock band from Nottingham. The band have released three albums and four EPs.
They played Reading and Leeds festivals, enjoyed national radio support and had a strong press reaction: “Their vast sound has Coldplay stadium ambitions” (Independent); “Epic tunes that sound destined for arenas” (Daily Star); and “Incredibly effective” (The Sun).
Amber Run recorded their debut album throughout January and February 2014 with Sam Winfield and Brit Award-winning record producer Mike Crossey, who previously produced albums for Arctic Monkeys, The 1975, Twenty One Pilots, Walk the Moon, Foals, Keane, Jake Bugg and Yungblud.
With Noah’s Mumford & Sons-like vocal melodies and the wisps of Bastille’s fist-pumping pop on single “Just My Soul Responding”, Amber Run maintains a legitimising rockstar edge.
There are comparisons with Coldplay on the single “I Found”, while the title track has London Grammar’s mellow trip-hop vibes.
To celebrate the 10th anniversary of 5 AM, Music On Vinyl in cooperation with Amber Run and Sony Music present a limited, individually numbered 10th anniversary edition on yellow & black marbled vinyl. The package includes an insert with lyrics
5-track vinyl-only release by Basse-cour label boss Decoq, delivering a raw, unapologetic slice of hard techno. Drawing light inspiration from the early '90s rave scene, this EP channels the gritty energy of industrial warehouses and the euphoria of underground dance floors. Thunderous kicks, gritty textures, hypnotic rhythms, haunting synths, and relentless grooves collide in a collection that pays homage to the roots of rave while keeping its sights firmly set on the future: this is a must-have for selectors who thrive on pure, unadulterated energy.
A visceral journey into the heart of techno’s rebellious roots and a pure dance floor ammunition for true heads.
Vinyl- Only Ep in 5 tracce firmato da Decoq, boss e anima dell’etichetta Basse-cour, che offre una cruda e inarrestabile dose di hard techno. Vagamente ispirato alla scena rave dei primi anni '90, questo EP incanala l’energia ruvida dei magazzini industriali e l’euforia delle piste da ballo underground. Casse martellanti, texture grezze, ritmi ipnotici, sintetizzatori inquietanti e groove implacabili si fondono in una raccolta che rende omaggio alle radici del rave, guardando al contempo verso il futuro.
Un must-have per i selector che vivono di energia pura e incontaminata: un viaggio viscerale nel cuore ribelle del techno e una vera arma da dance floor per gli intenditori.
At the heart of this double album, and amid the intense internal struggle between creative instinct an artistic reasoning, Ziggy has identified two key themes: Inspire and Radicalise. It is within this duality that the 15 tracks of this new work, recorded between Berlin and London throughout January 2024, take shape. Throughout its creation, the crew enlisted a familiar pallet of materials, seeking those obscure and vintage music-making machines, meeting a myriad of percussion and drums with the new addition of electric guitar as the band ventures into disco / highlife inspired territories. bring this ambitious project to life, Ziggy enlisted a team of forward thinking musicians across Europe and the UK alongside old friends and collaborators from the grassroots in Melbourne, Australia: Lewis Moody (Energy Exchange Records), Szabolcs Bognar (Abase), Eric Owusu (Jemba Groove), and Tom Varrall (Jamie Cullum) form the core rhythm section alongside a hefty list of guest appearances (from the likes of Oscar Jerome & Tom Driessler) making this truly the most ambitious and diverse incarnation of ZFEX to date.
Kicking off the New Year with a release that truly stands out, Slamm! EP is a high-energy, retro-inspired journey through house and techno. This record is particularly special, featuring a remix by none other than Diego Krause—an artist whose work with the Beste Modus crew was instrumental in shaping my journey into music production. Having admired his craft for years, it’s a privilege to collaborate on this project, especially with both of us sharing roots in Berlin.
The title track, Slamm!, delivers a driving groove packed with punchy percussion and hypnotic synth work, setting the tone for the EP. Diego Krause’s remix refines the original, layering it with intricate textures and deep, rolling basslines that showcase his signature sound. Soul of Fantasy (House Mix) brings a touch of classic house warmth, blending soulful chords with a steady rhythm, while Euro Phase leans into a progressive flow, building tension through evolving layers. Closing out the EP, Landing Time (Digital Bonus) captures the deeper, late-night essence of house, rounding off a versatile and dynamic release.
Rooted in the uptempo energy of early ‘90s house and techno, Slamm! EP fuses past influences with a fresh, modern approach—making it a must-have for house music lovers.
It is a groove-infused journey designed for those who thrive on the pulse of the dance floor. This slinky, high-energy compilation from NOREPRESS brings together the driving rhythms of Giacomo Silvestri - Paradox, Andrea Giuliani - Hypnagogic, Kirill Matveev & Wiklauri - Fasol, and Nicolas Barnes - Lift It, each track crafted to keep bodies moving and minds locked in.
The essence of this release lies in its intricate drum progressions—tight, rolling, and infectious—laying the perfect foundation for deep, bouncing grooves and hypnotic acid elements to work their magic. The energy flows effortlessly, creating that perfect in-the-moment feeling where time dissolves, and only the rhythm remains.
Whether it’s warming up the room or taking things deeper into the night, NRP004 is made to move a crowd. Packed with room-filling beats and an irresistible momentum, this one is all about embracing the moment, locking into the groove, and stepping into 2025 with pure dance floor delight.
Brussels-based artist Adja Fassa releases her debut album, two years after her well-received EP IRONEYE - and it is promising to be quite a ride.
This contemporary body of work showcases 11 stories, each telling their story of the impact our capitalistic society has on our most intimate moments: from dystopian neo-soul tales of Deliveroo-drivers being stalked by telemarketers (both of them selling/delivering literal 'hope and dreams'), to re-imagined jazz standards and classical songs about conditional friendships, based on time and money. We even get her take on the 'stick-it-to-the-man-sing-along-rock-song', which she called 'Sucking on my Emphatitties'. And then we have the title song 'Golden Retrieve Her' which is as much an accumulation of feelings as of musical curiosities
" 'Golden Retrieve Her' is a wordplay on wanting to retrieve my kindness in a violent social system. Simultaneously, it is criticizing the fact that we, the masses, are often asked to either be naive or pretend we are. All of this accumulated in a visual image of what our social system considers 'the perfect, obedient nuclear family': a kind couple with 2.4 children, a house in the suburbs and... a Golden Retriever." ~ Adja
Serious and concrete topics, wrapped up in a symbolic package, as Adja values both straightforwardness, critical thinking and, paradoxically, a bit of mysticism. For her visual artwork, she created four, self-made tarot cards, that represent the four themes on the album:
'The Wheel Of Fortune', embodies the desire to get the upper hand in a system that doesn't align with your values. 'The Mirror', represents projection and likeness within lost connections (whether with strangers or with friends), 'The Dark Wheel' embodies the turning point of the wheel of fortune, where one is completely surrendered to their own moral demise and 'The Cave' stands for the - sometimes painful, sometimes blissful - return to one's own mind and heart.
Musically, this album contains as much variety as song titles, as Adja continues to explore her own depths as an artist and musician, together with her partner-in-crime, guitarist, composer and jazz-arranger Alexis Nootens. She collaborated with music producer Adam Scrimshire, who was featured in the Guardian as UK's one of three most significant soul music producers alongside Swindle and Inflo, and renowned Belgianproducer, mixer and musician Koen Gisen, who both mentored her into deepening her own productional skills. Last but not least, she gathered 13 musicians to deliver the sound she brings to her album, among them her 5 steady band members and 8 studio musicians from all over Europe. As we said: it promises to be quite a ride.
LIVE:
09/05 : Ancienne Belgique, Brussels
11/05 : Jazz à Liège
One of the most iconic labels in house music made a major return in 2024. King Street Sounds is celebrating its legacy with a series of re-releases that dive into its extensive back catalogue, showcasing some of its biggest releases. One of these being Dennis Ferrer’s iconic debut solo album The World As I See It from 2006. A body of work that sounds as good today as it did 19 years ago and, in that time, has gone on to become one of the greatest house music albums of the last 25 years. This release will be the first time all ten tracks from the album have been included in one vinyl package, and will include a frameable, double sided record sleeve sized poster. With copies of previous editions of the album costing close to £100 on the second-hand market, this limited sky blue vinyl edition will give a new generation of house & electronic music fans an opportunity to own this piece of dance music history.
The five-track ‘Touch The Vibe’ EP is the latest gem in the evergreen treasure trove of music from Australia’s CC:DISCO!. 'Feel It Peak' opens the release with two escapist minutes of slow-burning, gentle synth waves and Spanish guitar before 'Touch The Vibe' then takes off on warm analogue house drums with sugary chords and a classic bassline that bounces along at an infectious pace. Toronto-born DJ, producer and vocalist Jennifer Loveless also returns in fine form, providing heady spoken word vocals that wash over both cuts in an intoxicating fashion.
On the flip, 'Like This' is another absorbing and cinematic synth interlude while 'Me Gusta Is Dead (Period Pain Mix)' brings heavy late-night vibes with its punchy steel drums, fizzing pads and crunchy chords that make for a wild ride. Last but not least is the epic closer 'Yes Papi (Miami Daddy Theme)’, a glorious blend of prog, trance and techno with a 90s throwback feel featuring Loveless’ hushed vocals that showcases CC’s expert command of lower tempo, pumping grooves of the highest calibre.
Fresh off performances at Glastonbury and Love International, plus her debut Essential Mix for BBC Radio 1, it’s safe to say CC:DISCO!’s trajectory as an artist has risen to new heights in 2024. The Lisbon-based DJ, producer, radio host, and curator added a new string to her bow at the end of last year with the launch of her Miami Daddy imprint, which garnered critical acclaim from the likes of Resident Advisor, DJ Mag, and BBC Radio 1.
CC:DISCO! ‘Yes Papi (Miami Daddy Theme)’ and ‘Touch The Vibe’ drop via Miami Daddy on 21st September and 24th October, respectively, with the full EP releasing on 22nd November 2024.
Nanel 008 marks another solid release for the label, packed with two stunning tracks that will speak to both DJs and listeners alike. On the A-side, "Farfor" offers an infectious blend of groovy basslines and punchy breakbeats, creating a track that’s both energetic and deep. The smooth, atmospheric pads intertwine seamlessly with a catchy piano melody, giving the track an uplifting vibe that’s perfect for those dancefloor moments when the energy needs to rise. It’s a perfect combination of classic and contemporary elements, with a sound that feels both fresh and timeless.
Flipping the record over, "Ready" takes things in a more dubby direction, featuring a deep bassline that rolls smoothly beneath crisp percussion and atmospheric elements. The track’s vocal shots add an extra layer of texture, cutting through the mix and pulling you into its hypnotic groove. The percussion is tight and purposeful, adding a rhythmic complexity that draws you in and keeps you moving. With its dub influence and a steady, captivating groove, "Ready" creates an immersive listening experience that showcases a different side of your production style. Together, these two tracks offer a diverse yet cohesive sound that exemplifies the signature style of Nanel.
DJ Support: Pete Tong, Adam Beyer, Black Coffee, Demi Riquisimo, Nic Fanciulli, Tronik Youth, Duke Dumont, Argy, Phantoms
A techy double A slice of house from label head Kaz James thats been doing the rounds with some heavy hitting DJ piers. Both tracks have been staple part of Kaz's sets at Art Basel, Desa Kitsuné Bali, Burning Man, Brooklyn Mirage, Pacha Ibiza, Koko London, Mayan Warrior Tulum, his Mykonos residency Alamagou and beyond.
The release follows 'Sun is Shining' which was supported by the likes of Keinemusik, Black Coffee, and Pete Tong as Essential New Tune.
