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"Try" marks Dyzen's triumphant return to HABITAT. This reimagining of MAFRO & Qhairo's original vocals is a tour de force of emotional resonance and dancefloor impact, transforming the original into a soaring club weapon. With its captivating vocals and driving rhythm, "Try" has already ignited DJ sets from artists like Adriatique to Mind Against. Complemented by a remix from veteran producer Mano Le Tough, this release showcases Dyzen's evolving artistry and his knack for unforgettable melodies, solidifying the young Italian’s place among the genre's most promising innovators.

In 2009 Jim Hart first came together with Michael Janisch and Dave Smith to create Cloudmakers Trio. Since then their powerfully original vision has grown and sustained an international touring career, keeping them at the forefront of contemporary instrumental music in an exciting, horizon-spanning space where jazz, European improvisation, rock and global beats co-exist in an ever-shifting skyscape of creativity. Through all their various collaborations, the vibes-bass-drums trio has remained the core of the Cloudmakers sound. Now, fifteen years after their inception, the concept has come full circle with the inclusion of a new collaborator, the Grammy-winning Argentinian piano master Leo Genovese, already a veteran of the bands of Esperanza Spalding, Jack DeJohnette, and Wayne Shorter. The quartet went into the fabled Abbey Road Studio 3 to record with legendary engineer Sam Okel.

Die ungarischen Groove-Metal-Ikonen EKTOMORF kehren mit HERETIC zurück! Ihr bisher persönlichstes, intensivstes und emotional erschütterndstes Album. Nach dem gefeierten VIVID BLACK und ihrer bisher größten Headliner-Tournee liefert Frontmann Zoltán „Zoli“ Farkas einen klanglichen Exorzismus, geprägt von einer persönlichen Tragödie: dem Verlust seiner Mutter und seines geliebten Hundes Wuffa. Produziert von seinem langjährigen Weggefährten Tue Madsen, ist HERETIC eine niederschmetternde Reminiszenz an die Outcast/Destroy-Ära der Band – nur düsterer, wütender und noch unerbittlicher!

"Heretic" steht nicht nur für einen musikalischen Wendepunkt. Es markiert auch die Rückkehr von Ektomorf zu Bleeding Nose Records. Nach vielen Jahren des Experimentierens, des Ausprobierens und Entwickelns ist die Band nun wieder da, wo sie hingehört.Ektomorf haben mit Heretic nicht nur ein weiteres Album geschaffen, sondern sich selbst neu erschaffen. Der Sound kehrt zurück zu den besten Zeiten von Outcast und Destroy, mit brachialen Drop-B- und Drop-A-Tunings, brutalen Riffs und dem unverwechselbaren, wuchtigen Groove.Doch gleichzeitig geht das Album noch einen Schritt weiter. Es ist wütender. Es ist dunkler. Es ist kompromissloser. Die Gitarrenwände sind massiver als je zuvor, verstärkt durch den gleichen Mesa Boogie Dual Rectifier, den Zolischon auf Outcast verwendet hat, nur diesmal mit einer modernen, brutaleren Klangdimension, die alles bisherige in den Schatten stellt. Doch es ist nicht nur der Sound, der Heretic so außergewöhnlich macht. Jeder Song auf dem Album erzählt eine Geschichte von Schmerz, Verlust und der Wut auf eine Welt, die alles zerstört, was einem wichtig ist.

Bristol via NYC's DJ Nature makes house and beatdown so raw, dusty and dishevelled it feels like it's been put together in an old shed with rudimentary hand tools and might just collapse at any moment. But it is also brilliantly soulful and real, with synths infusing each loose arrangement with real heat and the drum patterns connecting deeply. Across four cuts here, he layers up those signature low ends with different motifs - funkier drums and watery melodies on 'Shattering Myths,', r&b vocal swirls on 'One' and unusual synth incantations on 'Medusa Weed', while 'Eternal Winter' is a subtle celebration with gentle charm. Another superb EP from a unique producer.

On her fourth full-length album as Shedir, Sardinian sound artist Martina Betti offers a profound meditation on what it means to be human on the threshold of uncertainty.

We Are All Strangers is a series of ambient tapes-tries shaped by duality and introspection, where sound becomes a space to explore the tension between identity and ambiguity, presence and disappearance, connection and solitude. Inspired by the idea that we are all strangers, however, first and foremost to ourselves, Betti crafts seven fluid, slow-burn compositions that inhabit a sociological liminal zone—what she comments as an “inner elsewhere.”

These aren’t songs in the traditional sense, but evolving sonic environments that feel like emotional states made audible. Environmental textures, submerged electronics, and deep low-end pulses coalesce into a dreamlike architecture of sound: immersive, fragile, and quietly transformative.

Rather than offering answers or closure, the album invites us to live in radical openness—to stop trying to define everything we see and feel, and instead bathe in what remains unnamed. In this sense, We Are All Strangers is an invitation: to sit with uncertainty, to embrace the unfinished, and to find resonance even in our collective disconnection.

For listeners drawn to the introspective frequencies of Rafael Anton Irisarri, Félicia Atkinson, or Lawrence English, Betti’s music offers a similarly haunting and immersive experience—one where strangeness is not a flaw, but a starting point. In her hands, ambient music becomes a kind of reflective shelter: a place to brush against each other in the dark and begin to learn, as she puts it, “the difficult art of closeness.”

Zoetrope Picture Disc LP Pressing. Reissue of 2017 debut studio album by rapper XXXTentacion. It was released on August 25, 2017, by Bad Vibes Forever and EMPIRE. It features 11 tracks and was supported by the lead single "Revenge". 17 is X's second solo commercial project, succeeding the compilation mixtape Revenge, also released in 2017. It includes a guest appearance from Trippie Redd and uncredited vocals by Shiloh Dynasty, as well as production from X himself, Nick Mira, Taz Taylor, Dex Duncan, Natra Average, Dub tha Prodigy, and Potsu. The album experiments with a variety of genres, such as emo, indie rock, and lo-fi. The album charted at #2 on the US Billboard 200 & won Favorite Soul/R&B album award at the American Music Awards.

Hamasaki's fifth album, released on18 December 2002.
Includes hit singles such as "Voyage" "Free & Easy" and "July 1st"
The stark, naked cover art drew attention, and this album breaks new ground with the inclusion of English lyrics for the first time, creating a pop yet profound masterpiece.

Ayu's sixth album, released on 15 December 2004, includes hit singles such as "Moments" "INSPIRE" and "CAROLS"
This masterpiece is packed with classic songs that are still frequently performed live, including songs with an intense rock approach known as "ayu rock"

This is an entry for "Record Day DAY 2." Released on 180g heavyweight vinyl!

This 1995 debut album was produced by Yasushi Ide, with artwork by Mitsuo Shindo.
Includes eight tracks, including "Orange" and "Maze of Love"
Features an impressive lineup of guest musicians at the forefront of the music scene at the time, including former ORIGINAL LOVE member Ryutaro Kihara, former Roosters member Tomio Inoue, Freedom Sweet's Hiroshi Yamashita, and Cool Spoon's Ikichi Sasanuma.

This album marks the beginning of Chiemi Eri's popularity, which transcends generations and borders and remains highly popular to this day.
Seven vinyl records focusing on "jazz" have been released simultaneously! This album commemorates the 30th anniversary of Chiemi Eri's debut, and was supervised by her mentor, Carl Jones. You can enjoy Chiemi's even more mature jazz singing.

The origin of Chiemi Eri, who continues to enjoy great popularity across generations and borders.
Seven analog records focusing on "jazz" are released simultaneously!
Chiemi Eri sings traditional Japanese folk songs and nursery rhymes, arranged in jazz or Latin style. The lineup is also impressive.

Originally released in limited quantities as a 7-inch record (commonly known as a "donut record") in collaboration with the popular fresh donut specialty store
"I'm donut club" the product immediately sold out and is now being released to coincide with the second installment of Record Day.
The song, "Judgement?", is a feel-good tune with a lovers rock-infused reggae feel. Releasing it in the 7-inch format, which is deeply rooted in reggae culture,
is filled with respect for the genre and culture.

Miku Saso's second city pop cover album has already been released! It includes five tracks: "Friday Chinatown," "Sky Restaurant," "Love Story Comes Suddenly"
"Kiss" and "Tokai" Combined with Miku Saso's whispering vocals, this album truly deserves to be called mellow city pop.
This album is once again sound-produced by bassist Naoki Itaya, and features Kei Takatsuki on guitar and Takashi Nakazato on percussion.
It's a crossover of smooth, urbane programmed sounds and live instruments.

The work of internationally acclaimed "Japanese jazz" artist Toshio Osumi is being released on vinyl on 180g heavyweight vinyl.

Veteran jazz drummer Toshio Osumi has been gaining popularity overseas in recent years. His 2019 album "Caravan" has been re-edited and is now available
on vinyl for the first time on 180g heavyweight vinyl!

The BLUE HEARTS tribute album, "THE BLUE HEARTS TRIBUTE HIP HOP ALBUM Owaranai Uta," originally released on May 30, 2018, is now available in limited edition clear vinyl!

Popular hip hop artists, including PUNPEE, NORIKIYO, Yakenohara, and Tagaru, have sampled the original tracks and released them as new tracks filled with
passion and respect! The packaging is designed for DJs, evoking the image of American hip hop vinyl promo discs.

The debut album by the 8-bit music unit YMCK, which caused a sensation when it was released in 2004, is now available on vinyl! This classic album, which laid the foundation for 8-bit music/chiptune, is a collection of pop music that combines retro game sounds with cute whispery vocals and stylish melodies!

This is the first cover single from Swinging Popsicle, who are celebrating their 30th anniversary this year!

Side A features Aztec Camera's hit, showcasing their signature fast-paced guitar pop sound. Side B features a soulful rendition of
Laura Nyro's debut track. This is a loving album brimming with respect.

"Petrichor" ist eine Reise durch die Klangwelt von Klangkarussell – von euphorisch bis introspektiv, von filmisch bis intim. Das Werk verbindet organische Wärme mit elektronischer Präzision und fängt die gesamte kreative Bandbreite und emotionale Tiefe des Duos ein, die durch fantastische Vocalfeatures vollendet wird.

Limited black vinyl. One pressing only. 700 copies worldwide. NON-RETURNABLE.

Full colour sleeve with unseen pics of Ron Geesin in his studio with Marianne Faithful, who was
supposed to provide the spooky voices but was so (allegedly) smashed out on various drugs she had no voice.

Wow! So you’re telling me Ron Geesin made this kooky electro jazzy score to a really unusual
British folk horror weirdy film that is also sometimes called Madhouse Mansion or Asylum of
Blood?

So what we have here is a unique and unreleased British horror score like no other - because
Ron Geesin made it and also because he used trad ideas and modern sonic developments at the
same time. So it’s bonkers. Half the pressing will go immediately to the Trunk mailing list, the
last 300 for the rest of the world. Be quick…

Heavy//Hitter are set to release their 2nd EP for Blue Grape Music, Coming to Terms. The EP is produced by Austin Coupe (The Devil Wears Prada, Citizen, Mat Kerekes) and includes features from Zayna Youssef of Sweet Pill and Yasmine Liverneaux of Face Yourself.

YES! We are a "BIG BAND"!!
A 20th anniversary original album featuring new members has been released on a two-disc vinyl set.

Formed in 2005 at the invitation of pianist Makoto Ozone, whose work transcends genres and continues to thrive on a global scale, the 15-member big band
"No Name Horses" has grown into a one-of-a-kind big band, thanks to its sophisticated ensemble built on longstanding relationships of trust, the diverse
original compositions of Ozone and the other members, and its boundless creativity and playfulness. The band has performed both in Japan and overseas.

In 2024, the band changed its name from "Makoto Ozone featuring No Name Horse" to "Makoto Ozone No Name Horse," and began activities under a new
lineup with the addition of three new members: Hidetaro Matsui, Yu Riku, and Shinpei Ogawa. This is the first album since the new lineup was released in
November 2024.

Returning to the classic big band sound, this album was created with each member contributing a new song, based on the concept of a superb swing and resonance.

Makoto Ozone "No Name Horses"
Makoto Ozone (p, org) Eric Miyashiro (tp, flh, picc trp) Akira Okumura (tp, flh) Shutaro Matsui (tp, flh) Yoshiaki Okazaki (tp, flh) Eijiro Nakagawa (tb)
Marshall Gilkes (tb) Junko Yamashiro (b-tb) Masanori Okazaki (as, ss, cl) Atsushi Ikeda (as) Toshio Miki (ts) Yu Riku (ts, fl) Yoshihiro Iwamochi (bs, cl)
Shinpei Ogawa (b) Shinnosuke Takahashi (ds)

The French rap group TTC celebrates the 20th anniversary of its legendary album Batards sensibles with a limited vinyl edition.

A fresh rock 'n' roll single from their first album in two and a half years, "Nagai Kabu wo Tsurugaru Tame ni," (To Turn a Long Curve).

A fresh rock 'n' roll single from their first album in two and a half years, "Nagai Kabu wo Tsurugaru Tame ni," (To Turn a Long Curve). The track was recorded
with guitarist Masaharu Kurita, known for his work with bands such as Hedigan's. The B-side includes the album's sweetest track, "Kimi ni Owakure Yoji"

Masterpieces of jazz and performances are reproduced in exquisite detail with meticulous sound quality.
The 17th installment of Yasukuni Terashima's carefully selected "For Jazz Audio Fans Only" series!
Listening to the performances in this 17th installment of the "For Jazz Audio Fans Only" series will make you feel as if you're experiencing a live performance right
before your eyes. Launched in 2008, this series is a highly regarded compilation series, rivaling the "Jazz Bar" series in popularity, combining both musical quality
and sound quality, and this latest release lives up to those expectations. Experience the texture of the music and sound while experiencing the three-dimensionality
and depth of the sound, making this a must-listen for audiophiles. Released on limited edition vinyl! It features works by Grant Stewart, long-time acclaimed artist of
Yasukuni Terashima's, and Henrik Gunde, whose piano trio work on Terashima Records is still fresh in our minds.

Vocals are the starting point of all music and the source of connection with listeners.
This exquisite female vocal compilation features a lineup exclusive to Terashima Records, from hidden gems to promising young vocalists.
"Jazz is about enjoying the music, not the improvisation," and "buying for the beautiful album cover is recommended," Terashima has long advocated.
Enjoy a moment of enchantment with his unique vocal style. Yasukuni Terashima has carefully selected great voices, great sounds, and great songs, providing a l
uxurious listening experience. Enjoy this vocal compilation while driving, relaxing, or enjoying a drink. It's also recommended as a way to learn about the current
state of contemporary jazz vocals. The "For Jazz Vocal Fans Only" series, featuring carefully selected female vocalists from a lineup exclusive to Terashima Records,
from hidden gems to promising young singers, has received such positive feedback that the eighth installment is now available on limited-edition vinyl!
It also includes tracks by MOON, who recently made waves with Tsuyoshi Yamamoto, as well as Katie George and Diana Panton, who are popular in Japan.

TIMEPOINT is the studio album distilled from Stéphane Bissières’ eponymous audiovisual performance, where modular synthesis meets generative real-time visuals. In the live show, sound and image are intertwined: each musical gesture informs a visual response, creating a dynamic, evolving environment where music and visuals interact organically.

Paris-based composer and new media artist Stéphane Bissières works at the intersection of electronic music, generative art, and cybernetics. He develops algorithmic systems that explore timbre, structure, and the interplay of energies, translating data into immersive sensory experiences.

For TIMEPOINT, Bissières transforms the live, algorithmic energy into a self-contained sonic journey. Using modular synthesis and generative composition, he builds intricate, evolving textures that balance chaos and structure — a sonic ecosystem reflecting movement, pattern, and organic order.

The music explores timbre as a central element, sculpting sounds that resonate with the visual patterns of the performance. Each track functions as a microcosm of the show: algorithmically generated sequences, cybernetic textures, and evolving layers converge to form a lush, immersive soundscape.

TIMEPOINT invites listeners to explore a world where technology, imagination, and organic structure coexist. It’s an intimate translation of a live audiovisual universe, now accessible as a focused listening experience.

Honouring Belgian dance acts, ALLSOUND proudly presents a special vinyl release dedicated to La Luna. It was 25 years ago when they stormed the charts, now it’s time to relive that magic on wax.

This collector’s edition brings you 4 extended versions plus 1 exclusive bonus track, guaranteed to spark pure nostalgia and take you straight back to the dancefloors of the late ’90s.

Don’t miss this chance to own a timeless piece of Belgian dance culture!

Veröffentlicht 1977 auf Led Zeppelins Swan Song Records, zeigte Detective mit ,It Takes One To Know One" eine weitere Steigerung ihres kraftvollen Hardrocks, mit Frontmann Michael Des Barres und dem ehemaligen Yes Keyboarder Tony Kaye an der Spitze. Mit einer Mischung aus kraftvollen Riffs, bluesigen Grooves und einem Hauch von Glam festigte das Album den Ruf der Band als eine der bedeutendsten Neuverpflichtungen von Swan Song Records. Diese limitierte Neuauflage wurde auf lavendelfarbenem Vinyl gepresst, von Dave Gardner neu remastert und mit aktualisiertem Artwork sowie einer ausklappbaren Beilage versehen. Ein lange übersehenes Juwel des 70er-Jahre-Rock, das endlich mit der gebührenden Sorgfalt wiederveröffentlicht wurde.

After fifteen years in the making, and his first major body of work since his split with Calyx, TeeBee's debut album on Flexout is a testament to his enduring talent and dedication. This long - awaited release is a significant turning point, elevating his signature sound to new heights and solidifying his place as a pioneer in the drum & bass scene.
The album is a true love letter to the genre, meticulously crafted and rich with the experience of a seasoned veteran. It showcases a refined and evolved sound that is both a nostalgic nod to his roots and a bold step into the future. Each track is a masterclass in production, demonstrating TeeBee's unparalleled ability to weave intricate soundscapes and powerful rhythms. This isn't just an album; it's a monumental comeback, a triumphant return to form that will undoubtedly resonate with fans old and new.

Atmosphärischer Post-Rock aus dem Chicago der Jahrhundertwende. Das Debütalbum von 90 Day Men für Southern Records erkundet die kantigen Küstenlinien des No Wave mit acht hypnotisierenden Tracks. Diese erweiterte 25-jährige Jubiläumsausgabe enthält ein unveröffentlichtes Album, das in Steve Albini's Electrical Audio aufgenommen wurde, mit Anmerkungen des Toningenieurs Greg Norman und einem neuen Master von Heba Kadry. Wir treffen uns im Jinx.

Beta Wave Vinyl. Atmosphärischer Post-Rock aus dem Chicago der Jahrhundertwende. Das Debütalbum von 90 Day Men für Southern Records erkundet die kantigen Küstenlinien des No Wave mit acht hypnotisierenden Tracks. Diese erweiterte 25-jährige Jubiläumsausgabe enthält ein unveröffentlichtes Album, das in Steve Albini's Electrical Audio aufgenommen wurde, mit Anmerkungen des Toningenieurs Greg Norman und einem neuen Master von Heba Kadry. Wir treffen uns im Jinx.

In den 90ern hatte Jad Fair fünf Lieblingsbands und Songwriter: Daniel Johnston, The Pastels, Sonic Youth, Teenage Fanclub und Yo La Tengo. Das ist echt eine coole Liste, aber das Besondere daran ist, dass Fair im Laufe von etwa zwölf Jahren mit allen in irgendeiner Form Musik gemacht hat. Jad Fair ist seit einem halben Jahrhundert produktiv, lange bevor das Internet ein simultanes und scheinbar ewiges Archiv von allem schaffen konnte, was jemand mit seinen Vorlieben gemacht hat. Er war an mindestens mehreren hundert Titeln beteiligt, von denen viele bei kleinen Labels erschienen, die es heute nicht mehr gibt, und die vergriffen sind. Tatsächlich ist eine dieser Kollaborationen, die Fair in den 90er Jahren gemacht hat - Strange But True mit Yo La Tengo - schwer zu finden, obwohl sie am 20. Oktober 1998 in den USA bei Matador Records erschienen ist. Jetzt wird das Album zum ersten Mal von Joyful Noise und Bar/None auf Vinyl neu aufgelegt. Als Fair Mitte der 90er Jahre mit Yo La Tengo auf einer Party spielte, waren sie alle Freunde, Fans und Kollaborateure, die gemeinsam an Platten gearbeitet oder diese veröffentlicht hatten. Als Fair vorschlug, gemeinsam ins Studio zu gehen, war das Trio sofort dabei. Das Ergebnis, ,Strange But True", ist so wunderbar, abwechslungsreich und wild wie eine riesige Wiese mit einheimischen Gräsern. Dieses Kollaborationsalbum zeigt die unglaubliche Bandbreite der Künstler und versetzt uns zurück in eine Zeit, in der Indie-Rock noch so seltsam und widerspenstig sein durfte, wie seine Schöpfer es wollten.

Forged between Germany and a war-torn Ukraine, the 'The Grid' EP sees Drum & Bass duo KRÆK & NickBee overcome conflict and blackouts to deliver four tracks of defiant, cutting-edge dancefloor energy.

Elations Recordings presents "Return of the Airpoets", an exploratory recording from longtime collaborators Reuben Lewis (I Hold The Lion's Paw) & Adam Halliwell (Mildlife, IHTLP), occupying a unique space between contemporary experimental music and avant jazz. Engineered and mixed by Reuben Lewis in 2023, and featuring guest appearances from acclaimed Australian drummer Ronny Ferella.

"Return of the Airpoets" continues a conversation begun with 'Cygon Dance', an extended duo between Lewis and Halliwell from Halliwell's 2023 LP "Freedom Lapse"; a dialogue that stems from a shared love and respect for Jon Hassell's Fourth World music. Sonic pioneer and adventurer, Hassell's futuristic vision advocated possible musics, stressing plurality and multiplicity. Faithful to his vision, Adam and Reuben, as trailblazers rather than imitators, delight in boundless musical possibilities, adopting Hassell's futurism as stock-in-trade, making it their own while augmented with neo noir hues and hints of the tilted electro-funk of Miles Davis' collaborations with Marcus Miller.

These nine tracks flow together as a unified suite, their shadowy presence stitched from fractured narratives: imaginary crimes, murders, dreams, the unspoken. At the same time, you can detect the artists' meticulous attention to sonic detail, feel the undercurrents, the complex layering. This music has been distilled, winnowed, from extended improv sessions, with the artists - as producers - zeroing in on offcuts, shards, and splinters, seamlessly patching together fragments in post-production to construct intricately layered sound collages, taking a leaf out of Tao Macero's book, building from the ground up.

Who are these airpoets? Their mystifying trial suggests the travails of Joseph K, sentenced for unspecified crimes. But I prefer to see them as fugitives escaped from Robert Bolaño's novel, "Savage Detectives". In Bolaño's book, poet Juan Garcia Madero is granted admission to the shadowy group of poets, the Visceral Realists, whose movement has no clear aims, and whose members "walked backward . . . gazing at a point in the distance, but moving away from it, walking straight toward the unknown." Like the visceral poets, these airpoets, Reuben Lewis and Adam Halliwell, set their sights on a point on the distant horizon, setting off without map or compass, drawing nearer and moving away, towards the unknown.

Auf 500 Stück limitiert und handnummeriert. L.B. STEEL und seine Brigade Steelforce werden Opfer mysteriöser Anschläge. Schließlich haben es sogar die engsten Verbündeten auf die drei Metal Detektive abgesehen und es wird klar: Dahinter steckt etwas Größeres. Die Spur führt zu einem manipulativen Schlagersong, der die Menschheit in die mentale Apokalypse treibt. Nur eins kann diesen Wahnsinn jetzt noch stoppen: Heavy Metal. mit: Reiner Schöne, Bernd Egger, Steffen Lehmann, Björn Jung, Cristina do Rego, Kaja Schmidt-Tychsen, Bernd Reheuser, André Dostal, Inka Lioba Brettschneider, Julia Augustin, DitoMido, Lars Korten, Henning Heup Special Guest: Thomas Anders & Marti Fischer

The Muppet Christmas Carol soundtrack on clear glitter vinyl containing original score composed by Miles Goodman and original songs by Paul Williams. You and your loved ones will be singing along to classics like Kermit's "One More Sleep 'til Christmas" or Scrooge's “Thankful Heart" all holiday season! A delightful Christmas album that reminds us of the importance of sharing kindness and compassion all year long.

Das ist Kramers erstes Soloalbum seit fünf Jahren. Seine letzten Solo-LPs ,And The Wind Blew It All Away", ,Music For Films Edited By Moths" und ,Music For Pianos & Sunflowers" waren Teil seines 2020 AIR (Artist In Residence) Box-Sets für Joyful Noise Recordings. ,And The Wind Blew It All Away" war eine sanfte und magische Mystery Tour mit brodelnden akustischen Saiten, Orgeln, Klavieren und Mellotrons, Tonbandschleifen, gefundenen Klängen und einem Hauch von Percussion, untermalt von Kramers unverwechselbarer, eigenwilliger Singstimme und seinen Texten. Auf dieser neuen LP entfernt sich Kramer von Worten/Texten und widmet sich ganz den minimalistischen instrumentalen Drone-Gedichten, die ihn in seinen frühen Jahren als Komponist und Performer in der experimentellen ,Downtown"-Szene des New York der späten 70er Jahre erstmals faszinierten. Auf dieser neuen LP erkundet Kramer weiter die kreativen Umgebungen, die ihn zurück in den Wald der Ideen und organischen Einflüsse führen, die seit Jahrzehnten still vor sich hin brodeln, an einem Ort, an dem die Zeit immer Jetzt ist. Fans von Terry Riley, La Monte Young und Gavin Bryars werden von Kramers neuesten klanglichen Erkundungen fasziniert sein.

The Revenge of Alice Cooper, the long-awaited new album from the reunited original Alice Cooper Group, is officially out today on earMUSIC. Marking their first full-length collaboration in over 50 years, the original lineup returns in fierce form, unleashing all the chaos, danger, and theatrical swagger that first defined their legacy and cemented their place in rock history.

The album of the year – and the beginning of a new era at Gigolo Records.

Ten club tracks packed with pure impact, crafted by one of today’s most talented and innovative producers: Aziz Haddad from Tunisia.

His sonic fingerprint breaks all genre boundaries — impossible to categorize — and fits perfectly into the Gigolo Records family and history.

Aziz’s uniqueness lies in his anarchic definition of sound:
4-to-the-floor house, 80s synth pop, techno, and hypnotic beat programming merge into a cinematic, magnetic whole.

Selected Bangers rewrites the rules for 2025 —
every beat counts.

Die Trilogie ist komplett, und zum ersten Mal überhaupt erscheint Marshmellos „Joytime III“ auf Vinyl in einer speziellen 10-Jahres-Jubiläumsausgabe, die eines seiner bisher ambitioniertesten und kollaborativsten Projekte feiert. Als entscheidender Moment in der Joytime-Saga hat dieses Album den Mello-Sound in neues, mutiges Terrain vorangetrieben und hochoktanige EDM mit emotionalen Melodien und festivaltauglicher Energie vereint.
Von „Rescue Me“ mit A Day to Remember bis hin zur explosiven Trap-Hymne „Room to Fall“ (mit Flux Pavilion und Elohim) – dem unbestreitbaren Smash-Hit des Albums – ist Joytime III ein Kaleidoskop des Sounds. Marshmello versammelt eine All-Star-Besetzung, darunter Slushii, YULTRON, Wiwek, Crankdat und TYNAN, zu einer genreübergreifenden Feier der Einheit, Kreativität und puren Klangfreude.
Joytime III ist ein kraftvoller Abschluss der Joytime-Reihe, ein mutiges, emotionales und mitreißendes Statement, das nun zum ersten Mal auf Vinyl verewigt wurde.
Feiern Sie 10 Jahre musikalische Entwicklung, Zusammenarbeit und Mello-Magie mit dieser unverzichtbaren Ausgabe eines modernen Dance-Klassikers.

Zum ersten Mal überhaupt ist Marshmellos bahnbrechendes Debütalbum „Joytime“ auf Vinyl erhältlich. Diese Jubiläumsausgabe feiert 10 Jahre euphorische Beats und genreübergreifende Energie und würdigt das Album, das der Welt Marshmellos charakteristischen Sound vorgestellt hat.
Von dem boomenden Trap-Track „Know Me“ bis hin zu „Want U 2“ ist „Joytime“ eine Meisterklasse in melodischer Tanzmusik, die es wagt, mutig zu sein. „Joytime“ enthält auch die Debütsingle „Keep It Mello“ mit Omar Linx, eine Crossover-Hymne, die bis heute zu Marshmellos ikonischen Werken zählt.
Feiern Sie das Album, das ein globales Phänomen ausgelöst hat.
„Joytime“ auf Vinyl ist mehr als ein Sammlerstück, es ist ein Stück Elektronik-Musikgeschichte.“

Black Retail VersionMarshmellos mitreißender Nachfolger seines bahnbrechenden Debüts ist zum ersten Mal überhaupt anlässlich seines 10-jährigen Jubiläums auf Vinyl erhältlich, eine hochkarätige Fortsetzung, die Marshmellos Stellung als globale Dance-Musik-Ikone festigte.
Während Joytime uns in das Chaos von Mellos Welt einführte, legt Joytime II mit härteren Drops, helleren Synthesizern und noch mehr unerbittlicher Energie noch einmal nach. Vom explosiven Opener „Stars“ bis zum euphorischen „Tell Me“ glänzt Marshmello in jedem Track mit seiner Beherrschung von Future Bass und melodischem Trap, ohne Features, nur mit purer, ungefilterter Mello-Verrücktheit.
Mit dem Smash-Hit „Check This Out“ präsentiert sich Marshmello auf Joytime II von seiner selbstbewusstesten Seite und liefert Festival-Hymnen, die für maximale Lautstärke gemacht sind.

Feiern Sie ein Jahrzehnt Mello-Magie mit Joytime II – einem Meilenstein der Dance-Musik, der nun zum ersten Mal auf Vinyl verewigt wurde.

Sydney punks Party Dozen (Kirsty Tickle and Jonathan Boulet) return with new single "Mad Rooter', taken from their upcoming AA-single 7" 'Mad Rooter / Ghost Rider' out Dec 5th via City Slang. The duo will be touring throughout the UK this November with shows in London, Brighton, Leeds, Bristol, Manchester and Glasgow.



On the new track, the band said, "It doesn’t always happen, but sometimes it’s your night. You feel like the maddest rooter. Every step you take is a step closer to glory. No f*cks left to give, the charisma of Jon Hamm. 'Mad Rooter' is 10 feet tall and can walk through a wall. Stuck here with all you rookies eating fortune cookies."



They added, "We didn’t record it with a click, so it has this sort of off-grid pull and push that gives it swagger. There’s a sax solo that’s giving David Letterman opening sequence. We recorded the sample with Jon’s guitar, which is old and barely hanging on. The electronics are shot, it’s missing strings, and it’s been sort of half-modified then given up on."

2025 Repress in Yellow Green Vinyl


Bondage-Music is excited to announce the new vinyl EP from Markus Homm, titled “Twingo.” Following the momentum of his 2022 album “After Dark” on Bondage-Music, Homm delivers four tracks that epitomize his deep, grooving sound. “Great music should get you in the mood,” says Markus Homm. “That’s what I aim to do.” Homm blends influences from classic house with techno textures, continually evolving his sound across releases and DJ sets.

Twingo showcases Homm’s signature sonic palette, balancing uplifting grooves with a precise edge. The EP highlights his ability to fuse organic house vibes with driving techno energy, creating a cohesive journey for both dancers and listeners.

Two of the tracks on the EP are vinyl-only, reinforcing Bondage-Music’s commitment to offering exclusive material for vinyl enthusiasts.

A long-awaited dubplate finally sees the light of day. For years, heard only through a handful of the world’s most exclusive sound systems. Spirit World unites French dub pioneer Brain Damage with UK heavyweights Dub Dynasty (Alpha Steppa & Alpha & Omega), featuring the unmistakable voice of Tenastelin. Deep, meditative and powerful. A timeless vocal on one side, and a crushing, thundering dub on the other.

“One of the most prolific and inventive dub producers around.” Wire

“A serious player in the sound system world.” Mixmag­

“Obliteratingly heavy bass.” Q Mag

Bone w/ black splatter vinyl. NYC ska/reggae legends The Slackers are back with a new collection of rarities - or as they put it, "Tales of Mirth, Heartbreak, and Woe!" - from their extensive catalog with the release of Lost & Found Vol 2 on Pirates Press Records. In their well over 30-year career, The Slackers have been one of the most consistently prolific artists in the game. While that means their legions of worldwide fans are never wanting for new material, it can also mean that once in a while, even dedicated fans can miss a new song here or there. Thus, it's helpful that the band periodically collects some of these lesser known and sought-after gems for wide release under the Lost & Found banner! Lost & Found Vol 2 includes some of the rarest Slackers tunes of them all. Live versions of several songs as well as the studio track "Diskambobulated" come from ultra-rare lathe cut singles. Still others come from limited one-time-only single pressings on PPR, including two 12" singles and one collaborative 7" which features vocals by Japanese dancehall sensation Papa B. Finally, it includes a dub mix of "Time Won't Set You Free" that is previously unreleased.

,Kurayami", die neueste Single von Mei Semones, hat ein paar der mathematischsten Riffs und einen der bombastischsten musikalischen Höhepunkte ihrer bisherigen Karriere. Ein aufregender Track, der ein für Mei erfolgreiches Jahr abrundet. Mei über die neuen Songs: ",Kurayami" heißt auf Japanisch ,Dunkelheit" und handelt davon, wie es war, in Michigan aufzuwachsen und mit meinen Freunden abzuhängen. Kind sein war echt cool. Ich hatte echt viel Spaß und war glücklich, aber ich erinnere mich, dass es einen Punkt gab, an dem wir unsere Unschuld verloren haben, und ich denke, in diesem Song geht es um dieses Gefühl. Es ist einer der technisch anspruchsvolleren Songs, die ich geschrieben habe, und ich musste ziemlich viel üben, bis ich ihn singen und gleichzeitig spielen konnte. Es gibt viele coole Tempowechsel, ungerade Taktarten, Arpeggios mit großen Intervallen und schnelle Licks, und ich finde, dass auch das Bandarrangement echt kreativ ist. ,Get used to it" handelt von der Schönheit der Einsamkeit und des Alleinseins, davon, wie man etwas hinter sich lässt, das in deinem Leben wichtig war, aber dennoch Platz dafür lässt, und von meiner Liebe zur Gitarre und zur Musik. Es ist der zweite Song, den ich auf meiner Nylonsaitengitarre geschrieben habe, und die Wechsel und die Melodie sind etwas von Thelonious Monk inspiriert. Die Instrumentierung ist minimalistischer als bei unseren anderen Songs - nur ich (Gitarre & Gesang), Kontrabass und Schlagzeug. Wir wollten einen Live-Jazz-Trio-Sound hinbekommen, also gibt's keine Überlagerungen oder so. Es ist einfach eine direkte Aufnahme von uns dreien, wie wir den Song spielen, und ich finde, das war der beste Weg, um das Gefühl hinter dem Song einzufangen."

As genre conventions continue to morph and blur, there's a wealth of stunning
new music being made wherever groups of musicians have the imagination
and ingenuity to transcend the old boundaries and just play whatever comes
naturally
Sun Speak are such a group and their album Probiotic Orchestrations is full of music
that's urgent, powerful, accessible and humorous, pulling together sounds and
textures from the worlds of rock, jazz, electronica, Americana and the outer reaches of
progressive music into compelling whole. Guitarist Matt Gold and drummer Nate
Friedman first came together as Sun Speak ten years ago amid the white heat of the
Chicago experimental scene, where they'd worked with such luminaries as Makaya
McCraven and Patricia Barber.
On this, their sixth release, they continue to develop their own distinctive sonic world
with the aid of fellow Chicagoan Daniel Pierson who joined as engineer/ sound
sculptor and now increasingly takes a collaborative role as a third member of the
band on keyboards. Now the trio are dispersed and live in different corners of the USA,
but in 2024 they came together in a remote seaside cabin in New Hampshire, writing
and recording every day in an intense undisturbed whirlwind of creativity. Probiotic
Orchestrations is the result - a dazzling mix of improvisation and composition,
exploring rhythm, colour and texture with the directness of rock and the fearless
improvisatory flair of jazz.
Available on heavyweight black vinyl + 6-panel digipak CD editions.

(What’s The Story) Morning Glory? Deluxe 30th Anniversary Edition featuring newly unplugged versions of five classic tracks ‘Cast No Shadow’, ‘Morning Glory’, ‘Wonderwall’, ‘Acquiesce’ and ‘Champagne Supernova’, all newly mixed by Noel Gallagher. Available on limited edition 2CD and 3LP formats plus exclusive coloured vinyl including Amazon Exclusive ‘Wonderwall’ inspired sepia marble 3LP, Indie Exclusive 'Cast No Shadow' Inspired Crystal Clear 3LP, and HMV Exclusive 'Morning Glory' Inspired Blue Marble 3LP. All formats will include the 2014 remastered version of the album alongside the new bonus versions.

Will Dorey (aka Skinshape) and Ben Bell founded Horus Records in 2013, driven by a shared passion for vintage Jamaican music. Originally launched as a reissue label focusing on rare and hard-to-find reggae gems, Horus has since evolved into a space for original studio productions rooted in the rich traditions of 60s and 70s Jamaican reggae and dub.

Lifelong collaborators and friends, Will and Ben have been making music together for over two decades. Their deep connection to the genre has led to long-standing relationships with many of reggae’s most respected musicians, several of whom contribute to their latest studio album. This new release is a fully analogue reggae/dub studio album, showcasing the duo’s production craft and featuring guest vocalists Andy Platts, Modou Touré, and Winston Reedy. Blending classic influences with fresh interpretations, the album includes original compositions alongside inspired covers, such as a distinctive reggae reworking of the Interstellar theme tune.

Outside of the studio, Ben Bell is co-owner of Lion Vibes Record Shop, one of London's leading reggae specialists, while Skinshape continues to push sonic boundaries from the same studio, known for his unique cross-genre productions spanning funk, psych, soul, and more.

Tripped teams up with Swiss Hardcore Techno legend Celsius.
This EP features glorious reworks of classic Celsius tracks such as MORG and An1x657,
the latter carefully mutilated by Tripped, while Drokz delivered an early rave gabber remix of Snotcake.
- A guaranteed dancefloor weapon.

All this accompanied by 2 brand new Tripped bangers to finish you off.

Hardcore Techno bliss in all its forms.

MADINCH009 comes in full colour artwork (painted by Tripped himself)

2025 Repress in Red Vinyl

This compilation features music from artists like Nima Gorji, James Dexter, NTFO, Politics Of Dancing, Steve Bug, Markus Homm, Mihai Popoviciu, Dilby & Pornbugs, Dejbali, Dust Yard, Alex Ranerro and Sascha Dive.

Rot/Schwarzes Ink-Spot Vinyl, limitiert auf 300 Exemplare. Drei Buchstaben. Drei Musiker. Drei Instrumente. Drei Jahre. Graf Zahl hätte seine Freude an diesem Album_ HUM loten ihre dunklen Stoner-Klangwelten weiter aus. ,three" bringt sowohl druckvolle Post-Rock-Songs als auch psychedelische Klangexperimente. Jeder Track scheint eine Idee zu verfolgen; jeder eine 4-Minuten-Reise. Die Themen drehen sich um Umweltzerstörung, gesellschaftliche Irrwege und Spacetrips. ,three" ist das Album für die Apokalypse oder für einen Abend im Weltraum. Der Spaß kommt dabei nicht zu kurz: Die Dunkelheit wird auf fetten, langsamen Grooves präsentiert. Die Stücke sind kompakt und melodisch. Katharsis ist das Ziel: Wer mit offenen Ohren hört, dem könnte es nach den 11 Tracks und 41 min besser gehen_ Eine aufregende Reise durch musikalische Klangwelten (Surf, Gothic/Dark Wave, Kraut und Prog-Rock) mehrerer Jahrzehnte. Die HUM-typischen schweren Riffs (im Schatten von Godzilla) mit komplexen Rhythmen und Breaks werden erweitert durch neue Elemente wie Surfgitarre, Synthiesounds und gesangliche Experimente. Der meist mit Effekten verfremdete Gesang wird spärlich und gezielt eingesetzt mit oft kurzen Textfragmenten, welche die Stimmung der Songs textlich untermalen. Dazu kommen drei instrumentale Soundcollagen, die als düstere Überleitung zwischen den Songs dienen. Ein gewisser roter Faden scheint sich thematisch durch das Album zu ziehen. Red/black ink spot vinyl. Limited to 300 copies. Three letters. Three musicians. Three instruments. Three years. The Count would have loved this album...HUM continue to explore their dark stoner soundscapes. "three" features both powerful post-rock songs andpsychedelic sound experiments. Each track seems to pursue an idea; each one a 4-minute journey. The themesrevolve around environmental destruction, social aberrations, and space trips."three" is the album for the apocalypse or for an evening in space. But there's no shortage of fun: thedarkness is presented on fat, slow grooves. The pieces are compact and melodic. Catharsis is thegoal: if you listen with open ears, you might feel better after the 11 tracks and 41 minutes...An exciting journey through musical soundscapes (surf, gothic/dark wave, kraut and prog rock) spanning severaldecades. The heavy riffs typical of HUM (in the shadow of Godzilla) with complex rhythms and breaksare expanded by new elements such as surf guitar, synth sounds and vocal experiments. The vocals, mostlydistorted with effects, are used sparingly and purposefully, often with short text fragments that underscore the moodof the songs lyrically. In addition, there are three instrumental sound collages that serve as dark transitions betweenthe songs. A certain common thread seems to run through the album thematically.

10" Vinyl in Wolkenoptik Kein Wunder, ist "Wunder" ein Wunder. Diese Platte hat alles, was diese Welt jetzt braucht, um endlich wieder zu gesunden: Unfassbar intelligenten Saufpunk, gepaart mit subversiv-ironischen Stammtischweisheiten und einer etwas größer geratenen Brise (leider war der Deckel vom Streuer nicht richtig angeschraubt) Synthy-Glutamat - auf dass die Darmflora mal wieder resettet wird! Und so wird das Wunder wahr: Alle stimmen ein in die 7 frohlockenden Hits, alles Böse auf der Welt implodiert aus Gründen und selbst die coolen Fanzines werden zu offiziell akkreditierten Schmutzkifans. Denn es ist eben kein Wunder, dass "Wunder" ein Wunder ist!

Arankai stammt aus Wisconsin im Mittleren Westen der Vereinigten Staaten und trat erstmals 2022 mit einer Reihe von Independent-Veröffentlichungen in Erscheinung. Mit einer Mischung aus Metal, Alternative Rock und empathisch-emotionalen Texten baute er sich mit seinen rauhen Sound und seinee beeindruckende Präsenz in den sozialen Medien schnell eine treue Fangemeinde auf. Im Jahr 2025 veröffentlichte er nun mit "A Portrait of Red" den ersten Teil seiner lang erwarteten Albumtriologie und festigt damit seinen Platz als aufstrebender Act in der Alternative-Metal-Szene. Inklusive der Single "Conquer" mit Josh Mowery von Catch Your Breath. Für Fans von Archers, Bad Omens, Corpse Husband, Motionless In White, Black Veil Brides, I Prevail, Sleep Token, Fit For A King, The Amity Affliction.

Sermon On The Rocks is Josh Ritter's eight studio album, released in 2015. Singles from the album include "Getting Ready To Get Down" and "Homecoming." According to Ritter, the album is "messianic oracular honky-tonk." Produced by Trina Shoemaker and Josh, the 12-song album was recorded over two weeks at New Orleans’ The Parlor Recording Studio and features Matt Barrick from The Walkmen on drums, Zachariah Hickman on bass, Josh Kaufman on guitars, and Sam Kassirer on keyboards. Josh Ritter is the definition of an experienced songwriter. After graduating from Oberlin College in 1999 Ritter devoted his life to a songwriting career, releasing albums independently and garnering word-of-mouth popularity. He eventually caught the attention of Irish- songwriter Glen Hansard (writer of the song 'Falling Slowly' from the movie Once) and was invited to be the tour opener for his band The Frames. This then resulted in Josh gaining international success, with his third record 'Hello Starling', becoming a charting hit in Ireland. His songs have been featured on the TV show Parenthood, and in movies like The Other Woman and Typeface. Josh Ritter has so far released 7 studio albums, is an author, husband, father, and is considered one of the best living songwriters by Paste Magazine.

GOD SAVE THE PONY. Limitiertes Format der zweiten BIG SPECIAL-LP auf Yellow Splatter On Clear Vinyl - im Gatefold mit Obi-Strip.

- " Von Assi-Punk-Rap bis Gothic-Country-Ballade, die einem das Blut in den Adern gefrieren lässt, gilt: Solange Big Special nicht irgendwann glücklich werden, könnten sie richtig groß werden." - Visions
- "Mit „National Average“ bekräftigen Big Special ihren Ruf als eine der aufregendsten und unberechenbarsten Bands der britischen Szene." - Popklub.de
- "Mal erinnern sie mehr an die Sleaford Mods, mal mehr an die IDLES. Das neue Big Special Album jedenfalls, “National Average”, macht da weiter, wo sie zuletzt aufgehört haben." - Bayern 2

Dark techno/Doomed Tribe in a quiet shy sound... Here we propose also a 45 -8 speed listen because this record has something to say at that speed to me... And I'm a fucking deejay ^^

Spike Lees neuester Film ,Highest 2 Lowest" zeigt das Leben des Gründers des fiktiven Plattenlabels Stackin Hit's, gespielt von Denzel Washington. Der Soundtrack hat eine coole Auswahl an Original-Songs von etablierten Musikgrößen und neuen Künstlern. Die aufstrebenden Sängerinnen Jensen McCrae und Aiyana-Lee bringen ihre einzigartigen Stimmen ins Album ein, während die Harlem-Legende Eddie Palmieri mit seinem Salsa-Orchester für energiegeladene Auftritte sorgt. Das absolute Highlight ist der ebenfalls aus New York stammende A$AP Rocky (der auch in dem Film mitspielt), der zwei knallharte Ohrwürmer beisteuert, die uns daran erinnern, warum er einer der modernen Superstars des Rap ist. Die Starpower des Soundtracks wird durch eine mitreißende Orchesterpartitur von Howard Drossin untermalt und durch ein vom Jazzpianisten Fergus McCreadie angeführtes Trio ergänzt.

Razorbats unleash their fifth studio album, "Anthems of a Lost Century" - a sonic blast that throws you straight into the golden age of rock, while pushing the genre forward with power and attitude. This is not just another record - it's a statement. Recorded at Velvet Recordings in Spydeberg with producer Eiliv Sagrusten, and released by the renowned label Voices of Wonder, "Anthems of a Lost Century" is a tribute to the era 1974-1994 - packed with massive production, unforgettable hooks, and a sound that demands attention.

Wir liegen hier auf unserem Dach und bleiben stundenlang wach - immer wieder auf unserem Dach - unserem Dach - uns trägt das Wir . Das sind Zeilen aus der ersten Single Dach von LEA, die von dem Versprechen, sich niemals zu verlieren, singt. Das Album klingt frei und weit, Stimme und Musik tragen sich gegenseitig. Die junge Sängerin und Texterin schafft es auf ihrem Debütalbum Vakuum , die Zuhörer mit in ihre Welten einzuschließen. Vakuum" erscheint am 22. April 2016 und ist ein Monolog, eine ständige Selbstsuche, das Ausloten eigener Gefühle. Letztes Jahr hat sie bereits Fabian Römer und Johannes Oerding supportet.

MUNA sind magisch. Welche andere Band hätte das verlorene Jahr 2021 mit Pailletten und Pompoms geprägt - und dich dabei ganz nebenbei zum Singen bringen können (und vielleicht sogar zu glauben), dass "Life's so fun, life's so fun" ist? All das während der vielleicht unruhigsten Phase deines Lebens? "Silk Chiffon", der Instant-Hit von MUNA mit Labelchefin Phoebe Bridgers, schlug wie ein doppelter Regenbogen in den grauen Himmel der anderthalbjährigen Pandemie ein. Pitchfork nannte es einen "Strudel von Schmetterlingen im Bauch", NPR einen "Queerwurm", der US-Rolling Stone "eine der süßesten Melodien des Jahres, die die Art von purer Pop-Seligkeit ausstrahlt, die so viele Bands anstreben, aber fast nie richtig hinbekommen." Für MUNAs Gitarristin und Produzentin Naomi McPherson war es ein "song for kids to have their first gay kiss to." Und so blühten mehrere Tausend verrückte Twitter- und TikTok-Memes auf. Seit Beginn ihrer Karriere haben MUNA den Schmerz als Fundament der Sehnsucht, als Zentrum der radikalen Wahrheit, als Teil des Erwachsenwerdens und als inhärenten Faktor der Erfahrung von Marginalität betrachtet - die Bandmitglieder gehören Queer- und Minderheitengemeinschaften an und spielen ihre Songs vor allem für diese. Gavin, McPherson und Josette Maskin - die Gitarristin von MUNA - verbindet eine bald zehnjährige Freundschaft. Sie begannen im College an der USC zusammen Musik zu machen und veröffentlichten 2017 mit der Single "I Know a Place" einen frühen Hit als eine aufgestaute Beschwörung zur LGBTQ-Zuflucht und Transzendenz. Jetzt, in ihren späten Zwanzigern, ist das Trio so etwas wie eine Familie geworden. Sie verbrachten einen Großteil der frühen Pandemie als eine Gruppe, die füreinander und für MUNA da war, selbst als sie sich über nix in Bezug auf Zukunft sicher sein konnten. Sie wurden von ihrem vorigen Label RCA gedroppt und es gab nur wenig Einkommen, kein Adrenalin, mit dem sie arbeiten konnten, keine Live-Shows mit Publikum, das sie an den Beistand erinnerte, den ihre Songs bieten können. "Muna", das selbstbetitelte dritte Album der Band, ist mehr als eine Rückkehr. Die Zeit der Unsicherheit und des offenen Hinterfragens der Band hat alles weggebrannt und ein Meisterwerk von einem Album hinterlassen - die kraftvolle, bewusste, dimensionale Leistung einer Band, die niemandem außer sich selbst etwas beweisen muss. Der Synth auf "What I Want" funkelt wie eine ROBYN-Tanzflächenhymne; "Anything But Me", das im 12/8-Takt galoppiert, erinnert an SHANIA TWAIN im Neonlicht der Achtziger; "Kind of Girl" mit seinem aufsteigenden, klagenden THE CHICKS-Refrain bittet darum, mit deinen besten Freund*innen bei maximaler Lautstärke gesungen zu werden. MUNA arbeiteten mit dem Quellcode des Pop, der das Herz berührt - das Album ist voller Sehnsucht und Offenbarung und hart erkämpfter Freiheit.

studio mule announces the first-ever vinyl release of shinsuke honda’s banka (1991)

known as the guitarist of the legendary band hachimitsu pie, shinsuke honda—whose album silence is celebrated as one of the most remarkable achievements in japanese ambient guitar jazz—sees his 1991 cd-only masterpiece banka finally released as a double lp from studio mule.

carrying forward the spirit of silence while reaching new levels of refinement and depth, banka presents a collection of beautifully crafted ambient jazz pieces that reveal honda’s distinctive musical vision.

Der Produzent von Girls Of The Internet experimentiert mit Synthesizern und Samplern – das Ergebnis ist ein bunter Mix aus Stilen und Einflüssen von UR, Aphex Twins ""Selected Ambient Works"", Andrew Wetheralls ""Bloodsugar"", streicherlastigem Detroit Techno, Drexciya, Microhouse, Underworld und ungewöhnlichen House-Sounds.

Die Musik von Vulture Feather scheint extra dafür gemacht zu sein, die heimtückische Angst zu durchbrechen, die unsere Wahrnehmung in der heutigen Zeit beeinflusst. Es ist Musik voller Dringlichkeit, aber auch voller tiefem Mitgefühl. Vulture Feather ist zweifellos eine Punkband, aber es ist auch klar, dass sie spirituelle Praktiker der Musik sind. Wenn man Vulture Feather spielen sieht oder hört, hat man das überwältigende Gefühl, dass sie diese Musik nicht nur machen, weil sie es wollen, sondern weil sie es müssen. ,Craving and Aversion", vier Songs, die im Anschluss an ihr gefeiertes zweites Album ,It Will Be Like Now" aufgenommen wurden, zeigen die Band, wie sie sich noch intensiver mit ihrer einzigartigen Praxis des emotional kraftvollen, vom Post-Hardcore beeinflussten Art-Rock beschäftigt. Während frühere Werke hier zwar nicht zum Thema gehören, kennen Fans McCann und Gossman aus ihrer Zeit bei den prähistorischen Don Martin Three (deren Katalog kürzlich von Numero Group neu aufgelegt wurde) und später bei Wilderness (Jagjaguwar). Zweifellos ist das der Sound von Leuten, die seit über 25 Jahren zusammen Musik machen. Die Gitarre und der Gesang glänzen ebenso wie sie heulen und funktionieren als Duett, das ,The Only Story Ever Told" über einer prägnanten und donnernden Rhythmusgruppe präsentiert. Es ist der Sound, der überall und jederzeit zu hören ist, durch dichte Wolkendecken, von Canyonwänden widerhallend, durch unruhige Gewässer und schließlich zu deinen Geräten, deinen Ohren, deinem Herzen, wenn du dich entscheidest, ihn zu hören.

2025 has been the comback year of Borrowed Identity! Nearly a decade ago, this super talented producer and DJ from the German Black Forest was omnipresent. Crafty beats, driving basslines and a deep raw feel was his tradmark then. And still is! After his collab EP with the Mechanical Soul Brother some months ago, it’s now time for a full solo EP called „Reminisce“. 4 tracks of powerful and raw House music, Borrowed Identity style! He’s back to stay!

Sciahri and his label Sublunar are proud to present the second chapter of the "Veil of Echoes" project, a continuation of a journey that connects emerging and established artists from the label.
Following the vision introduced in the first volume, this release unveils a new dimension of techno and electronic music, merging timeless roots with forward-thinking sound design.

The trip begins with "Voltages" by Cirkle, a sharp and direct cut built for the floor, followed by "Tides" by Red Rooms, an hypnotic journey driven by an entrancing vocal hook.
"Phonolith" by Border One brings a mental and groovy touch, while "Basic Instinct" by Hemka stands out for its captivating arrangement and refined sound design.
The first record closes with "Your Hands Forget Their Shapes" by Hadone, a truly memorable track destined to stand the test of time.

The second record opens with "The Radius" by Temudo, one of his most acclaimed digital tracks now available for the first time on vinyl, followed by "Etched" by Hurdslenk, a powerful and driving piece of precision techno.
Next comes "Nardo" by Pierre, a modern, groove-heavy weapon with a distinctive sound identity, and "Serpents" by Ketch & Alessio Landini, a hypnotic and tribal tool for any moment of the set.
Closing the journey, "Zone 0" by Danya delivers a mystical and immersive ending that transports the listener into another dimension.

With "Veil of Echoes II," Sublunar presents a visionary collection that captures the essence of techno and electronic music, bridging its past influences with the sound of the future.

Magnus Carlson and The Moon Ray Quintet join forces for a new album of inspired vocal jazz versions of some of their favourite music. Carlson is known as the vocalist of Weeping Willows, and The Moon Ray Quintet features members of top Swedish jazz acts Oddjob, Goran Kajfes Tropiques, La La Lars, etc. Together they form arrangements that capture the beauty of each song while bringing something fresh to the table. The Moon Ray Quintet was formed in 2009 around singer Magnus Carlson during a break from the band Weeping Willows which had been his musical habitat for over a decade. In the artistic vacuum he experienced then, he met jazz musician and producer Goran Kajfes in a bar. The two gentlemen had crossed paths musically before although this moment resulted in ideas that would lead Magnus career in a whole new direction. Also, it give birth to a brand new band consisting of a number of highly sought-after jazz musicians.

Film score to the new Netflix film directed by Kathryn Bigelow (The Hurt Locker, Point Break, Zero Dark Thirty)

Music by Volker Bertelmann (All Quiet on the Western Front, Conclave, Ammonite)

Limited edition on red coloured vinyl

This autumn Netflix will release A House of Dynamite, the latest political thriller from Kathryn Bigelow, known for classics such as Point Break and the Oscar-winning film The Hurt Locker. The film features haunting music by Volker Bertelmann, who composed the Oscar-winning soundtrack for All Quiet on the Western Front.

A House of Dynamite is available as a limited edition on red coloured vinyl and includes an insert.

This autumn Netflix will release A House of Dynamite, the latest political thriller from Kathryn Bigelow, known for classics such as Point Break and the Oscar-winning film The Hurt Locker. The film features haunting music by Volker Bertelmann, who composed the Oscar-winning soundtrack for All Quiet on the Western Front. Using low woodwind and brass instruments, Bertelmann has created a dense atmosphere for this new hit thriller starring Idris Elba and Rebecca Ferguson. _x000d__x000a_A House of Dynamite is available as a limited edition on red coloured vinyl and includes an insert.

Dead Bird is AK-Industry's very first EP for Industrial Propaganda's sub-label: Totentanz Recordings. This new EP explores the limits of the hard techno and techno hardcore genres.

AK-Industry, the founder of Nekrolog1k Recordings, has been a driving force in the Industrial Crossbreed and Hardcore Techno scene since 2008.

His signature sound blends breakbeats with hardcore and techno, resulting in a unique and powerful style that has garnered attention from major labels such as The Third Movement (NL), Industrial Strength (USA), Dark Descent (NL) Industrial Propaganda (CH) and Ad Noiseam (DE).

Having performed at some of the biggest hardcore events in Europe, including Dominator, Q-Base, Defqon, Army of Hardcore Festivals, Club r_AW, and PRSPCT XL, AK-Industry has cemented his place as a top-tier artist in the genre.

He has also collaborated with heavyweight artists such as Mindustries, I:gor, N-Vitral, Ophidian, The Teknoist, Bryan Fury, Switch Technique, Igneon System, Delta9 and Fiend.

With brand new releases on the horizon, AK-Industry shows no signs of slowing down and continues to push the boundaries of the Industrial Crossbreed & Hardcore Techno genres.

180g Black Vinyl Half-speed Remaster by Miles Showell at Abbey Road Studios, includes a sleevenote featuring quotes from Alan Parsons & Eric Woolfson. The Alan Parsons Project debut studio album was originally released in June 1976. The lyrical and musical themes of the album are retellings of horror stories and poetry by Edgar Allan Poe. Musicians featured on the album include vocalists Arthur Brown of The Crazy World of Arthur Brown on "The Tell Tale Heart", John Miles on "The Cask of Amontillado" and "(The System of) Dr. Tarr and Professor Fether", and Terry Sylvester of The Hollies on "To One in Paradise". The complete line-up of bands Ambrosia and Pilot play on the record, along with keyboardist Francis Monkman of Curved Air and Sky. The album was a worldwide hit selling almost a million copies and achieving platinum status in a number of countries including Germany and Canada.

With an internet-born sense of humor and an instinct for turning vulnerability into spectacle, Aldn has become one of the most distinct and enigmatic voices in alt-pop"s ever-mutating landscape. The Virginia-raised singer, songwriter, and producer first grabbed attention with his glitch-laced experiments and emotionally raw lyricism, but it was his 2024 viral smash "i cant believe i let you get away" that sent his profile into the stratosphere. The single - a pixelated cry of regret and romantic confusion - cemented his reputation as both a sonic innovator and a self-aware avatar for Gen Z"s wired melancholy. Now, Aldn announces his long-awaited debut album Strung Out Symphony

Nach seiner ersten Welttournee „#RUNSEOKJIN EP. TOUR“, veröffentlicht Jin von der weltbekannten
Popgruppe BTS, sein erstes Soloalbum mit dem Titel „Happy“ zum ersten Mal auf Vinyl!
Das Album enthält: eine 12-Zoll-Vinyl, eine Außenhülle, eine Innenhülle, ein Fotobuch (24 Seiten), ein
Umschlag, eine Fotokarte, eine Papier-Kuchendekoration, ein Ballon und eine Papier-Songtextgirlande.
Abmessungen: 316 x 316 x 5 mm.

Der britisch-sudanesische Soul-Star Elmiene veröffentlicht nach seiner 2025 BRITs Rising Star Award Nominierung seine neue EP „Heat The Streets“, die u.a. seine Hitsingle „Useless (Without You)“ enthält.
Die EP besteht aus 12 Tracks, die ohne Scheu, große Gefühle und romantische Gesten beschreiben. So
zelebriert „Heat The Streets“ die emotionale Tiefe des klassischen R&B – jetzt auf Vinyl.