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Originally released on Axis records! This story takes place around the year 3216, in which space travel is something completely contemporary. Humanity is going too far in pushing Mother Nature's boundaries, and now the planet is in danger. Only one person is capable of saving Earth from destruction. Our protagonist travels to other planets to see if there is anything that can aid him in calling the downfall of our home world to a halt. The fragments on this disc are actually snapshots, made in between traveling, amid the rushing realization that a resolution to save the planet must be found. Quickly. DJ Surgeles has a longstanding professional relationship with Detroit legend Jeff Mills. Connected through music, DJ Surgeles learned the insides and tricks of Jeff. Many conversations and meetings over the years led to this new concept, The Escape Velocity. DJ Surgeles has also collaborated exclusively with Jeff Mills on the concepts Something in The Sky and STRMRKD, and produced a special Axis Records 10 year anniversary release, The Bells: DJ Mix back in 2007. I wanna thank Jeff Mills for making this album happen.

Originally released on Axis records. Moonlight Serenade Year 3036, the Third Empire of Human spans hundreds of star systems, only accessible by a faster-than-light spaceship. No other intelligent beings have ever been encountered, not until a light sail probe enters a human system carrying a dead alien. The probe is traced to the Ursea, an isolated star system in a thick dust cloud, and an expedition is dispatched. After a search that lasted thousands of years, humans stand on the verge of first contact with an alien race. The mission's objective: learn everything there is to know about the extraterrestrial intelligence. DJ Surgeles has a longstanding professional relationship with Detroit legend Jeff Mills. Connected through music, DJ Surgeles learned the insides and tricks of Jeff. Many conversations and meetings over the years led to this new concept, The Escape Velocity. DJ Surgeles has also collaborated exclusively with Jeff Mills on the concepts Something in The Sky and STRMRKD, and produced a special Axis Records 10 year anniversary release, The Bells: DJ Mix back in 2007. I wanna thank Jeff Mills for making this album happen.

Secretsundaze are proud to announce the second 12' in the Dance 2017 series. The EP is once again a 3 tracker this time featuring the highly-promising emerging talents of DJ Slyngshot, Bastien Carrara and Jayson Wynters. DJ Slyngshot hailing from Offenbach near Frankfurt has had tongues wagging with three hot 12s on his own imprint Yappin Records and received club and radio play by the likes of Omar S, Floating Points, Ben UFO and Jon Rust. His contribution to the A side of Dance 2017 Part 2 sees him on fine form with the devastating rhythm of 'Hygh-Tech'. Kicking off with a rough and ready groove the hook is a gnarly nagging synth line that will worm its way into your brain. Add a sampled wailing diva and some more jazzy interludes and you have a festival-ready high grade bomb on your hands! On the flip steps up France's Bastien Carrara. His dusty jams on the likes of Rawthenticity and Funkineven's Apron imprint caught our attention and we roped him in for a track. Here he presents the charming, breezy and breaky 'That Time Again'. Warm, atmospheric and groovy this is definitely one for long summer nights ahead. Last up Jayson Wynters represents the UK! Jayson made his debut on none other than Mr G's Phoenix G. imprint with the sub-aquatic 'Unfamiliar Territories' EP. He is an amazing DJ and selector able to play house / techno sets and also jazz, boogie, disco and funk sets where required at the likes of Brilliant Corners. 'Chi Kung' is a bubbling, mystical percussive number with hand played drums and a perfect closer to the EP.

Life In Patterns welcomes Uncertain for his first appearance on the label with “Defeat”, a five-track EP bringing together five warehouse-focused techno tracks, moving between darker industrial tones and the classic rave influences that have long been part of his sound. “Defeat” will release on vinyl and digital formats on 16 October 2026. Across the EP, Uncertain explores a broad range of peak-time energy. “Anxiety” and “Dismiss” take a darker route, built around tense atmospheres, heavy percussion, and industrial textures, while the remaining tracks introduce classic rave chords and a more open, melodic character. Despite the differences in tone, the five tracks share the same directness and focus, designed with the dance floor firmly in mind. Uncertain, formerly known as Boriqua Tribez, has been active in electronic music since 1989. Over the past two decades, he has released and remixed more than 50 tracks for labels including KMS, Recycled Loops, and Ingoma, before starting a new chapter under the Uncertain name in 2018. Since then, his more frantic approach to techno has found a home on labels such as Rekids, Symbolism, Beard Man, H-Productions, WRKTRX, ANAOH, Illegal Alien, Mind Medizin, Intec, and Uncage. Alongside his productions, Uncertain is an experienced DJ known for fast, precise three-deck sets, with international performances and support from artists including Ben Sims, Radio Slave, Truncate, Mark Broom, Carl Cox, Blasha & Allatt, Chris Liebing, Richie Hawtin, Luke Slater, DJ Rush, DJ Bone, and others. With “Defeat”, Uncertain makes his Life In Patterns debut with a focused collection of five techno tracks — from dark industrial pressure to classic rave energy, all built for the warehouse.

DJ Support: Dj Harvey, Bicep, TEED, Sarah Story, Joe Goddard, Make A Dance, Dj Subaru, Demi Requismo, Horsemeat Disco, Greg Wilson, Crazy P, Justin Strauss, Sean Johnston (ALFOS), Masilmiliano Pagliara, Red Rack’em Jordan Nocturne , Gina Breeze, Heidi Lawden, Eugene Whang, Neil Diablo, Gina Breeze, Marcel Vogel.

After a mysterious hiatus, one of The essential edit labels of the 2010’s has returned just as inexplicably as it disappeared..

The previous 4 volumes now change hands with private collectors for $$ .. These limited run edits will no doubt sell out in similar fashion..

The A side see’s the most dance floor oriented but often over looked track from Bjork’s album Debut receive the DJ edit it always needed . A2 a unique rework of a very rare nrg record that started out like as Aerobics accompaniment album..

On the Flip B1 take Turn toward the Funk , PBR giving the heavy dub treatment to one of The Whispers most criminally ignored tracks. Rounding things off the B2 drifts into the work of wonky, sleazy Italo.. Magari uses the little understood “wrong speed” technique to sublime effect, combined with some extra synth work it delivers a an entirely different track…one for the heads..

The fifteenth release of Barro comes with an exclusive: behind the Transylvanian mask of Orlok 101 lies Nöle himself, the boss of the label.

Remember that he used this vampiric AKA to kick off Barro—his The End Of The Beginning being the first release, published in late 2018. That same year, his techno-industrial sound—packed with references from the famous work of Bram Stoker and nightmare atmospheres—helped launch another label: Soil, the Valencia-based imprint, with a project that included a suitably fitting remix of The Horrorist. The following year, he released an EP with five original tracks, titled Runaway, while also “spreading blood” on Antikhrist Visions Vol I alongside his Industrias Mekanikas comrades.

His dark influence has been felt across Barro’s catalogue, whether through his own tracks or remixes—sinking his teeth into artists like The Hacker (under his real name, Amato) or Nebula Circuit. In 2025, Orlok made his debut on Aspecto Humano with a powerful EP, equally gritty and dark. In Barro, we’ve recently had Nöle—the most techno side of Imanol Pagola—with the EPs Electro Bloody Music and Demencial Chico Aceleradom, two great showcases of his ability to keep us dancing nonstop, following the popular Mendekua, released by Xtraperlo.

For Barro 15, the two sides of the producer and DJ come together on this EP, titled Sex With a Cop—four tracks released on vinyl and digitally, plus an alternate version of the final composition as a bonus track.

Nöle's knowledge of the dancefloor and Orlok 101's ability to create atmospheres that will give you goosebumps come together on this EP to create an explosive mix.

Sex With a Cop starts with Hilerri, a techno EBM track where Orlok provides repetitive, screeching sounds and a ghostly melody, while Nöle adds incisive synths and a catchy, addictive vocal sample that warns you of the danger of the material you’re listening to. Orlok then takes over with his industrial and metallic sonorities on the next track, Amets Fabrika, although Nöle’s influence still comes through with his powerful bass and addictive synth lines. A stifled scream and a production packed with a thousand details create an unsettling atmosphere that will surprise you on the dancefloor.

The flip side begins with No Voy A Quedar Con Nadie, a track closer to Nöle’s technooid world. Even with its unsettling opening, it doesn’t take long to turn into a danceable bomb, with that dark touch typical of the Navarro producer.

Surprisingly, he saves the best for last: Harina de Huesos Humanos is one of the most interesting tracks created by Imanol Pagoda, and we can hear it in two versions, one as a bonus track. Thanks to complex production full of details and sounds that come and go, a punchy, hard as granite kick drum, and a carefully crafted industrial atmosphere, it all ends up being the perfect union between the two sonic worlds. A spectacular finale for the label’s fifteenth release.

Radiant, spring-loaded and alive with movement, Lab Boogie sees Jupiter’s Depth go full dancefloor as Vienna-based Nizar Sarakbi makes his first appearance on the label.

The A-side cuts a brighter path through house, with rolling low-end, dubby flashes and percussion flickering from every angle. Across the B-side, the groove turns techier and the mood slightly darker, before Bella Sarris closes the record with a warped, off-centre take on “Angel Dust”.

Ukrainian-born and now based in Vienna, Nizar follows releases on Outdom and Naked Groove Records, including the recent *Truth Seekers* EP alongside COZi. The record is already picking up support from label favourites Julian Anthony, Christopher Ledger, Roza Terenzi, Eoin DJ and Jennifer Cardini.

UK techno lynchpin James Ruskin celebrates 30 years of Blueprint with a remastered edition of his 'Further Design' LP, releasing 4th September 2026. Founded by Ruskin and Richard Polson in 1996, the infl uential label has spent three decades documenting uncompromising techno through releases from the likes of Rommek, Kr!z, Truncate, and many more, with 'Further Design' originally landing in 1998. The anniversary celebrations have already seen Mark Broom revisit seminal Regis recordings on the 'Power Is Neutral' EP, with further releases from Kerrie, Nastia, and more to follow, alongside a merchandise run later this year.

James Ruskin has been a constant presence in techno for over three decades. He defi ned the sound of British techno through his DJ sets, productions, and the releases on his infl uential Blueprint label. His stripped-back, functional, and forward-thinking sound has remained utterly uncompromising, with performances at clubs and festivals around the world while never straying from underground ideals. Substance over trends has always been his MO, through a catalogue spanning Blueprint, Tresor, and numerous collaborations that remain timeless.

The purposeful titles of the tracks on this essential album hint at the minimalist approach to sound. This is bold, linear techno with 'Enter', 'Below', and 'Indirect World' kicking off with rolling low ends and smart sound designs that even now sound futuristic. The likes of 'The Divide' bring spangled synths and crunchy percussive textures that jerk you into motion, while 'Time And Place' is an immersive cosmic odyssey and 'Unknown Destination' melts the mind with liquid synth work that loops around hypotonic rhythms. 'Work' is another perfectly calibrated cut with meticulous percussive placement and the shimmering of bells that dissolve space and time.

It is testament to Ruskin's original vision that 'Further Design' remains as evocative today as it was upon its release, full of otherworldly imagery and grooves that continue to move dance fl oors around the world.

Mit der „TECHNO CLUB CLASSIX VOL. 1 - VINYL EDITION“ erscheint erstmals eine Vinyl-Ausgabe der beliebten Technoclub Classix-Reihe. Welche Tracks auf die farbige Doppel-LP kommen, haben die Technoclub-Fans selbst
entschieden: In einer Umfrage konnten sie für ihre Favoriten abstimmen. Das Ergebnis sind 13 Trance-Klassiker aus einer Zeit, die den Sound des Technoclubs bis heute prägt.

Mit dabei sind Chicane mit „Saltwater“, Nikolai mit „Ready To Flow“, The Thrillseekers mit „Synaesthesia“ und Veracocha mit „Carte Blanche“. Dazu kommen weitere bekannte TranceTracks in ausgewählten Maxi-Versionen und Remixen, unter anderem von Talla 2XLC, DJ Quicksilver und Rank 1. „TECHNO CLUB CLASSIX VOL. 1 - VINYL EDITION“ bringt die von den Fans gewählten Technoclub-Favoriten gemeinsam auf Doppel-Vinyl - für alle, die diese Trance-Klassiker damals gefeiert haben und heute noch feiern

Riviera Records presents an uncompromising clash of sounds from all over the globe. 5 tracks from the likes of Lewis Taylor, DJ Pacifier, Cult, Lil Na$$ty, DJ RaDa & X-Coast spanning from house, techno, trap to experimental rave.

LP w Silver foil print sleeve + Hype Sticker)

Revisiting the sound and spirit of Jazzy Sport, rooted in Japan and carried forward by a new generation. Compiled by Nina Yamada, featuring Cro-Magnon and Grooveman Spot, with remixes by DJ Mitsu the Beats and Idjut Boys.

Founded in 2002, Jazzy Sport emerged at a particularly fertile moment in Japanese music. Beginning as an independent label and record shop, with its first store in Morioka and Jazzy Sport Music Shop Tokyo opening in Shibuya the following year, it became a home for artists including GAGLE, DJ Mitsu the Beats, Cro-Magnon and Grooveman Spot. Its releases moved freely between hip-hop, house, jazz, broken beat and live musicianship, helping define a distinctly Japanese strain of open-minded club culture.

But the music was only the beginning. Jazzy Sport developed into a network of record shops across Japan, alongside its label and distribution work, apparel and design, dance studios, and a Morioka record shop joined to a bouldering gym. These were not unrelated side projects. They expressed the same founding idea: that music, sport and everyday life could come together to create community.

PAST FORWARD: SILVER marks the first release on the Jazzy Sport London label, distributed by Time Capsule. Established in 2022, the London project first took shape through parties, radio shows and community collaborations connecting Japan and the UK. This compilation carries the Jazzy Sport archive and its values forward through a new generation.

At the centre is Nina Yamada, the daughter of one of Jazzy Sport’s core members. She grew up within the community that shaped the collective, and her selection is not a conventional greatest-hits survey, but an inside view of the catalogue and an intergenerational handover made audible.

The music moves naturally between hip-hop and house, electronic production and live performance. That openness has always been central to Jazzy Sport, where club music, musicianship and community are part of the same conversation rather than separate scenes.

DJ Mitsu the Beats’ remix of Cro-Magnon’s “Eclipse” brings the refined, soulful depth that makes him such an important figure in Japanese beat music. Idjut Boys’ deep, dubwise Cro-Magnon rework reflects the long exchange between Japan and the UK, while Grooveman Spot’s “Do The Dance” finds a sweet spot between acid-tinged 808 groove and warm soulfulness.

Elsewhere, Nubian Lady’s “In☆Flu☆Enza” draws on Detroit techno and Chicago house but sharpens those influences into something lean and distinctive. Physical Sound Sport’s “Magical Kalimba” captures the communal energy and openness of a live session. Bottom Fly’s “Rhyme Or Reason,” rooted in Morioka, pairs rough-edged beats with mellow samples and a quiet sense of nostalgia.

What comes through is not only the strength of the individual tracks, but the sensibility that connects them. That keeps PAST FORWARD: SILVER from feeling like a nostalgic best-of. For longtime followers, it offers rediscovery; for new listeners, a way into the breadth of Jazzy Sport; and for DJs, a selection made for the record bag, not just the archive.

Iconic Dutch techno pioneer Stefan Robbers returns to De:tuned with Nodes, a mesmerizing new 8-track album under his legendary Terrace alias. Serving as the sixth Terrace LP and the highly anticipated follow-up to 2025's Branches, Nodes further refines Stefan's signature blend of Detroit-inspired futurism and warm, dub-infused textures. Drawing on decades of studio experience, he delivers another finely balanced collection of expertly produced techno, enriched with warmth, groove and precision. Stefan's relationship with De:tuned spans many years and reflects a shared passion for timeless electronic music. From his acclaimed Phosphenes EP (2017) and his memorable remix of LA Synthesis - Agraphobia, to standout appearances on label compilations such as 10 Years of De:tuned with Estrings, Terrace has remained an integral part of the label's catalogue. Nodes is the latest chapter in that enduring collaboration. Rich in detail, depth and emotion, Nodes once again demonstrates why Terrace remains one of the most respected and enduring names in Dutch techno. The creative heartbeat of Eindhoven is still beating stronger than ever. Artwork has once again been created by Al White and Kevin Foakes (Openmind, DJ Food, Ninja Tune), while mastering duties were handled by Matt Colton at Metropolis. A separate digital edition will also be available through all major digital platforms.

Iconic Dutch techno pioneer Stefan Robbers returns to De:tuned with Nodes, a mesmerizing new 8-track album under his legendary Terrace alias. Serving as the sixth Terrace LP and the highly anticipated follow-up to 2025's Branches, Nodes further refines Stefan's signature blend of Detroit-inspired futurism and warm, dub-infused textures. Drawing on decades of studio experience, he delivers another finely balanced collection of expertly produced techno, enriched with warmth, groove and precision. Stefan's relationship with De:tuned spans many years and reflects a shared passion for timeless electronic music. From his acclaimed Phosphenes EP (2017) and his memorable remix of LA Synthesis - Agraphobia, to standout appearances on label compilations such as 10 Years of De:tuned with Estrings, Terrace has remained an integral part of the label's catalogue. Nodes is the latest chapter in that enduring collaboration. Rich in detail, depth and emotion, Nodes once again demonstrates why Terrace remains one of the most respected and enduring names in Dutch techno. The creative heartbeat of Eindhoven is still beating stronger than ever. Artwork has once again been created by Al White and Kevin Foakes (Openmind, DJ Food, Ninja Tune), while mastering duties were handled by Matt Colton at Metropolis. A separate digital edition will also be available through all major digital platforms.

"Cloud Collision" is the first transmission of Open Water and also the debut from it's founder - Berlin DJ and producer OTEE. Born and raised in the city, he has spent a long stretch in and around its club environments and in the studio, absorbing the way techno functions on Berlins dancefloors before committing to a record of his own. In his productions, he likes to build from rhythm first. His techno is hypnotic in the truest sense — drum-driven and loop-led, powered by groove and atmospherics, chasing movement over spectacle but always with an eye on the occasional melodic line. The 5-track EP runs on rhythm and space — hypnotic, loop-led techno built on power, movement and emotion. Five tracks that push from dream to pressure to flight and back to earth, restrained and physical throughout, made for the deep end of the floor.

2026 Repress

Donato Basile AKA DJ Plant Texture always wants his music to tell a story, and with his debut EP on Tresor Records, entitled Life, he’s now trying to tell the biggest story there is. According to the artist, “Life is about the fear of growing up”; both the anxiety itself and acknowledging and moving past it.
This narrative seems to have struck a chord with those who have heard the track, “People want to reflect themselves in the music; something personal. Lots of people have been in touch after hearing it; I guess they feel something melancholic in it. Personally, I imagine the track is like the life of a person; going from being born through childhood and youth and onwards, so perhaps they hear this?”
Having used an MPC since the early 2000s, Basile feels an intuitive connection to the hardware he uses, and so the creative process is very spontaneous: “I know where everything is so the music is made immediately. I make everything in the first ten minutes; after that if it’s not right then I just abandon it and start something else.” This immediacy, and familiarity with his equipment is apparent on the A-side, where Basile’s previous life as a drummer comes to the fore and tracks like Cycles and Ripetivo display his native understanding of groove but also how to stir things up - the three A-side tracks find classic techno rhythms seemingly falling apart only to snap back into place even stronger. The B-side finds Donato exploring more of his melodic side with WTT and the aforementioned title track showing Plant Texture’s love of breakbeat and classic techno.
The three digital bonus tracks continue this exploration of melody and syncopated beats - The EXP Days echos the wistful feeling of Life, as Basile meditates on the times spent at EXP, his record shop in Bari, which functioned as a meeting place for electronic producers in the area.

The “Kisses at Midnight” remix is an explosion of pure energy, designed for those who experience music directly on their skin. The track stands out for its rich sound design of open, sharp, and percussive sounds, capable of filling the room and creating a magnetic atmosphere from the very first seconds—thanks in no small part to the high-quality original sounds that define its sonic texture.

The real driving force of the track is its driving, arpeggiated rhythm: a continuous, hypnotic flow that doesn’t let you go for a single second, sweeping the listener into a non-stop journey from start to finish.

A physical and overwhelming track that hits you straight in the chest, giving no respite to anyone who wants to feel like an active part of the dancefloor.

– INCOGNITO

There are sounds that transcend time, capable of evoking entire worlds without needing any introduction. “Incognito” is exactly that: a visceral and modern tribute to the golden years of Italian progressive techno—an era that rewrote the rules of global clubbing.

The beating heart of the track lies in its hypnotic power. From the very first beats, you are captured by a perfect interplay of tight percussive rhythms and magnetic arpeggios, elements engineered to lock the listener to the groove and never let go. It is a continuous evolution, a sonic flow that destabilizes and fascinates, carrying us on a unique, mental journey.

Angelo Bass is an Italian DJ and producer known for his seamless blend of sophisticated electronica, house, and techno. After rising as a resident for the Push collective, he has graced the decks of top-tier clubs like Cocoricò, Sankeys Ibiza, and Veniceberg Verona. His production footprint is equally strong, featuring the highly supported “Drawn to the Floor EP” (Trend Records), his latest “Raw Luv EP” (Sengiley Wax), and key releases on Less Is More and Blackboard. Currently based in Ibiza, Angelo balances international club gigs with his role as an instructor at Accademia Italiana DJ.

After almost twenty years of releasing music, Sven Tasnadi finds himself circling back to some of the sounds that first drew him into house music. Explorer was written at home following a longer break from producing and after moving out of his studio, a change of setting that coincided with a shift in priorities. "The tracks on this EP came together at home after a longer break from music and after I moved out of my studio," he explains. "Musically they are very deep and minimal, at times almost meditative. They were inspired by a new chapter in my life as well as my never-ending love and connection to artists like Lawrence from Smallville and Frank & Tony from Scissor and Thread."
That sense of returning to something runs through the whole record. For much of Tasnadi's career, producing and DJing were closely connected, with many releases naturally shaped by the club. Things have changed. "DJing is no longer my main focus, so I can dedicate myself to these deep and minimal sounds again, free from pressure or expectations," he says. "In a way, after almost twenty years of releasing music, things have come full circle for me."
"Atlas (Chapter 1)" and "Atlas (Chapter 2)" grew from the same initial idea but followed separate paths during production. Chapter 2 came first, while Chapter 1 emerged later from a variation Tasnadi discovered while the track was still essentially a loop. "I was still looking for the right theme for the original idea when another version suddenly opened up," he recalls. He saved that variation for later so he could stay focused on the first version. When he returned to it, the two had developed distinct enough identities to stand independently. Their shared DNA is still audible in the restrained rhythms, slowly shifting details and the way small changes carry much of the movement.
The title track moves further into dub techno, another longstanding passion for Tasnadi. "Explorer is almost a classic dub techno track," he says. "Subtle movements within a constantly repeating pattern create a particular atmosphere. It feels like the track could just keep going forever." It is a patient approach to repetition that he connects to artists such as Moritz von Oswald and his friend Daniel Stefanik.
"Megasektor", one of the first tracks Tasnadi made at home with a new equipment setup, brings the EP into deep house territory. "To me it's almost classic deep house, or at least how I define deep house for myself." Warm, compact and gently propulsive, it provides a natural closing point for a record that is ultimately less about changing direction than reconnecting with an instinct that has always been there.
Explorer captures Tasnadi at a point where making music has become more personal again. The four tracks come from following ideas for their own sake and from rediscovering the deeper, more minimal sounds that have stayed with him throughout his career.

Armoonia is the work of Armooniaman, also known as Lele DJ, together with Mattia Fabbri. It sits between tech house and acid house, and it keeps everything smooth. The grooves are easy and fine, nothing pushes hard, everything rolls. Travel at 6 am and Botta open the first side, Bass again and Temperament follow on the second. The record moves from tech house toward acid house without breaking its flow. On a floor that means a steady, groovin line that lets the room settle in rather than forcing it. Four tracks, one mood, and a smooth way to keep a night moving.

Riviera Records presents XTC002: The Atlantic Connection with non-stop flights to X-Coast from Ireland, UK and USA.

The first route offers a very intuitive bass and breakbeat driven ride with a Tama Gucci signature, sensual vocals cutting through the airspace. The second journey is flying over (hard) house territory
with DJ Torture serving the snacks.

The B side we have a UK to X-Coast red eye flight with a trance edge courtesy of Capt. Ejeca. B2 is the only supersonic flight offered at this time navigated by Tommy Holohan: a shuffled up Reese bass powered techno from Ireland to X-Coast in just 4 minutes and 57 seconds - buckle up.

Attention: BPM changes at short notice!

American DJ, producer, and Ovum label boss Josh Wink remixes Chris Liebing's 'Eye C' via CLR on 25th September 2026, one of the standout tracks from Liebing's first fully solo-produced LP, 'Evolver', which landed in March. The album featured collaborations with the likes of Luke Slater, Charlotte de Witte, and Daniel Miller, with Josh Wink the latest to rework material from the project. The Philadelphian is an electronic music veteran who has shaped countless releases on his own Ovum, while also remixing the likes of Depeche Mode, Moby, and Radiohead.

Josh Wink showcases his production skills once again with a blistering take on Chris Liebing's 'Eye C', rewriting it with fizzing synth modulations and prickly acid lines. The track grows in intensity as rumbling drums march on, and the synths become ever wilder before pulling back into a deep, atmospheric groove, rebuilding beneath the menacing vocals and icy, incendiary hi-hats.

The original version of Chris Liebing's 'Eye C' is a deep, rolling techno masterclass with pulsing synths and deft percussion peeling away from the groove. It's linear and heady, perfect for the small hours, with unsettling vocal fragments refracted around the mix and subtle hypnotism floating overhead as the drums grow ever harder.

2026 Repress!

OFF / GRID makes a captivating debut on Life In Patterns with his 'Sonic Spectrum' EP. Previously recognized as an underground gem in the techno scene due to his acclaimed, self-released EP, 'Time To Shine,' the Hamburg-based producer has garnered significant attention in 2023 with EP releases on labels like Planet Rhythm, Uncage, DifferentSound, and Entourage Concept.

On LIP009, he presents four meticulously crafted vinyl tracks and a digital bonus track, each a testament to his remarkable talent for creating hard-hitting, euphoric DJ tools. His music is distinguished by cutting stabs, hypnotic acid lines, and a distinct dub influence, all seamlessly woven together with powerful drum sounds.

Renowned London producer, DJ, and Apron Records founder Steven Julien taps into his alter-ego with his new album, 808 PRINCE out 16th October.

Written and produced around iconic drum machines, 808 Prince embraces raw drum programming,
analogue textures, and bass-heavy compositions.The record moves fluidly between peak-time club energy and experimental rhythm studies, exploring the shared languages of techno, house, acid house, grime, and electro. Rather than looking back, the album reimagines the influence of the 808 through Julien’s distinct production style, creating a body of work that is both timeless and forward-looking.

The album features a strong lineup of collaborators, including James Massiah, J. Caesar, Jarren, Touch Sensitive, and KIAH, expanding Julien’s sonic universe while remaining anchored in pure groove and movement. More than an album, 808 PRINCE marks a new chapter in Steven Julien’s artistic practice, bringing together decades of club music influence, hands-on studio craftsmanship, and a lifelong fascination with rhythm into a singular statement designed for dance floors worldwide.

For more than two decades, Vidmantas ?epkauskas has occupied a singular position within European underground culture. As the driving force behind Opium Club and gallery 1986 in Vilnius, founder of Ant Bangos, Alfavilnius and OLE festivals, curator, label owner, promoter, DJ and artist, he has spent much of his life creating the conditions for other people's music to be heard.
It makes sense then that he has no shortage of friends and collaborators in play. Across ten tracks, V presents shades of Italo, krautrock, post-punk, minimal synth, industrial pop and neon-noir romanticism, arriving somewhere between the dancefloor and a dream-state. The cast of collaborators both contextualize and help sharpen the vision.
First and foremost, much of the album was crafted alongside Frankfurt's Philipp Lauer, whose friendship with V grew through marathon studio sessions. Curses lends his unmistakable blend of dark romance and theatrical energy to "Is This What You Want?", Australian cosmic journeyman Dreems joins for the kaleidoscopic "Blitz Disc," Domenique Dumont brings their unmistakable emotive touch to "Avventura," while Lithuanian artists Noyus and Ruta MUR, both distinctive voices from the country's queer scene, whose vocals add another dimension to the record's emotional palette. As V puts it, "These are the people I've been vibing with."
That he finally delivers a full-length LP with such elusive qualities is more than a clue to his character. The title itself, a nod to Magritte's famous paradox and his years living in Brussels, suggests that any attempt to define V through a single image is destined to fail. At once playful and philosophical, 12:55 (Ceci n'est pas une V) questions ideas of identity and artistic value while marking the closing chapter of the musical persona that followed ?epkauskas' earlier success as Vidis. Neither retrospective nor statement of intent, it feels like a connected set of reflections spanning a lifetime of influences.

Early DJ Support: Massimiliano Pagliara, Paranoid London, Logan Fisher, Terry Farley, James Holroyd, Rocky (X Press 2), Francois K, Marcel Vogel, Sean Johnston, Austin Ato, Ron Basejam, Richard Rogers, Oliver Dollar, Crazy P and many more

Creating an international name for itself over the past decade as a sample pack label, Samples From Mars made its inevitable venture into the music world originally as a home for founder Teddy Stuart’s work. Long before making samples, Stuart garnered credits working as a grammy-nominated recording engineer in the hip hop world, and DJing / producing with Justin Strauss as A/JUS/TED, for labels such as DFA, Domino Records and Southern Fried Records. Now the label is set to release a variety of genres - house, disco, techno, ambient, all with a vintage tinge and a focus on high quality, analog production.

Enter Salt Queen. Visual artist and musician Magali van Caloen together with Samples From Mars founder, Teddy Stuart. Based in New York, the duo combine hardware dance aesthetics with dry, salty takes on familiar club moments into music that sits somewhere between funny, raw and unpredictable.

Salt Queen’s debut ‘ARE U OK’ is an acid-laced, deadpan spoken word track with an opening line that snaps any room to attention. A disorienting club encounter unfolds over Italo-inflected 808s and a relentless 303 bassline. There are no chords and no melodies - just a skeletal groove and an intimate voice circling the dancefloor. Drifting between concern and provocation, the vocal runs through cliché club conversations before destabilizing completely into a siren-laden crash out. The ‘Freak Nasty Club Mix’ ditches the plot and lets the hardware breathe, with a thick SH-101 bassline anchoring the first half before a sudden switch into an unrelenting acid pattern that refuses to settle. Two versions of the same wild night out.

This is more a relic than a record. A token of respect to the music that made me who I am. Everything I do starts here — the urge to pull songs I love into the club shape I play today, for one reason only: to make someone else feel what I feel when I hear them. Two techno improvisations, ANG and OSC, built on two songs that mattered enormously to me and to electronic music — bands that started their own revolutions, in their own time, mostly off to the side of the mainstream.

These came out too good to keep to myself. Vinyl only. 300 copies. No repress, ever. First come, first served. Bandcamp and selected stores. No digital, no promos — this one stays sealed.

Phoenix-based DJ and producer Paul West lands on eudemonia with a stellar 5-track EP, seamlessly picking up right where his impressive debut Blue Sun on Rocky Hill left off.

The record delivers a wonderful blend of breakbeats, house, electro, and Detroit techno, keeping the energy raw, warm, and deeply atmospheric throughout. The A-side builds intensity towards its third track, the spacey title track "Nebulae". Flipping over to the B-side, the journey comes to a close with the playful, melodic tones of „Stardust".

12“ limited Picture Disc Vinyl

Harvey McKay’s “Table for One” returns to Systematic Recordings for a special and deeply meaningful vinyl edition. Originally released digitally on Systematic, the EP captures the unmistakable sound of the Glasgow producer: powerful, hypnotic and uncompromising techno, driven by raw energy while always retaining the musicality and soul that defined Harvey’s work. Following Harvey’s passing in Spring 2026, this release inevitably carries a different weight. For Systematic and Marc Romboy, it is first and foremost a celebration of
his music and the lasting impression he left behind.
For the first time, “Table for One” will be available on vinyl, presented as a strictly limited 12” picture disc pressing of only 500 copies. The original version takes the A-side, while Marc Romboy’s remix opens the Bside, offering his own interpretation of Harvey’s distinctive sound. The release is completed by “Mycelium”, another powerful example of McKay’s ability to combine hypnotic repetition, precision and sheer dancefloor energy. More than a vinyl edition of an outstanding Systematic release, this record has become a tribute to an
artist whose music will continue to live on through clubs, DJs and dancefloors around the world.

Full Range Motion co-founder 393AD returns to his own label with 'Known Universe EP', providing four more introspective modular-based jams using Perkons as the main rhythm box. The Amsterdam-based DJ, producer, and nightlife devotee opens the EP with 'Void' a percussive, rolling, and fluttering cut. 'Cluster', on the same side, is a devious tool in the right hands with its abstract groundwork and overwhelming single stab 3D sound design. Over on the flip, 'Wall' is straitjacket paranoia-techno in stripped form. Closing this EP is 'Filament', the name itself providing a vivid cosmic image for the track: intertwining, spiralling melodies connecting filmic scenes of interstellar dust.

Delsin is pleased to announce the second volume of their extensive compilation series combing through the catalogue of landmark Dutch techno label Djax-Up-Beats. The series, curated by Rush Hour co-founder Christiaan Macdonald, continues with a look at the label's legacy in the development of Dutch techno through the early 90s. This second volume in the Djax-Up-Beats 1990-2005 series comprises 25 tracks, presented again as a main triple-vinyl album plus three additional 12" EPs. The compilation also features again all-new illustration from Alan Oldham, design by Lost Communication and liner notes from music journalist Oli Warwick. Crucially, every track featured on the series has been carefully mastered by Johanz Westerman, bringing the best out of tracks that often had very little post-production treatment before they were originally pressed to wax. Volume 2 - The NL Connection takes a deep dive in the development of Dutch techno. Saskia Slegers didn't run her label with a specific focus on any one place, but she naturally connected with artists close to home. Emergent producers from across the Netherlands found a vital outlet in Djax-Up whether they were short-lived dabblers or dance music devotees on their way to lifelong careers. Volume 2 - The NL Connection looks at the first outings in Dutch techno by originators such as Stefan Robbers as Terrace, Dylan Hermelijn as Planet Gong and Edge Of Motion (with Gert-Jan Schonewille) and Sander Friedeman as Random XS. Whether it was sensitive, melodious machine dreaming, gnarly acid tweaking, jackhammer techno or oddball outliers, you could count on Slegers' label to point you to the best underground club music coming out of the Netherlands. With four more, equally extensive, volumes to come in this series, Djax-Up-Beats 1990-2005 is a thorough exploration of a true totem of techno culture -- a renegade label that operated on its own terms and carried surprises and slammers in equal measure.

Crossing their distinctive techno practices in the spirit of mutual appreciation and experimentation, DJ Nobu invites JakoJako to Bitta. Each delivering an original track and then remixing each other's work, both artists examine where their creativity converges, and what happens when their differing qualities collide. JakoJako has forged a reputation within techno and electronica circles centred on her accomplished exploration of modular synthesis. While she comfortably embraces ambient projects, she's also firmly entrenched in the club matching a tough rhythmic sensibility with adventurous textures and subliminal emotional content. As Nobu himself describes, "Beyond standard techno functionality, I deeply respect JakoJako's approach to music making, which stems from a pure, unyielding curiosity about sound itself. Her sound aligns perfectly with Bitta's core philosophy--the coexistence of experimentation and physicality." Nobu's own 'Wax and Wane' opens up the release in a melancholic mosaic of bleeping leads and natural-sounding drum tones, patiently laid out over a dense pad and developed with the elegant but driving style he's made his own over many years. JakoJako's 'Nodus' is a more cybernetic affair--lithe layers of frequency modulation moving over the rugged kick drum thump before opening up to celestial arps and jagged flurries of percussion. For the remixes, Nobu immediately reframes 'Nodus's melodic crescendo as the core theme while steering the track towards an immersive, linear arrangement that ebbs and flows with poise. In the process, he finds his own expressive sound design language to put a unique spin on JakoJako's original sound. Meanwhile, JakoJako steers 'Wax and Wane' into a mesmerising lattice of needlepoint percussion and swooning synth strokes, creating emotive swells out of the raw ingredients of Nobu's original melodies. The end result is a record made up of four distinct pieces, all logically compatible but bringing forth different aspects of two dedicated, ceaselessly curious practitioners of contemporary techno.

Biz returns to his Subjekt label for it’s fourth instalment, continuing a long-standing connection with the deeper, more cerebral side of techno. With previous releases on Detroit institution Transmat, Laurent Garnier’s COD3QR, Xistence, We’re Going Deep, Acquit Records and other respected underground labels, the lineage is firmly established.

Here, Biz digs deep into the Detroit blueprint — machine rhythms, hypnotic sequences, melancholy, soul and futuristic tension — balancing introspection with raw dance floor vibes.

For the remix, Osaka techno veteran DJ Compufunk steps up with a stripped-back interpretation, locking into the groove and pushing the track further into raw machine funk territory.

Detroit spirit, Japanese precision and Australian underground techno vibes — another essential Biz release!

Early DJ support: Skream, Tino, Scuba , Pete Tong, Rampa, Asa Tate, Saoirse, Chloe Calliet, Make A Dance

Latenight Recordings return with the allusive Larry Latenight for more ultra-hyped, hi-tech house music! This time pressed on Limited Blue Vinyl secure your copies now!

The almighty Joe of the Farr’s is a highly accomplished UK techno DJ, producer and mastering engineer. Originally associated with Bristol's electronic music scene, Joe studied TV and film sound design before building a solid reputation through hard-hitting, technically sophisticated techno releases on labels including Turbo, DSNT, Bloc, Soma and Power Vacuum. His concentrated output combines aggressive club-focused rhythms with melodic and IDM-inspired elements. Now based in Wales, performing internationally and on home turf, he also operates a professional mastering engineering operation of the highest esteem of which RIOT could simply not operate without, as many others will gladly attest too.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, we’ve finally let loose the screamer of a release, from such an integral member of RIOT HQ, that’s been patiently ‘Left Alone’ and waiting for the right time to unleash its User Experience. Joe’s totally went one step beyond and cranked out a pressure filled release of not only persistent anthemic prowess but one of such rigorous determination, all those on the dance floor MUST ‘Obey’ to its diligent beats. And with Rant & Rave Records boss Maedon serving up such an iconoclastic relentless remix, you will absolutely need to submit complicitly to all things RIOT.

The full digital release also features two bonus meticulously disciplined tracks to fulfil your obedient, subservient requirements.

WARNING: NON STOP BREAKIN’ N’ STOMPIN’ N’ BOPPIN’ TO THE RIOT BEATS WILL MANIFEST ITSELF

The fifth edition of Meganesia’s annual vinyl release, this year featuring AWHM & Shugo Noss, two leading forces in the fast trance and psytek scenes.
Striving to imagine these two artists as creatures inhabiting the same environment and imbuing it with their sonic identity, we arrived at the idea of a tidal zone in which AWHM’s sound inhabits and defines the warmed, sunlit state of low tide, while Shugo Noss’ sound inhabits and defines the submerged, watery state of high tide.
The resulting release creates a trance-focussed environment inhabited by both the deep, multi-textured, audio-hallucinatory sound of Shugo Noss and the driving, energising force of AWHM.

This release comes out on vinyl and digital on October 27, 2026.

Mastering by Chris Scholz and Dave Miller at Audiosculpture NL
Artwork the THEAJM
Vinyl distribution by One Eye Witness

SHUGO BIO
Shugo Noss is a producer/DJ from Naarm who explores the intersection of sound and form through a blend of hypnotic rhythms, eclectic soundscapes and sonic experimentation. His work aims to exist outside genre binaries, weaving through a multitude of emotional experiences that both relate to, and contradict, one another in an attempt to formulate their own identity. There are no limits that restrain these journeys.

AWHM BIO
A dedicated consumer and creator of trance music, AWHM’s production style draws clear influence from old school goa, psytrance, jungle breaks, and tekno, most easily recognised by his ability to combine driving basslines, hypnotic rhythms, and scattered percussions to transport audiences through uncharted psychedelic realms of fast trance music.
Evolutionary by nature, he’s managed to leverage extensive experiences that led to a self-taught studio process which now stands out in one of the more niche corners of electronic music.

MEGANESIA BIO
Meganesia is an independent music label operating in the broad genres of trance and techno. Drawing its name from the continental plate beneath Australia’s landmass, Meganesia focuses distinctly on developing and platforming artists living and working in Australia.
Since the start of 2022 Meganesia has grown to a catalogue of 12 releases. Across these releases, the label has directly platformed over 40 individual artists on digital and vinyl gaining us recognition as one of Australia’s strongest and most dynamic electronic labels.

Straight from the island of X-Coast, Riviera Records is back -
this time introducing Villa, an emerging duo from Frankfurt.
A side features their fast tribal infused techno killa beats
with ltered disco vocals. To spice things up even more, its
the Get On Up remixes by electro powerhouse DJ Mell G and
XL Traxx (Lag & X-Coast) on the ipside. This music is
meant to be played off of a record!

Celebrating ten years of independent music, Nerang Recordings returns with its sixteenth vinyl release, A Decade of Nerang Recordings - Mix Selections. Bringing together six artists from across the label’s history and extended community, the compilation showcases the diverse sounds that have shaped Nerang over the last decade. Featuring DJ Swagger, Nasty King Kurl, Subjoi, DOS, Low Tape and Moody McIvor, the release moves effortlessly between UK Garage, House, Tech House, Lo-Fi House, Electro and Synthwave while maintaining a clear identity throughout. Since its inception, Nerang Recordings has never been interested in following a single genre, scene or trend. Instead, the label has always focused on releasing music based on quality, individuality and atmosphere. Over the years that philosophy has resulted in a catalogue that crosses stylistic boundaries while remaining connected by a shared spirit. A Decade of Nerang Recordings - Mix Selections serves as both a celebration of the label’s first ten years and a statement of intent for the future. Each track represents a different corner of the Nerang universe, reflecting the sounds, influences and artists that have helped shape the label’s journey so far.

From rolling UK Garage rhythms and club-focused house cuts through to hazy lo-fi textures, cinematic synth work and darker electronic excursions, the compilation highlights the freedom that has always sat at the heart of the label. Rather than being confined by genre expectations, Nerang continues to embrace music on its own terms, allowing each release to find its own identity and audience. While thisrelease reflects on the past decade, it is equally focused on what comes next. The goal remains the same as it was on day one: support great artists, release music without limitations and continue exploring new territory wherever it may lead. Ten years in, Nerang Recordings remains committed to doing things its own way

“Paradigm of Tomorrow” is the representation (or sound) of concepts related to an innovative future and the radical changes brought about by technology in society that is, a way of thinking that redefines the present and opens up new possibilities. Published by Biometric-Audio (DE) Mastered by Paul Mac (UK) Lacquer cutting by Simon Exchange (UK) Release Management: Daniele Angelo (IT) Distribution: Triple Vision (NL) Artwork: Yuki Raw (DZ) A3 – She Spoke in a Detached Way Voice recorded by Hamza (Zahham) in Algiers (DZ) Mixed by Basic in collaboration with Punchlines Room (IT) Recorded at Neoromatik Studio (DE)

CFUNK 050 is presented as a special collector edition commemorating the 50th Cyberfunk release. The package celebrates more than two decades of the label's music, artwork and visual identity.
The accompanying booklet brings together artwork from across the Cyberfunk catalogue, including labels from some of Quest's biggest and most memorable releases, alongside a personal retrospective from DJ Quest looking back at the creation of the label, the artists who shaped it and the journey back to vinyl.
Dedicated artist pages introduce DJ Quest, Paket, Destroyers, Code BreakerZ and Groovebox, connecting the artists behind release 050 with the wider story of Cyberfunk and the international breakbeat community that continues to support it.
More than simply a four-track 12", CFUNK 050 is designed as a physical celebration of Cyberfunk: its records, its artwork, its artists and the people who have kept the sound alive.


Cyberfunk reaches release number 50. To mark the milestone, DJ Quest opens up the Cyberfunk archives for a special four-track vinyl release featuring new interpretations from Paket, Destroyers, Code BreakerZ and Groovebox.
CFUNK 050 connects the label's original UK Bassline Breaks foundations directly with a new generation of producers. Each artist has been given the freedom to reinterpret classic Quest material in their own style while retaining the character, bass pressure and dancefloor attitude that made the originals unmistakably Cyberfunk.
From Paket's reworking of Muffled Mayhem and Destroyers' take on Cybanet, through to two very different versions of Back To The Old Skool from Code Breakerz and Tech House maestro Groovebox, the release moves across modern breaks, heavyweight club production and rolling groove-led territory.
It is both a celebration of 50 Cyberfunk releases and a statement about what comes next.

A1. DJ Quest feat. Yoof - Muffled Mayhem (Paket Remix)
Spanish breaks heavyweight Paket takes on Muffled Mayhem, retaining the attitude and personality of the original while rebuilding it for contemporary dancefloors with heavyweight drums, powerful bass and the polished low-end pressure that has made him a leading figure in the new generation of Andalusian Breakbeat.
A2. DJ Quest - Cybanet (Destroyers Remix)
Destroyers turns his attention to Cybanet, pushing one of Quest's darker electronic productions firmly into modern club territory. Futuristic electronics, heavyweight rhythm programming and serious dancefloor pressure meet the machine-driven character of the original.
B1. DJ Quest - Back To The Old Skool (Code BreakerZ Remix)
Code BreakerZ completely re-engineer one of Quest's defining tracks for a new generation. Their acid-tinged, hard-hitting approach injects fresh energy into Back To The Old Skool while keeping the hooks and attitude that made the original such an important Quest record.
B2. DJ Quest - Back To The Old Skool (Groovebox Remix)
Groovebox closes the release with a deeper, tech house, groove-led interpretation. Built around movement, rhythm and rolling dancefloor momentum, his remix takes the original somewhere different while preserving the unmistakable old-skool spirit at its core.

ASUNCIÓN’S MOST WANTED, DJ HENDY AKA P. LOPEZ AKA ARIEL ME LLAMO, MAKES HIS DEBUT ON KAOS. AFTER MEETING HIM YEARS AGO IN PARAGUAY’S CAPITAL, I WAS ALWAYS DIGGING HIS MUSIC AND BLOWN AWAY BY HIS INSANE DJ SKILLS. FINALLY, WE GOT THE OUTPUT HERE. 6 TUNES, 6 ENERGIES. TRIBAL/GROOVE TECHNO AS LANGUAGE, BODY MUSIC AS MESSAGE. THESE ARE MUST-HAVE TOOLS FOR EVERY DIGGER. GUARANTEED DELIVERY NO EXTRA FEES +666111111111 CALL NOW!!!