Analog Mutants (Phill Most Chill on vocals, Snafu on production and Grazzhoppa on scratches) are back with the long-awaited debut album after 3 rapidly sold out 45s leading up to it! 12 years in the making with an incredible attention to detail, every bar is on point and this album will appeal to fans of De La Soul, Ultramagnetic MCs and anyone that loves a crazy medley of samples and funky fast raps! We guarantee you've heard nothing like this in the last 30 years!
Featuring the otherworldly vocals of the legendary jazz singer Norma Winstone whose vocals were recently sampled in Drake's 2023 chart topping single IDGAF (feat. Yeat) and Leo Taylor (Floating Points, Hot Chip, Joy Crookes) on drums, the EP is the amalgamation of Barrott's long term fascination with sunset music, and the ways the change of seasons impact the way we co-exist with the sun. As winter draws closer and we move on from the Autumn equinox to Winter solstice, Barrott's latest release captures the transformative yet paradoxical feeling of melancholy over the end of Summer and the start of winter while creating an eerie sensation of serenity.
The EP follows from the release of Barrott's critically acclaimed and deeply personal 2024 album Everything Changes, Nothing Ends.
The new EP sees Barrott return to his beloved sunset music, as he continues his eternal quest to find new ways to soundtrack this sacred Ibiza moment.
Crowned as the"master of sunset music"by Pitchfork, Barrott's new EP is filled with celestial grandeur that stops you in your tracks. A profound musical meditation and an homage to the sunsets of the Autumn months, the EP captures the sonic poetry of the changing skies and the seasons.
The haunting combination of Barrott's production & arrangement skills, Taylor's jazz drums and Winstone's endlessly ethereal vocals soar in a harmonious union across the title track of the EP while the openerI Am The Starssummons you in for a brief respite from the cacophony of the modern world. The wistful second trackMy Blue Heartlingers with you with its melancholic jazz horns swelling side by side with Winstone's vocals while the closing trackI Am The Airfloats through your ears with its sublime contemplativeness. I Am The Sun, You Are The Moonsees Barrott returning to his sonic ruminations on sunsets, however they are more profound and life affirming than ever.
"At the end of the summer, on a clear bright starry night I climbed to the top of a mountain in Ibiza with a pair of headphones and listened to these tracks and lost myself in the vastness of the night sky and the endlessness of Norma's voice. At that moment everything made sense in my world for the first time in a long while and it just felt right",Mark Barrott says.
"I was surprised and delighted to be asked to participate in this very musical project and to be given such a free hand. Trying to integrate the voice into what were already beautifully formed pieces was creatively very interesting", Norma Winstone says
There are two versions - limited transparent (glass) hand numbered 100 copies or classic black wax. Both 180g.
Himalaya Collective is (probably) the biggest Polish beatmakers association. "Parantele 2" is their 4th album released by U Know Me Records.
A year after the first installment of the "Parantele" project (which involved inviting artists from outside the collective to collaborate), we have a dozen new tracks for you from members of the Himalaya Collective who didn't make it onto last year's album.
This time, you can once again hear the diversity of this largest Polish beatmaking crew. The album features classic beats, plenty of jazz, and live instruments, but fans of fresh, danceable electronica will also find something to enjoy.
"Parantele 2" is an album that deserves the attention of every fan of modern music. Himalaya Collective proves that collaboration and creativity can lead to incredible results. ✨
We encourage you to discover this extraordinary album and immerse yourself in its sounds!
[a] 01: New grounds/Hollow (pt.1) [feat. fravaer & Szymon Zdunek]
Colin Curtis is back! with another finely curated selection of the best Jazz Dance Fusion records he could find.
Volume 4 reflects a combination of new music, unreleased music, and tracks that have never been on vinyl before or have not attained the recognition they deserve. Packed with great Jazz Dance music from the UK and all around the world. The whole purpose of these compilations is to introduce you to fantastic talent and allow you to then go and explore all their works and keep this movement moving!
With brand new & exclusive releases, extremely rare tracks, and many only available on Vinyl for the first time from Brazil, Cuba, Japan, Italy, USA, UK, and beyond. Showcasing another insight into Colin Curtis's world of Jazz Dance Fusion and highlighting the sheer diversity & talent on offer from Vocal Jazz, Salsa, and Latin Spoken Word to Sambas & Fusion, It's All Here!
"Fasten your Seatbelts for a Jazztastic ride !!" - COLIN CURTIS
i 09: Chris Bangs & Nova Vida - My Only (Geemix) feat. Klei
i 09: Chris Bangs & Nova Vida - My Only (Geemix) [feat. Klei]
[i] 09: Chris Bangs & Nova Vida - My Only (Geemix) [feat. Klei]
[i] 09: Chris Bangs & Nova Vida - My Only (Geemix) [feat. Klei]
Written in the Scottish Highlands, recorded on the West Coast in Largs and pressed on vinyl in East Lothian. Rapture Party was mixed and mastered by Jason Shaw and Fuzz Face Studios and is released by Last Night From Glasgow. ; The Joshua Hotel are an indie- pop trio from Inverness led by producer Joshua Mackenzie with Louis Slorach on guitar/ drones and Joshua Gilbert on drums/ percussion. Single Easy Feeling is released on Friday 21 March.
Following the success of 1998's Whitey Ford Sings the Blue, Eat at Whitey's finds him beefing up his sound as well as bringing in big names, such as N'dea Davenport (who adds her vocals on the sexy, R&B- flavored "Love for Real"), Goodie Mob's Cee- Lo, Cypress Hill's B Real, and Carlos Santana, for whom Everlast penned the Grammywinning "Put Your Lights On." Everlast is still fixated on redemption and regret, but his intensity and passion make up for the narrow focus, as, guitar in hand, he conjures up a nocturnal, sultry world populated with saints, sinners, and homeboys.
Editors-Frontmann Tom Smith veröffentlicht sein Solo-Debütalbum „There Is Nothing In The Dark Which Isn’t There In The Light“
Nach zwei Jahrzehnten als Frontmann von Editors und zwei Alben mit Smith & Burrows betritt Tom Smith mit „There Is Nothing In The Dark That Isn’t There In The Light“ nun endlich Solo-Territorium. Motiviert durch den Wunsch, zu den rohen, akustischen Anfängen seines Songwritings zurückzukehren, machte sich Smith daran, etwas Intimeres und Persönlicheres zu schaffen, weg vom kollaborativen Charakter seiner Bandprojekte.
Anfangs Stand noch der Gedanke im Raum, diese Songs wieder mit seinem langjährigen Kollaborateur Andy Burrows zu schreiben, entschied sich aber schließlich für einen einsameren Weg und engagierte stattdessen den Produzenten Iain Archer. Gemeinsam schufen sie ein Album, das auf emotionaler Ehrlichkeit, akustischen Texturen und Themen wie Verbundenheit, Erinnerung und Resilienz basiert.
Auf dem gesamten Album balanciert Smith reduzierte Arrangements mit filmischen Schnörkeln und schafft so eine dynamische Bandbreite – vom minimalistischen Schmerz von „Broken Time“ bis zum mitreißenden Drama von „Life Is For Living“.
Obwohl von Melancholie geprägt, schwingt auf dem Album letztlich Hoffnung mit – es unterstreicht Smiths Entwicklung als Songwriter und seinen Wunsch, Musik zu schaffen, die das Wesen seiner Persönlichkeit widerspiegelt.
Recorded and mixed by John Paul Peters at Private Ear Recordings and mastered by Jon Markson, the album showcases the band's collective songwriting and meticulous musicianship. Critics have praised Repose for its "brilliant ideas and exceptional musicianship" (Thoughts Words Action), and Fecking Bahamas ranked it #13 in their Top 100 Math Rock Albums of 2022 , cementing its place as one of the year's standout underground releases. Across ten tracks, Fox Lake balance technical precision with heartfelt energy, making Repose both a document of the band's growth and a highlight of Canada's underground scene.
Woah - 45 years after the band's third single was released, the song's writer Chris Pope, along with the rest of The Chords UK have reimagined 'Something's Missing' and added a whole new dimension to this classic Mod Revival tune
With great albums you can enjoy them many times and still hear new things. So how about when a great album is re-imagined and you can hear even more new twists? Chris Pope has taken the classic 1980 album by The Chords and taken a new slant on the amazing songs he wrote on it which will see the album in a new light. When re- working older songs in your back catalogue you musn't miss any of the energy and swagger that made the songs so exciting to hear the first time around and Chris, along with the other members of the band: Sandy Michie on guitar, Mic Stoner on bass and Ken Cooper on drums, have brought a new power to the songs that energised a Fred Perry wearing movement in '79 and '80. Enjoy this album and the clever way it looks at each moment on that record and a few other choice cuts
The complete recordings of the legendary Marc And The Mambas run of three live performances given at The Duke Of York's Theatre in London's West End in 1983. Restored from the original VHS tape recordings made by the late Peter 'Sleazy' Christopherson (Throbbing Gristle, Coil), these remain the only recordings that exist of Marc And The Mambas performing live. Originally released in 2012 on Marc Almond's (Soft Cell) own Strike Force Entertainment label as a CD/DVD set (long sold out), this edition, presented on vinyl for the first time, contains the 17 tracks from the SFE CD release, expanded to include the two bonus DVD-only tracks: 'Près Des Ramparts De Séville' and 'Jacky'. Completely remastered for vinyl by Martin Bowes (The Cage Studios). A combination of the chanson and torch songs which he still sings today, over piano, strings and woodwind-accompanied compositions. "It's quite a spectacle, especially when Almond hits his sweet spot of sinister lyrics, declared pompously over a droned string arrangement... Early signs of the full-on showtune and classical rearrangements that make up Almond's current albums are evident"(Record Collector). Presented on heavyweight double vinyl in a deluxe glossy gatefold sleeve featuring the extensive reminiscence by Marc Almond himself from the 2012 release. Also included is a reproduction of the 16-page programme printed for the three concerts in 1983. The stunning cover painting by Val Denham is exclusive to this release.
Following their two previous releases, the group--led by the charismatic vocalist Ms. Kennedy and her brilliant musical partner Ondre J (known as Gregory Porter's longtime Hammond organist) - presents a work that fuses funk, soul, and jazz with gripping pop songs and heartfelt ballads, all driven by groove, depth, and Ms. Kennedy's unmistakable voice. The album will be released on CD and LP via Leopard Records. Born from genuine conversations, spontaneous ideas, and a desire to move people through authenticity, 'Humanity' was recorded in the band's Brooklyn home base. The album tells stories of joy and sorrow, self- doubt and self- love, loneliness and connection.
With 'Humanity', Kennedy Administration deliver a record that feels like a soul party, an embrace, and an existential reflection all at once. It's music for overthinkers, outsiders, smartphone scrollers, dancers, and anyone who wants to feel a little less alone. Highlights include Mark Lettieri's (Snarky Puppy) fiery guitar solo and a moving duet with US gospel singer Doobie Powell. Having herself overcome a period of homelessness during the pandemic and rediscovered her voice through music, Ms. Kennedy turns this album into a profoundly personal yet universal statement.
Xexa is still undefined, gliding over her origins, influences, and points of reference. Her music is informed by uploads from all that, processing heritage and future in much the same democratic way, sure of its (her!) path. Synthetic as it may sound, »Kissom« contains the very human element of Xexa's presence, not only through her instantly recognizable ethereal vocals but also manifest in the web of grooves stopping short of »dance«. »Kizomba 003« is the closest she comes to the dancefloor, a reduced take on the popular style of kizomba, a low-key interpretation but with the vocals atypically high in the mix. A brief breath of nostalgia. »Kissom« (title track) prolongs the slow pace, almost as an extended mix of »Kizomba 003«, stretching the sexy bounce for close to 4 extra-delightful minutes.
Everything seems to dissolve into space, as if every track gently expires only to be reconfigured somewhere else, molecule by molecule, perhaps in a different location within our mind. The artist somehow corroborates the feeling, particularly regarding »Será«, »Xtinti«, and »Txe«, which she says »finish exactly where I wanted. They all end with an EQ that mutes the frequencies until they cease to exist«. Here, there, sparse beats, successive waves of ambience, half-machine lips singing close to our ears, a blend of classic 4AD and a metallic environment warmly wrapping around the music. Extra-long, »Quem és tu?« poses the question – Who are we? Who is she? And the title »Kissom« stems from another question Xexa often hears from people, »Ki som é este?« (What is this music?). The answer might well be the artist's own paste of the words »kiss« and »som«. Lovely.
"700 Miles of Desert" is the second album by White Rose Transmission, the project of Adrian Borland and Carlo van Putten. The record weaves dark, poetic rock with atmospheric melodies and introspective lyrics, capturing a haunting beauty that became a poignant farewell to Borland's musical journey.
The Brokedowns are the coolest punk band in Chicagoland and they're back with 13 new songs of fury and satire. The quartet has steadily grown in popularity and so has their appetite for mockery. We asked them about the record, and they explained the first track is a musical tribute to QAnon moms taking over the school board. Quite the tone-setter. While not a concept album, there is a thematic protagonist: Alpha Dog Serum X. No, Serum X is not a panacea to a world gone mad, it's a fictional miracle drug endorsed by all the coolest billionaires and influencers. Safe to say, if dorks like Elon and Logan Paul heard this music, they would not get the joke. The Brokedowns fuse heavy rhythms with singalong melodies, and they use those tools like hammer and tongs to blast away at our societal ills. It may sound grim, but no one has more fun with our stupid culture than The Brokedowns, so you may as well get in on the roast.
To commemorate the 5-year anniversary of Playboi Carti’s album “Whole Lotta Red”, he will be releasing a limited quantity of special edition vinyl pressings with alternate creative. This 5 Year Anniversary Edition comes as a Rain Cloud White Opaque Vinyl and CD with alternate creative - YOU MAY HAVE ALREADY ORDERED LP FROMAT FROM THE ANNOUNCEMENT EMAIL REQUEST
Paul Murphy’s Claremont 56 label welcomes a genuine legend of UK music to its roster – Chaz Jankel, the man whose dizzying musicality and love of soul, funk and disco did much to shape the sound of Ian Dury’s Blockheads band in the late 1970s and early ‘80s.
A virtuoso keyboardist with a deep love of Black American music, Jankel’s arrangements and compositional skills were key to the success of their records, the funkiest of which not only became crossover pop hits – see ‘Hit Me With Your Rhythm Stick’ and ‘Reasons To be Cheerful, Part 3’ in particular – but also saw heavy rotation in now iconic New York clubs including the Paradise Garage and Studio 54.
This continued during the formative years of his solo career, with ‘My Occupation’, ‘Questionnaire’ and ‘Glad To Know You’ (later famously re-edited and dubbed out for nu-disco dancefloors by Todd Terje) all becoming club hits. The great Quincy Jones also covered Jankel’s infectious single ‘Ai No Carrida’, while experimental, club-ready synth-jam ‘3,000,000 Synths’ was also influential during the early years of the electro movement.
For his Claremont 56 bow, Jankel has delivered an all-new workout recorded earlier this year, the simply titled ‘Rhumba Jam’. A typically warm, groovy and rolling affair, it features Jankel delivering infectious, stretched-out Rhodes electric piano solos over toasty bass, clipped guitar licks, warm bass, accordion-style synth motifs and a densely layered Rhumba rhythm. While relaxed and sun-soaked, it also has bags of Balearic dancefloor potential.
Murphy remixes under his now familiar Mudd alias, leaning into the track’s languid Balearic vibe while keeping a firm focus on the dancefloor. Beginning with an enticing mix of metronomic drums and jangly acoustic guitars, Murphy slowly layers up key elements of Jankel’s original – think rubbery bass, rhythmic handclaps, mazy synth sounds and those wonderful, stretched-out solos. It’s a version that pays due reverence to the quality of Jankel’s musicianship, production and arrangement while subtly extending it and reframing it for 21st century Balearic dancefloors.
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Originally released as an edition of 50 lathe-cut LPs housed in silk-screened jackets in 2020 (fast on the heels of What's Tonight To Eternity), Cat O' Nine Tails has long intrigued die-hard Cindy Lee fans with its combination of the classic songwriting that would dominate Diamond Jubilee a few years later and an actual suite of classical songs under the title itself.
Opening with the gothic soap opera theme of "Our Lady Of Sorrows" into the manic exploration of "Cat O' Nine Tails," onto the dusty western walk through Patrick Flegel's lovely guitar work on "Faith Restored," the album seems to soundtrack the coolest movie the late '60s ever produced. All of this builds to the lush and sweeping ballad of bruised hearts that introduces that beautiful voice via "Love Remains."
Side Two sees 2024 live show closer "Cat O' Nine Tails III" complete the suite to epic effect, before introducing the absolute showstopper that is "I Don't Want To Fall In Love Again." It is tender and fragile in that way that only Flegel can make both familiar and unique. Closing with the ethereal soul shuffle stomp of "Bondage Of The Mind," the album showcases nine songs from an essential time in the Cindy Lee evolution.
W.25TH / Superior Viaduct bring this collection to the larger audience as it deserves.
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New York-based producer Kurilo opens Tripsitter Records’ debut vinyl with "Take the Excitement", a hypnotic blend of rumbling bass and spacey synths. It's an immersive soundscape, perfect for both psychedelic journeys and late-night afterhours.
Next up, KVRK delivers a mind-bending techno cut—an intense, pulsating ride that feels like crossing an event horizon. Relentless and otherworldly, it transports listeners into uncharted sonic territory.
On the flip, Spain’s T.S.O channels '90s tech house with a bass-heavy roller full of nostalgic flair and modern groove. It's a confident dancefloor weapon, bridging classic vibes with a contemporary edge.
Closing the release, Jubley shifts into darker territory. With punchy percussion and eerie textures, his track oozes tension and atmosphere. A bold departure from his usual style, it’s a gripping end to a standout first release.
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Was lief musikalisch in 2025? BRAVO The Hits gibt Aufschluss! 48 Tracks aus den Charts auf 2 CDs,
4 LPs und Download. Hier ein paar Beispiele: Ed Sheeran ”Azizam”, Oimara ”Wackelkontakt”, Jazeek
”Akon”, Alex Warren ”Ordinary”, Gracie Abrams ”That’s So True”. Aber auch brandneue Titel, wie Lady
Gaga ”The Dead Dance” und Sabrina Carpenter ”Tears” sind zu finden. 2026 kann also kommen!
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Acclaimed Scottish composer Craig Armstrong releases his new work Pacific via his own label CMA Records. Written for piano, cello, and electronics, the three-movement piece was originally commissioned in December 2024 by Christian Kellersman, a pioneering figure in contemporary classical and jazz music, for his new live event series Berlin Confidential, co-curated with Alexander Szlovák. The series aims to promote innovative new music projects, with a particular focus on emerging musicians and composers.
Armstrong was among the first artists invited to perform as part of Berlin Confidential, premiering Pacific at Berlin’s historic Meistersaal concert hall in March 2025. The concert featured Armstrong on piano alongside cellist Lena Angelina von Almen and producer and musician Guy Sternberg, combining acoustic instruments with live electro-acoustic treatments to create a rich and atmospheric sound world.
Recorded in May 2025 at Lowswing Studios in Kreuzberg, Pacific continues Armstrong’s ongoing exploration of blending acoustic and electronic sound in a natural, seamless way. Over several days in the studio, Armstrong, von Almen and Sternberg developed the work’s intricate textures and dynamic interplay, resulting in a recording that captures both the intimacy and expansiveness of the original live performance.
Speaking about the inspiration behind the piece, Armstrong says: “I wrote this work during a time of great instability in the world, I wrote “Pacific” as an Elegy dedicated to the many suffering in today’s conflicts and in the hope that peace will prevail.”
Across its three movements, Pacific 1 is elegiac in nature, with the main themes stated and developed throughout the piece, punctuated by recurring piano motifs. The movement is reflective and atmospheric, with subtle electronic interventions. The second movement is arrhythmic in nature, following shifting time signatures that reflect a sense of uncertainty - the music is searching and static, ending without resolution but leaving hope for one to come. Pacific 3 moves towards peace and resolution, bringing the work to a close with quiet strength and emotional release.
When speaking about the creative process and his collaborators, Armstrong said: “Lena’s beautiful playing , tone and expression worked so beautifully on Pacific, Lena was also a great collaborator and was always willing to experiment and try new musical approaches. Lena is such a natural musician and she brought so much emotion and beauty to the piece. I wish her all the best in her future musical journey.”
He continues: Guy is a unique combination of being a brilliant engineer and mixer and a prolific very talented musician/composer. I was very fortunate to spend time with Guy in his studio in Berlin. His sensitivity to the project and his electronic programming made a wonderful contribution to the composition. His collaboration and friendship made the days working in Berlin such a great experience I would like to thank Emma Ford for her dedication, enthusiasm and guidance on Pacific”
For both von Almen and Sternberg, the collaboration was equally meaningful. Von Almen reflects on the experience of recording the piece, saying: “As a musician, it is always a great privilege to work on a piece together with the composer, and of course I felt even luckier to go through the process of creating something new with an artist like Craig Armstrong. Figuratively speaking, it felt like knitting a silk scarf: using the finest materials and taking the utmost care during the recording, we have realised another beautiful and touching work by Craig, which will bring us and certainly many others great joy. I feel very honoured to have been part of this and to have experienced this warm encounter.”
Sternberg adds: “Diving into Armstrong’s music while working on this record felt like examining a diamond under a microscope, discovering endless beauty within simplicity. Perfection and complexity emerging from simplicity, where every note, tone, noise, and gesture has meaning. I’m deeply grateful to have been part of this process, and for the freedom Craig gave me to express myself through his music, to let our sonic visions merge into one. It’s been both a lesson in music-making and in setting the ego aside, if only for a moment.”
Reflecting Armstrong’s belief in the role of music as a force for empathy and reflection, proceeds from Pacific will be donated to charities working towards peace: Médecins Sans Frontières and the Red Cross.
The limited-edition vinyl release has been pressed on Eco Vinyl at SeaBass Vinyl, a sustainable plant near Edinburgh. The record features striking cover art by Dirk Rudolph, who has designed several of Armstrong’s previous releases.
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**Includes double sided insert with liner notes and photos*
Al Mati was the pseudonym of eccentric Portuguese-born, Dutch-based artist Alberto Mesquita. The name translates to ‘Alberto Friend’, with ‘Al’ short for Alberto and ‘Mati’ meaning ‘friend’ in Surinamese.
Alberto’s story comes across like a mythical character from a European Kerouac novel, but instead of writing it down, he poured those adventures and characters into his record. The music and the comic-style artwork, drawn by his friend Bruno Scoriels, work as one, with Alberto himself becoming both the story and the character within it.
Raised under Salazar’s regime in Lisbon, where all men were conscripted to Africa, he refused, a pacifist. This put him at odds with his father, born in Angola and a prominent lawyer tied to the dictatorship. Unable to accept his son’s stance, the rift forced Alberto to flee Portugal as a deserter, leaving everything behind.
He sought a new life in Paris, where he met Bruno Scoriels. The pair busked to get by, and young and broke, set off on adventures across Europe. On one trip to Barcelona, they crossed the Pyrenees on foot through a five-kilometre train tunnel, not knowing if they would make it out alive. The train later featured on the cover of Some Shit, a nod to that hazardous journey and the strange turns of his life.
From there he moved to Belgium, where he met Jolanda, his future wife who also features on the album. They lived in The Netherlands, then back in Belgium where they married, before returning to Portugal under false pretences. The regime promised deserters immunity, but it proved untrue, and Alberto was forced to flee again — this time with a young family, using Bruno’s passport to escape to The Netherlands.
They settled in the Gliphoeve flats in Amsterdam’s Bijlmermeer, a vibrant immigrant community. This melting pot of cultures inspired Alberto musically. He started a studio in their flat where musicians from Suriname, Angola, the Antilles, Brazil, Mozambique and Portugal came and went, jamming, rehearsing, recording and forming bands including Albatros, Comoção and Mati Africa, performing internationally and at iconic Amsterdam venues like De Melkweg and Paradiso.
Being an immigrant was tough. Alberto was stateless for years, drifting across countries. Some songs voiced his frustration with the Portuguese regime, others were playful or simply love notes to his wife and kids. He passed away in the Netherlands in 2021, leaving Some Shit open to interpretation. But when you picture Europe in the 1970s — the politics, the upheaval, and his need to connect people across cultures — you can hear an artist shaped by contrast, who poured his experiences, feelings and love into music.
Laaps starts into 2024 with the release of the first collaborative recordings by Benoît Pioulard and Offthesky, two long-time explorers of the experimental ambient genre.
Benoît Pioulard is the primary audiovisual project of Michigan-born, Brooklyn-based Thomas Meluch. With six LPs on the renowned kranky imprint, as well as a catalog of works for Universal (UK), Morr Music (DE) and others, he has constructed a unique aesthetic steeped in the textures of analog decay and pop song structure using chiefly guitar, piano and tape processing. He has also built an extensive archive of Polaroid photographs (many of which grace his album covers), the first official collection of which is the hardcover book "Sylva", released in 2019. His most recent album "Eidetic" (Morr Music, 2023) was his first vocal-heavy work in several years.
Jason Corder aka Offthesky is an experimental-ambient multimedia artist based in Denver, CO. He has been producing music, video art, audio software, and the occasional interactive sound sculpture, for over 20 years. He teaches private courses on generative music and occasionally lectures on various sound design topics at Denver University. He currently is the Audio Director at the Denver based videogame studio Dire Wolf. Over the years, he has worked with labels such as Home Normal, 12k's term, Facture, and more. Over the years he has performed at Mutek, Decibel, Communikey and other festivals, sharing the bill with likeminded artists Pole, Matmos, William Basinski, and more.
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