A collaboration between US label Astral Spirits and Sweden’s Thanatosis Produktion, It could / If I marks the debut album from Stockholm-based duo Johan Jutterström (saxophone) and Alex Zethson (piano). Together, they reinterpret jazz standards and explore an eclectic mix of compositions by Leonard Cohen, Pet Shop Boys, John Lurie, and 19th-century composer Alexander Fesca.
Jutterström and Zethson’s musical partnership dates back to their teenage years, when they bonded over a love for jazz and the struggle to find their own voice within it. Their duo work has always been about navigating that tension—trying to capture jazz, failing, and finding another way forward. This album continues that pursuit, emphasizing not just what is played, but how it is played.
The record’s title reflects their approach: a process of reaching for something just out of grasp. Songs are deconstructed, rearranged, and treated like palimpsests—scrubbed clean and rewritten while allowing traces of the original to shine through. The result is a dynamic and deeply personal exploration of sound, filled with both reverence and reinvention.
Both musicians have extensive backgrounds in jazz, improvisation, and experimental music. Zethson, a prolific pianist and composer, has worked with ensembles like Fire! Orchestra and Trondheim Jazz Orchestra, and plays keyboards in ensembles such as Vilhelm Bromander Unfolding Orchestra, Goran Kajfes Tropiques, Vathres, and Angles (current with the jazzopera The Death of Kalypso). Jutterström, a saxophonist with an artistic PhD, has performed internationally and runs the ensemble STHLM svaga, a band who have performed commissioned pieces by jazz legends such as Ron Carter, Archie Shepp and Roscoe Mitchell.
With It could / If I, the duo crafts an intricate, ever-shifting dialogue—an ongoing attempt to "stick jazz music," as they put it, constantly approaching, never quite arriving, and finding beauty in the pursuit.
Joanna Rives and Louis Morgan form J-Silk, a future soul band rooted in English culture and inspired by jazz, soul, and hip-hop classics. In their album §imone, the duo delicately and boldly explores intimate themes of sexuality, sensuality, and human connection. Friends and creative partners, the singer and producer craft their sound with the finesse of silk; spirituality, chance, precision, and introspection define the group’s originality within the genre. Bound to England by blood and heart, Louis and Joanna embrace a style that blends English 2-step, RnB, jazz, and hip-hop.
Das Berliner Avantgarde Pop Trio Painting veröffentlicht sein zweites Album 'Snapshot Of Pure Attention' und gibt darauf der KI eine menschliche Stimme!
Eine atemberaubend unberechenbare Kollision aus Punk-Energie, Math-Rock Taktarten, treibenden Techno-Beats, expressiven Free-Jazz Saxophon-Soli, kraftvollen Synthesizern und sich überschlagendem Call-and-Response-Gesang: 'Snapshot Of Pure Attention' ist das berauschende zweite Album des Berliner Trios Painting. Es ist der zu Recht mit Spannung erwartete Nachfolger des hochgelobten Debütalbums 'Painting Is Dead' von 2022, für das sie vom Rolling Stone als die "tollste neue Band, die man gegenwärtig in der deutschen Pop-Avantgarde findet" gefeiert werden.
Aus einem vielfältigen Spektrum von experimentellem Rock über elektronische Avant-Garde Sounds bis hin zu Leftfield Pop, Techno und Jazz schöpfend, ist die Musik von Painting ein sich ständig veränderndes, erfrischendes Kaleidoskop von Klängen, das aus den engen Grenzen konventionellen Songwritings ausbricht.
VERVE ACOUSTIC SOUNDS SERIE: Stereo, komplett analog von Ryan K. Smith bei Sterling Sound von
den Originalbändern gemastert, QPR-Pressung (180 g), stabiles Tip-On-Gatefold (Stoughton Printing),
wattierte Innenhülle.
Mit seiner unverwechselbaren, ungemein eleganten Phrasierung auf dem Altsaxofon war Johnny Hodges -
nur mit einer kurzen Unterbrechung in den frühen 1950ern - von 1928 bis zu seinem Tod 1970 eine der
prägenden Stimmen des Duke Ellington Orchestra gewesen. Dass ihre musikalische Komplizenschaft auch
im kleinen Rahmen hervorragend funktionierte, bewiesen sie 1959 bei einer lockeren Jamsession für Verve,
bei der einige der Aufnahmen für das Album “Side By Side” entstanden.
Drawing inspiration from a wide range of cultures and musical traditions, C"mon Tigre is a dynamic duo that developsits identity into a collective of musicians and artists from all over the world. Along the years, they have collaborated with musicians such as Colin Stetson, Seun Kuti, Arto Lindsay, Xênia França and artists Gianluigi Toccafondo, Harri Peccinotti, Danijel Zezelj and Paolo Pellegrin to name a few. TEN, which stands for Tenth Edition Newness, is an expanded edition of their iconic Self Titled debutalbum, which was initially publishedin 2015 through Africantape on a limitedvinyl pressing. It sold out quickly, was later repressedby the band and sold out again. Today, it finds its chance to be reissued with the Computer Students_äó treatment. Fans will love this remastered version, which sounds substantially better than the original. The album"s expansion features a slightly altered record cover in addition to a 12-page booklet with a number of writings and images. TEN will be offered on double blackvinyl, audiophile quality pressing 180-gram, inside a gatefold cover. The entire package is housed in a unique heat-sealed aluminum Type-2 foil bag, courtesy of Computer Students_äó.
Pressed on smoky blue vinyl. 1971 classic album with new analogue mastering. Released on the Upsetter label, celebrating the groundbreaking collaboration between Bob Marley and The Wailers and Lee 'Scratch' Perry
The classic album now returns with new analogue mastering and stunning smoky blue vinyl pressing Released in Jamaica in 1971, Soul Revolution Part II is the follow-up to Bob Marley and the Wailers' 1970 debut album Soul Rebels. Going from strength to strength on the material they recorded for Lee Perry, this 12-tracker constitutes another crop of exceptional early-roots reggae anthems. Some of the songs are among the more widely lauded efforts in the repertoire of Bob Marley, Peter Tosh and Bunny Wailer. 'Don't Rock My Boat', 'Duppy Conqueror', 'Sun Is Shining' are about the most acclaimed of them and sound better than ever on this newly remastered edition using vintage analogue gear. Recorded at the famed Randy's Studio (also known as Studio 17) located at 17 North Parade in Kingston, Jamaica, this is the second full-length collaboration (and last!) between Bob Marley and the Wailers and producer Lee 'Scratch' Perry!
This is the northeast calling, with songs of stillness, reflection, renewal, defiance, hope, classic melodies and, at certain perfectly judged moments, furniture-shifting riffs. With a powerful album shaped by pandemic-era loss (of momentum, and of a band member), and by the wins brought by what singer/songwriter/guitarist Adam Hope describes as a “weight lifted off my shoulders”. With a fresh, front-footed, fired-up approach that owes everything to a band returning to their roots in Wallsend and Newcastle – and, for the first time, making their music entirely on their own independent terms: self-produced and self-confident. “The Big Sad: an album born from the ashes of dark times but representing a beacon of light for the future. An album of honesty and purity, one that our current fanbase sonically may not be expecting. The sound of a band that got tired of slamming on the fuzz pedal to tick the ‘rock’ box and dares to try something new, dares to shock, dares to be great.
Third installment in the "CONDUCTOR WE HAVE A PROBLEM" series. Features Rome Streetz, Elzhi, Elijah Hooks, Domo Genesis, Russ, Benny the Butcher, Wiz Khalifa, Leon Thomas, Bishop Nehru, and Wiki. On 180 gram black vinyl. CONDUCTOR WE HAVE A PROBLEM, Part 3 is the fifth album by producer Conductor Williams, released on October 31, 2024. It is the third installment in the CONDUCTOR WE HAVE A PROBLEM series, following both the first and second installments, which were released respectively in March and November 2023. The album is also Conductor’s first vocal compilation, featuring guest appearances from Rome Streetz, Elzhi, Elijah Hooks, Domo Genesis, Russ, Benny the Butcher, Wiz Khalifa, Leon Thomas, Bishop Nehru, and Wiki. The Conductor described the album as “a take on deception” and “a play on textures via emotion as sound, anxiety, fear, and joy. These all derive from a similar place, and this album is a journey through it
R&B duo THEY. — songwriter Drew Love and producer Dante Jones — have developed a smooth, future-facing sound for nearly a decade. In the early days, it was simple; two artists aligning on an appreciation for '90s R&B, new jack swing, and the height of soul-sampling hip-hop. Jones making beats and Love on the lines, a basic, balanced, and open-ended setup, free from major label expectations (which they'd feel on their 2017 breakout Nü Religion: Hyena) and high-profile collaborations (explored on 2018's Fireside, 2020's The Amanda Tape, and 2023's Nü Moon). They're proud of every stop along their story, while hindsight and a fresh perspective after signing to Secretly-affiliate label drink sum wtr have afforded them some distance to reflect on where THEY. goes next. The answer is LOVE.JONES. Here the duo exudes a whole new energy by reasserting their artistry in its most potent and pure form, just Love and Jones, making straight-fire, love-making music indebted to the golden neo-soul era that gave us the namesake 1997 film. “Forget the features, forget bringing in the big producers and writers. It's really just a return to our original dynamic," says Jones. Refined and reinvented, THEY. have arrived at their boldest work, a stacked, high-energy collection celebrating Black art, culture, and "the intense feelings of Black love."
Seasons Limited made a welcome return in 2024 and now keeps up that good momentum with another big single from French house mainstay Franck Roger with some fine vocals by Paul B. It's a super smooth sound with drum swaying back and forth, molten synth adding late night and tissue soul and the tender vocal adding intimacy and late night romance. Rocco Rodamaal steps up for remixes and first of all he pairs things back to a sedate, seductive deep house roll then fleshes out the drums with some dubby weight to finish.!
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The two tracks feature a different sound to most of James’ other solo releases, with production employing a more sample-based approach, rather than the electronic-based productions James is usually heard on.
James Massiah is a well known, and loved poet & musician from South London. He is known for his poetry works over the past ten years, prolifically writing and performing poetry both in London and around the world.
In addition to this he is a member of Dean Blunt’s enigmatic group ‘Babyfather’ (under the name ‘DJ Escrow’) with which James has performed around the world, and been part of many recordings/ albums, such as the seminal ‘"BBF" Hosted By DJ Escrow’, which featured credits from Mica Levi & Arca.
‘Holland Park’ features production by London-based artist/ producer Shimz343 & ‘Hot Winter’ features production by aloisius, founder of life is beautiful records (a london-based gesamtkunstwerk/ label & collective that regularly curate shows at venues such as Cafe OTO & Ormside Projects).
James Massiah was special guest at the first ever show life is beautiful hosted, in early 2023 at Ormside Projects (which was the start of a busy two years of live shows and releases by life is beautiful records, who’ve since hosted shows including: DJ Spanish Fly (UK Debut), Novelist, Lord Tusk, Lolina, Slauson Malone 1, John Glacier, Pretty V & Jadasea.
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Philoxenia Records boss man Luigi Di Venere continues to blur the boundaries between traditional genres with a new EP that takes its inspirational cues from the multidimensional nature of sound waves. The title reflects the depth and motion captured in the EP's stunning artwork by CGI duo muzzin+samiri while the opener is a tribute to early 90s Frankfurt EBM. 'By Means Of Music' is a more funky vibe with New Beat undertones and real warmth. 'Got Momentum' brings a French house edge and on the flip, Cromby transforms' Got Momentum' into a euphoric UK peak-time anthem, and Cycle_2 reimagine 'By Means Of Music' as a psychedelic techno trip.
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Auf "Warlord of the Weejuns" definiert er in Brooklyn geborene und im Südosten Londons lebende Rapper Goya Gumbani seinen Sound mit reichhaltigen Full-Band-Arrangements neu und verbindet Londons neue Jazz-Generation mit dem Hip-Hop-Erbe von New York City. Zu den Gästen des Albums gehören die ebenfalls in London lebende schwedischen Soulsängerin Fatima, lojii, Seafood Sam und Yaya Bey. Der Titel des Albums ist eine Ode an Miles Davis, den Goya für seine Leidenschaft für Musik und den allgegenwärtigen Stil bewundert, den er in jeden Aspekt seines Lebens einbrachte. Goya kanalisiert diesen Ehrgeiz auf diesem neuen Album, das mit üppigen Arrangements in voller Bandbesetzung aufgenommen wurde und seine eigene Stimme als Teil der Instrumentierung einsetzt. Mit Goya und seiner scharfen, mühelos geschmeidigen Stimme als tonangebendem Dirigenten des Albums bringt er eine Schar musikalischer Köpfe zusammen, um eine weitläufige, strahlende Sammlung musikalischer Vignetten zu schaffen, die die wortlosen Ausdrücke des Jazz und die meditativen Rhythmen des Reggae aufgreifen. In "Warlord of the Weejuns" geht es um Selbstbestätigung, Selbstwert und das schwarze Erbe, das Wissen und Macht von innen heraus manifestiert. Goya arrangierte seine einzigartige Vision mit Produktionen von Joe Armon-Jones, Swarvy, Franky Bones, Dan Diggers, Alejandro ?anchez, Maxwell Owin, Omari Jazz, Les Lockheart, Zalente und Ghostly-Labelkollegen quickly, quickly.
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Emily Jeanne presents quỳnh, her new label founded on psychedelic club music expressions. Call Of The Sea is the debut, 4 tracks unfurling experimental dancefloor movements of half step hypnosis and deep percussive explorations.
Loosely nicknamed “queen of the night” in Vietnamese, quỳnh thrives as a nocturnal flower. It serves as a light-hearted metaphor for Emily Jeanne and her authentic approach to late-night electronic music. Previous releases for PM+ explored devious peak time sounds, but her new label quỳnh launches with a fresh look. Its inaugural release Call Of The Sea showcases an adventurous new side to Emily, away from convention into something more ambitious and excitingly new.
Opener Wet Skin rumbles deep and quick with hypnotic fervour, plummeting kicks into its stark rotating abyss. Rolling taut, Count Me Out steps further with minimal guise as it moves sprightly on its reduced DnB dynamics. Đồ Sơn At Night unfurls differently, a change of pace where percussion and gurgling synths drift loosely down the track’s hallucinatory stream. Gone Water flexes stranger, its martillo polyrhythm transfixed heavily on the psychedelic chamber it inhabits. A fascinating first entry into the quỳnh canon from an artist in her finest form.
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H.D. Reliquary is the first eponymous release from Ben Shirken a.k.a. Ex Wiish, and finds him returning home to his own label, 29 Speedway. The songs sparked during sessions with close collaborators - across 11 pieces, artists such as Pavel Milyakov, MIZU, Dorothy Carlos, Kevin Eichenberger and Muein breathe personality into the record. H.D.R. coaxes beauty from a serrated, raw, yet subdued palette drawn from improvised recordings of trumpet, violin, upright bass, cello, and modular synthesis.
The title references the hard drive as a sacred container for relics, contemplating how digitally archived fragments of one’s existence can burn eternally after death. Archives, and in this case recordings, splinter and warp. Some distort what they contain. Some vanish, and others are eternally preserved, immune to deletion. Your information on these digital drives becomes archival shrapnel, the music that survives the remnants of collaboration. Pieces of recordings were fed into a series of proprietary neural networks, generating MIDI information and audio that reacted to on-the-fly soloing, imaginary sessions between players and algorithms invented posthumously (in post).
Shirken will release H.D. Reliquary alongside a sound installation on April 11. Where his prior work was geared towards dissociation, H.D. Reliquary invites us to contemplate how our tools for understanding and containing the world fundamentally alter our relationship with it. He has performed in spaces such as The New Museum, Pioneer Works, Public Records and Nowadays in New York City; Dripping Music And Arts Festival in New Jersey; La Station in Paris; and Cafe Oto in London.
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Auf "Warlord of the Weejuns" definiert er in Brooklyn geborene und im Südosten Londons lebende Rapper Goya Gumbani seinen Sound mit reichhaltigen Full-Band-Arrangements neu und verbindet Londons neue Jazz-Generation mit dem Hip-Hop-Erbe von New York City. Zu den Gästen des Albums gehören die ebenfalls in London lebende schwedischen Soulsängerin Fatima, lojii, Seafood Sam und Yaya Bey. Der Titel des Albums ist eine Ode an Miles Davis, den Goya für seine Leidenschaft für Musik und den allgegenwärtigen Stil bewundert, den er in jeden Aspekt seines Lebens einbrachte. Goya kanalisiert diesen Ehrgeiz auf diesem neuen Album, das mit üppigen Arrangements in voller Bandbesetzung aufgenommen wurde und seine eigene Stimme als Teil der Instrumentierung einsetzt. Mit Goya und seiner scharfen, mühelos geschmeidigen Stimme als tonangebendem Dirigenten des Albums bringt er eine Schar musikalischer Köpfe zusammen, um eine weitläufige, strahlende Sammlung musikalischer Vignetten zu schaffen, die die wortlosen Ausdrücke des Jazz und die meditativen Rhythmen des Reggae aufgreifen. In "Warlord of the Weejuns" geht es um Selbstbestätigung, Selbstwert und das schwarze Erbe, das Wissen und Macht von innen heraus manifestiert. Goya arrangierte seine einzigartige Vision mit Produktionen von Joe Armon-Jones, Swarvy, Franky Bones, Dan Diggers, Alejandro ?anchez, Maxwell Owin, Omari Jazz, Les Lockheart, Zalente und Ghostly-Labelkollegen quickly, quickly.
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L.A. Witch haben schon immer eine Aura müheloser Coolness ausgestrahlt, sei es in Form des Americana Noir und des lakonischen Back-to-Basics-Rock'n'Roll ihres selbstbetitelten Debüts oder des glühend strengen Abenteurertums ihres zweiten Albums "Play With Fire". Die Band - bestehend aus Sade Sanchez (Gitarre/Gesang), Irita Pai (Bass) und Ellie English (Schlagzeug) - begann als informelle Angelegenheit, aber die schwülen und betörenden, von Hall umhüllten Songs, die sie schufen, fanden beim Publikum Anklang und brachten das Projekt über den isolierten Raum von Freunden und Gleichgesinnten in Südkalifornien hinaus in die weite Welt. Auf ihrem neuesten Album "DOGGOD" geht das Trio über die bisherigen kreativen und geografischen Grenzen hinaus - das Material wurde in Paris produziert und die Tracks im Motorbass Studio in der Rue de Martyrs aufgenommen. "DOGGOD" erkundet ein breiteres klangliches Terrain, setzt ein größeres Arsenal an Sounds ein und erforscht größere existenzielle und kosmische Themen, ohne dabei den für die Band typischen Sinn für das Verbotene, das Verlassene und die Vorahnung zu verlieren. "DOGGOD" ist ein Weg, das universelle Rätsel der spirituellen Natur von Liebe und Hingabe anzugehen. "Ich habe das Gefühl, eine Art Dienerin oder Sklavin der Liebe zu sein", sagt Sanchez. "Ich bin bereit, für die Liebe zu sterben, indem ich ihr diene, für sie leide oder nach ihr suche - so wie ein treuer, ergebener Diensthund es tun würde." Der Titel des Albums ist ein Palindrom, das DOG und GOD zusammenfasst - eine Verherrlichung des Unterwürfigen und eine Subversion des Göttlichen. Es ist eine Anspielung auf die Reinheit von Hunden und eine Anerkennung ihrer bedingungslosen Liebe und ihres beschützenden Wesens, die im Widerspruch zu den verschiedenen abwertenden Assoziationen stehen, die mit dieser Spezies verbunden werden. "Es gibt diese symbolische Verbindung zwischen Frauen und Hunden, die die untergeordnete Stellung der Frau in der Gesellschaft zum Ausdruck bringt", erklärt Sanchez. "Und alles, was solche göttlichen Eigenschaften verkörpert, hat es nicht verdient, als Schimpfwort benutzt zu werden." Diese widersprüchlichen Erkundungen von Liebe und Unterwerfung manifestieren sich in der sanften und rauchigen Garagerock-Alchemie der Band, mit einer neu entdeckten Nutzung der disziplinierten Zurückhaltung und eisigen Instrumentierung des Post-Punk. Der Album-Opener "Icicle" zeigt, wie L.A. Witch aus dem Proto-Punk, der Psychedelia und den düsteren Riffs der 70er Jahre in die von Refrains durchtränkten Gitarren und den verlorenen Minimalismus von Joy Division und den frühen The Cure reist. Es wird eine Parallele zwischen romantischem Selbstmord und Märtyrertum gezogen, die sich im zweiten Song, "Kiss Me Deep", fortsetzt. Hier beschreibt Sanchez eine Liebe, die so rein ist, dass sie die Zeit übersteigt und sich über mehrere Leben erstreckt. Es ist ein Lied über Leidenschaft, vorgetragen mit dem weltlichen und verletzten Stoizismus der frühen Goth-Pioniere. Von dort aus geht die Band zur Leadsingle "777" über, einem Song über Hingabe bis hin zum Tod. Ein treibender Beat, ein treibendes, verzerrtes Riff und Sanchez' ätherischer Gesang vereinen sich zu einem Song, der sowohl düster in seinem Fatalismus als auch sinnlich in seiner treuen Leidenschaft ist. Auf dem gesamten Album "DOGGOD" weichen L.A. Witch nie von ihrer Muse ab. In "I Hunt You Pray" legt Pai einen hypnotischen Basslauf hin, während English einen zyklischen Krautrock-Groove einsetzt und Sanchez das Bild eines verlassenen Hundes am Straßenrand malt, der allein in der Nacht ist und sowohl als Jäger als auch als Gejagter lebt. Auf "Eyes of Love" macht sich die Band die meditativen Mid-Tempo-Wiederholungen, dekonstruierten Akkorde und esoterischen Betrachtungen über Liebe, Tod und Spiritualität zunutze, die Lungfish zu einer so beliebten Band gemacht haben. Es unterstreicht die Parallele zwischen der unerschütterlichen Liebe in den Augen eines Hundes und der Selbstaufopferung eines Erlösers. Auf "The Lines" nimmt die Band den treibenden Puls des Post-Punk und fügt dem Mix eine Extraportion Chorus hinzu. "Chorus ist ein moderner Effekt, der auf der Idee beruht, die leichten Tonhöhenunterschiede eines Chors nachzubilden. Es gibt eine schimmernde Qualität, die uns zurück zu diesem spirituellen, göttlichen Gefühl bringt", erklärt Sanchez. Gepaart mit dem Einsatz von Orgel und einer grüblerischen Moll-Melodie, beschwört der Song gleichzeitig das Heilige und das Sakrileg. Der Titeltrack "DOGGOD" hat vielleicht die größte Ähnlichkeit mit dem Material des Vorgängeralbums "Play With Fire", in den schlanken und gemeinen Gitarren auf eine raue Rhythmusgruppe und verträumten Gesang treffen. Aber während ihr vorheriges Album ein Aufruf war, seinen eigenen Weg zu gehen, bleibt "DOGGOD" dem "Bis dass der Tod uns scheidet"-Thema des Albums treu und geht sogar so weit, ein Maß an Unterwerfung zu beschreiben, das in gefährliche und ungesunde Gefilde übergeht, wobei Sanchez singt "hang me on a leash / `til I wait for my release". Letztendlich ist "DOGGOD" eine perfekte Verkörperung des Ansatzes von L.A. Witch. Es ist gleichzeitig romantisch und bedrohlich, ehrfürchtig und profan, eine Feier und ein Klagelied. Es spannt den Bogen zwischen Vergangenheit und Gegenwart, indem es vertraute Klänge aufgreift und sie für die Jetztzeit aufbereitet. Aber es läutet auch eine neue Ära für die Band ein, die über die Kodachrome-Erinnerungen an das Amerika der Jahrhundertmitte hinausgeht und tiefer in den mittelalterlichen und gotischen Energien von Paris und darüber hinaus gräbt, während sie gleichzeitig ein besudeltes Herz erforscht.
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”Operation Timeframe” is a fusion of styles between two artists who have made waves in their careers: Franco Falsini and Saverio Celestri. On one side, we have a pioneer of electronic music; on the other, the product of years of evolution.
Franco has a rich musical history and a diverse array of influences: starting from progressive rock and arriving at electro-pop, he approached electronic music with a substantial musical background. After founding and participating in various bands across the United States and England, he collaborated with the renowned record label Polydoor. In the early 1990s, he combined his skills as a guitarist and producer, beginning to perform worldwide. In track A2, “A Molecular Affair,” you can clearly hear this blend, which transports us back a few decades and lets us savor a gem deeply rooted in a quality-rich past.
Saverio also had an initial approach to electronic music partly rooted in rock, though more toward alternative rock. Moving to Berlin at a young age, he developed his sense of electronic music in a city teeming with inspiration. Here, he combined his background in electronic, pop, and rock to create brilliant tracks that captivate dance floors worldwide with his Electro, EBM, Synth-Pop, and more. With the B1 track “Veleno,” Saverio follows in the footsteps of his friend Franco, closing the album with “Traveling,” a track structured in Synth Pop, enhanced by the crystal-clear voice of Brazilian artist Lourene.
This is a record that focuses on that frame in which the two artists perfectly align their past and future, projecting it directly into the present, as only two geniuses can.
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Black Loops is an endlessly creative producer who has brought constant invention to house music since his first release over a decade ago. His widescreen sounds take their cue from funk, soul and disco and are underpinned by a love of 90’s grooves. They appeal to DJs and dancers alike which explains his constant demand for DJ sets around the world as well as his music being played and supported by the biggest names in the scene. After many years of vital 12"s and remixes, he now draws on everything he has learned and raises his levels with a fully realised debut full length album dropping 9th May, 2025.
Ahead of the LP we present the Experience EP which sees Jimpster and Black Loops himself deliver Dub versions of two of the LP’s highlights; Electrical and Experience. Jimpster kicks off with a stripped back, rolling Italo-inspired groover with touches of modular synth sequences, string stabs and dubbed out vocals. Black Loops follows with his own version keeping the funk factor intact with guitar licks, synth blips and extra fat, moog bassline.
Flip over for the original of Experience featuring Marlena Dae with it’s distinctly 90’s, Vogue-era Madge mood. Black Loops then proceeds to take it to the club on his Dancefloor Dub, stripping out the vocals and working up a punchy, minimal groove for the dancers. Closing out the release we have an exclusive original, not included on the LP entitled Inmasoul. Jazzy, deep beats are the order of the day here, making for a perfect warm up track to set the mood.
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South Londons’ indomitable Medlar delivers an ambitious new album
The long-time underground favourite has collaborated with the likes of Dele Sosimi, Rebekah Reid, Deevoenay, Finn Peters, Sam Virdie, Afla Sackey and Arnau Obiols on an album that finds him taking his production to new levels.
From roots playing illegal raves in the South West to building up a cultured catalogue that bounces between house and garage, Medlar has long been part of the underground conversation. He has dropped a previous album and many innovative remixes and edits for the likes of Billy Cobham and Shirley Lites, worked in the studio and on stage with Afro legend Dele Sosimi and most recently released an album under his own name that collected myriad different sonic sketches from the past 15 years.
Islands is an altogether different proposition that comes after establishing himself as a mix engineer and producer of other people's music. In that time, Medlar has honed his skills, learnt new tricks and grown more able to express himself in sound. The result is an album that explores a more electronic palette inspired by '80s fusion sounds whilst maintaining a loose, organic flow through his use of live instrumentation. “The idea for the LP was for a collection of music which could sit alone as club tracks, but would work equally well as part of a whole. The name Islands came from this, as there's some connecting ideas but the tracks sit independently in their own little sonic worlds. I took a lot of inspiration from early 80’s electronic music produced during early years of MIDI technology… proto house, jazz fusion, electronic disco and experimental ambient. I wanted to juxtapose some of these methods with more contemporary production and make something that's ultimately quite fun!” says Medlar of the record which could easily soundtrack a summer road trip.
Across 11 tracks, he blends old-school techniques like a fusion of live instruments, FM synthesis and MIDI triggered vocal samples with more contemporary touches such as punchy, club-friendly drums and dub inspired, speaker-wobbling low end. The result is less reliant on samples than his previous works and makes for a perfect blend of retro authenticity and future freshness.
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Long awaited, here is the 4th volume of the Mighty Mellow collecon, from the curators of the
seminal series The Mood Mosaic. Mushy funk, abstract jazz, including tacks of Pete Jolly, Annete
Peacock, Dusty Springfield among the others.
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"Donald Duck, kill Minnie!" These words, ordered with urgency against a circular series of drum strikes and manipulated guitar/electronic textures, come over three fourths of the way through the album known as SYR 5 (aka "Olive's Horn"). While the words and sounds taken on their own may shock, their appearance within this collaborative effort between Kim Gordon (Sonic Youth, Body/Head, solo efforts), Ikue Mori (DNA, solo) and DJ Olive (We, solo) by this point in the album are not surprising. Taken on whole, SYR 5 sees its creators' respective histories forged in the 80s downtown noise scene, No Wave zone and Marclay-inspired club collide head on to create the audio equivalent of a slow-playing J.G. Ballard novel. Starting from the album's initial impressions where shimmering tones are interrupted by the sounds of winding clocks and bird calls before giving way to a cinematic sweeps of percussion, alien samples and blown out wasteland subs, the listener is constantly taken on a guided journey through a waking dream state where anything is possible. It is a world where dub samples, gurling beats and plaintive vocals (as only Gordon can deliver) fit together like the final locking puzzle pieces, the only elements needed to fully grasp a new reality. Re-appearing on vinyl for the first time in 25 years, these sounds have proven to be jaw-droppingly timeless. - Cory Rayborn, 2025
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LP 1 is Original Reissue, LP 2 is the Instrumentals. This album, originally released in 2019, was highly lauded with esteemed praise, topping many Album Of The Year lists inlcuding NPR, Pitchfork, Rolling Stone, Time Magazine. This vinyl has been out of print and in high demand, repress is restricted to limited quantities and will be out of print again in under a year. Now includes a 2nd LP featuring the never before available Hiding Places instrumentals from Kenny Segal. Fully produced by Kenny Segal, (Project Blowed, Kenstrumentals beat tape Series, Happy Little Trees). LP has unique gatefold artwork by Myra Musgrove and features custom “oakwood” coloured vinyls. Hiding Places is a collaborative album from Brooklyn-based rapper billy woods and Los Angeles beat scene veteran Kenny Segal. As a label, we at Backwoodz take a lot of pride in our physical products; in creating original artwork that will stand the test of time, and in issuing limited-pressings that stay limited. We had always resisted repressing a piece of vinyl and even when the demand for Hiding Places built to a fever pitch during 2019, we stuck to our guns. Still, by the end of the year, as the AOTY nominations kept rolling in, we knew that we needed to do something. But we also were determined not to sacrifice the uniqueness of that first pressing. So we decided to commission all-new artwork, and press up the instrumentals as well and put it all together as a GATEFOLD 2XLP. So, on top of the best album of 2019, you get Kenny’s incredible instrumentals, available on wax for the first time! On its face, it seemed an unlikely pairing; woods who moonlights as ½ of dissonant rap duo Armand Hammer is a chaotic force, the warped relic of an NY indie-rap wave that never happened. Meanwhile, Segal has been in L.A. for twenty years; from paying dues with Project Blowed to pushing the culture forward with Busdriver and Milo. All the while, his soulful, dreamlike production precariously tethered to earth by the right drums or rumbling bass. But look closer and it makes more sense. After all, Segal lent his production to a couple of songs on Paraffin, Armand Hammer’s critically-acclaimed opus, and the two artists have more than a few shared collaborators: Open Mike Eagle, ELUCID, and Hemlock Ernst amongst them. Hiding Places finds both artists deep in the labyrinth. Segal’s lush soundscapes have a new edge, woods’ writing is, paradoxically, at its most direct. Hiding Places is a child’s game: funny and cruel, as brutal as a fairy tale. The album features familiar names from both artists’ well of collaborators with ELUCID, Self-Jupiter, Blockhead and MOTHERMARY making contributions.
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After a little vacation Wellness Records returns - straight out of the spa area onto the much missed dancefloor! During the break a lot has changed and developed, hence the sound of Wellness also discovered new nuances. With the two young talents Pük & Oward, it turned out wonderfully. The English Pük on the A side manages to pack a very own eclectic variation of breaks, minimal and electro into two sonically top balanced and driving tracks. Both "Double E" and "Get Well Soon" captivate with their clarity, their deepness and their inherently unique coherence.
French Oward, on the other hand, creates a wonderfully fun and light-footed contrast on the B side. With "I Need A Rocking Chair" and "Center Of The Universe" it's almost impossible to keep your feet still. This inevitable groove-attack throws thousandfold ideas and details in the right spots and creates two fantastically arranged dance tracks. We are so happy and proud to present Wellness IV to you!
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Knapp zwei Jahre nachdem Pearl Jam ihr Album „Gigaton“ veröffentlichten, erschien d iesen F ebruar das langersehnte dritte Studioalbum von Pearl Jam Frontmann Eddie Vedder: „Earthling“. Nun ist das Warten endlich vorbei - das Album erscheint jetzt endlich auch als schwarze Standard LP und Deluxe CD!
Neben dem Song „Long Way“ gibt auch „Brother The Cloud”, ein Tribut an den verstorbenen Chris Cornell von Soundgarden, emotionale und musikalische Einblicke in das Album, welches auf das 2011 erschienene ”Ukulele Songs” folgte. Die Produktion von „Earthling“ übernahm Andrew Watt, gemeinsam mit PJ-Tourmitglied Josh Klinghoffer, Bassist Pino Palladino, Multiinstrumentalist Glen Hansard und dem Red-Hot-Chili-Peppers-Schlagzeuger Chad Smith. Die Aufnahmen für das Album fanden in Watts Studio
in Beverly Hills statt.
Edinburgh-based three-piece funk band High Fade are set to release their debut album 'Life’s Too Fast'.
Capturing the raw, on-stage energy that has been the driving force behind High Fade’s meteoric rise was never going to be easy, but that’s exactly what Harry, Oli and Calvin set out to do with a clear creative vision to record their album live at the iconic RAK Studios in London.
'We recorded in RAK Studios, with the desk built for the Rolling Stones in ‘76, with the same cigarette burns still on the faders. It instantly had a vibe of raw energy and liveliness to it that matched the way we wanted to record - live.' – Calvin
The result? 'Life’s Too Fast' – a blistering 10-track debut from one of the UK’s most exciting bands that manages to deliver the same tight, groove-laden funk rock that has put the group on the radars of Jack Black, Cypress Hill and Rage Against the Machine’s Brad Wilk, has seen them tour with The Cat Empire, and tick off iconic venues including Glastonbury, Jazz Cafe, and Boomtown Festival.
'We decided to record the album live rather than through the normal single track overdubbed method – we felt this would help to fully convey the band’s power, sound and energy across to the listener! More like we’re playing a gig and having it recorded – it was a tough process, but we went about it in the best way for both us and the audience, to ensure they’re getting the most authentic High Fade sound and experience possible.' – Oli
Having spent much of the last three years on the road seeing to a punishing tour schedule, 'Life’s Too Fast' is a chance for the band to stop and take stock, to reflect on their whirlwind success, and create an artistic milestone that demonstrates who High Fade are today. 'It’s the most accurate representation of what High Fade is, what we sound like, and who we are' explains Harry. Telling a clear story that matches their own experiences over the last few years, the album is a snapshot taken by a band who are accelerating towards real success and recognition.
'I’m glad we finally have a body of work that we’re proud of and feels like a collection of songs that nicely represents where we are right now. It’s organised chaos and shows that we like to play, but can also write a catchy tune.' – Calvin
Launching into proceedings with the effortlessly uplifting 'Take Me To The Floor', every track is a demonstration of the band’s technical prowess and broad sonic palette. A forward-facing selection of completely original material, the album also gave the band the opportunity to re-imagine fan-favourite 'Sharpen Up' as a stripped-back cut that reflects the band’s current lineup.
'Honestly, I kinda feel like I could explode with excitement about getting it out for everyone in the world to hear because it has been a long time in the making! A culmination of what all the singles have been working towards! I guess the album represents us and the direction we’re taking the music, it represents us as a trio and the gel that is High Fade.' – Oli
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For Record Store Day 2020, Far Out Recordings presents a special 'poisoned vinyl' edition of Ivan 'Mamão' Conti's critically acclaimed Poison Fruit album. The 180g splattered colour LP is accompanied by an exclusive bonus 7” with a previously unreleased track from the original Poison Fruit sessions ‘Katmandu, and ‘Ninho’, a track never before released on vinyl.
From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guarda group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.
With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom) and Mamão's son Thiago Maranhão.
Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jung
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Ediciones Espectro Oculto has the pleasure to announce their first vinyl edition ‘Elementa Obscura Vol. 01’, a wave-infused compilation which moves through the dim & dazzling realms of electronic music.
The vinyl kicks off with a new-beat-esque track by Trenton Chase known for his EP released on Interstellar Funk defunct label ‘Artificial Dance’ and his collaborations with June (Mania Sans Delire) and Traxx (Internal/External) with a 12” released on Kode sublabel of the infamous Nation Records. Synth wizard and legend Martial Canterel delivers a masterful track that embodies his signature wave sound—driven by sophisticated analog sequences, atmospheric textures, and a vivid story telling with ‘Folly’. Closing the A side we have Gravitational Waves boss DJ Nephil, who’s bringing his raw & analog trademark which will annihilate all dance-floors.
On the flip side we have cult czech producer & DJ: Exhausted Modern known for his notable work managing the extinct ‘Endless Illusion’ label, he provides a de-constructed electro track with an exceptional sound design, so glad to have one of the key cultural figures on the czech electronic music underground scene. Having collaborated with labels like Pi Electronics, Phormix & Modal Analysis just to name a few, Fragedis blends elements that seamlessly propels dancefloors into motion. Finally, Argentinian duo Happy707 present a low-bpm track which hypnotizes you with a detailed synth bassline and gritty vocals that draw you in, creating a hypnotic listening experience.
6 cuts that give you the 1st glimpse of what ‘Ediciones Expectro Oculto’ is about.
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Footshooter is the moniker of Barney Whittaker, a south London-based producer and DJ. His production style takes in influences from broken beat, jazz, house and more, working with rappers, poets and vocalists to create a soulful sound referencing the past while being firmly future-facing in its approach. His records as Footshooter and SAUL have earned airplay and support on BBC Radio 1 & 1xtra, BBC 6 Music, NTS Radio, Jazz FM and Rinse FM, from the likes of Gilles Peterson, Bradley Zero, Errol (Touching Bass), Alex Nut (Eglo Records) Shy One, Virgil Abloh, Zakia, Jyoti, Nabihah Iqbal, Bonobo, Jamz Supernova, Maryanne Hobbs, Mr Scruff and more.
His musically diverse live band sets and DJ sets over the past seven years have taken him to Boiler Room London, Tate Modern, Alexandra Palace, The Jazz Cafe and the Barbican Centre, as well as performances at Brainchild, We Out Here and Love Supreme Festivals. A Balamii Radio resident for the past 5 years with his monthly show 'Sonic Fruits', Footshooter's DJ sets are as versatile and wide ranging as his production credits, spanning the finest soulful house, broken beat, UK Rap, soul, jazz and beyond.
"This is the sound of London right now, and it is fantastic" - Juno Records
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Being one of the most popular albums in the history of the label,
Music Brokers is happy to announce the release of Jazz And Beatles in a limited-edition double LP.
The album features 24 stellar Beatles classics reinvented in jazz form that highlight the catalog of the biggest band of all time.
Gems such as “Yesterday”, “Here Comes The Sun”, “Revolu- tion” and “She Loves You” have new life with reworked versions
by many of the biggest names in the nu-jazz move- ment including Jazzystics,
Les Crossaders, The Cooltrane Quartet, Eve St. Jones and Apollinare Rossi. With stellar artwork and remastered sound,
this is another essential addition to your jazz-lounge music collection in vinyl format.
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• Within a year of her ground-breaking Double-Album “Bad Girls”, Donna Summer left Casablanca Records
to become the first Artist signed to the new Geffen Records label.
• The third album released for the label was 1984’s “CATS WITHOUT CLAWS”, which was produced by
Michael Omartian, who followed-up his production duties on “She Works Hard For The Money” by giving
the album a mid-80s dance/pop themed sound. The album includes the singles ‘Supernatural Love’, ‘There
Goes My Baby’ and ‘Eyes’.
• “CATS WITHOUT CLAWS” reached the Top 30 in several countries across Europe, also becoming a Top 40
album in the USA and Japan.
• Michael Omartian’s production credits include albums with Michael Bolton, Peter Cetera, Christopher
Cross, Amy Grant, Whitney Houston, The Jacksons, and Rod Stewart. Alongside Quincy Jones, he coproduced USA For Africa’s 1985 No. 1 hit, "We Are the World".
• Donna won a Grammy Award for Best Inspirational Performance for the album’s final track, ‘Forgive Me’.
• This special edition revisits the original album on 180g Pink Colour vinyl.
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Nach fast zwei Jahren meldet sich Okonski mit „Entrance Music“ zurück - ein Album, auf dem sich das Trio auf dem Höhepunkt seines improvisatorischen Könnens befindet und das Spontane und Meditative zelebriert. Nach dem Debüt „Magnolia“ von 2023 hat der Pianist und Bandleader Steve Okonski seine langjährigen musikalischen Mitstreiter (Durand Jones & The Indications-Bandkollege Aaron Frazer am Schlagzeug und Bassist Michael Isvara „Ish“ Montgomery) für eine weitere Session im Geiste von Künstlern wie The Bad Plus, Gerald Clayton und The Breathing Effect wieder zusammengebracht. Letztendlich ist „Entrance Music“ eine Einladung zu frühen Stunden, in denen die Songs in der Tür verweilen und ihre Anwesenheit ankündigen, bevor sie in die Luft zurückkehren, um sorgfältig in die nächste Runde zu treiben. „Entrance Music“ wurde in einer fünftägigen Session aufgenommen und war eines der ersten Alben, die in Portage Lounge, dem Studio von Terry Cole in Loveland, OH, auf Band gebannt wurden. „Es war ein neues Setup, aber mit Terry hinter den Reglern war es sehr vertraut“, sagt Okonski. „Ich kann nicht genug betonen, wie sehr sich Terry wie ein viertes Mitglied der Band fühlt, wegen des Raums, den er kuratiert, der Energie, die er einbringt, und den Produktionsideen.“ Die Energie und der Sound, die mit dem Colemine-Labelchef am Ruder entstanden sind, sorgen für ein Hörerlebnis, das sich mit den Katalogen von ECM oder Stones Throw messen kann. Während ein Großteil des Debüts auf seine Zeit in New York zurückgeht, fühlt sich „Entrance Music“ „ein bisschen weniger wie ‚auf den Straßen um 2 Uhr morgens‘ und ein bisschen mehr auf der Natur basierend an - ein bisschen mehr ätherisch“, sagt Okonski. „Es ist definitiv das Alter, die Umgebung und die Familie - all das kommt in der Musik durch.“
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Rosettes are finally here with their debut album on Timmion Records, Lifestyles, a compelling journey into psychedelic soul, jazzy funk, and introspective grooves. For the listener, it creates an experience that manages to be both sophisticated and raw to the bone. Expanding on the sound they refined with their previous singles, this 10-track album captures the group in top form while crafting intoxicating sonic potions that pull you in. Featuring standout tracks like the soulful opener "The Call," the Isaac Hayes-inspired title track "Lifestyles," and the introspective groover "Spirals," the album weaves together cinematic instrumentals, intricate horn arrangements, and deeply personal storytelling, courtesy of lead singer Tytti Roto. Drawing inspiration from a range of vintage and contemporary masters_Cymande, SAULT, and Sade, to name a few_the rest of the eight-piece group doesn't linger in the shadows. Instead, they make it their mission to position the groove front and center. The album closes with "The Queen," the sole instrumental track, which evokes the spirit of 1970s blaxploitation soundtracks with its wah-wah and fuzz guitars and jazzy changes. Every track on Lifestyles is a testament to the Rosettes' ability to craft genre-blending masterpieces that are as emotionally gripping as they are musically intricate. For fans of adventurous soul and funk, this album offers a rich and rewarding journey.
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The debut album from Mark Millington introduces the UK saxophonist through effervescent jazz arrangements.
Percussive, energetic but anchored in a strong melodic sense that secures these songs in the memory long after you hear them.
The album features five original compositions that journey from the uplifting celebratory sounds of Matilda’s Dance to the sentimentality of ballads like Truth Be Told. These beautiful new songs are joined by a brilliant re-imagining of the Becky Hill classic Overdrive.
Accompanied by Addison Frei on piano, Jackson Potter on guitar, Yoshi Waki on bass and Brian Karl on drums, the album also features guests Ruta Sipola on Flute, Ernesto Marichales (Jordan Rakei) on percussion and Nick Walters on trumpet.
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The Vendetta Suite is back to light up the early part of 2025 with a brilliant brace of singles on Hell Yeah. Kicking things off is a glorious acid house/disco thriller backed by a soothing out of body escape.
We’ve often referred to The Vendetta Suite as Belfast’s best kept secret, but with the quality music he keeps releasing he is rightly picking up ever more of a profile. The Hell Yeah regular has long been a key part of his native Northern Irish scene thanks to the way he mixes genres; ambient, post-rave Balearic, dub and acid house all in the mix with his own unique psychedelic magic.
First up is ‘The Jam Answer’, which taps into plenty of classic sounds but reinvents them for modern dancefloors. Bendy acid lines weave in between the dusty analogue drums, familiar acid house vocal samples and fizzing chord stabs bring the heat before a cosmic synth lead sings out with sunny soul. ‘Island Hill Microdot’ channels dreamy Chicago house, the futuristic styles of IDM with the blissed out warmth of Balearic. Carried along with gentle percussion, it’s an immersive soundscape that makes for the perfect tropical distraction.
Two very different but equally effective cuts from The Vendetta Suite.
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Priori’s hit EP Pareidolia gets a well deserved remix treatment. The relation between Priori and Midgar started early 2023 with the release of his Pareidolia EP, where a remix for Keplrr followed quickly the year after. Now, early 2025, a group of close friends and admired artists were invited to rework the Pareidolia’s originals. Midgar affiliate Forest Drive West uses the opportunity to present not one but two remixes.
Presenting one half-time 85 bpm twist of Hazard and another slowpaced murky techno groover. Originally from Montreal, Maara forms the Canadian connection and she turns Memory Palace into a beautiful bouncy dub-techno floater. Sound experimentalist Notte Infinita takes his turn on Pareidolia’s title track and creates some magnificent eyesclosed drum & bass hypnotism. At last, Amsterdam’s upsammy brings back the light with her iconic playful approach. She flips the steady groove of Glass Shards into a jumpy interplay of rhythms and joy
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‘Keep it in the Family Vol. 2’ sees Handy Records return with our first release of 2025- the second instalment of our compilation series- featuring 5 carefully curated house cuts from a range of label mainstays and fresh sounds from artists between Wales, the Netherlands, Brazil and beyond- a stellar array of emergent and established artists.
Following our club-ready releases on our recently launched sublabel Natural Frequencies throughout 2024, we felt it was the right time to return to our roots - providing the finest in timeless and broad-reaching house music.
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First-ever vinyl release of the instrumentals! RSD25
Groove to the sounds of the Free Nationals like never before! Their self-titled album, Free Nationals, is finally getting an exclusive instrumental vinyl release. Fans can experience the full sonic landscape of their signature funk, soul, and R&B fusion with no distractions—just pure, smooth vibes and great music.
Pressed on 180g heavyweight black vinyl, this limited edition release offers pristine audio quality that showcases the musicianship and craftsmanship behind the album’s beloved soundscapes. Whether you’re a fan of their work with Anderson .Paak or just a lover of rhythm and soul, this release is a collector’s dream—an essential for DJs, audiophiles, and anyone who craves the instrumental heartbeat of this incredible record.
