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Minimal Wave presents ‘Recordings 1980-1982’ (MW077), a triple 7” box set by pioneering south Florida synth-punk band Futurisk, in honor of their 40th anniversary. Founded by Jeremy Kolosine in 1978, Futurisk recorded many songs and performed live throughout the early 1980s. Though they had released two 7”s that sold out, had a legendary live show, and even some videos, by 1984 Futurisk was history. Eventually, the main core of Futurisk would be the Jeremy Kolosine, Richard Hess, and Jack Howard line-up though much happened leading up to this point.
In 1979, the teenage Jeremy Kolosine won studio time and money in a competition with his drum-machine-triggered guitar-synth act called ‘Clark Humphrey & Futurisk’. He decided to form a band around the name to record a more punk release titled The Sound of Futurism 1980 / Army Now. It was an ambivalent anti-war anthem with Jack Howard on drums, Frank Lardino on synth, and Kolosine on vocals and guitar synth. Many live shows ensued with the line-up which included Jeff Marcus on bass and Vinnie Scrimenti on drums but in 1981 a rift between the band caused them to part ways. They continued for a bit as ‘Radio Berlin’ (no relation to the Vancouver act) and Kolosine, who had gotten absorbed in a new analog synthesizer with sequencer continued as Futurisk.
He recruited synthesist and recording engineer Richard Hess who had a myriad collection of Moogs, Oberhieims, and CATs. Jack Howard returned on drums and syn-drums and the lineup for the Player Piano EP was cast. The EP, like the live show, was a strange blend of punk, minimalist, and disco-influenced electro-pop, with drum machine triggered synths and often frantic real drums all led by Kolosine’s schizophrenic Bowie / Ferry / Foxx adulations. It was recorded by Richard Hess and the band in the rooms of a friend’s house. The drum sound, recorded in a bathroom, rocks, even today. Reportedly, Futurisk may have been the first synth-punk band in the American South, and their 1981 track ‘Push Me Pull You (Pt. 2)’ was an early pre- ‘Rockit’ excursion into electro-funk.
The ‘Recordings 1980-1982’ box set includes three 7”s, an Army Now (1982) Flexi 5” x 7” postcard, and a 16-page full-color booklet featuring unpublished photographs of the band, the history of the band, and an interview with founder Jeremy Kolosine. The three 7”s are The Sound of Futurism 1980 / Army Now which includes an unreleased track from the same session, the Player Piano five-song 7” EP from 1982, and the Ocean Sound 7”, which has not been released in this format until now. All three 7”s are remastered, pressed on heavyweight 70-gram vinyl, and housed in heavy color printed matte sleeves featuring the band’s original artwork. The box is case wrapped and depicts an early illustration of the band printed in black on white with a spot gloss. Limited edition of 600 copies.
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- A1: Willie Dunn - I Pity The Country
- A2: John Angaiak - I'll Rock You To The Rhythm Of The Ocean
- A3: Sugluk - Fall Away
- A4: Sikumiut - Sikumiut
- A5: Willie Thrasher - Spirit Child
- A6: Willy Mitchell - Call Of The Moose
- B1: Lloyd Cheechoo - James Bay
- B2: Alexis Utatnaq - Maqaivvigivalauqtavut
- B3: Brian Davey - Dreams Of Ways
- B4: Morley Loon - N' Doheeno
- B5: Peter Frank - Little Feather
- B6: Ernest Monias - Tormented Soul
- C1: Eric Landry - Out Of The Blue
- C2: David Campbell - Sky Man & The Moon
- C3: Willie Dunn - Son Of The Sun
- C4: Shingoose - Silver River (poetry by Duke Redbird)
- C5: Willy Mitchell & Desert River Band - Kill'n Your Mind
- D1: Philippe McKenzie - Mistashipu
- D2: Willie Thrasher - Old Man Carver
- D3: Lloyd Cheechoo - Winds Of Change
- D4: The Chieftones (Canada's All American Band) - I Shouldn't Have Did What I Done (Canada's All American Band)
- D5: Sugluk - I Didn't Know
- D6: Lawrence Martin - I Got My Music
- E1: Gordon Dick - Siwash Rock
- E2: Willy Mitchell & Desert River Band - Birchbark Letter
- E3: William Tagoona - Anaanaga
- E4: Leland Bell - Messenger
- E5: Saddle Lake Drifting Cowboys - Modern Rock
- E6: Willie Thrasher - We Got To Take You Higher
- F1: Sikumiut - Utirumavunga
- F2: Sugluk - Ajuinnarasuarsunga
- F3: John Angaiak - Hey, Hey, Hey Brother
- F4: Groupe Folklorique Montagnais - Tshekuan Mak Tshetutamak
- F5: Willie Dunn - Peruvian Dream (feat Jerry Saddleback - part 2)
Deluxe 3LP mit 34 neu gemasterten Tracks und einem 60-seitigen Buch mit ausführlichen Linernotes, Interviews, bisher ungesehenen Archivphotos und den Texten (samt Übersetzung) in einem ,Tip On"-Schuber und drei ,Tip On"-Sleeves. Linernotes von Kevin ,Sipreano" Howes. Bisher fast nicht an die Öffentlichkeit gedrungen, kaum dokumentiert, aber im Kern ungeheuer revolutionär, nehmen die Aufnahmen verschiedenster Gemeinden amerikanischer Ureinwohner endlich in Form von ,Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966-1985" den Platz ein, den sie verdienen. Eine Anthologie von Musik, die einst fast ausgestorben, aber nun für alle zu hören, ist ohne Frage eins der ambitioniertesten Projekte in der 12-järhigen Geschichte von Light In The Attic. ,Native Norht America (Vol. 1)" versammelt Musik der eingeborenen Völker Kanadas und der nördlichen USA, die in den turbulenten Jahrzehnten zwischen 1966 und 1985 aufgenommen wurde. Die Musik spiegelt die Zusammenführung globaler Popkultur und die Neuerweckung der eingeborenen Spiritualität und Ausdruckskraft wider. Der größte Teil dieses Materials war über Jahrzehnte lang durch fehlende Distributionskanäle und wenig Präsenz in den Massenmedien in Vergessenheit geraten - bis jetzt! Hier versammelt sich Garage Rock vom Polarkreis aus der Nunavik Region des nördlichen Quebec, melancholischer Yup'ik Folk aus Alaska und flüsternder Country Blues aus dem Wagmatcook First Nation Reservat in Nova Scotia. Man vernimmt Echos von NEIL YOUNG, VELVET UNDERGROUND, LEONARD COHEN, CREEDENCE CLEARWATER REVIVAL, JOHNNY CASH und anderen in den Songs, die jedoch mit eingeborenem Bewusstsein, Erzählkultur, Poesie, Geschichte und Zeremonie angereichert werden. Die Compilation ist gewidmet dem legendären Métis Singer/Songwriter und Dichter WILLIE DUNN, der auf der Anthologie auftritt, während der Zusammenstellung des Albums jedoch verstarb. ,Native North America (Vol. 1)" ist nur der Anfang; eine Zusammenstellung von Folk, Rock und Country aus den südlichen 48 Staaten der USA und Mexiko wird momentan in der Light In The Attic Goldmine ausgegraben.
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- A1: Thanatos (Dubfire remix)
- A2: Mother Wading In The River (Evs remix)
- B1: Heathen (VRIL remix)
- B2: Mother Wading In The River (Flug Broken remix)
- C1: Mother Wading In The River (Cassegrain remix)
- C2: Heathen (Steve Rachmad remix)
- D1: Wolfman’s Dream (Yotam Avni remix)
- D2: Heathen (Intercity Express remix)
- E1: Wolfman’s Dream (Markus Suckut remix)
- F1: Mother Wading In The River (Flug Trip remix)
- F2: Mother Wading In The River (Yagya remix)
Out last year via SCI+TEC, Nagaya's 'Dream Interpretation' was an immersive masterclass inritualistic simplicity. Floating in a cloud of billowing ambiance, it's nine tracks inviting thelistener to traverse a broad spectrum of spirit. Now, almost exactly a year later, the Tokyo master returns, this time drafting in an impressivearray of names to reinterpret the very same tracks. First up SCI+TEC head honcho Dubfiredelivers a wonderfully atmospheric and glitchy rework of 'Thanatos,' before EVS (the designerand owner of LA jewelry brand Parts of Four,) brings things down a level with a dark andhypnotic version of 'Mother Wading In The River.' Elsewhere German producer VRIL presents adistorted techno remix of 'Heathen,' the prolific Steve Rachmad puts his own unique spin on onthe same track, and Argentinian master Flug showcases his magic with two sublime offerings.
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- A1: Stupid Now
- A2: Who Needs To Dream?
- A3: Again And Again
- A4: Old Highs, New Lows
- A5: Return To Dust
- B1: The Silence Between Us
- B2: Shelter Me
- B3: Very Temporary
- B4: Miniature Parade
- B5: Walls In Time
- C1: Life And Times
- C2: The Breach
- C3: City Lights (Days Go By)
- C4: MM 17
- C5: Argos
- D1: Bad Blood Better
- D2: Wasted World
- D3: Spiraling Down
- D4: I'm Sorry, Baby, But You Can’t Stand In My Light Any More
- D5: Lifetime
- E1: Star Machine
- E2: Silver Age
- E3: The Descent
- E4: Briefest Moment
- F2: Round The City Square
- F3: Angels Rearrange
- F4: Keep Believing
- F5: First Time Joy
- G1: Low Season
- G2: Little Glass Pill
- G3: I Don't Know You Anymore
- G4: Kid With Crooked Face
- G5: Nemeses Are Laughing
- G6: The War
- H1: Forgiveness
- H2: Hey Mr. Grey
- H3: Fire In The City
- H4: Tomorrow Morning
- H5: Let The Beauty Be
- H6: Fix It
- I1: Voices In My Head
- I2: The End Of Things
- I3: Hold On
- I4: You Say You
- I5: Losing Sleep
- I6: Pray For Rain
- Halfway to Pa
- J1: Lucifer And God
- J2: Daddy's Favorite
- J3: Hands Are Tied
- E5: Steam Of Hercules
- J4: Black Confetti
- J5: Losing Time
- J6: Monument
- K1: Sunshine Rock
- K2: What Do You Want Me To Do
- K3: Sunny Love Song
- K4: Thirty Dozen Roses
- K5: The Final Years
- K6: Irrational Poison
- L1: I Fought
- L2: Sin King
- L3: Lost Faith
- L4: Camp Sunshine
- L5: Send Me A Postcard
- L6: Western Sunset
- M1: Dear Rosemary (Foo Fighters)
- M2: Father's Day (Butch Walker)
- M3: I Don't Mind
- F1: Fugue State
Demon Records presents Distortion: 2008-2019, the third in a series of four expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould.
Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. Volume three in this new series covers the period 2008-2019 and contains many of Bob Mould’s most celebrated recordings including Silver Age (2012), Patch The Sky (2016), and Sunshine Rock (2019).
expected to be published on 16.04.2021
- A1: Monday Morning
- A2: Say You Love Me
- A3: Dreams
- A4: Oh Well
- A5: Over & Over
- B1: Sara
- B2: Not That Funny
- B3: Never Going Back Again
- B4: Landslide
- C1: Fireflies
- C2: Over My head
- C3: Rhiannon
- C4: Don’t Let Me Down Again
- C5: One More Night
- D1: Go Your Own WaY
- D2: Don’t Stop
- D3: I’m So Afraid
- D4: The Farmer’s Daughter
- E1: Fireflies - Demo
- F1: One More Night - Demo
When Fleetwood Mac released their first live album in December 1980, it captured the legendary band’s most iconic lineup on stage demonstrating the full scope of their collective, creative powers. Recorded mostly during the world tour for Tusk, Fleetwood Mac Live delivered a double-album’s worth of exhilarating performances that included massive hits like “Dreams” and “Go Your Own Way,” “Rhiannon,” and “Don’t Stop.”
Rhino gives the band’s live debut a much-deserved encore with a new 3-CD/2-LP collection that features a remastered version of the original release on both 180-gram vinyl and CD, plus more than an hour of unreleased live music recorded between 1977 and 1982 on the third CD. The set also includes a bonus 7-inch single featuring previously unreleased demos for “Fireflies” and “One More Night.”
This Super Deluxe Edition is presented in a 12 x 12 rigid slipcase and comes with a booklet filled with rare photos, a full itinerary for the Tusk Tour, plus a history of the live album by writer David Wild.
FLEETWOOD MAC LIVE: SUPER DELUXE EDITION will be available from 9th April 2021.
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- A1: Grupo Irakere - Chequere Son
- A2: Conjunto Rumbavana - El Son Del Campeon
- A3: Juan Formell & Los Van Van - Mi Ritmo Caliente
- B1: Grupo Monumental - Mi Son Caridad
- B2: Grupo De Experimentacion Sonora Del ICAIC - Sondeando
- B3: Las D'Aida - Con Cadencia Y Con Dulzura
- B4: Juan Formell & Los Van Van - Y No Le Conviene
- C1: Pablo Milanes - Te Quiero Porque Te Quiero
- C2: Emiliano Salvado - Luna Wanestain
- C3: Los Reyes 73 - Un Lamento Hecho Cancion
- D1: Eduardo Ramos - Vocacion Revolucion
- D2: Grupo Monumental - Hasta Las Cuantas
- D3: Los 5 U 4 - Solo Esta Musica
- D4: Grupo De Experimentacion Sonora Del ICAIC - Cancion Con Todos
- D5: Orquesta Los Van Van - Yo Se Que Van Van
- E1: Grupo Monumental - Nadie Se Siente Cansado
- E2: Orquesta Ritmo Oriental - Maria, Baila El Son
- E3: Juan Pablo Torres Y Algo Nuevo - Rompe Cocorioco
- E4: Los Reyes 73 - Grandes Amigos
- F1: Paquito D'Rivera - La Patica
- F2: Grupo De Experimentacion Sonora Del ICAIC - Grifo
- F3: Raul Gomez - Dacapo
- F4: Grupo Irakere - Juana 1600
‘Cuba: Music and Revolution’ is a new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state of Cuba.
The album comes as a deluxe double CD and heavyweight triple vinyl, complete with extensive sleeve notes, jam-packed with heavy basslines, synth and WahWah guitar funk combined with the heavyweight percussion, powerful brass lines and the all-encompassing Latin rhythms of Cuban music known throughout the world.
The album is released to coincide with the massive new deluxe large format book ‘Cuba: Music and Revolution: Original Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90’, which is also compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) and which features the music and record designs of Cuba, made in the 30-year period following the Cuban Revolution.
The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés, as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba - and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states.
The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s - who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album has never been heard outside of Cuba.
Both Gilles Peterson and Stuart Baker have been involved in Cuban music for more than two decades - Gilles Peterson with his many Havana Cultura projects for his Brownswood label and Stuart Baker with a number of Soul Jazz Records albums recorded in Cuba. This Soul Jazz Records album is released in conjunction with Egrem, the Cuban state record company, and has been put together after the many crate-digging trips that both compilers have made on the streets of Havana and beyond in Cuba stretching over a 20-year period, searching out rare and elusive original Cuban vinyl records.
Press - Reviews & features in Mojo, The Wire, The Guardian, The Times, The Telegraph, Pitchfork, Irish Times, The Observer, Clash, Vice, Metro, Record Collector, Uncut, Independent, Q.
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- A1: Makoto - Spread Love (feat Pete Simpson)
- A2: Logistics - Jungle Music (DRS & Dynamite vs Logistics remix)
- B1: Cyantific - Don't Follow (feat Diane Charlemagne - Unglued remix)
- B2: Netsky - Memory Lane (Flava D remix)
- B3: Danny Byrd - Salute (feat MC GQ - Remarc remix)
- C1: Blame - Hindsight (DJ Marky remix)
- C2: Kings Of The Rollers - Shella (feat Chimpo - Halogenix remix)
- D1: Sonic - Piano Anthem (SPY remix)
- D2: B-Complex - Beautiful Lies (L-Side remix)
- D3: Urbandawn - Come Together (feat Tyson Kelly - Dillinja remix)
- E1: Voltage - Save Me From Myself (Harriet Jaxxon remix)
- E2: Metrik - Cadence (feat Reija Lee - VIP)
- F1: London Elektricity - Build A Better World (Thomas Oliver remix)
- F2: SKC & Bratwa - Heart Of Love (Loxy & Ink remix)
- F3: Fred V - Away (feat Vonne - Kyrist remix)
- G1: Degs - 4 Days (Grafix remix)
- G2: Nu Tone - Tides (feat Lea Lea - Winslow remix)
- H1: Etherwood - The Time Is Here At Last (feat Hybrid Minds - Mitekiss remix)
- H2: Nu Logic - New Technique (Stay-C remix)
- H3: Phuturistix - Beautiful (feat Jenna G - A Fruit remix)
- I1: Hugh Hardie - Tearing Me Apart (feat Kyan - Bop vs Subwave remix)
- I2: Inja vs Pete Cannon - Blank Pages (Nookie Frequency Alignment remix)
- J1: Keeno - I Wonder (feat Ellie Madison - Whiney remix)
- J2: Landslide - Drum & Bossa (Ray Keith remix)
- J3: Syncopix - Happy, Happy, Joy, Joy (Euphonique remix)
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- A1: Intro snippet
- A2: NO PEACE
- A3: SAY IT LOUD
- B1: COMIN OUTTA THE RAIN
- B2: BLACK LOVE
- B3: HOME VACATION
- C1: REALLY REAL OUT HERE
- C2: UNTIL THIS DAY
- D1: STRANGE FRUIT
- D2: IS IT BECAUSE IM BLACK
- E1: AFRIKAN CHILDREN
- E2: PUSH TIME
- E3: YONDER
- F1: BLACK PROGRESS
- F2: LIVE FROM SOUL IN THE HORN
- F3: TEAR IT DOWN
- F4: BLACK ON PURPOSE OUTRO
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Producer extraordinaire John Morales returns to BBE Music, celebrating the life and work of R&B / soul legend Teena Marie with a double album full of brand new remixes, lovingly crafted from the original studio tapes, entitled ‘Love Songs & Funky Beats’. “Teena is somewhat underrated, and people don't really know much about her.” Says Morales. “I set out to immerse people in her music and represent what she really did. That meant for me a dive into more than her R&B hits, to dig into her ballads and dance cuts. People know she was talented. I don't really think they really knew the depth of her abilities, her complete confidence to take it upon herself to do everything – singing, producing, arranging, songwriting. Teena Marie was the total package.” John Morales had the pleasure of mixing many of Teena Marie’s original records over the years, so it felt natural to dig into the archives and select his favourite cuts to rework, extend and subtly update in his own distinctive style. While by no means a definitive collection of Lady Tee’s expansive musical catalogue, ‘Love Songs & Funky Beats’ represents a fitting tribute to a multifaceted and important voice in popular music, by one of the most storied mix engineers and remixers of our age. Jumping into the music industry deep end in 1979 with a three-year mentorship from Berry Gordy & Rick James at Motown, Teena Marie then spent seven fertile years with Epic, which yielded her greatest commercial successes (including the classic album 'Starchild'). After founding an independent label ‘Sarai’, Marie took a ten-year hiatus which ended in 2004 in a deal with hip hop label Cash Money Records; a less unlikely partnership than some might assume, given that Teena was one of the first ‘mainstream’ artists to perform a rap verse, on 1981’s ‘Square Biz’. Teena Marie Brockert forged a unique path through the industry, an artist in-charge of her own destiny, influencing (and heavily sampled by) both the hip hop and R&B sounds of the 90’s and early 2000’s. Her 1982 lawsuit against Motown records resulted in "The Brockert Initiative", which has benefitted literally thousands of other artists by making it illegal for record companies to ‘shelve’ artists by keeping them under contract without releasing their material. She continued to tour regularly and deliver commercially successful, expertly sculpted music, right up until her untimely passing in 2010.
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- A1: Luciano Lamanna - Atto di Dolore
- B1: Luciano Lamanna - Atto di Dolore (Positive Centre remix)
- C1: Milo McBride - Herbst
- C2: Milo McBride - Mes
- D1: Milo McBride - Cruh
- D2: Milo McBride - Mes (Refracted remix)
- E1: Drvg Cvltvre - Denmark Moscow
- E2: Drvg Cvltvre - Raised By Vampires
- F1: Drvg Cvltvre - Moppelbeest Dvb
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- A1: High Tide Or Low Tide
- A2: Slave Driver
- A3: No More Trouble
- A4: Concrete Jungle
- A5: Get Up, Stand Up
- B1: Rastaman Chant
- B2: Burnin’ And Lootin’
- B3: Iron Lion Zion
- B4: Lively Up Yourself
- C1: Natty | Dread
- C2: I Shot The Sheriff – Live At The Lyceum, London/1975
- C3: No Woman No Cry – Live At The Roxy, 1976
- D1: Who The Cap Fit
- D2: Jah Live
- D3: Crazy Baldhead
- D4: War
- E1: Johnny Was
- E2: Rat Race
- E3: Jamming – 12″ Mix
- E4: Waiting In Vain – Advert Mix
- F1: Exodus – 12″ Mix
- F2: Natural Mystic
- F3: Three Little Birds – Alternate Mix
- F4: Running Away
- G3: Is This Love – Horns Mix
- G4: Smile Jamaica
- H1: Time Will Tell
- H2: Africa Unite
- H3: Survival
- H4: One Drop
- H5: One Dub
- I1: Zimbabwe
- I2: So Much Trouble In The World
- I3: Ride | Natty Ride – 12″ Mix
- J1: Babylon System
- J2: Coming In From The Cold – 12″ Mix
- J3: Real Situation
- J4: Bad Card
- K1: Could You Be Loved – 12″ Mix
- K2: Forever Loving Jah
- K3: Rastaman Live Up
- K4: Give Thanks and Praises
- L1: One Love/People Get Ready – 12″ Mix
- L2: Why Should I
- L3: Redemption Song – Live At The Stanley Theatre, Pittsburgh, 1980
- G1: Keep On Moving – London Version
- G2: Easy Skanking
Eine neu überarbeitete ”Island Years”-Auflage des klassischen Bob-Marley-Boxsets, zum ersten Mal auch auf Vinyl. Mit Marleys vielen Klassikern von ”Concrete Jungle” über ”Redemption Song” bis hin zu seltenen 12”-Mixen, B-Seiten, jamaikanischen Singles und Alternates. ”Songs Of Freedom: The Island Years” erscheint als 6LP-Set.
Das 6LP-Set auf schwarzem Standard-Vinyl (180 g) enthält ein 20-seitiges Booklet mit seltenen Fotos,
mehreren Essays und Titelinformationen.
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- A1: SHXCXCHCXSH - EAUOAI
- A2: Jokasti & Nek - Dromos
- B1: Temudo & Ribé - Rite
- B2: Tapefeed - Unshackle
- C1: Cristian Varela - Eighth
- C2: Certa Ratio - 002 0026
- D1: Razbibriga - Cicada
- D2: Kaiser - And Yet Again
- D3: Go Hiyama - Unchance Operation
- E1: Tensal - Aquelarre
- E2: Dimi Angelis - Deconstruction
- F1: DJ ANGELDU$t - Green Glockz
- F2: Diabla Diezco - Diabla Diezco
- F3: Antony Doria - Confusion
- G1: Sciahri & Desroi - Jupiter's Gravity is Jealous
- G2: Jaraossa - VCA
- H1: Operator - Moving On
- H2: Jamaica Suk - 4th Dimension
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expected to be published on 26.02.2021
- A1: Outer Bongolia
- A2: Intervals
- B1: Barock-Plastic
- B2: Nomus Et Phusis
- B3: I Feel The Air (Of Another Planet) (Of Another Planet)
- C1: Household Names
- C2: Retrograde Mirror Form
- C3: Solar Throw-Away
- C4: Pandora’s Box Of Worms
- C5: L’exotisme Interieur
- D1: The Super-It
- D2: Jump Drive Shut-Out
- D3: Explosante Fixe
- D4: Fried Monkey Eggs (instrumental)
- D5: Monkey Jelly
- D6: BUA
- E1: Free Witch & No Bra Queen
- E2: Heavy Denim Loop (part 2)
- E3: Variation One
- E4: Monkey Jelly (beats)
- E5: Dimension M2
- F1: Solar Throw Away
- F2: Calimero
- F3: Fried Monkey Eggs (vocal)
- F4: Speck Voice
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- A1: Shine On You Crazy Diamond Parts 1-5
- A2: Signs Of Life
- A3: Learning To Fly
- A4: Yet Another Movie
- B1: Round And Around
- B2: A New Machine Part 1
- B3: Terminal Frost
- B4: A New Machine Part 2
- B5: Sorrow
- C1: The Dogs Of War
- C2: On The Turning Away
- C3: One Of These Days
- C4: Time
- D1: On The Run
- D2: The Great Gig In The Sky
- D3: Wish You Were Here
- D4: Welcome To The Machine
- E1: Us And Them
- E2: Money
- E3: Another Brick In The Wall Part 2
- E4: Comfortably Numb
- F1: One Slip
- F2: Run Like Hell
Delicate Sound Of Thunder encapsulates a band at their best. Alongside the classic live album and full concert film (restored and re-edited from the original 35mm film and enhanced with 5.1 surround sound), included in The Later Years box set, all stand-alone editions feature 24-page photo booklets, with the 4-disc box edition including a 40-page photo booklet, tour poster and postcards. The 3-LP 180-gram vinyl set includes 9 songs not included on the 1988 release of the album, while the 2-CD includes 8 tracks more than its original release.
In 1987, Pink Floyd made a triumphant resurgence. The legendary British band, formed in 1967, had suffered the loss of two co-founders: keyboardist / vocalist Richard Wright, who left after sessions for The Wall in 1979, and bass player and lyricist Roger Waters, who had left to go solo in 1985, soon after the 1983 album The Final Cut. The gauntlet was thus laid down for guitarist/singer David Gilmour and drummer Nick Mason, who proceeded to create the multi-platinum A Momentary Lapse Of Reason album, a global chart smash, which also saw the return of Richard Wright to the fold.
Originally released in September 1987, A Momentary Lapse Of Reason was quickly embraced by fans worldwide, who flocked to attend the live tour dates, which started within days of the album’s release. The tour played to more than 4.25 million fans over more than two years, and, as a celebration of the enduring talent and global appeal of David, Nick and Richard was unsurpassed at the time.
Filmed at Long Island’s Nassau Coliseum in August 1988 and directed by Wayne Isham, the 2020 release of the Grammy Award nominated Delicate Sound Of Thunder is sourced directly from over 100 cans of original 35mm negatives, painstakingly restored and transferred to 4K, and completely re-edited by Benny Trickett from the restored and upgraded footage, under the creative direction of Aubrey Powell/Hipgnosis. Similarly, the sound was completely remixed from the original multitrack tapes by longtime Pink Floyd engineer Andy Jackson with David Gilmour, assisted by Damon Iddins.
Pink Floyd’s stellar supporting cast for the live dates included: Jon Carin (Keyboards, Vocals), Tim Renwick (Guitars, Vocals), Guy Pratt (Bass, Vocals), Gary Wallis (Percussion), Scott Page (Saxophones, Guitar), Margret Taylor (Backing Vocals), Rachel Fury (Backing Vocals) and Durga McBroom (Backing Vocals).
Technical credits include: Film Producers: Curt Marvis and Carl Wyant; Director of Photography: Marc Reshovsky; Lighting Designer: Marc Brickman, with conceptual footage directed by Storm Thorgerson, except ‘Money’ directed by Storm Thorgerson, Barry Chattington and Peter Medak. Animation on 'Time' was by Ian Emes.
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- A1: Intro
- A2: Drowning
- A3: I Saw The Devil
- A4: Drip Drip (Reflective Nikes)
- B1: Demantar
- B2: Broken Neon
- B3: Show Dem
- C1: Snakes
- C2: Interlude
- C3: Whoop Whoop
- D1: Lean Back
- D2: Gold Toothed Tigress
- D3: Skull In The Mud
- E1: Purple Soul
- E2: No Rivals
- E3: Heated Seats
- F1: You Said You Would Come
- F2: I Can't
- F3: Demantar Part 2 (Embla RIP)
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- A1: RAINY NIGHT IN TALLINN
- A2: WINDMILLS
- A3: MEETING NEIL
- B1: PRIYA
- B2: BETRAYAL
- B3: FREEPORT
- B4: 747
- C1: FROM MUMBAI TO AMALFI
- C2: FOILS
- C3: SATOR
- C4: TRUCKS IN PLACE
- D1: RED ROOM BLUE ROOM
- D2: INVERSION
- D3: RETRIEVING THE CASE
- D4: THE ALGORITHM
- E1: POSTERITY
- E2: THE PROTAGONIST
- F1: THE PLAN
- F2: FAST CARS (BONUS TRACK)
- F3: TURNSTILE (BONUS TRACK)
Tenet is the new sci-fi action spectacle from acclaimed filmmaker Christopher Nolan, starring John David Washington, Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Michael Caine, and Kenneth Branagh.
The Tenet (Original Motion Picture Soundtrack) features music from Academy- and Grammy Award-winning composer Ludwig Göransson (Black Panther, The Mandalorian), & features the new, original song “The Plan” by multi-platinum, Grammy-nominated recording artist Travis Scott, and produced by Göransson, Wondagurl and Scott.
The 3LP soundtrack features the 2 bonus tracks (which appeared on the 2CD), plus liner notes from both Christopher Nolan and Ludwig Göransson.
expected to be published on 15.02.2021
- A1: The Way Of The Ghost
- A2: Jin Sakai
- A3: Komoda Beach
- A4: The Way Of The Samurai
- A5: Lord Shimura
- A6: No Mercy
- B1: Lady Masako
- B2: A Reckoning In Blood
- B3: The Last Of Clan Adachi
- B4: Heart Of The Jito
- B5: The Tale Of Sensei Ishikawa
- C1: Forgotten Song
- C2: Khotun Khan
- C3: Honour To Ash
- C4: The Fate Of Tsushima
- C5: Sacrifice Of Tradition
- C6: The Way Of The Ghost (feat Clare Uchima)
- D1: Tsushima Suite I Seion
- D2: Tsushima Suite II Shurai
- E1: Tsushima Suite III Bushido
- E2: Tsushima Suite IV Kodoku
- F1: Tsushima Suite V Seiiki
Ilan Eshkeri and Shigeru Umebayashi score the music to the highly anticipated actionadventure game developed by Sucker Punch Productions and published by Sony Interactive Entertainment. Ilan Eshkeri is a critically acclaimed film, television and video game composer. Eshkeri has been nominated for a BAFTA, an Ivor Novello Award and a International Film Music Critics Association Award. Shigeru Umebayashi is an internationally acclaimed composer who has won numerous awards. He has scored the music for many notable films including ‘True Legend’, ‘Rise of the Legend’ and ‘The Wasted Times’. Triple black vinyl set with tri-gatefold sleeve and printed inner sleeves. Specialist marketing activity.
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- A1: Timo Lassy & Teppo Mäkynen - Zomp
- B1: Timo Lassy & Teppo Mäkynen - Dark Magenta
- C1: Koma Saxo - Port Koma
- D1: Koma Saxo - Fanfarum for Komarum
- E1: The Stance Brothers - Resolution Blue
- F1: The Stance Brothers - Where Is Resolution Blue?
- G1: Koma Saxo - Koma Mate
- H1: Koma Saxo - Jagd (feat Jameszoo)
- I1: Oaagaada - Oag-ada
- J1: Oaagaada - A Swimming Trip
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- A1: Fatinitza-Marsch
- A2: Schallwellen, Walzer, Op 148
- A3: Niko-Polka, Op 228
- A4: Ohne Sorgen, Polka schnell, Op 271
- B1: Grubenlichter-Walzer
- B2: In Saus und Braus
- B3: Dichter und Bauer Ouvertüre
- C1: Bad'ner Mad'ln, Walzer, Op 257
- C2: Margherita-Polka, Op 244
- C3: Venetianer-Galopp, Op 74
- D1: Frühlingsstimmen, Walzer, Op 410
- D2: Im Krapfenwald'l, Polka française, Op 336
- D3: Neue Melodien-Quadrille, Op 254
- E1: Kaiserwalzer, Op 437
- E2: Stürmisch in Lieb' und Tanz, Polka schnell, Op 393
- E3: Furioso-Polka, Op 260
- F1: Neujahrsgruß / New Year's Address / Allocution du Nouvel An
- F2: An der schönen blauen Donau, Walzer, Op 314
- F3: Radetzky-Marsch, Op 228
Es ist das größte klassische Musikereignis der Welt, wird in mehr als 90 Länder übertragen und in Deutschland von mehr als 4 Millionen Menschen im Fernsehen und im Rundfunk verfolgt.Die Wiener Philharmoniker, für dieses Repertoire unstrittig das beste Orchester der Welt, präsentieren zum Jahreswechsel wieder ein heiteres und zugleich besinnliches Programm mit Walzern, Tänzen und Polkas aus dem reichen Repertoire der Johann Strauss-Dynastie und deren Zeitgenossen. Das Orchester möchte mit diesem Konzert allen Menschen einen Gruß im Geiste von Hoffnung, Freundschaft und Frieden übermitteln.Im Herzen von Wien, in einem der klangbesten und schönsten Klassik-Säle der Welt interpretiert, werden die Wiener Philharmoniker das Klassik-Jahr eröffnen, dieses Mal unter der Leitung des berühmten und exzellenten italienischen Dirigenten Riccardo Muti, dessen enge musikalische Zusammenarbeit mit dem Orchester bereits Jahrzehnte umspannt. Muti hat im Verlaufe seiner außerordentlichen Karriere die prominentesten Orchester der Welt, wie die Berliner Philharmoniker, das Symphonieorchester des Bayerischen Rundfunks, die New Yorker Philharmoniker und das Orchestre National de France dirigiert, hat aber zu den Wiener Philharmonikern ein besonders inniges Verhältnis. Er wird das interessante Programm des Neujahrskonzertes 2021 sicherlich mit italienischer "Grandezza" bereichern. Neben unsterblichen Hits wie dem "Frühlingsstimmen-Walzer" von Johann Strauss, dem "Kaiserwalzer", "An der schönen blauen Donau" und dem "Radetzky-Marsch", gibt es 2021 auch wieder zahlreiche Premieren beim Neujahrskonzert von entdeckenswerten Walzern und Polkas u.a. von Franz von Suppé, Carl Zeller, Carl Millöcker, Karl Komzák, Josef Strauss und Johann Strauss Vater.Ein eleganter, beschwingter Gute-Laune-Auftakt 2021 mit Klassik der Extraklasse!
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- A1: Livin‘
- A2: Trick Questions (feat. Anti Lilly)
- A3: Mom & Dad
- A4: Keep It Stepping (feat. Turt)
- A5: Raymond‘s Book
- A6: Laid Back (feat. Isatta Sheriff)
- A7: Brujos (Interlude)
- A8: Last Train Home
- B1: Spinning
- B2: Lies (feat. Karhys)
- B3: Jellyfish
- B4: Snakes
- B5: Fuel (feat. Turt)
- B6: Oro (feat. Funk Shui Project)
- B7: F10
- B8: Noia (feat. Twit One)
oralle startet ins neue Jahr mit dem Release seines zweiten Albums „Fonografie“.
2020 gleichte einer Achterbahn für den italienischen Beatmaker Koralle. Seine Heimat Bologna wurde schwer COVID-19 getroffen. Währenddessen war Koralle jedoch produktiver denn je und veröffentlichte bereits acht Singles von „Fonografie“, darunter Kollabos mit Kölner Beatschmied Twit One, Londoner MC & Aktivistin Isatta Sheriff, Houston Rapper Anti Lilly und Turt von den Summers Sons. Die Singles waren ein großer Erfolg und konnten bis dato insgesamt über 2,5 Millionen Streams generieren.
„Fonografie“ besteht aus 16 Tracks mit weiteren Features und wird als digitales Album und auf Vinyl erhältlich sein.
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- A1: Intro / Vessels
- A2: She
- A3: Trash
- A4: Filmstar
- A5: Animal Nitrate
- B1: Heroine
- B2: Pantomime Horse
- B3: The Drowners
- B4: Killing Of A Flashboy
- C1: Can't Get Enough
- C2: Everything Will Flow
- C3: He's Gone
- D1: The Next Life
- D2: The Asphalt World
- D3: So Young
- D4: Metal Mickey
- E1: The Wild Ones
- E2: New Generation
- E3: Beautiful Ones
- F1: The Living Dead
- F2: The 2 Of Us
- F3: Saturday Night
• At the request of the Teenage Cancer Trust, after a seven-year hiatus Suede reformed to play what they believed would be a one-off concert at the Royal Albert Hall on 24th March 2010. As a result of the extraordinary reaction from the audience, the band decided to reform permanently, and have gone on to record three new studio albums.
• Featuring exhilarating versions of their most popular songs, including ‘Beautiful Ones’, ‘Animal Nitrate’, ‘Trash’, ‘Saturday Night’ and ‘The Wild Ones’, luckily this incredible performance was captured on tape, and is now available again as a 3LP set, pressed on 180 gram clear vinyl.
• The inner sleeves feature Paul Khera’s beautiful photos of the event.
expected to be published on 22.01.2021
- Sonata No 1 in G minor, BWV 1001
- A1: I Adagio
- A2: II Fuga Allegro
- A3: III Siciliana
- A4: IV Presto
- Partita No 2 in D minor, BWV 1004
- A5: I Allemanda
- A6: II Courante
- B1: III Sarabande
- B2: IV Gigue
- B3: V Ciaccona
- Partita No 1 in B minor, BWV 1002
- C1: I Allemanda
- C2: II Double
- C3: III Courante
- C4: IV Double
- C5: V Sarabande
- C6: VI Double
- C7: VII Bourrée
- D1: VIII Double
- Partita No 3 in E major, BWV 1006
- D2: I Preludio
- D3: II Loure
- D4: III Gavotte en rondeau
- D5: IV Menuet I
- D6: V Menuet II
- D7: VI Bourrée
- D8: VII Gigue
- Sonata No 2 in A minor, BWV 1003
- E1: I Grave
- E2: II Fuga
- E3: III Andante
- E4: IV Allegro
- Sonata No 3 in C major, BWV 1005
- F1: I Adagio
- F2: II Fuga
- F3: III Largo
- F4: IV Allegro assai
Itzhak Perlman, the supreme violinist of his time, performs the supreme works for unaccompanied violin. In preparing the Bach Sonatas and Partitas, Perlman sought authenticity through the score itself, not through musicological research: “Music is a language, and, performed responsively, with musical logic as guide, it will make sense.”
Bach’s Sonatas and Partitas are a landmark not only of the solo violin repertoire but of all music history. No composer before or since has created a comparable architectural miracle, or made better use of the violin’s polyphonic capabilities, than did Bach in this set of six works. The improvements in instrument-making introduced by such experts in the field as Niccolò Amati and his pupil Antonio Stradivari meant that performers and composers could now push the tone and power of the violin to bold new limits. The Second Partita also includes a Chaconne which appears to stand outside space and time. Its complexity, power and splendor make it in a way the keystone of the entire musical edifice — a magnificent set of variations on a single theme which exploits the violin’s full harmonic and contrapuntal potential. While the great virtuosos of the nineteenth century, Paganini chief among them, expanded the instrument’s technical capabilities, Bach had already established its limits in terms of polyphony.
Perlman made several earlier attempts at recording the set, none of which was ever released, then performed it live on stage at venues around the world. In other words, he had the wisdom to wait until he had achieved a level of excellence in both performing and understanding this music before committing it to disc. The most practised of ears may detect a subtle difference in tone between the C major and A minor Sonatas, which he recorded on the “Soil” Stradivarius, and the other four works, recorded on the Guarneri del Gesù “ex-Sauret”.
expected to be published on 22.01.2021
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A never before issued recording of Horace Tapscott leading his legendary Pan Afrikan Peoples Arkestra, 'Live at Century City Playhouse 9/9/79' documents the entirety of a 2 hours performance, sprawling across glorious 3 LPs, that rises as one of the most beautiful, striking, and historically important records of the year. A joyous explosion of sound, seeded by social, political, and community-based action, at the juncture of spiritual and free jazz, this one's a 10 out of 10 and not to be missed.
expected to be published on 15.01.2021
DJ HELLFISH NULTIMATE ALBUM !!!
A Very 70's Rap/funk ressourced, with massive High Raw Kicks and bloody Cuts.
As usually the PUNK style stand before all, with unexpected ruptures and changes. All tune starts with some Skip Proof high time before running hordes of beats over the dancefloor...
A year of creation !
! 3xLP !
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- A1: (I Can't Get No) Satisfaction
- A2: Let's Spend The Night Together
- A3: Flip The Switch
- A4: Gimme Shelter
- B1: Anybody Seen My Baby?
- B2: Paint It Black
- B3: Saint Of Me
- B4: Out Of Control
- C1: Memory Motel
- C2: Miss You
- D1: Thief In The Night
- D2: Wanna Hold You
- D3: It's Only Rock'n' Roll (But I Like It)
- D4: You Got Me Rocking
- E1: Like A Rolling Stone
- E2: Sympathy For The Devil
- E3: Tumbling Dice
- E4: Honky Tonk Woman
- F1: Start Me Up
- F2: Jumpin' Jack Flash
- F3: You Can't Always Get What You Want
- F4: Brown Sugar
Bridges To Bremen is a full-length show performed by the Stones on the fifth and final leg of the Bridges To Babylon Tour. Filmed at the German city’s Weserstadion on September 2, 1998, the band had by then completed four legs in the stadiums and arenas of North America (twice), Asia and South America before finally landing in Europe early that summer. This concert film has been meticulously restored from the original masters, and the audio remixed and remastered from the live multitrack recordings. Four tracks from their Soldier Field performances in Chicago are included as bonus features. Eagle Vision’s SD Blu-ray range presents upscaled standard definition original material with uncompressed stereo and DTS-HD Master Audio surround sound for the best possible quality. Formats include a 3 x 180gm black vinyl release. DVD details Region: 0, Picture Format: NTSC, DVD Aspect Ratio: 4:3FF, DVD Audio: Dolby Digital Stereo, Dolby Digital 5.1 Surround Sound, DTS 5.1 Surround Sound, DVD Format: DVD-9. Blu Ray: Region: ABC (all) Picture Format: NTSC, BD Aspect Ratio: 16:9 (4:3PB, BD Audio: LPCM Stereo, DTS-HD 5.1 Master Audio, BD Format: BD-50
expected to be published on 04.01.2021
- A1: GES - Helmut Schmidt Plays Bach (dub)
- A2: Mathew Jonson - Freedom Engine
- B1: Brawther - Serpent
- B2: Benjamin Brunn - A Rivulet In Paradise
- B3: GES - Helmut Schmidt Plays Darius Milhaud
- C1: Jin Choi - High Quality Schal (Baby Ford remix)
- C2: Sten - Circles
- D1: Mark Broom - Gira
- D2: Edward - Sender
- E1: Steve O'Sullivan - Paracelsus
- E2: Steve O'Sullivan - Paracelsus (Alchemy mix)
- F1: Two Lone Swordsmen - Felt Under Pressure
- F2: Matt Chester - Never See Us
- G1: A1 People - Do It (Metamatics remix)
- G2: Kosmogonik - Circuitry
- H1: Silicon Scally - Relay
- H2: Matt Chester - November Pathways
- H3: CiM - Recursive
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Magestic album re-issue : The complete colelctions of tunes Manu Le Malin did produced in 2004, minus the tunes that were already pressed on vinyl and plus the tunes that were not produced on the CD because that would have been « too long »... Here also stand a LFO Mark Bell remix. Peace.... And more...
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- A1: Killawatt - Champagne Prerogative 06 48
- A2: Carrier - Threads 06 10
- B1: Headless Horseman - Sand Mountain 05 57
- B2: NN - Deception 05 27
- C1: Ancient Methods & Tommy Four Seven - XIX 04 10
- C2: Scalameriya - Havoc & Despair 04 51
- D1: VSK - Fear Index 06 42
- D2: Motive Power - Physics 05 03
- E1: SNTS - Last Ceremony 04 35
- E2: Shards - HHH888 04 57
- F1: Swarm Intelligence - Deepfake 05 43
- F2: EKORS - Applemash 04 36
Black Vinyl Repress
47 celebrates 5 years of forward thinking techno with a 12 track various artist compilation entitled 5Y. The triple vinyl release features several early label contributors such as Headless Horseman as well as recent regulars Swarm Intelligence and Scalameriya, plus new additions to the roster, EKORS and NN. The V/A also sees the return of Overlook and Positive Center’s alias, Carrier, as well as a collaboration between Ancient Methods and 47 label head, Tommy Four Seven.
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- A1: Willie West & Cold Diamond & Mink - Give It Back
- B1: Cold Diamond & Mink - Let's Get Together (Instrumental)
- C1: Cold Diamond & Mink - Give It Back (Instrumental)
- D1: Emilia Sisco & Cold Diamond & Mink - Don't Believe You Like That
- E1: Cold Diamond & Mink - Don't Believe You Like That (Instrumental)
- F1: Carlton Jumel Smith & Cold Diamond & Mink - I Can't Love You Anymore Feat Pratt
- G1: Cold Diamond & Mink - I Can't Love You Anymore (Instrumental)
- H1: Ernie Hawks & The Soul Investigators - The Scorpio Walk (Instrumental)
- I1: Ernie Hawks & The Soul Investigators - Message Of Love (Instrumental)
- J1: Jonny Benavidez & Cold Diamond & Mink - Let's Get Together
Here comes another bundle of Timmion soul to decorate your record shelf and grace your turntables. It's a fantastic opportunity to sink yourself into Pratt & Moody's second release, the crossover gem "Words Words Words", the equally sublime rolita by Thee Baby Cuffs "My My My Baby" or continue your soulful trip with Willie West's latest deep offering "I Can't Leave You Alone".
In case you didn't yet get your hands on Carlton Jumel Smith's beautiful dancer "This Is What Love Looks Like", it's naturally included in this box of joy, as is jazz funker Ernie Hawk's non-album blaxploitation tinged track "Tracking Down", which can only be found as the b-side of "Cold Turkey Time" single release. Buy now and you'll be unboxing in no time.
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- A1: Welcome
- A2: Crazy In Love
- A3: Freedom
- A4: Lift Ev'ry Voice & Sing
- A5: Formation
- A6: So Much Damn Swag (interlude)
- B1: Sorry
- B2: Kitty Kat
- B3: Bow Down
- B4: I Been On
- C1: Drunk In Love
- C2: Diva
- C3: Flawless/Feeling Myself
- C4: Top Off
- C5: 7/11
- D1: Bug A Boo Roll Call (interlude)
- D2: Party
- D3: Don't Hurt Yourself
- D4: I Care
- E1: Partition
- E2: Yonce
- E3: Me Gente (feat J Balvin)
- E4: Baby Boy
- E5: You Don't Love Me (No, No, No) (No, No, No)
- E8: Check On It
- F1: Deja Vu (feat Jay-Z)
- F2: The Bzzzz Drumline (interlude)
- F3: Run The World (Girls) (Girls)
- F4: Lose My Breath (feat Kelly Rowland & Michelle Williams)
- F5: Say My Name (feat Kelly Rowland & Michelle Williams)
- F6: Soldier (feat Kelly Rowland & Michelle Williams)
- G1: Get Me Bodied
- G2: Single Ladies (Put A Ring On It) (Put A Ring On It)
- G3: Lift Ev'ry Voice & Sing (feat Blue Ivy - Blue's version)
- G4: Love On Top
- G5: Shining (Thank You) (Thank You)
- H1: Before I Let Go (bonus track)
- H2: I Been On (bonus track)
- E6: Hold Up
- E7: Countdown
4 LP Boxset mit 52 seitigem Booklet vom 2018er Coachella Auftritt. Die epischen pyramidenförmigen Tribünen hatten rund 100 Tänzer und eine Band mit besonderen Gastdarstellern wie Solange, JAY-Z, Kelly Rowland und Michelle Williams, die Destiny's Child Magie, Harmonie und Nostalgie brachten.
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- A1: Untethered Angel
- A2: A Nightmare to Remember
- B1: Fall into the Light
- B2: Barstool Warrior
- C1: In the Presence of Enemies - Part 1
- C2: Pale Blue Dot
- D1: Scenes Live Intro
- D2: Scene One: Regression
- D3: Scene Two: I. Overture 1928
- D4: Scene Two: II. Strange Déjà Vu
- D5: Scene Three: I. Through My Words
- D6: Scene Three: II. Fatal Tragedy
- E1: Scene Four: Beyond This Life
- E2: Scene Five: Through Her Eyes
- F1: Scene Six: Home
- F2: Scene Seven: I. The Dance of Eternity
- F3: Scene Seven: II. One Last Time
- G1: Scene Eight: The Spirit Carries On
- G2: Scene Nine: Finally Free
- H1: At Wit's End
- H2: Paralyzed
´Distant Memories - Live in London´ vereint ausgewählte Songs von DREAM THEATERs aktuellem Album ´Distance Over Time´ (2019) zusammen mit der vollständigen Aufführung von ´Metropolis Pt. 2: Scenes from a Memory´ (1999). An einem lang herbeigesehnten und fast schon als historisch zu bezeichnenden Abend in der Geschichte der Band entstand dieses bemerkenswerte Live-Album. Die Tour ´The Distance Over Time Tour: Celebrating 20 Years of Scenes From a Memory´ war ein Dankeschön an die Fans für ihre jahrzehntelange Wertschätzung und Liebe. Für die Band war ´die Tour in vielerlei Hinsicht wirklich unglaublich. Wir durften unsere neuesten Werke präsentieren, die von DT-Fans auf der ganzen Welt auf eine Weise aufgenommen wurde, für die wir unglaublich dankbar sind. Und die zwei Abende, die wir in London aufgenommen und gefilmt haben, gehörten definitiv zu den besten Shows der Tour.´ Petrucci fährt fort: ´Egal ob man die Gelegenheit hatte, diese Tour persönlich zu sehen und das hoffentlich großartige Konzerterlebnis noch einmal erleben möchte, oder ob man das Konzert zum ersten Mal auf Video genießt: ´Distant Memories´ fängt die Live-Energie sehr genau und sehr schön ein - ebenso wie die positive Aufregung, die wir alle im vergangenen Februar gemeinsam im Apollo verspürt haben.´ Er hebt das ´unglaubliche Touring- und Produktionsteam sowie unser großartiges Filmteam hervor, die allesamt perfekt abgeliefert haben und es uns ermöglichten, in bestem Licht präsentiert zu werden. Wir sind überaus stolz darauf, diese Veröffentlichung dank unseres talentierten Mix Engineers, unseres Regisseurs und Art Directors mit brillantem Sound sowie in visueller und künstlerischer Perfektion anbieten zu können.´ Die bedeutsame Performance ´Distant Memories - Live In London´ ist als Limited Deluxe 3CD / 2Blu-Ray / 2DVD 44-seitiges Artbook, Limited Edition 4LP + 3CD Boxset, Special Edition 3CD + 2Blu-ray Digipak, 3CD + 2DVD Mulitbox & als Digitales Audioalbum erhältlich.
expected to be published on 27.11.2020
- A1: Precious World
- A2: Slave Queen
- A3: Steppin' Out Of Babylon
- A4: That's The Way Jah Planned It
- B1: Marley Chant
- B2: Natural Mystic
- B3: Positive Vibration
- B4: Revolution
- B5: I Shot The Sheriff
- C1: War / No More Trouble
- C2: Zimbabwe
- C3: Jamming
- C4: No Woman, No Cry
- D1: Zion Train
- D2: Exodus
- D3: Redemption Song
- D4: Could You Be Loved
- E1: Work
- E2: Natty Dread
- E3: Is This Love
- E4: Get Up, Stand Up
- F1: Coming In From The Cold
- F2: Lively Up Yourself
The Uprising Tour ran in Europe from May to July 1980 with five further dates in the USA in September. It was Bob Marley’s last tour before his tragically early death in May 1981 at the age of just 36. A few days after the release of the “Uprising” album Marley played this now legendary live show from Dortmund’s Westfalenhalle on June 13th. Bob Marley is on superb form and delivers a set of hit singles and classic album tracks. His energetic, charismatic performance gives no indication that he was already ill with the cancer that would take his life less than a year later and this release is testament to his spirit and his musicianship.
This special 3LP edition is released to celebrate what would have been his 75th year.
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- A1: Volume (LP1 Gyrate)
- A2: Feast On My Heart
- A3: Precaution
- A4: Weather Radio
- A5: The Human Body
- A6: Read A Book
- B1: Driving School
- B2: Gravity
- B3: Danger
- B4: Working Is No Problem
- B5: Stop It
- C1: K (LP2 Chomp)
- C2: Yo-Yo
- C3: Beep
- C4: Italian Movie Theme
- C5: Crazy
- C6: M-Train
- D1: Buzz
- D2: No Clocks
- D3: Reptiles
- D4: Spider
- D5: Gyrate
- D6: Altitude
- E1: The Human Body (LP3 Razz Tape)
- E4: Working Is No Problem
- E5: Precaution
- E6: Cool
- E7: Functionality
- F1: Efficiency
- F2: Information
- F3: Dub
- F4: Modern Day Fashion Woman (version 2)
- F5: Danger
- F6: Feast On My Heart (Working version)
- G1: Untitled (LP4 Extra)
- G2: Cool
- G3: Dub
- G4: Recent Title
- G5: Danger!! (Danger remix)
- H1: Crazy (single mix)
- H2: Reptiles (Channel One version)
- H3: No Clocks (Channel One version)
- H4: Spider (alternative mix)
- H5: 3 X 3 (live)
- H6: Danger III (live)
- E2: Modern Day Fashion Woman (version 1)
- E3: Read A Book (instrumental)
In the late-1970s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional Southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires Pylon.
Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. However, Pylon were less of a band and more of an art project, which meant they had very specific goals in mind, as well as an expiration date.
While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.
Their 1979 single ‘Cool’ / ‘Dub’ reached legendary status, with Rolling Stone titling it one of the 100 Greatest Debut Singles Of All Time.
In 1980 the band released their first record, ‘Gyrate’, and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the Big Apple.
Following the critical acclaim of their debut release, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self proclaimed nonmusicians who had transformed gradually but noticeably into real musicians. The resulting album, ‘Chomp’, was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity but Pylon were sceptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.
“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”
New West Records are proud to partner with Pylon to reissue ‘Chomp’ and ‘Gyrate’ back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl (140g) for the first time in over 30 years.
New West Records also present ‘Pylon Box’, a comprehensive look at the band that features the remastered studio LPs ‘Gyrate’ and ‘Chomp’, the 11-song collection ‘Extra’ - which includes rarities and previously unreleased studio and live recordings - and ‘Razz Tape’, Pylon’s first ever recording: a 13-song unreleased session that pre-dates the band’s seminal ‘Cool’ / ‘Dub’ debut.
‘Pylon Box’ also includes a hardbound 200-page full colour book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker and Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52’s, Bradford Cox of Deerhunter, Mission of Burma, Calvin Johnson of Beat Happening and K Records, Anthony DeCurtis, Chris Stamey of the dB’s, Steve Wynn of the Dream Syndicate and many more. Features an extensive essay chronicling the band’s history, with interviews with the surviving members of the band as well as members of R.E.M., B-52’s, Gang of Four, Method Actors and more. It also features never before seen images and artifacts from both the band’s personal archives as well as items now housed at the Special Collections Library at the University of Georgia and the Georgia Museum of Art, UGA.
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