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DJ Support: Kenny Larkin, Francois Kevorkian, Laurent Garnier, Ben UFO, Joseph Capriati, Fra Soler, Carista, Slam, Uncertain, DJ Bone, Christian Smith, Anthony Pappa, Radio Slave, Alienata, Marco Faraone, Christian Varela, James Zabiela, Anika Kunst, Carlos Valdes, Ame, Pushmann and Chris Fortier

Vince Watson Announces ‘The Force’, to launch his forthcoming 30 year compilation VW30 Introspection II.

As the build up to Vince Watson's huge forthcoming VW30 Introspection II compilation begins, the Scottish born Amsterdam based Artist releases a new track, a huge track 'The Force' as the exclusive.

Building on his Detroit inspired heritage and mixed with his energy infused Dancefloor material, 'The Force' is a monster.

With hints and shades of E-dancer with its big baselines, this track is sure to rip up some dancefloors.

Backing this up on the vinyl only, is Bon Voyage and Towards The Light, 2 tracks originally from the Via LP and featuring on vinyl for the first time.

Over the last 30 years, Vince Watson has produced some of the standout tracks of underground house and techno culture, from ‘Eminesence’ to ‘Aurelon’ to 'Mystical Rhythm’ and the new summer hit ‘The Awakening’ and has worked with some of the most renowned artists and labels to ever grace the scene.

To celebrate this incredible milestone and respect this legacy, Vince Watson is announcing a new compilation album showcasing new versions of some of the classics from his catalogue over the last 3 decades.

**The Stone Club - 'Album of the month' **


In a world that buckles and cracks under our calamitous weight, something at once old and beautiful, bitter and malign, stirs just a shade below what can be seen. It had dreamt of the end of things, and tasted there sweet emptiness, but now a new hominid stench has disturbed its slumber.

So keenly it ponders, un-lidding an eye, and within each potent coil desires fester, many and urgent. And so it untangles, and organises, and lurches upwards like a whale; bloated, rotten and desperate to breathe.

Emily and Joe have caught glimpses of that which lurks beneath. As each has struggled to make sense of what they have seen, they have been dragged inexorably into a frightening new reality; a shadow world of lurid horrors, where nothing is as it ought to be. Yet they have witnessed great beauty too, a joy stark and profound, and an addiction is growing.

iO Pan is about a love for that special era in the UK dance music scene that from the late 1980s onwards mixed funk, soul, hip-hop, electro, reggae, dub and Jamaican sound system culture together with the freshest dance music coming out of Chicago, Detroit, Belgium and Italy. A unique melting pot that would lead to some of the most original and groundbreaking musical movements the world has ever seen in Bleep, Breakbeat, Hardcore, Jungle and Dub Step.




iO Pan is an artist, musician and DJ who has presented live art at the Barbican Centre, the Open Data Institute, the Royal College of Art and Goldsmiths University.

As a musician, iO Pan has supported the Arctic Monkeys and worked with the Human League, and with the track ‘Forever’, reached number 5 in the Mixmag Ibiza chart.

As a DJ iO Pan was a resident for legendary Sheffield clubs Gatecrasher, The Leadmill and Plug throughout the 90s.

iO Pan now presents the full-length album When The Lid Opens on Sound Records whose roster includes KiF Productions, Benyayer, Yarni and Lara Jones.

Early DJ Support: Massimiliano Pagliara, Paranoid London, Logan Fisher, Terry Farley, James Holroyd, Rocky (X Press 2), Francois K, Marcel Vogel, Sean Johnston, Austin Ato, Ron Basejam, Richard Rogers, Oliver Dollar, Crazy P and many more

Creating an international name for itself over the past decade as a sample pack label, Samples From Mars made its inevitable venture into the music world originally as a home for founder Teddy Stuart’s work. Long before making samples, Stuart garnered credits working as a grammy-nominated recording engineer in the hip hop world, and DJing / producing with Justin Strauss as A/JUS/TED, for labels such as DFA, Domino Records and Southern Fried Records. Now the label is set to release a variety of genres - house, disco, techno, ambient, all with a vintage tinge and a focus on high quality, analog production.

Enter Salt Queen. Visual artist and musician Magali van Caloen together with Samples From Mars founder, Teddy Stuart. Based in New York, the duo combine hardware dance aesthetics with dry, salty takes on familiar club moments into music that sits somewhere between funny, raw and unpredictable.

Salt Queen’s debut ‘ARE U OK’ is an acid-laced, deadpan spoken word track with an opening line that snaps any room to attention. A disorienting club encounter unfolds over Italo-inflected 808s and a relentless 303 bassline. There are no chords and no melodies - just a skeletal groove and an intimate voice circling the dancefloor. Drifting between concern and provocation, the vocal runs through cliché club conversations before destabilizing completely into a siren-laden crash out. The ‘Freak Nasty Club Mix’ ditches the plot and lets the hardware breathe, with a thick SH-101 bassline anchoring the first half before a sudden switch into an unrelenting acid pattern that refuses to settle. Two versions of the same wild night out.

DJ Support: Marco Carola, Jamie Jones, Joseph Capriati, Ilario Alicante, Bradley Zero, Carista, Josh Baker, Saoirse, Djebali, Archie Hamilton, John Dimas, rich NXT and many more

Kepler’s sound sits somewhere between deep house, garage swing and low-slung club pressure. Based in Leeds, he has developed a sound built around weighty basslines, rolling drums and an instinct for keeping ideas sounding fresh. Releases on Up The Stuss, Semi Delicious, Constant Sound and Rossi’s HOME//GRXWN. have helped establish and elevate that approach, with support from selectors including Ben UFO, Raresh, Chris Stassy, Four Tet and Interplanetary Criminal. Alongside his own productions, plus his labels Contact Music and Perspective, his Studio Orbit has grown into an online production community supporting thousands of artists, and he now returns to FUSE after his appearance alongside founder Enzo Siragusa in 2024 as part of the label’s X Series for his first solo release on the imprint.

His ‘Sunday Service’ EP brings four original cuts to digital and vinyl, moving between different shades of his UK-influenced, wide-spanning sound. ‘Inner Motion’ opens with a cosmic groove, sweeping melodies and tightly placed percussion, while ‘Jump Up Crew’, featuring MC Secret Agent, pushes into garage territory with an animated vocal presence and heavy low-end weight. On the B-side, ‘Unity’ settles into a deep, fluid rhythm that packs a punch before title track ‘Sunday Service’ journeys through hazy textures and shuffling drums for a late-night finish.

Yes, yes funky people, another super sexy, soul groove makes it onto the DYNAMITE CUTS 7” series. Took a long time get this one across the line. Two versions of the timeless classic “Take me with you”. A – Side is the one we all know, Lyn Christopher - Amazing deep bass groove and vibe. This has been released as a 7” before but on Styrene. Also bootlegged many times over the years, but here at Dynamite cuts we do it right. This official release includes the iconic sleeve, which is a beauty. To top that, our B-side we have the UK version which was released the same year. Tyrone & Carr, first released on Jam records, part of the UK label DJM, now sell for big bucks £350 +

New remix series from the Veteran New York City producer / DJ / keyboardist Scott Wozniak.

2 Killer remixes of well-known artists given a new house music twist for the floors, evoking the golden era of The DFA (Darryl James, Fred McFarlane and Allen George) remixes on Fall Out Records in early to mid 00’s.

Limited Stock act fast!

Building on the promise of nearly 10 years testing limits within club music, Batu presents his debut album Opal. Experimentation is a well-established facet of Omar McCutcheon's identity within the leftfield techno zeitgeist, but more than ever on Opal he seizes the opportunity to incorporate ideas beyond dancefloor impetus into his animated, forward-leaning sound.

Through the course of 11 tracks, rhythmic forms are mutated and manipulated, sonic matter bends across the frequency range and narrative structures coalesce and dissolve according to Batu's own internal logic. Unpredictability lies at the heart of all this music, bound together by a consistent modernist glint. It's a sound intrinsically connected to the superlative string of club 12"s, EPs and collaborations Batu has spun behind him thus far, even as it moves into unfamiliar terrain, guided by abstract inspiration from coastal landscapes and the mineral matter all life on Earth is built on.

Debut album from Batu on his own Timedance imprint following releases for Livity Sound, Hessle Audio or XL Recordings.
UK & Worldwide press campaign led by Dawn Creative. International press cover TBA and strong media (RA, Mixmag, DJ Mag, XLR8R) and radio coverage around the release (Jamz Supernova, KEXP, Dublab, Rinse France)
Extensive touring schedule for 2022 includes US, Mexico, UK, Europe, and features headline slots in multiple high profile festivals (Sonar, Dekmantel, Outlook, Dimensions, Waterworks and more)

Ruffiani returns with its second release: four new tracks built around sampling, edits and reworked musical fragments, bringing different influences together in a raw, contemporary club context.

Released as a limited-edition white label vinyl, the record continues the project’s underground, DJ-focused approach, four tracks made for the dancefloor.

For his debut on Hard Times Records, Manchester's FLETCH delivers 'Lift Me Up’ - a four-track EP rooted in rolling grooves, warm musicality and a refined dancefloor energy.

The release follows a busy run for FLETCH, with releases on Circoloco, Three Six Zero, MVSON and ANOTR's No Art, where his Play House EP reached the top of the download charts. His connection with Hard Times began behind the decks at the label's sold-out Miami Winter Music Conference showcase, where a shared appreciation for the music soon developed into plans for a release.

"After playing for the Hard Times crew in Miami, I told them how I'd been a fan of the label for years and that i’d love to release something with them one day," says FLETCH. "I sent over some tracks that I felt were a natural fit and the guys signed them on the spot. The rest, as they say, is history!"

The title track sets the tone for the EP with rolling drums, elastic basslines and understated vocal hooks, while 'Stand Up’ leans into swung percussion and classic chord stabs. On the B-side, 'Touch Me' shifts into deeper territory with stripped-back, late-night groove, before '1000 Years' closes the EP with dusty scratches, crisp hats and an understated sense of drive.

Since its digital release, lead track "Lift You Up" has received strong support on BBC R1, plus heavy DJ support from the likes of TSHA, Hilit Kolet, Laurent Garnier, Jamie Jones, Groove Armada, Riva Starr, and more.

FLETCH's sound continues to evolve while remaining firmly rooted in the traditions of house, making 'Lift Me Up' the perfect debut on Hard Times.

Luv*Jam presents Dan*Eds ~ a mini album for those ever so discerning DJs that are out there…

Rare native silver has been found across the hard to reach mountainous regions of North Wales’ Snowdonia.

As the peaks get rougher and more difficult to traverse we bring you a secret selection of unique live sound experiments from Bersham’s finest Dan*Eds. Plus L*J invites Cologne’s Dynomodyse as his DJ Longsleeve alter ego for a ‘Workpant E17 Vestinipppp’ mix and Flyypost dusts down her Evening Leader accusations of illegal fly posting to deliver some bananas DJ weapons of interest. The penultimate peak of 14 peaks!

Two of the most prolific remixers in the world of Disco,Dave 'Love' Lee and John Moraleshave teamed up for one of their biggest projects to date - 'Mixed To The Maxxx'. After gaining access from the legendary original artists, the pair take the multi-track tapes of many classic Disco, Funk & Soul tracks and re-work them...to the Maxxx!

Where Remixed With Love stands as Dave Lee's own gold-standard body of work, Mixed To The Maxxx sets that legacy alongside Morales' own decades-deep M+M body of work: Lee brings his musically dense, groove-first touch to the likes of Harold Melvin, Syreeta, Lenny Williams and The Brand New Heavies, while Morales applies his extended, dancefloor-built M+M treatment and crushes the likes of Barry White, The Temptations and Loleatta Holloway, plus Dennis Coffey's breakbeat classic "Scorpio" for the DJs and collectors alike. Both work from original tapes, surfacing parts barely audible or entirely unheard in the source mixes, and both know when to let a classic breathe rather than bury it under modern production. It's a pairing a long time in the making. Lee and Morales first talked about working together around a decade ago, and getting Mixed To The Maxxx off the ground took five years of patient work: tracking down usable stems, securing approvals, and navigating a licensing landscape where much of the best material is now tied up with major labels increasingly cautious about clearing remixes. What's landed here is the product of that graft as much as the pair's shared ear for a great record, the sound of two people who know exactly what they're looking for and are willing to put in the time to find it.

A double 12" sampler in summer 2025 previewed the record's range. A bass-driven overhaul ofThe Brothers Johnson's "The Real Thing" and an extended mix of Philly legends Bell & James' "Livin' It Up (Friday Night)" showcased Lee's side, while an anthemic take on Inner Life's "Ain't No Mountain High Enough" and a tempo-lifted Light Of The World"London Town" flew the flag for Morales. Both drew strong early support ahead of the full LP.

As Shadow Pressings hits its 10th release the fledging vinyl-only label bring us five heavyweight basement jams, hand-picked from DJ Split’s own circle of friends and musical conspirators including one track from Split himself. Dusty machines creating stripped back grooves, strange frequencies, and raw, late-night club pressure. A little Chicago, a little Detroit, a little somewhere else entirely.

What does it mean to actually experience another City, one of such historical and cultural'd'asignificance as Detroit, A city that truly expands the capacity of Human love and resilience. Just to be there…?'d'aWhat sound do the birds make?…? What colour are the buses ? …?. What sounds do we hear in the streets'd'a?…? It's like one step beyond just experiencing a place but truly absorbing it as if it becomes a little piece of'd'aus. That's the only way you really get to understand the groove, the little everyday things that make the'd'apeople tick, their daily grievances and small moments of collective joy culminating over lifetimes. That is'd'awhere you get to the essence, the secret sauce and Lord knows this City is oozing with it.'d'aIn July 2025 Ziggy undertook a 6 week residency in the motor city with no concrete plan other than getting to'd'athe roots of a deeply layered and rich musical culture. One that has been a guiding light for many of us..'d'aWhether you are coming from the generation of Motown through the 1st generation of techno to hip hop'd'arevolutionaries, the city has left an undeniable mark on the history of American Music.'d'aAfter meeting at a weeknight vinyl session at a downtown bar, Ziggy and Malik realised they already knew'd'aeach other's work and immediately made plans to hook up in the studio. Malik being a Lifelong Detroiter with'd'aa background as a Gospel keyboardist and Singer turned House dancer, producer and DJ it was no wonder'd'ahe was a perfect addition to the Label Roster. To accommodate the sessions local turntablist and producer'd'aDJ Moppy kindly offered up his home studio and we shared many great records and vegan hot dogs in his'd'aleafy backyard.The music is primarily inspired by the enduring and charismatic folks we encountered in the city, their stories'd'aand personalities live on through the continued Musical Legacy of the city.'d'aSpecial thanks to Mike Banks, Cornelius, Crystal, John '?Jammin'? Collins (R.I.P) Rick Wilhite, Wajeed and all'd'aof the Underground Resistance family who hosted us. DJ Moppy, Meftah, Badriyyah, Raj Mahal all in the'd'abuilding!'d'aGospel and jazzy infused electro-funk and deep-house, a collaboration between one of Detroit'?s'd'aunderground dons Malik Alston and Ziggy Zeitgeist of EXREC. The result of a six week pilgrimage to Detroit'd'ain 2025, Zeitgeist set up shop in DJ Moppy'?s living room and the results are deep, dark and funky'd'a'd'a.

Wow! Chapter 16 of this successful and influential series. This time compiled by Michael Rütten (Soulpatrol) and Michael Reinboth. After 30 years of sharing the love for music and a friendship it‘s about time for these two to get together for a musical trip around the world. Voted one of the best electronic music compilations by music magazines such as Groove, Mixmag, FAZE and DJ mag. With the launch of the series in 1995, it’s fair to say that Michael Reinboth or Compost essentially pioneered and established the future jazz genre. Further info about the artists upon request.

Dutch artist Maurits Verwoerd, aka Nachtbraker, makes his first outing on Up The Stuss with ‘Bodu Imchi’, a four-track collection that highlights the breadth and curiosity that have long defined his work. Drawing from a world that stretches from ambient and cinematic music to dub, jazz-inflected electronics and house, the Amsterdam native has developed a sound that can feel both deeply considered and completely instinctive. Releases across Aus Music, Peach Discs, Heist Recordings, Dirt Crew and his own Nachtbraker and Quartet Series labels have established him as one of the more distinctive voices within the Dutch house landscape, with support from artists including Jamie xx, DJ Seinfeld, Raresh, Shanti Celeste and Axel Boman.

Across ‘Bodu Imchi’, those influences come together in a record that feels fluid, slightly strange and constantly alive. Warmth sits alongside subtle unease, hypnotic grooves give way to more playful rhythmic ideas, and intricate melodies drift through low-slung foundations without ever becoming overly polished. There’s a sense of late-night discovery throughout, the kind of music that rewards close attention but still carries enough physicality to move a room and keep packed dancefloors moving with a locked-in approach. Four tracks, one evolving atmosphere, and a meeting of musical worlds that feels right at home on Up The Stuss. It’s a release that finds character in the fine details: unexpectedtextures, subtle rhythm shifts and elements that seem to appear out of nowhere before then disappearing again. It’s an EP that moves between heads-down focus and hazier hours, capturing the curious, nocturnal spirit that runs through his work.

Children of Zeus return with their third studio album ‘As The World Burns…’

Five years on from their highly-acclaimed sophomore album ‘Balance’, Manchester’s kings of hip hop soul, Tyler Daley and Konny Kon, bring us a brand new 16-track opus.

Sonically the duo continue their story where they left off; crafting an amalgamation of street soul, alternative r&b and boom bap hip hop, with a sprinkle of flavours taken from their original multi-genre pirate radio influences, and a dash of forward-thinking new sounds, ensuring all tracks are destined to become future classics.

The features are sparing but powerful, enlisting the talents of revered UK rapper Knucks (‘Before We Drown’), Colorado-native Young Old Soul (‘Dopamine’), MCR family K S R (‘Do You Want To Get High’, & Australian/Mauritian up & comer Anieszka (‘Water & Vibes’).

As with previous projects, this album is largely produced by the duo themselves, though there are guest productions from previous collaborators too, including Grammy Award-winner Beat Butcha, Grammy-nominated Teo, and broken beat pioneer K15, along with an assortment of new players making moves in the underground neo-soul & beats circuit.

Conceptually, this project continues on with the story to date. An eternal search for sunsets and soulfood, as a respite to the anxieties of the modern world; personally, professionally and globally. Assertive swagger is matched with brutal but sincere candidity. As ever, it encapsulates the rough with the smooth, with reflections on where they’ve been, where they’re at and where they’re headed. There’s no preaching to be found here; just an acceptance of things as they are, an embrace of the environment and people they were nurtured by, and a celebration of some of the finer things in life; slow jams, weed & rum, water & vibes. Raps for listeners, blunt heads, fly ladies and prisoners. All packaged together as another perfect sonic love letter to sound system culture. 50 minutes of big people music.

Since the release of their anthemic debut single ‘Still Standing’ a decade ago, to the subsequent EP ‘The Story So Far’, and their critically-lauded debut album ‘Travel Light’, the duo have received numerous accolades, including nominations for AIM Awards & Worldwide Awards both, along with tons of ‘Album of the Year’ nods care of Clash Magazine, Bandcamp, Complex, Wordplay and many more. This along with huge swathes of support from DJs, radio stations, press outlets, tastemakers, luminaries & fellow artists across the globe.

Children of Zeus have performed sessions for COLORS, Soulection (Apple Music), DJ AG, Boiler Room, BBC 6 Music and at the infamous Maida Vale studios for BBC 1Xtra as well as touring across Europe, Australia and South Africa. This is in addition to collaborating & touring with Mercury Award Winner’s Ezra Collective, including a Wembley Arena show. Other collaborations over the years have included Shy FX, Juls, Goldie, Black Milk, Kofi Stone and the late great Lenzman.

From the Broke ’n’ English / Hoodman-era, to the present day, Children of Zeus have been omnipresent in the fabric of British black music. Proud ambassadors of Manchester music, and of UK soul, it really is “Zeus to the world”.

Children of Zeus have been adorned with plenty of flowers over their career. The unbridled quality and poignance of the music and the message on display throughout this project will see the algorithmic needle move some more. It’s undoubtedly set to be a Zeus Summer. As the world burns…

Available on all digital platforms and physical formats, Friday September 4th 2026.







t 07: Do You Want To Get High? (feat. K S R ) - Children of Zeus03:26







t 07: Do You Want To Get High? (feat. K S R ) - Children of Zeus03:26







[t] 07: Do You Want To Get High? (feat. [ K S R ]) - Children of Zeus03:26







[t] 07: Do You Want To Get High? (feat. [ K S R ]) - Children of Zeus03:26







[g] B3 | Do You Want To Get High? (feat [ K S R ]) - Children of Zeus03:26

In 2001, Shin’ichi Ogawa of Sugar Plant was working for the SAL Disc record label and came up with the idea of doing an E2-E4 tribute album with his friends. This album would come off the back of a Neil Young tribute album which might have seemed odd but these two artists, Neil Young and Ashra (Manuel Göttsching), would be played regularly as equals at after-parties that Shini’ichi would throw at his house. Longtime friend and collaborator, Taro Yoda, noted that the eclecticism of these after-parties were influenced by the variety of parties they were attending at the time, from the legendary Japanese open-air rave party Life Force to Cream at Amnesia in Ibiza. Taro was obsessed with European trance and left-field downtempo while the two members of Sugar Plant were into ’70s soul—especially Marvin Gaye and William DeVaughn and at the same time, they were listening to Phish and the Grateful Dead too. All three of them were of course inspired by the DJ’ing and selections of Larry Levan.

A- Side – Sugar Plant – “Just Be There” – Production began in my home studio. Since I was frequently attending a house party called “Life Force” (with DJ Nick the Record as the resident DJ) at the time, I thought deep house would be the perfect style for a Sugar Plant cover.
I looped a two-chord electric piano track and applied filters using plugins and outboard gear to create a “sound I could listen to forever.” I recorded the bass on guitar and converted it to an analog synth (Doepfer MS-404).

From there, I layered synths improvisationally, listening to the track over and over again to make fine adjustments. I think I worked on it for days, mostly late at night.
I recorded the guitar at the very end of the track. After playing it a few times ad lib without any set plan, I suddenly had the idea to add vocals during the bridge, so I set up a mic in my hallway and recorded them.

I think this track is packed with the emotions I felt when listening to “E2-E4” back then, as well as the vibe I experienced at that party. – Shin’ichi Ogawa

Planet Trip Records presents Sydney underground heroes Hugh B & Setwun’s first album, 2020’s Yeah Definitely, and its long-awaited follow-up, 2026’s Nah Maybe, as a deluxe vinyl LP package. Underpinned by the low-end heft of dub and soundsystem culture, their albums draw deeply from an expansive array of sensibilities: tones, textures and patterns shaped by post-punk and ambient music dovetail with abstract, sampledelic hip-hop drum loops. Meanwhile, Setwun’s mysterious neo-soul/modern R&B vocals glide on the beat. Punctuated by dialogue snippets, these songs feel like exploring the multiverse with an interdimensional boombox.

Yeah Definitely began as a batch of instrumentals. Having previously worked with an MPC, drum machines, instruments and Logic Audio, Hugh used a borrowed PC and Renoise, a tracker DAW associated with 21st-century jungle/drum & bass production. Afterwards, he sent them over to Setwun, who sketched vocals on top with ease.

If Yeah Definitely came together quickly, Nah Maybe was a longer process. Still inspired, Hugh B knocked out a second folder of beats with neon-lit city-pop references, slow-jam grooves, and elegant guitar figures. This time, however, something wasn’t clicking for Setwun. The only cure here would be the passage of time.

Over the next six years, Hugh and Setwun continued to collaborate while pursuing solo projects. Hugh released jungle, ambient house, dub and post-punk records through Planet Trip Records, Not Not Fun, and his OTIS Records label, while performing live, DJ, and leading the Modern Pop Ensemble. Similarly, Setwun, also a multi-instrumentalist, producer, and DJ, released a series of records that explore jazz, soul, house, and broken-beat electronica, forming a loose constellation for Mandarin Dreams and Extra Soul Perception. Alongside these efforts, he played shows and began performing with his backing band, The Soulstranauts.

Early in 2026, something clicked, and Setwun drafted vocals for the second batch of beats over an evening. Not long after, he invited Hugh to mix Nah Maybe, every bit as special as Yeah Definitely. By waiting for the right moment and putting themselves outside of their comfort zone, Hugh B and Setwun have bottled lightning twice. We’re very pleased to be able to share Yeah Definitely and Nah Maybe with you.

Following the release of Electric Rescue's new album, "Different Horizons", Laurent Garnier's COD3 QR returns to its signature various artists format for a new vinyl-only release featuring six new tracks, by WheelUP, Rapson & Kathy Brown, Mirko Loko, Costello, Jules Wells, Rod20 and James Warburton.

WheelUP is West London producer and DJ Danny Wheeler who's released music on CoOperation Records, Jamz Supernova’s Future Bounce and his long-time home Tru Thoughts. After appearing on COD3 QR in July with a track alongside Blu James, he now teams up with regular collaborator, music producer, DJ and keys player, Rapson, alongside acclaimed US vocalist Kathy Brown for the intensely soulful "Music".

Mirko Loko is a prominent Swiss talent, known for his work as resident DJ at Couleur 3 and Loft Electroclub, artistic director of Polaris festival and releases on Planet E, Border Community, Cocoon and Visionquest returns once again to COD3 QR with the Detroit-influenced "Silent Failure".

French electronic DJ and music producer, Costello returns for his sixth track on COD3 QR, having also released on Solomun's Diynamic, Chloé's Lumière Noire and most recently Maceo Plex's Ellum Audio. His bright Techno groover, "Cocotte" closes the A-side.

Another COD3 QR regular, Jules Wells opens the B-side. Influenced by the Motor City, Jules has released on labels like Electrofunk, Submerge, Twilight 76, KMS, Planet E, Brique Rouge and Logos. Here, he takes the EP into atmospheric territory with "The Rooster".

Benny Rodrigues has previously delivered tracks for COD3 QR as The Lost Souldancer. But now he reprises his Rod20 alias with "Stars Of Bethlehem". Rod20 is the dedicated hardware-only techno project he began in 2020, which prior to its standalone vinyl imprint, launched with a self-released compilation, followed by a dual-part album on Jeff Mills' legendary Axis Records.

To close the EP is the experimental ambient work of "You Are Carried On Waves Of Endless Love" by James Warburton. James is a composer and multi-instrumentalist whose work has appeared on TV and film including Netflix’s "Squid Games", HBO’s "Succession", the title music for Channel 4’s "Manhunt" and the original score for Endemolshine/Banijay’s hit TV series "Murdertown" and NBC Universal’s "Faceless" podcast.

Nail is one of our favourite house artists. He was a key player in the 90s, not least with Nottinghman's DiY, then disappeared for many years before returning a decade or so again. Since then he has kept on turning out unique house jams (there have been tens of them by his and others on his latest label in the last six months) and now curates the first volume of House Fire Records material for his In The Dance label. This compilation brings together his aliases Scorpio Parish, DJ XE0re, George F, Peoples Inc. and Five Bagonag. The grooves are killer, the production perfectly undercooked, the swing often central to everything.

Disco Collected celebrates the dance music which originally developed from R&B, soul, and funk from the late 60s and 70s and turned into a mighty subculture in discotheques, with Studio 54, Manhattan, New York as one of the most famous and extravagant discos all over the world. Disco used a steady four to the floor beat, string sections, horns which created a perfect setting for DJs who mixed their special 12 inches to an eager dance crowd.

Movies like Saturday Night Fever and Thank God It’s Friday contributed to disco’s mainstream popularity. Compiled on Disco Collected are some of the best, well-known and great disco hits by Rose Royce, Chic, Kool & The Gang, The Trammps, Thelma Houston, KC & The Sunshine Band and 16 more guaranteed floor fillers.

The 2LP Disco Collected is available as a limited edition on disco ball silver vinyl and includes an insert.

Kisah Pasar Baru: The Modern Sound of 1950s Indonesia

When Indonesia gained its independence from the Dutch colonial government in 1945, politicians and soldiers weren’t the only ones playing a major role in building the sense of national identity.

Also working on the nationalist front were merchants and traders of phonograph records, who prior to the country’s independence served as local agents for foreign labels like Odeon and Beka. In Batavia, one of these traders were Tio Tek Hong, distributor of the international label Odeon and the other figure was Soejoso Soekarso, who also served in the Indonesian Military as an Air Force Marshall.

Irama Records, the music label he founded in 1951, was first attempt to “nationalize” the means of production of “indigenous music” from both foreign labels and intermediaries like Tio.

Soejoso stood at the intersection of music, business, and nationalism. He was the vanguard in the process of popularizing of a new breed of “national” music, especially the type he showcased in the compilation Kisah Pasar Baru: The Modern Sound of 1950s Indonesia, released in 1958.

Yet, the idea of an indigenous music championed by Soejoso was in fact the amalgamation of a myriad of cosmopolitan strands. As an air force officer, Soejoso spent some of his time playing in the Hawaiian band Lieve Souvenier in Semarang before relocating to Jakarta and started jamming with the band Elshinta Hawaiian Senior.

In addition to Hawaiian music, Soejoso was a versatile musician who also had the chops for jazz, a musical genre wildly popular in the 1940s and early 1950s Indonesia. And it was jazz that he first recorded for his Irama Records label.

One night in 1951, he squeezed pianist Nick Mamahit, bassist Max van Dalm, drummer Dirk van der Capellen, and guitarist Dick Abel into a 2×3-meter studio on Jl. H. Agus Salim, Central Jakarta, to record the first local jazz album of the post-independence era.

Kisah Pasar Baru is a compilation of hybrid music that Soejoso and his coterie of musicians championed in the early 1950s, a mix of Hawaiian, Keroncong and Jazz and it became a hit soon after being release.

One of the best compositions on this album, “Pajung Fantasi,” composed by the legendary composer Ismail Marzuki, is essentially built from Bing Slamet’s baritone—Indonesia’s equivalent of Bing Crosby--and the distinctive Hawaiian-styled steel guitar. The most famous song on the album, “Sabda Alam,” also written by Ismail Marzuki, follows the same pattern, its steel-guitar works now backing Theresa Zen’s hauntingly ethereal vocals.

Kisah Pasar Baru was never designed to be a long-playing record, and its presence on the market was to capitalize on a new trend in the recording industry. The album is a greatest-hits compilation, with songs in this album previously circulating individually on 78-rpm discs—a format that was gradually abandoned following the invention of the 7-inch single and the 12-inch long-play vinyl.

This is the first time this monumental record is being reissued for the international market outside of Indonesia.

2026 Repress in White Vinyl
There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’. A Grammy Award winner, Frankie had a street in Chicago named after him where the old Warehouse once stood to commemorate the first ever Frankie Knuckles Day on 25th August 2004. Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades.

Now he is commemorated once again by long time writing and production partner Eric Kupper who will release part II of the special commemorative album on vinyl around this date. Eric, himself a seasoned DJ producer and writer, working side by side with Frankie on many his seminal classics, as well as personally working on over 116 Billboard #1 Dance Records. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

The album features some of Directors Cut’s best works with the Re-Directed version of the seminal classic ‘Baby Wants To Ride’ plus their re rubs of Inaya Day, Sybil, Hardsoul and Lou Rawls - You’ll Never Find Another Love Like Mine (Kenny Summit, Frankie Knuckles & Eric Kupper Unreleased Anthem).

This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continue Frankie’s legacy whilst focusing on music in schools, LGBTQ youth homelessness, AIDS research / prevention & diabetes research / education.

Swooped Records would like to introduce our limited series of vinyl only edits We love many of the edit labels with 1-2 tracks per release, and we’re going to help you value up with 4 top-shelf cuts on every record! We kick it off with Chainsnatcher “Jump Up In It” Vox that is straight up, dirty, bumping House music! It’s also featured on Derrick Carter’s for The 6 Mix w/ Mary Anne Hobbs on BBC’s flagship BBC Radio 6 Music. Next up Ric Viera of Guided Methods fame teams up with Elrose for “Only Ewe”. This funky House take on an afro-boogie jam will shake the dance floor and keep the discerning heads nodding. The flip side brings us Chainsnatcher “Jump Up On it” Dub. This is for those that want a stripped back version of the Vox with well placed, minimal vocal snippets and that dance floor boogie. Agent 818 rounds it off with “Don’t Let Nobody” and it’s time to get the summer time vibe started pronto! This jam will do the trick whether it’s day party-fun to after-hours strutting, just ask DJ Heather as she’s been playing it for a minute now.

Hope you dig!

DJ Support: MK, Mike Williams, Nicky Romero, Armin Van Buuren, Claptone, Tita Lay, MK, A-Trak, Danny Howard, Arielle Free, Nicky Romero, Fedde Le Grand, Crusy, DJ Dove, Idris Elba, Martin Garrix, DJ SKT, Freejak & more.

Toolroom Trax’s next Sampler showcases 4 big releases from Kryder, Dario Nunez, DGRACE, Smokin Jo, James Hurr, Camila Jun & Danny Rhys.

Hamburg's GOME joins the roster of Cinthie's 803 Crystal Grooves Collective Cuts sub-label here with a new fourtrack EP entitled 'Free Refill', featuring a collaboration with James Juke. GOME is shaking up dance floors worldwide with a raw, 90s-inspired House sound infused with Funk, Soul and Disco.

Having built a strong reputation through releases on Heist Recordings and his own Snackwax imprint, GOME has earned support from leading DJs and performed at renowned venues including Robert Johnson (DE), Berghain (DE), Golden Pudel (DE), Shelter (NL), Lofi (NL) or Blitz, to name but a few. Alongside celebrated live hardware performances and the community-focused "GOME + The Gang" events, GOME has become known for an authentic DIY approach, making this new 'Free Refill' project a fitting addition to the Collective Cuts catalogue. Leading the EP is the collaborative 'Keep The Party Going' with James Juke, an apt title for a frenzied five-anda- half-minute House jam featuring swinging, snappy drums, siren-like synth swells, gritty chord stabs and an amalgamation of vocal hooks throughout. 'Extraordinary' follows, employing a gritty electro-leaning bassline, a crunchy off-kilter rhythm section, twitchy arpeggio lines and a loopy, infectious vocal refrain. On the flip-side, 'CONGRATULATIONS' sees GOME lean heavily into House roots, perfectly aligned with the Crystal Grooves sonic aesthetic. Harkening back to 90s rave culture, it combines shimmering piano hooks, squelchy 303 licks, robust 909 drums and murky low-pitched vocals. 'You Make' then closes the EP, a loop-led cut fuelled by circling synth lines, bright strings, a bouncy low end and a fluttering vocal hook.

Der neueste Zuwachs im ständig wachsenden Katalog von D.B., ,The Beat Zealot", ist da, um lebenslange Fans von Instrumentalmusik anzusprechen und neue Hörer auf der ganzen Welt zu begeistern. Grimez ist ein Beat-Fanatiker. Geboren und aufgewachsen in Südflorida, ließ er sich von Entertainern und DJs wie Jam Pony Express inspirieren. Als Teenager verbrachte Grimez Stunden auf dem Flohmarkt, blätterte in Katalogen und suchte sich Kassetten für seine Sammlung aus. In den 90ern zog er nach Ohio, wo er sich in das Sampling verliebte und anfing, eigene Musik zu produzieren. Für jede Doctor-Bionic-Platte holt Grimez eine Reihe hoch talentierter Musiker aus der lokalen Szene mit ins Boot. Im Studio wirft die Gruppe Ideen in den Raum und improvisiert, während Grimez das Mischpult bedient. Später arrangiert er die Tracks und legt ein Thema für ein Album fest. ,Ich arbeite immer an einem Album, aber manchmal bin ich mir nicht sicher, wie das Cover oder der Titel aussehen werden", erklärte Grimez. Die Kunst inspiriert oft die übergreifende Botschaft, die sich in kurzen Zwischenspielen aus Vocal-Samples widerspiegelt, die zwischen den Instrumental-Jams eingestreut sind. Das Cover von ,The Beat Zealot" zeigt einen einsamen Abenteurer, der auf einem Berg steht, von dem aus man auf eine ferne Stadt blickt. Ist er auf dem Weg in die Zivilisation, oder flieht er? Das Album liefert keine eindeutigen Antworten, bietet aber reichlich Inspiration für den neugierigen Hörer. Also, dreh die Musik auf und lass deine Fantasie den Rest der Geschichte schreiben. Freu dich auf weitere sofortige Klassiker von Doctor Bionic...

Der neueste Zuwachs im ständig wachsenden Katalog von D.B., ,The Beat Zealot", ist da, um lebenslange Fans von Instrumentalmusik anzusprechen und neue Hörer auf der ganzen Welt zu begeistern. Grimez ist ein Beat-Fanatiker. Geboren und aufgewachsen in Südflorida, ließ er sich von Entertainern und DJs wie Jam Pony Express inspirieren. Als Teenager verbrachte Grimez Stunden auf dem Flohmarkt, blätterte in Katalogen und suchte sich Kassetten für seine Sammlung aus. In den 90ern zog er nach Ohio, wo er sich in das Sampling verliebte und anfing, eigene Musik zu produzieren. Für jede Doctor-Bionic-Platte holt Grimez eine Reihe hoch talentierter Musiker aus der lokalen Szene mit ins Boot. Im Studio wirft die Gruppe Ideen in den Raum und improvisiert, während Grimez das Mischpult bedient. Später arrangiert er die Tracks und legt ein Thema für ein Album fest. ,Ich arbeite immer an einem Album, aber manchmal bin ich mir nicht sicher, wie das Cover oder der Titel aussehen werden", erklärte Grimez. Die Kunst inspiriert oft die übergreifende Botschaft, die sich in kurzen Zwischenspielen aus Vocal-Samples widerspiegelt, die zwischen den Instrumental-Jams eingestreut sind. Das Cover von ,The Beat Zealot" zeigt einen einsamen Abenteurer, der auf einem Berg steht, von dem aus man auf eine ferne Stadt blickt. Ist er auf dem Weg in die Zivilisation, oder flieht er? Das Album liefert keine eindeutigen Antworten, bietet aber reichlich Inspiration für den neugierigen Hörer. Also, dreh die Musik auf und lass deine Fantasie den Rest der Geschichte schreiben. Freu dich auf weitere sofortige Klassiker von Doctor Bionic...

The vibrant genre Eurodance originated in the late Eighties in Europe and combines many elements of rap and rich melodic vocals with strong bass rhythms and cutting-edge synthesizers. The 2LP Eurodance Collected compiles the best hits from Eurodance, including Snap! ""Rhythm Is A Dancer"", Technotronic's worldwide smash ""Pump Up The Jam"", catchy sing-a-long self-titled Captain Jack track, Dutch group Vengaboys' ""Boom, Boom, Boom, Boom!!, Belgium's hit-wonder 2 Unlimited's ""No Limit"" plus 22 other guaranteed dancefloor fillers. Eurodance Collected is available as a limited edition of 2000 copies on pink (LP1) and purple (LP2) coloured vinyl and includes an insert.

Eurodance Collected by Various Artists, released 19 April 2024, includes the following tracks: "Mc Sar & The Real McCoy - It's On You", "La Bouche - Be My Lover", "Vengaboys - Boom, Boom, Boom, Boom!!", "2 Brothers On The 4th Floor - Dreams (Will Come Alive)" and more.

This version of Eurodance Collected comes as a 2xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a pink disc. Another vinyl is pressed as a purple disc.

2026 Repress

Our very first release was a beautiful gem from Red Astaire titled 'Follow Me' - a track that defined GAMM's identity and helped pave the way for everything we've achieved since.
Now, 24 years later, GAMM has reached its landmark 200th release.

To celebrate this anniversary and honoor our dear friend Fredrik Lager (aka Red Astaire), who sadly and unexpectedly passed away three years ago, we are re-releasing 'Follow Me' alongside remixes from some of our favourite producers.

The third and final edition in the 'Follow Me' series comes from Brooklyn's finest, DJ Spinna.
With his trademark hip hop-soul sound, Spinna transforms this classic into a bumpy, park jam tune. Very NY, very uplifting...very much a spring tune. Oh btw, check that classic EWF sample ;)

Following the passing of our dear friend DJ Romain earlier this year, we've spent a long time reflecting on when to share some of the new music he entrusted to Hard Times Records. The incredible response to 2024’s 'The Lost D.A.T.S.' EPs reignited Romain's creative spark at a time when, unbeknownst to many, he was quietly battling serious ill health. After relocating from his beloved New Jersey to Cleveland, the studio once again became his sanctuary, inspiring a remarkable new chapter of music. The 'New Jersey' and ‘Cleveland’ EPs were the first recordings from that period.

Funky Streets completes the first trio of new EPs, but it is also just a glimpse of the wealth of music Romain crafted before his passing. His final studio sessions became an escape from his daily battles, inspiring a remarkable outpouring of new material that he was determined to finish, knowing his beats would continue to warm dancefloors and further cement the legacy of one of house music's true masters.

Opening with the horn-driven swagger of the title track, the EP moves seamlessly into the soulful groove of 'I Like To Boogie' before culminating in the deep, organ-led dancefloor energy of 'This Is Where I Wanna Be’. Romain signs off with 'The Chocolates’ - an uplifting, guitar-laced boogie jam filled with warmth, joy and unmistakable soul.

Beautifully crafted from beginning to end, Funky Streets stands as a lasting testament to DJ Romain's extraordinary talent, timeless musicality, and enduring contribution to House music. His legacy lives on in every groove.

Peppermint Jam Allstars Vol. 7 is here! Featuring some big names in the way of label boss Mousse T. & Birdee, NYC legend Matthias Heilbronn alongside Ibiza royalty DJ Pippi who collabs with Kiko Navarro & Willie Graff. Cassara rounds off the All-Star lineup for Vol 7.

A fresh Various Artists selection built for the dancefloor – bringing together longtime PJ family names and a new face stepping into the mix. Four cuts, one 12", all killer, no filler. House music the Peppermint Jam way.

House is the Religion. The DJ is my Deacon. The Music is my God and James Bangura is cool af.

Genuine, passionate, clear, authentic and real…. He isn’t trying, he just is. And his music is the same. It’s fucking cool. It’s real and authentic and it just is James Bangura. So it’s a real honour to add him to the Shall Not Fade roster; from Techno to Jungle to House and everything between the DC native can extract the true essence of a genre and simultaneously make it his own & pay homage to its roots.

So on Jack Sermon there’s no surprise when he flexes a seemingly generationally inherited knack for all things House (and Techno) and delivers four tracks of raw, real, genuine House music. OG shit.

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‘House is the Religion, and the DJ is my Deacon, but the music is my God” says the Evangelical vocal on title track ‘Jack Sermon’. Never has there been a more aptly named track…This is a jack sermon… an OG inspired Chi town cut channeling early house music’s soulful beginnings delivered with straight up jacking house beat offset with laidback dusty dub chords….. We don;t say this lightly but we’re calling anthem on this one.

‘Scat Pack’ takes a more percussive and drum forward House motif. Thunderous kicks tease techno but this is still house, NY at heart complete with voguing diva vocals . Blown out and choppy we could say ‘this could have been ripped from a late 90’s club recording on a lost tape’ but that would do disservice to the precise but invisible fusion that's been laid down here..

‘Funk To Berlin’ opens the flip side and in Bangura’s journey to explore classic forms of house and techno, this track may well have taken root from Dub techno pioneers from the past. Deep dub chords and deeper subs lead the track but that jacking percussion makes this more than homage. Machine Funk, Machine soul. AA side business.

‘The Green Line’ closes out the EP in style.. rolling it out with skittering synths that work like percussion, ethereal pads and a faint vocal ‘Chicago’ spiralling into itself making this track one you can get lost in. Some might argue that this one is techno but who cares. It’s the journey not the destination. Two tickets please.

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If you don’t know James Bangura’s music already (or even if you do) do some digging.. Look for releases on Mister Saturday Night, K7! and Floorspeed and check his output as part of “Black Rave Culture” with Amal and Nativesun and as a member of Groovedeep with Toronto’s Ciel and fellow DC native Jackson Ryland.

To close, we’ll leave you with this note from James……. told he is cool af.

House music, to me, exists on a wide spectrum. I’m inspired by its many forms: stripped-back minimalism, percussive drive, hypnotic textures, and soulful undertones. Rather than confining myself to one approach, I treat each track as an exploration—testing structure, pushing rhythm, and allowing subtle details to carry emotional weight. The studio becomes a space where groove and atmosphere meet intention. This body of work highlights that process. It reflects how I balance technical precision with feel, tension with release, and tradition with forward motion. Every decision—from drum programming to spatial design—is part of shaping a sound that feels honest and instinctive. - James Bangura

ome songs are simply too good to leave alone.

Original Gravity Records returns with a fresh take on one of the most enduring songs in Jamaican music as Donnoya Drake breathes new life into "You Don't Love Me (No No No)."

The song's remarkable journey begins with Bo Diddley's 1955 recording "She's Fine, She's Mine," before evolving into Willie Cobbs' blues classic "You Don't Love Me." It was then embraced in Jamaica, where it became a foundation stone of the island's musical heritage through Dawn Penn's original Studio One recording.

Rather than recreating any single version, Donnoya Drake's recording draws together the defining moments in the song's evolution. The unmistakable Bo Diddley-inspired riff, popularised by Willie Cobbs, is reimagined by the horn section, while the middle eight pays tribute to Dawn Penn's original Jamaican arrangement. The result is an infectious ska recording that honours every chapter of the song's evolution while bringing a fresh energy of its own.

On the flip, Prince Alphonso & The Fever present "You Don't Love Me Pt.2", an instrumental version that proved far too good to keep in the vault. Stripping away the vocals allows the arrangement to shine in its own right, creating the kind of infectious ska instrumental that selectors and DJs are always searching for.

Produced by Original Gravity Records founder Neil Anderson, the single continues the label's tradition of creating new recordings inspired by the golden era of Jamaican music—not as museum pieces, but as vibrant records made for today's dancefloors. Respectful of the past while unmistakably original, this is another release that bridges the gap between vintage authenticity and fresh interpretation.

2026 Repress

***
He strode towards a long drink.
Running in the gutter,
scanning patterns.
Skin staring, stirring unbelief.
Scarred metal faces
on the iron streets,
spitting blood.
***

Early support by: Luke Slater, Tommy Four Seven, Dave Clarke, Marcel Dettmann, Chris Liebing, Ben Klock, Oscar Mulero, Speedy J, Len Faki, Shifted, Psyk, Pfirter, Objekt, James Ruskin, Sigha, Myler, Stanislav Tolkachev, Rebekah, Par Grindvik, Max M, Gary Beck, Dave Tarrida, Kike Pravda, Samuli Kemppi, Happa, DVS1, Joseph Capriati, Juho Kusti, Cassegrain, Kwartz, Clouds, Pacou, Octave, Stranger, Ansome, Black Asteroid, Hector Oaks, DJ Hyperactive, Christian Wunsch, Endlec, Kriz, Paula Temple, Exium, AnD, Joe Farr, Martyn Hare, Eomac, Dimi Angelis, Norman Nodge, Xhin, Dax J, Wire, Drvg Cvltvre, Sawf, Jamie Bissmire, Paul Mac, Inigo Kennedy, D. Carbone, J. Tijn, CTRLS, The Noisemaker, Jeroen Search, Dustin Zahn, Svreca, Unbalance, Truncate, Jeff Derringer, Jonas Kopp, Developer, 3.14..

Following the success of their debut label release, Antwerp’s finest duo, Bobby & Djenko, return to Flipsight with their highly anticipated 'Burning Up' EP. It marks the beginning of an exciting new chapter for the duo, whose fast-paced momentum and global DJ support show absolutely no signs of slowing down. This is summer house to the fullest extent: Guitars, piano, trumpets, conga’s and catchy vocals. The 4-track vinyl package has it all! It is an absolute showcase of their mix of high-energy festival/club sound and pure beach material. Catch them live while they are burning hot!

This has been a very personal project and a mammoth undertaking for us folks here PACE HQ: 12 tracks unearthed from the cult Scottish figure’s completely overlooked back catalogue. Collected archive material from the past 25 years, originally composed as an OST for the feature length film The Flesher (1992) which was also written, shot and directed by Rae. No copies remain. Deep cuts that span G-funk, hip-hop, house, synth-pop, electro, dub, downtempo, funk/soul, R’n’B with appearances from Rae’s heavyweight list of frequent collaborators… Bernie Worrell, Adrian Sherwood and Jimmy Douglass.

"In 1991, the Scottish Rugby Union & the Royal Bank of Scotland, commissioned me tae make the world's first Scotland World Cup music video... they didn’t pay me so I fought back. It took 18 years tae win, and I nearly lost everything. I turned to audio visual art: under the pseudonym Jock Pleasure - I wrote and directed a feature length film called The Flesher as well as creating 100s of full length DVDs and tracks” (Jesse Rae).

One man took on the banks and won, but it took its toll and in this totemic corpus of work Jesse Rae counts the cost. The Flesher is art as pure defiance: “this stuff is very dark and deep, it is such a vast body o’ work, but when I won my battle against the bank, I secretly returned tae Hodge Close (in the Scottish borders) and dropped the entire work sealed in stone intae the deep deep murky depths of that water, where it has remained since 2009. There are no mair copies."

What we have here then is the salvaged remains. A hopeful dunt of Scottish erotica that gets you right in the pits.

Splice DJ Screw with Dean Blunt, Moodymann, Prince, Cocteau Twins, MF DOOM, Luther Van fuckin’ Dross, Barry fuckin’ White; run that through the B-movie videotape static meets Harmony Korine, Les Blank & early Grand Theft Auto. Empty boulevards. Small-town strip joints. Late-night dial-up. Sacrifice and solace. Outside of the OST, there’s a cast of forgotten characters: primary school kids making house jams, teenage popstars from the Scottish Borders, and the rhapsodic Ayrshire soprano NIKA laying down haunting vocals in Miami.

Celebrated as a cult figure in the USA, Jesse’s work has never fully had the appreciation it deserves at home. Not really. Aye, we know Inside Out and The Thistle. But he’s too easily fobbed off as an eccentric outsider: a helmet-wearing, claymore-wielding gimmick. But do we really know the extent of what this man has done - and gone through - for the sake of art?

The Mighty Diamonds are one of the most famous vocal groups to come out of the Jamaican Reggae scene.
Their perfect harmonies ride over the wholesome and Garveyite influenced lyrics to such great effect that they will always evoke memories of that time and place, but also like all great music never seems to date.

The Mighty Diamonds consist of Donald ‘Tappy’ Shaw (lead vocals) Fitzroy ‘Bunny’ Simpson and Lloyd ‘Judge’ Ferguson providing those fantastic harmonies.
They began their recording career working with producers Stranger Cole and Rupie Edwards but found their breakthrough success with producer Joseph ‘Joe Joe’ Hookim at the legendary Channel One Studios recording ‘Hey Girl’ and covering two foreign tunes namely ‘Country Living’ (The Stylistics) and ‘Stoned Out of Mind’ (The Chi-lites) which suited their vocal styles perfectly.

The vocal group also cut tracks with other famous producers of the time Joe Gibbs ,Gussie Clarke and Mr.Tappa Zukie of which we focus this release on.On listening, these tunes work perfectly with harmonies weaving together and lifting the songs to another level.
The group also leave some room for a history lesson in the shape of ‘Morgan the Pirate’ and the thought provoking ‘Do You Want to Spend Your Time Wasting Time’.
Well waste no more and enjoy this set by one of Jamaica’s finest vocal groups….

The wait is over! Superfett Supersound Selection is back and ready to unleash the next wave of club anthems with VOL. 6.
This explosive 4-track sampler is packed with massive bangers that are sure to ignite dance floors everywhere. Get ready for an unforgettable ride!


1. N-YOU-UP, John Bowtie (France) - DIS MTF
This dynamic duo brings their signature sound to the forefront, combining infectious beats with electrifying energy that sets the stage ablaze.
Known for his infectious grooves and captivating melodies, John Bowtie delivers a track that elevates the dance floor experience with every pulse of the beat.

3. Folkness (Poland)
The Polish superstar producer has crafted an undeniable anthem that showcases his mastery of house music. Expect driving rhythms and explosive drops that will keep you moving all night long.

4. Amedeo Picone (Italy)
A rising star in the scene with releases at Snatch, Jospeh Capriati´s Metamorfosi - Amedeo Picone brings a fresh perspective with his distinctive sound, expertly blending bass-heavy lines and infectious hooks that demand attention.

5. **KPD** (Spain)
KPD rounds out the lineup with a high-energy track that’s guaranteed to make an impact, blending elements of tech and house for an unforgettable dance floor experience.

Superfett Supersound Selection VOL. 6 is all about delivering no fillers, only bangers. Each track is carefully curated to ensure maximum dance floor damage, making this a must-have for DJs and partygoers alike.


Played and loved by Carl Cox, Adriatique, Jamie Jones, Riva Starr, Amine Edge, Steve Lawler, Nic Fanciulli, Chicks Luv Us and many more...