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2025 repress.

Rhythm Section International proudly presents it's 8th offering from local boys Chaos in the CBD. Born in New Zealand, but based in Peckham for the last few years (literally just around the corner from Henry Wu and Bradley Zero), these brothers have made a real mark on the scene here in London town and with their latest set of productions are set to take this message further afield.

Having already released internationally on labels such as ClekClekBoom (Paris), Hot Haus (London) and Amadeus (Montreal), the duo's approach to production has matured immeasurably in the last year, as is evident in the restrained potency and poetic subtlety on the 4 tracks across this accomplished EP, Midnight in Peckham.

Taking it's title from the locale the boys have come to know as home, the record channels a delicate late night energy - equally indebted to the hypnotic incantations of Ron Trent as it is to the hazy suburban atmospheres of Burial. These 4 classic cuts pay homage to deep house in it's truest sense - at once sublime, melancholy and meditative . Chaos in the CBD have clearly taken their cue from the mid-west masters of the genre but have not been afraid to let their own influences and environ creep in, and in doing so have created something that is unmistakablely London and infact, timeless.

Man O To from the elusive producer NU is finally set to be released as a single on Crosstown Rebels, featuring remixes from Parisian producer Pépé Bradock who producers two amazing takes on the original. Since its inclusion on Acid Pauli's Get Lost Compilation in 2012, the track has gained huge support and become a modern-day electronic classic.
A nomad of modern times, NU has travelled the continents with his diverse music to unearth his imitable style. Represented heavily in Man O To, where instruments amalgamate with electronic production to become solid rhythms. An extra spark come from its lyrics, outtakes from an old Persian poem from the well known poet Rumi, who speaks of true happiness in love here performed by Ghazal Shakeri from an original recording made by renowned French composer Armand Amar.
Julien Auger aka Pépé Bradock is a widely respected producer best known for his ground breaking remixes and releases on labwes such a Avatisme, Classic and Versatile Recordings. As a DJ, he has spun in almost every major club in the world and is known for his versatile, and mesmerising style. Bradock conjures a trippy remix and dub version of Man O To and fitting ode to the original.

Rising multi-media artist Shaboozey intends to build his own world.

Determined to carve his own lane in the Alt-Country / Hip-Hop space; he crafts a sound that pays homage to a cast of traditional Western influences, such as Bob Dylan, Lead Belly, Johnny Cash, and Leonard Cohen, while looking into the future of what the two genres have yet to introduce.

Remaining true to his Virginia roots, Shaboozey hopes to continue the region’s long-standing tradition of producing some of the most prolific creatives of the new millennium. This time through elevating the scope of contemporary hip-hop and introducing a modern Americana culture to a global audience.

Fresh off of his inclusion in the groundbreaking Beyonce album, Cowboy Carter, of which he was the only featured artist to appear twice, Shaboozey is set to release his own album, Where I've Been, isn't Where I'm Going. An album that has been years in the making, it includes standout singles “Let It Burn,” “Vegas,” “Anabelle,” & the infectiously fun singalong anthem “A Bar Song (Tipsy).” Millions of streams later, and appearances on esteemed programs such as COLORS and The Late Show with Stephen Colbert, Shaboozey is set to become the new face of modern American country music.

REPRESS !

Superb raggatek tunes here... with a massive kick, very interesting... Meeting with some gypsy techno... And also some acid hardfloor tribekiller, full of vitality and life and changes... And some really good ideas. Loads of ruptures and different structures mixed together into each tunes. A very interesting release, coming from the Psychoquake tribe ! FAT !

Repress.

Fast-rising Dutch DJ/producer BELLA becomes the first new artist signing to Sally C’s Big Saldo’s Chunkers imprint, with the inspiring ‘Note to Self’ EP – her debut production.

Relationships are key for Sally C. Since the inception of Big Saldo’s Chunkers in 2020, she’s released three carefully chosen EPs, all from her own studio. When she met BELLA while playing a festival in Amsterdam during summer 2022, the click was instantaneous, with the pair going on to play an impromptu b2b that day. Vibing both musically and energetically, they kept in touch, with BELLA sending Sally her maiden productions ‘Note To Self’ and ‘Orchestra Spring’. Sally connected so deeply with the tracks that they’d form the backbone of her debut artist EP on Big Saldo’s Chunkers.

One listen to the final EP and it’s not hard to see why Sally wanted to emboss them as Chunkers. Three fresh originals taking in influence from ‘90s house, acid, electro and prog, all with a unique hard-to-pin-down energy that makes them hit with a special swing.

The title track – also the first production made for the EP - sees BELLA lay down a sonic blueprint – both for her own sound and the full body of work. “This set the vibe and guided me through the creative process. I was really trying to make something that felt my own, that was also unique and not something I’ve heard before,” she shares. ‘Note to Self’ is heavy on attitude and bounce, driven by banging old skool drums, a rapid-fire grime-style vocal and a duo of synth lines – one uplifting, the other mining a slick ‘80s sheen, and the results are memorable. An absolute tune that Sally’s delighted to add to the Chunker catalogue.

‘Orchestra Spring’ is the perky sequel, a wicked one-two punch of kaleidoscopic groovy house with lashings of attitude that loves to scribble outside the lines with lots of retro samples and trippy energy. ‘Odd Symphony’ completes the trio, a blazing late-night cut driven by a gurgling acid underbelly, gritty drums and warm chords, giving the EP a brilliant afterglow.

2025 Repress

Pampa is proud to present stunning remixes from Die Vögel for Dntel & DJ Koze for Matthew Herbert. Still impressed by the outstanding Dntel album 'Aimlessness' Die Vögel deliver a remix that broadens their multifaceted sound aesthetics once again with catchy Steve-Reich'esque melodies that cover the voice of Jimmy Tamborello just like they always been there. A very powerful fundament is carrying the house, so big and full of suprises. Also, this house has many windows to all cardinal points.It was 2001 when Matthew Herbert enchanted us all with his blueprint album 'Bodily Functions". 11 years later the distinctive DJ Koze takes on two of his all-time favs to remix, 'You saw it all' (which will be part of the re-release on Accidental) and 'It's only' which will be released by Pampa Records digitally AND on vinyl. The result is a breathtaking piece of modern music, The beautiful voice of Dani Siciliano has experienced a total new dress, she´s now the irrestible captain of a fat but flexible submarine, diggin' in deep waters for new ways to enlighten the dancefloor... An instant classic already....

Before he turned 20, Lô Borges released one of the most captivating albums to come out of Brazil's rich musical landscape - a record that somehow flew under the radar at the time but has since become a cult favorite for listeners around the world. Recorded in the same whirlwind year as the legendary "Clube da Esquina" - the groundbreaking collaboration with Milton Nascimento and Beto Guedes - this self-titled solo debut finds Lô Borges in full creative flight. Pressured by Odeon Records to deliver a solo project, Borges responded with a burst of youthful brilliance, sometimes writing a song in the morning and laying it down in the studio that very night. The result? An album that's spontaneous, heartfelt, and sonically stunning. From the shimmering guitars of 'Você Fica Melhor Assim' to the dreamy melodies of 'Cançao Postal' and the jazz-infused groove of 'Calibre,' the album blends Brazilian popular music with rock, soul, and subtle psychedelic touches. It's got the intimate spirit of a bedroom recording, but with the musical sophistication of legends - with collaborators like Toninho Horta, Tenorio Jr., Nelson Angelo, and of course, Beto Guedes helping bring Borges' vision to life. Fans of Caetano Veloso, Gilberto Gil, or early Nascimento will feel right at home here - but Lô Borges brings his own voice, at once tender and electrifying, to every track. The guitars are fuzzy, the harmonies rich, and the songwriting nothing short of magical. Though it didn't make a splash in 1972, "Lô Borges" has only grown in stature over the years. It's the kind of album you discover once, then return to again and again - a timeless treasure from a young artist who helped redefine Brazilian music from the ground up. If you're into warm, soulful songwriting with a touch of experimental edge, this record is waiting for you. Give it a listen - and see why "Lô Borges" is considered one of Brazil's most underrated masterpieces. Reissue on 180g vinyl.

‘Butter’ is 10-tracks of intricately crafted modern soul from CHERISE and testament to CHERISE’s ability for creating gorgeous, honeyed Wonky Soul that’s the perfect soundtrack for chilled evenings in company of Steve Lacy, Moses Sumney, and Tierra Whack.

Showcasing CHERISE’s passion for collaboration, the project features rising artists Frida Touray and Meduulla and follows CHERISE’s acclaimed debut album ‘Calling’ - a sonic homage to her elders who journeyed to England as part of the Windrush generation.

A truly multi-faceted artist, CHERISE is fast proving herself to be one of the most fiercely talented young musicians in the UK. Her effortless, irresistible vocals, alongside her honest, soulful songwriting manage to be simultaneously both contemporary and timeless. In everything, she’s guided by knowing who she came from, who she is, and what she has to say. Now with ‘Butter’, CHERISE embraces her impulses and redefines what it means to be a modern day Soul artist.

At a time when Hawaiians were reclaiming their language and most new music was written in Hawaiian, Teresa boldly revisited the largely forgotten hapa-haole style - Hawaiian-themed songs in English that once dominated American radio in the early 20th century.

From her earliest work in the 1980s, she treated the genre as serious art, not nostalgia, reviving classics like “My Little Grass Shack,” “Sadie, The South Seas Lady,” and her own modern hit “Uwehe, ‘Ami, and Slide,” which won Song of the Year at the 1988 Na Hoku Hanohano Awards. Her voice brought sophistication and sensuality to songs once considered dated, giving them new life.

With Tropic Rhapsody (2008), created alongside arranger Kit Ebersbach, she perfected that vision. Blending Hawaiian warmth with jazz and Latin rhythms, the album moved gracefully from the shimmering “Lei of Stars” to the lively “Pagan Love Song” and the tender closing of “Aloha ‘Oe.”

In an era dominated by Hawaiian-language releases, Teresa’s decision to make a primarily English-language album was both confident and heartfelt. Tropic Rhapsody remains a modern classic - elegant, adventurous, and unmistakably Hawaiian, just like Teresa herself.

A future classic - a project resurrected from a collaborative effort of the minds of late and great tastemaker and creator Mike Huckaby & Echospace's, Stephen Hitchell. Coming up on over 15 years since this project was conceived while working together on the Model 500 "Starlight" remix project back in 2008, this project truly captures a beautiful moment in time. During this period there was something magical in the air, a creative synergy and understanding of all things deep! The original mix (2008) results from a few sequences and patterns developed out of Wavetable ideas Mike was creating for a sample library he was curating at the time. The sweeps and transients found in these lofi wavetables truly add to the Detroit sound Mike's legacy was built upon, always staying true to his roots. After a few projects together (and more forthcoming) another collaboration was born with SF based (via Glasgow) producer, Federsen who simply put gives us a deeper than deep tribal stomper we're certain Huck would be dropping at peak hour! On the flip, cv313 + federsen reunite to surf Mike's wavetables once more, creating an addictive hook with a sick DETROIT saw bass deeper than the ocean floor! Intrusion's Dub closes out the EP and sends the listener deeper into the abyss, offering sonic designs from another planet, dubbed out into eternal bliss! We truly hope this project resonates and captures some of Mike's creative spirit and sound design. This 12" is a tribute to a true Detroit hero who's contributions to music and the culture are few and far between, a true legend.

R.I.P. HUCK

Futura Resistenza is pleased to present the latest release from the prolific, restlessly creative composer-performer Anthony Pateras, two side-long pieces - one performed by Callum G'Froerer on double-bell trumpet, the other sung by Clara La Licata - in which soloists are accompanied by numerous pre-recorded tracks of their own instrument or voice, creating acoustic halls of mirrors where the distinction between live performer and recorded accompaniment becomes difficult to perceive. Palimpsest Geometry (2020) for double-bell trumpet & tape works with rapidly pulsed single trumpet notes, at brisk tempos that hover at the perceptual threshold between rhythm and tremolo. The interaction between different rates of pulse produces skittering echoes, as if G'Froerer's layers of trumpets were really a single sound bouncing around the sonic space. There Is A Danger Only Our Mistakes Are New (2021) for voice & tape goes to work on a see-sawing two-note melodic cell, insistently transposed and transposed again, hummed or sung with open vowels, contracting to a semitone and expanding to a minor third. More than anything in the canon of Western art music, the piece calls up the criss-crossing repeated figures of Inuit vocal games or the interlocking repetitions of Banda-Linda music, where rhythmic and harmonic displacements of repeated motifs fuse together individual parts into the illusion of an impossibly rich and multi-faceted unitary sonic organism. Essentially homogeneous in texture yet built up from constantly changing details, broadly static yet always moving and shifting, these pieces exemplify Pateras' recent work while also pushing it into a new, strikingly immediate direction. Here, form grows organically out of the material itself; the results are sparkling, immersive, and quietly uncompromising. (Francis Plagne)

Seit 2007 bricht das schwedische Power-Disco-Quartett Royal Republic mit allen Rock'n'Roll-Normen, verweigert sich Klischees und schafft mit seinem fünften Studioalbum "LoveCop" eine rebellisch brillante Mischung. Gegründet mit Hits wie "Tommy Gun", entwickelte sich Royal Republic durch Alben wie "Save The Nation" und "Club Majesty" weiter. Mit Hits wie "My House" und "LoveCop" zeigt das Album, das in den Hansa Studios in Berlin von Michael Ilbert und Adam Grahn aufgenommen wurde, durch charakteristisch freche Riffs und Wortspiele, eine Fortsetzung ihres unwiderstehlichen Sounds. Vollgepackt mit intelligenten Drum-Beats und groovigen Bass-Lines ist es eine schweißtreibende Fusion aus Metallica und Michael Bolton. Macht Euch bereit für eine musikalische Achterbahnfahrt, wenn "LoveCop" die Herzen zum Schmelzen bringt und gleichzeitig die Lautsprecher in Brand setzt. Es ist die Befreiung von allen Fesseln mit dem Recht einfach mal wieder laut zu sein! Nehmt die Hände hoch und tanzt zu den unaufhaltsamen Beats von Royal Republic.

Rich musical history of Yugoslavia reveals a long-lasting love for the music of Latin America.
Entwined in Afro-Cuban rhythms, ballrooms were shakin', swayin' and swingin', gathering musicians who were heavily into jazz bands and orchestras, most notably in Ljubljana, Zagreb, and Belgrade. Jazz could be heard on the streets of Split way back in 1919 when dancing became a symbol of freedom. Radio was the most loved household item, newest sheet music was in demand and collecting records was hip like today. In the aftermath of Second World War, jazz went underground but little by little, things changed and Ella, Satchmo, Dizzy and Miles came to visit, among others. Music festivals shaped the music for entertainment and variety of popular styles showed influences from all over the world. In the early sixties, one particular rhythm crashed on the coast of the Adriatic Sea: the rhythm of bossa nova!

In the whirlwind of various musical styles, Latin American music still played important part of the scene in the early sixties Yugoslavia. Beguine, tango, rhumba, samba, calypso, mambo and cha-cha-cha all found their place on the festivals inspired by famous Sanremo, festival of Italian popular song that largely shaped the musical taste of Europe. It was the era of instrumental rock, R & B and rock'n'roll - sounds of "imperialist America" now played freely on imported and hand-made electric guitars. While dancing halls had been turning into concert venues, bossa nova has come! Eydie Gorme with Blame It on the Bossa Nova and Paul Anka with Eso Besso (That Kiss!) tried to make us learn some new dance moves but it was Joao Gilberto's gentle singing and his new way of playing samba songs, along with Tom Jobim's modern dissonant harmonies and poetry of Vinicius de Moraes that created the magic. When American alto saxophonist and flautist Bud Shank visited Zagreb and Ljubljana in 1963 (with Boško Petrović in his quintet) "it was the first time we heard bossa nova!" remembers Stjepan Braco Fučkar. Jugoton, the biggest record company in Yugoslavia, released 4-track EP Bossa Nova by Bogdan Dimitrijević and his ensemble that same year! While not being fully accepted or understood completely, the archives of Jugoton reveal to us various interpretations of this new trend from their vast catalogue.

Two vocal tracks and two instrumentals. The classic EP structure reflects the class act that is Fred Ventura and Paolo Gozzetti. Italoconnection are back at the Bordello weaving their synthesizer magic. And those analogue lines are what immediately wash over the listener in “Like A Star.” Crisp percussion and sailing melodies break to a glorious hook before Ventura’s unmistakable voice takes hold. Paying homage to Moroder’s “From Here To Eternity”, Italoconnection deliver a vocoder dipped love affair as smouldering vocals pitch ever higher. The instrumental strips back all lyrics, but allows the breathy keys to remain and keep that human touch amidst the addictive chords and rich textures. Bold machine brass introduces “Make It Real.” These blasts form the melodic backbone for this ballad to self-belief where Ventura’s impassioned words are impeccably coupled with Gozzetti’s sparkling synthwork. That synthwork comes to the fore in the finale. With lyrics pared back, the machines sing a different song as that energy packed melody is charged with even more intensity. Quality through and through, as always with Italoconnection.

After the release of her highest charting album to date in 2024, Elles Bailey is back with brand new album "Can"t Take My Story Away". Fiercely independent, the British singer-songwriter has been steadily honing her craft for the better part of a decade. Her magnificent voice - instantly recognisable, full of grit - weaves stories of resilience and survival, of hope and new beginnings. In her music, we find liberation as she picks at the threads of human connection, carefully unravelling the truths we might not have realised about ourselves. Produced by Luke Potashnick and recorded with a stellar lineup of musicians separate from her live band, the eleven tracks of "Can"t Take My Story Away" tie together to form the album Elles has been destined to make. An honest and vulnerable glimpse into Elles" story, the record was created over a three year period, using songswhose origins can be traced back almost 10 years, "Can"t Take My Story Away" is Elles" life placed carefully together to form a dazzling, kaleidoscopic story.

After the release of her highest charting album to date in 2024, Elles Bailey is back with brand new album "Can"t Take My Story Away". Fiercely independent, the British singer-songwriter has been steadily honing her craft for the better part of a decade. Her magnificent voice - instantly recognisable, full of grit - weaves stories of resilience and survival, of hope and new beginnings. In her music, we find liberation as she picks at the threads of human connection, carefully unravelling the truths we might not have realised about ourselves. Produced by Luke Potashnick and recorded with a stellar lineup of musicians separate from her live band, the eleven tracks of "Can"t Take My Story Away" tie together to form the album Elles has been destined to make. An honest and vulnerable glimpse into Elles" story, the record was created over a three year period, using songswhose origins can be traced back almost 10 years, "Can"t Take My Story Away" is Elles" life placed carefully together to form a dazzling, kaleidoscopic story.

Quartet Records and MGM present the re-issue of the first official complete vinyl edition of Burt Bacharach’s timeless classic soundtrack for the 1967 James Bond spoof Casino Royale.

The infectious main theme performed by Herb Alpert and the Tijuana Brass is just the starting point of an epic comedy ride that includes such highlights as the unforgettable “The Look of Love,” sung by Dusty Springfield, or the epic fight music at the end of the film. Produced by record industry legend Phil Ramone, the original soundtrack LP offered selected highlights, expertly edited to showcase the best parts of the entire score. Thanks to the legendary sound quality of the stereo copies, this record became one of the most highly sought-after collectibles in the industry.

This straight re-issue of our 2019 vinyl edition was produced, restored and mastered by Chris Malone, rebuilding the score from the ground up. The soundtrack album has long been considered a cornerstone of an audiophile’s collection. Lauded by The Absolute Sound, the original Colgems release continues to remain in pole position as the best sounding “popular” LP vinyl disc of all time.

Malone’s work was focused on addressing unintended technical anomalies (such as filling dropouts and covering analogue splices) rather than broadly applying a modern sound palette. He has eschewed dynamic range compression and retained the brilliance of the original recording. The first LP is a fully remastered reissue of the iconic original stereo vinyl, playing in all its splendor. The second LP contains all the unreleased material, in mono, which are still the only available source to date.

This special 2xlp is a limited edition pressed on 180-gram black vinyl, all of it housed in a gatefold jacket, retaining the iconic original cover art by Robert McGinnis

Five years after her bossa nova single "Tes petites fesses" and a notable appearance at the Colors studio in 2023, singer LYNN releases her debut album: La vie me va si bien. Comprising eleven tracks, it blends French neo-soul, smooth R&B, and minimalist pop, with a confident and sincere approach. For LYNN, each song explores the fragility of moments when tenderness shifts into doubt, expressing the fatigue of loving, the fear of losing oneself, and the beauty of longing. Her writing, precise and nuanced, focuses on detail and restraint. Accompanied by guitars, pianos, and layered voices, she tells stories between childhood and lucidity, in an organic and harmonious soundscape. The album exudes a controlled sincerity, meant to be listened to in calm, establishing LYNN as a distinctive voice, ready to mix gentleness with truth in a hurried world.