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Do It With Soul is back with another healthy dose of dancefloor fun featuring a pair of well-executed new edits. On the A-side of this limited edition 7" is 'Get Up Gaff,' a James Brown-inspired rework with some nice analogue 808s driving forward the raw vocal loops and jacked-up drum hits. On the flip, 'Mango In the Jungle' channels more James Brown energy as it collides 'Mango Meat' with 'Give It Up and Turn It Loose.' The result is a wild mix of funk breaks, squealing organs and soulful vocal details that keep things moving and grooving.

In ihrer bisher zwölfjährigen Band-Historie veröffentlichten Nicolás Jaar und Dave Harrington, zusammen bekannt als DARKSIDE, die beiden Alben ""Psychic" (2013) und ""Spiral" (2021). Mit ihrem langjährigen Freund und Kollaborateur Tlacael Esparza als neues Bandmitglied und Schlagzeuger kommt jetzt ihr drittes Album ""Nothing". Das Ergebnis ist faszinierend und vielschichtig. DARKSIDE schmücken ""Nothing" mit prägnanten Rhythmen, verzerrten Vocals und kreieren eine ganz eigene, wie ungewöhnlichen Ästhetik.

Um die Entwicklung zu verstehen, muss man die Hintergrundgeschichte kennen: Jaar und Harrington lernten sich in den frühen 2010ern während ihrer Schulzeit in Providence kennen. Während der Tour zu Jaars Solo-Debütalbum fand eine spontane Aufnahmesession an einem freien Tag in einem Berliner Hotelzimmer statt. Die Session war wortwörtlich brandheiß, denn sie endete mit durchgeschmorten Lautsprechern. Der Raum füllte sich mit Rauch und der an diesem Tag entstandene Song wurde ihre erste gemeinsame Single ""A1", DARKSIDE war geboren.

Zwischen den ersten beiden Alben legte das Duo eine sechsjährige Pause ein. In dieser Zeit verfolgten Jaar und Harrington jeweils eigene kreative Wege: Jaar etablierte sich als Solokünstler und Produzent, während Harrington als innovativer Gitarrist und Experimentalmusiker die Underground-Szene in L.A. aufmischte und die Rock-Band Taper"s Choice gründete. Die Geschichte setzt sich dann im Herbst 2022 in Los Angeles fort als das Duo eine Reihe von Shows buchte, um sich nach acht Jahren erstmals wieder als Live-Band zu vereinen. Esparza kam als festes Mitglied hinzu und veränderte grundlegend den Klang und die Energie der Band. Die Idee von ""Nothing" entstand während der Suche nach Achtsamkeit und Harringtons stillen Momenten mit seiner neugeborenen Tochter, in denen er Schönheit im Nichtstun fand. Für Jaar wurde ""Nothing" zu einem Symbol für die allgegenwärtigen, wie überwältigenden Probleme, unausgesprochene Gefühle und den Stillstand in globalen Krisen wie Klimawandel, politischer Heuchelei und wiederkehrender Gewalt.

Released for the first time on vinyl, ‘Brat and it’s completely different’ is the reworked version of ‘BRAT’ which reached number 1 on the UK’s official album chart, and includes the number 1 single ‘Guess featuring Billie Eillish’.



Avant-pop and electronic superstar Charli xcx has become an iconic figure in the arts, having helped expand the landscape of popular music over the last decade by seamlessly traversing the underground and mainstream with her artistic output.



Over the course of a trailblazing career, the multi-hyphenate creative has earned critical acclaim for her innovative style and entrepreneurial spirit and seen her forward-thinking approach reshape pop culture in the process.

She released her sixth studio album ‘BRAT’ in June which stands as the most critically acclaimed album of the year and landed at Number 1 on the UK Official Album Chart in October.



‘BRAT’ has well and truly made its mark on the cultural zeitgeist this year; the audacious campaign has seen Charli cause roadblocks around the world with her pop-up ‘PARTYGIRL’ DJ sets, break the internet with viral videos and surprise collaborations with the likes of Billie Eilish, Lorde, Addison Rae, Robyn, Yung Lean, Julia Fox, Chloë Sevigny, and Rachel Sennott and introduce a new tone of green to the social lexicon.



The album was nominated for the Mercury Prize 2024 while ‘Guess featuring Billie Eilish’ debuted at Number 1 on the UK Official Singles Chart, making Charli the first British artist to land at the top of the charts this year.



In October, Charli followed it up with ‘Brat and it's completely different but also still brat’ - a brand-new version of the critically acclaimed album featuring reimagined takes and innovative reworks of tracks from ‘BRAT’ featuring the likes of Julian Casablancas, Bon Iver, The 1975, Shygirl, Ariana Grande, Caroline Polachek and more.



Her lasting impact was cemented last year when Charli was honoured with the Visionary Award at the annual Ivor Novellos in London, while she also received the Powerhouse Award at Billboard’s Women In Music ceremony in March, the ASCAP Global Impact Award in May and Wall Street Journal’s Music Innovator Award in October.

The first-ever reissue of Gianni Marchetti's 1978 LP "Solstitium", released as part of RCA's venerable "Original Cast" series in a handful of promo copies only, sits among the most rare and enigmatic artifacts of Italian library music, it is heralded by collectors as one of the greatest free-standing gestures in the entire genre.

RIYL: Piero Umiliani, Egisto Macchi, Stefano Torossi

Gianni Marchetti's Solstitium, originally released in 1978 as part of RCA's prestigious Original Cast series, stands as one of the most elusive and iconic records within the realm of Italian library music. Its first-ever reissue brings this long-sought gem back into circulation, offering an opportunity for modern listeners to experience its raw, innovative energy and immersive soundscapes. Originally released in only a handful of promo copies, Solstitium quickly became a holy grail for collectors, its rarity only adding to its mystique and allure.
The album embodies a free-spirited, avant-garde approach to composition, blending elements of jazz, progressive rock, and experimental electronic music. Marchetti’s use of unconventional instrumentation and studio techniques marks Solstitium as an audacious departure from the more conventional library music of the era.
‘Solstitium’ remains a fascinating listening experience, revealing new layers with every listen, and it is not surprising that it has earned its place as one of Marchetti's most revered works, continuing to fascinate old fans and new listeners alike.

Meet Leng’s latest signings, Liminal – a Danish duo comprised of guitarist, multi-instrumentalist and producer David Rosenkilde, and DJ, producer and sound engineer Morten Troest.

The pair first met when Rosenkilde was booked to perform as a session musician at Troest studio. They clicked immediately so with Troest’s studio skills and inherent knowledge of what works on dancefloors paired with Rosenkilde’s abilities as a musician they decided to produce their own music together working to one simple rule: try out every idea, however outlandish!

Since then Rosenkilde and Troest have been recording their debut album that’s set for release on Leng later in 2025. First, though, we get a taste of their talents via ‘Keep Coming Back To Me’, an impressive debut single that blends electric and electronic instrumentation while keeping its focus fixed on the dancefloor.

Ushered in by shakers, rubbery bass and flanged guitar licks, ‘Keep Coming Back To Me’ giddily blurs the boundaries between colourful nu-disco, low-slung dub disco and the sun-splashed beauty of the more club-friendly end of the Balaeric spectrum. It boasts a hazy, multi-tracked and lightly glassy-eyed lead vocal, as well as a nagging TB-303 acid line that works its way to the fore as the track progresses, adding extra layers of excitement and energy as it unfolds.

Remixer Ray Mang (AKA long-time friend of the label Raj Gupta) takes the latter element as his inspiration on a stunning, nine-minute plus remix that brilliantly re-frames the track as a blend of tactile 21st century nu-disco colour, hypnotic proto-house and analogue-rich, acid-fired Chicago jack. Re-playing the bassline in an early Chicago house style and reaching for lo-fi and spacey synth sounds, the veteran British producer frequently strips the track back to the groove before re-introducing the vocal and the dreamiest of chords.

Liminal also display their sonic diversity on bonus cut ‘The Moon Is Changing’, a wonderfully atmospheric and star-lit affair in which spacey ambient chords, twinkling electric piano keys and intergalactic electronics slowly usher in a mid-tempo Norse nu-disco groove. The pair build slowly, adding vocals and layered guitar licks. The results are hard to pigeonhole but thoroughly impressive, offering a tantalising glimpse of what’s to come on their must-check debut album.

Crosby, Stills, Nash & Young's Déjà Vu was the most-anticipated new album in America in 1970. More than 50 years later, it's one of the most famous albums in rock history with legendary songs, including "Carry On," "Teach Your Children," "Our House" and "Woodstock" that still resonate today.

This groundbreaking album went on to be certified 7x platinum-selling in the U.S., platinum in France, and gold in Germany, Switzerland and the U.K.

f11 FLRNTN, Benjamin Duchenne - "Last Man Standing" (feat Sivan) (1:08)
f12 Nicholas Gunn & Harshil Kamdar - "Here I Am" (feat Alina Renae - Richard Durand remix) (1:08)
f13 DJ TH X TH3 ONE X Sue McLaren - "Everything To Me" (1:08)
f14 Matty Ralph - "Te Adoro" (1:08)
f15 Armin Van Buuren & Vini Vici - "Sarabande" (feat Anna Timofei) (1:08)
f16 Lilly Palmer - "Hare Ram" (1:08)
f17 David Forbes - "Techno Is My Only Drug" (1:08)
f18 Armin Van Buuren - "Blah Blah Blah" (Lilly Palmer remix) (1:08)
f19 Armin Van Buuren - "The Road To Your Destination" (A State Of Trance Year mix 2024 outro) (1:14)

Early 1980, UB40 scored their first success with Food For Thought', reaching high in the charts. By the time they released their first album they were already so successful that they had signed off on unemployment benefit, leading to the stamped Signing Off featured on form 40, for the sleeve of their debut album. The first dub album ever to reach the album charts in the U.K. included One In Ten' and Don't Slow Down'.

In 1983 the band put on a new project, boasting ten cover versions of Jamaican hits and, contrary to low expectations, it became a huge hit and the band's first number one album. Tracks included are Cherry Oh Baby' and Please Don't Make Me Cry' and Red Red Wine'. The latter was a rather poppy song and became the band's biggest selling single ever, entailing their definitive worldwide break through.

There have been lots of collaborations through the years and most of these became huge hit songs. Together with Chrissie Hynde UB40 recorded two singles: I Got You Babe' (1985) and Breakfast In Bed' (1988). They teamed up with Afrika Bambaataa for Reckless' (1988) and with Robert Palmer the band released I'll Be Your Baby Tonight' (1990), just to name a few.
UB40 - COLLECTED has captured all the different phases of the band in one complete album, from classic hits combined with the new!

4LP set containing 29 original / extended / full-length / 12” versions of Queer club classics – 1980-1989
‘More Sin’ features Pet Shop Boys, Sylvester, Divine, New Order, Eartha Kitt, Grace Jones, Hazell Dean, Desireless and many more.
Highlights include the hard-to-find 12” version of ‘Can’t Stop The Music’ by Village People and the rarely compiled underground club anthems ‘Pistol In My Pocket’ by Lana Pellay and ‘After The Rainbow’ by Joanne Daniëls.
All tracks fully annotated and with a foreword by Ian Wade – author ‘1984: The Year Pop Went Queer’. Following the success of the first ‘Box Of Sin’ in 2023, Demon / Edsel and Disco Discharge are proud to announce the sequel – ‘More Sin: Box of Sin 2’ will be released on 31st January 2025.

Over 4 LPs, ‘More Sin’ presents 29 choice selections from the music you might have heard on Queer dancefloors between 1980 and 1989 – a decade of dance in all its devilish delights. Meticulously researched from the published gay club charts at the time, the LP set encompasses full-length versions of Diva, High Energy, Alternative, Pop, Europop and House classics. Not only were the ‘80s Queer clubs where you were most likely to hear the latest groundbreaking developments in dance music, there was a lot of diversity on offer – on a given night you might hear a legendary soul singer’s new opus right next to some post-punks from Manchester and the latest European pop chart topper.

‘More Sin’ aims to reflect this. On ‘More Sin’, the space-age soulful club sound of Jean Carne rubs up against the widescreen Europop beauty of Desireless and cutting-edge house music from London courtesy of Wee Papa Girl Rappers… and along the way come some of the most important and era-defining artists of the decade – from Sylvester to Siouxsie & The Banshees, from Pet Shop Boys to Divine, from Hazell Dean to Grace Jones. Producing and mixing these classics is like a roll-call of the era’s studio giants – Trevor Horn, Larry Levan, Clivillés & Cole, Ian Levine, John Luongo, Bobby “O”, Martin Rushent and Stock, Aitken & Waterman to name a few. It’s time to give in to sin again.

"Girl Missing" ist das zweite Album von Albertine Sarges, der einzigartigen Berliner Künstlerin, die bereits mit Holly Herndon, Colin Self, Kat Frankie und B O D I E S zusammengearbeitet hat und Teil des italienischen Synthwave-Duos Ostia ist, und folgt auf Albertines gefeiertes Debüt von 2021, "The Sticky Fingers". "Girl Missing" lädt die Zuhörer zu einer intimen Erkundung der Schwesternschaft, der Widerstandsfähigkeit und der Überwindung von Trauer ein und geht dabei mit einer großen Portion Positivität und Ermutigung für das hervor, was vor uns liegt. Die Entstehung des Albums fand in einer Zeit persönlichen Verlusts statt. Als eine enge Freundin vermisst wurde, schrieb Albertine unveröffentlichte Skizzen, überarbeitete sie und baute langsam ein musikalisches Mosaik auf, das ihr Verständnis von Abwesenheit zum Ausdruck brachte. "Ich habe eine klingende Biografie der Liebe geschaffen", überlegt sie und verwebt dabei die Themen weiblicher Freundschaft. "Girl Missing" entstand zwischen ihrem Aufnahmestudio in Ostberlin und Margate und ist sowohl nachdenklich als auch verspielt, geprägt von Sarges' flinker Stimmakrobatik. Mit ihrem langjährigen Partner Lo Selbo beschäftigte sich Albertine mit komplizierten Klanglandschaften, arrangierte luftige Flötenstimmen und Chöre, "um Platz für Verletzlichkeit zu schaffen", und nahm dann Vintage-Orgeln und E-Pianos auf, um Wärme und Seelenfülle zu erzeugen, "um den Schmerz zu lindern". Albertines Arbeit wird von einem anhaltenden Gefühl der Sehnsucht angetrieben, einer Kraft, die ihrer Musik poetische Lebendigkeit und eine ansteckende Anziehungskraft verleiht. "Girl Missing" oszilliert zwischen dem Philosophischen und dem zutiefst Emotionalen und vermischt Launen mit Schatten. Das Album endet mit einer verspielten Note ("Wie nennt man einen Fisch ohne i? A fsh."), doch im Kern erzählt es eine lebendige, zutiefst menschliche Geschichte über monumentalen Verlust und die Hoffnung auf Erneuerung. Durch das Nebeneinander scheinbar widersprüchlicher Gefühle entsteht ein Hörerlebnis, das noch lange nachklingt, nachdem die Musik verklungen ist.

Red Marbled Vinyl. Play Dirty is the fourth studio album by British heavy metal band Girlschool released in 1983 and produced by Noddy Holder and Jim Lea from the hard rock band Slade. It has very polished sound, filled with keyboards, choruses andmelodies, containing covers of the Slade songs ,High & Dry" and ,Burning in the Heat" and of T.Rex's ,20th Century Boy". Drummer Denise Dufort rated the album as her favourite of all the band`s career saying it had a more mature sound to it and comparing it to Def Leppard. Girlschool are thelongest-running all-female rock band, still active after more than 40 years. During their career they travelled the world, playing in many rock and metal festivals and co-headlining or supporting important heavy metal bands. They maintain a worldwide cult following, and are an inspiration for many female rock musicians.

Red Vinyl. Play Dirty is the fourth studio album by British heavy metal band Girlschool released in 1983 and produced by Noddy Holder and Jim Lea from the hard rock band Slade. It has very polished sound, filled with keyboards, choruses andmelodies, containing covers of the Slade songs ,High & Dry" and ,Burning in the Heat" and of T.Rex's ,20th Century Boy". Drummer Denise Dufort rated the album as her favourite of all the band`s career saying it had a more mature sound to it and comparing it to Def Leppard. Girlschool are thelongest-running all-female rock band, still active after more than 40 years. During their career they travelled the world, playing in many rock and metal festivals and co-headlining or supporting important heavy metal bands. They maintain a worldwide cult following, and are an inspiration for many female rock musicians.

Album features and was co-produced by Joseph Shabason. String arrangements by Owen Pallett. Thom Gill has written songs for Chaka Khan, in addition to contributing to albums by The Mountain Goats, Owen Pallett, Joseph Shabason, Bernice, and many others. Way Through is a collaborative album by Toronto musicians Chris Cummings, Joseph Shabason, and Thom Gill (as Cici Arthur). Inspired by moments of discovery in familiar places, the album's title reflects the feeling of uncovering hidden paths in life. Musically, it blends mid-century influences like Jobim and Sinatra, with producer-instrumentalists Shabason and Gill crafting lush, expansive soundscapes. Featuring a 30-piece orchestra led by Owen Pallett, the album brings a grand scale to Cummings' intimate, reflective lyrics. The project began in 2020 when Cummings lost his job and turned to full-time music for the first time in his life. His collaborators tailored the arrangements to showcase his understated vocal delivery against sweeping orchestral backdrops. Songs like 'Cartwheels for Coins' and 'Prior Times' explore themes of regret and emotional complexity, contrasting the grandeur of the music with Cummings' quiet introspection. Tracks like 'Damaged Goods' provide upbeat moments with doo-wop harmonies, while the cinematic closer 'No Fight Or Flight' emphasizes the filmic quality of the album. Through its orchestral richness and deeply personal lyrics, Way Through captures the tension between ambition and realism, offering a poignant reflection on life's unpredictable journey

Following "Shadow People" (2018) and "De Pelicula" (2021) done with Laurent Garnier , The Limiñanas are making their big comeback with their new album entitled "Faded" , whose first single is "Prisoner of Beauty" featuring Bobby Gillespie (Primal Scream), supporter of the band for years. The French psychedelic - garage duo has also gathered on " Faded" for duets artists such as Jon Spencer, Bertrand Belin, Rover, Penny, Anna Jean & Pascal Comelade.

‘4th DIMENSION’ is the last and probably greatest album ever recorded by Italian piano Maestro Mario Rusca. This monumental music produc"on features tracks in Nonet, Quintet and Trio. Along with the faithful rhythm sec"on composed by Riccardo Fioravan" on bass and Maxx Furian on drums, on this slamming cinema"c jazz album Mario Rusca teamed up with two extraordinary wind players: legendary Flavio Boltro (of Michel Petrucciani Quintet fame) on trumpet and Gabriele Comeglio on sax alto.

As far as the choruses are concerned, Nicole4a Tiberini, Mar"na Rossi and Alice Macchi, from Maestro Rusca’s ensemble music courses at the Civica di Jazz School, provide inspired and swinging backing vocals. The cherry on the cake, the element that gives to ‘4th DIMENSION’ a pulsa"ng and swinging’ drive, is the par"cipa"on on the album of Marco Fadda, one of Italy’s leading percussion players.

This heterogeneous ensemble has shaped, during 5 days of intense studio recordings, an absolute masterpiece full of swinging rhythms along with a few magical in"mate moments. In his 65 years career, Italian piano legend Mario Rusca has shared the stage and recording studios with luminaries such as Chet Baker, Cur"s Fuller, Gerry Mulligan, Lou Donaldson, Art Farmer, Lee Konitz, Dusko Gojkovic, Enrico Rava, Tullio De Piscopo, Kenny Clarke, Stan Getz, Toots Thielemans, Gianni Basso, Pepper Adams, Steve Lacy and Tony Sco4 (with whom he formed an indissoluble partnership).

Being accompanied in this album by extraordinary musicians, Rusca chooses to flow in a repertoire that, like in his most recent records for Mono Jazz, bridges between original pieces and revisited standards from the American Jazz Songbook, approached with unprecedented sensi"vity and depth.

The journey of ‘4th DIMENSION’ is an extraordinary cinema"c musical voyage across various styles ranging from Bop, Hard Bop, Cool, Funk and La"n Jazz. ‘4th DIMENSION’ is a perfect follow up to the interna"onally acclaimed Easy Tempo legacy! In these 13 tracks, “il Maestro” embraces and enhances a ‘cinema"c’ component in his music - an a4ribute he has long cul"vated through original soundtracks and library albums recorded for diverse cult Italian labels.

This, as we were saying, is achieved through the addi"on of percussionist Marco Fadda, who introduces a series of rhythmic nuances across several tracks, and of the extraordinary female vocal trio reminiscent of I Cantori Moderni of Alessandro Alessandroni & Edda Dell'Orso, used in the tradi"on of Italian composers of ‘60s and ‘70s film music.

This natural progression reflects Italy's history, where jazz musicians have long been involved in soundtracks and film scoring since the late ‘50s. Italian jazz has integrated this approach into its composi"on and arranging styles, as demonstrated in the first 10 volumes of the Easy Tempo series. A spirit and tradi"on that Rusca's ‘4th DIMENSION’ record con"nues. Listening to some of the tracks on the record evokes the legendary works created for cinema by Piero Umiliani, Piero Piccioni, Lelio Lu4azzi, Armando Trovajoli, Gianni Ferrio and others.

Neue Musik von Anton Newcombe von BRIAN JONESTOWN MASSACRE und DOT ALLISON (u.a. ONE DOVE, Solo, Sonic Cathedrals). Eine Zusammenarbeit zwischen den beiden Soundtüftlern. Während des Lockdowns in Berlin und Schottland aufgenommen, arbeiten Dot Allison und Anton Newcombe als All Seeing Dolls zusammen. Produziert von Anton Newcombe in Berlin, schickten er und Dot sich gegenseitig Gesangs- und Musikideen, um Dots eindringlichen Gesang mit ihren Fähigkeiten als Multiinstrumentalisten zu vereinen. Auf dem Album finden sich Gitarre, Ukulele, Klavier und Autoharp, gespielt von Dot, sowie zusätzliche Beiträge von Hakon Adalsteinsson (Gitarre) und Uri Rennert. Im Interview mit Clash Magazine sagte Dot über den Entstehungsprozess: "Wir haben unseren Weg gefunden... viele der Songs wurden während des Lockdowns geschrieben... wir sprachen über Musik, das Leben, was wir für wichtig halten und teilten Songs, die wir mögen und sprachen über Künstler, die wir mögen... wir beschlossen, Ideen auszutauschen... also schickte ich etwas mit Autoharp und Stimme oder Akustik und Stimme, und er schickte mir tolle Ideen zurück... wir haben uns gegenseitig unterstützt und gestärkt... und ich sagte zu ihm, dass es ein bisschen wie ein kleines Weihnachten ist, die Tracks zu hören, nachdem er sie zurückgeschickt hatte." Auf erstem hören musikalisch näher an DOT ALLISONs letzten Sonic Cathedral-Output, finden sich hier die eher BRIAN JONESTOWN MASSACRE-typischen Ideen in den klanglichen Tiefen wieder.

Neue Musik von Anton Newcombe von BRIAN JONESTOWN MASSACRE und DOT ALLISON (u.a. ONE DOVE, Solo, Sonic Cathedrals). Eine Zusammenarbeit zwischen den beiden Soundtüftlern. Während des Lockdowns in Berlin und Schottland aufgenommen, arbeiten Dot Allison und Anton Newcombe als All Seeing Dolls zusammen. Produziert von Anton Newcombe in Berlin, schickten er und Dot sich gegenseitig Gesangs- und Musikideen, um Dots eindringlichen Gesang mit ihren Fähigkeiten als Multiinstrumentalisten zu vereinen. Auf dem Album finden sich Gitarre, Ukulele, Klavier und Autoharp, gespielt von Dot, sowie zusätzliche Beiträge von Hakon Adalsteinsson (Gitarre) und Uri Rennert. Im Interview mit Clash Magazine sagte Dot über den Entstehungsprozess: "Wir haben unseren Weg gefunden... viele der Songs wurden während des Lockdowns geschrieben... wir sprachen über Musik, das Leben, was wir für wichtig halten und teilten Songs, die wir mögen und sprachen über Künstler, die wir mögen... wir beschlossen, Ideen auszutauschen... also schickte ich etwas mit Autoharp und Stimme oder Akustik und Stimme, und er schickte mir tolle Ideen zurück... wir haben uns gegenseitig unterstützt und gestärkt... und ich sagte zu ihm, dass es ein bisschen wie ein kleines Weihnachten ist, die Tracks zu hören, nachdem er sie zurückgeschickt hatte." Auf erstem hören musikalisch näher an DOT ALLISONs letzten Sonic Cathedral-Output, finden sich hier die eher BRIAN JONESTOWN MASSACRE-typischen Ideen in den klanglichen Tiefen wieder. Exklusiv für den Indie-Handel: Transparentes mit farbigen Splatter Vinyl

im Gatefold mit Prägecover, 8-seitigem Booklet
Kurz vor der Jahrhundertwende legten spontane Jam-Sessions zwischen Freunden den Grundstein für eine außergewöhnliche 25-jährige Karriere. Killswitch Engage aus Western Massachusetts - Adam Dutkiewicz (Gitarre), Joel Stroetzel (Gitarre), Mike D'Antonio (Bass), Justin Foley (Schlagzeug) und Jesse Leach (Gesang) - zeichneten sich durch ihre technische Präzision und zugleich unbändige Energie auf der Bühne aus. Sie vereinten kraftvolle Riffs mit mitreißenden Songs und sprachen Headbanger, Hardcore-Fans und gebrochene Herzen gleichermaßen an. 2002 löste ihr Album Alive Or Just Breathing eine kulturelle Welle aus und wurde zu einem der "Top 100 Greatest Metal Albums of All Time" gekürt. Mit über 3 Milliarden Streams, Gold- und Platin-Auszeichnungen für The End of Heartache und As Daylight Dies sowie drei GRAMMY®-Nominierungen gehören sie zu den bedeutendsten Metal-Bands. 2019 erreichte Atonement neue Höchstwerte mit Lob von Forbes, Revolver und NME, das es als "eines der spannendsten Alben von Killswitch Engage" bezeichnete. Sie füllten Hallen und teilten Bühnen mit Iron Maiden, Slipknot und My Chemical Romance. Mit ihrem neunten Album This Consequence perfektionieren sie ihre Markenzeichen und liefern ein brutales, aber zugleich strahlendes Werk ab.

corrupt blood infusion - crimson red marbled Vinyl

Kurz vor der Jahrhundertwende legten spontane Jam-Sessions zwischen Freunden den Grundstein für eine außergewöhnliche 25-jährige Karriere. Killswitch Engage aus Western Massachusetts - Adam Dutkiewicz (Gitarre), Joel Stroetzel (Gitarre), Mike D'Antonio (Bass), Justin Foley (Schlagzeug) und Jesse Leach (Gesang) - zeichneten sich durch ihre technische Präzision und zugleich unbändige Energie auf der Bühne aus. Sie vereinten kraftvolle Riffs mit mitreißenden Songs und sprachen Headbanger, Hardcore-Fans und gebrochene Herzen gleichermaßen an. 2002 löste ihr Album Alive Or Just Breathing eine kulturelle Welle aus und wurde zu einem der "Top 100 Greatest Metal Albums of All Time" gekürt. Mit über 3 Milliarden Streams, Gold- und Platin-Auszeichnungen für The End of Heartache und As Daylight Dies sowie drei GRAMMY®-Nominierungen gehören sie zu den bedeutendsten Metal-Bands. 2019 erreichte Atonement neue Höchstwerte mit Lob von Forbes, Revolver und NME, das es als "eines der spannendsten Alben von Killswitch Engage" bezeichnete. Sie füllten Hallen und teilten Bühnen mit Iron Maiden, Slipknot und My Chemical Romance. Mit ihrem neunten Album This Consequence perfektionieren sie ihre Markenzeichen und liefern ein brutales, aber zugleich strahlendes Werk ab.

The very first (and long overdue) career-spanning retrospective from Soul music legend P.P. Arnold • A 57 song 3CD set, or 25 song 2LP set featuring singles, album tracks, demos, and previously unreleased songs • A stylishly packaged collection with new sleeve notes by author Jude Rogers • A companion piece to P.P. Arnold's critically acclaimed autobiography Soul Survivor The term "well-established" might be appropriate for some artists but it barely begins to cover the career of the phenomenal P.P. Arnold, whose records and performances are now in their seventh decade.

Her consistently excellent music covers multiple genres, her high-profile admirers and collaborators are plentiful, and yet 'Soul Survivor - A Life In Song' is the first collection dedicated to this extraordinary body of work. Compiled by the artist, 'Soul Survivor - A Life In Song' is being released on a 57 song 3CD set, and 25 song 2LP set, both formats housed in an eye-catching sleeve created by photographer (and close friend) Gered Mankowitz, with extensive new sleeve notes by author Jude Rogers.

Alongside key singles and album tracks it includes previously unreleased recordings, demo versions, live performances, and some rare mixes that are being reissued for the very first time. From her early days at Andrew Loog Oldham's Immediate label (where she "became one of us", according to Andrew) her allies, associates, and working partners have included the Small Faces, Cat Stevens, Mick Jagger, Barry Gibb, Eric Clapton, Andrew Lloyd Webber, The Blockheads' Chaz Jankel, Roger Waters, Ocean Colour Scene, The Blow Monkeys' Dr. Robert, and Paul Weller. In 2022 P.P. Arnold told her extraordinary life story in her critically acclaimed autobiography Soul Survivor (Mojo magazine called it "a jaw-dropping memoir"); now that book has the soundtrack that it deserves.