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,AFRO-DISCO MAKOSSA" ist das erste Album auf Linear Labs, das ausschließlich für die Tanzfläche gemacht wurde, und Younge ist wie kein anderer dafür geeignet, es zu produzieren. Er ist nicht als Außenseiter zum Afrobeat gekommen, um ihm Tribut zu zollen. Über sein Schwesterlabel Jazz Is Dead hat er bereits dazu beigetragen, zu definieren, wie moderner Afrobeat klingt. Seine Sessions mit Tony Allen (Mitbegründer des Genres selbst) und dem Highlife-Pionier Ebo Taylor haben nicht nur sein musikalisches Vokabular geprägt; sie brachten zwei gefeierte moderne Klassiker hervor. "Afro-Disco Makossa" ist das, was passiert, wenn derselbe Künstler eine ganz andere Frage stellt: Was hätte ein ghanaischer Produzent im Jahr '76 gemacht, wenn er sich daran gemacht hätte, eine amerikanische Disco-Platte für seine Heimatstadt zu produzieren? Das Ergebnis ist ein klangliches Patchwork aus Afrobeat, Funk und Disco, gemacht für den DJ jeder Ära.

"Lados B" is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation - flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records - while Parker and Butterss draw on their extensive experience playing free together (as heard on their ETA IVtet LPs) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.

2024 Restock

BaianaSystem are from Bahia, the state with the strongest African cultural heritage in the country and a motherlode for Brazilian music. BaianaSystem manifest and champion the sound of the Black Atlantic, deep and future connections between Africa, Brazil and the Caribbean, from the roots of samba to global bass culture.

Jack Wyllie, a composer, multiâÇ`instrumentalist, and co-founder of the Mercury Prize nominated Portico Quartet, debuts under his own name. The album radiates hope, mirroring nature s beauty and cyclical rhythms while weaving through contemporary jazz, ambient, classical, and postâÇ`rock. Collaborators include Hania Rani and Duncan Bellamy.

Released in 1971, Maggot Brain stands as the towering masterpiece in Funkadelic’s groundbreaking catalog. Initially misunderstood upon release, the album is now widely regarded as one of the most influential records of all time. Anchored by Eddie Hazel’s otherworldly guitar performance on the legendary title track and featuring enduring favorites like “Can You Get To That,” Maggot Brain redefined the possibilities of funk, rock, and psychedelic music.


For this definitive 2026 reissue, the album was mastered directly from analog tape, preserving the raw power, depth, and atmosphere of the original recordings with extraordinary detail. A longtime holy grail for collectors, Maggot Brain receives the fully analog treatment it has long deserved.

Strut presents Nigeria 80, the next essential chapter in the legendary Nigeria 70 series, diving deep into the explosive sound world of 1980s Nigeria.

Following the global impact of 2001's Nigeria 70, which helped introduce rare Nigerian recordings to international audiences, Nigeria 80 continues the journey, unearthing a rich, restless, and wildly creative decade of music from Lagos to Enugu. Despite economic instability and restrictive political conditions in the 1980's, Nigeria’s music industry flourished, driven by a growing network of independent labels such as Tabansi and Phonodisk, which championed local artists and expanded creative freedom. The 1980s also marked a significant rise in visibility for female artists, with trailblazers like Onyeka Onwenu helping to reshape the landscape and open doors for a new generation of performers, writers, and producers.

Nigeria 80 showcases the extraordinary breadth of this era, with all tracks reissued here for the first time. The compilation brings together essential recordings from across Nigeria’s musical spectrum: highlife greats Victor Uwaifo and Nico Mbarga appear alongside Paulson Kalu, whose personal favourite “Akugbue Nwa Ewu” stands out as a prime example of the style. Prince David Bull’s “Soko Soko” (later reinterpreted in Starboy’s Afrobeats hit “Soco”) features as a key touchpoint between eras. Segun Adewale delivers a driving juju workout, while Lekan Animashaun, longtime bandleader of Africa 70, contributes a late-era Afrobeat classic produced in collaboration with Fela Kuti.

The compilation also highlights more experimental and hybrid sounds, from I.C. Rock’s proto–hip hop gem “Advice” to Evi-Edna Ogholi’s self-produced reggae statement “The World”. The set closes with “Apama” by Ibealaoke Chukwukeziri, the “Apama Boy” from Achi in eastern Nigeria, featuring hypnotic vocals and percussion from his Anaedeonu band.

Nigeria 80 is available as a black vinyl 2LP housed in a gatefold sleeve or CD digipak, which includes a 16-page booklet with artist photos and liner notes by Francis Gooding. Compiled by Duncan Brooker. Audio restoration by See Why Audio. Mastered by The Carvery.

Of course everyone knows Kurt Hauenstein aka Supermax. He was one of the few Austrians to shape the sound of late 1970s disco, performing and selling records around the world. Not many know his daughters Judy and Nicola, however, and the fact that they in 1987 wrote a song that they recorded together with their father. Well, here it is: Cracy Coconuts, “Rubberdub Dance” a true Hauenstein family affair. We are proud to re release this super rare 7” that proves, once and for all, that Austrians can excel at digi dub. Timelessly tropical and beautifully bouncy, its vibe is quite different from the iconic Supermax productions. Here, Judy and Nicola’s sweet yet confident vocals replace the moustache driven sotto voce singing that we love Supermax for. The result is oh so catchy and bound to be a hit.

Rome Disco & Funk lover Les Inferno is still out with his own label's latest release, featuring four gems cutted by him and his friends and partners. Side A features two tracks named by Les. "Can't Stop" is an uptempo disco that revives the golden era of disco funk, a dance floor killer. "Everybody Know" is a fast-paced deep funk that will get you moving at 106 bpm. Side B open with the LTJ Edit, featuring "Just Funk," a killer boogie that will keep you from stopping! This four-header release, M.B. Edit, closes with a re-touch of "All Night," a go-go funk that will hit you in the gut.

Auf diesem Tonträger mit dem für "KrawallBrüder" eher ungewöhnlichen Namen „Stories of our life“ erwarten Euch 10 Songs, darunter einige der größten Hits der KB-Ära – komplett neu interpretiert in englischer Sprache.
Die Songtexte wurden von "Tim Steinfort" (Haymaker/Discharger) standesgemäß ins Englische übersetzt und von den Brüdern komplett neu eingesungen, wodurch die Songs eine ganz eigene, frische Atmosphäre bekommen, ohne ihre ursprüngliche Kraft zu verlieren.
Ein neues Kapitel in der Geschichte der vier Jungs aus dem Saarland? Wohl eher nicht! Dafür aber die logische Konsequenz auf die inzwischen auch international wachsende Fangemeinde.
Ein besonderes Sammlerstück für die geneigten Hörer – Streng limitiert und sicher schnell vergriffen!

This is the second release from London producer/DJ and Apron Regular Shamos. "Games and Dreams" is the the follow on from his debut record "Road Works Part 1", carrying the same rawness, but with a bit more wisdom...

This will be the last Apron release of the year, so it makes sense to end the year the way we started. With a Shamos record...

Six drum-forward, tape-warped club constructions from the elusive Comandante engineer. Sampled 80s wreckage crushed through hardware and heavy compression: club-chug weapons + late-nite astral howling.

12″ edition of 200, individually hand-stamped and numbered. No represses.

Strange and sepulchral, Pedronium has crafted a mini-album on an astral flight, looping in and around macabre wormholes, from the strange sepulchre of opening serenade ‘4D VISION 1987’ to the deranged primal scream of ‘Nixe’ [dusk in the studio, crooning drunk on mic, disturbed sonics dragged up at the warbled gates]

‘Churms’, an unrelenting club chug banger that we’ve already heard send Lisbon’s best club systems into overdrive; ‘Finesse [The Right People]’, a teknicolor weapon hitting like a jackhammer on the concrete floor.

The grotesque charm of ‘Naked / Afraid’, the rickety jilt of ‘Snav’, all tape delay and foreboding pads, an imminent threat, a polysonic picture in a weird forgotten theatre.

The sanity of reason is already a distant dream on the late-night floor or the morning after. All tracks meticulously arranged and recorded live in one take.

Eine junge, innovative Sängerin und Songschreiberin sorgt ab sofort auf dem Verve Label für einen mitreißenden Mix aus Soul, brasilianischer Jazz-Fusion, Funk, Mexican Bolero und House-Einflüssen. Die in Chicago
lebende Sparklmami eröffnet ihr Debütalbum mit den Worten “You’re listening to Sparklmami radio“, und
zieht sofort hinein in eine Welt jenseits klarer Genregrenzen. Nach den digitalen Singles “running“ und
„fajas“ (2024) wird hier erstmals die ganze Tiefe ihrer künstlerischen Vision hörbar.
Sparklmami versteht ihre Musik als Gesamtkunstwerk, erschafft ein eigenes Universum geprägt von markantem Styling. Die visuellen Elemente spiegeln sich auch musikalisch wider: “in this body“ lebt von einer
brodelnden Rhythmusgruppe, vielschichtigen Keyboard-Arrangements, warmen Bläsern und einer Stimme,
die mühelos zwischen Gesang und Spoken Word wechselt.
Sparklmamis Texte folgen diesem Prinzip: Themen wie Identität, Herkunft und Selbstfindung werden nicht
erklärt, sondern erfahrbar gemacht. Gerade darin liegt die besondere Kraft dieses Albums – verletzlich,
eigenständig und mit einer künstlerischen Handschrift, die Aufmerksamkeit verdient.

The 3rd Loop Progression release leans heavily into 90s jungle vibes, with Frozen in Time by Champa B taking us on a sci fi odyssey with epic pads and intricate amen patterns, all tied together with a spoken word sample which sets the tone for the release.

Replay continues on the retro theme, with Peeb and Pixl slowing things down slightly on Replay. Lo-fi breaks, pads and a bouncing 808 b-line.

On the B Side Galvatron switches things up slightly with Push, a footwork jungle stomper with metallic breaks and a huge 808 bass, guaranteed to get the dancefloor moving.

Finally the release is rounded off with a remix from the mighty Tim Reaper, putting his own twist on Pixls track Galaxy Dub (originally released on LOOP001)

The record is pressed on 160 gram ultra clear vinyl, housed in a high gloss printed heavy sleeve, limited to 999 copies. The new release by the UK duo known as The KVB via the Minimal Wave sublabel Cititrax. Combining shoegaze guitars, minimal synth melodies, hypnotic drum machine rhythms and reverb drenched vocals, The KVB was first formed in 2010 as the solo project of Klaus Von Barrel.

Two tracks extending towards the 10 minute marker, very much in the unique style of Robert Mononom which was already being refined throughout his previous 3 EPs, now culminating in 2 excursions throughout deep hypnotic/psychedelic machine made sounds. A side is built on an aggressive triple and double beat kick drum with a very dubby "big room" presence upon which waves of other nuances in noise get overlayed slowly transforming the 165+ BPM experience throughout what sounds like an extended live mix. B side goes in more spacial/atmospheric direction where hi hats take control over the kick, capturing the witness in a whirlwind of dubbed out overlaying rhythmic patterns. A sound so raw and pure in its introspection, clearly showing Robert's capacity of developing an aesthetic of his own.

One of South Africa’s most respected house music producers, SculpturedMusic returns with his sixth studio album, Playhouse – a release that further cements his reputation as a master of soulful, deep and emotionally rich electronic music.

Superb liquid jungle, with some great ambiances, sometime at the limit to be trance (but not acid). A real solid groove comes with hypnotism, and melodies spreads peacefull sensations... This record is unique. And Junglelivity brings again something that does not exists... An easylistening oldschool liquid jungle... Superb !

On « Bless We », find a super fresh Jungle groove, no too much amen break, and very orientalized. With "Concrete Coulds" the amen break is back, and fat, a bit like a DJ K style : fat and slammin' ! At least, "Aurora" drops into oldschool deep Jungle... Once again Junglelivity brings fresh tunes, out of the common fields, with colors, relief and a variety of structures. A superb record ! SUPPORT !

First track will direclty show-up a geography. The Obscur 07 first track : a killer ! Bloody Acid Anonymous brain-digger... It never let you down... Keeping on... Acid Fantasy !
A2 is a Deviant Behavious 01 repress. Skanking Hardtek :)

B1 is a self-remix of the Mackitek HS 07, getting it even more ACID !
And B2 is again a remix from Mackitek HS 07. Going to a more slamming tom/snare breaky way.

All repressed tunes are remixes or somehow remastered...

Surprises !

Dj Ultramars hasn't released many tracks altogether, and since 2024 he is again too busy to release everybody else's music on his label to find the time to compose more music, but many of his previous tracks are still relevant today, still pleasing party audiences in as much as when first released, and it's been too many years that those tunes have been proposed new on vinyl, so time for a recut & repress.
Here we have:

A1: Cab Carlco, the biggest hit of Dj Utramars, originally released on Mars Picture 1 (1999) as well as Toolbox Killerz 25 (2015), so 11 years since its last (limited) release !
Very uplifiting / very "in your face" kind of track, always & eversince so efficient on the dancefloor.
A2: Ennui (voicemix), originally released on Mars Picture 2 (2003), 23 years ago! (what a round number...). A track that will hypnotize you with its female vocals playing with the echo, yet runnin steady on a heavy deep bass & enough arrangements to not get bored of it: every Mars Assault is designed as a record to DJ as much as a record to listen to.
This track is cut in 45rpm to keep optimal quality until the end of the side.

We had to put some of the best two tracks of Dj Ultramars on the music side since the flip side is a laser etched side ! After we had released the two first picture discs, our current pressing partner was giving the possibility for a laser etched record, so here is the Mars Picture 3 ! See the picture of B-side above.


200 copies limited in this laser etched pressing.
Cut with Hervé @ dK mastering

Two years after his ​Apron Records debut in 2017, ​Molinaro makes a poignant return to Funkineven​’s forward-facing label. ​What The Future Was is both an ode to personal growth and a reminder of the responsibility to keep the tradition of musical trailblazers alive.

What The Future Was is the result of 10+ years spent honing his craft and home studio into his finest, most progressive work to date. Fans of his APRON35 debut will find home in the rugged, cosmic ruckus of “EMBER”, “PURITY” and “THE PNEUMA”. Elsewhere, tracks like “AEVEA FOREST”, “ENTITY” and “HER THEME” expose a more vulnerable and tender side to his growing palette of sound and feeling.

In a world where online personalities and reach are increasingly glorified more than ​actual skill, hard work and talent, Molinaro has ​constructed an alternative, sonic utopia where soulful, groove-based music is the antidote

It’s been one hell of a wild ride for Wine Lips. Originally formed in Toronto back in 2015 as a part-time project between Cam Hilborn (vox, songwriter, guitar) and drummer extraordinaire Aurora Evans, Wine Lips quickly escalated into a full-blown, full-time, full-on international phenomenon. Their debut album took them across North America followed immediately by an intensive and unexpected tour of Hong Kong and China in 2018. They released their massive “Stressor” album the very next year (2019) to rave reviews and massive critical acclaim. Multiple tracks from Stressor charted across North American and European radio, while several songs ended up being featured in broadcast and Netflix series. Endless touring ensued. Then 2020 happened. The band used their mandatory downtime to fully dedicate themselves to crafting their groundbreaking third full-length “Mushroom Death Sex Bummer Party” (recorded by Simon Larochette at The Sugar Shack). The record was released in October 2021 and then shit really hit the fan. The international music press lost their collective minds, penning over 250 glowing features and super positive reviews spanning 35+ countries. At the time of writing, the album blew past 40 Million spins on Spotify alone.

The vinyl release of MDSBP is currently in its 7th pressing with 9 different colour variants. The lead track “Eyes” has been licensed to a metric ton of films, series and video games including ABC’s The Rookie, Hockey Night In Canada and Population 11. Even more endless touring ensued, except this time the venues were huge and mostly sold-out. The 2024 follow-up album “Super Mega Ultra” was an absolute beast. Recorded by Simon Larochette at The Sugar Shack in Ontario, the album packed 12 ramped-up supersonic ear-scorching auditory delicacies and racked up millions of plays.

Just featured on BBC6 Music in the CRAIG CHARLES FUNK & SOUL as part of the ODDBALL CREATIVES “Trunk of Funk Mix “ on Saturday 1st August - and already gaining great DJ feedback from the likes of Greg Caz, Laurent Garnier, Chris Bangs, Rocky, Chico Malo, Starla Recordings and many more ….

Another new collaboration on the Echo Labs label - the subsidiary of Echo Chamber Recordings set up to release tracks and remixes from other artists.

This one is a very special hook-up with Daniel Walls & Joseph Malik in Edinburgh with their new project under their “Oddball Creatives” production monicker. It was truly an honour that they reached out to Echo Chamber Recordings to bring this out on a vinyl 45 , fitting in perfectly with the foundation sounds of the label - combining classic timeless funk, jazz , Latin and soul with 21st Century production techniques

They have recruited the vocal talents of Philadelphia’s Kameela Waheed and the instrumental skills of Scottish jazz legend Colin Steele , to bring us the sound of the summer with a huge soul-jazz-funk cut. It combines elements of a classic early 70s groove with a subtle, up-to-date style, built around Joseph’s vocals and Kameela’s spoken rap.

On the flip you get the purely instrumental take - meaning you could extend the hypnotic groove even longer with two copies !

As ever, on Echo Labs there will be just 300 vinyl copies pressed for worldwide distribution

2026 Repress
12" - Fully Authorised Reissue on Original Release Label!

Canadian deep house don Nick Holder's Fruit Loops EP is next to get the remaster and reissue treatment from Definitive Recordings. This label, now overseen by Get Physical Music, first released the EP back in 1995 when Toronto-based Holder had already become one of house music's most tasteful operators. He went on to release over 125 EPs and singles under countless aliases, in various groups, and on his labels DNH Records and Treehouse Records, as well as !K7 Records and NRK. His style spans house, disco loops and minimal Chicago grooves and is always high on immersive atmosphere. Opener 'Dance Dance Dance' brings together all those aspects of the Holder sound with its funky guitar riffs looping beneath raw drums and disco basslines. Classic Chic samples burst out of the mix to bring an air of celebration and party, and it makes for an irresistibly feel-good sound. 'Keep on Running' is a steamy and sweaty house jam with loopy drums and bass and more smartly chosen samples, this time from Roy Ayers, that bring the funk and never let up. It has long been a go-to anthem for house DJs, and the realness and rawness of the emotions in Holder's work also shine through with the filtered synths and jazzy keys of 'The Message of Love', which is complete with bumpy and irresistible drums. Last of all is the unfettered party spirit and diva vocals of the brilliantly lo-fi funk-house pumper that is 'Clap Ya Hands'. This EP hasn't aged one bit and remains a definitive piece of early Deep House history.

With a breathtaking pair of intimately interrelated new albums, he applies that bold passion to an uncharacteristically pared-down setting, then transforms those stunning sounds via a startling process of sonic reinvention. ResoNation Trio convenes a new chordless trio with master improvisers Scott Colley on bass and Nasheet Waits on drums. The album's contemplative explorations feel like a departure from the raucous spirit that characterizes so much of the trumpeter's work, yet the trio discovers such an audacious beauty and celebratory gusto in these sparse environments that the music feels uniquely Bernstein's. It is also a rarity in his oeuvre for featuring Bernstein - whose mastery of the little- used slide trumpet has become so central to his sonic identity - exclusively playing valve trumpet and flugelhorn. In parallel with this captivating trio excursion, Bernstein handed the recordings over to his longtime collaborator, the pioneering producer Scotty Hard, to reimagine the album through his own iconoclastic lens. The result is the uncategorizable Ultra Resonance, which finds Hard breaking down the ResoNation Trio session into its constituent parts and redeploying them as the elements of a wholly original, mutant creation. The project will be released on June 5, 2026 via Royal Potato Family as a double vinyl or CD package containing both albums, and separately on digital streaming platforms.

Dj Dial-On gets the call, we need more jams! This is the follow up to ‘Lil’ Mo b/w Take A Dip’ released back in 2021. The Montreal native DJ, producer & plumber sets you up with all the fittings needed to make the connection. Club music from working hands for all hours of the night.
We are also greatly honoured to include a remix from one of our favourite players on the scene. A great DJ/Producer & provider of incredible music via Safe Distro, Århus’ own C.K. It’s a wonderfully evocative version that will keep any dance floor bouncing
Skillfully mixed by Gabriel Rei, Mastered by Cristobal Urbina, Design by KG, pressed by Mother Tongue in Verona… it’s a beautiful thing!

Released in 1971, Maggot Brain stands as the towering masterpiece in Funkadelic’s groundbreaking catalog. Initially misunderstood upon release, the album is now widely regarded as one of the most influential records of all time. Anchored by Eddie Hazel’s otherworldly guitar performance on the legendary title track and featuring enduring favorites like “Can You Get To That,” Maggot Brain redefined the possibilities of funk, rock, and psychedelic music.


For this definitive 2026 reissue, the album was mastered directly from analog tape, preserving the raw power, depth, and atmosphere of the original recordings with extraordinary detail. A longtime holy grail for collectors, Maggot Brain receives the fully analog treatment it has long deserved.

Eine solide LP-Sammlung mit 14 Titeln, die die Hits des jungen Michael Jackson aus seiner Motown-Ära
umfasst, darunter die legendären Jackson-5-Hits von „I Want You Back“ bis „I’ll Be There“ sowie seine
Solo-Hits „Got To Be There“, „Ben“ und „I Wanna Be Where You Are“. Alle Songs, die in der neuen
„MJ“-Biografie zu hören sind, werden in diesem Set enthalten sein.

His music is characterized by a mix of electronic, deep and tropical house, and techno music produced in a minimalist manner with jazz and soul influences. "Vandaag", containing a sample of the "I Have a Dream" speech by Martin Luther King Jr. became a major charting hit in 2014. Six years later, in 2020, Bakermat released his first studio album The Ringmaster - a ten- track project showcasing his lengths and versatility, including the chart- topping release "Baiana\u0301", awarded Gold and Platinum status, surpassing 100 million total streams, and stamped as the official feature track for EA's FIFA 2021. The Ringmaster also includes the singles "Partystarter", "Trouble", "Learn To Lose", "Baiana\u0301", and "Under The Sun (ft. Kidda)". The full album features collabs with Alex Clare, Gossip Girl's Emily Lind, BRAVES, and 7Chariot amongst others. The Ringmaster is available as a limited edition of 500 copies on yellow, black and red marbled vinyl

Somewhere Between Heaven and Hell is the fourth studio album by the American band Social Distortion. It continues the melding of country and rockabilly influences with punk that began two albums before with the album Prison Bound. Clear influences include Hank Williams and Johnny Cash.

The album also marks the first time that a Social Distortion line-up had not changed in three consecutive studio recordings. The American punk rock band Social Distortion formed in 1978 in Fullerton, California and is fronted by vocalist, guitar player and main songwriter Mike Ness.

This pressing of Somewhere Between Heaven and Hell is available as a limited edition of 3000 individually numbered copies on yellow vinyl. The record is packaged in a deluxe sleeve finished with linen laminate and includes an insert with lyrics.

CYBERPHUNK CLAUSURA (2LP) is the closing chapter of the CYBERPHUNK saga, following CYBERPHUNK and CYBERPHUNK EXPANSION.

What began as an exploration through Electro, Breakbeat and Acid now reaches its final form: a convergence of SubBass pressure, fractured rhythms and dystopian energy condensed into a complete double LP experience.

Across 12 tracks, Calagad 13 expands the sonic language of the series — combining high-impact breaks, hypnotic sequences, acid mutations and darker atmospheric structures into a body of work designed to be experienced as a continuous journey.

Pressed as a limited edition of 150 copies, CLAUSURA stands as both a collector’s piece and a defining release within the COSMIC TRIBE catalogue.

While this release concludes the main CYBERPHUNK narrative, the universe will continue evolving through forthcoming reinterpretations and remix transmissions.

Final chapter. Final signal.

Once again russian and english junglists brings a superb soulfull release using amen breaks to bring you elsewhere, out of the ragga stuff... A pure musical moment, really strong for anyone wishing to surprise a jungle dancefloor ! Must have !

A Project dealing with the relative length of time at a record label and the effect of adding another zero. To explore this passage of time and all those memories, we’ve commissioned remixes of key tracks from the LEX catalog by artists we love and admire. The album features contributions from Danger Mouse & Jemini, Fly Anakin & Pink Siifu, Eyedress, Golden Rules featuring Yasiin Bey and Freddie Gibbs, Neon Neon feat. Cate Le Bon, alongside Kaleida, Belief, Nevermen, Prince Po and MF DOOM. With remixes that reinterpret the tracks by Boards of Canada, Kevin Shields of My Bloody Valentine, DJ Premier, Prefuse 73, Madlib, Stereolab, Warpaint, King Krule, Chad Hugo and Thom Yorke. The limited edition physical release is presented in a rigid slipcase, with the vinyl housed in a triple sleeve gatefold, and accompanied by a large format board book, with both featuring artwork by Commission Studios. The records are pressed on 180g heavyweight vinyl, with the D-Side finished with a bespoke etched design.

Cosada Records returns with its third release “Blue Hour”, crafted by label founder Laseech. Moving deep into the warm twilight of the Adriatic, this EP delivers a beautiful blend of mature underground sounds and soulful grooves. Side A opens with “Blue Hour”, a cut filled with pure, classic deep house sweetness. It is followed by “The Orient”—co-produced by Julian Grgorovic—which guides listeners on an unpredictable journey powered by flowing flutes and hypnotic synth lines. Flipping over to Side B, Chicago luminary Vick Lavender brings a brilliant new dimension to the release. Created alongside Justin Dillard, his “2AM Time Traveler Remix” delivers late-night house exploration at its finest. Distributed worldwide by Mother Tongue.

Lucid Dream Records is proud to announce its very first release: a reissue of four tracks by German producer Trancefeld, originally released on Sunset Recordings and CTM in the early 2000s. Years after their initial release, these productions still sound remarkably fresh on today’s dancefloors. Pure Fiction and Arcade showcase Trancefeld's tight programming, pairing hypnotic rhythms with progressive and trippy influences. On the flip side,
Seaquence explores deeper and more melodic territory before Outroduction closes off the EP with a richly textured and contemplative downtempo cut. Even today, these recordings remain difficult to place within a single category and together showcase the versatility and timeless quality of Trancefeld's musical output

2026 Repress

Shep' is a new project from respected UK veteran Jay Shepheard. He debuted it with the inaugural release on his People Pleasers label last year and backs it up with more heady fusions of dub, minimal and house. 'Smiling Beaver' has tight drum patterns and dusty hi-hats but nice woozy vocal smears and jangling synths that keep things organic. 'Honey By The Pound' is a perfectly aged tech house cut that throws it back to the 90s and hits like Fresh & Low, while 'Fur Burger' gets a little more direct but keeps a playful charm with tin-pot percussion, cheeky whirring motifs, bleeps and balmy vocals. The closer, 'Good Schit,' is another colourfully infused late-night tech house sound that balances motion and emotion perfectly.

Fold producer Rob Glassett dropped some cheeky garage, dub and tech inspired by his love of pirate radio last time out on this label, and now looks to a deep house sound for the quick follow-up. 'My Phantasy' (Yh Yh edit) is a sensitive sound with a gently tumbling bassline and dusty drums swagger that is infused with a beautiful r&b vocal that has a filtered future sheen that recalls The Weeknd. 'UK $lizzy' is another fresh sound that this time borrows a trap aesthetic for the vocal and works it into a kinetic garage groove that's rich in percussion and doused in late-night love.

Scotland's incomparable and influential Arab Strap are back with their ninth studio album Half-Told Tales, due for release via Rock Action Records on 4th September 2026: almost exactly 30 years since the beloved duo’s first ever single, The First Big Weekend, was released. The follow-up to 2024's acclaimed I'm totally fine with it (y) don't give a fuck anymore (y) , Half-Told Tales is rich with Aidan Moffat and Malcolm Middleton’s trademark wit and dark humour, whilst creating moments from quiet brooding to a self-described “disco-metal incantation that might make you dance” . Including the single You You You, the album was recorded with long-time collaborator Paul Savage (Mogwai, Belle and Sebastian, Franz Ferdinand) . Vinyl is released as a double LP in a gatefold sleeve.