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2026 Repress


Eclectic Music Producer and DJ Marc Mac (from 4hero) returns with another Mixtape Style album following on from 'Extend The Knowledge" & "It's Right To Be Civil". Marc's formula of Boom Bap Beats, Breaks, Jazz and Soul pull together soundbites from the Vietnam War era. Beats are intertwined with soundbites from the 1960's Vietnam War protest era where African American's were sent to fight during the Civil Rights period in the USA.

Marking the 10th anniversary of this series of 'mixtape style', revolutionary and thought provoking albums, Omniverse Records have pressed a short run of never before on Vinyl releases. The complete set of records "It's Right To Be Civil", "Extend The Knowledge", "Message From Soulville" and the new "Generation - X" albums will be available each on single record continuous play vinyl. The albums are a must for the fans of Marc Mac's side projects, each album has a story to tell and the collection makes great listening both musically and subtly informative. This is most defiantly for the collectors. Not to be slept on.

Erol Alkan returns to his vinyl Reworks series for ‘Part 6’ the first new pressing since 2017. A long-awaited addendum to a series that has previously encompassed artists including Daft Punk, Justice, Hot Chip and Tame Impala, Alkan delivers two club-friendly tracks from his own Phantasy Sound imprint, both previously only available digitally.

For a propulsive take on Josh Caffe’s emotionally defiant, warehouse-bound ‘You’, originally produced in collaboration with Quinn Whalley of Paranoid London, Alkan delves deep into a lifelong appreciation of Chicago house. Stripped, spacious and tough on the drums, Alkan keeps Caffe’s demands front and centre while riding out an irresistible bassline and conjuring a brooding, typically psychedelic atmosphere.

Flipping from minimal jack to maximal funk, Alkan pays a visit to the esoteric archives of Cowboy Rhythmbox, the partnership of much-loved London DJ Nathan Gregory Wilkins alongside pop-provocateur Richard X. ‘Rock Music’ arrives rescued from a dormant hard drive of demos, its frenetic collage of samples stitched back together and fully recharged for a circuit-frying electro workout by Alkan, operating here at full tilt for the dancefloor.

This new EP and revival of his Nite Rite series from Dutch electronic maestro Mason (he of chart topping Exceeder fame) comes in the form of four very individual cuts aimed squarely at the dancefloor. Typically eclectic and fresh sounding, these four cuts have been doing damage in the clubs over recent weeks with a strong reception from a massive cross section of DJs. Cuts vary from French Touch style disco-house to out-and-out electro filth.

Brooklyn-based DJ and producer Son of Lee is a native New Yorker who's been active in the local underground for over a decade. He launched this label back in August with a doozy of an EP that soon sold out, and so we're glad he's back. These are four more flame-hot disco edits marbled with references to many classic sounds and artists. 'Stop Making Cents' is jangling disco-pop, while 'Different Places' slows down to an 80s synth chug and 'Louis-Dreyfus Dance Face' brings some erotically charged disco sophistication and 'Nichols In May' is a mid-tempo and dubbed out delight with funky guitars for days. Classy and effective.

DJ Support: Chris Coco, DJ Morpheus, Alexis Le-Tan, DVS1, Afterlife, Ally Tropical, Alex Ruder (KEXP), Andy Wilson, Bill Brewster, Makossa

Dawn Again continues his masterful run on Hell Yeah with a third new album in consecutive years. The Aussie "pubwave" architect this time serves up Pints Of Ambient Nectar, an eight-track collection of new ambient works and remixes of album tracks from 2024's Every Dog's Hotel and 2025's Lost In The Front Bar.

Melbourne producer Nick Verwey has spent the last decade quietly refining a sound that's loose, lived-in, and made for real moments rather than peak-time theatrics. With releases on Houseworx, Enjoyment Division and Hell Yeah, his sun-faded, lo-fi grooves drift between breaks, downtempo and hazy house. His “pubwave” sound is music born from lockdown nostalgia, communal pints and the romance of places where time slows, conversations linger, but the jukebox keeps things moving.

The scene is set with bird calls and saw synth awakenings on 'Backyard Paradiso', 'A Day in the Life of Pond Algae' is a quiet ode to hope and revival, while 'Slow Motion Goal Celebration' smudges chords like rays of sun cooled by a breeze. 'Kneverending Knockoffs' teases acid murmurs amongst floating melodic clouds, and new cut ' A Pub With No Beer' has sugary lines piercing sustained ambient drones. 'Hard Earned Thirst' is mellow magic for horizontal afternoons, 'Hair Of The Dawg' shimmers like heat waves on the horizon and 'Vanilla Sky' is a cathartic drift bathed in soft light, unfolding in slow, weightless waves.

This sun-dazed ambient sidestep from Dawn Again stretches pubwave nostalgia into hazy, unhurried pieces made for slow afternoons where your woes dissolve and your soul warms.

The fifth chapter of The Third Room's curator-led series is shaped by Alarico, one of the defining voices of a new generation pushing techno into faster, sharper and more rhythm-driven territory. Through his productions, DJ sets and close ties to a network of like-minded artists, he has helped shape a contemporary sound defined by tension, detail and forward momentum. For his curation, the focus lies on connection. Bringing together artists operating within a shared sonic language, the release reflects a generation where precision, movement and emotional depth exist in constant dialogue. The record opens with Connection, a first official collaboration between Yanamaste and Alarico. The track captures the intersection of both artists' approaches: Yanamaste's intricate and distinctive synth work meets Alarico's driving, forward momentum. Fast, pulsing and tightly controlled, it unfolds through cycles of tension and release, stripped back to its essential elements. On Crimson Leaf Minstre, Toru Ikemoto builds a detailed and contrasting sound palette. Bright, delicate elements interact with darker stabs that disrupt and reshape the rolling bassline, creating a sense of movement that feels continuous rather than moment-based. The track leans into depth and variation, balancing clarity with a more mysterious tone. Blue Lights by Lea Occhi & Amotik shifts into a more groove-led space. What begins with a functional framework gradually opens up - subtle chords and restrained vocal elements add texture and attitude without overtaking the structure, resulting in a track that feels both light and deep. Closing the record, IB1809 sees Alarico return with a defining statement. Reduced but highly present, the track builds around a strong rhythmic core, where chords, melody and vocal fragments interlock with precision. There is a sense of contrast at play - melancholic yet driven, vulnerable yet forceful - culminating in a moment that feels both functional and expansive. Across all four tracks, the release remains tightly focused - fast, dynamic and cohesive, with a strong emphasis on movement and detail. As the fifth entry in the series, it captures a distinctly modern strain of techno, where emotional nuance and rhythmic intensity are no longer in opposition, but fully aligned. A1 Written and Produced by Irakli Danelia & Alarico Zucchi | A2 Written and Produced by Toru Ikemoto | B1 Written and Produced by Lea Occhi & Anil Chawla | B2 Written and Produced by Alarico Zucchi Mastered by Ahmet Sisman (The Third Room Studios) Artwork by Charlotte Ernst Design by Daniel Bornmann (STUEDIO.XYZ) Distribution by Clone Pressing by Matter Of Fact

Juan Atkins returns as Model 500 with I.D.L.E., a transmission rooted in Detroit's original machine language. Pulsing basslines and crystalline sequences unfold with the precision and restraint that have defined the Model 500 signal for decades. The package expands with two reinterpretations from different corners of the electro-techno continuum. DJ Stingray pushes the track into high-velocity orbit, sharpening the rhythms into a relentless futurist propulsion. FJAAK reshape the material with their unmistakable Berlin energy, driving the groove deeper into warehouse territory while keeping the circuitry alive. A meeting point between generations, I.D.L.E. continues the Metroplex tradition: forward motion, mechanical soul, and signals from the future.

Four years on from the much-loved Shelter EP, Orphic return with the Mambe EP, a long-awaited follow-up that sees the duo push further into their signature world of deep, dubwise techno and hypnotic club music. The record opens with the title track, a slow-burning piece of stripped-back techno that unfolds through submerged chords, rolling percussion and finely detailed sound design. Sitting alongside it are two solo productions from each half
of the Orphic project.

Kieran Jandu’s Back To Mine veers into deep, bass-heavy electro, all cavernous sub pressure, fractured drum programming and smoked-out atmosphere, landing somewhere between the weight of Digital Mystikz and the hypnotic, off-centre psychedelia of a Craig Richards set.

DJ Space Taxi takes a different route with Dream Cycle, an introspective, dreamlike cut where shimmering textures, drifting melodies and restrained rhythm combine to quietly draw
you in.

Flipping the record over, two of the underground’s most distinctive voices reinterpret the title track. Polygonia brings her unmistakable fluid, organic touch, stretching the original into a beautifully detailed, living groove, while Konduku strips things back into a
deeply hypnotic, psychedelic excursion that feels tailor-made for the outer edges of the dancefloor.

A beautifully restrained return from Orphic that more than justifies the four-year wait. Four artists, four distinct perspectives, held together by a shared appreciation for depth, space and subtle movement.

Latebloomers introduce The First Bloom, their debut EP, ready to heat up summer dancefloors.

From playful ghetto-infused house grooves to deeper, hypnotic cuts, The First Bloom brings together five artists connected by friendship and a shared love for underground dance music.

The A-side features Miami Beat$ representatives BeetWorldWide, Uncle Franky, and Teejay joining forces on two nostalgic, hip-hop-inspired cuts. On the B-side, label founders Roy Koch and DJ Z each deliver a solo track, exploring deeper grooves and planting the seed for the Latebloomers sound.

Rooted in the belief that growth unfolds at its own pace, The First Bloom marks the beginning of Latebloomers.

Label head Eoin DJ steps up for the third release on World of Worlds. Four dreamy house mutations with a lush remix from Psychedelic Rave Icon Kim Ann Foxman. Heads down, hearts open, spiralling up.

NOFEAR! Musik presents its second vinyl release, bringing together two of the label's most celebrated tracks alongside a fresh reinterpretation of a true classic.

The A-side features Alegría and Fuego, two tracks by Head Horny's & K-Style that became standout releases on the label, receiving strong support from DJs and dancefloors across Europe.

The B-side is dedicated to Funky Feelings 2026, a modern rework of one of Head Horny's classic productions. Together with Carlos Perez and K-Style, the original idea has been updated into two complementary versions: a driving hardgroove-techno interpretation and a more old-school klubb-oriented mix.

Pressed on 180g vinyl, NFV02 reflects the sound and identity of NOFEAR! Musik: energetic, groove-driven and built for the dancefloor.

American Joe Babylon has been steering his Roundabout Sounds label through calming deep house waters for a decade or so. He has recently focussed on assembling this ongoing All Hands series (the name may be a nod to the analogue gear the tunes are made on? Sound-wise, it checks out) and volume three features another fine quartet. First up is DJ Honesty with a fine label debut in the form of the synth-laced swirler 'Walking Down Gratiot,' then label friend Mr. Hazeltinee aka John Tejada layers comic pads into an upright house rhythm on 'Zanzmatic'. San Francisco and more specifically Bay Area man Federsen offers super lo-fi and reserved deep house cuddle 'Sequential' while Babylon himself drops the slow burn shuffle of 'Play It By Ear'.

Explore the vibrant sounds of Bearface DJ with the debut installment of "Remakes and Raw Cuts Vol 2", a fresh vinyl series released on Beartone Records. Veteran producer Raj Panasa, aka Bearface, boasts a multi-decade catalog of feel-good, eclectic music, renowned for his distinctive blend of house, disco, Latin, and Italo influences.

This EP showcases Bearface’s versatile production style through expertly crafted edits and remakes of some of his favourite tracks, perfectly capturing sunny, dancefloor-ready vibes. Whether you're a DJ seeking energetic edits or a collector looking for a soulful addition, this release delivers sunshine and positivity in every groove.

Limited Stock act fast!

Highscore is one of the newest-and quite sensational-discoveries in funk of the 1980s out of Germany. Two tracks Breakin' Out and Girls So Fine, both recorded about 40 years ago and shelved ever since, are finally receiving a long-overdue 12" release.

Label founder DJ Scientist tells the story of how the tracks were uncovered:

"Several years ago, while researching the Crea label-after we had already licensed 'You're Not The One For Me' by Peter Patzer-I also wanted to find out more about another band on the label: Nuages, who had released the stunning jazz-funk/fusion album Cumulus.

Interestingly, a Discogs user had uploaded a hand written promo letter from one of the band members along with the LP. In it, drummer Mike Bach mentioned plans for a second album, as well as a single featuring a 'coloured singer'-which caught my attention. (A note on language: the original letter from 1985 uses the term 'coloured.' We've chosen to quote it directly as a historical document, but want to be clear that this reflects the terminology of the era and not language we would use today.)

Digging deeper, more information was found on Bach's own website, where a project called 'High Score' was mentioned. I immediately got in touch and asked if the recordings from that project still existed. Unfortunately, Bach couldn't locate any of the material at the time.

Years passed before we reconnected, when we featured 'Strange Weekend' by Nuages on our recent yacht rock compilation. I still had the Highscore project in mind and asked again. Once more, Mike had to deny-but he made another effort and reached out to former collaborators. A few weeks later, guitarist and composer Hermann Behrens discovered cassette tapes containing tracks from the Highscore project. I couldn't wait to hear them…"

To go back a bit: Nuages were a jazz-rock band from Bremerhaven, originally formed by guitarist Joachim "Fussy" Fuß in 1982. The lineup included Mike Bach (drums and percussion), Klaus Hinners (bass), and Frank Fischer (keyboards). In 1984, John Dillard, a U.S. GI stationed in Germany, joined Nuages for several live performances as a soul singer.
Around 1985/1986, Dillard and Bach then teamed up with Hermann Behrens with a new focus on electro funk and disco: Highscore was born.

When the three demo recordings were finally sent to us, they immediately blew us away. Breakin' Out stood out as an incredible electro-funk boogie gem-exactly what we had been looking for. What's more, it didn't sound like a rough demo at all, Breakin Out was a well-arranged and almost perfectly recorded track, driven by fresh, vibrant synths, drum machines and guitar. The cassette mix wasn't entirely final, but the remaining details could be refined during mastering.

The B-side, Girl So Fine, impressed just as much-equally strong and just as captivating as the A-side. Our reaction was immediate: this had to be released without delay!

Most importantly, there are a few more recordings from Highscore. However, these only exist as multi-track studio reels, which currently cannot be transferred. In the best case, more material from the band may surface soon-hopefully without another long wait.

The 12" release Breakin' Out / Girl So Fine" comes with a newly designed picture sleeve, featuring an original photo of the band members, including background singer Ruben Hopkins who does not appear on these two recordings.

The vinyl edition is limited to 400 copies.

10" series

Exos inaugurates the new sub-label on SHDW's Mutual Rytm with four 90s techno cuts, with offshoot imprint X building on the main imprint's DJ-friendly tools to delve deeper into a broader spectrum of electronic music.

Founded in 2022, SHDW's Mutual Rytm label has quickly become one of techno's most supported labels, with wide-reaching love and well-earned hype following a series of carefully curated VA offerings and solo EPs from a wealth of the scene's best. Continuing to push the pace, with more records capturing high-quality, fresh soundscapes, April brings a new project to the mix with the launch of a new sub-label X, with techno pioneer Exos drafted to deliver the first instalment.

Hailing from Iceland, the Planet X boss is a master of crafting perfect dancefloor weaponry. Over the last twenty years, his high-octane sounds have come via vital labels like Figure and X/OZ, never failing to make an impact with both DJs and dancers. Whether dubby or hard, his techno is always authentic and channels the purity of the 90s sound, and he brings this signature sound to four fresh productions across his 'Infrared' EP, marking an impressive debut for both label and artist.

The title cut 'Infrared' opens up the package in style and showcases a track that looks set to be a go-to anthem for many in the months ahead. With searing synth lines and drilling bass, the blistering production delivers a thrilling, high-impact techno sound that will devastate the dancefloor. The well-designed 'Kaldur Klaki' ups the ante even more with tightly coiled loops of drums, rusty hi-hats and stuttering synth lines that canter along with a muscular feel. 'The Bad' is twitchy and paranoid, anxiety-riddled techno that is perfect for dark warehouses and freaky dancers before digital bonus 'DS4BR' lands with a more stripped-back aesthetic with dubby undercurrents and static electricity fizzing across the face of the cut.

Each of the releases on Mutual Rytm X will be available on limited edition, coloured 10" vinyl, hence the Roman numeral X, and Exos' 'Infrared' EP kicks off the series on 19th April ahead of a new wave of killer releases scheduled across 2024.

Gavin Belton's move back to the UK after years in New Zealand brought him back into the fold with old Littlemen cohort Steve Lee. They played a few gigs together then got back in the studio for the first time in 15 years. Belton's use of the Korg Opsix is what gives these deft deep house cuts their character while Lee adds the vocal lines to 'People Are You Ready' for a ghostly, shadowy, low-lit sound. LA-based DJ, producer and HAWT promoter Mikey V steps up on the flip for the lithe dub house of 'Smooth' while Giom pulls it into darker territory that echoes the old Murk sound. Lee rounds things out with a remix of the A-side that has a persuasive late night bump.

2026 Repress

Swedish talent Dold drops nuanced techno cuts on 10" via SHDW's Mutual Rytm X.

Stockholm-based Patrik Eriksson, aka Dold, is a cultured producer known for crafting hypnotic loops with a minimalist, emotive touch-bridging underground dancefloors and introspective listening.

As a DJ, producer, and co-founder of Arsenik, Dold has championed raw, unembellished techno since 2015. His releases on Key and Fuse blend Detroit techno's legacy with IDM's intricacy and ambient's ethereal tones, creating a style that is both timeless and forward-thinking. Whether it's crafting tapestry's recorded via hardware in the studio or performing live, Dold continues to innovate, honouring techno's roots while exploring its future, and his talent is on full display across his label debut on Mutual Rytm X.

'Grainy' opens the EP and showcases Dold's ability to craft deep and loopy techno with a stripped-back, emotive
edge. It's deft but enthralling, with innovative synths rising and falling through the minimal drums. 'Surface' is another compelling deep cut with hurried drum funk and subtle synth pulses, adding a futuristic edge to the groove. The fantastic 'Blush' brings smears of warm synth and machine soul to a dynamic dub techno rhythm that bends the
past with the present. Digital bonus cuts 'Dub at Heart (Club Version)' and 'Dub at Heart (Sofa Version)' offer
contrasting perspectives of the same track, with the first aiming directly for peak-time sessions, while the latter closes the package on a laid-back tip.

2026 Repress

Introducing Fuse Imprint - The New Record Label from Fuse Club, Brussels

Fuse Club, the beating heart of Brussels' techno scene, is thrilled to announce the launch of its new record label, Fuse Imprint. Known for its cutting-edge music and unforgettable nights, Fuse is extending its influence beyond the dancefloor and into the realm of music production. The label aims to be a platform for both emerging and established artists, showcasing the best in techno and electronic music.

The inaugural release is a dancefloor-focused EP by Altinbas, aptly titled "Reshape". As a resident DJ at Fuse Club, Altinbas has been instrumental in shaping the club's sonic landscape. His new EP encapsulates the essence of a Fuse night - intense, immersive, and irresistibly danceable.

2026 Repress

Macedonian artist Stojche kicks off Mutual Rytm Xs 2025 schedule with his blistering new EP, Stomping Ground.
Stojche is an exciting DJ and producer from Skopje, Macedonia, who is currently based in Madrid. He heads up his Tangible Assets imprint and has been making waves in the electronic underground for over 20 years. His music takes inspiration from the classic sounds of Detroit and dub techno, and in 2024, he impressed with his Metaphor EP on F.U.S.E. Following on from his superb contribution to Mutual Rytms Federation of Rytm II compilation, here, he now serves up his first EP of the year with a first outing on X, the sister label of SHDWs Mutual Rytm, w Stomping Ground.

This EP opens up with the powerful Stomping Ground, a scintillating blend of tightly programmed kicks and reverberating percussive lines. The textured percussion shimmers over the racing beats and cannot fail to sweep dancers off their feet. Oberheim is another high-class, high-impact sound with muted melodies thinking over the twisting and turning drums and bass which never let up and ooze warm machine soul. Consequence keeps the pressure on with tight drums and raw percussive layers softened by smeared dub chords. Digital bonus The Vault shuts down with thumping kicks and rave ready synth stabs that will erupt on peak-time floors.

From euphoric rave and disco-infused house grooves to deep, emotional deep house. With the third installment of the „Any Second Now“ series, the label once again delivers a versatile and cohesive various-artists record that unites different facets of electronic club music. Offering everything discerning DJs and dancers look for, from euphoric rave and disco-infused house grooves to deep, emotional deep house. It is a versatile record rich in atmosphere and highly re-listenable.

2026 Repress


New EP from Polish label Kooky is a challenging and ambitious one. Jay Tripwire, Canada's finest DJ and producer, offers a solid set of 3 minimal (techno) tracks, crafted with a unique passion for detail, raw energy and dark soundscapes. Every track differs in intensity and dynamics, but all of them are a feast for the ears to demanding music lovers. If you are searching for the true beauty of minimal and want to escape from modern dance music that is unfortunately more and more generic these days, this release is just for you.

Die erfolgreiche „ZYX Italo Disco: Best Of“-Reihe geht in die nächste Runde und präsentiert mit Vol. 8 erneut eine erstklassige Auswahl an Italo-Disco-Klassikern der 1980er Jahre. Auf dieser Doppel-LP erwarten den Hörer 14 sorgfältig ausgewählte Tracks, die den unverwechselbaren Sound der legendären Italo-Disco-Ära widerspiegeln.

Mit dabei sind beliebte Genre-Highlights wie J.D. Jaber‘s „Don‘t Wake Me Up“, Alan Ross‘ „Valentino Mon Amour“, Brian Ice‘s „Night Girl“ oder Cyber People‘s „Doctor Faustu‘s“. Ergänzt wird die Compilation durch weitere seltene Maxi- und Extended-Versionen, die bis heute auf Tanzflächen und in DJ-Sets weltweit geschätzt werden.

„ZYX Italo Disco: Best Of Vol. 8“ verbindet eingängige Melodien, atmosphärische Synthesizer und den typischen Charme der goldenen Italo-Disco-Zeit zu einem authentischen Hörerlebnis – ein Muss für Fans, Sammler und Liebhaber klassischer Dance-Music.

2026 Repress

Our very first release was a beautiful gem from Red Astaire titled 'Follow Me' - a track that defined GAMM's identity and helped pave the way for everything we've achieved since.
Now, 24 years later, GAMM has reached its landmark 200th release.

To celebrate this anniversary and honoor our dear friend Fredrik Lager (aka Red Astaire), who sadly and unexpectedly passed away three years ago, we are re-releasing 'Follow Me' alongside remixes from some of our favourite producers.

The third and final edition in the 'Follow Me' series comes from Brooklyn's finest, DJ Spinna.
With his trademark hip hop-soul sound, Spinna transforms this classic into a bumpy, park jam tune. Very NY, very uplifting...very much a spring tune. Oh btw, check that classic EWF sample ;)

Following the passing of our dear friend DJ Romain earlier this year, we've spent a long time reflecting on when to share some of the new music he entrusted to Hard Times Records. The incredible response to 2024’s 'The Lost D.A.T.S.' EPs reignited Romain's creative spark at a time when, unbeknownst to many, he was quietly battling serious ill health. After relocating from his beloved New Jersey to Cleveland, the studio once again became his sanctuary, inspiring a remarkable new chapter of music. The 'New Jersey' and ‘Cleveland’ EPs were the first recordings from that period.

Funky Streets completes the first trio of new EPs, but it is also just a glimpse of the wealth of music Romain crafted before his passing. His final studio sessions became an escape from his daily battles, inspiring a remarkable outpouring of new material that he was determined to finish, knowing his beats would continue to warm dancefloors and further cement the legacy of one of house music's true masters.

Opening with the horn-driven swagger of the title track, the EP moves seamlessly into the soulful groove of 'I Like To Boogie' before culminating in the deep, organ-led dancefloor energy of 'This Is Where I Wanna Be’. Romain signs off with 'The Chocolates’ - an uplifting, guitar-laced boogie jam filled with warmth, joy and unmistakable soul.

Beautifully crafted from beginning to end, Funky Streets stands as a lasting testament to DJ Romain's extraordinary talent, timeless musicality, and enduring contribution to House music. His legacy lives on in every groove.

Fantastic Man returns with Total Djreem, two long-form trips. Excursions into hypnotic, psychedelic club territory. The original unfolds in widescreen, balancing momentum with a hazy sense of space, while O.BEE takes things deeper on his Acid Shower Mix, twisting the track into a more acidic, heads-down affair with the kind of unexpected turns that have become his trademark.

Mount Kimbie’s forthcoming contribution to the acclaimed fabric presents series marks one of the duo’s most dancefloor-focused bodies of work in years. More than simply a release on fabric Records, the project sits within the revered fabric presents mix series, placing Mount Kimbie alongside artists such as Daniel Avery, Midland, Helena Hauff and Overmono, artists who have each delivered defining entries for the series.

Leading the project is first single “Monroe”, a warm yet uplifting club track that unfolds gradually through loose percussion, driving synth work and subtle vocal fragments drifting in and out of the mix, adding flashes of emotion without interrupting the track’s momentum. An ode to their 2017 hit ‘Marilyn’ featuring Micachu, the track carries elements of the original throughout, with flourishes over reverb washed vocals that float around you amongst driving drums and bass. There’s a summery energy running throughout the track, making it equally suited to late-night club systems and open-air festival stages.

Long celebrated as pioneers of the post-dubstep and future garage movements, Mount Kimbie continue to evolve beyond genre boundaries while maintaining the unmistakable sonic identity that has made them one of the defining acts in UK electronic music. Their contribution to the fabric presents series captures the duo at their most refined and exploratory, without losing the emotional atmosphere and understated intensity that has always defined their work.

Released as part of the prestigious fabric presents series via fabric Records, the project signals a bold new chapter for Mount Kimbie.

5 track LP

Follow-up to 2025's “i was put on this earth” (“a triumph of gentle reverie and quiet upheaval” - Pitchfork). DJ Python’s music has always occupied the interesting space in between - reggaeton's low pulse, ambient's patience, deep house's forward motion, the abstracted sounds of trip-hop, shoegaze, and pop - and this new EP finds him stretching that even further. A companion to “i was put on this earth”, the new EP shares that project's creative DNA while pulling in its own direction.

DJ Python (aka Brian Piñeyro) steps more fully into the role of singer and songwriter, sharing the mic across a set of collaborators including Ari, Tony Bontana, and Eden, while still carving out room for hypnotic solo songs.

Across five tracks, the project moves fluidly while retaining the captivating melodies, atmospheric textures, and rhythmic innovation that defined Python's earlier recordings - Mas Amable, Angel, and Club Sentimientos Vol 2 - expanding those sounds into something looser, warmer, and harder to categorise.

More than two decades after its original release, "Just the Way You Are" is experiencing a remarkable global resurgence. With over 13 million monthly Spotify listeners for the original recording alone, becoming a radio and stadium anthem in new heights! To celebrate its enduring popularity, the track is returning to vinyl with an exclusive limited-edition tricolour pressing, with the added bonus of 2026 remixes.

Originally released in August 2002. While the track did not chart in the band's native Italy, it became an international hit, reaching No. 8 on the UK Singles Chart and securing Top 30 positions in Ireland, the Netherlands, New Zealand, and Romania. In the United States, the song made history as the first official No. 1 on Billboard's Dance Radio Airplay chart, having already topped the chart during its unpublished testing phase.

The song's revival gained significant momentum in 2026 following a viral remix by Australian DJ Mall Grab, which introduced the track to a new generation of listeners and sparked widespread streaming growth and social media engagement. The renewed interest was further amplified by a series of high-profile remixes from Australian electronic duo Pnau, Austrian producer Ely Oaks, and French superstar DJ David Guetta. Together, these releases have cemented "Just the Way You Are" as a cross-generational dance anthem, reaffirming its lasting influence and global appeal more than 20 years after its debut.

2026 Repress

Coming in hot on Berlin's Toy Tonics label: a new EP by the talented duo ALMA NEGRA!

Founded in 2013, Alma Negra is a Swiss collective centered around the brother duo Dersu and Diego Figueira, whose diverse roots in Switzerland and Cape Verde inform their sound. The project was launched with the ambitious vision to explore the world's diverse rhythms and drive musical innovation by mixing different styles. Their work is anchored in a process of digging and sampling, skillfully blending traditional sounds-from Fela Kuti-influenced Nigerian afrobeat and Angolan Lamento to Caribbean Zouk and the Maloya sound of Réunion-into a contemporary dance music context.

The Figueira brothers' eclectic DJ sets embody this ethos, peppering disco and house with salsa, samba, jazz, and Afro-Caribbean carnival rhythms, all under their guiding motto: "As long as it's Funky."

Since 2014, Alma Negra has made an important contribution to intercultural exchange in their hometown of Basel. Their international presence began in 2015 with their first shows abroad in countries like France, the Netherlands, and Portugal. From 2016 to 2019, their reach expanded significantly, with performances in major hubs like London, Paris, and Berlin, as well as Istanbul, Tel Aviv, and Tunisia. Highlights from this period include sets at the Montreux Jazz Festival, Dimensions Croatia, and Fuse Club in Brussels. Their standing is further cemented by releases on respected labels like Heist Recordings, Sofrito, and Basic Fingers, alongside remixes from an elite group of peers, including Soulphiction, Kuniyuki, and Yuksek.

Parallel to their studio and DJ work, the project expanded into the Alma Negra Live Band, formed with jazz musicians from Basel. While the band is currently on hiatus, this collaboration made live instrumentation increasingly central to their productions, creating a dynamic they feel is essential for any dancefloor. The live band has performed in cities like London and Hamburg and has led to collaborations with artists such as French singer Pat Kalla and jazz trumpeter Bodo Maier.

Music From Memory presents ‘Sleep Machines’, a new collaborative album from UK ambient pioneers O Yuki Conjugate and German producer and DJ Philipp Otterbach.

Formed in Nottingham in 1982, O Yuki Conjugate have spent more than four decades developing a singular approach to what they now describe as ‘dirty ambient’. Emerging from the post-punk DIY scene and drawing early inspiration from artists including Cabaret Voltaire, The Durutti Column and Jon Hassell, the group gradually carved out a space between post-industrial electronics, ambient music and Fourth World experimentation. Centred today around founding members Roger Horberry and Andrew Hulme, their work has retained an outsider sensibility throughout its many periods of activity and hibernation.

Philipp Otterbach approaches music from an equally open-ended perspective. As a producer, collector and DJ, his work moves freely between drone, dub, techno, house and electronics. His sets and productions share a fascination with unexpected connections, allowing disparate sounds to drift into one another through intuition rather than fixed genre boundaries.

‘Sleep Machines’ began with a chance meeting at The Gun on Well St. in London. Otterbach asked, “Would you be interested in doing a collaboration?”

“A collaboration? Sorry, we don't do collaborations,” came the reply.

“But wouldn’t it be fun?”

“We don't do fun either.”

Despite themselves, O Yuki Conjugate tentatively sent over an initial track. An avalanche of ideas quickly came back, and what began as an unlikely proposal developed into 18 months of recording, file-swapping, mixing and repeated reworking between the UK and Germany.

Produced by Otterbach, the resulting ten tracks bring together recognisable elements of both sides while gradually dissolving the lines between them. O Yuki Conjugate’s hazy atmospheres, dubwise spaces and tactile rhythms meet Otterbach’s instinct for strange detail, low-slung electronics and shifting forms. Rather than functioning as a collection of separate pieces, the album moves without gaps, unfolding as a single continuous work in which one environment slowly slips into the next.

‘Sleep Machines’ is both O Yuki Conjugate’s first collaborative album and an unlikely meeting point between two generations of musicians whose work has consistently existed at the edges of established forms.

Peppermint Jam Allstars Vol. 7 is here! Featuring some big names in the way of label boss Mousse T. & Birdee, NYC legend Matthias Heilbronn alongside Ibiza royalty DJ Pippi who collabs with Kiko Navarro & Willie Graff. Cassara rounds off the All-Star lineup for Vol 7.

A fresh Various Artists selection built for the dancefloor – bringing together longtime PJ family names and a new face stepping into the mix. Four cuts, one 12", all killer, no filler. House music the Peppermint Jam way.

From the first beat drop, "Paint The Picture" feels like a lost sweet soul tune you might find on an East Side Stories compilation. Frazer's trademark falsetto, catchy songwriting, and effortless soul is on full display here. You'll be humming this tune after half a listen. On the B side, "Back Into The World," Mr. Frazer demonstrates that he's more than just a one-trick lowrider pony. Planting his foot firmly into the modern soul sound here, sounding like something Numero Group would have unearthed years back, "Back Into The World" belongs in your next DJ set when you need something slightly uptempo to get folks on the floor.

10 years in the game is a landmark moment worth celebrating and one that Good Vibrations Music is proud to be hitting in 2026.

Loved & highly respected globally, Sean McCabe’s trend setting label has been constantly delivering its high standards of music for a decade and felt it rather fitting to turn a spotlight across its catalogue with a nod towards some of the biggest & best releases across the label to date.

Refusing to be pigeon-holed but sitting comfortable across all things soulful & deep, this lovingly curated look-back by Sean himself is sure to introduce tracks from the archives to newcomers as well as reinforce much loved classics to existing fans alike.

Featuring a collection of talent that includes Sean McCabe, Frankie Feliciano, Lem Springsteen, Mr. V & Kaidi Tatham, Decade One is a prestigious moment for the label..

Demarkus Lewis is known for his ability to deliver house music at a deeper level while maintaining the energy that keeps the dance floors moving, Demarkus Lewis has grown to be one of the most respected dance artists in
underground house music today. With just about 30 years of DJ experience he has has traveled and shared his craft with the world over. His music has found its way onto labels such as Large Music,Subtractive, Moods N Grooves, Kolour Recordings, iRecords, Phoenix Recordings, Viva Recordings, Guesthouse Music, Kingstreet Sounds, Pogo House Records, Plastik People, Spacedisco Records and his very own labels Grin Music/Grin Trax (Just too name a few). His cut "Every Night" instantly draws you in and hold keeps you moving using a thick bassline and kick pattern, key stabs and a vocal that binds it all together. The B remix is by Gil Aguilar who takes the dedepness and adds chug. This record sold out fast and there are only a few remaining copies left.

A special 12" reissue of a Detroit techno classic from Gary Martin, originally released in the early 2000s on his Teknotika label.

Built around infectious, loop driven grooves, the record captures the timeless spirit of Detroit techno while showcasing Gary Martin's unmistakable signature sound and singular sonic vision. Over the years, this enduring classic has transcended genres, earning support from influential DJs including Zip and Ben Klock.

Expertly remastered and repressed, this long-overdue reissue brings together all three main versions on a single 12" for the first time. Essential Detroit classic!

Hot on the heels of the Tokyo bliss and Funk Tide sets, Tokyo-based DJ Notoya delivers Tokyo Pulse a new juicy selection of Funk and Modern soul recorded in Tokyo in the 70s and 80s. Most tracks here are making their debut outside of Japan and the album, like its predecessors, has been designed by Manuel Sepulveda (Optigram) and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by Nippon Columbia Records and remastered for vinyl by Colorsound in Paris.

Iconic Argentinian DJ/producer Flug drops full EP on Mutual Rytm Raw with ‘Dew At Night’. Flug, aka Sebastian Lopez, has long been part of the fabric of underground techno with a signature sound that is deep, driving and atmospheric, ensuring that the Argentinian has crafted his own story across the globe. Following his track ‘In Control’ on Mutual Rytm’s ‘Federation Of Rytm IV’ compilation, he follows the likes of KiNK & Raredub and Deetron to make his appearance on sub-imprint, Mutual Rytm Raw, with his ‘Dew At Night’ EP featuring a rare rebuilt version of an unreleased sketch dating all the way back to 2009. ‘Dew At Night’ was unearthed while searching for another track among sessions from over a decade ago. After hearing it again, it sparked a new creative age to rebuild it from scratch, and while experimenting with synthesisers, the main arpeggio appeared. "At first it was hypnotic but harmonically repetitive; the groove and phrasing felt incredibly catchy, so I decided to push the harmony further and change some chords until I found the exact point where emotion and tension could coexist naturally.” Around that bright arp are darker, more raw percussive textures and drums that make for a great contrast and melancholic atmosphere that marries emotion with physical structure. "In my mind, the track was always conceived as a closing track - that moment when the darkness is still there, but the first light of the day starts to appear and the whole atmosphere changes.” After hearing the original, label founder SHDW suggested the Argentinian should remix and reinterpret the record to complete the full EP, and so he steps out of his comfort zone across the remaining tracks, exploring different versions of his musical universe and showcasing all sides of his sound. First up is the ‘Dub Version’, which represents his contemporary sound - the melodic and emotional essence of the original track remains but is translated into a more hypnotic and club-oriented language. The ‘Instrumental Version’ is a brings more progressive-leaning sounds with piano, sax and live percussion textures that, says the artist, allowed him to "rediscover myself as a producer by using tools and influences gathered throughout my long journey in electronic music”. Closing the package, the digital-only ‘Raw Version’ strips away the melody and gets much more primal, introducing a tunnelling groove for when the dancefloor gets dark and moody.

Astro’, the new double LP by Donato Dozzy, is in many ways a culmination and intersection of life-long interests, and Tresor Records is delighted to announce that it will launch into the cosmos on November 20, 2026.
Donato Dozzy is beloved for his way of blending synthesised sounds into seamless, deep, hypnotic works, whether as a DJ or in the studio. So it might come as a surprise that at the root and source of Dozzy’s musical inspiration, we find Japanese children’s cartoons and toys.
In the late 70s into the 80s, Italian youngsters, including Dozzy, were captivated by a wave of Japanese cartoons featuring Jumbo Machinders, awe-inspiring robots on adventures beyond our solar system. Every episode came dubbed into Italian, and had its own specially written Italian theme song, each pressed onto a 7inch single. This was the launchpad for two lifelong obsessions: vinyl records and vinyl figurines, and still kept in his home today in immaculate, carefully tended collections.
In 2025, Dozzy took a sample from the first of the Japanese themes he ever owned, Astro Robot Contatto Ypsylon. Marking the first time he had directly sampled a song for his own work, later to become the track ‘Astro’, this created an impulse to begin a series of new music, sparked by the robots in his collection.
Dozzy’s meticulous respect for his collections is reflected in the precision of these tracks. Elements within each track are harmoniously organised together while ever retaining a sense of space that reflects the cosmic subject matter. Explorative tracks like ‘Raydeen’, and ‘Himika (M Song)’ exemplify this with powerful yet gentle arpeggios, while ‘Pegasu’ brings forth visions of robots assembling for a deep-space mission launch.
Much like the human characters in the cartoons who piloted the Jumbo Machinder robots, on ‘Astro’, Donato takes control of mighty machines such as the EMS Synthi AKS to create sonic journeys for us all to embark on. ‘Jumbo Crack’, written on the AKS, is a soaring beatless piece built of rising bass tones and white noise that combine to conjure taking off from earth or a long journey through space. The whole collection is rounded out with ‘Ryoma (Lò Song)’, a gigantic trance anthem that could easily be the closing credits of your favourite childhood cartoon.
With ‘Astro’, Donato Dozzy pulls together threads in his life: the warp of music and synthesisers intertwining with the weft of childhood memories. A tribute to that freedom to dream, and to the sounds that, from the turntable of his childhood, led him toward alien and technological musical territories.

Named after the tendency to impose familiar likenesses, such as faces, on random - usually inanimate - objects, Pareidolia is Jake Muir's way of interpreting the consonances between so-called “ambient” music and extreme heavy metal. Extracting the headiest, most atmospheric sections from hundreds of death metal and black metal tracks, Muir plays the role of both DJ and electroacoustic composer, concocting a lysergic elixir of fractal distortions and prolonged, decelerated riffs that slowly evaporates into iridescent vapor. If there's any trace of the original sources left, Muir makes sure that residue is subtly bewildering, like clouds in the sky that form imposing, larger than life images, or trampled bracken that falls into the shape of “trve kvlt” insignia.

The idea for the album materialized when Muir was working on 2022's Talisman, his collaborative album with multi-instrumentalist Evan Caminiti. Processing guitar for the first time, Muir began to unpack his long relationship with rock music and its Escher-like maze of sub-genres, from the tech metal he obsessed over as a teenager to Loop and Main's drone-y, textured variants. Scraping the internet for unconventional contemporary metal albums, he stumbled across music that seemed to hover between different realms, merging its frenetic, noisy sections with psychedelic interludes that harmonize with classic industrial and avant-garde music, material like :zoviet*france:, Nocturnal Emissions and Z'EV.

Dance your dance. From the first beat to the last, slow or fast, house music is a home for everyone.

This release symbolises a moment in time. A blueprint for dance music before the world knew what it was. Formally referred to as Garage, House or Loft music in the 80s, Frankie Knuckles and Larry Levan shaped the sound from its roots. Larry, resident DJ at Paradise Garage, New York, Frankie at The Warehouse in Chicago, both prolific remixers and some of the first career DJs. Two close friends. Countless genres. One feeling.

RE:VERSAL are excited to present our third compilation, a strictly limited one-time pressing on high-quality 12" 180g heavyweight vinyl - FULL 12” VERSIONS