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After co-writing a top five song for Kitty Wells, Mommy For A Day, Buck ended
1959 with a hit of his own, Under Your Spell Again. The next six years brought
many more; Foolin' Around, Under The Influence Of Love and Heartaches By
The Number. However, Owens’ popularity had peaked by the late 1960s. So,
in 1969 he embraced the small screen and became co-host of Country Music
TV programme, Hee-Haw. The arrival on the scene of Country-Rock pioneers
the Flying Burrito Brothers in the late 1960s gave Buck Owens another share
of reflected glory. They loved the raw Hillbilly feel of his music, developed to
compete with the string-laden ‘Countrypolitan’ sound so popular in the early
1960s in the hands of Eddy Arnold, Jim Reeves and Patsy Cline.

Five years since his last solo outing, Pev makes a very welcome return on his own label for Livity Sound's 60th release.

Having focused on expanding the innovative scope of Livity through a prolific release schedule, frequent label nights and the 10th anniversary Molten Mirrors compilation, on the 'Pulse E.P.', Pev delivers on his reputation for inventive, sharply-focused club music with four lean, focused club tracks across the tempo range.

From the crooked formation and pointillist bleeps of ‘Pulse I’ through the light-footed percussion and airy melodies of ‘Pulse II’ to ‘Pulse III’s strafing techno synths and ‘Pulse IV’s surefooted, bass-loaded house jack, it’s an EP of variation and consistency in equal measure. From the infectious, alien melodic lines to the elegant angles of the drums, not to mention the weighty subs, it’s all strikingly fresh and unmistakably Pev.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

The album The Skatalite was originally released in 1969 and contains some of the best tracks from the Skatalites cut for producer Duke Reid. It was recorded with the classic line-up, featuring Don Drummond on trombone, Jackie Mittoo on piano, and Jonny “Dizzy” Moore on the trumpet. This 12-track set includes “Eastern Standard Time”, “Dan-De-Lion” and “Yard Broom” amongst others.

The Skatalite is available as a limited edition of 750 individually numbered copies on turquoise coloured vinyl.

Gretchen Goes to Nebraska is the second studio album by American heavy metal/hard rock trio King’s X. It is a concept album based on a short story written by drummer Jerry Gaskill.

The album received virtually universal critical praise for its uniquely progressive musical approach and varied styles and is considered as one of their works, a seminal record within the progressive metal genre. It achieved high slots on various Album Of The Year-lists, including #4 in Kerrang!.

Gretchen Goes To Nebraska is available as a limited edition of
1500 individually numbered copies on gold coloured vinyl.

Malice was one of the more noteworthy bands of the ‘80s Los Angeles metal scene. License to Kill was their second album and was originally released in 1987. Max Norman produced, engineered, and mixed the album, he’s best known for producing several Ozzy albums during the ‘80s, as well as Megadeth’s Countdown to Extinction, and albums of various other metal bands like Y&T, Armored Saint, Savatage, and Lynch Mob a.o.

Old-school Megadeth fans will be tickled to discover that Mustaine and Dave Ellefson are credited with background vocals on two songs. Another guest appearance was made on this album by Tommy Thayer of Kiss. Founder Jay Reynolds later joined Dave Mustaine’s band Megadeth for a brief spell, and after that became a member of Metal Church.

License To Kill is available as a limited edition of 1000 individually numbered copies on translucent blue coloured vinyl

Batmobile is founded in 1983 by Jeroen Haamers, Johnny Zuidhof and Eric Haamers. They’re considered the seminal Dutch psychobilly band and celebrate their 40th anniversary in 2023. To mark this milestone, they present their 15th studio album, entitled Brace For Impact, which features 13 killer tracks. Grab yourself a Batmobeer and brace for impact!

The cover artwork is created by the illustrator and designer Pieter
M. Dorrenboom, who has worked with Batmobile before.

BraceForImpact is available as a limited edition of 750 individually numbered copies on crystal clear vinyl.

Marcos Díaz has been part of Buenos Aires underground for many years, being in projects like Bosques and making solo music under the pseudonym Entidad Animada (animated entity). Under this project, Marcos has explored sounds that involve a mix of feedback/distortion through synthesizers, guitars and drum machines that hint at the influence of Stereolab, Spacemen 3, and mid-nineties shoegaze. However, there are also ambient soundscapes with a slight rubbed of the ritualistic psychedelia of the Popol Vuh. The display of colours in his music comes together in the midst of a playful, relaxed and optimistic environment that is simultaneously melancholic. Because of the nature of those pieces, but also because in Entidad Animada there is also space for collage sounds that blend randomly with textures of a primitive analog sound, which inevitably causes a paradox between what is alive and what is inert. And it is because Entidad Animada is precisely that, a spectrum or a vision, a ghost. And these sounds are proof of his existence.

Pruebas de existencia (proofs of existence) is a collection of recordings that Marcos has made in recent years and that we have selected for this album, his first work on Umor Rex. A couple of these pieces were only released digitally, while the others have been on ltd cassette editions through Fuego Amigo Discos in Argentina. Pruebas de existencia is an Umor Rex compilation and remastered edition.

Guitar, sampler, synthesizer, organ, bass, drums & electronic beats, vocals, recording and mixing by Entidad Animada in Buenos Aires. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY. Cover photography Natch Tablescape (1979) by Langdon Clay. Layout by Daniel Castrejón, Mexico City.

”MIXTAPE Live” zum ersten Mal auf Vinyl!

Angelo Kelly ging 2014 das erste Mal auf MIXTAPE-Tour und die daraus entstandenen Liveaufnahmen sind mittlerweile legendär. Zum allerersten Mal wird dieser Klassiker von ihm als Vinyl-Edition erscheinen.
Mit insgesamt 20 Songs wird dieses legendäre Livealbum auf 2 LPs zu hören sein. Beide Schallplatten sind in einem mega coolen White & Black Splattered-Vinyl. Das ganze kommt dann noch in einem Gatefold Cover.
Viele haben danach gefragt und jetzt ist es endlich soweit: ”MIXTAPE Live“ zum ersten Mal auf Vinyl!

High Roller Records, ULTIMATE EDITION, 3rd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover (revised) , lyric insert, poster (revised), black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony

High Roller Records, ULTIMATE EDITION, 3rd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover (revised) , lyric insert, poster (revised), black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony

High Roller Records, ULTIMATE EDITION, 2nd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric insert, poster, black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony, Cutting by SST

High Roller Records, ULTIMATE EDITION, 2nd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric insert, poster, black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony, Cutting by SST

The triumvirate of Roky Erickson, Tommy Hall and Stacy Sutherland had to feature. Transcendent slower songs (often) don’t feature full band performances – so, no Splash One. The song had to be a band original. So, no Baby Blue. 13 unlucky for some. This compilation launches a new phase in the 13th Floor Elevators catalogue and previews the forthcoming series THE QUEST FOR PURE SANITY: the release in optimal quality of all surviving source material for all of the band’s recordings. ‘13 OF THE BEST’ has been mastered separately to vinyl, CD, digital and streaming for the best possible sound quality for each format. Each original source has been referenced to the earliest vinyl pressing and meticulously transferred at 96khz 24- bit resolution. Multitrack tapes of the original recording sessions have been newly mixed in strict accordance with the records as first released. ‘You’re Gonna Miss Me’, the band’s seminal single, is presented here for the first time in true stereo. Taken from the original multitrack session tape, the song has been mixed to stereo in accordance with the iconic mono 45 as recorded and engineered by Walt Andrus. ‘Slip Inside This House’ viewed by fans and critics alike as the Elevators’ masterpiece and one of the key psychedelic recordings of the era, is included on the LP as the edited mono single mix so the loudest possible cut can be achieved. The eight-minute stereo version is included on all other formats. ‘Never Another’, ‘Dr Doom’ and ‘Livin’ On’ from the band’s final sessions have been newly mixed but without the overdubs added almost a year after recording. While the session tapes survive, the overdubs do not. ‘Livin’ On’ features Roky Erickson’s original superior vocal performance instead of the overdub used on the ‘BULL OF THE WOODS’ LP. What is uniquely presented here is 100% Elevators as mixed and intended for the LP. No embellishments! ‘13 OF THE BEST’ is produced by 13th Floor Elevators official archivist and historian Paul Drummond who has also written sleeve notes with full track-by-track information.

The triumvirate of Roky Erickson, Tommy Hall and Stacy Sutherland had to feature. Transcendent slower songs (often) don’t feature full band performances – so, no Splash One. The song had to be a band original. So, no Baby Blue. 13 unlucky for some. This compilation launches a new phase in the 13th Floor Elevators catalogue and previews the forthcoming series THE QUEST FOR PURE SANITY: the release in optimal quality of all surviving source material for all of the band’s recordings. ‘13 OF THE BEST’ has been mastered separately to vinyl, CD, digital and streaming for the best possible sound quality for each format. Each original source has been referenced to the earliest vinyl pressing and meticulously transferred at 96khz 24- bit resolution. Multitrack tapes of the original recording sessions have been newly mixed in strict accordance with the records as first released. ‘You’re Gonna Miss Me’, the band’s seminal single, is presented here for the first time in true stereo. Taken from the original multitrack session tape, the song has been mixed to stereo in accordance with the iconic mono 45 as recorded and engineered by Walt Andrus. ‘Slip Inside This House’ viewed by fans and critics alike as the Elevators’ masterpiece and one of the key psychedelic recordings of the era, is included on the LP as the edited mono single mix so the loudest possible cut can be achieved. The eight-minute stereo version is included on all other formats. ‘Never Another’, ‘Dr Doom’ and ‘Livin’ On’ from the band’s final sessions have been newly mixed but without the overdubs added almost a year after recording. While the session tapes survive, the overdubs do not. ‘Livin’ On’ features Roky Erickson’s original superior vocal performance instead of the overdub used on the ‘BULL OF THE WOODS’ LP. What is uniquely presented here is 100% Elevators as mixed and intended for the LP. No embellishments! ‘13 OF THE BEST’ is produced by 13th Floor Elevators official archivist and historian Paul Drummond who has also written sleeve notes with full track-by-track information.

Nachdem Thees Uhlmann im Rahmen seiner "Junkies & Scientologen" Tour in den vergangenen drei Jahren 170 Konzerte gespielt hat erscheint am 02.12.2022 das Thees Uhlmann & Band Live Album "100.000 Songs Live in Hamburg". 3LP Edition (Grünes Vinyl, Gatefold), inklusive Din A2 Poster.

European - Indie retail first - limited edition: Black Ice / Red Split with Splatter Vinyl Deluxe LP! All-New Debut Solo Album from JERRY ONLY (bassist/singer) of the Legendary MISFITS! CD/LP packaged in Glow-in-the-Dark ink and spot UV finish. For fans of the Misfits, Halloween, Horror Punk... Features guest appearances by Dave Lombardo (Slayer, Mr. Bungle), Rob Caggiano (Anthrax, Volbeat) and more. All vinyl editions are cut at 45 RPM for maximum sound ferocity!

A deluxe edition as a 2 x LP on yellow vinyl, features bonus demos, b-sides and live session recordings. The Hidden Cameras burst onto the Toronto music scene in the early 2000"s boasting an irresistible combination of pop and queer sensibilities. Playing self-proclaimed "Gay Church Folk Music" a new genre of their own making and songs ranging from haunted, aching ballads to foot-stomping anthems, the band"s outrageous stage shows packed such disparate venues as sweaty dance bars, art museums, a working porn cinema as well as many churches. Fronted by lead singer-songwriter Joel Gibb, the ensemble continues its musical provocations to this day, with Berlin now as its centre of gravity. The Hidden Cameras had yet to release a note of commercially available music when, in early 2002, they became among the most discussed and celebrated unsigned bands in the history of their native Toronto. By the close of the year, they had been the subject of uncommonly sensational features in The Globe and Mail (Canada"s national newspaper) as well as in every daily and weekly in Toronto. The reasons for the reckless enthusiasm of these usually cautious journals was simple: revelatory live performances that attacked and transcended the staid, dispassionate traditions of rock nightclub culture; and the songs of band front-man and mastermind Joel Gibb, a talent of uncommon melodic and poetic gifts. "The Smell of Our Own", The Hidden Cameras debut album was originally released in April 2003 on Rough Trade to tremendous critical acclaim.

Trey Gruber's posthumous debut double LP Herculean House of Cards. A compilation of early demos, studio demos, and live recordings. A tortured songwriter and struggling addict who jolted the tired Chicago DIY scene with his own brand of primal despair, Trey Gruber and his band Parent were on track to join the ranks of Twin Peaks, Mild High Club, and Whitney. His death in 2017 at the age of 26 brought it all to a halt. In his final years Trey wrote and recorded hundreds of previously unheard demos, dandelions in the cracked concrete of 21st century disconnect, an alphabet's worth of which have been compiled by his family and friends for his only album: Herculean House Of Cards. The 26-song 2xLP covers years of material, from home tape recordings, sessions at Mathew Roberts (Mild High Club) & Paul Cherry's home studio, to a studio session with Charles Glanders (Whitney) at Chicago's Foxhall Studios, along with audio taken at The Hideout during his last live performance, among others. Though Gruber was an unrelenting perfectionist who was constantly self-deprecating about his best demos, Herculean House of Cards is a wholly comprehensive and accurate reflection of his infectious charisma and raw songwriting. He had a charmingly distinct way with words but also could be disarmingly vulnerable. Like he was in life, Gruber never shied away from being open with his struggles with alcoholism and addiction. On the vivid opener "Eisenhower to the West Side," he sings in painstaking detail of, "A jail-skin cell, a junkies fight/Corner-boys full of grace/And Jesus Christ full of spite." He told then-future bandmate flautist Rebecca Ridge, "It's not some Lou Reed glorification of drugs _ `makes me feel like a man'_ I talk about the disconnect and the ugliness. They're sad pop songs." But even with the pain and the darkness in his lyrics, Gruber's songs had an unmistakable sense of hope and catharsis.

Trey Gruber's posthumous debut double LP Herculean House of Cards. A compilation of early demos, studio demos, and live recordings. A tortured songwriter and struggling addict who jolted the tired Chicago DIY scene with his own brand of primal despair, Trey Gruber and his band Parent were on track to join the ranks of Twin Peaks, Mild High Club, and Whitney. His death in 2017 at the age of 26 brought it all to a halt. In his final years Trey wrote and recorded hundreds of previously unheard demos, dandelions in the cracked concrete of 21st century disconnect, an alphabet's worth of which have been compiled by his family and friends for his only album: Herculean House Of Cards. The 26-song 2xLP covers years of material, from home tape recordings, sessions at Mathew Roberts (Mild High Club) & Paul Cherry's home studio, to a studio session with Charles Glanders (Whitney) at Chicago's Foxhall Studios, along with audio taken at The Hideout during his last live performance, among others. Though Gruber was an unrelenting perfectionist who was constantly self-deprecating about his best demos, Herculean House of Cards is a wholly comprehensive and accurate reflection of his infectious charisma and raw songwriting. He had a charmingly distinct way with words but also could be disarmingly vulnerable. Like he was in life, Gruber never shied away from being open with his struggles with alcoholism and addiction. On the vivid opener "Eisenhower to the West Side," he sings in painstaking detail of, "A jail-skin cell, a junkies fight/Corner-boys full of grace/And Jesus Christ full of spite." He told then-future bandmate flautist Rebecca Ridge, "It's not some Lou Reed glorification of drugs _ `makes me feel like a man'_ I talk about the disconnect and the ugliness. They're sad pop songs." But even with the pain and the darkness in his lyrics, Gruber's songs had an unmistakable sense of hope and catharsis.

Steve Rothery, Gründungsmitglied und Gitarrist von Marillion, veröffentlichte 2014 sein Solo-Debütalbum 'The Ghosts Of Pripyat', das von der Kritik hoch gelobt wurde, mit Instrumentalisten der Steve Rothery Band und Gastauftritten von Steve Hackett und Steven Wilson. Nachdem das Album über 5 Jahre vergriffen war, erscheint es nun als limitierte Gatefold 180g Transparent Light Blue 2LP Edition.

Music Man returns after a long silence. In the run-up to the release of the B-Sides boxset in May, Luke Slater aka Planetary Assault Systems delivers 2 remixes of one of Frank De Wulf's most legendary tracks 'Magic Orchestra'.

The Flaming Lips veröffentlichten 2002 "Yoshimi Battles the Pink Robots", welches das meistverkaufte Album der Band ist und in den USA mit über 700.000 verkauften Alben mit Gold ausgezeichnet wurde.
Das Album enthält einen der kultigsten Songs der Band - "Do You Realize?" - sowie die Singles Fight Test, Ego Tripping at the Gates
of Hell und den Titeltrack. Die 20th Anniversary Deluxe Edition 5 LP Vinyl Box Set enthält das Originalalbum, B-Seiten, Demos und Radiosessions sowie weitere Raritäten. Die Vinyl-Box enthält 56 Tracks, von denen über 30 bisher unveröffentlicht sind, und 40, die zum ersten Mal auf Vinyl erhältlich sein werden.

The makossa man is back after a hiatus of 18 years with timeless cover versions from Simoncino, F.T.G, Groove Boys Project & Carlos Nilmmns ! Limited edition, for DJ use only.

The Bass Junkie sound spans the old school beats and vibes of the Electro genre’s origins, to the borderline industrial. Phil is a battle hardened Bass Bot from the future armed with his trusty MPC.

The obsession with all things sci-fi continues with this 'Cruising The Bass Nebula' EP. Out this February on my Asking for Trouble label, this is testament to his non-stop love of the genre and keeps on evolving with this funky 10".

Phil Klein aka Bass Junkie has been part of the Bass furniture for decades. I first came across him at my local roller disco somewhere in the 80s where he would flex his early DJ skills. Phil was cutting and scratching on the decks way before anyone I knew.

His history is quite something. In the early 90s he contacted Dave Noller from Dynamix II in Florida and after sending demos (pre-Internet of course). He ended up going there to make some tunes under the name of Cybernet Systems.

Phil has had many monikers and worked with lots of people over the years. Model Citizens with Matt Whitehead, IBM, Gods of Technology and Kronos Device with Si Brown (Dexorcist) and myself both as The Brink and part of The Resonance Committee to name a few. 2021 saw the release of the album Sub Sonic Survivor on Bass Agenda. He's had releases on lots of labels over the years including Control Tower, Firewire, SMB, Ed DMX's Breakin records, Andrea Parker's Touchin Bass label, Billy Nasty's Electrix and his own Battle Trax label.

Throbullating throughout the galaxy since 1986!

Another classic release on Makin' Madd Records in the rebound! This time it's The Shadow aka Lou Robinson of SCAN7) "The Lurking Shadow EP" which came out 1995 will be soon available again on solid black vinyl. Re-mastered edition - don't sleep! Special thanks to Mr. Terrence Parker!

In 2015, when we launched Hip Dozer, we were overwhelmed by the amount of talent that was still championing this old school way of making beats and the incredible creativity that was circulating in the scene.

In a period where hip hop was evolving so much and going further (sometimes for the better but also for the worse), it was obvious to us that we had to defend this rising scene of young beatmakers who were so attached to the roots of old-school beatmaking but who were always taking it to another level.

It's been 7 years since we created Hip Dozer Records with our first anniversary compilation and that's what makes this compilation so special every time. Its purpose remains the same and will always be to champion the art of beatmaking that we love and to help showcase new artists in the scene.

This year we are lucky enough to have some of our favourite talents from the scene on board with artists like Saib, Flughand, Phoniks, Cookin Soul, SoulChef and Wun Two.

We would like to say a huge thank you to all the artists who have been involved in this project and who have been as enthusiastic as we are in making it happen. It has been such a pleasure since the beginning of this adventure and this is only the beginning. Much love to all of you who listen and support wherever you are.

Its been some years since HARD TIMES dropped new music in our laps, but having kick started a new wave with March’s release of Steve ’Silk’ Hurley’s stunning ‘All I Need’, featuring Sara Garvey on vocal duty, the label follows up swiftly with more precision groovemanship.. this time from Hudd Traxx label boss and core HARD TIMES family member, Eddie Leader.

As a DJ, producer, promoter and label boss Eddie has, over a twenty five year career, become a standard bearer for UK House Music. His own productions have graced seminal labels including Classic, Robsoul, Plastic City, Morris Audio and Balance Alliance, while his own Hudd Traxx imprint has become a go-to for many a discerning disc jockey. Its roster boasts releases that feature Matthew Herbert, Rolando, Jovonn, Rick Wade, Agnés and More.

Fresh from remixing Hurley’s ‘All I Need’, Leader now looks to ’Slow Everything Down’ with four fresh jams of his own that all stay true to the Hard Times ethos of quality, deep underground sounds.

Preaching from the front is ’Stand Up’, with its warm groove, piercing piano chords and soulful sermon. So come on… Stand up, to get down. On ‘Gratitude Power’ a seismic kick drum and bass combo pave the way, garnished with keys, synth stabs, bongos and a sprinkling of vocal as the track winds things on smoothly.

‘Slow Everything Down’ is where its at. A calmer, warmer groove, built from raw beats, spoken word and glistening piano. Coolness personified. This is where we're at. Leader slows and closes with final cut ’To Me To You’, icing the EP to perfection with its drowsy and hypnotising keys.

HARD TIMES continue to deliver the good times.

"Shut Him Down” was the third song written by Michael Leonhart & Elvis Costello during the 2020 quarantine. The first two, “Radio Is Everything” and "Newspaper Pane”—both of which were produced by Leonhart —appeared on Elvis’ 2020 solo album, Hey Clockface.
Michael and Elvis first met in 2007 at the Molde Festival in Norway, where Costello and the late Allen Toussaint shared a double bill with Steely Dan, with whom Leonhart has played since ’96. The two kept in touch over the ensuing years, including joining forces in 2015 for an Elvis Costello & The Imposters/Steely Dan tour. Early on in the quarantine, Leonhart sent Costello some instrumental music in need of lyrics. Costello states “Michael sent this music to me from New York at the perfect time.” After finishing the first two songs, Leonhart asked Costello to sing over an original heavy Afrobeat song he had been recording with his Michael Leonhart Orchestra during lockdown. Costello crafted lyrics that exist at the crossroads of political commentary and existential contemplation. Leonhart then asked NY rapper, JSWISS to write a verse building off Elvis’ lyrics and the drums grooves of Nick Movshon and Homer Steinweiss. Antibalas guitarist Luke O'Malley then came on board to write and record additional guitar parts.

Side A ends with a fiery bass clarinet solo from Chris Potter, while side B features an extended tenor sax solo from acclaimed saxophonist Joshua Redman.

"Shut Him Down" was first released in March 2022 on The Michael Leonhart Orchestra album, The Norymn Suites (Sunnyside Records) and now becomes available as a limited edition 7” b/w instrumental through Mighty Eye Records in partnership with Fat Beats.

Four disco edits aimed straight at the dance floor, rumoured to come from within the Crazy P camp.

All tracks from 2021 transfers and newly remastered - LP editions include a booklet featuring unseen photos and liner notes by Lenny Kaye, plus contributions from Nick Cave and Devendra Banhart // Karen Dalton's 1971 album, In My Own Time, stands as a true masterpiece by one of music's most mysterious, enigmatic, and enduringly influential artists. Celebrating the album's 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A newly expanded booklet-featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart-rounds out the CD (32-pgs) and LP (20-pgs) packages.

"Released in April 1966 by Decca Records, Aftermath was the Rolling Stones’ fourth British studio album. It was issued by London Records in the US in June 1966. Recorded at the RCA Studios in California, it was their first album released in true stereo.
It is also one of the first ‘popular’ albums to eclipse the 50-minute mark, and contains one of the earliest rock songs to exceed 10 minutes (the blues jam Goin’ Home). The album’s release was briefly delayed by controversy over the original packaging idea and title – Could You Walk on the Water? – due to London Reocord’s fear of offending Christians in the US.

The album was considered an artistic breakthrough for the band, being the first to consist entirely of Jagger–Richards compositions, (after their maverick young manager, Andrew Loog Oldham, had shut them in the kitchen of their flat until they had written some more original songs!).
It also featured strongly the immaculate guitar work of Brian Jones and the remarkably wry, observant song-writing of Jagger–Richards
Jones played a variety of instruments not usually associated with their music, including sitar, dulcimer, marimbas and Japanese koto, as well as guitar, harmonica and keyboards, though much of the music is still rooted in Chicago electric blues. The burgeoning influences of psychedelia, Bob Dylan and the tensions around the world, are evident in classics like Paint It Black, an eerily insistent number one hit, available on the US version of the LP.

Other classics included the jazzy Under My Thumb, where Jones added exotic accents with vibes, and the delicate Elizabethan ballad Lady Jane, with distinctive dulcimer, the wry observational Mother’s Little Helper with its unashamed lyrical drug references, and the overlooked gem – the brooding, meditative I Am Waiting.

The American edition was issued with a shorter track listing, substituting the single Paint It Black in place of four of the British version’s songs, in keeping with the industry preference for shorter LPs in the US market at the time."

"Released in April 1966 by Decca Records, Aftermath was the Rolling Stones’ fourth British studio album. It was issued by London Records in the US in June 1966. Recorded at the RCA Studios in California, it was their first album released in true stereo.
It is also one of the first ‘popular’ albums to eclipse the 50-minute mark, and contains one of the earliest rock songs to exceed 10 minutes (the blues jam Goin’ Home). The album’s release was briefly delayed by controversy over the original packaging idea and title – Could You Walk on the Water? – due to London Reocord’s fear of offending Christians in the US.

The album was considered an artistic breakthrough for the band, being the first to consist entirely of Jagger–Richards compositions, (after their maverick young manager, Andrew Loog Oldham, had shut them in the kitchen of their flat until they had written some more original songs!).
It also featured strongly the immaculate guitar work of Brian Jones and the remarkably wry, observant song-writing of Jagger–Richards
Jones played a variety of instruments not usually associated with their music, including sitar, dulcimer, marimbas and Japanese koto, as well as guitar, harmonica and keyboards, though much of the music is still rooted in Chicago electric blues. The burgeoning influences of psychedelia, Bob Dylan and the tensions around the world, are evident in classics like Paint It Black, an eerily insistent number one hit, available on the US version of the LP.

Other classics included the jazzy Under My Thumb, where Jones added exotic accents with vibes, and the delicate Elizabethan ballad Lady Jane, with distinctive dulcimer, the wry observational Mother’s Little Helper with its unashamed lyrical drug references, and the overlooked gem – the brooding, meditative I Am Waiting.

The American edition was issued with a shorter track listing, substituting the single Paint It Black in place of four of the British version’s songs, in keeping with the industry preference for shorter LPs in the US market at the time."

Ursprünglich wurde Lost Not Forgotten Archives bereits 1997 als internationale Fanclub-Sammlung veröffentlicht: The Making of Falling Into Infinity (1997) dokumentiert im Detail die Entstehung des vierten Studioalbums der Band. Diese Sammlung, die den Fans einen seltenen Einblick in den Entstehungsprozess eines Dream Theater-Albums gewährt, wurde neu gemastert und ist nun als Special Edition CD Digipak, Gatefold black 2LP+CD, Ltd Gatefold dark green 2LP+CD und als Digitales Album erhältlich.

Jamaican-born trumpeter Dizzy Reece was a fixture of the London jazz scene before moving to New York City in 1959 where he recorded his excellent album Star Bright, a hidden gem in the Blue Note catalog featuring a first-rate hard bop quintet with Hank Mobley on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass & Art Taylor on drums.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

The New York-based heavy metal band Riot released their third studio album Fire Down Under in 1981, which instantly became their most popular effort and is considered by many to be an early ‘80’s classic. It was the last album to feature the vocalist Guy Speranza.
The album features Riot’s most recognizable and popular tune “Swords
& Tequila” as opening track. Other standouts include the fast-paced title
track “Fire Down Under”, “Outlaw,” and “Don’t Bring Me Down.”
Fire Down Under is available as a limited edition of 750 individually
numbered copies on translucent red coloured vinyl.

Archetype is known to many as one of the frontmen from cult classic Granville Sessions, plus a
founding Moose Funk Squad member. Now, after 5 years in the making his debut album, The Zip
Folder LP is ready for release.
Archetype called upon Granville Sessions MPC don Giuseppe 'Zippo' Falcone for a selection of
samples. After some deliberation and delay these were then fully recreated with live instrumentation, played largely by Ed Koral (another Granville alumnus and multi-instrumentalist); plus the help
of Berlin-based sax and trumpet players Christoph and Yannick.

Remastered Deluxe-Ausgabe von Braids legendärem Album 'Frame & Canvas' (1998) zum 25-jährigen, ein genredefinierendes Grundnahrungsmittel und laut Rolling Stone US Rang #5 der Top40 Emo-Alben aller Zeiten. Im neuen Mix von Originalproduzent J. Robbins (The Promise Ring, Against Me!). Braids Einfluss auf zahlreiche Bands und DIY-Szenen, die in ihrem Gefolge entstanden sind, ist enorm und unbestritten. Silberfarbenes Vinyl im neuen Packaging mit zusätzlichen Linernotes von jedem einzelnen Bandmitglied.