Search:elec

Dark acid from the Pukemaster.

2021 repress on black vinyl, first released in only 50 copies in the legendary Bunker Mantra Box, but now for a short time available to the general public. Dark and manic house from the Acid Coloniae of Cologne, by Andreas Gehm (aka The Minister), whos profile has been raised recently with a ton of hyped releases and remixes for o.a. Snuff Traxx & Robert Ownes. First part of a two parter.

2021 REPRESS, first released in only 50 copies in the legendary Bunker Mantra Box, but now for a short time available to the general public. Dark and manic house from the Acid Coloniae of Cologne, by Andreas Gehm (aka The Minister), whos profile has been raised recently with a ton of hyped releases and remixes for o.a. Snuff Traxx & Robert Ownes. Second part of a two parter.

Fuckin' face, mo' better blue!

It’s with a pride filled, yet heavy, heart that Schrödinger’s Box bid a welcoming return to the uncrowned King of Acid, Andreas Gehm. After Cosmic Interrail come four tracks of acid scorn, corrosive jack and twisted spite. Under his own name, and the time honoured mantle of Elec Pt 1, Cologne’s 303 contortionist serves three works dripping in bitter bars and skewered by claps and snares. “Captain Future” sits outside of the quartet, a carnival outake of whirling lights and crashing cymbals. Pure quality from the Acid King. Yellow / marbled vinyl.

For this 14th release, we give you the opportunity to grab 6 fantastic trax done by one of today's hotest producer from germany : ANDREAS GEHM aka ELEC PT1.After a bunch of releases on MATHEMATICS, BUNKER, CHIWAX, SNUFF TRAX, he sent us his brand new tracks & we felt it was so good that we decided to release them straight !His sound is firmly rooted in proto-house and acid. A whirlwind of crystalline electronics, playful synthesizer riffs (with a dash of original chi-town jack thrown in), it comes on like a particularly cosmic jam session between Stevie Poindexter & drexcya. Jack Attack ! On this evidence, Andreas is clearly one to watch

Selected feedback:
Miki Craven (Dead Rose Records/Kobayashi/TWD/Outpost, Barcelona)
'Like all the tracks. Hard to say'
favourite track: Displacement rating: 4/5
J.C. (AHD, Tresor, Deeply Rooted House, Soul People Music)
'Tyskie Bey remix is pretty cool!'
favourite track: Displacement (Tyskie Bey Remix) rating: 5/5
MARCEL DETTMANN (Berghain, Berlin)
favourite track: Displacement rating: 5/5
Juho Kusti (Deep Space Helsinki)
favourite track: Displacement (Tyskie Bey Remix) rating: 4/5
Angel Molina (Barcelona)
'Displacement (original & Tyskie Bey Rmx)' do especially for me, these are the 2 tracks I'll test from here. thanks!'
favourite track: Displacement (Tyskie Bey Remix) rating: 4/5
Tomohiko Sagae
'cool.A2 for me.'
favourite track: Edict rating: 5/5
NX1 (Nexe Records, Barcelona)
'Very nice originals and remixes. full support for this label.'
favourite track: Edict rating: 5/5
Dj Developer (Modularz, USA)
'track 1 & 2 !! thanks'
favourite track: Displacement rating: 4/5
Arnaud Le Texier (Children Of Tomorrow /Safari Electronique)
'Thx I will play!'
favourite track: Displacement (Tyskie Bey Remix) rating: 4/5
Paul Mac (UK)
'All about the Elec Pt.1 version. Heavy Vibes :)'
favourite track: Displacement (Elec Pt.1 Remix) rating: 4/5
Takaaki Itoh (Japan)
'really like edict, full support.'
favourite track: Edict rating: 5/5
Inigo Kennedy (Asymmetric UK)
'Both the Displacement remixes work well for me!'
favourite track: Displacement (Elec Pt.1 Remix) rating: 4/5
Dj Deep (France)
'Nice release'
favourite track: Displacement rating: 4/5
Kwartz (Pole Group, Spain)
'Cool EP! The four tracks are great, thanks!'
favourite track: Edict rating: 4/5
Anthony Parasole (Brooklyn, NYC)
'Tyskie Bey for me, thanks!'
favourite track: Displacement (Tyskie Bey Remix) rating: 4/5
Vincent de Wit (The Hague, The Netherlands)
'WTF ! Great tunes to play. Realy some insane 909 tracks!!'
favourite track: Displacement (Elec Pt.1 Remix) rating: 4/5

Snuff Trax celebrates magic record release number 010: - Happy Jackin Birthday!' For this little anniversary we asked four great artists to rework chosen tracks from the label`s back catalogue. Leading us off, Mr White (you know him from his collaboration with Larry Heard) made an edit of Snuff Crew`s - Are You House'. Followed by Humandrone from Tokyo remixing Perseus Traxx - - Don`t Feel Alone'. On the flipside you hear a remix treatment for Raiders of the lost ARP - - Stealing My Love' made by our man Takeshi Kouzuki of Kobe/Japan. And last but not least DimDJ from Thessaloniki created his own version of - Galaxian Journey' by Elec Pt.1

Dina Summer is the Berlin-based collaborative project of Greek-German dark-disco couple Local Suicide and Bavarian electronic producer Kalipo. The supergroup began working together in 2019 and have since been refining their combined sound. It is a unique blend of their influences, drawing from 80s italo disco, new wave, EBM and early 00s electroclash for a dark retro-futuristic synth/wave pop sound that stands out with club-ready basslines, epic melodic hooks, and lyrics ranging from dadaist abstractions to empowering, thought-provoking themes.

The trio will return with their new mini album, “Children Of The Night”, bringing together all the elements that have defined their sound so far. From the disco infused synth pop of “Burning Heart” and “Bats In Paris,” recalling their debut album Rimini (2022), to the dark club driven tracks “Fuel”, “Komodo 3000”. and the title track “Children Of The Night,” which echo the atmosphere of Hide & Seek (2024), and the dark wave influenced indie songs “Rat Race” and “On The Road”, which would have felt right at home on “Girls Gang” (2025), the release showcases the full spectrum of the band's musical identity. The nine track record takes its title from and pays homage to Bela Lugosi's iconic line in Dracula (1931): “Listen to them. Children of the night… what music they make”.

Format: Ltd transparent clear vinyl

Dina Summer ist das in Berlin ansässige Gemeinschaftsprojekt des griechisch deutschen Dark Disco Duos Local Suicide und des bayerischen Elektronikproduzenten Kalipo. Die Supergroup begann 2019 gemeinsam zu arbeiten und hat seitdem ihren gemeinsamen Sound kontinuierlich weiterentwickelt. Dieser verbindet auf einzigartige Weise ihre Einflüsse und schöpft aus Italo Disco der 1980er Jahre, New Wave, EBM und Electroclash der frühen 2000er. Das Ergebnis ist ein dunkler, retro futuristischer Synth Wave Pop Sound, der sich durch clubtaugliche Basslines, epische melodische Hooks und Texte auszeichnet, die von dadaistischen Abstraktionen bis hin zu empowernden und zum Nachdenken anregenden Themen reichen.
Das Trio kehrt nun mit seinem neuen Mini Album „Children Of The Night“ zurück, das alle Elemente vereint, die ihren Sound bisher geprägt haben. Von dem Disco geprägten Synth Pop von „Burning Heart“ und „Bats In Paris“, der an ihr Debütalbum „Rimini“ (2022) erinnert, über die düsteren, cluborientierten Tracks „Fuel“, „Komodo 3000“ und den Titelsong „Children Of The Night“, die die Atmosphäre von „Hide & Seek“ (2024) aufgreifen, bis hin zu den von Dark Wave beeinflussten Indie Songs „Rat Race“ und „On The Road“, die ebenso gut auf „Girls Gang“ (2025) hätten erscheinen können, zeigt die Veröffentlichung die gesamte Bandbreite der musikalischen Identität der Band.
Das Album mit seinen neun Tracks trägt seinen Titel in Hommage an Bela Lugosis ikonische Zeile aus dem Film Dracula (1931): „Listen to them. Children of the night… what music they make.“

The almighty Joe of the Farr’s is a highly accomplished UK techno DJ, producer and mastering engineer. Originally associated with Bristol's electronic music scene, Joe studied TV and film sound design before building a solid reputation through hard-hitting, technically sophisticated techno releases on labels including Turbo, DSNT, Bloc, Soma and Power Vacuum. His concentrated output combines aggressive club-focused rhythms with melodic and IDM-inspired elements. Now based in Wales, performing internationally and on home turf, he also operates a professional mastering engineering operation of the highest esteem of which RIOT could simply not operate without, as many others will gladly attest too.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, we’ve finally let loose the screamer of a release, from such an integral member of RIOT HQ, that’s been patiently ‘Left Alone’ and waiting for the right time to unleash its User Experience. Joe’s totally went one step beyond and cranked out a pressure filled release of not only persistent anthemic prowess but one of such rigorous determination, all those on the dance floor MUST ‘Obey’ to its diligent beats. And with Rant & Rave Records boss Maedon serving up such an iconoclastic relentless remix, you will absolutely need to submit complicitly to all things RIOT.

The full digital release also features two bonus meticulously disciplined tracks to fulfil your obedient, subservient requirements.

WARNING: NON STOP BREAKIN’ N’ STOMPIN’ N’ BOPPIN’ TO THE RIOT BEATS WILL MANIFEST ITSELF

French composer, artist and co-founder of Transversales Disques, Jonathan Fitoussi has developed a distinctive body of
work over the past two decades, blending analog synthesis, minimalism and electronic music.

Inspired by the mineral landscapes and luminous atmosphere of southeastern France, DELTAS is his fifth solo studio album.
Combining hypnotic drum patterns, flowing pulses, shimmering electronic textures and contemplative movements, it unfolds as a deeply immersive journey through space, light and motion.
A rich and evocative work from one of the most singular voices in contemporary electronic music.

Sweet Apricots presents its first vinyl release: Daniel Masson – Baul Dimension EP.

In the early 2000s, French composer and producer Daniel Masson travelled to Dhaka to record musicians and singers from Bangladesh’s Baul tradition, a mystical musical culture centred on freedom, inner exploration and universal love.

Originally released as a 13-track album, Baul Dimension appears here on vinyl for the first time through a carefully selected four-track EP. The record brings together the original version, Daniel Masson’s hypnotic Anniversary Version, and two remixes by Lucas Desmottes, aka Roy Vision.

A regular guest at Sweet Apricots parties, Roy Vision translates the spirit of the dancefloor into two deep, percussive and jazz-informed versions: the uplifting Higher Self Mix and its spacious, powerful dub counterpart.

Between organic voices, traditional instrumentation, electronic textures and hypnotic rhythms, Baul Dimension EP is a journey made for attentive listening as much as for adventurous dancefloors.

Cut at The Carvery, London and pressed with particular care by Disques Garcia

Zima Stulecia ignites the dance floor with their new EP 36,6 °C, via Astigmatic Records. This hypnotic journey blends electronic beats with a feverish energy, pushing listeners into a euphoric sonic experience.

FIRST TIME ON VINYL! “Instalação Do Samba”, originally released in 2004, has become one of the defining albums in the history of Schema Records. With producer Stefano “S-Tone Inc.” Tirone, Toco created an album that embraced the essence of samba and bossa nova while allowing them to breathe naturally within a contemporary musical landscape, blending Jazz, soul, understated electronics and sophisticated arrangements. Released only on CD at the time, “Instalação Do Samba” is finally given the analogue home it always deserved. This first-ever vinyl edition also includes “Qui C’Est Celui-Là”, previously included in the French CD edition. Over the years, Toco has become the most streamed artist in the entire Schema catalogue, introducing his music to audiences beyond the traditional boundaries of Brazilian jazz and contemporary bossa nova. His songs continue to resonate with listeners around the world, proving that authenticity never goes out of style.

From the fires and floods of the Australian bush on her debut, Soon, which Phil Elverum reissued via his label, P.W. Elverum & Sun, tiarn now takes us to the shores of the Pacific Ocean where classical and electronic arrangements move with an ever-present longing for connection and nature. Stretton has weaved a new world, set on the brink of night, when the world is soft and suspended in blue. Living in isolation near the ocean, overlooking the winter migration of whales, Stretton would regularly swim during the brief 20-minute period known as the blue hour. Ideas would come to her in the icy salt water, and walking home in the dark, she would carry melodies back to record that night. At its heart, tiarn reflects ecological grief and the search for connection in a changing world. tiarn is also inspired by a piece of home camera footage Stretton found of her family in Japan where they lived in the ‘90s before she was born.

It shows the distant mountains, and Stretton’s young family looking over the valley in the soft static of one summer evening. Decades later, using the untouched synth her parents had bought in Tokyo in 1991, Stretton began recording music directly to that footage, letting the images dictate the melody. Voices, insects, weather, movement, and the ambient sounds of the valley are woven throughout the record itself, blurring the line between documentation and composition. The result is an album that feels less created than uncovered — something remembered rather than made. Stretton’s work continues to carve a singular path in contemporary music, balancing environmental awareness, experimental composition, and deeply personal storytelling.

'Everyone' was Recorded in Tokyo, Japan over two days in late September 2025. The album musically chronicles Greg Foat's first tour of Japan. The album was commisioned by Tokyo based clothing Label 'Everyone' and is a fantastic mix of Ambient, Jazz and Electronic music genres

Each track celebrates a special memory of the tour, from the opener 'Shirahama Beach' home to the wonderful FFKT festival to the playful 'Lake Haruna Boat Ride'.

The album also features Tokyo based jazz musicians Kensuke Miyaki on Baritone Saxophone and Bass Clarinet and Yoshihiro Kaneko on Double Bass. Limited to 700 vinyl copies only with obi strip.

For the 10 year anniversary of La Luna, we are excited to share with you this special 007 from Akasha Chronicles, an alias of Silat Beksi.
Akasha Chronicles released his first EP on the Wex sub-label, AHAAD, back in 2018.
After 8 years, he returns with this sentimental mini LP dedicated to his home country, Ukraine.
This release holds a special place in his heart, as he transformed his pain and dealings with the ongoing war into these six tracks which make up History of Great People.
He also wrote a manifesto about the album, his feelings, and the process behind the creation of the album.
Berlin-based artist Memo, who also did the artwork on the first La Luna, returns after 10 years to gift us with another one of his trippy and complex paintings, filled with different worlds the more you observe.
A portion of the sales will be donated to the Ukrainian NGO Repair Together, which focuses on dancing and raving to electronic music while they repair houses destroyed by the war in Ukraine.
Written and produced by: Anatolii Antipin
Artwork by Memo
Mastered & Cut by Analogcut, Berlin
Limited 200 copy press.

This latest project by Groovedesign Kollective is rooted in movement, thoughtful tension, joyful repetition and dreamy release.

United Tribes
The Groovedesign factor shapes itself in the opening track 'United Tribes' by repositioning intimacy over chaos, a life affirming sound that belongs to those magic early morning hours that really shape experiences. And generations. A unique blend of Afro, Funky beat and Disco Clubby grooves merging with visionary House piano's themes within a rich, deep electronic tapestry and dubby effects.

Supremes
This track perfectly complements the previous yet it is its own groove and carries great dancefloor weight. Further developing the concept of exquisite fusion and fine contamination between already blurred genre's lines, where feelings and emotions meet their sonic counterparts.

Feeling the dancefloor comes as a second nature to Groovedesign: unrelenting yet subtle, innovative yet grounded. Their music carries experience and innovation without announcing itself, guided by an intuitive sense of energy rather than formulas.

Some records are about rhythm. Others are about atmosphere. Hidden Soul EP exists somewhere in between -- a collection of electronic transmissions where intricate programming, analogue textures, melody, breaks and acid come together in a constantly shifting landscape. For their debut on Analogical Force, The 89th Passenger delivers five tracks that move between detailed electronic structures, hypnotic rhythms and deeply atmospheric passages. Beneath the machines and intricate programming, there is an unmistakable sense of melancholy, giving the record a depth that goes beyond its electronic foundations. Hidden Soul EP moves between intricate electronics and abstraction, reaching unexpected emotional heights while maintaining a strong sense of sonic depth and physicality. A record for close listening, late-night journeys and those moments when machines become something more than machines.