All Tracks Written and Produced by S3A
Mastered by Kuniyuki Takahashi
This house project, based on the idea that electronic music is a blend of different cultures and music, started 15 years ago when Max began jamming on analog machines and samplers with different projects from techno (FriendShip Connection) to house (S3A).
It is through this project that he expresses, among other things, his taste for soul and House music. Such as his beloved artists MCDE, Floating Points... he uses the process of sampling as a basis to color his music with sounds of all his inspirations, he always add his own touch and groove to get his own vision of electronic music: dynamic, warm, emotional and dirty.
Although he discovered electronic music in 92 through UK hardcore with DJ as Tanith or Producer, his culture is based on a solid knowledge of house music, soul, funk, hip hop, making him one of the most promising house artists of the French scene since 2009.
He first came to Paris with Zadig to realize his childhood dream: building a studio and later collaboration, Frendship Connection (All is just a matter of time has actually been playlisted by Marcel Dettmann).
His residency at Concrete helped him to confirm his DJ position since the last 4 years adding as well releases on Lazare Hoche Records, Hold Youth, Concrete Music, Local Talk, Phonogramme and Faces. With these releases, his remix for Laurent Garnier on Music Large and his booking request from the French legend to play with him for his residency at Rex club and Concrete, gave him legitimacy and visibility in all over Europe.
In 2014 he decided to make his own label Sampling As An Art Records and focus on finding new-blooded artists and release his very personal music. A perfect definition between underground quality emotional house music and dancefloor efficiency!
In 2015, he released a collaborative EP on Uncanny Valley Label with Max Graef and Cuthead (whom released S3A RECORDS 03 the same year), made his first live representations and currently continue to spread his vision of music.
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- A1: (I've Had) The Time Of My Life - Bill Medley & Jennifer Warnes
- A2: Be My Baby - The Ronettes
- A3: She's Like The Wind - Patrick Swayze Feat. Wendy Fraser
- A4: Hungry Eyes - Eric Carmen
- A5: Stay - Maurice Williams & The Zodiacs
- A6: Yes - Merry Clayton
- B1: You Don't Own Me - The Blow Monkeys
- B2: Hey Baby - Bruce Channel
- B3: Overload - Zappacosta
- B4: Love Is Strange - Mickey & Sylvia
- B5: Where Are You Tonight - Tom Johnston
- B6: In The Still Of The Night - The Five Satins
LAB.OUR 06 features offbeat, dancefloor techno from Hermans. Hermans (Jerry Riggs 'Dick Diamonds' & Maxwell Church) already have releases out on labels such as Run Out Run, Klasse Recordings, Zodiac44 & Extended Play, among others.
A1 is Sweat Box Rock, an epic stormer that sounds like a techno jam session with alternating beat patterns and dirty keys.
B1, Dustin Tombtones, is an uptempo acid workout destined to move dancefloors. B2 is a remix of Sweat Box Rock by Lab.our Music bosses Basic Soul Unit and J-UL.
- A1: Room 302 Feat. Tink
- A2: Talkin Bandz Feat. Shawnna And Dj Victoriouz
- A3: Big Homie Feat. Sicko Mobb
- A4: No Apology Feat. Timberlee
- A5: Vernáculo Feat. Maluca
- A6: Dangerzone Feat. Kelela And Ian Isiah
- B1: Killing Time Feat. Johnny May Cash, Yb And King Rell
- B2: Mvp Feat. 3D Na'tee And Tim Vocals
- B3: Asbestos Feat. Roachee, Prince Rapid And Dirty Danger
- B4: Wanna Party Feat. Tink
- B5: Future Brown (Lp+Mp3)
Future Brown greifen auf Themen wie digitale Interkonnektivität, globale Reisen und eine vitale weltweite Künstlergemeinschaft als Inspiration zurück. Von regionalen US Rap-Varianten zum UK Grime, von Dancehall bis Reggaeton - Future Brown spinnen eine zutiefst durchdachte Ästhetik, die intuitive Verbindungen zwischen diesen eigentümlichen Sounds aufbaut, um dann den individuellen Kollaborateuren eine Stimme zu geben. Kollaborationen wie mit Shawnna, Kelela, Johnny May Cash oder Sicko Mob schlagen Brücken über musikalische Grenzen und Klüfte hinweg, während Future Brown zur selben Zeit den eigentlich geographischen Abstand zwischen den einzelnen Künstlern bewusst machen wollen.
THE company focused on realeasing original obscure dance classic and everything's that sounds fine to their ears !What a special one we have here on Skylax Classic! Damien Zala, the man who put out the superb album 'Lonely Happiness' on Rowtag Records in late 2012, who gets heavy support from the great Theo Parrish, dishes up six special tracks for our next release. Before diving in, it is well worth noting that a selection of Damien's album tracks had remixes by the likes of house icons such as DJ Jus-Ed, Rick Wade and Boo Williams! If those names register even the slightest blip on your radar, which they should, then this record might be the treasure you've been searching for. Damien's sampling technique has a certain air of grandeur to it. 'Shake Vibration' makes this apparent right from the start with intricate layers of vocals, guitar licks and keys. 'All My Respect' and 'Come Around' both follow suit whilst 'Dizzie' picks up the B side with a bit more energy and frenzy compared to what has come before it. The record rounds out with two tracks taking things a bit deeper. 'Stay Where You Are' drives forward with filtered pad chords that accompany jazzy sax and vocal cuts while conversely, 'Z To The Jz' brings in a moodier vibe with its jazz samples and smoky drums.
Do not miss the chance to get such a gem of a record from Damien Zala!, C L A S S I C ! A must to have in every djs collection. Essential Item No Digital .








