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Hailed as "one of the finest ambient and dub techno albums around," Deep Ground earned Purl a place in the hearts of many lovers of the deeper side of electronica. Enthusiasts on Discogs describe it as "one of the best dubtech albums ever - hypnotic, mesmerizing & deep" - and compare it to luminaries like Biosphere and bvdub for its "warm deep calming sounds and atmospheres." Reminiscent of Wolfgang Voigt's GAS project, the seminal 2011 album by Purl (Ludvig Cimbrelius) is finally reborn in a remastered 3xLP vinyl reissue on LILA ART. Originally released on the revered Silent Season label based in British Columbia, this ambient techno masterpiece has continued to captivate listeners year after year. In many ways like a darker sister to 154's ethereal techno epic "Strike", Deep Ground echoes the misty forests and quiet expanses of Cimbrelius' youth in Sweden. As the artist reflects in a poem accompanying the release: "We are consciousness, rooted in the deep ground of being. The deep ground of being is where all things begin and end. The deep ground of being is eternal." This ethos permeates every layer of Purl's expression; crafting sonic sanctuaries that remain intimate while evoking the infinite.

Delicately remastered for vinyl by Giuseppe Tillieci (Neel) in collaboration with Purl. Limited to 300 copies worldwide.

Will Dorey (aka Skinshape) and Ben Bell founded Horus Records in 2013, driven by a shared passion for vintage Jamaican music. Originally launched as a reissue label focusing on rare and hard-to-find reggae gems, Horus has since evolved into a space for original studio productions rooted in the rich traditions of 60s and 70s Jamaican reggae and dub.

Lifelong collaborators and friends, Will and Ben have been making music together for over two decades. Their deep connection to the genre has led to long-standing relationships with many of reggae’s most respected musicians, several of whom contribute to their latest studio album. This new release is a fully analogue reggae/dub studio album, showcasing the duo’s production craft and featuring guest vocalists Andy Platts, Modou Touré, and Winston Reedy. Blending classic influences with fresh interpretations, the album includes original compositions alongside inspired covers, such as a distinctive reggae reworking of the Interstellar theme tune.

Outside of the studio, Ben Bell is co-owner of Lion Vibes Record Shop, one of London's leading reggae specialists, while Skinshape continues to push sonic boundaries from the same studio, known for his unique cross-genre productions spanning funk, psych, soul, and more.

Rot/Schwarzes Ink-Spot Vinyl, limitiert auf 300 Exemplare. Drei Buchstaben. Drei Musiker. Drei Instrumente. Drei Jahre. Graf Zahl hätte seine Freude an diesem Album_ HUM loten ihre dunklen Stoner-Klangwelten weiter aus. ,three" bringt sowohl druckvolle Post-Rock-Songs als auch psychedelische Klangexperimente. Jeder Track scheint eine Idee zu verfolgen; jeder eine 4-Minuten-Reise. Die Themen drehen sich um Umweltzerstörung, gesellschaftliche Irrwege und Spacetrips. ,three" ist das Album für die Apokalypse oder für einen Abend im Weltraum. Der Spaß kommt dabei nicht zu kurz: Die Dunkelheit wird auf fetten, langsamen Grooves präsentiert. Die Stücke sind kompakt und melodisch. Katharsis ist das Ziel: Wer mit offenen Ohren hört, dem könnte es nach den 11 Tracks und 41 min besser gehen_ Eine aufregende Reise durch musikalische Klangwelten (Surf, Gothic/Dark Wave, Kraut und Prog-Rock) mehrerer Jahrzehnte. Die HUM-typischen schweren Riffs (im Schatten von Godzilla) mit komplexen Rhythmen und Breaks werden erweitert durch neue Elemente wie Surfgitarre, Synthiesounds und gesangliche Experimente. Der meist mit Effekten verfremdete Gesang wird spärlich und gezielt eingesetzt mit oft kurzen Textfragmenten, welche die Stimmung der Songs textlich untermalen. Dazu kommen drei instrumentale Soundcollagen, die als düstere Überleitung zwischen den Songs dienen. Ein gewisser roter Faden scheint sich thematisch durch das Album zu ziehen. Red/black ink spot vinyl. Limited to 300 copies. Three letters. Three musicians. Three instruments. Three years. The Count would have loved this album...HUM continue to explore their dark stoner soundscapes. "three" features both powerful post-rock songs andpsychedelic sound experiments. Each track seems to pursue an idea; each one a 4-minute journey. The themesrevolve around environmental destruction, social aberrations, and space trips."three" is the album for the apocalypse or for an evening in space. But there's no shortage of fun: thedarkness is presented on fat, slow grooves. The pieces are compact and melodic. Catharsis is thegoal: if you listen with open ears, you might feel better after the 11 tracks and 41 minutes...An exciting journey through musical soundscapes (surf, gothic/dark wave, kraut and prog rock) spanning severaldecades. The heavy riffs typical of HUM (in the shadow of Godzilla) with complex rhythms and breaksare expanded by new elements such as surf guitar, synth sounds and vocal experiments. The vocals, mostlydistorted with effects, are used sparingly and purposefully, often with short text fragments that underscore the moodof the songs lyrically. In addition, there are three instrumental sound collages that serve as dark transitions betweenthe songs. A certain common thread seems to run through the album thematically.

Yellow vinyl. With "Una Lama D'Argento", TENEBRO take their most extreme and visionary step yet: an entire album conceived as a tribute to Dario Argento, the undisputed master of horror, giallo, and thriller cinema. Eleven tracks that are not just songs, but episodes of a single nightmare, a journey through the dark and obsessive atmospheres of the films that shaped cinema history: Deep Red (1975), Suspiria (1977), Inferno (1980), Tenebre (1982), Phenomena (1985), and Opera (1987). TENEBRO translate Argento's universe into sound: riffs sharp as blades, guttural vocals emerging from the darkness, relentless drumming, and atmospheres shifting between pure violence and suffocating tension. Iconic scenes such as the mirror revealing the killer in Deep Red, the brutal mutilation in Tenebre, or the larva-filled bathtub finale in Phenomena are transformed into brutal, immersive sonic attacks, capturing the full horror and tension of the films. As with every album, TENEBRO continue to evolve, introducing new symphonies, styles, and melodies, while remaining distinctly separate from the wider underground scene. Their music explores new horizons without ever betraying the pulsating heart that has always defined their sound: extreme, theatrical, and viscerally horror-driven.

T.O.Y.'s new album, The Prophet, is passion, history, a vintage museum, and full of great songs that are waiting to be heard. T.O.Y. is a German synthpop and futurepop band founded in 2001 by Volker Lutz. Highlights include collaborations with Alphaville's singer Marian Gold ("Turn On!") and FAITHLESS drummer Andy Treacey ("Silent Soldiers"), blending T.O.Y.'s atmospheric sound with iconic voices from the electronic music scene. "The Prophet is something truly special. During the Corona pandemic, wrapped in isolation, we all needed consistency, a sense of comfort, and security. I found that feeling through sounds--the sounds I have known my whole life: the music of the 80s. Courageously and full of ideas, one song after another emerged. Motivated by the wonderful collaboration and friendship with Alphaville frontman Marian Gold, who kept encouraging me with words about how good this record was, the pandemic passed, and so did one year after another. Through my friendship with Faithless drummer Andy Treacey, I got in touch with Jonathan White, also a member of the Faithless family. A true genius on bass in live performances, he became part of the album as well." - Volker Lutz

Sermon On The Rocks is Josh Ritter's eight studio album, released in 2015. Singles from the album include "Getting Ready To Get Down" and "Homecoming." According to Ritter, the album is "messianic oracular honky-tonk." Produced by Trina Shoemaker and Josh, the 12-song album was recorded over two weeks at New Orleans’ The Parlor Recording Studio and features Matt Barrick from The Walkmen on drums, Zachariah Hickman on bass, Josh Kaufman on guitars, and Sam Kassirer on keyboards. Josh Ritter is the definition of an experienced songwriter. After graduating from Oberlin College in 1999 Ritter devoted his life to a songwriting career, releasing albums independently and garnering word-of-mouth popularity. He eventually caught the attention of Irish- songwriter Glen Hansard (writer of the song 'Falling Slowly' from the movie Once) and was invited to be the tour opener for his band The Frames. This then resulted in Josh gaining international success, with his third record 'Hello Starling', becoming a charting hit in Ireland. His songs have been featured on the TV show Parenthood, and in movies like The Other Woman and Typeface. Josh Ritter has so far released 7 studio albums, is an author, husband, father, and is considered one of the best living songwriters by Paste Magazine.

Italian duo Marsupials returns on Cut My Records with a two-track EP that blends the sophistication of deep house with the pulsating energy of afrodisco roots.

On side A, “Kaurna” opens with an elegant homage to the Detroit scene of the early 2000s: an intense and enveloping track, built on deep live bass, velvety strings, warm keys, and a groove that builds hypnotically until it completely captivates the listener.

“Sokoni”, meanwhile, takes the dance outdoors: a sunny and percussive track, animated by choruses recorded live at a Tanzanian market, intertwined with a driving and syncopated guitar enriched by played parts of bass and rhodes riffs. An explosion of rhythm and vitality that effortlessly blends tradition and club culture.

A very limited vinyl release (edition of 200 hand stamped and numbered copies) that speaks to the body and soul, designed for the dance floor but crafted from heart and with an increasingly mature and recognizable sensibility.

Biz brings the heat to Subjekt for a second time here with another textured EP of acid-laced techno. Various different moods and tempos are explored, with 'No Way Back' tapping into the original Chicago jack vibes of the track with the same name with prickly 303s and bristling percussion. 'No Turning Back' is deeper and more roomy with eerie distant bells and molten acid lines, 'Feel The Flow' brings some widescreen synth landscapes that are rather serene but for the menacing acid which gurgles in the foreground and 'Charlotte' cuts loose on a more fluid and uplifting slice of deft groove magic. 'Way Too Hard' closes with a mix of punchy drums and reflective chords that encourage your mind to wander.

Dark techno/Doomed Tribe in a quiet shy sound... Here we propose also a 45 -8 speed listen because this record has something to say at that speed to me... And I'm a fucking deejay ^^

The duality of "man" is a subject that has been explored in art for centuries, from writings of the Bible to Descartes, all the way up to filmmakers like Lynch, Cronenberg, & Carpenter. Who is your "true self" & what do they want? With their sixth studio album "Wish Defense" (again for longtime home Trouble In Mind Records), Chicago trio FACS take a good, long look in the mirror to face themselves. The return of original member Jonathan Van Herik - who stepped away from the group just before their debut album "Negative Houses" was released in 2018 - replacing longtime bassist Alianna Kalaba brings renewed vigor & a marked angularity from the band's more recent output. The songs still hit hard, but the approach is sideways - the roles have changed since Van Herik's original tenure & his previous time with Case & powerhouse drummer Noah Leger in Disappears; now on bass, Van Herik was originally the group's guitar player and features on the debut, while current guitarist Brian Case played bass. This role reversal has helped the band's dynamic, offering up a different musical perspective than before, now revisiting the trio's long-going collaboration with some distance and time. Case notes that the lyrics on "Wish Defense" revolve around doppelgängers or "doubles", tackling the idea of facing yourself and observing your ideas and motivations. Look no further than the album's title track; "Enter the mirror / Double walker / An intimate / Wish defense / Is it real? / You beside me / The detail / Terrifying / Abject self / Your grief / A public / Performance". Case lays out the entire album's theme in one stanza; Are your actions & emotions your true self? Or are they a performative aspect of that "other" person you put forward? Case says that ultimately the sentiment is "_don't let the bastards get you down, there's something beyond this moment, like hope - but not in the naive belief that ultimately people are good". "Wish Defense"s artwork is also a subtle reference to "Negative Houses"' art, returning to that album's black & white starkness & minimalism. The album's checkerboards everywhere are offset reflections of themselves, mirrored with the album's lyrics printed front & center on the cover. Everything is out in the open. A final note; "Wish Defense" is the last album engineered by Steve Albini. Two days were recorded at Electrical Audio in early May of 2024 before Steve's untimely passing, with renowned engineer & friend Sanford Parker stepping in to finish the session 24 hours later, tracking the last bits of vocals and overdubs. Longtime collaborator John Congleton mixed the album as Albini would have; in Electrical Audio's A room, off the tape, using Albini's notes about the session.

Panama meets Havana on this new 7" from Nino Augustine & AfroQbano on Future Rootz. Both artists are Atlanta and Chicago-based, respectively but they brilliantly channel their Afro-diasporic roots into a sound that's equal parts street heat and global groove. The record is anchored by rich Afro-Caribbean rhythm with slick modern production and the kind of cross-border energy that this label is now well known for. It's music for the dancefloor and the diaspora that merges soulful vibes with kinetic grooves that make you feel alive. A great snapshot of what Afrolatino futurism sounds like right now.

This record is a tribute to one of the greatest funk and soul singers of all time: James Brown, also known as “The Godfather of Soul.” Undoubtedly, he was a true icon of African-American music in the 1960s and 70s.

As the leader of bands like The Famous Flames and The J.B.’s, Brown was renowned for his electrifying energy on stage.

This song moves between soul and reggae, keeping the pulse of both genres alive. It features a heavy groove full of rhythmic and melodic arrangements, with strings as the main source of color and a vocal performance charged with power and charisma.

Finally, the lyrics have been adapted to better reflect our current reality, while preserving the spirit of homage and renewal.

MUNA sind magisch. Welche andere Band hätte das verlorene Jahr 2021 mit Pailletten und Pompoms geprägt - und dich dabei ganz nebenbei zum Singen bringen können (und vielleicht sogar zu glauben), dass "Life's so fun, life's so fun" ist? All das während der vielleicht unruhigsten Phase deines Lebens? "Silk Chiffon", der Instant-Hit von MUNA mit Labelchefin Phoebe Bridgers, schlug wie ein doppelter Regenbogen in den grauen Himmel der anderthalbjährigen Pandemie ein. Pitchfork nannte es einen "Strudel von Schmetterlingen im Bauch", NPR einen "Queerwurm", der US-Rolling Stone "eine der süßesten Melodien des Jahres, die die Art von purer Pop-Seligkeit ausstrahlt, die so viele Bands anstreben, aber fast nie richtig hinbekommen." Für MUNAs Gitarristin und Produzentin Naomi McPherson war es ein "song for kids to have their first gay kiss to." Und so blühten mehrere Tausend verrückte Twitter- und TikTok-Memes auf. Seit Beginn ihrer Karriere haben MUNA den Schmerz als Fundament der Sehnsucht, als Zentrum der radikalen Wahrheit, als Teil des Erwachsenwerdens und als inhärenten Faktor der Erfahrung von Marginalität betrachtet - die Bandmitglieder gehören Queer- und Minderheitengemeinschaften an und spielen ihre Songs vor allem für diese. Gavin, McPherson und Josette Maskin - die Gitarristin von MUNA - verbindet eine bald zehnjährige Freundschaft. Sie begannen im College an der USC zusammen Musik zu machen und veröffentlichten 2017 mit der Single "I Know a Place" einen frühen Hit als eine aufgestaute Beschwörung zur LGBTQ-Zuflucht und Transzendenz. Jetzt, in ihren späten Zwanzigern, ist das Trio so etwas wie eine Familie geworden. Sie verbrachten einen Großteil der frühen Pandemie als eine Gruppe, die füreinander und für MUNA da war, selbst als sie sich über nix in Bezug auf Zukunft sicher sein konnten. Sie wurden von ihrem vorigen Label RCA gedroppt und es gab nur wenig Einkommen, kein Adrenalin, mit dem sie arbeiten konnten, keine Live-Shows mit Publikum, das sie an den Beistand erinnerte, den ihre Songs bieten können. "Muna", das selbstbetitelte dritte Album der Band, ist mehr als eine Rückkehr. Die Zeit der Unsicherheit und des offenen Hinterfragens der Band hat alles weggebrannt und ein Meisterwerk von einem Album hinterlassen - die kraftvolle, bewusste, dimensionale Leistung einer Band, die niemandem außer sich selbst etwas beweisen muss. Der Synth auf "What I Want" funkelt wie eine ROBYN-Tanzflächenhymne; "Anything But Me", das im 12/8-Takt galoppiert, erinnert an SHANIA TWAIN im Neonlicht der Achtziger; "Kind of Girl" mit seinem aufsteigenden, klagenden THE CHICKS-Refrain bittet darum, mit deinen besten Freund*innen bei maximaler Lautstärke gesungen zu werden. MUNA arbeiteten mit dem Quellcode des Pop, der das Herz berührt - das Album ist voller Sehnsucht und Offenbarung und hart erkämpfter Freiheit.

White Vinyl Repress

World Party was a musical group, predominantly the solo project of its sole consistent member, the songwriter, producer and multi-instrumentalist Karl Wallinger. Wallinger started the band in 1986 in London after leaving the Waterboys.

Featuring the #2 most downloaded/ streamed hit Is It Like Today?, small limited runs of each World Party album (5 total) will be pressed on white vinyl, with the run marketed as “The White Albums”, cheekily referring to Karl’s re-recording of The Beatles and his fans eternal quest to hear them.

Nachpressung der 20th Anniversary Vinyl-Edition mit Bonustrack, 2025 ist die Vinylfarbe Gelb (Auflage weltweit 1500). CD (2005er-Auflage) auch wieder erhältlich. "The Illusion of Safety" ist das bahnbrechende Post-Hardcore-Album von Thrice, das eine furiose Mischung aus Punk und Metal mit außergewöhnlichen Texten und musikalischem Können verbindet. Die Band schrieb zwei Songs pro Monat, bevor sie im Juli 2001 mit dem Produzenten Brian McTernan (Converge, Cave In) in den Salad Days Studios aufnahm. Es ist ein unvergleichliches Album, das rohe Underground-Authentizität mit bahnbrechendem Ehrgeiz verbindet. Es wurde sofort zu einer tragenden Säule des Post-Hardcore des 21. Jahrhunderts und hat sich weit besser gehalten als seine vielen Nachahmer. Das Album fängt seine Zeit perfekt ein und bleibt dennoch zeitlos, sodass man bei jedem Hören neue Entdeckungen macht und nicht nur in Nostalgie schwelgt. Von Punk-/Hardcore-Clubs aller Altersgruppen in Orange County, Kalifornien, bis hin zum Headliner der größten Rockfestivals und Veranstaltungsorte der Welt - Das Album gilt als Katalysator für den großen Erfolg der Band. Auch 20 Jahre und zehn Alben später kann man bei jeder Thrice-Show unweigerlich die Aufforderung hören, »Deadbolt« zu spielen - ein Beweis für das Durchhaltevermögen eines Albums, das die Screamo / Post-Hardcore-Ära definiert hat. Auch mit der 2025er Pressung feiert die Band das Vermächtnis des Emo / Post-Hardcore-Klassikers, indem sie als Bonus die B-Seite »That Hideous Strength« wieder dem Vinyl hinzufügt.

Die Musik von Vulture Feather scheint extra dafür gemacht zu sein, die heimtückische Angst zu durchbrechen, die unsere Wahrnehmung in der heutigen Zeit beeinflusst. Es ist Musik voller Dringlichkeit, aber auch voller tiefem Mitgefühl. Vulture Feather ist zweifellos eine Punkband, aber es ist auch klar, dass sie spirituelle Praktiker der Musik sind. Wenn man Vulture Feather spielen sieht oder hört, hat man das überwältigende Gefühl, dass sie diese Musik nicht nur machen, weil sie es wollen, sondern weil sie es müssen. ,Craving and Aversion", vier Songs, die im Anschluss an ihr gefeiertes zweites Album ,It Will Be Like Now" aufgenommen wurden, zeigen die Band, wie sie sich noch intensiver mit ihrer einzigartigen Praxis des emotional kraftvollen, vom Post-Hardcore beeinflussten Art-Rock beschäftigt. Während frühere Werke hier zwar nicht zum Thema gehören, kennen Fans McCann und Gossman aus ihrer Zeit bei den prähistorischen Don Martin Three (deren Katalog kürzlich von Numero Group neu aufgelegt wurde) und später bei Wilderness (Jagjaguwar). Zweifellos ist das der Sound von Leuten, die seit über 25 Jahren zusammen Musik machen. Die Gitarre und der Gesang glänzen ebenso wie sie heulen und funktionieren als Duett, das ,The Only Story Ever Told" über einer prägnanten und donnernden Rhythmusgruppe präsentiert. Es ist der Sound, der überall und jederzeit zu hören ist, durch dichte Wolkendecken, von Canyonwänden widerhallend, durch unruhige Gewässer und schließlich zu deinen Geräten, deinen Ohren, deinem Herzen, wenn du dich entscheidest, ihn zu hören.

"es ist nie zu spät für frühstück" ist das erste Album der Hamburger Musikerin jule. Ein Satz, der so beiläufig klingt, dass man fast übersieht, wie viel darin steckt. Zwischen Müdigkeit und Hoffnung, Alltag und Überforderung erzählt jule von dem Moment, in dem man weitermacht, obwohl längst Mittag ist. Von dem Drang, trotzdem aufzustehen, auch wenn nichts so läuft, wie man es geplant hatte. Nach mehreren Singles und der Debüt EP "Im Regio weinen" (Sommer 2024), deren Songs zwischen Unsicherheit und Wut pendeln, öffnet die Mittzwanzigerin jule jetzt ein neues Kapitel: Zum ersten Mal auch mit Band. Was früher allein mit Gitarre begann, ist gewachsen. Der Sound ist größer geworden, bleibt aber nahbar: Ehrlich, manchmal zärtlich, manchmal laut. Die elf Songs bewegen sich zwischen Melancholie und Aufbruch, zwischen Gitarre und Klavier. Sie handeln von Beziehungen die kippen, von Überforderung und dem Versuch, sich selbst auszuhalten. Von der Frage was bleibt, wenn Sicherheit fehlt. Produziert und aufgenommen wurde das Album von Alexander Kallenberg im Poolhaus Tonstudio/Hamburg, gemastert wurde es von Raphael Rasmus (u.a. Captain Planet, Matula, Deutsche Laichen) im Studio Gisela/Mühlheim am Main. Die Band bringt eine neue Tiefe und Energie in die Songs, ohne den Raum zu nehmen, die jules Texte brauchen."es ist nie zu spät für frühstück" erscheint bei Zeitstrafe und markiert für jule mehr als nur ein Langspiel-Debüt: Es ist eine Bestandsaufnahme zwischen Erschöpfung und Anfang. Kein Optimismus-Album, eher eins für die Möglichkeit, um überhaupt wieder aufzustehen.

The group's fourth album with songs written by Kris Kristofferson, Curtis Mayfield, Mickey Newbury, Janis Ian, and Emmylou Harris Featuring the single "No Regrets", that reached #7 in the UK Singles Chart and Dutch Top 40 50th anniversary edition on yellow, red & orange marbled vinyl

This year we celebrate the 50th anniversary of No Regrets, the fourth studio album by The Walker Brothers.

Following an eight-year hiatus Gary Leeds, Scott Engel, and John Maus finally reunited. This time the band drew stronger influences
from country and contemporary pop music. Most of the material on the album was written by renowned artists of its time such as
Curtis Mayfield, Emmylou Harris, Mickey Newbury, Kris Kristofferson, and Janis Ian.

The reunion was a success with the title song reaching the top 10 in the United Kingdom and Netherlands.

The album has now been reissued on LP for the first time in 50 years.

No Regrets is available as a limited edition on yellow, red and orange marbled vinyl and includes an insert.

Score composed by Emmy Award-winning composer Bear McCreary

The soundtrack to the first season of Outlander: Blood of my Blood, serving as a prequel to the long-running fantasy TV series Outlander

Limited edition on translucent red coloured vinyl

Emmy Award-winning composer Bear McCreary returns to the Outlander universe for another score, this time for the spin-off Blood of my Blood.

This next chapter in the time traveller’s saga premiered in August 2025 and serves as a prequel to the critically acclaimed Outlander series.

Outlander: Blood of my Blood is available as a limited edition on translucent red coloured vinyl and includes an insert.

As one of the Netherlands' most famous saxohonists and the daughter of Hans Dulfer, Candy needs no introduction.

Big Girl is Candy Dulfer's third album and marks her transition to a sound more informed by funk, hip hop and R&B.

The album includes a collaboration with Trijntje Oosterhuis before she became widely known as a singer and features the single "Wake Me When It's Over", written by bass virtuoso Marcus Miller.

Big Girl is available as a 30th anniversary edition on white coloured vinyl and includes an insert.

Dead Bird is AK-Industry's very first EP for Industrial Propaganda's sub-label: Totentanz Recordings. This new EP explores the limits of the hard techno and techno hardcore genres.

AK-Industry, the founder of Nekrolog1k Recordings, has been a driving force in the Industrial Crossbreed and Hardcore Techno scene since 2008.

His signature sound blends breakbeats with hardcore and techno, resulting in a unique and powerful style that has garnered attention from major labels such as The Third Movement (NL), Industrial Strength (USA), Dark Descent (NL) Industrial Propaganda (CH) and Ad Noiseam (DE).

Having performed at some of the biggest hardcore events in Europe, including Dominator, Q-Base, Defqon, Army of Hardcore Festivals, Club r_AW, and PRSPCT XL, AK-Industry has cemented his place as a top-tier artist in the genre.

He has also collaborated with heavyweight artists such as Mindustries, I:gor, N-Vitral, Ophidian, The Teknoist, Bryan Fury, Switch Technique, Igneon System, Delta9 and Fiend.

With brand new releases on the horizon, AK-Industry shows no signs of slowing down and continues to push the boundaries of the Industrial Crossbreed & Hardcore Techno genres.

Eine der erfolgreichsten Aufnahmen der österreichischen Musikszene ist zurück auf Vinyl! Dieses Alpendrama ist das erste gemeinsame Konzeptalbum der Jugendfreunde Wolfgang Ambros, Manfred Tauchen und Joesi Prokopetz. (die Autoren nennen es "Rustical", abgeleitet von Musical und rustikal) Es beschreibt das ewige Gerufen-Sein vom bösen Berg Watzmann, von den Männern, die aus Imponiersucht "auffi" wollen und oft ihr Leben lassen müssen, sowie von der Gailtalerin, die ihre Macht über die Männer missbraucht und diese damit ins Verderben stürzt. Das Stück wurde 1972 von Manfred Tauchen als Bergbauerndrama-Parodie geschrieben und von W. Ambros zu Liedtexten von J. Prokopetz vertont. Mit bis heute über 250.000 verkauften Exemplaren ist dieses deutschsprachige Konzeptalbum eine der erfolgreichsten Aufnahmen der österreichischen Musikszene.

Adam Greens Musik ist so untrennbar mit dem Wesen New Yorks verbunden wie das Rumpeln der U-Bahn, der Schmutz der Lower East Side oder der barocke Glanz der Midtown-Blocks, in denen einst die Geisterjäger ihre Runden drehten. Seine Songs spiegeln die Stadt in ihrer zeitlosen Mischung aus Chaos, Energie und Sehnsucht wider. Sie durchdringen die dunklen Geschichten Manhattans ebenso wie die von Gentrifizierung gereinigten Straßen und fangen die widersprüchliche Erfahrung des Großstadtlebens ein - die Gleichzeitigkeit von Nähe und Einsamkeit, Abenteuer und Entfremdung, Gesellschaft und Isolation. Sein 2005 erschienenes Soloalbum Gemstones ist tief in dieser Welt verwurzelt - eine musikalische Antwort auf Bright Lights, Big City. Die rockabilly-getriebenen Rhythmen rütteln wie die L-Train, die Melodien wehen wie ein Windstoß zwischen den Häuserschluchten. Doch auch wer New York nie betreten hat, findet in diesen Stücken den universellen Nerv des Alleinseins inmitten der Menge. Getragen von Greens markanter Baritonstimme entfaltet sich Gemstones als bunte Klangreise: vom drehenden, von einer Wurlitzer angetriebenen Titelsong über das orgelnde Over The Sunrise und das unwiderstehliche Rock"n"Roll-Stück Emily bis hin zur bittersüßen Ballade Losing On A Tuesday. Fantasievolle Bilder, surreale Sprachspiele und charmante Melodien schaffen eine Welt. Doch unter all dem Witz und der Verspieltheit schlägt ein echtes, warmes Herz voller Gefühl. Gemstones ist zugleich berauschend und tröstlich - ein Album, das Leichtigkeit mit Tiefgang verbindet. Nach seiner Veröffentlichung machte es Adam Green vor allem in Deutschland zum Star: Das Publikum erkannte in diesem modernen "Two Cent Opera" die Schönheit kleiner Geschichten und großer Melodien. Zum 20-jährigen Jubiläum erscheint Gemstones nun neu auf Vinyl - ein perfekter Anlass, diesen musikalischen Edelstein erneut funkeln zu lassen.

Sometimes, the most beautiful stories begin simply between friends, over laughter, late nights and shared music. That’s how the collaboration between Oscar and the Wolf and Roméo Elvis was born. What started as an unexpected jam session after dinner soon evolved into something much greater: a modern-day Romeo and Juliet where two distinct worlds, North and South, pop and rap, light and shadow, meet and merge effortlessly.

Their first collaboration, “Ceiling”, captures that magic: the perfect balance between intimacy and grandeur, where contrast becomes harmony. Premiered live before 100,000 people during Belgium’s National Day celebrations, the single immediately resonated, becoming a radio hit and surpassing one million streams within weeks.

Now, the duo present JARDIN, an eight-track EP arriving this December. Here, Oscar and the Wolf and Roméo Elvis push each other beyond their comfort zones, exploring new sonic landscapes and blending their unique identities into one sound. From the pulsating energy of “Crocodila” and “Je M’en Balec”, to the tender alternative rock ballad “Lose My Baby”, and the groove-driven “Chargé (Monet)” or the club-ready “Bon Sense”, JARDIN unfolds like a living garden, a vibrant space where every track blossoms into something new.

To celebrate the release, the duo will perform together for the first time on December 15 and 16 at Ancienne Belgique in Brussels. Both shows sold out within hours, a testament to the excitement surrounding this groundbreaking collaboration.

With JARDIN, Oscar and the Wolf and Roméo Elvis don’t just unite genres and languages; they build a bridge between regions, emotions and artistic worlds, a celebration of sound, connection and friendship.

After a prolific run of off-centre house and acidic, proggy-techno on his new Globuli label, respected Germany based Brit Ed Davenport delivers the first instalment of GLOBULI LTD with 2 stand-out remixes.

Picking up heavy support from Massimiliano Pagliara, Ivan Smagghe, Call Super and the like, these two iconic remixes from the catalogue are now available on vinyl for the first time.

Hardcore domain.
A masterpiece of humor, melodies and HEAVY KICKS !
Superb Tool with a massive visual !

*Loud cut and mastering from Armaguet Nad (SODOM boss)

BIG !

Hardfloor Electro Heavy dancefloor Machine. Kicker !

The project brings together a stellar cast of musicians. Guitarist and producer Matthis Pascaud who crafts a rich and colourful sonic landscape, along with acclaimed drummer Raphael Chassin, pianist Thibault Gomez, and bassist Simon Tailleu. The record shines further with the participation of special guests: iconic guitarist Bill Frisell and the legendary saxophonist Archie Shepp, whose contributions underscore both the intimacy and the grandeur of Rampal's homage. Through inventive arrangements and deep poetic sensibility, 'Song For Abbey' revisits key pieces from Abbey Lincoln's repertoire, including a luminous, modern rendition of ' And It's Supposed To Be Love' .

Marion Rampal's voice, instantly recognisable and deeply evocative, breathes new life into Lincoln's world, blending tradition and innovation across jazz, blues, and folk influences. With high-profile guest artists, Bill Frisell and Archie Shepp, who elevate the album's international visibility and media value, 'Song For Abbey' is not just an album, but a resonant contemporary statement - a vibrant crossroads of jazz legacy, emotion, and artistry. "One of the most beautiful voices of her generation brings new life to the legacy of the sublime singer and songwriter Abbey Lincoln - chills guaranteed." - Jazz Magazine

With simpatico support from double bassist Drew Gress and drummer Tom Rainey, Hersch presented fresh interpretations of tunes by his favourite jazz composers, which included Miles Davis ('Milestones'), Wayne Shorter ('Iris'), Thelonious Monk ('Played Twice'), Dizzy Gillespie ('Con Alma'), and Herbie Hancock (Speak Like A Child). The album also includes an original number, 'Evanessence,' which Hersch composed as a salute to pianist Bill Evans. The Fred Hersch Trio Plays is a remarkable collection of performances affirming that jazz is about exploration, constant reinvention, and selfless teamwork.

flipturn started the year strong national television debut on Jimmy Kimmel Live and seemingly didn't stop. Their Spring tour dates across the United States saw them play their largest headline show to date and sell out iconic venues like Chicago's Salt Shed and New York's Terminal 5. Ultimately, the band's 2025 tour dates have seen them increase their venue sizes seven-fold or more in most cities across the country, since touring their 2022 debut album Shadowglow

Aiming all glitter cannons firmly at CHRISTMAS #1 (vinyl singles chart - let's be real), art punk royalty Art Brut and electro pop gems bis deliver genuine glitter dancefloor filling power with a cover of Paula Abdul's Opposites Attract, twang liberally at heartstrings with a take of Make Your Own Kind of Music by Cass Elliot - finally covering each other's seminal bangers with an icy fresh take that can only come from years of genuine love of the band you're reimaging.

Based on Denis Johnson's beloved novella, Train Dreams is the moving portrait of Robert Grainier, a logger and railroad worker who leads a life of unexpected depth and beauty in the rapidly-changing America of the early 20th Century. The Netflix film features the music of Bryce Dessner, who blends classical influences with a modern sensibility. Dessner has been a member of the successful rock band The National for years. In the past years he becomes more and more known for scoring contemporary films, such as C'mon C'mon, Sing, Sing and The Two Popes. The final song on this album features none other than Nick Cave, making this a real must-have. Train Dreams is available as a limited edition on orange & black marbled vinyl and includes an insert.

Featuring 10 of his own compositions, Grossi's renowned virtuosity flows with deep sensitivity through various genres, reflecting the solid trajectory of one of the greatest instrumentalists and most creative musicians in Brazilian music. Collaborating with prominent names from both the national and international music scenes, 'Plural' showcases Grossi's music without borders, offering the world a glimpse of his extensive career. For this celebration, outstanding guests were invited to join the musical journey. Several tracks also highlight Grossi's sensitivity as a songwriter and lyricist. In 'Onde Nascem as Ondas', Ed Motta delivers a soulful ballad carried by his distinctive timbre. Zelia Duncan, sings a unique samba in 'Nosso Amor Vadio' with a captivating cadence. 'Chamego no Salao' captures the spirit of north-eastern Brazil and is brought to life by Lenine's vibrant voice and joyful interpretation, adding a playful tone with a jazzy touch. The art of improvisation is beautifully represented by 'Catarina e Teresa', an improvised composition created in collaboration with the legendary Hermeto Pascoal and dedicated to Grossi's twin daughters. Other tracks include 'Banzo', which showcases a rhythmic dialogue featuring Cuban pianist Omar Sosa. 'Motion', with the brilliance of both Jacob Collier and Seamus Blake, merges jazz and pop in a seamless melodic conversation.

With an open mind and without boundaries, he invites us to explore a vast musical universe, embracing art with profound emotion and passion. This is what you will hear and experience in 'Plural': a deep love for the art of sound and a profound respect for musical diversity - qualities that have defined his career.

Recorded amidst the Vietnam War's turmoil and the tragic Kent State shootings of 1970, Alarm Clock was Havens' urgent wake- up call to a generation - a powerful warning against an overreaching government. This reissue includes two never- before- released tracks: ' Nobody Knows', recorded during the same sessions, and a deeply moving rendition of Graham Nash's 'Military Madness'. A testament to Havens' artistic integrity and commitment to social justice, Alarm Clock remains a timeless masterpiece. "Alarm Clock was just as the title suggested: a warning. It was also one of the few times I have used a song's title to name one of my albums.

Alarm Clock was being made in the context of the Vietnam War that was still raging. Four students protesting the war had been shot dead in May 1970 on the Kent State University campus in Ohio. Large crowds were gathering in many cities, pleading for the end to America's involvement, but the administration did not care about anything the public seemed to feel. The war would go on, regardless of public sentiment. We were seeing our government step way over bounds. Alarm Clock felt like a warning to awaken." - Richie Havens