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Red Vinyl. Jim Jarmusch's crypto-vampire love story film, "Only Lovers Left Alive" won the 2013 Cannes award for best soundtrack. The soundtrack, predominantly by Jozef Van Wissem and SQU"RL, also features Zola Jesus, Yasmin Hamdan and Madeline Follin (of Cults). "Only Lovers Left Alive" which is set against the romantic desolation of Detroit and Tangier, features an underground musician (Adam, played by Tom Hiddleston), who is deeply depressed by the direction of human activities. He reunites with his resilient and enigmatic lover (Eve, played by Tilda Swinton). Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister (Ava, performed by Mia Wasikowska). Can these wise but fragile outsiders continue to survive as the modern world collapses around them?The physical formats of the soundtrack have been out of print for years and the vinyl will cost you a pretty penny on Discogs. Sacred Bones is thrilled to bring this incredible soundtrack back in print on several variants including clear and red splatter vinyl.SQU"RL are: Carter Logan, Jim Jarmusch, and Shane Stoneback. An enthusiastically marginal rock band from New York City who like big drums & broken guitars, cassette recorders, loops, feedback, sad country songs, molten stoner core, chopped & screwed hip-hop, and imaginary movie scores. Jozef Van Wissem is a Dutch minimalist composer and lute player based in Brooklyn.

Following its release in 1997, ‘Remember Me’ was cemented as an international dance hit, peaking at #8 in the UK singles charts, as well as #2 in the American Dance Chart. Instantly recognizable for the iconic Marlena Shaw vocal samples and down-tempo chugging bassline, ‘Remember Me’ has gained cult status throughout the world as a dance-floor classic. Releasing the original over 20 years ago, the incomparable track has only received one previous official remix with Dutch producer and DJ, Franky Rizardo now injecting new life into an already seminal track also

The Dutch imprint has now asked non-other than David Penn to add his magic to this sure-fire repeat player!

Madrid based David Penn get to grips with the Blue Boy classic and the results are spectacular! Some of you may have already heard it on David’s recent Live lockdown streams all over social media?! Now you have been hand-picked to help break this house anthems!

The object appears at close range, triggering neuro-pop circuits that activate deep within a network of dubwise rhythmic traces. their glow begins to pool between the gaps in the wires as we zoom, in four jumps, from a the span of a familiar room to the diameter of a paranoid microscopic twitch. Externalism all the way down. two longtime collaborators re-render: loveshadow’s anya prisk again lends her voice, wrapping a heavy halfstepping throb in her signature panorama of sheer and lace. sean conrad, west coast stargazer and steward of the inner islands label, paints wistful figures with his ewi. moving closer, the arrangements reappear as hollowed-out echoes, shedding their semantic forms as their edges leave view. closer still, the surface becomes a total matrix of vision comprised of countless flickering bits.

comes in deluxe black Priplak jacket with postcard
The Techno Wave" was the first single released in 1990 by this famous project created by Jens Lissat and Ramon Zenker (Hardfloor). One of the most well-known tracks of the so called Frankfurt Tekkno scene that invaded Germany during the early 90s. This re-issue includes the original Castle Mix", the b-side The Bass is on Fire' and a new killer remix prepared by Ancient Methods who described The Techno Wave" as "one of the influential tracks that brought me alongside Zoth Ommog and R&S into techno".

A collection of obscure and unheard metaphysical sounds, 1980-1992

Lost Coast: Some Visionary Music from California assembles little unknown sounds from California’s metaphysical underground. Each recording is stylistically different—dream pop, guitar soli, fourth world, avant-electronic—but they are held together by a regional ethos of the “visionary.” This is music that envisions, seeing through the mind’s eye and conjuring new worlds.

Some people say that California is where “the nuts stop rolling”—where those too eccentric to fit in elsewhere ended up. What was meant pejoratively is easily reclaimed as a celebration of the free-thinking and the freely-freaking. Until the turn of the millennium, all manner of seekers rolled westward until they hit the pacific. Stationed along this edge, music was a way to roll still further: to imagine territories unencountered and wavelengths as yet unheard.

Lost Coast is a commemoration of the people who made these journeys and a resurrection of recordings they made little effort to broadcast. While some of the tracks were originally released on cassettes with modest distribution, others were only shared among friends or never shared at all. Assembled from the personal collection of House Rules operator Zully Adler, these recordings were all found on cassettes in flea markets, barn sales, rural thrift stores, and even stranger places—outside a gem and mineral shop, for example, and on the ranch of a retired mescalin dealer.

Nonetheless, these recordings are eminently listenable. California is a place where the strange and the pleasurable are frequent bedfellows.

The duo of DJ producers DJ Marrrtin and Deheb reunite after a five-year hiatus, during which they each pursued solo
projects. Deheb released the LP Jazz Mirrors, while Marrrtin put out a Disco Funk EP titled Aktshun, a hip-hop album La
Pie Bavarde in collaboration with Dayton, Ohio rapper Tino, and his third solo project Cyclothymix.
They return with a new 11-track album steeped in Jazz-Funk flavor, blending heavy breakbeats—recalling their earlier
albums that have been featured at major international breakdance events—with nods to their shared influences: Jazz, Latin
Funk, Hip Hop, Psychedelic Groove, Library Music, and Blaxploitation soundtracks. The record plays like an imaginary film
score, a sonic illustration of a relentless chase scene—picture The J.B.'s jamming with Piero Piccioni, accompanied by
Mongo Santamaria.

The album features a lineup of international collaborators, including:
Saucy Lady (USA) on Tambourine,
Felix (Fusik, USA) on Payback Run,
Roma Scotch (True Flavas Band, Russia),
Leo Debroise (Namas Trio, France),
Medline (My Bags, France),
Louise Chavanon, an incredible 18-year-old flutist from France,
and Antoine Laloux (The Selenites Band).
This album further develops the duo’s signature sound—a perfect blend of powerful grooves and deeply soulful musicality.

500 Copies , Covers hand made screenprinted and Hand Numbered
400 white with Black ink
100 with various colours

Here's a true double-A 45. The A-side, "If We Try," a new cut from Thee Sinseers finds them in a more uptempo pace the band, and thriving! With Joey Quinones and Adriana Flores trading leads on this one, this tune is sure to get the dance floors packed! The B-side, "Give It Up You Fool," features the unmistakable voice of Brian Ponce on lead and finds Thee Sinseers right in their slow and sweet pocket. It's an album cut that simply had to be put on a 45.

We reach the 10th release in our LTD series , And extremely proud to present you with this double pack vinyl by the legendary Tommy Vicari Jnr! 8 carefully selected tracks that have been chosen over the last 18 months , supported by some of the biggest names in business , LTD 200 press only , be sure to get your hands on this one !

Erstmals veröffentlicht in 2016 - 'Barbara, Barbara, we face a shining future' (Reissue).

Underworld sind ein echtes Unikat, das auf den größten Festivals und Veranstaltungen der Welt als Headliner auftritt, in Underground-Techno-Clubs und Lagerhäusern spielt, Theaterproduktionen vertont oder Kunstgalerien, stillgelegte Schuhläden und japanische Kaufhäuser bespielt.

- Ltd. LP: (180g schweres schwarzes Vinyl. Auf halber Geschwindigkeit geschnitten und sorgfältig auf höchste Audioqualität getestet. Double-Gatefold mit dem klassischen Design der Originalpressung und neuem LP-Cover-Rücken-Artwork, das neben den anderen 2025er LP-Reissues der Band ein einheitliches Bild ergibt.)

• The Hidden Cameras melden sich 2025 mit ihrer lang erwarteten, hymnischen neuen Single »How Do You Love?« zurück

• Über einer pumpenden Bassline, gefühlvollen Klavierakkorden und melancholischen Streicherarrangements (gespielt und arrangiert von langjährigen musikalischen Partner Owen Pallett) trifft Joel Gibb genau den Punkt zwischen Euphorie und Schmerz, an dem die Seele der Disco sitzt!

• Die Pet Shop Boys verwandeln »How Do You Love?« in einen emotionalen Disco-Banger – inklusive bombastischer Streicherflächen und fröhlicher House-Pianos

RAWAX MOTOR CITY EDITION presents Black Eyes - Ocean FLoor Funk EP
We are very happy to spread the news about this outstanding deep monster record!
Three original tracks by high rising Black Eyes plus a timeless warm and filigree remix by Abacus.

Big package!

"Quit to Play Chess" is the final studio album of Cola Boyy, who tragically passed away in March 2024 after winning the hearts of neo-disco and funk enthusiasts, from Los Angeles to Paris, from Coachella to London.


After a critically acclaimed EP (Black Boogie Neon, 2018), a debut album (Prosthetic Boombox, 2021), and collaborations with the likes of MGMT, Benny Sings and The Avalanches, the self-proclaimed Disabled Disco Innovator was able to finish his new album, groovier than ever.


Without boundaries of styles, tinted with hiphop, R'n'B and drum & bass, and faithful to his very unique flow, Cola Boyy offers one last record in his image: 12 generous, inventive, psychedelic and passionate tracks. An album painting a nuanced yet lyrical portrait of its era, drawing on the diversity of the contemporary world to offer anthems for those who are in lack of them.


The album is a work of goldsmith on the production side, with music craftsmen like Andrew VanWyngarden (MGMT), Jared Solomon (producer of SZA, Lola Young, Remi Wolf, Fousheé...), Nate Fox (Chance The Rapper, Lil Wayne) and Lewis OfMan, who build "Quit to Play Chess" as the most current and genuine project of its author...

Mexican enfant extraordinaire Iñigo Vontier is rolling in with his debut EP for Feines Tier and it’s a match made in heaven. Just judging on the name alone, as he seems to be from some kind of royal Tier family descent. But enough with the mind-numbingly bad puns and on to some brain-meltingly good music.
Rolling. Everything’s rolling. Zongato is rolling. We don’t know who or what a Zongato is (a Google search just led to a Twitch streamer with that name and 0 followers), but they are definitely rolling. It’s got this special combination of straight and uncompromising beat and bass paired with psychedelic synth sirens floating around your head that somehow only the Mexicans really know how to nail.
Astrolo is rolling. Like a well-oiled machine. Well, maybe like a not so well-oiled machine, one that’s shrieking and creaking, but has been running since forever and reliably will do so until we’re all gone from this Earth.
If you ask Google Translate, Mucha Onda means „very cool“ in English, „molto bello“ in Italian or „valde frigidus“ in Latin and there is nothing more to add to that.
The psychedelics are back (were they ever gone?) and kick in in full swing on Hedonist Lizard. A dangerous cocktail of high-proof alcoholic drum and bass patterns paired with some sugary spicy herbals of unknown origin, better not down it in one go. You were warned.
On The Sounds Are Good, the sounds are good indeed! And rolling.

"We loved this piece of ramshackle punk funk when we first heard it on 7" in 1994 and we still love it now!" - The Chemical Brothers, 2025 A timeless slice of garage soul punk, the "Fuck Shit Up" DBN102 7" 45rpm was released in 1994, the second volume in Dub Narcotic Sound System's Dub Narcotic Disco Plate series. Immediately recognized as a unique bending of disco bleed towards the teeming masses, "Fuck Shit Up" was championed by the likes of Chemical Brothers, Beck, The Jon Spencer's Blues Explosion (who covered the song on their 1996 Now I got Worry LP) and Make-Up. "Fuck Shit Up" is still a must-play at every down-in-the-basement dance stomp the world over. Assorted unauthorized postings on youtube have accumulated over 100,000 views. Now available for the first time in the digital realm, the original "Fuck Shit Up" is reimagined as a 7" 45rpm phonograph record with new remix version on the flip by Hifi Sean (aka Sean Dickson of Soup Dragons). Hifi Sean's most recent album, in collaboration with David McAlmont, is Twilight (Plastique Recordings), a twelve-song night drive, dancing from dusk `til dawn, with all the moments in-between (out February 14). Hifi Sean has also directed a video for the "Fuck Shit Up Hifi Sean Mix."

The title says it all - A Cellarful Of Motown! ..A Northern Soul Love Affair.

West Grand has been set up to mine the deep vaults of mighty Motown courtesy of a licence deal with Universal Music.

The first West Grand LP fuses two musical religions, Motown and Northern Soul.

In some ways they are unlikely bedfellows. Motown became known as Hitsville by churning out hit after hit, while Northern Soul passion is fired by a constant search for the unknown and the obscure.
The 16 tracks here - on incredibly the first Motown various artists vinyl album released worldwide for 40 years - join the dots. All of them were recorded in the 1960s. None of them were released at the time, despite being prime examples of the sublime magic conjured up by Berry Gordy’s genius-like team of singers, writers, producers, arrangers and musicians at that tiny little snakepit of a recording studio on West Grand Boulevard in Detroit.

Motown authority Adam White’s album sleeve notes confirm just how productive that studio was. It often ran 24 hours a day, 7 days a week.
As a result, lots of the most sublime music ever made was somehow rejected for release. It would have stayed unknown and unloved in tape boxes if it had not been for detective work by Soul aficionados turned detectives. That’s Northern Soul power. Many were DJs and collectors tracking down cassette copies or acetates (some of them found in rubbish skips and about to be destroyed). Others, notably Paul Nixon, the founder of the CD series A Cellarful Of Motown! which inspired this album, badgered the Motown gatekeepers so much they were eventually granted access to the forbidden kingdom.

Over recent years all the tracks contained here have been released—some bootlegged, some on legitimate seven-inch issues, some on CD, one download-only. The album proudly boasts debut vinyl release for some in the collection. All have been remastered and have never sounded better.

As a homage to Motown music makers + Rare Soul fanaticism, WEST GRAND believe we have come up with a classic.

lim. 2xLP colored yellow and oxblood vinyl with Poster, Sticker & Mp3 Download!

We are back with another chapter in our ongoing series of unearthing smooth vibes from all over the world, this time we go back to the FUTURE for you with: THE SUNSET MANIFESTO Volume 2. After a five year break mainly concentrating on the late 70s/early 80s Westcoast Soul/Yacht/AOR sound, we finally dive deep into the modern world of our beloved sister-label Too Slow To Disco NEO (for the third time after 2018s TSTD NEO - En France and 2020s The Sunset Manifesto excursions). But of course it wasn't a real 5 year break since the first Sunset Manifesto compilation, as in the meantime we also released a few digital TSTD Neo singles, and - more importantly - our "Too Slow To Disco NEO - FM" playlist on spotify (handcurated by Dj Supermarkt every week and now hosting more than 1500 tracks of mellow, modern sunshine vibes) was growing steadily and becoming a new, important fixpoint in the TSTD musical universe. TSTD NEO is the outlet Dj Supermarkt is using to unearth modern laidback, smooth, sunny slow disco vibes with a soulful Westcoast/Balearic touch. For him TSTD always has been about a laidback vibe/feeling, not a certain time period in musical history. And that sunny Westcoast vibe we dug out on those traditional TSTD compilations has become a huge influence to so many modern artists. So it makes sense that we present the cream of new slo/mo NuDisco/Sunset Disco/Daytime Disco acts in the TSTD format, a luxurious compilation, with artists from all across the globe: Not only from the two homelands of that modern slow disco sound, Los Angeles/California and France, but also from Beijing, Montreal, Mexico, London, New York, Stockholm, Rotterdam… the moon, you name it! This music is more a state of mind, a feeling, then a geographical thing. We are happy and really excited to annouce the following passengers are on board with exclusive tracks: Poolside, Woolfy, Prep & Eddie Chacon, Turbotito, Young Gun Silver Fox, Lovetempo, Kimchii, Goodvibes Sound a.m.m.

Fennesz's first album in over five years is a moquettish mosaic of heart-tugging synth string movements and tinctured textures, described by its releasers P-Vine as bearing "terrifyingly detailed sound image". If inhalatory gasps in the face of the Byronic sublime were merged with the atmospheric-communicative chatter of radio and telecoms, this would be the sonic result. Described as Christian Fennesz' most introspective album to date, the record follows a newfound process for the artist, which came after the construction of a new studio and the sticking to a strict regimen. The likes of 'Personare' and 'Goniorizon' reflect this commitment, with new molten plastic ventures in sound yielded as a result; clock the tender, hand-pulled, doughy sound design on the latter track in particular.

Back in stock!

Limited edition coloured vinyl EP from Purple Disco Machine's best selling Soulmatic LP featuring remixes from David Penn, Mousse T, Carl Cox, & Superlover.

London hi-fi bar Space Talk's in-house label, ST Records, kicks off with a 12-track vinyl-only compilation featuring exclusive music from artists who performed at the venue of the same name over the past year. Crafted specifically for the unique acoustics and energy of the venue, some tracks were even recorded live or during intimate Sunday sessions. There is everything from murky dub soundscapes like Kristina May's 'Slow Down, You're Missing Out' to classic era hip-hop from The Village Fools, blue-eyed soul from Sholto's 'There Once Was A Talk Space' and plenty in between. All profits from ST01 will be donated to a UK charity supporting young musicians from underrepresented backgrounds.

E-NUMBERS returns with its next forward-facing 12”, this time from label heads The Molecule — the collaborative alias of Bobby ODonnell and Quixano. Blending deep, elastic grooves with stripped-back futurism, the duo serve up two original cuts that channel the spirit of late-night dancefloors with a distinctly UK-informed edge.

On remix duties, tech house pioneer Pure Science delivers a driving, heads-down version primed for sweat-soaked basements, while Oshana reimagines the track with her signature minimal-funk aesthetic — rolling percussion, hypnotic atmospheres, and a masterclass in restraint.

A versatile four-tracker built for discerning selectors, this release further solidifies E-NUMBERS’ dedication to cutting-edge club music with soul and substance.

For the 7th full press release, Scared Money introduces Dial-M to their roster for this 4 tracker.
The label continues its focus on Jungle through the lens of Ragga & Soundclash culture, but this release appears somewhat stripped back and more traditional by contrast.

There's something for everyone on this release.

With his second release on his own imprint, Introversion dives deep into a shadowy, emotionally charged soundscape. Psychedelic vocals, hypnotic synths, heavy low-end pressure, and driving rhythms come together for a sound that hits hard-both physically and mentally. Berlin-based duo Disguised round off the EP with a banging remix that adds an explosive twist to the journey

Greek bubbling, hyper speed Balkan garage and Indonesian surf dabke; Bougatsa Dream Tunnel crosses the globe at a hundred and sixty beats per minute.

North View Records is an emerging Bristol-based label that values the music’s atmosphere and integrity equal to it’s technical production, aiming to resonate with listeners through immersive electronic soundscapes. For their debut release, label founder oliver presents ‘Quiet Thud’, an album inspired by expansive and untamed coastline. The 11 tracks take a hallucinatory trip through techno, downtempo, ambient and guitar-led music, drawing on diverse influences whilst remaining distinctive and ethereal.

North View Records is an emerging Bristol-based label that values the music’s atmosphere and integrity equal to it’s technical production, aiming to resonate with listeners through immersive electronic soundscapes. For their debut release, label founder oliver presents ‘Quiet Thud’, an album inspired by expansive and untamed coastline. The 11 tracks take a hallucinatory trip through techno, downtempo, ambient and guitar-led music, drawing on diverse influences whilst remaining distinctive and ethereal.

‘Closer Thud Mix’ and ‘New Light’ introduce panoramic soundscapes to club focused tracks, with warped electronics and swelling wide-angle pads giving contrast to the fine-grain textures and driving percussive elements. Tracks such as ‘Plaza’, ‘Ribbon’ and ‘Joyride’ lend a nostalgic character to the album, presenting wistful and distant melodies that interplay with the off-hand live instrumentation, building a gentle and nuanced sonic palette.

‘Ruin’ balances delicate arpeggios with pulsing distortion and drum programming, evoking a brooding scene fitting of its title. Album closer ‘DRM Reprise’ also explores darker themes, led by a piercing vocal emulation that warps and evolves amongst sparse percussion. In contrast, ‘Still Life’, ‘Everything’, ‘Coastal’ and ‘Overground’ bring warmth and balance to the overall experience, offering moments of lightness and reflection as the clouds break, sunlight spilling across the open landscape.



b A2. Closer Thud Mix

Italian DJ Plant Texture drops ambitious techno odyssey 'Mondo Nuovo' on Mutual
Rytm sub-label, X.

Bari-based underground mainstay Dona Basile, aka DJ Plant Texture, has been crafting forward-thinking techno for a decade, releasing on leading labels from Ilian Tape to Tresor Berlin. Adding to his rich catalogue, his label debut on SHDW's Mutual Rytm sub-label X is a homage to the spirit of space travel. With the label boss already a long-time fan and having dropped tracks from this EP in his sets for a while, the partnership creates an ideal match for an artist and label looking to push the boundaries of the genre. With Basile's distinctive style perfectly fitting with the label's vision, each of the productions provides a tribute to space exploration - fusing analogue hardware and deep rhythmic invention while channelling everything from early sci-fi cinema to the 80s ambient soundtracks. "Space exploration is the ultimate metaphor for creative freedom. This album is my way of sonically mapping the cosmos, not through melody but through mood, modulation and motion", notes Basile.

Opener 'Wormhole' is a raw, driving sound with synth pulses and jacked-up drums for peak time chaos, while 'Echoes' evokes ramps it up further with panel-beating percussive loops, earth-shattering bass and twisted stabs. The title track pairs more physical and booming drums with introspective synth craft that encourages deep thought. 'Flex The Beat' is the first of two digital only cuts and offers a chaotic collision of overdrive percussion, manic vocal loops and reversed stabs for utter dance floor carnage, before 'Let It Go' (Jungle Mix) provides a dark exploration of
frenzied jungle breakbeats with drilling bass to close the offering.

An unlikely fusion od disco-funk grooves and Indian vibes. Bruno Boogie blends swirling keyboards, fat baselines and hypnotic percussion into a sonic journey that smells like spices and wet dance floors. Bruno Boogie – just pure boogie!

This record feels like it was inevitable with previous releases from The Spy on the labels compilations dating back to 2021. Wessel is an artist Hilltown Disco has spent a long time admiring who fits the ethos perfectly.

5 synth-driven, emotive electro tracks (plus 2 digital bonuses), written and produced in the Netherlands with a new take on ‘Evil Wins’ by Berlin based electro don, Privacy.

A nocturnal ride through the magnetic waves of an imaginary club that never sleeps, where groove becomes ritual and the dancefloor an extension of the body. Francisco & Cosmo Dance – aka Francesco De Bellis and Cosimo Mandorino – orchestrate a mechanical and naif dance between man and machine, where synths chase each other and drum machines dictate tight, unrelenting beats. “Go Go Dance” is a concentrated dose of analog groove, electronic funk, no-wave pulses, and retro-futurism.

The Extended Mix transcends radio boundaries, diving into a hypnotic, fluid, body-driven dimension: a sonic tide echoing cosmic italo, primitive house, and off-kilter disco, shaping a soundscape for dancefloors from another dimension.

The House Mix, finely edited by Whodamanny, is a manifesto for the floor: pure rhythmic dynamite, made to ignite bodies and let them vibrate freely. A shared and refined vision of house music, where instinct and style fuse into a single voice.

“Go Go Dance” doesn’t aim studio perfection; it craves sensory truth – the kind born of urgency, space, and the pleasure of repetition. An anthem to the most authentic and lived-in club culture, where music becomes sweat, fantasy, and freedom once again.

LDF (Lello Di Franco) makes a powerful return to Skylax, this time teaming up with Detroit's own Javonntte. Following his stellar release with Gari Romalis, LDF delivers a release that is pure gold for fans of the original Detroit sound. If you appreciate the styles of Moodymann, Theo Parrish, or Omar S, this record is bound to resonate deeply. The EP opens with "Disco One (All Night Long)," a groove-heavy track that embodies the essence of classic Detroit house. It pulses with soulful basslines and infectious rhythms, setting a hypnotic tone that's perfect for late-night sessions. "Saved" ventures into Chicago acid territory, a tribute to the raw, driving energy of classic acid house. With its punchy 303 basslines and tight, snappy percussion, it channels the best of Chicago's underground with a fresh, modern edge. "After Midnight" offers a smooth, after-hours vibe, balancing deep, jazzy chords with a pulsating rhythm that keeps the energy simmering. It's a track that brings warmth and intimacy, ideal for closing sets or introspective moments. "Martha" is a lush, emotionally rich track that embodies LDF's Italian roots while staying grounded in Detroit's heritage. With warm melodies and a rolling bassline, it delivers a balance between soulful warmth and a classic dancefloor feel. "Love Anthem" is a heartfelt groove, merging lush pads and laid-back percussion with a sense of nostalgic euphoria. It's a track that brings people together, a true love letter to house music. "People From Mars" pays homage to Omar S, with its stripped-down, gritty approach. The track has a rough, analog feel, capturing the raw energy and spirit of Detroit's underground. Finally, "The Dirty Digital Show" closes the EP on an intense note, with a driving rhythm and futuristic soundscapes. As an Italian DJ and producer from Naples, LDF brings his decades of experience—starting from his early inspirations in house and techno in 1993—into this record. Also, as co-owner of Frole Records and co-founder of Basic Frame Distribution, his knowledge of the scene is profound, and it's reflected in each meticulously crafted track. This release is a testament to the timelessness and diversity of house music.

Artwork done by legendary french cult designer H5 (Daft Punk, Air, Etienne de Crecy …)

We are very pleased to present you the new cmdrpx project.

CMDRPX INDUSTRY 001 Gianluca Pellerano owner and founder of the label presents his EP.

Rapax Planet EP fully reflects the techno/electro style with dark sounds.

All the tracks were recorded live with MPC One and Alesis SR 18, with the addition of spacey voices.

In the track B3 in collaboration with Equinox with the addition of vocal and dark synth.

‘Nonostante Tutto’ is the new single by Cesare Cremonini and Elisa.

The song has been remixed by the electronic elite:
JOSEPH CAPRIATI / INDIRA PAGANOTTO / SETH TROXLER

Dentelles Records presents La Fontaine EP Vol. 2 incl tracks by Chris Lowone, Xylène, Greg All, & Francesco Marra



Following the success of its debut release, Dentelles Records — the sub-label of Diki Records founded by Greg All — is proud to unveil the second volume in the La Fontaine vinyl series. Rooted in the spirit of the Les Dentelles Electroniques festival, this new chapter continues to celebrate the vibrant and festive energy that defines the label.



La Fontaine EP Vol. 2 brings together four exclusive tracks crafted by artists closely linked to the La Fontaine experience. This edition features a groovy and soulful vocal house track by Chris Lowone, an impressive Afro House debut by rising talent Xylène, a high-energy and captivating vocal track by Greg All, and a punchy Tech House cut by Francesco Marra.



To make this release even more special, the EP is available both on digital platforms and as a limited edition transparent Curaçao blue vinyl, adding a colorful and collectible touch to the listening experience.



Once again, Dentelles Records delivers an inspired and festive selection that captures the essence of La Fontaine's dancefloor. A must-have for vinyl lovers, DJs, and all fans of vibrant electronic grooves.



Francais



Dentelles Records présente La Fontaine EP Vol. 2!



Suite au succès de sa première sortie, Dentelles Records — le sous-label de Diki Records fondé par Greg All — est fier de dévoiler le deuxième volume de la série vinyle La Fontaine. Inspiré par l’esprit du festival Les Dentelles Électroniques, ce nouveau chapitre perpétue l’énergie festive et vibrante qui fait l’identité du label.



La Fontaine EP Vol. 2 réunit quatre titres exclusifs signés par des artistes étroitement liés à l’univers La Fontaine. On y retrouve un morceau House vocal groovy et soulful de Chris Lowone, une première sortie Afro House prometteuse de la jeune talentueuse Xylène, un titre vocal énergique et entraînant de Greg All, ainsi qu’un track Tech House percutant signé Francesco Marra.



Pour rendre cette sortie encore plus spéciale, l’EP est disponible à la fois sur les plateformes digitales et en édition limitée sur un vinyle bleu curaçao transparent, apportant une touche colorée et collector à l’expérience d’écoute.



Une fois de plus, Dentelles Records livre une sélection festive et inspirée, capturant toute l’essence du dancefloor de La Fontaine. Un indispensable pour les amateurs de vinyles, les DJs et tous les passionnés de grooves électroniques vibrants.

Japans kultige Goldgrube DD. Records wurde innerhalb weniger Jahre eröffnet und wieder geschlossen. In dieser kurzen Zeit (1980-1985) erschienen 222 Tapes (und einige Vinyl-LPs) mit der seltsamsten, gewagtesten und süchtig machendsten subversivsten Musik aus ihren sozialen und kreativen Kreisen, die ausserhalb Japans nicht zu finden waren. Jedes Tape enthielt abstrakte, xerografische, oft von Musikern selbst erstellte Grafiken, während sich die inhaltliche Bandbreite von Avant-Punk, kubistischer Ambient-Musik, Soundcollagen, Pop-Concréte, Jazz-Prog bis zu früher Computermusik erstreckte. Zum Abschluss erschien vorliegende Compilation als Abschiedsgeschenk, die 5 fieberhafte Jahre neuer Musik abrundete und die kreative Identität des Avantgarde-Labels unterstrich. Darin befinden sich 13 endlose und merkwürdige Schätze, die jetzt nochmal das Licht der Welt erblicken.

System Error introduces Immer Feierabend - a strictly afterwork series. Kicking things off is Buenos Aires’ own Guile. Off the back of super slick releases on imprints such as Limousine Dream and Proper Grub, the Freak EP delivers four sophisticated movers built for dancefloor release - good house music, pure and simple, with just the right amount of wiggle to move heads and toes.

It's the end of the workday, and if it isn’t, it’s always quitting time somewhere…

This one’s vinyl only, no digital release.

Oblique Records returns with its fourth vinyl-only instalment, Oblique 004, delivering a unique selection of groove-laden house and tech house cuts infused with UK garage flair. This VA release features standout contributions from Velvet Velour, Eli Atala, and Mtty, each offering a unique blend of rolling rhythms and infectious energy. From deep, bass-driven textures to crisp percussive elements, Oblique 004 is a freshly squeezed VA of club tools ready to perk up the dancefloor.

Gradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.

The first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.

The second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.

The final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal.

The album artwork for Gradually is a conclusive visual representation of this journey, captured in the final frame of an analog film roll that began in the Netherlands and concluded with an image of the streets of Sydney, Australia—a perfect metaphor for the album’s narrative of gradual transition and discovery.

Hot summer rain hits the cracked pavement in uneven rhythms. A neon sign flickers above a café that never seems to close, its warm white light reflected in the wet ground like a fever dream. The air smells of summer and the world hums with an easy tone, as if the city itself is holding its breath. A light flooded film noir-ish scene, that needs a soundtrack like "POOL JAMS", the new album of INIT, the Berlin based duo, that already caused quite a stir with their albums for Hivern Discs and Optimo Music. This time, they bring their latest creations out on R.i.O. - a label, with whom they are deeply associated. Their fourth longplayer is a playful one. One that brings trip hopping feelings. That has r'n'b grace, without catering regular trademarks of the genre. Dub, trance, drone, is all there too. Yet, nothing is present in pure definition. Rather suggested, interwoven, or newly twisted in a songwriting style, that haunts and seduces. On top the voice of Nadia D'Alò dances, steps and hums tempting to the grooves she created with her partner in crime Benedikt Frey. Together they fashioned a record, that, as INIT puts it, is "some kind of old photo from an old dry empty pool that got faded by sunlight ". A dreamy, sunny piece of song art, made for endless smoky LA freeway drives, and other adventures that seek for infinite riddance. You can dream it. You can trance it. You can't escape it, as soon as it rotates in your dream device for sound and vision.