TVPCO has always been a label created by DJs, for DJs. The best proof of this was their sampler series tailored for eclectic sets, where floor-filling dance tracks were consistently contrasted with slower, more atmospheric cuts. Although the catalog gradually expanded to include more listening-oriented music, reissues, and artist albums, the label is returning to its roots for its 16th anniversary.
THE VERY POLISH DANCE VOL. 16 delivers 100% dancefloor bangers from the 70s, 80s, and 90s. The tracklist features gems like "Daj mi", "Serce to jest tancerz", "Zabawa", and "Graj dla nas, graj", along with a stack of delightfully cheesy, slightly cringe-worthy, but undeniable anthems sung in Polish. You'll definitely recognize some from the labels late-night parties (if you ever attended one) or the depths of the internet, while others will be complete surprises.
Both musically and visually, the release pays homage to the iconic Polish compilation tapes that flooded local open-air markets in the 90s, as well as the 80s promotional vinyl sent directly to radio and club DJs.
The brilliant, era-accurate artwork was crafted by the one and only Bartek Szymkiewicz.
Outer Place Records proudly presents its seventh vinyl release: Jungle EP by Kamyar Keramati with included a remix from Domenico Rosa . A sonic expedition through intricate rhythms and emotive textures, this EP marks a significant chapter in our label's journey. Berlin-based Iranian producer Kamyar Keramati delivers a compelling four-track EP that traverses the realms of techno, breakbeat, and ambient soundscapes.
A1. "Jungles"
An immersive opener that sets the tone with layered percussions and atmospheric depth, inviting listeners into a dense sonic forest.
A2. "Sakhiff"
A rhythmic journey blending intricate beats with subtle melodies, showcasing Keramati's prowess in crafting dynamic electronic narratives.
B1. "One For All"
A unifying track that melds diverse sonic elements into a cohesive whole, reflecting the EP's complete theme of interconnectedness.
B2. "Jungle (Domenico Rosa Remix)"
Italian producer Domenico Rosa reinterprets the title track, infusing it with his signature minimalistic but techno flair, adding a fresh perspective to the original composition.
Each track demonstrates Keramati's ability to weave complex rhythms with emotive undertones, creating an EP that resonates on both the dancefloor and in introspective settings. Visual Identity by Henrik Delehag Complementing the auditory experience, the EP features cover art by Swedish artist Henrik Delehag . Known for his distinctive black-and-white iconography, Delehag's work explores the interplay between chaos and harmony. His art distills complex realities into symbolic forms, providing a visual narrative that mirrors the EP's sonic journey.
This collaboration marks the beginning of an ongoing partnership, with Delehag set to design all future vinyl covers for Outer Place Records. His unique artistic vision aligns seamlessly with our label's vision, enhancing the holistic experience of our releases.
Jungle EP is more than a collection of tracks; it's a curated experience that fuses sound and visual art.
Peppermint Jam Allstars Vol. 7 is here! Featuring some big names in the way of label boss Mousse T. & Birdee, NYC legend Matthias Heilbronn alongside Ibiza royalty DJ Pippi who collabs with Kiko Navarro & Willie Graff. Cassara rounds off the All-Star lineup for Vol 7.
A fresh Various Artists selection built for the dancefloor – bringing together longtime PJ family names and a new face stepping into the mix. Four cuts, one 12", all killer, no filler. House music the Peppermint Jam way.
Shak Jackson is a UK female house producer fusing old school foundations with a sharp, tech driven edge. Built on raw piano, rolling basslines, stripped percussion and hypnotic grooves, her sound is raw, functional and unapologetically euphoria focussed. With a growing cult following drawn to her no frills approach and dancefloor instinct, Shak Jackson is steadily carving out her own lane in modern underground house.
A solid 3 track EP for the mighty HOOJ shows off Shak’s talents and helps cement her rise as a future star.
DiscoGram's self-titled label is quickly becoming our disco dealer of choice. This third massive gets us further hooked on the groovy goods. After a Brazilian flex last time out, there is more of an Afro overtone to this 12": 'Africa Tribal' is a percussive sun-soaked sound with expressive horns and equally expressive vocals over a ton of percussion, hand claps and wiggly grooves. 'Chillin' Out' is more US-flavoured with a low-slung and breezy vibe and sunny vocals. 'Coconut' ups the pace and injects florid feels with Philly strings and stomping drums. 'Hi Tension' then keeps its foot down with a heavy but funky disco sound and irresistible double-claps.
Few contemporary labels even come close to the output and influence of Lempuyang in terms of dub techno. Albums, 12"s and EPs come thick and fast and the latest is the first part of the fourth in the Pura Lempuyang series, which offers a glimpse at what they do best. Upwellings begins with Maurizio-style, smoky dub techno before Rothchord ups the drive with a more forceful kick. Paul Simmons's 'Burial (Natty Haffi Dread)' reflects the traditional roots of dub with a more 70s style cut, Another Channel slows to a crawl with an eerily empty arrangement and Inner Echo drives things home with a timeless fusion of molten dub chords and cuddly kicks.
Reboot Record Label presents Atmosphere EP by Juzel The Argentine producer from Mar del Plata brings his refined touch to Reboot with a release that balances warmth and restraint. Musically, Atmosphere EP sits mainly within the house spectrum, weaving Balearic warmth, progressive momentum and minimal precision into a body of work made for both sunrise terraces and late-night floors. The EP also features two contrasting remixes. Anastasia Zems, the Lisbon-based artist celebrated for her instinct-driven mix of trance, progressive house and experimental electronica, delivers a prog-house reinterpretation full of emotional depth and hypnotic energy. On the flip, Manchester's Aiden Francis, a rising force from the city's underground known for fusing tech, progressive and rolling tribal elements, turns in a techhouse remix built for peak-time release.
10 years in the game is a landmark moment worth celebrating and one that Good Vibrations Music is proud to be hitting in 2026.
Loved & highly respected globally, Sean McCabe’s trend setting label has been constantly delivering its high standards of music for a decade and felt it rather fitting to turn a spotlight across its catalogue with a nod towards some of the biggest & best releases across the label to date.
Refusing to be pigeon-holed but sitting comfortable across all things soulful & deep, this lovingly curated look-back by Sean himself is sure to introduce tracks from the archives to newcomers as well as reinforce much loved classics to existing fans alike.
Featuring a collection of talent that includes Sean McCabe, Frankie Feliciano, Lem Springsteen, Mr. V & Kaidi Tatham, Decade One is a prestigious moment for the label..
Demarkus Lewis is known for his ability to deliver house music at a deeper level while maintaining the energy that keeps the dance floors moving, Demarkus Lewis has grown to be one of the most respected dance artists in
underground house music today. With just about 30 years of DJ experience he has has traveled and shared his craft with the world over. His music has found its way onto labels such as Large Music,Subtractive, Moods N Grooves, Kolour Recordings, iRecords, Phoenix Recordings, Viva Recordings, Guesthouse Music, Kingstreet Sounds, Pogo House Records, Plastik People, Spacedisco Records and his very own labels Grin Music/Grin Trax (Just too name a few). His cut "Every Night" instantly draws you in and hold keeps you moving using a thick bassline and kick pattern, key stabs and a vocal that binds it all together. The B remix is by Gil Aguilar who takes the dedepness and adds chug. This record sold out fast and there are only a few remaining copies left.
For the fifth release on At A Glance, Shabi delivers a four-track collection of groove-driven house music built for long nights and packed dancefloors. Blending rolling drums, infectious basslines, soulful vocal touches and a deep sense of movement, AAG005 captures the label’s love for timeless club records with a fresh and contemporary edge.
Opening with “All Night Stompin”, Shabi sets the tone with a driving rhythm and irresistible swing designed to keep bodies moving from start to finish. “Teach You” follows with warm grooves and hypnotic vocal elements, balancing energy and atmosphere in equal measure. On the flip side, “Dee Vibe” dives deeper into stripped-back, late-night territory, locking into a raw and infectious groove, while “Free Our Minds” closes the EP on an uplifting note, combining soulful textures with a powerful dancefloor pulse.
Groovy, classy and effortlessly effective, AAG005 is a versatile house release that feels equally at home in intimate club settings, peak-time sessions and sunrise moments alike. Another essential chapter in the At A Glance catalogue.
Local Tapes.Montenegro is a compilation of the independent music scene in Montenegro. It features 10 tracks by artists from different cities, recorded between 2024 and 2026. The tracks are in Montenegrin, English, and Russian.
The release captures a moment of the local scene and brings these projects into one coherent document of time and place.
Take That, eine der erfolgreichsten Bands Großbritanniens, veröffentlicht ihr neuntes Studioalbum „This Life“. Nach 45 Millionen verkauften Alben, 12 UK #1 Singles und insgesamt 2,5 Milliarden Streams über alle Streaming Dienste kehren die britischen Pop-Royals mit diesem Album zurück. „Windows“, die brandneue Single von Take That, kennzeichnet die erste Eigenkomposition der Band seit über fünf Jahren.
Take That sind bekannt für ihre großen Produktionen und unglaublichen Liveshows. Im Jahr 2019 feierte die Band ihr 30-jähriges Bestehen mit der ausverkauften Odyssey-Tour. Die musikalische Ausgestaltung des Albums ”This Life” ist geprägt von wunderschönen Melodien, eingängigen Refrains und eleganten Harmonien, die die Stimmen des Trios wunderbar miteinander verbinden. „Windows“ und das kommende Album „This Life“ setzen somit das Erbe einer der talentiertesten Bands der britischen Chartgeschichte fort
Iconic Argentinian DJ/producer Flug drops full EP on Mutual Rytm Raw with ‘Dew At Night’. Flug, aka Sebastian Lopez, has long been part of the fabric of underground techno with a signature sound that is deep, driving and atmospheric, ensuring that the Argentinian has crafted his own story across the globe. Following his track ‘In Control’ on Mutual Rytm’s ‘Federation Of Rytm IV’ compilation, he follows the likes of KiNK & Raredub and Deetron to make his appearance on sub-imprint, Mutual Rytm Raw, with his ‘Dew At Night’ EP featuring a rare rebuilt version of an unreleased sketch dating all the way back to 2009. ‘Dew At Night’ was unearthed while searching for another track among sessions from over a decade ago. After hearing it again, it sparked a new creative age to rebuild it from scratch, and while experimenting with synthesisers, the main arpeggio appeared. "At first it was hypnotic but harmonically repetitive; the groove and phrasing felt incredibly catchy, so I decided to push the harmony further and change some chords until I found the exact point where emotion and tension could coexist naturally.” Around that bright arp are darker, more raw percussive textures and drums that make for a great contrast and melancholic atmosphere that marries emotion with physical structure. "In my mind, the track was always conceived as a closing track - that moment when the darkness is still there, but the first light of the day starts to appear and the whole atmosphere changes.” After hearing the original, label founder SHDW suggested the Argentinian should remix and reinterpret the record to complete the full EP, and so he steps out of his comfort zone across the remaining tracks, exploring different versions of his musical universe and showcasing all sides of his sound. First up is the ‘Dub Version’, which represents his contemporary sound - the melodic and emotional essence of the original track remains but is translated into a more hypnotic and club-oriented language. The ‘Instrumental Version’ is a brings more progressive-leaning sounds with piano, sax and live percussion textures that, says the artist, allowed him to "rediscover myself as a producer by using tools and influences gathered throughout my long journey in electronic music”. Closing the package, the digital-only ‘Raw Version’ strips away the melody and gets much more primal, introducing a tunnelling groove for when the dancefloor gets dark and moody.
Terence returns with a new five track EP. This release confirms his instinct for creating effective dance floor tracks, that move between mental tension, raw energy and hypnotic sound.
Assembler Code - We've Felt This One Coming For A Minute Now. After An Unstoppable Run Of Releases Along Side Jensen Interceptor On Labels Such As Cultivated Electronics, Private Persons & Boysnoize Records, Ac Is Finally Flying Solo With This 4 Track Electro Assault Masterpiece 'mental Escape'.
Plugging Into The Title Track 'mental Escape', It's A Rugged Machine Driven Work Out Through Idm & Industrial Landscapes Formulated To Present His Vision Of Futuristic Electro Whilst Still Providing All The Nostalgic Rother & Drexcyian Nods We All Love.
Now That The Tone Has Been Set, 'simulant' Follows Suit. Entering The Celestial Sphere Via Some Haunting Sci-fi Strings, We're Slapped In The Face With Slamming Percussion Followed By A Relentless Acidic Modulated Baseline That Takes Us From One Planet To The Next At Light Speed.
The Journey Wouldn't Be Complete With Out His Old Partner In Crime Jensen Interceptor Coming On Board For A Ride. 'type 2' Is A Classic Case Of Past Meets Present. Scrapyard Industrial Groove Ready To Split Speakers At Your Next Warehouse Party Married With A Selection Of Classic Alpha Sounds To Keep All The Purists In Check.
The Thunder Continues To The Very End. If You're A Tape Saturation Fiend Begging For Your Next 808 Crack Hit, Prepare To Have Your Back Bent In Half With Euphoria As Soon As 'hal's Machine Tool' Is Injected Into Your Ears. In Short, 4 Minutes & 44 Seconds Of Hard Nasty Robotic Electro Booty Sweat.
Subtle Beginnings is the second of the ReKab albums originally released on Móatún 7 to be reissued on vinyl for the first time by System One. Analogue Isolation came in May & sold out everywhere almost immediately
Label head D. Howard first came across ReKab while deep diving through Bandcamp, and like many lovers of deep, late night, soulful electronic music immediately fell for the emotional pads, pristine melodies & immaculate productions, simultaneously summoning up the essence of early 90s electronic while sounding thoroughly contemporary.
They connected and a plan hatched to make the Móatún 7 albums available on vinyl for the first time, something that avid record collector James was delighted about. Unfortunately James sadly passed away late August last year, but following conversation with the family & friends of James, it was decided to honour his wishes & make the albums available on vinyl & across all digital services once again. Proceeds after costs will be paid through to the trust fund set up to support James’ surviving son.
System One is a new label dedicated to soulful electronic music, late night grooves & intergalactic beats, drawing its inspiration from the early 90s techno & ambient sounds of Uk, Frankfurt, Detroit & beyond
Originally released on 28 May 2013, the Ginning EP by Stavroz returns 12 years later with a special vinyl repress.
Following the record’s Gold and Diamond status in France, Stavroz felt the time was right to bring this beloved release back to vinyl. This new edition features two additional ambient tool tracks.
Secure your copy now and celebrate the return of a modern classic.
In November 2024, 2 Flying Stones organized a remix contest. Four of the winners are featured on this 12” record.
The contest winner is Narik, who transforms the massive trance classic “Blue Crystal” into an organic house gem. It's 100% Ibiza-style, 100% downbeat, and perfect for the summer.
Other participants include Wesqo Beats, Stevectro, and DJ Nyano. They each bring their own unique sound, reinterpreting the iconic 90s original in their own style.
These four different versions, each growing within their own scenes, make for a diverse and exciting 12” release.
Tether Records emerges from the ether with a statement of purpose in People People’s third offering on wax after their acclaimed Out of Our Hands LP. Born from the genre-bending minds of André Baum and Gulp, “Waking Up” finds the duo stretching their wings into bold and uplifted raver territory. The single is complimented by carefully selected remixes from fellow dreamers Adam Collins, Aline Umber & Krol, Arno, and Dana Ruh. This is music for tethering body and mind in wild and wooly times. “Now your heart is on fire/ you’re coming back to life/ you’re waking up, waking up, waking up…”
New Darius album, featuring Wayne Snow, Kadhja Bonet, Benny Sings...
After the release of his last EP "OASIS (Prelude) on Roche Musique, Parisian producer Darius reveals his second album "OASIS" with the powerful track "EASE YOUR MIND". A groovy dancing track reminiscing of his early trademark electro dance sounds with catchy R&B lead from Devin Tracy. The acclaimed and certified artist is now ready to unveil his new project, teased since the release of the +10 Million streams "EQUILIBRIUM" in 2020.
2026 Repress
Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he cofounded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex— where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.1
Boisterous stuff out of Uruguay, courtesy of Kalahari debutant Michelle.
An early Nicolas Lutz protégé and live set demolition expert offering hard-edged techno and electro drama, with occasional pitstops into tech house turf. Lean, mean and utterly relentless with it. Pervaded by cranky, unruly dancefloor spectres and haywire cybernetics – all deftly constructed but administered with brute force and controlled ferocity.
Bearing heart and soul at the controls of her 303, it isn’t all full-frontal assault. A fierce feminine energy pervades every nook and cranny, brooding and angsty, totally rooted in that Montevideo warehouse sound. Straddles the beautiful and terrifying with ease.
Machine-powered and ruthless, the Slipknot-sampling closer is a fitting end.
Marwan’s debut on Gated finds the sweet spot between dub, deep, and ambient techno.
The focus is firmly on rhythm: layered percussion, spacious atmospherics, and slowly evolving textures that reveal a little more with every listen.
These are immersive, patiently crafted tracks that never lose sight of the dancefloor.
Tedere Onverschilligheid (which we think roughly translates as Tender Indifference) opens with evolving percussion and sweeping synth textures that gradually pull you under. Vrijheidsdromer settles into rolling bass, organic percussion, and subtle atmospherics, while Ik Ontdekte Sacramento Ezel begins with darker intent before opening into one of the EP’s more uplifting moments. Heldere Geest (Clear Mind) takes the scenic route, unfolding from fractured rhythms into a deep, hypnotic groove, before De Speech rounds things off with an expansive finale that feels equally at home closing a club set or carrying you through the last train home.
Five expertly crafted, highly mixable tracks that will slot effortlessly into deep sets, and quite possibly convince you that buying “just one more record” was always a sensible idea.
Ohm Series continious with the 20th release. It features tracks by Octal Industries , Aeikus & Pedro Capelossi, STAR_DUB and Oswld.
Another strong curated release by the labelowner Bjarnar Jónsson!
The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece.
The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment. With all the touchstones of Burgess’s finest work - breezy grooves, undulating synths, funk-drenched bass and life-affirming lyrics - delivered with gospel-derived vocals and harmonies - it’s a record to uplift both body and spirit.
Already a cult soul figure as lead singer of seminal vocal group Black Ivory, Leroy Burgess cut his teeth as arranger, vocalist and songwriter with legendary producer Patrick Adams on essential late-70s projects like Phreek and Dazzle. He went on to define the essence of “boogie”: the vibrant underground dance sound that stood in contrast to commercial disco. With its reduced speed - mid-90 to under 110 BPM - the cool boogie of Burgess has the disco bounce, just more laidback.
All six tracks here could have been stand alone 12" hits. Indeed, some of them were. But together they are also an incredibly cohesive album, where all the compositions are deeply relevant to each other. In short, it’s essential; a thrilling showcase for Burgess’s finest arranging and production work - with his vocals at their euphoric peak alongside the inventive rhythm section of Aaron (Sonny) T. Davenport on drums and James Calloway on bass.
Opener “(You’ve Got) That Something” is a balmy sunshine groover with an insistent chorus whilst the timeless vocal of “Dancing Into The Stars” - married to percolating synth and airtight drums - showcases the chemistry between Burgess and the rhythm section.
The fusion of funk and gospel-influenced harmonies which propels “Something Else” is remarkable - deep, joyous and bouncy. Infamously mixed by Larry Levan, “I Know You Will” is an easy glide, all rollicking electric piano underpinned by a precise and relentlessly upbeat groove. “Lay It On The Line” radiates smooth, understated brilliance, elevated by interstellar keys and finally album-closer “Sweet To Me” is a chilled-out gem of profound soulful elegance.
Logg has long been a hit with the likes of Kenny Dope and Dam-Funk whilst, in the last decade, MCDE and Harvey Sutherland have routinely cited it as a huge influence. Accordingly, finding original copies on vinyl at affordable prices has been a thankless task. This fresh Be With reissue ensures this legendary record now sounds, looks and feels as sensational as it deserves to.
Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, we think this is a reissue that does justice to this classic LP.
Hot on the heels of the massive Grant Dell release, GEMS Delivers another slice of underground house excellence, continuing its relentless journey of showcasing both timeless and forward-thinking underground house music with a powerful new release from Gideon Jackson.
A 3 track EP featuring Helpless (Original Mix) — The standout cut from Gideon’s Outa The Blue EP (1996), capturing the raw, hypnotic energy of the era. Helpless (Freeform Mix) — A previously unreleased 1996 remix, unearthed from the vaults yet sounding as fresh and relevant as ever. Sales In the Wind — A brand new production (2025), proving Gideon remains at the top of his game with a refined yet unmistakable sound.
true underground figure, Gideon Jackson has been deeply embedded in the scene since the formative days of tech house. Renowned for his vinyl-driven approach to house and techno, Gideon blends styles seamlessly, creating a distinctive and instantly recognisable sound.
Widely regarded as one of the key pioneers of the London tech house movement, his productions helped define the genre’s early blueprint — fusing bass-heavy rhythms with hypnotic grooves. His work has appeared on respected labels including Loaded, Pagan, and his own imprint Outa The Blue.
After stepping away from the spotlight, Gideon resurfaced in 2017 with a standout podcast for Strange, reaffirming his influence and deep-rooted musical identity.
His long-awaited return to the decks came in October 2025 at Archivio presents Wiggle in New York, followed by a November appearance at Wiggle at Gaffe — marking a powerful resurgence for one of the scene’s original innovators.
We are thrilled to announce the release of MOTHERV004, a captivating vinyl compilation that unites house enthusiasts from New York to London, Barcelona to Lisbon, and Bucharest to beyond. This carefully curated 4-track sampler features an eclectic mix of talents, including Santé, Kristofson, Freiboitar, Piem, Cecelia, and Artwerq.
Each artist infuses their unique signature into the tracks, creating a rich tapestry of rhythms and melodies that will carry you away. Just as the vibrant energy of the global house scene continues to evolve. We invite you to immerse yourself in this sonic journey that transcends geographical boundaries. Let the beats guide your feet and the melodies inspire your spirit. Whether you’re dancing in the club or enjoying an intimate listening session!
Played and loved by Jamie Jones, Carl Craig, Sam Divine, Claptone, Joris Voorn, Roger Sanchez, Mark Knight, NESI and many more…
Get ready to dive into the vibrant sounds of the summer with Neighborhood Music’s second vinyl sampler!
Building on the success of their inaugural release, this new collection features a stellar lineup of artists that embody the essence of house music, ideal for sun-soaked days and dance-filled nights.
1. Lazaro Casanova (Miami, USA) - Return (Original Mix)
Born and raised in the heart of Miami, Lazaro brings his unique flair and infectious energy to the sampler, ensuring grooves that will resonate on dance floors around the world.
2. Ordonez (Cuenca, Ecuador) - Trukmpaholic (Original Mix)
A rising star from Ecuador, Ordonez infuses his tracks with a deep understanding of house rhythms, delivering a sound that is both captivating and invigorating.
3. De La Maso (Zurich, Switzerland) - Stand Up
Known as the Swiss lucky charmer, De La Maso combines hypnotic percussion and melodic hooks to create a Balearic atmosphere perfect for sunset sessions by the beach.
4. Hotswing (Florence, Italy) - Samba
The young gun from Italy, Hotswing brings a fresh perspective to house music, seamlessly blending modern elements with classic grooves that keep the hips swinging.
This vinyl sampler is all about*percussion, groove, and swing, It embodies the spirit of Balearic style, where sun, beach, and fun intersect, making it the perfect soundtrack for your summer escapades. Each track is designed to uplift and energize, whether you're lounging on the beach, hosting a backyard BBQ, or hitting the club.
Massive support by Harry Romero, Paco Osuna, Joeski, The Deepshakerz, Tom&Collins, Alaia&Gallo, Animal Trainer, Tube&Berger and many more.
Originally released in 2014, Travellers, the acclaimed album from Bison, returns in a newly remastered edition as a limited double vinyl LP.
Created by an exceptional cast of collaborators including Paul Mudd Murphy, Ben Smith, Ursa Klose, and the late Holger Czukay of the legendary German group Can, Travellers occupies a unique space between experimental electronics, psychedelic soundscapes, and leftfield dance music.The album also features reinterpretations by Conrad McDonnell of the influential DJ and production duo Idjut Boys, helping to cement its reputation among adventurous listeners and collectors alike.
Over the years, Travellers has quietly become a cult favourite. Long unavailable on vinyl, original copies have become highly sought after and increasingly expensive on the second-hand market, earning the record a near-mythical status among collectors and fans.Fully remastered from the original recordings, this new edition of Travellers brings renewed depth, clarity, and presence to an album that has quietly earned cult status over the past decade, while preserving the atmosphere and character that made it so distinctive.
More than ten years after its original release, Travellers returns not as a nostalgic artefact, but as a vital and enduring work whose reputation has continued to grow through word of mouth, discovery, and devotion from collectors and listeners around the world. Travellers remains a document of a unique moment in time, a collection of friendships, ideas and happy accidents that somehow found their way onto tape.
This compilation album JOIA Presents Breakout is more than just a collection of tracks, it is a celebration of the signature sound of the DJs who later came together to form the Swedish House Mafia, who were on the brink of their global breakthrough. at the beginning of this millennium.
The compilation features tracks and remixes by Eric Prydz, Sebastian Ingrosso, Steve Angello, Axwell, and John Dahlbäck and comes as a Limited edition of 1000 individually numbered copies on light blue marble vinyl.
SOLAH steps back onto the scene with her second studio album Forever, set for release on 5th June 2026.
Primarily recognised for her soulful melodies, unmistakable voice and down-to-earth artist persona, Forever holds steady onto these qualities, yet finds freedom in straying from expectations. Atmospheric and all-encompassing, the album's list of collaborators spans beyond the UK to the Netherlands, Tokyo, Sao Paulo and beyond - a reminder of drum & bass' global collective identity, and testament to the musical connections and friends in the industry that she has made over the years, since her first album King. 2x12" Gatefold Vinyl - SOLAH's Forever LP is available on sleek double vinyl packaged in a gatefold sleeve, featuring full album tracklist, lyrics and bespoke imagery.
House is the Religion. The DJ is my Deacon. The Music is my God and James Bangura is cool af.
Genuine, passionate, clear, authentic and real…. He isn’t trying, he just is. And his music is the same. It’s fucking cool. It’s real and authentic and it just is James Bangura. So it’s a real honour to add him to the Shall Not Fade roster; from Techno to Jungle to House and everything between the DC native can extract the true essence of a genre and simultaneously make it his own & pay homage to its roots.
So on Jack Sermon there’s no surprise when he flexes a seemingly generationally inherited knack for all things House (and Techno) and delivers four tracks of raw, real, genuine House music. OG shit.
‘House is the Religion, and the DJ is my Deacon, but the music is my God” says the Evangelical vocal on title track ‘Jack Sermon’. Never has there been a more aptly named track…This is a jack sermon… an OG inspired Chi town cut channeling early house music’s soulful beginnings delivered with straight up jacking house beat offset with laidback dusty dub chords….. We don;t say this lightly but we’re calling anthem on this one.
‘Scat Pack’ takes a more percussive and drum forward House motif. Thunderous kicks tease techno but this is still house, NY at heart complete with voguing diva vocals . Blown out and choppy we could say ‘this could have been ripped from a late 90’s club recording on a lost tape’ but that would do disservice to the precise but invisible fusion that's been laid down here..
‘Funk To Berlin’ opens the flip side and in Bangura’s journey to explore classic forms of house and techno, this track may well have taken root from Dub techno pioneers from the past. Deep dub chords and deeper subs lead the track but that jacking percussion makes this more than homage. Machine Funk, Machine soul. AA side business.
‘The Green Line’ closes out the EP in style.. rolling it out with skittering synths that work like percussion, ethereal pads and a faint vocal ‘Chicago’ spiralling into itself making this track one you can get lost in. Some might argue that this one is techno but who cares. It’s the journey not the destination. Two tickets please.
If you don’t know James Bangura’s music already (or even if you do) do some digging.. Look for releases on Mister Saturday Night, K7! and Floorspeed and check his output as part of “Black Rave Culture” with Amal and Nativesun and as a member of Groovedeep with Toronto’s Ciel and fellow DC native Jackson Ryland.
To close, we’ll leave you with this note from James……. told he is cool af.
House music, to me, exists on a wide spectrum. I’m inspired by its many forms: stripped-back minimalism, percussive drive, hypnotic textures, and soulful undertones. Rather than confining myself to one approach, I treat each track as an exploration—testing structure, pushing rhythm, and allowing subtle details to carry emotional weight. The studio becomes a space where groove and atmosphere meet intention. This body of work highlights that process. It reflects how I balance technical precision with feel, tension with release, and tradition with forward motion. Every decision—from drum programming to spatial design—is part of shaping a sound that feels honest and instinctive. - James Bangura
On the heels of their incredible Designer Manipulation EP on Northern Front, Response & Pliskin present Always Drifting, their third EP for Wilderness, featuring four very special tracks that further mine the depths previously encountered on their Fresh Memory and Seabeams EP’s. Not one to be missed.
Stemming form the Saurus in NY Ep released in 1994, Sex Line is getting its own well deserved release and make over. The new EP contains the original mix re- mastered and a new mix made in 2020. Side B “I feel myself” previously unreleased (new recordings) was written while working on the original Sex Line project but did not make it in the original release by Muzak.
“One foot out the door, another in the otherworld…”
So begins Hannah Lew’s debut, self-titled solo record, soaked in imperious, wide-eyed pop songwriting and a girl-group/post punk aesthetic that belies the artist’s history in the U.S. underground. A towering, hook-laden album, it’s infused with an optimism and surrealism that conversely deals with the times we find ourselves in.
Recorded at home in Richmond, CA and in The Best House studio with Maryam Qudus in Oakland CA, with the assistance of a crack team of West Coast musicians, this album sees Hannah Lew stepping out from behind the legacy of her two groups Grass Widow and Cold Beat. While musically bearing similarities with her previous work, “Hannah Lew” is a bold leap into direct pop territory, making ample use of a vocal style that teases out the inherent melancholy in her melodies. Mastered by Sarah Register, each song is a perfectly honed nugget that frequently pulls the heart in two directions at once.
Themes of change, breaking up, shattering old ways of being are shot through the record. For the front cover, a photograph of the artist’s face was printed, ripped up and re-assembled, resembling the creative process embarked upon by Lew for her first “solo” material. The album feels instinctual, almost dream-like in its assemblage of sweeping synths and pulsating, propulsive drum machine beat patterns with Lew’s vocal performances sensitive and caressing over the top. Increasingly relying on the subconscious and dreams to guide her creative process, Hannah Lew frequently abandons literal interpretations or linear narratives, the songs seeming to exist in a swooning, effortless flow-state while remaining emotionally hard hitting.
On an album where every song could be a single, there are kaleidoscopic shades and varying emotional tones in abundance. First single Another Twilight is carried along a pumping, Italo-disco-style 4/4 beat and mono-synth bass line, the low end pulling at the heart and body. Lew’s vocal melody teases the track before swan-diving into a gorgeous chorus as she sings “it’s all over baby and I don’t mind… in decline, I take my time…” The album is suffused with moments like this. On slow builder Damaged Melody, an arpeggiated synth elongates the verse before a cascading synth showers down melodic glitter. The stunning Replica uses dual swirling synth patterns before a driving, synthpop chorus for the ages carries Hannah Lew’s vocal into the stereo field, sailing in on a high register singed with the embers of a break up.
In a departure from previous groups, her solo songs are guided by dreams and free association inspired by Dada and the Surrealist movement and sculpted afterwards. As such, the songs reveal themselves on repeated listens, revealing traces of heartbreak inspired by both personal and global elements - Hannah Lew regards the album “a wartime album.” On Move In Silence, Lew intones “there’s a war outside, just out of view,” revealing the dichotomy at play throughout. With the songs evolving naturally and in a flow state, the pressures and sadnesses of the modern age bleed through, mixed in with Lew’s inherent love, sensitivity and fractured-but-intact optimism. On the swooning, sublime Sunday layers of Numanoid synths open up for the commanding vocal performance pontificating on grief, love, pain as she “feels the ache on Sunday…” As the chorus builds and Lew’s call-and-response vocal adds to the emotional tension, it almost feels like too much to take.
Elsewhere, there are echoes of Hannah Lew’s previous work. On Time Wasted a bass guitar comes in with a heavy, punk attack before the synths and vocal harmonies reminiscent of later Cold Beat elevate everything. The glassy, sweetly resigned closer The Clock sounds like so classic it could be cover, a sweetened Jesus & Mary Chain tune perhaps, before it erupts into volcanic chorus that could only come from Hannah Lew in 2026.
The latest game in the stylish Katamari Damacy series in which you roll your katamari and collect items to become large enough to form a star for the cosmos, Once Upon A KATAMARI, is getting its own vinyl record release called Katamari Once Again! A total of 23 wondrous songs have been personally selected by the game"s sound composer, Yuu Miyake. The album features BGM stage music in addition to songs performed by an all-star lineup of various artists such as Saya Asakura, Amane Uyama, KAF, Clémentine, Kocchi no Kento, Masashi Sada, San Francisco Boys Chorus, Katamari Damacy feat. suis from Yorushika, Daoko, chelmico, Kenji Niinuma, Saki Hanami, Shigeru Matsuzaki, and Yakushimaru Etsuko. Once Upon A KATAMARI immerses you in the colorful worlds and eras of time and history. Product shown is a luxurious gatefold sleeve housing two records inside. The cover was designed by Kazuki Takakura with supervision from Yuu Miyake, the game"s sound composer. When you think of Katamari Damacy, you think of the colorfully chaotic artwork that comes hand in hand alongside it, and this packaging offers a high-quality, must-have item for a fan"s collection.
