The Hacker and Italo Moderni join forces with a masterful electro EP, guided by the French G.O.A.T. from Grenoble. Infused with techno vibes and featuring a remix by the renowned Terence Fixmer, this EP is a testament to the cutting-edge fusion of styles. Drawing inspiration from Liaisons Dangereuses, The Hacker weaves intricate basslines and rhythms, exemplified in the track ‘No Señor.’ ‘Me and My Sequencer Part 1 and Part 2’ unveils a clandestine narrative, a hidden tale shared only between The Hacker and his synthesizers—revealing the magical connection cultivated over the years.
There's a saying amongst the elders: "Weeping may endure for a night, but joy comes in the morning!" When you first hear the pulsating rhythms of "Joy (Hallelujah)," you realize that the darkness of the night has ended, and the glory of morning has arrived. Produced by the legendary DJ Marley Marl and lifted by the soulful lead vocals of House music empress Lady Alma and the powerful refrains of the iconic Kenny Bobien, "Joy (Hallelujah)" delivers nothing less than a pure soul-stirring, hand-clapping celebration. As gospel means glorious good news, and House denotes body jacking, heart pumping and high-energy rhythms, this union gives birth to a spectacular anthem that will serve as a reminder that all music can heal, inspire, convey thanks and give praise all at once. "Joy (Hallelujah)" is an expression of nothing but love!
It’s always exciting to have a new release on Sushitech’s sub label Pariter. The label is already home to some living legends such as Delano Smith, Norm Talley and Boo Williams is surely finding himself in good company here. Night Fall / Day Rise is a two parts release, beautiful collection of new and unreleased driving Chicago House music at its very best!
It’s always exciting to have a new release on Sushitech’s sub label Pariter. The label is already home to some living legends such as Delano Smith, Norm Talley and Boo Williams is surely finding himself in good company here. Night Fall / Day Rise is a two parts release, beautiful collection of driving Chicago House music at its very best!
STIMULANZ001 is the first 12" vinyl from the, until now, purely digital label STIMULANZ. With Israel Toledo's "Counterattack" we ring in the new year 2024. Hardly anyone can escape the pulsating energy of Toledo's driving beats and that is, of course, the main task of our label.
Only 150 copies in transparent-orange-black-marbled 140gr vinyl will be offered. Each one is unique, of course, thanks to the individual addition of black vinyl particles by hand. Softly marbled records are more durable and have a better sound than splatter vinyls, because quality, value and timelessness are our goals.
EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.
The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.
Nous'klaer Audio and Sound & Vision's RE:VIVE initiative have teamed up for the third and final LP in their film scoring trilogy. Capping off with a soundtrack made for a progressive, angular take on a color-soaked, geometric educational archival film. Combined with a soundtrack for a film that is a personal intensifier to the city of Rotterdam, which is the home of Nous'klaer Audio. The collaboration invites two musicians to compose for these archival films from the collection of Sound & Vision, the national media archive of the Netherlands. This final instalment features through and through Rotterdammer, Kems Kriol and the Amsterdam based Turkish composer, pianist and DJ Loradeniz. Kems Kriol accompanies the amateur documentary collage film "Rotterdam in de Jaren 90", a dark period of strife, economic and social crisis for the now booming metropolis, with the compassion and empathy of someone who experienced those years first-hand but with enough time removed to reflect with heart. Loradeniz angularly and precisely moves her way through the delicate film "Tegenlicht", a surprisingly colorful and fluid educational film about painting, a bold juxtaposition that propels the film into the 2020s. Extended info: Side A, Tegenlicht (English: back lit) is a 1969 education film by Ton Gramsbergen. The short meditative film, follows stained glass artist Leo Hofman through his entire workflow to create beautifully abstract stained glass window panes. Loradeniz?angularly and precisely moves her way through the delicate Tegenlicht creating a bold juxtaposition that propels the film into the 2020s. Employing processed vocal work, deep dry kicks, and jarring percussion-- reminiscent of scratching glass-- Loradeniz's haunting modernization suits the cinema and the club equally, a testament to the rising composer's fluid versatility and creative prowess as a musical pantomath. Side B, Rotterdam in de Jaren 90 directly contrasts the zoomed in artistry of Tegenlicht. The amateur documentary Super 8 footage captures Rotterdam in one of its most tumultuous times from police brutality, poverty, drugs, violence, racism and the city's ongoing architectural modernization. Kems Kriol, who lived in Rotterdam during this time period, brings a deeply emotional weight to the Ed Millecam amateur documentation, as an artist with the compassion and empathy of who experienced those years first-hand but with enough time removed to reflect with heart. Kems Kriol's influences from modern and avant garde composers, jazz, acid bass lines and field recording Kems Kriol made at different locations featured in the film equate to a musical collage wholly comparable to the city's diverse population. The prior installments in this series featured Nous'klaer Audio staples, Ranie Ribeiro, Mattheis, Thessa Torsing (upsamy) and Tammo Hesselink.
Grens is a Dutch duo who turned the heads of the Vrystaete label head with a self-released tape Geen Mens Die Op Mij Let. As such he has signed them up for this new album De Verborgen Kamer which he says is "a bit darker" than usual, but we love it. It is both organic yet dark electronic and sounds as much like a recording of a live performance as it does a meticulously crafted studio work. The six pieces are all heady ambient works that pair wispy pads and warm, glowing harmonies over occasional broken beats and suggestive rhythms. It's lo-fi, gritty and imperfect but with a very human sense of emotion.
Following on La Bella Di Notte is a repress we are very proud of. Zero Origin, one of Nathanael Heres' monikers, techno music geek, and producer plus headliners behind Urban Sound Of Amsterdam, as well as the owner himself of Upcult Records, a tight but super sharp label from the mid-nineties, born in the backstreets of the Dutch capital. The original record here is "New Life".
Last on the market as Zero Origin, but perhaps the finest on his chest. Three exciting tracks chase each other in a rhythmic crescendo and increasingly hypnotic decorations are ready to set on fire both the main room of bigger clubs and intimate dance floors of a smoky underground party.
Emotional Damage EP, is the result of a collaboration between Alyhas & Occibel. Friends and now colleagues, they have decided to work together on a house, funk and electro EP. It's made up of 3 eclectic tracks: House, Funk and Electro-House. For his part, Tiago Walter took up the challenge of remixing the track Emotional Damage, bringing his own deeper touch to the mix, which takes the idea of this eclectic EP even further.
Kerri Chandler’s Kaoz Theory welcomes the return of Dj Steaw in January 2024 with his ‘Get Back To The Fonk’ EP.
Parisian House stalwart Dj Steaw has grown to become a widely respected figure in the field of
raw, underground, classic House over the past decade, racking up releases on many leading
imprints of the genre such as Hot Haus, Meta, Local Talk, Step and Phonogramme as well as his
own Steaward, Rutilance and House Puff. Here though he returns to Kaoz Theory following the
success of his ‘Colour Of Mind’ EP in 2022.
Title-cut ‘Get Back To The Fonk’ opens and sees Dj Steaw lay down a jazzy keys and stab
sequences, a bouncy bass line and heavily swung drums alongside an amalgamation of spoken
word vocals and chants. ‘Don’t Stop’ follows next and shift focus into deeper realms with warm,
fluttering chords, swaying subs and airy strings running atop of a robust rhythm.
‘In My Body’s House’ is up next to open the B-side, embracing a true House feel this time through
the use of organic piano melodies, sax licks and organ lines intertwined with a bumpy bass hook
and dubbed out vocal effects. ‘Grey Matter’ then concludes the original material, focusing on
multilayered dreamy keys, resonant flutters and skippy percussion.
Marina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India.
miu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums – 2016’s Nanook and 2018’s Babasha – that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date.
Listening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.
Toolroom provide the hotly anticipated return of renowned Glaswegian artist KC Lights, as he delivers yet another classic record in the making – 'Better Times', featuring the stunning voice of Merseyside-hailing Låpsley. A debut collaboration for the pair, as they drop a sweet cut of Disco infused House that will undoubtedly soundtrack the year. A label favourite in every sense of the word, KC Lights is most-known for his 2020 smash-hit 'Girl', a record you couldn't switch off from throughout that summer, followed up by his classy cut 'Cold Light' the following year with reputable vocalist and songwriter Leo Stannard, who also appeared on his summertime anthem 'Daydreamer'. If there's one thing KC Lights can do time and time again, it's writing infectiously catchy, timeless records that you'll hear almost anywhere you go, from underground clubs to radio stations and beyond. Featuring on the record is critically acclaimed vocalist and songwriter Låpsley, who rose to fame back in 2016 with her debut LP 'The Long Way Home' on the legendary XL Recordings. Of course, you can't forget DJ Koze's massive disco edit of 'Operator', which shot Låpsley through the stratosphere. With a string of huge hits and a voice to match, KC Lights and Låpsley come together on 'Better Times', offering three different mixes for this exclusive vinyl package.
Countless radio plays on Radio 1 from Danny Howard, Sarah Story, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio
DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris
The Label famous for its outstanding organic and melodic music, is thrilled to announce the release of Jacob Groening's
debut album, „TIMEFADES,“. This remarkable album is set to release on his own imprint digitally and on vinyl preorder on November 24, 2023.
"TIMEFADES" is an introspective and immersive collection of eight tracks that weaves a narrative from start to finish. Each song contributes to a story that is both dancefloor-ready and equally at home in intimate listening environments. Jacob Groening's unique ability to craft music that resonates on multiple levels is showcased in this extraordinary album.
In a significant departure from his previous works, Groening has seamlessly integrated sounds from his childhood into
"TIMEFADES." The album features a captivating blend of 80s synthesizers, which evoke a sense of nostalgia, harmonizing effortlessly with his signature organic sounds. The result is a sonic tapestry that not only captures the essence of the past but also propels it into the future.
An exciting and personal addition to "TIMEFADES" is Jacob Groening's own voice. For the first time in his career as a
producer, he lends his vocals to the album, offering a deeper connection to the listener. This newfound layer of intimacy elevates the emotional resonance of the music, making "TIMEFADES" a profoundly personal and moving experience.
One of the standout features of the album is Groening's discovery of the electric guitar as a primary composition tool. The
electric guitar weaves its magic throughout "TIMEFADES," adding layers of melodic complexity that captivate the senses and set this album apart from the artist's previous work.
Cosmological Record begins its journey with Red Shift EP, five original tracks produced by Roberto Manolio, with an experimental touch and abstract-style artwork by the young and talented Luca Maestro. Techno and house imprint for the first chapter, with various nuances ranging from acid to deep house, with a touch of electro and minimal sound,unite to sensual, thoughtful and direct vocals.
Its flow has the aim of channeling whatever kind of energy is emanated in that instant, creating a direct connection with its source of origin, favoring the perception of the key frequencies that fuel our spirit.
"Everything in the universe has a rhythm, everything in the universe dances"
Renegade Methodz presents its various artists 'Breaking Standards' series.
Making its debut with the first edition the four track release is serving as a reflection of modern techno by introducing tracks from artists that are appearing in the label for the very first time as well as a familiar contributor that is making his return.
The Breaking Standards series aims directly at the dance-floor, curated carefully to keep the music quality high and showcase the work of new and established artists that with their style are keeping the genre modern and fresh without losing the essence of what makes this music timeless.
Fortunea Records finishes off 2023 with another vivid release by Peletronic. The Hazy Jane EP features 3 new original deep house and electro tracks by the winsome Austrian. The record begins with ‚The Highest Chance‘.
A dazzling composition featuring vocals by M-Jane. Cold engaging pads and simple rhythmic structures are the main elements in this track. In combination with this prose, that can be construed and contextualise for eternity, it absolutely stands out from the mass of modern-day deep house productions. The A-side continues with the title-track. It is a groove-laden, old school house tune that will toss up the audience into new heights with its soulful rhodes, supple bassline and the comprehensive brisk arrangement.
A great tool that definitely will find its way in the recordbags and USBsticks of a house dj. On the B-side Peletronic greets you in his ‚Utopia‘ where impactful electro beats shape the landscape of a prospective scenario. And last but not least a remix of the first track is also included. Slovakian dj and producer Paradiso Rhythm retells M-Jane’s story in a 90s warehouse décor. All in all a warm, deep and beautiful journey to the brim.
altēr:altēr is back with its second release with Zenk, label head of Micro Orbit Records. Zenk delivers his grooves and dark atmospheres with this 4 tracks EP. Zenk showcases once again his talent as a producer aimed to build driven dancefloor tools.
GET A LIFE 001" is an exclusive vinyl-only music label specializing in carefully curated edit tracks spanning various genres, including Hip Hop, Pop, House Classics, and Soul.
The debut release, 'GET A LIFE 001,' introduces listeners to a unique blend of House Music with subtle influences from minimal and 90's house beats.
This fresh and innovative edits label, masterminded by the artist Hessa, offers a dynamic and dancefloor-focused experience, featuring deep tracks that invite you to explore their origins.
With 'GET A LIFE 001,' music enthusiasts can immerse themselves in the art of musical transformation and rediscover familiar tunes in a new and exciting light.
So, take a moment to indulge your ears and embark on a sonic journey with this Vinyl-Only Gem.
Before the soul and disco hits, Bill Curtis’ Fatback Band were one of the tightest funk groups in the world, and their catalogue threw up several rarities.
‘Dance Girl’ was their final single released in 1974 before they signed to Event/Spring. A New York block party classic that was deleted when the Perception label went bust. It was so popular at the time that it was covered by the Rimshots once it became unobtainable.
‘Keep On Brother Keep On’ was the group’s second single on Bill’s own BC Projects II label. It is a sought-after collectable on its original 1971 press, likely to set you back over £1000 for a copy.
This is a special cassette tape version of the recent album from zake, one of ambient's most prolific artists, alongside From Overseas on his own Past Inside The Present label. As always it is an almost impossibly deep ambient selection that once again finds him exploring fresh and always emotionally moving musical territory. Demain Des L'aube features eight tunes that convey real melancholia and have a gently persuasive sense of movement. Each one is vast in scale and sweeps you up and sinks you into the grainy lo-fi pads, wispy melodies and distant string-based sombreness.
Dave Hamilton’s New Day label is one of the most striking in existence, a powerful concoction of red, yellow and black, that matched its pitifully small run of singles. Two of these were by Billy Garner, a Detroit based vocalist who recorded three songs for Hamilton, all of which are funk classics.
Originally issued in 1971, ‘I Got Some’ is seriously down and dirty and was sampled by DJ Premier / Gang Starr. This reproduction of the original single, sees our first 7-inch issue of ‘Part 2’.
Juan Manuel Cidrón, hailing from Almeria (Andalusia), is a legendary Spanish synthesist who embarked on his musical journey in 1976. A veteran of analog electronic sounds, his early influences come from the Berlin School of the seventies (Tangerine Dream, Klaus Schulze, etc.) and American Minimal music.
Cidrón has independently released 16 albums on his label, Extrarradio, with very limited distribution. ‘Juan Manuel Cidrón has always been immersed in music. As a child, he fell in love with a radio adorned with flashing lights – radio is now one of his professions. He was equally captivated by the music that enveloped him. With whatever little money he had as a child and during his youth, he would spend all his money on records and analog machines. Music is everything to him, and that’s why we understand his compositions as a celebration of life. The vastness that his electronic keyboards offer us is akin to the immensity of the desert, snow, and wind. Albums like ‘Tau’ or ‘Sonido Para Acciones’ belong to the realm of Spanish electronic music and are cherished by enthusiasts of sonic poetry. This vinyl edition holds a special place as it marks a return to analog, a medium Cidrón reveres and continues to embrace. In this way, it becomes a classic, a testament to his unwavering commitment to the quality that arises from the harmonious blend of natural and artificial rhythms. The result is always him: a tangible presence that brings us closer to dreams and the unadorned face of the world.’ (F. Labordeta Blanco)
‘SLG3’ is a long-awaited double album with four lengthy tracks (one per side), available in a limited edition of 300 copies. It’s the first release exclusively on vinyl in over a decade (since ‘Patagón’ on Geometrik in 2012), considering that Cidrón has mainly released his recent works on CD.’The tracks S, L, and G evoke the personal perceptions that I could imagine for each of the three elements comprising our planet in all its forms, manifestations, and presences. The track ‘3’ evokes my unique interpretation of how an imaginary being from another world might perceive Earth – its discovery, journey to it, exploration filled with admiration, bewilderment, hope, and respect. However, all of this is open to free interpretation and imagination for those who listen.’ (Juan Manuel Cidrón, 2023)
All tracks were written, produced, and mixed by J.M. Cidrón between 2017-2019 at the Extrarradio Studio in Almeria.
Future Romance unveils their exclusive vinyl release series called „Collector“, featuring the labels most wanted and most sucessful tracks. This collector's release is a sonic journey through the realms of melodic house & techno, featuring four captivating tracks by different distinct artists. Each composition has already garnered widespread acclaim and massive DJ support from across the globe. "Collector" is a testament to Future Romance's commitment to delivering unparalleled musical experiences on the beloved vinyl medium. Part I gives us wonderful tracks by Einmusik & Solee, Several Definitions, Gai Barone and Emiliano Demarco & Maxi Vega.
A fourth vinyl arrives from Seattle/LA label Rhizome Records. The catalog returns to South America with 2 original productions from Gustavo Fridman of Buenos Aires, Argentina. An impressive up & coming DJ & producer, Gustavo Fridman has already released on underground labels Sous-Vide, Welter, and Tip Tap. Alongside the spacey originals, Romanian maestros Sublee and Ritmico (Emi & Suciu) offer expanded interpretations.
The title track “Dios Habla Hoy” kicks off the ep with cutting edge minimal percussion work and breezy atmospherics partnered with a celestial yet melancholy melody. The techy breakbeat and meandering effects deliver a nostalgic sound reminiscent of Cadenza classics.
Sublee’s remix of “Dios Habla Hoy” deconstructs and resynthesizes the original into a cosmic journey. While tones and texture remain, Sublee adds a massive groove to drive his trancy reinterpretation. Following the breakdown, synths cascade into eternity to create an emotional, dancefloor-tested moment.
“999” opens the record’s second side with a jazzy afterhours vibe. Mysterious and quirky effects add constant intrigue while the melody drifts about the punchy breakbeat.
Trip masterminds Emi & Suciu aka Ritmico are called upon to close out the record with a remix, and the result is a true weapon.Ritmico re-equips the original with powerful drums and an unrelenting groove. An array of unique and mental effects complete this deep space freak.
Ritmico re-equips the original with powerful drums and an unrelenting groove. An array of unique and mental effects complete this deep space freak.
written and produced by Gustavo Fridman in Buenos Aires, remixes by Sublee & Ritmico (Emi & Suciu)
After the success of Citta/Notte twelve inch reissue, Taigher reached into his drawer of unreleased songs from the 1980s and found a demo of NUVOLE. After some brainstorming, the Vintage Pleasure Boutique team together with Taigher decided to finish the production that started back in 1986. And here is Taigher’s second single, a soft Italo disco production, including an Italoconnection remix, and additionally a ballad version, referring to the original primary demo.
Marino Scarabelli, the creator of unforgettable progressions in “Are You Loving” and “Love In A Summer Night”, so characteristic and unique that can still give us goosebumps, sat down in the studio again and composed another italo banger. Traditionally, he was joined by Stefano Brignoli, who wrote the lyrics and lent his voice, and that’s how we witnessed the creation of new bomb by Some Bizarre.
But this is not the end of the sensation, because Linda Jo Rizzo joined the band as a guest and you will hear her in female vocal parts, as befits real, indigenous Italo disco. The whole thing was produced by A.P. Mono in collaboration with Marino Scarabelli. For dessert, a very nice remix by Electro Potato.
New album of the Swiss/Lebanese experimental duo (Raed Yassin & Paed Conca). Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics.
Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning Japan, Europe and Canada.
Through these endeavors, the band has created a large global network with other renowned musicians as musical collaborators.
Reality is overwhelming. The future remains a big question mark while the present seems to be increasingly crude, twisted and bleak. Inevitably witnessing and feeding off this malaise, Bruno presents "Quemando Iglesias," an EP born in the vertiginous years of 2020 and 2021. It will be the first of many manifestos that Desencanto will have to deal with the disillusions of today's world: political, social, economic and also those left by old loves.
ERROR105 comes from Marseille based producer Magic Doz.
Being no stranger to System Error having already been featured on Party Bombs Vol. 1 followed by this year's release of his debut album on his own label Luzerna Records titled “Dynasty of Dreams - Brotherhood Of The Dragon’s Sword”.
Now we are finally ready to announce his debut release on System Error's ERROR100 Series which we’ve been sitting on for a while already.
Some of you will recognise the tracks already for everyone else you are in for a treat!
An energetic and rave sounding 4 tracker to get the dance floor up to cooking temperature and let the dancers simmer for a bit to let that spice mix in with all the sonic flavors provided by the “Underground Traffic EP”.
RR7005 sees the Parisian raggamuffin deejay-cum-crooner Peter Youthman joins the Red Robin flock with a haunting ballad about love gone wrong and the loneliness that results.
With nods to classic, melancholic love songs of the 80s, Peter sings over a deep, dark Naram riddim that carries the DNA of lo-fi roots anthems from the likes of Wackies.
As you'd hope, there's there's accompanying stripped back version from Naram on the flip. Mixed to tape, and fine tuned by Downbeat Mastering, this is a unique piece of music that will please those with a love for the darker side of rub-a-dub.
Originally released on the seminal self-titled Nucleus Roots album at the turn of the millennium, Under De Kitchen is finally getting a well-deserved vinyl pressing with new dubs and remixes!
Vocals come courtesy of Manchester's Des Nia Lashimba, accompanied by Moses, Dub Dadda and Maria
Bristol's Sasha Steppa steps up on remix duties with her debut production, elevating the track even further with her trademark high-energy peak-time stepper style
Normandy via Glasgow dubber Stalawa strips everything back for his futuristic interpretation, channeling plenty of Rhythm & Sound inspiration
As usual, Dub Junction isn't doing things by halves, with three separate records being pressed to house all six mixes, all with their own unique two-colour marbled effect.
Hilit Kolet debuts on Rekids with ‘Hot Mess’, including remixes from the legendary Mike Dunn.
Following her remix of Terry Farley & Wade Teo’s ‘Why We Dance’, Hilit steps up to the Rekids plate with her debut EP for Radio Slave’s label with her single ‘Hot Mess’. A relentlessly driving drum machine werqout, ‘Hot Mess’ sees her masterfully mixing compulsive, marching rhythms with a fiercely impassioned spoken word vocal.
With added raw jackin’ energy in the ‘Even Hotter Mix’, this has the kind of late night runway energy that demands the
Sound Factory be rebuilt. On the B-side, Chicago house legend Mike Dunn’s remix of ‘Hot Mess’ is a deep groove that adds a wriggling earworm bassline, while still embracing the enchanting vocal of the original.
Hilit Kolet has been an integral part of London’s house scene ever since she started slinging vinyl at Soho’s legendary Black Market Records. Her distinctive, energetic DJ style then established her behind the decks everywhere, from high fashion shows to some of the most celebrated underground clubs in London. 2023 saw Hilit going global with shows from Ibiza to Shanghai via Printworks, Warehouse Project and Ministry of Sound.
Her summer single on the Faith imprint ‘POV Siren’ has been embraced by DJs as diverse as Robert Hood and Paul Woolford, and her edit of Laurent Garnier’s ‘Crispy Bacon’ was rinsed by many from Carl Cox to Patrick Topping, before seeing an official release by Garnier himself. ‘Hot Mess’ sets Hilit Kolet up as a serious name to watch out for in 2024.
Rudimentary Music garners worldwide high praise with their first release. A strong, fluid and very well-rounded EP with something for every electronic dance fan. The Barcelona based butItalian born artist Deiv, sets the foundation and tone with the stunning 'Paranoik Android' EP forthe fledgling label whose everyday life revolves around and embodies the synergy and spirit of dance music culture. 'Take control of your shit' is the first cut and is the ideal smooth late night electro jam. A sexy, melodic deep machine groove that is nothing short of pure class. Thishighly addictive track is sure to get many repeat plays. To complete the A-side is the technostormer 'Technology'. A body grabbing bassline that will surely get everyone's attention. Thiswicked,robotic workhorse is guaranteed to move the main room by any DJ who selects it.Inspired by the label's search for music that fits every part of life, this track encapsulates thepower of techno in the late night. The reverse side showcases the title track 'Paranoik Android'.It rides a strong balance of house and funk sentiments for the primetime slot on the dancefloor.The killer acid line, island percussion and blips and bleeps, makes this a great ying and yang of futuristic and retro sounds. The title track, it stands out from the crowd but here in this EP, it blends perfectly into the wide array of vibes blossoming here. 'Dolphins' closes out the EP inelegance. With the soothing almost aquatic melody notes it exudes the perfect vibe to drift away your cares to. Overall, this is a very versatile EP with a track for every emotion and time during a night out with dance music
Dana V Andrews is a man who is still very much in love with music of all types. At 23 years old and far from living a perfect life, his love of music led him to go to Los Angeles, California in 1973 with a talented songwriter in search of fame and fortune.
Dana played a role while working on a song and album that was a big hit for the now deceased Mr. Barry White. In 1975 he met David Futch and together they formed a record and publishing company that recorded R&B and Gospel music.
One of the gospel Groups, the Highland Park Community Choir out of Highland Park, Michigan had a song nominated for a Grammy Award in 1976. That same year, Dana V. Andrews recorded two songs titled “Mr. Justice” because he was distressed by the social injustice he saw and still sees in our world. His humble hope was that “Mr. Justice” could be a rallying call for the majority of good people in the world.To unite and vote for responsible, fair, politicians who had helping the people foremost in their hearts. And “Everything’s Gonna Be Alright” because he had faith that eventually right will win out over wrong. He still does to this day. He still believes today that when the majority of people stand for righteous justice with genuine love leading the way that governmental bipartisanship will defeat hate, prejudice, and injustice.
The first bunch of remixes for Kito Jempere's Green Monster. The album itself was a versatile journey thought all music styles and patterns you can imagine, remixes are keeping the same direction.
EP opens with a remix from multi-talented and prolific studio genius Ewan Pearson, the man behind hundreds of remixes, production and studio engineering duties for artists like Tracey Thorn, Pet Shop Boys, Depeche Mode, The Chemical Brothers and many many more. And Mr Pearson is taking Kabwato on a journey! Originally recorded as two and half minutes as some say mid-album filler, this boat (kabwato in chewa language) is going deep down the tropical river and through breezy morning rainforest valleys. A perfect trip for your midday staying home alone errands or for your early morning ray of light at the bar with a beautiful panorama.
Same track is getting treatment from the mighty Cable Toy! Unmistakable peak time euphoria manifest - going back to my roots-esque piano meets 90s cable tv dance show house party!
On the flip is the remix by The Dawless. The Dawless are Ramil' Goddeem from LAUD and Sergey Gol'd, producer and owner of GoldxFish Music studio. They recently released their debut album "Broken Aux" on System 108, got remixed by DMX Crew and became residents of LOUD BOYZ label. The project has simple ethics: computers not allowed, only real gear and vibes. The duo has created a true rage rave anthem for Kito Jempere now. Having already been played in a lot of DJ-sets blasting through packed warehouses, now it became available to everyone.
EP closing opus is by Kito's frequent collaborator - UK born and Japan based producer Max Essa. Every Kito's album was accompanied by Max's remixes and this time he's delivering pure beauty again. Creating some Golden-era "8 1/2 weeks" vibes, Max transforms the track into a post-summer voyage anthem.
Pluto's Plan starts the year with the 2nd VA by the name "Nuggets of the Dryland". This time 3 fresh names debut on the label except for Toke, who contributes purest house tool on the A1. Whilst HVL, a name which does not need an introduction delivers a crafty acid jam on A2. As for the B sides, local talent BEQA puts his mark on B1 with electrifying melodic breaks. Lastly, B2 is claimed by the labels own Hudson with a groovy all-arounder.
