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Hardcore Aube-joie style, but more in a Gabba vibe... It had to be done : As an eye-blink or... much more... like a BIG UP !!

Enjoy this restroom monster :)*

From 180 to 140... find you crazy way !

DJ Support from: Dave Lee, Purple Disco Machine, Michael Gray, Birdee, Dr Packer, John Morales, David Harness, Lenny Fontana

Sean’s debut album, ‘Down To The Disco’, comes as a 2 part vinyl series is a tight blend of soulful, disco, '80s boogie, and house music, featuring collaborations with artists such as Brian Lucas, Alexis Victoria Hall, Toni Sea, Nell Shakespeare, Elysha West, Octavia Lambertis, and Pav plus extensive production duties from Midnight Riot’s Yam Who? & Jaegerossa.

Sean Scanlan’s A highly respected UK DJ (Hed Kandi, Fierce Angel, Discopolis, Hat Club, and Ministry of Sound), As a producer his releases have made a significant impact on Traxsource, earning DJ support from industry legends like Joey Negro, DJ Meme, John Morales, Michael Gray, Dr. Packer, and Purple Disco Machine, among others. Inspired by labels such as Salsoul & Z Records, Sean is known for his dedication to producing authentic, high-quality Disco and House music, with a passion for creating vibrant sounds through real musicians, live strings, brass, bass, and percussion, ‘Down To The Disco’ is a must-listen for fans of classic disco house music.

2024 Repress

3 DANCEFLOOR HOUSE SECRET WEAPONS NEVER RELEASED ON VINYL. FROM PARIS TO TORONTO AND BACK ! LIMITED PRESSING NOT TO BE MISSED !

The highly anticipated follow-up to Thee Sacred Souls's breakout 2022 self-titled debut, Got A Story To Tell, features 12 all original new songs, a soaring statement of exquisite craftsmanship from this young band from San Diego whose story grows bigger by the day. Recorded and produced by Gabriel Roth at Penrose Recorders, in Daptone’s Riverside, CA studio, and written in the throes of supporting their 2022 album, which was met with significant excitement and major touring that brought them across the world. What swirls together on Got A Story To Tell is an appreciation of decades of soul music, and beyond - a sound and feel that is timeless, lived in, and very much in the now. Album opener “Lucid Girl” champions independent women, set to some of the toughest sounding drums and bass the band has yet to put to tape. “Waiting On The Right Time” slinks with a touch of slow-burning psychedelia. A plea for empathy punctuates “One and the Same,” with Lane singing: “We’re one and the same, I feel one day / We learn to live with each other / In love, not fear / Just for a moment, why can’t we be together.” “On My Mind” is a sweeping orchestration, with Lane navigating the complexities of finding happiness while balancing the good with the bad. The album is punctuated with strings and squelching guitar, trundling piano, pops of conga, horns - it makes for a thrilling, layered listen that rewards with multiple spins.

We are honored to present a proper house music classic from 1991 to y’all which was huge back in the day and we had the pleasure to re-vamp for today´s house heads: Urban Soul ft. Roland Clark- Alright! This project is a brainchild from one of house music´s most prolific figures, Roland Clark, who actually wrote and produced the original track that we all love. Vocal credits also go to Roland and to the late Ceybill Jeffries. The remixes on this beauty are rather huge! First up Baltimore´s finest DJ Spen and MicFreak team up and do a masterclass on remixing, what a soulful house monster, beautiful new chords and a baseline to die for. One of Peppermint Jam´s first artists on the roster, Mellow Man, just couldn´t stop and delivered a fantastic remix with that jackin´ groove which puts us back right to the glorious days of house music in the naughties. Vinyl Only Mixes!

It´s allllllllllllllllllllright!

2021. Italoconnection, the partnership of Fred Ventura and Paolo Gozetti, released Midnight Confessions Vol 1. Three years on, the awaited second volume has arrived. All of the analogue emotion that characterised the first collection is present from the outset, warm throbs of bass coupled with clean melodies in “The Wait”. Smoky lyrics permeate the nine track album, the unmistakable timbre of Ventura’s voice recanting tales of optimistic encounters and lost love. As with the 2021 release, collaborations with fellow italo romantics are peppered throughout. Francesca Gastaldi returns to work with Italoconnection once again. Having featured on their Humanize EP, Gastaldi’s vibrant voice shines through the smouldering synthlines and robust beats of “Live Forever”. Jaia Sowden takes centre stage for “Just Like Water”. A story of discontent and disconnect is sang over bittersweet keys as eastern undercurrents flow. Contemporary commentary is intertwined with undulating melodies and distant lyrics in “Cold War Lovers”, a cold wave edge cutting through the sounds and words of “Systematic” .The dancefloor surfaces throughout the record. Bodies are pulled tight by the bold and bright bars of “Why” before drifting apart in the lovelorn lamentations of “Lover 2 Lover”. “Europa” pays homage to the machine music of the continent as a litany of influences are drawn upon . The title piece closes. A fragile drum pattern is bolstered by cascading chords, piano notes sailing alongside words by Gastaldi and Ventura. Welcome confessions from musicians who live and breath the synthesizer traditions of Italy.

Noisy Hardcore & Speedcore remixes from Aube-Joie tunes, coming from dirty oldschool to Speedcore brittan young heads !

another BIG banger !

Watkins Group is a new project from one half of infamous Crust House vagrants Watkins & Almodovar, taking inspiration from the landscapes, myths and legends of ancient Scottish & Celtic culture. The title of this debut album on the newborn Frequency Consortium label, Beanntan a’ Bhròin (Mountains of Sorrow), might already give an indication as to where we’re headed here; evoking Nan Shepard’s meditations on the Cairngorms at their most isolationist & uncompromising as much as it does the creatures that occupy the crags, gullies & glens of old Caledonia. Watkins Group dive deep into fx-drenched grot and expansive somnambulant driftworks over six tracks, as spacious as they claustrophobic, recalling the works of Deathprod, early-90s Lustmord and at times even the stark soundtracks of Mica Levi.

[a] A1. Sluagh na marbh [Host Of The Dead]
[b] A2. Biasd Bealach Odail [The Beast Of Odal Pass]
[c] A3. Am Fear Liath Mòr [Big Grey Man Of Ben MacDhui]
[d] B1. Caoineag [The Weeper]
[e] B2. An Teàrnadh [The Escape]
[f] B3. Cait Sith [The Mysterious Black Cat]

The band was formed in 2019 from an idea of musicians who at the time were part of acts such as Black Rage, In-sight, Atlas Pain and Sojourner. After a debut show supporting Asphyx and some line-up changes, the band entered the studio to record their debut album "Front: Toward Enemy" in 2020. After its release in 2021, HUSQWARNAH kept themselves busy on the live front, sharing the stage with acts such as Mortuary Drape, Baest, Discharge, High On Fire and Voivod. The latter show was recorded and then independently released under the title "Live At Bloom" in 2023. HUSQWARNAH's death metal is as genuine and convincing as it can possibly get, paying homage to certain traditional formulas dating back to the early nineties, with songs that are particularly compact in structure and dynamics, ideal for being performed live and thus reminiscent of bands such as Asphyx, Bolt Thrower and Benediction. "Purification Through Sacrifice" is a title that reflects the intent of the band to evolve musically, the themes range, as in the previous chapter, from films to crime news stories through visionary and bloody episodes. This time the sound is further enriched with technique and violence while remaining faithful to old school death metal.

Get ready to immerse yourself in the timeless essence of love with Homebase’s

latest release, “Everlasting Love.” This captivating track is a celebration

of love that transcends time, space, and all boundaries.



Featuring an array of stunning remixes by renowned artists Phonique, Marc

Spieler & Richard de Clark, each version brings a unique flavor to this heartfelt anthem. From deep house grooves to uplifting beats, there’s a remix for every mood and moment.



“Everlasting Love” is more than just a song; it’s a journey into the depths

of what it means to love unconditionally and eternally. It’s about those

moments that make your heart race, the memories that linger forever, and the

bonds that withstand the test of time. Whether you’re dancing the night away or

reflecting on cherished memories, this track will resonate with your soul.



Don’t miss out on this musical masterpiece. Experience the magic of

“Everlasting Love” today and let the music remind you of the beauty and power

of true, everlasting love.



Available now as limited colored Vinyl ✨

Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue.

The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmurs that suggest a ’60s or ’70s Fire Music master at their most poignant. Provocative found-sound experiments threading arcane religious recordings through dystopian soundscapes. Ear-shattering free-noise tumult. Where and when did this music come from? Who are these voices?

As it turns out, Forgetting You Is Like Breathing Water springs from an engrossing human story, though it isn’t necessarily the one you’d expect. This work of stunning maturity is in fact an entrance by two little-known explorers in their early 20s, who grew up together in Virginia, in the shadow of the Blue Ridge Mountains. It documents one of those perfect, sparkling moments in post-adolescence when big decisions and responsibilities are right around the corner, but for a spell, two young artists are able to create among the comforts and nostalgia of their shared past.

It also represents a reunion of sorts, as Evans and Trump connected as toddlers, became inseparable as boys, then pursued independent lives and creative paths as young adults. “Theo is my oldest friend,” Evans says, “and I feel like that’s what this band is — us meeting right in the middle of our interests.”

Now, having conjured this magic, they’ve detached once again: Evans, whose other works include the indie/avant-jazz unit Angelica X, is currently based in New York City. Trump recently moved to England, where he’d participated in his family’s theatre company, to go to school and further his solo ambient project. “This album didn’t start out as something super ambitious,” Evans explains. “It was more just an excuse to spend time together again and make music.”

***

In conversation, Evans and Trump are a delight, especially for cynics who might think that Gen-Z is only capable of doomscrolling. They come across as kindly young intellectuals who grew up using the internet as it was intended, for exposure to ideas and art across genres and generations. Trump points to indie-folk and the oracular post-rock of late Talk Talk, Bark Psychosis and Gastr del Sol. Pressed for his guitar heroes, he cites Bill Orcutt, Mary Halvorson and Marc Ribot, and mentions his devotion to alt-country. Heyday electro-industrial stuff like Skinny Puppy and Nine Inch Nails also meant a lot to him.

Evans is equally intrepid, though his background has a greater jazz focus. Ambrose Akinmusire, among today’s most thoughtfully commanding trumpeters, is a favorite. As for the soulful murmur he offers throughout Forgetting You, Pharoah Sanders’ wistful and lyrical contributions to Floating Points’ work is a touchstone.

The two grew up down the street from each other in the northern Piedmont town of Batesville, Virginia. Their families were friends, holidays were celebrated together and they became the most loyal of pals. As children they had a pretend band.

Then life unfolded, they attended different schools and their paths diverged. Evans discovered John Coltrane and became a jazz obsessive, as Trump found punk and hardcore and later began making ambient music. As a dedicated jazz trumpeter, Evans studied formally and widely; Trump was an autodidact, teaching himself guitar and absorbing synthesis and production techniques. The late teens and very early 20s brought moves away from home and back to home, as well as plenty of listening and learning. The Covid pandemic meant an opportunity to reconnect on long walks. Through it all, together and apart, they remained reverent of each other.

By early 2023, they found themselves living again among the Blue Ridge Mountains. In the evening, after giving trumpet lessons in Charlottesville, Evans would make the eerily beautiful trek “over the mountain” to Trump’s home in Staunton, Virginia. They’d talk and eat and begin to improvise, deep into the night. Evans played trumpet and sometimes drums. (Given the wee-hours recording schedule, the neighbors didn’t appreciate the latter.) Trump plugged a rickety, junk-store Telecaster-style guitar into a cheap solid-state amp and explored open tunings; he also layered on lap steel, electric bass, synths and electronics.

They locked in and relished each other’s gifts. In Trump, those include patience and intentionality and sonic decision-making; for Evans, a distinctive trumpet sound that both musicians think of as a singer’s voice. “Will’s playing is so thoughtful and well placed,” Trump says. “My goal from a producer’s mindset is that the trumpet will occupy the space that vocals would take.”

Often, they got lost in the best way. “The thing I look for most when I’m playing is that feeling of disappearing into what you’re doing,” Evans says. “Usually when that happens, the music is good.”

By the same token, they didn’t pursue free improvisation as an ethic, or as a pure process. Their goal was something closer to spontaneous composition. “We were trying to make good songs,” Evans says simply. Later, Trump did brilliant post-production work, expanding a modest setup into an enthralling soundworld. Under his judicious editorship, music that was wholly improvised sounds at times like a carefully composed new-music commission.

The results speak for themselves. “A Happy Death” summons up a swath of American desolation through the viewfinder of Wim Wenders. “Flesh of Lost Summers” and “Partings” are highlights from an essential ECM LP that never was. “A Collapse of Horses” infuses those seminal post-rock influences with the plod of doom metal or slowcore. The album’s final track, “The Mountains Are a Dream That Calls to Me,” was in fact the first thing the duo recorded, as an evocation of those twilit drives across the Blue Ridge Mountains. “Looking back at what we chose to name the songs,” Evans says, “and some of the sounds and how they make me feel, there is an air of impermanence and loss to this album.”

“I’m excited for everything that’s to come,” he adds, “but I recently thought, ‘Damn — that’s not going to happen again.’ It was a privilege for us to have that time together.”

"Waxwork Records is honored to present the release of the Original Motion Picture Soundtrack to George A. Romero’s horror classic, NIGHT OF THE LIVING DEAD. Written, filmed, and released in 1968 by a rag tag group of Pittsburgh based misfits, NIGHT OF THE LIVING DEAD is an American independent horror film that follows the story of seven people trapped in a rural farmhouse that is besieged by a large and growing group of living dead ghouls. The film is regarded as a cult classic by critics, film scholars, and fans and has garnered critical acclaim. The film has been selected by the Library Of Congress for preservation in the National Film Registry and is deemed “culturally, historically, and aesthetically significant”.

Filmed and released on a shoestring budget, NIGHT OF THE LIVING DEAD became a smashing success earning over 250 times its budget. The film is a first of its kind and ushered in a new way of writing, directing, and filming horror films. The overused script of romantic, fantastical tales of otherworldly monsters and creatures was completely flipped and tossed aside by visionary George A. Romero. As the film’s writer and director, Romero created a new, obvious threat, and one that is universally recognizable - Our very own neighbors. Due to an unseen force beyond man’s control, the recently deceased arise from the dead in seek of living human victims. These ghouls kill and feast upon the flesh of their victims, and the only way of stopping them is by destroying their brains.

From 2015 to 2018, Waxwork Records worked closely with the remaining members of the independent production company that made NIGHT OF THE LIVING DEAD, Image Ten, to produce a definitive soundtrack album featuring all music from the film. Much of the film’s music was thought to be lost or destroyed but was located in its entirety and faithfully restored and re-mastered for vinyl. This special release of NIGHT OF THE LIVING DEAD features the complete soundtrack, double LP “Black & White Hand Poured” colored vinyl, all new artwork by Robert Sammelin, a booklet featuring never before seen production photos, liner notes by Daniel Kraus (co-author of THE SHAPE OF WATER with Guillermo Del Toro), liner notes by Night Of The Living Dead’s dialogue recorder and sound engineer, Gary Streiner, and deluxe packaging."

Austin, TX legends, The Sword, welcome in the Twelfth vinyl release in the Live at LEVITATION series. On June 27, 2024, the band announced they would reunite for a one-off concert on November 3 at the 2024 edition of LEVITATION in Austin. In celebration of this reunion, we pulled from the archive and this limited live release showcases the bands appearance at the festival with their 2015 and 2021 performances. These recordings are now immortalized on beautiful limited colored vinyl. "With the band originating in the great city of Austin, a city that's proven to be a nucleus for a wide range of distinct and eclectic musical acts, it only felt natural to be included on the Levitation roster in 2015 and again in 2021, adding our own flavor to its diverse landscape. What an honor it has been to be included at such a cool festival. We've had two memorable sets so far, playing alongside some truly amazing bands. When we began entertaining the thought of returning to the stage after a two year hiatus, playing a reunion set at Levitation became the only appropriate solution, to play in front of the fans in Austin Texas, where it all began. We're very excited! Being asked to be part of the "Live at Levitation" LP series is also a great honor. The tracks we selected from each performance, at Carson Creek Ranch and Empire Garage, captured a special energy and enthusiasm that only Levitation could provide. It truly means a lot to share these memories with everyone and be included in this series!" - The Sword LEVITATION and the LIVE AT LEVITATION Vinyl Series The first Austin Psych Fest was held in March 2008, and expanded to a 3 day event the following year. The event quickly developed into an international destination for psychedelic rock fans, with lineups spanning the fringes of indie rock, from up-and-comers to vintage legends, and capped off with headline performances from co-founders The Black Angels, along with Tame Impala, The Flaming Lips, The Brian Jonestown Massacre, Thee Oh Sees (in various forms) and many more. LEVITATION helped spark a movement, inspiring the creation of similar events across the globe and a burgeoning psych scene that would soon ignite. The series captures key moments in psychedelic rock history, and live music in Austin, Texas, pressed on beautiful limited edition colorful vinyl pressings - each an eye popping visual representation of the music contained within. The artists and sets showcased on Live at LEVITATION have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at LEVITATION annually from all over the world.

"The BBC Collection’ is an all-encompassing collection of the many recorded performances of Rory Gallagher at the BBC. Featuring eighteen CDs worth of radio concerts and sessions from 1971 to 1986, roughly 75% of this material has not been officially released before. Also included is two Blu Ray discs of BBC TV concerts and studio performances from 1973 to 1984, all of which has not been officially released previously.
Amassed from the BBC archives and Rory Gallagher’s own transcription discs and off-air cassette recordings, the boxset spans 16 years of his career (1971-1986), taking in highlights such as the 1977 dual television and radio broadcast Sight & Sound concert, Rory’s headlining set at the Reading Festival in 1980 to the emotional ‘At Midnight’ concert live from the Ulster Hall in Belfast, 1984.
A ‘best of’ from this collection will be available on 2CD and 3LP, titled “The Best of Rory Gallagher at the BBC”
These releases celebrate the importance of the artist Rory Gallagher, who was possibly the most recorded musician of the 1970s by the BBC.
“(‘Tore Down’) That was the first song I ever heard played…It’s a BBC recording of Rory Gallagher playing at the Paris Theatre in London in July 1972. And I was in the audience, aged 15, and those opening bars were enough to make me realise that this was something I wanted to do again and again… ‘Tore Down’ was my introduction to live, loud, amplified blues and when Gallagher had finished, my 15-year-old self could not contain his excitement. He ran down to the front to shake Rory’s hand…When the BBC did eventually broadcast the concert, I taped it by leaning the microphone from my clunky cassette recorder against the speaker of our old transistor radio and I listened to that tape over and over again” Nick Hornby, Author"

First time on vinyl for David Sylvian’s 29-track career-spanning compilation from 2000.
Features key songs from Japan and Rain Tree Crow, as well as David’s Virgin Records solo years.
Also includes key collaborations with Ryuichi Sakamoto, Robert Fripp and Alesini & Andreoni.
Alongside the remixes of “Ghosts” and “Bamboo Houses”, the album features tracks such as the beautiful ‘Ride’ from the ‘Secrets of the Beehive’ sessions, two dobro pieces written with Bill Frizell and “Cover Me with Flowers” from the ‘Dead Bees On A Cake’ sessions, plus the classic “Some Kind of Fool’ taken from Japan’s sessions for ‘Gentleman Take Polaroids’.

"New album from Connecticut metal/hardcore outfit BOUNDARIES via 3DOT Recordings, the label owned and ran by iconic progressive metal band Periphery.

'Death Is Little More' is the band's fourth studio album - their most aggressive and complete body of work to date, including featured guest vocals by giants of the global contemporary heavy rock scene - Lochie Keogh from Alpha Wolf (AU), Marcus Vik from Aviana (SE) and Matt Honeycutt from Kublai Khan TX (US)."

Born from of a relentless global tour schedule, Samara Joy took her touring band, made up of other rising young jazz musicians, into the legendary Van Gelder Studios (the venerable studio from which A Love Supreme and so many of the great catalog records from Impulse and Blue Note were recorded) in February of 2024. Recorded across three days, Samara and her musicians were able to capture an incredible snapshot of who she is today and the promise of tomorrow. It’s a collection of standards, as well as one original and some of her first forays into lyric writing and features her singular voice, alongside arrangements and playing from this tight knit young group. The recording is this story of the community she’s created with a new generation of young players and serves as a studio rendering that delivers on the promise of the live show so many fans have seen them perform over the last year.

2024 Repress

Dark Entries is honored to finally present the first ever official vinyl reissue of Space Museum by Solid Space. Solid Space was the British duo of Dan Goldstein (keyboards, vocals) and Matthew 'Maf' Vosburgh (guitar, bass, keyboards, vocals) formed in 1980. Dan and Matthew met at the age of 11 while attending school in north London. In late 1978 at at the age of 14, they formed Exhibit 'A' with Paul Platypus' and Andrew Lunchbox' Bynghall. They recorded two EPs in 1979 and 1980, self-released on Irrelevant Wombat Records and appeared on 'The Thing From The Crypt' compilation. After the dissolution of the group, Mathew started taking his guitar over to Dan's house where he'd play his Casio MT-30 and they would record songs. Eventually a second hand drum machine and Wasp synthesizer were acquired from classified ads in Melody Maker and the Solid Space sound was born. By this time they were just turning 18 and finally found the freedom to make the music they'd had in their heads. Over the course of the next two years the band assembled eleven bedroom recordings that would become one of the most cherished DIY obscurities of its kind. Their debut album 'Space Museum' was released in 1982 on cassette by In Phaze Records. All of the songs were mixed by label boss Pat Bermingham on 8-track tape at The Shed, in Ilford, which was literally a garden shed. The band's music and lyrics were heavily indebted to science fiction, in particular the 1960s television series Doctor Who. 'Space Museum' is an unveiling of atmospheric, minimalist post punk supported by bright melodies. The music combines drum machines and synths with acoustic guitar and toy drums whilst also experimenting with samples between tracks. Lyrics deal with space travel and a general sense of dejection. Representing a bubbling spirit within the underground, they foreshadowed an entire world of independent music which would emerge across the 80's and well into the 90's. For this reissue we've included two bonus tracks from the band's archive, Platform 6' originally released on the B-side of the second single by Exhibit 'A', this song features only Dan and Matthew and is the first Solid Space track ever recorded. Tutti Lo Sanno' is a cover of In Phaze label mates Marine Girls, though the lyrics have been changed to suit the gender of the new singer.Each song has been carefully remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is sleeved in a replica of the cassette artwork featuring the Cybermen and Jamie from the Doctor Who episode "The Wheel in Space". Every copy includes a double sided 11x11 insert with lyrics, notes and never before seen photographs of the band taken by Maf as well as a postcard featuring an original advert for the cassette.

After a near decade spent in obscurity, Peter Cat Recording Co. or PCRC, emerged from the toxic winter smog of Delhi to enter the global Krishna consciousness with the release of 2019's "Bismillah", the culmination of years of refining their unique vision of 21st century pop music. Seeking a transcultural sound, centered around the song writing of Suryakant Sawhney, PCRC's music mines ideas from both time and space, across centuries and continents, extracting and transforming them into modern hymns and timeless folk, something you could perhaps imagine hearing in the holo-deck of a ship from Star Trek. As the name suggests, Peter Cat Recording Co. is less a band and more of a self-sufficient factory of music and art. With 3 potent song writers in Suryakant, Dhruv & Kartik, the group is building a legacy informed and echoing the spirit of groups like The Velvet Underground and The Beatles. The next chapter of this entity began with the announcement of their new album, "BETA", a name inspired by the birth of Karan Singh's son. PCRC is Suryakant Sawhney on vocals and guitars, Karan Singh on drums, Dhruv Bhola on bass and samples, Rohit Gupta on keys, horns and woodwind, and Kartik Sundareshan on guitars, horns and woodwind.

Renegade Methodz is extremely proud to present a record featuring three of the most successful music exports coming from Greece.

ANNE, ENDLEC, SERA J.

Hailing from Thessaloniki, all three artists already have established their name on the international front with releases on some of the best labels of the scene.
This time they united to bring the heat on Renegade Methodz with six cuts of their unmistakable style for a lesson in proper techno production.
Presented symbolically under the name 'Rework Our Unity', this release serves as a united front of Techno music coming from Thessaloniki, aims to inspire future generations and to provide a glimpse of hope for the Greek electronic music scene.

The latest 45 from Durand Jones & The Indications out on Colemine Records features two tracks from their previous LP, Private Space. The A Side features the album's title track and is a laid-back, string-enhanced, smooth progression where guitarist Blake Rhein plays minimal but on-the-money strokes. The flip is an uptempo, drum heavy beat with lyrics depicting heartbreak and longing. "Sea of Love" delivers on that smell good, look good, feel good '70s synth sheen arrangements, lavish string charts, and double-down confidence from a band who gets to move their core expertly into a different decade.

Colemine's reissue imprint Remined is back with another one! Delving deeper in the rare California soul/funk scene from the past, this one is a two-sided burner from The San Fransisco TKO's! A super rare 45 from the Golden Soul label, the A-side is a funky midtempo instrumental aptly named for the band's Herm Henry. But the bside is the true gem, a killer raw and super sweet rendition of The Miracles' "Ohh Baby Baby". Funky a-side. Super sweet b-side. Can't miss. Limited press, get 'em while they're hot!

This Limited 2 LP set covers all the original versions of songs that inspired the Rolling Stones on their album, “Blue & Lonesome”, along with 27 remastered originals from England’s Newest Hit Makers in the early sixties. You can hear The Stones' versions of Muddy Waters' "I Just Want To Make Love To You" and Slim Harpo's "I'm A King Bee" appeared on England's Newest Hit Makers, Chuck Berry's "Come On" on their debut single, Dale Hawkins' Susie Q" on 12 X 5, Marvin Gaye's "Hitch Hike" on Out of Our Heads and Howlin' Wolf's "Little Red Rooster" on their second no. 1 single. Howlin’ Wolf’s “Little Baby” (‘Stripped’ 1995). There’s Allen Toussaint’s “Fortune Teller” (‘Got Live If You Want It’ 1966), Muddy Waters’ “Mannish Boy” (‘Love You Live’ 1977), The Coasters’ “Poison Ivy” (‘No Stone Unturned’ 1970) and the closing track on the album is “You Better Move On” from southern soul singer Arthur Alexander (‘December’s Children’). The blues as chosen by five young (blues)-rockers from London.

10 brand new songs mixed and mastered by Jack Endino (Nirvana, Soundgarden, Mudhoney, L7, Screaming Trees, Zeke...). Having past 28 years since the last long play (Fuzz Godz, 1996, a Kent Steedman production) and after the rebirthing of the band and come-back from the vaults of oblivion, La Secta take the right decision to record ten brand new songs now with the hand of Jack Endino (Nirvana, Soundgarden, Mudhoney, L7, Screaming Trees, Zeke...) behind the mixes and masterization, from his Seattle studio, not able to come to Spain due personal health issues. This fourth Long Play takes intense power, giving the sound another stratospheric dimension after Mr. Endino treatment. Ten songs surfing from psych rock and dark psychedelia through the Aussie Rock and raw folk to ranking psych jungle and the darker Stooges with some groovy garage, grunge and surround psychedelic elements. For fans of psych rock, dark psychedelia, aussie rock, raw folk, groovy garage, grunge...

To coincide with the 2024 ‘Just Something’ album tour, Acid Jazz present this special edition 12” EP from Dee C Lee – ‘Extended Versions’, featuring alternate extended cuts from the album. While the conciseness of the track-listing works wonderfully on the album, this is a great opportunity to showcase the featured musicians and collaborators on the record, stretching out and inhabiting the songs on these special extended versions put together by producer Tristan Longworth. Musicians include the late Pat West, who shines on ‘Anything’, and Nigel Price, who plays the stunning guitar intro on ‘Don’t Forget About Love’ . Elsewhere, the backing vocals and Mick Talbot’s gospel-tinged organ provide an ecstatic closing to Leah Weller’s ‘Everyday Summer’ , while the Lee-Talbot co-write ‘Walk Away’ has an extended play-out to once again highlight Nigel’s classy, jazzy playing. Presented on a beautiful picture sleeve, following on from the design layout of the album. Vinyl/EP.

At 15 years of age Danny aka DJH worked at Dance Force Records, his Dad’s record shop, at the weekends in Kings Lynn. He also built himself a basic studio in the back of the shop where he linked up with a local customer and started to make music. These tracks would form an EP called The Bass Project which went on to be one of the most sought after hardcore records, being offered for up to £750 a copy. Not bad for a 15 year old kid who made his one and only release back in 1993.

This is the 3rd and final release for the DJH series whilst he takes a sabbatical from music, leaving us with 4 heavy hardcore tracks, with that authentic early 90’s feel with ‘Bad Boy Sound’ being a firm favourite of Jay Cunning over recent months on his Kool FM show. Sourcing original samples and memories from his time embedded in the scene as a teenager, this whole EP pays respects to the analogue dance scene that paved the way for all forms of UK bass music that followed.

Section 25 release their 10th studio album ‘Move On’ via Nine X Nine records. Originally formed in Lancashire in 1977 they are best known for their work with iconic Manchester label Factory Records. Fusing elements of post-punk, electro and synth-pop their sound is unmistakable and influential. ‘Move On’ has optimism at its core. It is a reflection of the past and a meditation on the present. Emotionally engaging with the here and now by understanding what has passed. Section 25 have built a lasting legacy as one of Britain’s most important bands in electronic music. Younger audiences may be familiar with their work through it being extensively sampled, including by Kanye West. The band were also namechecked in LCD Soundsystem’s breakout single ‘Losing My Edge’.

Visionary art-pop duo Faux Real (a.k.a. Los Angeles-based Franco-American brothers Virgile and Elliott Arndt) release their debut album "Faux Ever" on City Slang.

Faux Real’s long-awaited debut album "Faux Ever" is a self-described “11-piece symphony for head-banging and longing,” the album sees the fraternal duo continuing to play on the outskirts of language and sound, exploring themes of heartbreak, labor, and the home with harmonies and humor, playful beats, and en franglais. Recorded between Paris, New York, London, Los Angeles, and Provence, "Faux Ever" thrusts Faux Real’s sultry, surreal, and unclassifiable sound towards a glossier pop horizon, an existential sonic pastiche with a glistening digital sheen. "Faux Ever" also includes such certified bangers as the bold, glitchy, and infectious “Rent Free” and the acclaimed “Faux Maux,” both available everywhere already alongside self-directed official music videos streaming now on YouTube. Known far and wide for their DIY, Iggy Pop-meets-Eurodance live performances, Faux Real are building anticipation for "Faux Ever" with international shows in the UK/EU and US.

Format: 140g Crystal Clear Vinyl

About Faux Real:
Elliott and Virgile Arndt founded Faux Real in 2018, blending post-punk, glam rock, and a taste for pop grandeur, fashioning a truly inimitable musical experience. From their increasingly accomplished studio output to mesmerizing, unprecedented live performances, Faux Real invite the audience to join them an enthralling post-realist expedition through contemporary pop culture with razor-edged satire, inspired boy band choreography, and a charged sensuality that has fast earned them a fervent fan following that includes among their number such iconic stars as Duran Duran, Beck, Paramore, Metronomy, and Wet Leg. Now, with the imminent arrival of Faux Ever, Faux Real continue to gleefully ignore boundaries and barriers, assuring the journey is as exhilarating as the ultimate destination.

Bogotá-based Colombian composer Eblis Álvarez, known as Meridian Brothers, has been concocting a unique blend of psychedelic sounds since 1998. With his latest project, "Mi Latinoamérica Sufre," Álvarez explores the untapped potential of the electric guitar in a tropical Latin context. Drawing inspiration from African highlife and soukous traditions, Álvarez crafts a fearless sonic experiment infused with invention, playfulness, and emotion. Unlike typical tropical guitar records, this album eschews distortion and clichés, opting for a pure, clean approach. Through intricate compositions blending cumbia, champeta, soukous, Brazilian tropicalia, and underground psychedelic rock, Álvarez pays homage to the golden era of Congolese rumba, Ghanaian highlife, and Nigerian afrobeat.

"Mi Latinoamérica Sufre" delves into the ego trip, presenting a humorous yet introspective journey of self-discovery and identity. The central character, Junior Maximiliano the Third, navigates through the complexities of self-discovery using psychedelic substances, political philosophy, and folklore. As he grapples with nostalgia, paranoia, and shared suffering, Álvarez showcases his vocal prowess, creating a sonic theater of the mind. Accompanied by visual narratives from Colombian artist Mateo Rivano, the album portrays various psychological states of disorientation, self-pity, enlightenment, and optimism. "Mi Latinoamérica Sufre" emerges as a worthy and innovative addition to the concept album tradition, offering a distinctive blend of bitter-sweet flavors inspired by Latinoamérica.

Crystal Clear Vinyl. Hamartia is the fatal flaw leading to the downfall of a tragic hero or heroine. A narrative tool often determining a character's arc (or fate) underpinning many of our favorite stories in film, literature, and music. Meredith Johnston, the singer-songwriter-producer at the heart of indie project Warm Human, borrowed the term for the title of her latest LP, and her first for Sooper Records. Hamartia finds Johnston probing the depths of her fatal flaw, self-hatred, without skimping on the catchy hooks and bracingly frank lyricism. "This whole album is pop music for deranged people" she says. Johnston wrote and produced the album with Chicago composer and producer Conor Mackey (Lynyn, Monobody, NNAMDI). Together, the pair crafted an album that draws liberally from its diverse influences, incorporating down-tempo electronics, drum n' bass, indie rock, synth pop, and elegant, unstructured soundscapes. Hamartia finds humanity in electronic music, with warm synths, guitars, and shape-shifting vocal stacks frequently creating a one-woman choir. Hamartia is buoyed by the best music of Warm Human's career, from the probing "Father Father" to the insightful "My Moods!!" and the musical dish session "Love 2 Hate." Inspired by Portishead, Sheryl Crow, Frou Frou and others, the LP can be both wryly funny and incisive in the span of a single couplet ("I asked for space and you gave me the moon," she sings on "My Moods!!" adding, "I'm riding shotgun with my shit attitude"). Hamartia is a perfect pop soundtrack for our current moment because its irresistible hooks and quotable lyrics are the opposite of empty escapism-they're an invitation to acknowledge your own struggles and flaws. To get in touch with your hamartia. Recommended if you like: Imogen Heap, Sylvan Esso, Madonna, Portishead, Frou Frou, Sophie, Postal Service, Sheryl Crow.

Hugo Race (Dirtmusic, Fatalists, ex-Bad Seeds) and Michelangelo Russo (True Spirit), fuse rock, blues, ambient and electronic sounds on their raw, compelling new album "100 Years".
In 2017, the duo released John Lee Hooker's World Today (Glitterhouse/Gusstaff Records), a tribute to the blues legend's delta blues legacy reinvented in a swirling mix of analog grit and deep trance pulses.

100 Years showcases the duo's sonic chemistry against Race's stark songwriting. Inspired by the raw majesty of early blues recordings, the album was recorded in two days in a non-stop live Hugo Race & Michelangelo Russo - 100 Years session. Amplified harmonica, open-tuned guitars, smoky vocals and primal foot beat walk us through a landscape of dreamlike devastation, a hypnotic wall of sound suspended in time and space celebrating endurance and redemption, hand-made from ancient roots. "Tradition does not mean passing the ashes, but the fire."

100 Years. Recorded November 1 & 2, 2023.
Engineered by Andrew 'Idge' Hehir at Soundpark Studios, Melbourne.
Mastered by Giovanni Versari at La Maesta, Milano.
Published by Peermusic.

PRESS about former album:
Rock'n'Roll Monuments, Greece:
"Race and Russo's pioneering electronic atmospheres give the historical Blues something you never imagined possible."

Rolling Stone, Germany: 'Dark Eros and transcendental blues…'
Musikreviews.de, Germany: "A psychedelic ghost blues of a profound sort, a mature, sensitive interpretation of the music and lyrics of John Lee Hooker. (Race and Russo) have blown us away in slow motion, economically instrumented and with painfully beautiful intensity. "

Q, London: "A darkly singular experience then, and one of the best records (Race) has ever made..."

The Music, Australia: "A collection of bluesy, brooding songs from a talented singer-songwriter with three decades of musicianship under his belt."

Eclipsed, Germany: "Hypnotic rhythms and haunting guitars, this album tingles under your skin..."
Focus Kultur, Germany: "No one else makes music like this, and that in itself is an achievement..."

Rock and Folk, Paris: 'This traveler without borders advances through a menacing atmosphere of no-wave electro-acoustics. Here is the spirit, and he does not forget
the body and the soul ... '
Tom Tom Rock, Italy: "An almost epic attack, worthy of the soundtrack of an apocalyptic post-nuclear catastrophe film… a talking blues of the third millennium, filtered by years of psychedelia and industrial music - and the Berlin years of Hugo Race can certainly be felt - hypnotic and dark, but precisely for this reason enveloping and fascinating. A record in which the music of the legendary bluesman is completely transfigured, without, however, the fidelity to his "spirit" and his "message" being questioned in the slightest. In short, JLH is alive and fighting with us, if we find the strength to follow him."

Hugo Race (Dirtmusic, Fatalists, ex-Bad Seeds) and Michelangelo Russo (True Spirit), fuse rock, blues, ambient and electronic sounds on their raw, compelling new album "100 Years".
In 2017, the duo released John Lee Hooker's World Today (Glitterhouse/Gusstaff Records), a tribute to the blues legend's delta blues legacy reinvented in a swirling mix of analog grit and deep trance pulses.

100 Years showcases the duo's sonic chemistry against Race's stark songwriting. Inspired by the raw majesty of early blues recordings, the album was recorded in two days in a non-stop live Hugo Race & Michelangelo Russo - 100 Years session. Amplified harmonica, open-tuned guitars, smoky vocals and primal foot beat walk us through a landscape of dreamlike devastation, a hypnotic wall of sound suspended in time and space celebrating endurance and redemption, hand-made from ancient roots. "Tradition does not mean passing the ashes, but the fire."

100 Years. Recorded November 1 & 2, 2023.
Engineered by Andrew 'Idge' Hehir at Soundpark Studios, Melbourne.
Mastered by Giovanni Versari at La Maesta, Milano.
Published by Peermusic.

PRESS about former album:
Rock'n'Roll Monuments, Greece:
"Race and Russo's pioneering electronic atmospheres give the historical Blues something you never imagined possible."

Rolling Stone, Germany: 'Dark Eros and transcendental blues…'
Musikreviews.de, Germany: "A psychedelic ghost blues of a profound sort, a mature, sensitive interpretation of the music and lyrics of John Lee Hooker. (Race and Russo) have blown us away in slow motion, economically instrumented and with painfully beautiful intensity. "

Q, London: "A darkly singular experience then, and one of the best records (Race) has ever made..."

The Music, Australia: "A collection of bluesy, brooding songs from a talented singer-songwriter with three decades of musicianship under his belt."

Eclipsed, Germany: "Hypnotic rhythms and haunting guitars, this album tingles under your skin..."
Focus Kultur, Germany: "No one else makes music like this, and that in itself is an achievement..."

Rock and Folk, Paris: 'This traveler without borders advances through a menacing atmosphere of no-wave electro-acoustics. Here is the spirit, and he does not forget
the body and the soul ... '
Tom Tom Rock, Italy: "An almost epic attack, worthy of the soundtrack of an apocalyptic post-nuclear catastrophe film… a talking blues of the third millennium, filtered by years of psychedelia and industrial music - and the Berlin years of Hugo Race can certainly be felt - hypnotic and dark, but precisely for this reason enveloping and fascinating. A record in which the music of the legendary bluesman is completely transfigured, without, however, the fidelity to his "spirit" and his "message" being questioned in the slightest. In short, JLH is alive and fighting with us, if we find the strength to follow him."

Austrian electronic music producer Peter Kalcic, better known as B.Visible, is set to release his third studio album titled "Life is my Hobby" on October 10th through his own imprint, Data Snacks.
This new album sees B.Visible continuing to blend genres, drawing inspiration from the trip-hop sounds of the 90s, the R&B of the 80s, and mellow house music. True to his signature style, he maintains a balanced mix of acoustic drum sounds, electric pianos, and shimmering synths.
Unlike his previous works, the creation process for "Life is my Hobby" extended beyond the traditional studio setting. Much of the album was crafted in his newly moved apartment and various cafes in Vienna's 5th district. His collaboration partners were close to home, literally-Anda Reverie and Silvia Ponce Marti, his upstairs and downstairs neighbors, respectively, feature as vocalists on the album.
Silvia Ponce Marti's contribution for instance is featured on the track "Ella," which addresses the sensitive issue of the hyper-sexualization of the female body in today's society. She also created a stunning mixed media video for the song, which can be viewed here.
Anda Reverie appears on the track "Bad Karma," portraying an alien questioning the moral implications of humanity's destruction. The music video for this song brings the scenario to life with dreamy environments and unsettling projections.
B.Visible describes the album's creation as guided by causality, resulting in a less experimental and more accessible sound-his closest encounter with pop music to date. Asked about the title he keeps quite. The listener is encouraged to form their own opinion from the impressions.


BIO (EN)
Viennese producer B.Visible is always pushing his craft forward, with each concept being an evolution. His music is mutating organically as each project brings novelty, but always while blending sharp electronic components with dusty acoustic layers. That duality exists in every aspect of his creative journey, with DJ sets revolving around second-hand records and modern-day productions, but also his live project offering a whole new dimension and generosity to the audience. B.Visible melts the barrier between analog and digital in a such distinctive and elegant way that it feels natural.

Deicide ist eine der drei großen US-Death-Metal-Bands, zusammen mit Cannibal Corpse und Morbid Angel. Nach ihrem letzten Album "Overtures of Blasphemy", das 2018 erschienen ist, kehren Deicide nun mit ihrem neuen Werk "Banished By Sin" zurück.

Deicide sind bekannt für ihre kompromisslose Musik, und dafür, dass sie in den mehr als drei Jahrzehnten ihres Bestehens einige der esten und härtesten Death Metal-Songs hervorgebracht haben. Erwartet die intensivste, brutalste und einprägsamste Florida Death Metal-Platte!

Coke Bottle CLear Vinyl. The breakout success of 2016's Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who've historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. "I had been on the road for a long time, which is so isolating, and had to run my own business at the same time," Mitski explains, "a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs."We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. "With a lot of the romantic infatuations I've had," she says, "when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy figure that I so desire." In Be The Cowboy, delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.

'Star People,' the blistering 1983 album from Miles Davis, is the VMP Classics Record of the Month for November 2022. It's here on 180g black audiophile vinyl pressed at RTI with AAA lacquers cut from tapes by Ryan Smith at Sterling Sound.

Hardwarez, the third LP by Master Boot Record (aka MBR) on Metal Blade, sees multi-instrumentalist mastermind Vittorio D'Amore (aka Victor Love) aurally exploring the duality of technology and humanity in 9 intense and incandescent tracks. The LP, which follows 2022’s Personal Computer and 2020’s Floppy Disk Overdrive, comes from the expansive mind of Love, an Italian producer who emerged from the underground as an anonymous project in 2016 to create the soundtrack for the cyberpunk point-and-click adventure game VirtuaVerse. The project seamlessly evolved into a standalone entity, releasing over 14 albums in just a few years.
To create Hardwarez, the technologist worked by live streaming his desktop on YouTube while composing new music. Everything is programmed via MIDI. “The very first song I wrote is actually also the first single, “CPU,” he says. “Even though the other songs on the album have a quite different style, the type of riffing and the different melodic section of this track worked as a base to upgrade the sound before moving forward.” “CPU” is also where Love decided to test the real guitar overdubs and was inspired by the results.
“With every album I’ve upgraded bits of the sounds, adding new layers,” he says. “In Hardwarez the core sounds for synth guitars, leads and pads are still those that constitute the trademark MBR sound, but what makes this album very different is the addition of guitar overdubs that play along synth guitars for both the rhythmic and solo sections.”
Intensive touring augmented with live musicians helped Love to make the decision to include real guitars to achieve a massive sound and boost the enhanced frequency spectrum of the instrument. “On this record there are a lot of heavy riffs with palm muting and my lead guitarist Shreddy recorded most of those leads and solos as well playing in unison with synth leads and adding extra energy to them.”

In a simultaneous act of defiance and impishness, Sham Family are etching their name in the wet concrete out front of the establishment. Hailing from the vibrant music scene of Toronto, Canada, the dynamic quartet is emerging as a prominent voice in the contemporary post- punk landscape.

To know Sham Family is to witness them perform live in the flesh. From the very first note, the room teeters between collective catharsis and a sort of beautiful, focused chaos. Blisteringly loud and remarkably lush, their live show is not only a testament to the meticulous craftsmanship of their music, but a downright physical feat. Broken strings, sweat, and the occasional minor lesion are collateral damage that only serves to strengthen their ultimate goal: deliver the loudest, most captivating show utte rly possible. Catching the attention of the newly formed Wavy Haze Records, spearheaded by indie icons Born Ruffians, Sham Family were the first non-Ruffians to join the label’s esteemed roster.
In 2022, they released their debut self-titled EP: a strikingly raw introduction to their leave-it-all-on-the-floor brand of shoegazey punk. The release quickly gained traction, propelling Sham Family onto stages across the United States and Canada. Now, Sham Family are gearing up to release their highly-anticipated full-length album, A Deaf Portrait of Peace, in 2024. Produced by the renowned Graham Walsh (METZ, Debby Friday, Preoccupations, Alvvays), the record promises to embody the propulsive ener gy of their live performances while venturing into uncharted sonic territories.

It has now been four years since our return to earth in "2020 back to earth". There we had found a cold and inhospitable place, humanity was inexorably channeled on the path to extinction. We therefore decided to flee immediately in search of another planet where we could dwell.
We therefore came to New Babylon, a planet inhabited by humanoids but also by monstrous and ravenous creatures. There are "giants" that march about raising immense clouds of dust, stealing and plundering everything from people. Giants much like our corporations, they know no defeat and have no weaknesses, at least apparent ones.
There are old warriors like jarek who wait for war to feel like heroes, to feel alive. They find their dimension within the battle, where the line between hero and assassin magically blurs.
There are pyramids erected by men who think they are gods and turn the things life gives them into weapons and death, changing their use and meaning. Little men who think themselves omnipotent, burying knowledge of how life works under piles of lies.
We find a myriad of slaves, surrendered to live in huge troughs. They toil at nothing and find meaning in nothing. They prefer a convenient lie to an inconvenient truth.
In short, we realize that we have arrived in a world very much like earth. We are aliens but in a certain way we feel at home. We want to know, to understand, to evolve. We don't recognize ourselves in this deceived humanity, we don't give in, we believe. Nature, life is wonderful but when one thing loses its usefulness life gently explains to it that it is time to make room for something else. This existence has already explained to the dinosaurs.
Kayleth continue their journey, never stopping because who seeks will find itself.

"New Babylon ranks next to Space Muffin as Kayleth’s best album for me and one that contains some of their best grooves of their career to date." - Outlaws Of The Sun
"Sit down and really take in We Are Aliens as it’s a joy to listen to, but are the aliens we think exist, just like us? Let Kayleth take you on their journey of discovery." - The Sleeping Shaman
"On this album the Italian five manage to translate heroism into wild and wonderful sounds, often sounding even more like a grungier, metal version of Monster Magnet, mixed with mix a definitive love for Kyuss, Orange Goblin and a prog rock outfit like Riverside." - Stoner Hive
"It’s a call to arms for the dreamers and the rebels, a reminder that no matter how dark the journey, there is always light to be found. This album is a must-listen for anyone into psych stoner rock!" - Witching Buzz
"New Babylon is a triumph. It’s an album that demands to be listened to in full, each track a journey through heavy riffs and cosmic themes." - Iron Backstage
"Listening to a piece like 'New Babylon's Wall,' you can appreciate the richness and sonic fertility of the group, with beautiful melodies enriched by the right amount of electronics, starting from a psych conception of the stoner sound, and there is no lack of prog elements, all with beautiful melodies. As mentioned earlier, a sci-fi band in both approach and essence." - InYourEyesEzine
"KAYLETH doesn't reinvent anything, but they absolutely crush it by the rules!" - Rock'N Force
"Stoner rock has rarely sounded as original, diverse and intoxicating as it does here!

The A side, Can't Call My Baby, showcases Adriana Flores' impressive lead vocals and comes straight off of Thee Sinseers debut LP that has already streamed almost 7 million times on Spotify alone in less than three months. The B side features a brand new, never before heard song from the band. Take A Chance emphasizes Joey Quinones' trademark crooning while the track urges you to take a chance on love before it's too late. The expressive notes of a harmonica shines throughout the song and blends classic Motown harmonics with Latin soul. Also Available From Thee Sinseers: For You / Si Llorarás 7”, Sinseerly Yours