Search:k boys
- A1: High Tension
- A2: I'm Trash
- A3: Kick Ass Usa
- A4: I'm Gonna Be You're The One
- A5: It's Alright
- A6: R&R Weekend
- A7: Mi-Ra-I-Sei-Ki Bobo-Bu-Ra-Ji-Ru
- A8: Stupid Jerk
- A9: Sweet Seventeen
- A10: (C'mon) Little Baby
- B1: High Time
- B2: Destroyer
- B3: I Hate You
- B4: Jet Kung-Fu-Ki-Ki-Ippathu
- B5: I Wanna Live
- B6: Come On & Save Me
- B7: Loose On You
- B8: Break My Heart
- B9: I Wanna Fuck Myself
- A1: Super Disco Breakin
- A2: The Move
- A3: Remote Control
- A4: Song For The Man
- A5: Just A Test
- A6: Body Movin
- B1: Intergalactic
- B2: Sneakin' Out The Hospital
- B3: Putting Shame In Your Game
- B4: Flowin' Prose
- B5: And Me
- B6: Three Mc's And One Dj
- C1: The Grasshopper Unit (Keep Movin')
- C2: Song For Junior
- C3: I Don't Know
- C4: The Negotiation Limerick File
- C5: Electrify
- D1: Picture This
- D2: Unite
- D3: Dedication
- D4: Dr. Lee, Phd
- D5: Instant Death
- E1: Description Of A Strange Man
- E2: Dirt Dog
- E3: Intergalactic (Colleone Webb Remix)
- E4: Dr. Lee Version Dub
- E5: Switched On
- F1: Body Movin' (Fatboy Slim Remix)
- F2: Auntie Jackie Poom Poom Delicious
- F3: Putting Shame In Your Game (Prunes Remix)
- F4: Stink Bug
- G1: Peanut Butter & Jelly
- G2: Piano Jam
- G3: Happy To Be In That Perfect Headspace
- G4: The Negotiation Limerick File (The 41 Small Stars Remix)
- G5: The Drone
- G6 20: Questions Version
- H1: The Bizz Grasshopper Experiment
- H2: Hail Sagan (Special K)
- H3: Body Movin' (Kut Masta Kurt Remix)
- H4: Creepin
- H5: Learning Remote Control
- H6: Oh My Goodness This Record's Incredible
Remastered in 2022 by Bob Weston at Chicago Mastering Studio. Recorded in 1995 at Water Music in Hoboken, NJ, with producer Ted Niceley at the helm, House of GVSB captures Girls Against Boys at the zenith of their musical prowess. The album has a simmering anxiety throughout, a kind of vertigo, a taste of what the band was actually experiencing at the time. Released in 1998, on House of GVSB, Girls Against Boys hit their stride. "Super-Fire" leads off the album with more of a swagger than a bang. Follow that up with songs like "Click Click," "Zodiac Love Team," and "Disco Six Six Six," among others, and you've got the recipe for love, destiny, and straight up gin. No going awry with a song like "Crash 17 (X-Rated Car)." All together they play "TheKindaMzkYouLike." In 1998, Girls Against Boys left the Touch and Go stable for a run with major label and later with Jade Tree Records (2002). In recent years, apart from select short tours and shows in Europe, Girls Against Boys has remained on official hiatus. House of GVSB remains probably their most favorite album.
- A1: Slow & Low
- A2: Shake Your Rump
- A3: Posse In Effect
- A4: Egg Man
- A5: Stand Together
- A6: Pow (Feat Dj Hurricane)
- A7: Egg Raid On Mojo
- A8: Time For Livin
- B1: In 3'S
- B2: Michelle's Farm
- B3: Holy Snappers
- B4: Jimmy James
- B5: The Sounds Of Science
- B6: Hold It Now, Hit It
- B7: Pass The Mic
- B8: Freestyle (Feat Mc Boo)
- B9: Time To Get Ill
- B10: Shadrach
12 new songs of love and loneliness in the modern world using jangly new wave
glory guitars and west coast classic pop melodies. Recorded skillfully and
completely analog by Michael and Brian D'Addario of The Lemon Twigs at their
studio in the East Williamsburg neighborhood of Brooklyn. Beach Boys harmonies
& a myriad of keyboards were added to the Uni Boys Power-Pop and Rock'N'roll
path giving Buy This Now! a fresh new slant.
THE all-time classic '86 debut album from the Beastie Boys, with classics including 'Rhymin' and Stealin' and 'The New Style', 'Girls', 'Fight for your Right', 'Brass Monkey' and 'No Sleep Till Brooklyn', a must-have album, reissued here to mark the 50th Anniversary of Hip-Hop.
- 1: White Christmas
- 2: The Christmas Song
- 3: Winter Wonderland
- 4: Have Yourself A Merry Little Christmas
- 5: Last Christmas
- 6: O Holy Night
- 7: This Christmas
- 8: Same Old Lang Syne
- 9: Silent Night
- 10: I’ll Be Home For Christmas
- 11: Christmas In New York
- 12: Together
- 13: Happy Days
- 14: Feliz Navidad
- 15: It’s Christmas Time Again
The Backstreet Boys with a deluxe version of their first ever holiday album “A Very Backstreet Christmas”! It features 15 tracks including classics like “I’ll Be Home For Christmas”, “Last Christmas”, “Silent Night” and new future holiday mainstays like “Christmas In New York,” “Together,” and “Happy Days.”
This deluxe special edition is pressed on emerald green vinyl and includes two bonus tracks: “Feliz Navidad” and “Christmas Time Again”.
Their notoriously fierce live performances are only going from strength to strength, with Wolf Alice inviting her on their extensive 2021 UK tour having witnessed the energy of their show.
Her stagecraft also caught the eyes of legendary fashion house Alexander McQueen, becoming creative director Sarah Burton's recent muse. Having recently closed their flagship runway show at London Fashion Week, the band also partnered with McQueen for a campaign this summer which captured them taking to the stage in Glasgow's legendary and glitzy Barrowland Ballroom.
Oozing confidence and ready for what lies ahead, 2023 feels like a defining year for Lucia & The Best Boys.
- 1: White Christmas
- 2: The Christmas Song
- 3: Winter Wonderland
- 4: Have Yourself A Merry Little Christmas
- 5: Last Christmas
- 6: O Holy Night
- 7: This Christmas
- 8: Same Old Lang Syne
- 9: Silent Night
- 10: I’ll Be Home For Christmas
- 11: Christmas In New York
- 12: Together
- 13: Happy Days
- 14: Feliz Navidad
- 15: It’s Christmas Time Again
The Backstreet Boys with a deluxe version of their first ever holiday album “A Very Backstreet Christmas”! It features 15 tracks including classics like “I’ll Be Home For Christmas”, “Last Christmas”, “Silent Night” and new future holiday mainstays like “Christmas In New York,” “Together,” and “Happy Days.”
This deluxe special edition is pressed on emerald green vinyl and includes two bonus tracks: “Feliz Navidad” and “Christmas Time Again”.
- A1: Sure Shot
- A2: Tough Guy
- A3: B-Boys Makin' With The Freak Freak
- A4: Bobo On The Corner
- A5: Root Down
- B1: Sabotage
- B2: Get It Together
- B3: Sabrosa
- B4: The Update
- B5: Futterman's Rule
- C1: Alright Hear This
- C2: Eugene's Lament
- C3: Flute Loop
- C4: Do It
- C5: Ricky's Theme
- D1: Heart Attack Man
- D2: The Scoop
- D3: Shambala
- D4: Bodhisattva Vow
- D5: Transistion
deluxe 3x12"[96,64 €]
Palma Music Studios, Oktober 2022. Die funkigen Vier aus Schweden werden während der sonnigen Tage beim Trinken von Margaritas und Estrella Damms gesichtet, aber nach der Siesta legen sie das laute Fundament für das achte Album der ELECTRIC BOYS."Die Pandemie inspirierte zu einigen ernsteren Themen, so dass "Ups!de Down", das 2021 erschien, ein etwas düstereres Album war, auch wenn die Hoffnung immer präsent war", sagt Conny Bloom, der Hauptsongschreiber der Band."Grand Explosivos", das neue Electric Boys-Album, das am 15. September über Mighty Music erscheint, ist jedoch genau das Gegenteil. Es könnte tatsächlich sein, dass die Jungs die beste Party seit "Groovus Maximus" schmeißen!
Das Album ist ein hart rockendes, melodiöses, funkiges und spaßiges Abenteuer, das zu einem Markenzeichen der Band geworden ist.Die erste Single "I've Got A Feelin'" wies den Weg in die klassischen Rock-Arenen, während die Folgesingle "Domestic Blitz" wie ein Maultier kickt und keine Gefangenen macht. (Oder vielleicht doch?)
Schauen Sie sich das Video an und entscheiden Sie selbst:). Die Jungs haben sichtlich Spaß daran, zusammen zu spielen und wir freuen uns auf ein verdammt gutes Partyalbum am Ende des Sommers.
Palma Music Studios, Oktober 2022. Die funkigen Vier aus Schweden werden während der sonnigen Tage beim Trinken von Margaritas und Estrella Damms gesichtet, aber nach der Siesta legen sie das laute Fundament für das achte Album der ELECTRIC BOYS."Die Pandemie inspirierte zu einigen ernsteren Themen, so dass "Ups!de Down", das 2021 erschien, ein etwas düstereres Album war, auch wenn die Hoffnung immer präsent war", sagt Conny Bloom, der Hauptsongschreiber der Band."Grand Explosivos", das neue Electric Boys-Album, das am 15. September über Mighty Music erscheint, ist jedoch genau das Gegenteil. Es könnte tatsächlich sein, dass die Jungs die beste Party seit "Groovus Maximus" schmeißen!
Das Album ist ein hart rockendes, melodiöses, funkiges und spaßiges Abenteuer, das zu einem Markenzeichen der Band geworden ist.Die erste Single "I've Got A Feelin'" wies den Weg in die klassischen Rock-Arenen, während die Folgesingle "Domestic Blitz" wie ein Maultier kickt und keine Gefangenen macht. (Oder vielleicht doch?)
Schauen Sie sich das Video an und entscheiden Sie selbst:). Die Jungs haben sichtlich Spaß daran, zusammen zu spielen und wir freuen uns auf ein verdammt gutes Partyalbum am Ende des Sommers.
Hailed as "gospel titans" by Rolling Stone, the Blind Boys of Alabama defied the considerable odds stacked against them in the segregated South, working their way up from singing for pocket change to performing for three different presidents over the course of an 80-year career that saw them break down racial barriers, soundtrack the Civil Rights movement, and help redefine modern gospel music forever.
The five-time Grammy-winners’ latest album, Echoes Of The South, draws its name from the Birmingham radio program that hosted the group’s very first professional performance back in
1944. Pairing traditional spirituals and long-lost gospel classics with vintage soul and R&B tunes, the collection is as moving as it is timeless, transcending genre and era to touch something deep and fundamental about the human condition.
These are songs of love and friendship, joy and gratitude, faith and perseverance. Uplifting as they are, the recordings can feel bittersweet at times, too: 91-year-old Jimmy Carter retired from performing following the sessions, while two longtime members, Paul Beasley and Benjamin Moore, Jr., have since passed away. Despite the losses, the Blind Boys of Alabama show no signs of slowing down.
“The spirit of the Blind Boys isn’t about what you can’t do it’s about what you can do,” says singer Ricky McKinnie. “As long as we stay true to that, as long as we sing songs that touch the heart, this group will live on forever.”
The most honored and revered group in Gospel music.
Winners of 5 GRAMMY; including Lifetime Achievement.
Echoes of the South brings the group back to Muscle Shoals, Alabama to record, album produced by
Matt Ross-Spang and Ben Tanner, band features Phil Cook, Dennis Crouch and Chad Gamble.
Global touring schedule planned for 2023/2024.
Documentary film to be released in conjunction with the album, book on career to be released in early 2024.
- A1: California Girls
- A2: I Get Around
- A3: Surfin' Safari
- A4: Surfin' Usa
- A5: Fun, Fun, Fun
- A6: Surfer Girl
- A7: Don't Worry Baby
- A8: Little Deuce Coupe
- B1: Shut Down
- B2: Help Me, Rhonda
- B3: E True To Your School (Single Version)
- B4: When I Grow Up (To Be A Man) (To Be A Man)
- B5: In My Room
- B6: God Only Knows
- B7: Loop John B
- B8: Couldn't It Be Nice
- C1: Getcha Back
- C2: Come Go With Me
- C3: Rock & Roll Music
- C4: Dance, Dance, Dance
- C5: Barbara Ann
- C6: Do You Wanna Dance?
- C7: Heroes & Villains
- C8: Good Timin
- D1: Kokomo
- D2: Do It Again
- D3: Wild Honey
- D4: Darlin
- D5: I Can Hear Music
- D6: Good Vibrations
- E1: All Summer Long
- E2: Good To My Baby
- E3: This Whole World
- E4: All I Wanna Do
- E5: Disney Girls
- E6: Kiss Me, Baby
- E7: Let The Wind Blow
- E8: Forever
- F1: Sail On Sailor
- F2: Long Promised Road
- F3: Cotton Fields (The Cotton Song) (The Cotton Song)
- F4: Pom Pom Play Girl
- F5: Wind Chimes (Smile Version)
- F6: I Went To Sleep
- F7: Farmer's Daughter
- G1: Let Us Go On This Way
- G2: You Need A Mess Of Help To Stand Alone
- G3: The Night Was So Young
- G4: Marcella
- G5: You're So Good To Me
- G6: Aren't You Glad
- G7: Baby Blue
- H1: It's About Time
- H2: Do You Like Worms (Roll Plymouth Rock) (Roll Plymouth Rock)
- H3: Surf's Up
- H4: Add Some Music To Your Day
- H5: It's Ok
- H6: Goin' On
- H7: San Miguel
- I1: The Warmth Of The Sun
- I2: Everyone's In Love With You
- I3: All This Is That
- I4: California Saga (On My Way To Sunny California-I-A) (On My Way To Sunny California-I-A)
- I5: Feel Flows
- I6: Wendy
- I7: Girl Don't Tell Me
- J1: Let Him Run Wild
- J2: All I Want To Do (Alternate Take)
- J3: Susie Cincinnati
- J4: Vegetables
- J5: Time To Get Alone
- J6: Where I Belong
- J7: I Just Wasn't Made For These Times
- K1: Little Bird
- K2: Til I Die
- K3: (Wouldn't It Be Nice To) Live Again (Wouldn't It Be Nice To)
- K4: Friends
- K5: Devoted To You (Unplugged Version)
- K6: Can't Wait Too Long
- K7: California Feelin
Double LP[41,13 €]
Black Vinyl[9,12 €]
Blue Vinyl[10,29 €]
Black Vinyl[34,24 €]
Translucent Blue vinyl[35,92 €]
"To kick off the yearlong celebration and provide the perfect summer soundtrack, Capitol Records and UMe will release a newly remastered and expanded edition of The Beach Boys career-spanning greatest hits collection, Sounds Of Summer: The Very Best Of The Beach Boys, on June 17. Originally released in 2003, the album soared to no. 16 in the US and stayed on the chart for 104 weeks. Now certified 4x platinum for sales of nearly four and a half million albums, the collection has been updated in both number of songs and audio quality, expanding the original 30-track best of with 50 more of the band’s most beloved songs for a total of 80 tracks that span their earliest hits to deeper fan-favorite cuts and from their 1962 debut album, Surfin’ Safari through to 1989’s Still Cruisin’.
Assembled by Mark Linett and Alan Boyd, the team behind 2013's GRAMMY® Award-winning SMiLE Sessions and last year’s acclaimed boxed set, Feel Flows – The Sunflower and Surf's Up Sessions 1969-1971, Sounds Of Summer features nearly every US Top 40 hit of The Beach Boys’ incredible career, including “California Girls,” “I Get Around,” “Surfer Girl,” “Surfin’ U.S.A.,” “Fun, Fun, Fun,” “God Only Knows,” “Good Vibrations,” “Be True To Your School,” “Wouldn’t It Be Nice,” “Kokomo,” “Barbara Ann,” “Help Me, Rhonda,” “In My Room,” and many others. Fifty additional tracks showcase a broad mix of songs from across their wide-ranging catalog with some of the many highlights including “All Summer Long,” “Disney Girls,” “Forever,” “Feel Flows,” “Friends,” “Roll Plymouth Rock,” “Sail on Sailor,” “Surf’s Up,” and “Wind Chimes.”
The collection boasts 24 new mixes including two first-time stereo mixes, plus 22 new-and-improved stereo mixes, which in some cases feature the latest in digital stereo extraction technology, allowing for the team to separate the original mono backing tracks for the first time.
The expanded edition of Sounds Of Summer will be available in a variety of formats, including a 3CD softpack, and as a Super Deluxe Edition 6LP vinyl boxed set on 180-gram black vinyl in two options – a standard set or a numbered, limited edition version featuring a rainbow foil slipcase and four collectible lithographs. Both versions will feature color printed sleeves that replicate the original “Capitol Catalog” sleeves that highlight the entire Beach Boys discography, and all formats will include a booklet with new liner notes and updated photos. The original 30-track version will also be available in its newly remastered and upgraded form on single CD or double gatefold LP on standard weight vinyl or as a higher-end limited edition numbered version pressed on 180-gram vinyl with a tip-on jacket and a lithograph. "
Japanese producer boys be kko returns to Labyrinth Records for his latest EP 'Pico'. Elegantly dance-centric, Pico and Kanari focus on textured drum work and richly layered melodies, underpinning these elements with club-ready energy and dynamics.
With its tribal beats, Japanese-inspired instrumentation and infectious energy, every element of the track 'Pico' has been crafted for summer festivals & parties through its euphoric blending of different styles - creating something unique and unforgettable.
The title track ‘Pico’ blends organic drum work with effortlessly unique and compelling synths to create a detailed sonic landscape, presenting new discoveries upon every re-listen.
‘Kanari’ adopts a darker edge with growling bass, haunting melodies and pulsating FX. A true heads-down roller likely to transport dancers to new realms.
- A1: Surfin' Safari
- A2: County Fair
- A3: Ten Little Indians
- A4: Chug-A-Lug
- A5: Little Miss America
- A6 40: 9
- A7: Surfin
- A8: Heads You Win - Tails I Lose
- A9: Summertime Blues
- A10: Cuckoo Clock
- A11: Moon Dawg
- A12: The Shift
"Formed in 1961 when Dennis Wilson, the only Beach Boy to regularly visit the beach, asked his brother Brian to write a song about the sport of surfing. The Beach Boys reached number 75 in national charts with their first single (the resultant song 'Surfin'') and were immediately signed to a major label. Though many debut albums in the early '60s were mainly built around a few smash-hits, the Beach Boys' 1962 full length debut on Capitol (featuring such hits as 'Surfin' Safari,' '409' and their version of the Eddie Cochran classic 'Summertime Blues') remains one of the greatest first steps in American pop culture, and a mandatory chapter in the history of rock and roll."
In the centre of deep space we tune in to the radio broadcasts from an old Class T interstellar spaceship. The emissions endlessly resonate the frequencies of the seventeenth release on the label HC Records by one of the titans of the Valencian scene, The Lost Boys, new pseudonym of the DJ and producer Raszia.
With releases on labels such as Bass Agenda, Subsist or Hxagrm Records, the artist mesmerises our senses with the Exiles of Mars Ep, available in both double vinyl and digital.
Syncopated rhythms are the protagonists across four original tracks together
with remixes by four electro legends: Boris Divider, Estrato Aurora, Dark Vektor, and Filmmaker.
The EP’s first cut is a remix of "Wall Of Bricks" by the legendary Boris Divider, which gives the track an air of crystalline, synthetic and cosmic sound, very much in line with his latest works on the Generative Operations series. Next, we find the original version, where the kick drums are heavier, the synths and basses more colourful and the acid sequences take centre stage in an odyssey of sidereal intensity.
On the record’s flip side, a feeling of overwhelming melancholy takes root in our soul. Valencian Estrato Aurora mentally transports us to the mysterious red sand of Mars in a precise exercise in symphonic minimalism with his remix of "Exiles of Mars", which mutates the original idea with velvety pads, synths and a slow and rapturous hypnotism that sinks us to unfathomable depths.
The Lost Boys' original concept on B2 is a combination of Miami Bass-style breaks and a demonic mantra-like main synth line, backed by what seems like an infinity of pearly effects and secondary melodies, pushing the track towards a crescendo punctuated by a dry and sharp snare.
The second disc’s opener "Bust My Moves" is a masterclass in deconstruction and reconstruction by Dark Vektor with his "Electro Escuadrón Remix”. The genius from Terrassa provides powerful lyrics loaded with a message about the modern rise of the 808 movement. We return to the original Lost Boys version on C2, a futuristic martial discourse takes shape with combating breaks combined with rave chords and brief episodes of respite, almost dreamlike, in the middle and end of the track’s exciting development.
On the D side, rough frequencies verging on distortion materialise through our ship's speakers as we pick up the Colombian Filmmaker’s remix of "Data Recovery For Brains". A psychotronic final appetiser that combines harshness and elegance in the use of the rolling kick drums and saturation of the sound, it is without a doubt the ideal soundtrack to narrate the collision of two galaxies. The closing of the EP features the original track, in which The Lost Boys show us his most mental and lysergic side as the track progresses along a slow and comforting broken rhythm, made dynamic by clever use of diverse acid sequences and clairvoyant stellar melodies.
The complete artistic experience is enhanced in all dimensions with accompanying artwork by
Daniel Requeni and videos elaborated by Frank-F.
Mastering as usual by Steve Voidloss at Black Monolith Studios in London (UK).
- A1: West End Girls
- A2: Love Comes Quickly
- A3: Opportunities (Let's Make Lots Of Money) (Let's Make Lots Of Money)
- A4: Suburbia
- B1: It's A Sin
- B2: What Have I Dont To Deserve This? (With Dusty Springfield)
- B3: Rent
- B4: Always On My Mind
- B5: Heart
- C1: Domino Dancing
- C2: Left To My Own Devices
- C3: It's Alright
- C4: So Hard
- D1: Being Boring
- D2: Where The Streets Have No Name/I Can't Take My Eyes Off You
- D3: Jealousy
- D4: Dj Culture
- D5: Was It Worth It?
- E1: Can You Forgive Her?
- E2: Go West
- E3: I Wouldn't Normally Do This Kind Of Thing
- E4: Liberation
- F1: Yesterday, When I Was Mad
- F2: Paninaro 95
- G4: New York City Boy (Usa Radio Edit)
- H1: You Only Tell Me You Love Me When You're Drunk
- H2: Home & Dry
- H3: I Get Along
- H4: Miracles
- H5: Flamboyant
- I1: I'm With Stupid
- I2: Minimal
- I3: Numb
- I4: Love Etc
- I5: Did You See Me Coming?
- J1: It Doesn't Often Snow At Christmas
- J2: Together
- J3: Winner
- J4: Leaving
- J5: Memory Of The Future
- K1: Vocal
- K2: Love Is A Bourgeois Construct
- K3: Thursday (Feat Example)
- K4: The Pop Kids
- L1: Twenty-Something
- L2: Say It To Me
- F3: Before
- L3: Dreamland (Feat Years & Years)
- F5: Single-Bilingual
- L4: Monkey Business
- G2: Somewhere
- L5: I Don't Wanna
- F4: Se A Vida E (That's The Way Life Is) (That's The Way Life Is)
- G1: A Red Letter Day
- G3: I Don't Know What You Want But I Can't Give It Any More
Die Fortsetzung. Ein starkes Debüt verlangt nach einem starken Nachfolger. Das Pop/Rock-Sextett BOYS FROM HEAVEN ist jetzt mit seinem zweiten Album "The Descendant" fertig. Die Gruppe bleibt zwar dem AOR-Universum der 80er Jahre treu, hat sich aber von einem atmosphärischeren Sound inspirieren lassen, bei dem sich verträumte Flächen, druckvolle Synthesizer und Drumcomputer mit dem organischen und authentischen Sound der Band vermischen. Alle musikalischen Elemente wurden in dieser unglaublich detaillierten Produktion, die von Erik Martensson (Eclipse, Ammunition, etc.) gemischt und gemastert wurde, akribisch ausgearbeitet.Auf "The Descendant" präsentieren Boys From Heaven das klangliche Äquivalent zu einer Reise zurück in die Zukunft, direkt in die Spielhalle, weiter ins Autokino und zurück nach Hause, um ein gebrochenes Herz zu heilen.
"London alt rock band Sad Boys Club have announced their debut album Lullabies from The Lightning Tree will be released 5th May via Modern Sky. Today the band have also announced new EU and UK tours for the spring and shared the album's lead single and its accompanying video ""To Heal Without a Scar (Is a Waste Of a Good Wound)"".
"
- A1: You Need A Mess Of Help To Stand Alone
- A2: Here She Comes
- A3: He Come Down
- A4: Marcella
- B1: Hold On Dear Brother
- B2: Make It Good
- B3: All This Is That
- B4: Cuddle Up
- C1: Sail On Sailor
- C2: Steamboat
- C3: California Saga - Big Sur
- C4: California Saga - The Beaks Of Eagles
- C5: California Safa - California
- D1: The Trader
- D2: Leaving This Town
- D3: Only With You
- D4: Funky Pretty
- E1: Mount Vernon & Fairway Theme
- E2: I'm The Pied Piper (Instrumental)
- E3: Better Get Back In Bed
- E4: Magic Transistor Radio
- F1: I'm The Pied Piper
- F2: Radio King Dom
6x12"[180,63 €]
- A1: Slip On Through (Sunflower Original Album)
- A27: Cotton Fields (The Cotton Song) (The Cotton Song)
- B1: Don't Go Near The Water (Surf's Up Original Album)
- B2: Long Promised Road
- B3: Take A Load Off Your Feet
- B4: Disney Girls
- B5: Student Demonstration Time
- B6: Feel Flows
- B7: Lookin' At Tomorrow (A Welfare Song) (A Welfare Song)
- B8: A Day In The Life Of A Tree
- B9: Til I Die
- B10: Surf's Up
- B11: Surf's Up Promo (Previously Unreleased)
- B12: Take A Load Off Your Feet (Live 1993 - Previously Unreleased - Surf's Up Live)
- B13: Long Promised Road (Live 1972 - Previously Unreleased)
- B14: Disney Girls (Live 1982 - Previously Unreleased)
- B15: Surf's Up (Live 1973 - Previously Unreleased)
- B16: Student Demonstration Time (Live 1971 - Previously Unreleased)
- B17: Big Sur (Previously Unreleased - Bonus Track - Surf's Up Bonus Tracks)
- B18: Help Is On The Way
- B19: Sweet & Bitter (Previously Unreleased - Bonus Track)
- B20: My Solution (Previously Unreleased - Bonus Track)
- B21: 4Th Of July
- B22: Sound Of Free
- B23: Lady (Fallin' In Love) (Fallin' In Love)
- B24: Seasons In The Sun (Previously Unreleased - Bonus Track)
- C1: Sunflower Promo 2 (Previously Unreleased - Sunflower Sessions)
- A2: This Whole World
- C2: Slip On Through (Track & Backing Vocals - Previously Unreleased)
- C3: This Whole World (Long Version Track & Backing Vocals - Previously Unreleased)
- C4: Add Some Music To Your Day (Track & Backing Vocals - Previously Unreleased)
- C5: Deirdre (Track - Previously Unreleased)
- C6: It's About Time (Track & Backing Vocals - Previously Unreleased)
- C7: Tears In The Morning (Track & Backing Vocals - Previously Unreleased)
- C8: All I Wanna Do (Session Intro, Track & Backing Vocals - Previously Unreleased)
- C9: Forever (Session Highlights - Previously Unreleased)
- C10: Forever (Track & Backing Vocals - Previously Unreleased)
- C11: Our Sweet Love (Track & Backing Vocals - Previously Unreleased)
- C12: At My Window (Track & Backing Vocals - Previously Unreleased)
- C13: Cool Cool Water (Alternate 2019 Mix - Previously Unreleased)
- C14: San Miguel (Track & Backing Vocals - Previously Unreleased)
- C15: Loop De Loop (Track - Previously Unreleased)
- C16: Good Time (Session Intro, Track & Backing Vocals - Previously Unreleased)
- C17: When Girls Get Together (Track - Previously Unreleased)
- C18: Slip On Through (Alternate 1969 Mix With Session Intro - Previously Unreleased)
- C19: Our Sweet Love (String Section - Previously Unreleased)
- C20: San Miguel (Backing Vocals Excerpt - Previously Unreleased - 1969-1970 A Cappella)
- C21: Break Away (Backing Vocals Excerpt - Previously Unreleased)
- C22: Cotton Fields (The Cotton Song) (The Cotton Song)
- C23: Good Time (Backing Vocals Excerpt - Previously Unreleased)
- C24: This Whole World (Backing Vocals Section - Previously Unreleased)
- C25: Add Some Music To Your Day (A Cappella - Previously Unreleased)
- C26: Got To Know The Woman (A Cappella - Previously Unreleased)
- C27: It's About Time (Backing Vocals Excerpt - Previously Unreleased)
- A3: Add Some Music To Your Day
- C28: All I Wanna Do (A Cappella - Previously Unreleased)
- C29: Forever
- D1: Don't Go Near The Water (Track & Backing Vocals - Previously Unreleased - Surf's Up Sessions)
- D2: Long Promised Road (Track & Backing Vocals - Previously Unreleased)
- D3: Take A Load Off Your Feet (Alternate Vocal - Previously Unreleased)
- D4: Disney Girls (Track & Backing Vocals - Previously Unreleased)
- D5: Student Demonstration Time (Track & Backing Vocals - Previously Unreleased)
- D6: Feel Flows (Track & Backing Vocals - Previously Unreleased)
- D7: Lookin' At Tomorrow (A Welfare Song) (A Welfare Song)
- D8: A Day In The Life Of A Tree (Track & Backing Vocals - Previously Unreleased)
- D9: Til I Die (Long Version With Alternate Lyrics - Previously Unreleased)
- D10: Surf's Up
- D11: (Wouldn't It Be Nice To) Live Again (Wouldn't It Be Nice To)
- D12: Don't Go Near The Water (A Cappella - Previously Unreleased - Surf's Up A Cappella)
- D13: Long Promised Road (A Cappella - Previously Unreleased)
- D14: Feel Flows (Backing Vocals Excerpt - Previously Unreleased)
- D15: Disney Girls (Backing Vocals Excerpt - Previously Unreleased)
- D16: A Day In The Life Of A Tree (Backing Vocals Excerpt - Previously Unreleased)
- D17: Til I Die (A Cappella - Previously Unreleased)
- D18: Surf's Up (A Cappella - Previously Unreleased)
- D19: I Just Got My Pay
- D20: Walkin
- D21: When Girls Get Together
- D22: Baby Baby (Previously Unreleased - Bonus Track)
- D23: Awake (Previously Unreleased - Bonus Track)
- D24: It's A New Day (Previously Unreleased - Bonus Track)
- A4: Got To Know The Woman
- E1: This Whole World (Alternate Ending - Previously Unreleased)
- E2: Add Some Music To Your Day (Alternate Version - Previously Unreleased)
- E3: Don't Go Near The Water (Alternate Version - Previously Unreleased)
- E4: Surf's Up (Part 1 - 1971 Remake Track With 1966 Brian Vocal - Previously Unreleased)
- E5: Soulful Old Man Sunshine
- E6: I'm Goin' Your Way (Alternate Mix - Previously Unreleased)
- E7: Where Is She
- E8: Carnival (Over The Waves/Sobra Las Olas) (Over The Waves/Sobra Las Olas)
- E9: It's Natural (Previously Unreleased)
- E10: Medley: All Of My Love/Ecology (Previously Unreleased)
- E11: Before (Previously Unreleased)
- E12: Behold The Night (Previously Unreleased)
- E13: Old Movie (Cuddle Up) (Cuddle Up)
- E14: Hawaiian Dream (Previously Unreleased)
- E15: Settle Down/Sound Of Free (Basic Session Outtake - Previously Unreleased)
- E16: I've Got A Friend (Previously Unreleased)
- E17: Til I Die (Piano Demo - Previously Unreleased)
- E18: Back Home (Demo - Previously Unreleased)
- E19: Back Home (Alternate Version - Previously Unreleased)
- E20: Won't You Tell Me (Demo - Previously Unreleased)
- E21: Won't You Tell Me
- E22: Barbara
- E23: Slip On Through (Early Version Track - Previously Unreleased)
- E24: Susie Cincinnati (Basic Session Highlights - Previously Unreleased)
- E25: My Solution (Track & Backing Vocals - Previously Unreleased)
- E26: You Never Give Me Your Money (Previously Unreleased)
- A5: Deirdre
- E27: Medley: Happy Birthday, Brian/God Only Knows (Previously Unreleased)
- E28: You Need A Mess Of Help To Stand Alone (Track & Backing Vocals - Previously Unreleased)
- E29: Marcella (A Cappella - Previously Unreleased)
- A6: It's About Time
- A7: Tears In The Morning
- A8: All I Wanna Do
- A9: Forever
- A10: Our Sweet Love
- A11: At My Window
- A12: Cool, Cool Water
- A13: Sunflower Promo 1 (Previously Unreleased)
- A14: This Whole World (Live 1988 - Previously Unreleased - Sunflower Live)
- A15: Add Some Music To Your Day (Live 1993 - Previously Unreleased)
- A16: Susie Cincinnati (Live 1976 - Previously Unreleased)
- A17: Back Home (Live 1976 - Previously Unreleased)
- A18: It's About Time (Live 1971 - Previously Unreleased)
- A19: Riot In Cell Block 9 (Live 1970 - Previously Unreleased)
- A20: Break Away (Original 1969 Single Mix - Previously Unreleased - Bonus Track - Sunflower Bonus Tracks)
- A21: Celebrate The News
- A22: Loop De Loop
- A23: San Miguel
- A24: Susie Cincinnati
- A25: Good Time
- A26: Two Can Play
- A1: Naughty By Nature - Hip Hop Hooray
- A2: Stetsasonic - Talkin' All That Jazz
- A3: Queen Latifah - Wrath Of My Madness
- A4: Coolio - Fantastic Voyage (Timber Mix) (Timber Mix)
- A5: K7 - Come Baby Come
- B1: House Of Pain - Jump Around
- B2: Naughty By Nature - Opp
- B3: Digital Underground - The Humpty Dance
- B4: Apache - Gangsta Bitch
- B5: Coolio - Gangsta's Paradise
Vol.2[11,56 €]
Captain Gloats is the understudy of Alloy Cuts’ mainstay Booty Haul, presumably for some hilarious “Haul & Gloats” puns in the not so distant future . Not much is known about Captain Gloats, other than he is a bit of dab hand at mashing up tracks and has an ear for what works on the dancefloor.
Ring My Cheque up mashes up Anita Ward’s “Ring My Bell” with The Beastie Boys classic “Ch-Check it Out” resulting in 4 minutes and 30 seconds of floor filling fun, with tongue firmly in cheek.
Silver Vinyl
Rough Trade Records will commemorate the 10th anniversary of Alabama Shakes" internationally acclaimed debut album, Boys & Girls, with a two-disc deluxe edition, set for December 9th release. Hailed as one of the best albums of 2012 by Rolling Stone and numerous other publications, Boys & Girls entered Billboard"s Independent Albums chart at No. 1. It went on to attain Platinum certification and earn the band multiple GRAMMY nominations. Lead single "Hold On" was voted the #1 Best Song of 2012 by Rolling Stone.. Repackaged in a foil-board gatefold jacket with new, unreleased photos, Boys & Girls 10 Year Anniversary Deluxe Edition contains the album"s original 11 songs plus an additional 11 tracks from the band"s explosive live performance on KCRW"s "Morning Becomes Eclectic," which aired in the months leading up to the album"s release. Listen to Alabama Shakes" ferocious live version of "Always Alright" - a non-album track that appeared on the soundtrack for the Oscar-nominated film Silver Linings Playbook and earned a GRAMMY nomination.
- A1: Super Disco Breakin
- A2: The Move
- A3: Remote Control
- A4: Song For The Man
- A5: Just A Test
- A6: Body Movin
- B1: Intergalactic
- B2: Sneakin' Out The Hospital
- B3: Putting Shame In Your Game
- B4: Flowin' Prose
- B5: And Me
- B6: Three Mc's & One Dj
- C1: The Grasshopper Unit (Keep Movin') (Keep Movin')
- C2: Song For Junior
- C3: I Don't Know
- C4: The Negotiation Limerick File
- C5: Electrify
- D1: Picture This
- D2: Unite
- D3: Dedication
- D4: Dr Lee, Phd
- D5: Instant Death
- A1: It's The New Style
- D6: So What'cha Want (Acapella)
- D7: Intergalactic Fast (Acapella)
- D8: Intergalactic Slow (Acapella)
- A2: No Sleep Till Brooklyn
- A3: Paul Revere
- A4: Hold It Now Hit It
- A5: Shake Your Rump
- A6: Egg Man
- A7: High Plains Drifter
- B1: Car Thief
- B2: Shadrach
- B3: Dub The Mic
- B4: Beastie Groove
- B5: So What'cha Want
- B6: Sure Shot
- C1: Root Down
- C2: The Scoop
- C3: Sabotage
- C4: Get It Together
- C5: Flute Loop
- C6: Budhisattva Vow
- C7: Intergalactic
- C8: Ch-Check It Out
- D1: An Open Letter To Nyc
- D2: Make Some Noise
- D3: Triple Trouble
- D4: Too Many Rappers
- D5: Sabotage (Acapella)
White Vinyl[26,01 €]
An outstanding 2LP compiling the best instrumentals of the greatest white rap group ever: the Beastie Boys. New Yorkers Ad-Rock, MCA and Mike D crossed over into the mainstream in the mid 80s with their full-length Licensed to Ill and exploded any notions of one-dimensionality with its ambitious followups such as Paul's Boutique, On Check Your Head and Ill Communication. Taking influences from hardcore and hip hop, these innovators performed most of the music while integrating an array of rock samples, 808 beats and witty wordplay into an ever-intriguing sonic smorgasbord.
2x12" + 7"[22,48 €]
Christmas comes early this year as the Backstreet Boys, one of the best-selling bands of all time, announce their highly anticipated Christmas album ‘A Very Backstreet Christmas’ (BMG) will be released on October 14th, 2022.
“We’ve been wanting to do a Christmas album for nearly 30 years now and we’re beyond excited that it’s finally happening,” Howie Dorough shares, “We had such a fun experience putting our BSB twist on some of our favorite Christmas classics and can’t wait to be part of our fans’ holiday season.”
‘A Very Backstreet Christmas’ is the Backstreet Boys’ first ever Christmas album and will feature timeless holiday classics such as “White Christmas”, “Silent Night”, and “Have Yourself A Merry Little Christmas” plus three all new original holiday songs “Christmas In New York,” “Together,” and “Happy Days.” See below for full tracklisting.
The news of the Christmas album comes as the Backstreet Boys are currently on the North American leg of their DNA World Tour. The tour kicked off with four shows at The Colosseum at Caesars Palace in Las Vegas in April and last month, they performed to a sold out crowd at the iconic Hollywood Bowl in Los Angeles. The band has been putting on electrifying performances, playing a high-energy set of over 30 of their greatest hits and best dance moves, giving fans the live experience of a lifetime. See below for remaining tour dates.
Christmas comes early this year as the Backstreet Boys, one of the best-selling bands of all time, announce their highly anticipated Christmas album ‘A Very Backstreet Christmas’ (BMG) will be released on October 14th, 2022.
“We’ve been wanting to do a Christmas album for nearly 30 years now and we’re beyond excited that it’s finally happening,” Howie Dorough shares, “We had such a fun experience putting our BSB twist on some of our favorite Christmas classics and can’t wait to be part of our fans’ holiday season.”
‘A Very Backstreet Christmas’ is the Backstreet Boys’ first ever Christmas album and will feature timeless holiday classics such as “White Christmas”, “Silent Night”, and “Have Yourself A Merry Little Christmas” plus three all new original holiday songs “Christmas In New York,” “Together,” and “Happy Days.” See below for full tracklisting.
The news of the Christmas album comes as the Backstreet Boys are currently on the North American leg of their DNA World Tour. The tour kicked off with four shows at The Colosseum at Caesars Palace in Las Vegas in April and last month, they performed to a sold out crowd at the iconic Hollywood Bowl in Los Angeles. The band has been putting on electrifying performances, playing a high-energy set of over 30 of their greatest hits and best dance moves, giving fans the live experience of a lifetime. See below for remaining tour dates.
- A1: It's The New Style
- D6: So What'cha Want (Acapella)
- D7: Intergalactic Fast (Acapella)
- D8: Intergalactic Slow (Acapella)
- A2: No Sleep Till Brooklyn
- A3: Paul Revere
- A4: Hold It Now Hit It
- A5: Shake Your Rump
- A6: Egg Man
- A7: High Plains Drifter
- B1: Car Thief
- B2: Shadrach
- B3: Dub The Mic
- B4: Beastie Groove
- B5: So What'cha Want
- B6: Sure Shot
- C1: Root Down
- C2: The Scoop
- C3: Sabotage
- C4: Get It Together
- C5: Flute Loop
- C6: Budhisattva Vow
- C7: Intergalactic
- C8: Ch-Check It Out
- D3: Triple Trouble
- D4: Too Many Rappers
- D5: Sabotage (Acapella)
- D1: An Open Letter To Nyc
- D2: Make Some Noise
Black Vinyl[21,81 €]
White Vinyl
An outstanding 2LP compiling the best instrumentals of the greatest white rap group ever: the Beastie Boys. New Yorkers Ad-Rock, MCA and Mike D crossed over into the mainstream in the mid 80s with their full-length Licensed to Ill and exploded any notions of one-dimensionality with its ambitious followups such as Paul's Boutique, On Check Your Head and Ill Communication. Taking influences from hardcore and hip hop, these innovators performed most of the music while integrating an array of rock samples, 808 beats and witty wordplay into an ever-intriguing sonic smorgasbord.
This is a real treat for fans of original minimal house sounds: a remastered and recut repress of the still hugely in demand first EP from Aspect Music. Opening up are the one and only Soul Capsule with 'Forever Love', a restlessly, tightly looped track that has pent up energy that really gets under your bones. The F Macmillan mix is more cut up still, with puddles of melody, late night freakiness and dry beats all taking you for a trip. Dark Boys then get more direct with the pinging kicks of 'Pluto Rising' and Softcore closes out with a classically colourful melodic house workout.
Das erste neue Junior Boys Album seit "Big Black Coat" aus 2016 und Junior Boys feiern ihr 20-jähriges Bestehen diesen Herbst/Winter!
Ein sehr ruhiges Album in lauten Zeiten - am 28. Oktober 2022 veröffentlicht das kanadische Duo Junior Boys sein sechstes Album 'Waiting Game' bei City Slang. Sechs Jahre sind seit ihrem letzten Album, "Big Black Coat" von 2016, vergangen. Waiting Game" zeigt die Produzenten Jeremy Greenspan und Matt Didemus in einer zärtlichen und kontemplativen Stimmung; eine Abwechslung zu ihren druckvollen, R&B-lastigen Dance-Melodien. Die zusätzlichen Musiker des Albums sind ebenfalls Kanadier: Caribou-Kollaborateur Colin Fisher spielt durchgehend Saxophon und Bonjay-Frontfrau Alanna Stuart singt neben Greenspan im Song "Yes 2". Damit haben die Junior Boys ein Album geschaffen, das die stille Schönheit der Welt widerspiegelt - vorausgesetzt, man ist bereit, wirklich zuzuhören.
The early ’80s were a fertile time for electronic music, as the explosion of relatively affordable synthesizers and drum machines gave creative musicians a new way to express themselves. For Danny Krivit, DJing at the Roxy and soaking in the sonics of the Paradise Garage, it meant an exciting collision of the worlds of dance music and hip hop. For our latest release, Mr. K has pulled out two of his sureshots from that era and given them a tune-up for today’s sound systems.
“Pleasure Boys” by Visage was released in 1982 and epitomized the new wave crossover sound that would be co-opted and expanded on under the Freestyle banner. While the track was conceived with the vocal taking the lead, that vocal was never heard at the Roxy, Krivit’s focus being the thunderous synth bass break that he’d extend to epic proportions using twin copies of the single. It’s this routine that he’s recreated on our featured edit, a bare bones riff that still sounds enormous on a club system.
For the flip, Krivit goes a little deeper with his edit of “Emotional Disguise” by Peter Godwin. Another cut originally released in 1982, Krivit again ditches the overwrought new wave vocal in favor of the atmospheric synth stylings of the instrumental, which he accurately describes as a standout, “played at the Garage and at the Roxy for the hip hop crowd.”
Energetic, atmospheric, and with huge sonic impact, these edits are appearing on 7-inch for the first time.
Portion out of control.
In a shocking act of extreme togetherness, and ruthless efficiency, a third Droid platter in one earth year.
The crack management team at Tape Man Enterprises have assured us this is not a temporary blip, more bacon donors will be flying through the cosmos...as sure as night follows day, thus proving that for some ineptitude can work as a lifestyle choice and pigs do fly.
Hopefully this humble offering can pierce the shitstorm of life and help replenish your joy batteries..
Join us next time for more of not the same.
Dem Idjuts
2MR physical release from Brooklyn-based Lo-Fi House duo Earth Boys with a light-hearted, vocal-heavy dance pop EP.
Sometimes the best things take time to come into fruition, and here we are, ready to finally unleash Brazil45 number 88 - the missing 7"! Featuring two Mr Bongo favourites that we have been longing to share with the world.
First up is a lesser-known Brazilian Boys track titled 'Super Herois’. This slightly trippy and quirky funk-rock groove is taken off an obscure 7" on CID records and was originally released in 1975. 'Super Herois' is super catchy, addictive and a guaranteed complete earworm. It’s a muti genre, crossover nugget that will branch scenes and tick all sorts of boxes.
On the flip is the driving, jazz-rock-samba dancefloor joint 'Tudo Ai’, a cut taken from Rubinho E Mauro Assumpção's highly sought after 1972 album 'Perfeitamente, Justamente Quando Cheguei’. Originally released on Tapecar Records, this short in stature track packs a real punch!
Don't You Turn On Me ist das zweite Album der Poison Boys. Gestarted mit "Out Of My Head" in 2019, ist das 2. Ablbum ein großer Schritt in Richtung Punk und der Fähigkeit, knallharten Punk der späten 1970er Jahre zu schreiben mit einer großen Portion Rock 'n' Roll. Es reicht von sleazy Hits der frühen bis Mitte der 70er Jahre bis hin zu glühenden Punk-Tracks, von Instant-Punk-Klassikern bis hin zu Johnny Thunders Garage Rock. Ganz anders als viele andere Bands, die zu viele moderne Einflüsse in ihrem Streben nach Punk hinzufügen, bringen dich die Poison Boys mit diesem neuen Album zurück ins Jahr 1977 und versetzen dich in eine Zeit und an einen Ort, an dem du vielleicht noch nicht einmal existiert hast, aber auf jeden Fall wünschtest, du wärst da gewesen. Gegründet im Jahr 2014 von Matt Dudzik und Mike Lippmann, der tragischerweise an einer Überdosis verstarb, bleibt die Band den Klängen der späten 1960er / frühen 1970er Jahre Protopunk-Bands wie den Stooges, den New York Dolls und den Flamin 'Groovies treu und mischt sie mit New Yorker und britischen Punkbands der späten 1970er Jahre wie The Heartbreakers, Dead Boys, Vibrators und Slaughter and The Dogs, hinzu kommt noch ein Dosis Hanoi Rocks Glam. In der aktuellen Besetzung der Poison Boys spielen Sänger und Gitarrist Matt Dudzik, Gitarrist Steve Elfinger, Bassist Nico Bones und Schlagzeuger Matt Chaney. Poison Boys tragen die Rock'n'Roll Fackel glorreich weiter.
Stockholm post-punk band V**gra Boys (**= "ia" because spam FILTERS) are announcing a new album Cave World due out July 8th via YEAR0001 Produced by past collaborators Pelle Gunnerfeldt (The Hives, The Knife, etc.) and DJ Haydn, the album is inspired by current events, and aims to tear through the insanity and confusion the world currently finds itself in. Like sin- eaters if sins had to be ingested from a very small spoon, V**gra Boys have consumed the utterly incomprehensible chaos of our era and distilled it into the 12 immaculate tracks that make up Cave World.
As 2021’s Welfare Jazz was earning rave reviews from the likes of Pitchfork, NPR, GQ, NME, Stereogum, Fader, and more, Viagra Boys were in the midst of rerecording what would become their followup. After putting together an entire album at the legendary Silence Studio in the town of Koppom, the band decided they could push harder. "We let it marinate for a while and then rerecorded absolutely everything," Murphy explains. S
ome of the music made it through to what would become Cave World, but replacing the lyrics. In that iterative process,
Murphy found himself returning time and again to a misconception with deeper roots: the idea that humanity is moving forward. After watching a video late one evening about a theory that suggests evolution involved trading in some cognitive
abilities for others, Murphy began stewing on the fact that the result was mass shootings and science denial. "I just wrote down, 'Who is the true ape?'" he says.
"People look down at apes as primitive life forms, but we're just this horrible, lazy society killing each other and starting wars, while they’re able to love and feel.
Does that make them the true ape or us?"
The insanely-prolific (as well as simply, insane) DANGER BOYS are most likely no stranger to your ears. In the past few years, the Neapolitan duo of (Raffaele Arcella) WHODAMANNY and (Enrico Fierro) MILORD has churned out innumerable releases (both as solo artists and with their projects THE NORMALMEN and MYSTIC JUNGLE TRIBE, of which the duo comprises 2/3) that have infected dance floors the world over.
Here, the duo inhabits their latest incarnation/incantation: DANGER BOYS. The result: a postapocalyptic, post-punk, disco-not-disco masterpiece that sounds like a record you dug out of a dusty flea market bin in Mexico City in 1982 - or maybe 2082 - hard to truly say.
The EP starts off with the spaced-out chugger, Monsters From the Future - which drags you into their bizarre universe, before ratcheting up the tempo for the rest of the EP.
Next up is Mind Control Musique, which delivers an insanely catchy chorus sung in a non-existent language.
THEN - the B-side - where Danger Boys opt to sing in Spanish for two versions of Gringo Tropicana, a track which is already becoming a staple of numerous prominent DJ’s summer festival sets (including Bradley Zero, Yu SU, and Artwork, to name a few).
As always, Vinyl only. Picture sleeve with OBI strip.
- A1: California Girls
- D3: Wild Honey
- D4: Darlin
- D5: I Can Hear Music
- D6: Good Vibrations
- A2: I Get Around
- A3: Surfin' Safari
- A4: Surfin' Usa
- A5: Fun, Fun, Fun
- A6: Surfer Girl
- A7: Don't Worry Baby
- A8: Little Deuce Coupe
- B1: Shut Down
- B2: Help Me, Rhonda
- B3: E True To Your School (Single Version)
- B4: When I Grow Up (To Be A Man) (To Be A Man)
- B5: In My Room
- B6: God Only Knows
- B7: Loop John B
- B8: Couldn't It Be Nice
- C1: Getcha Back
- C2: Come Go With Me
- C3: Rock & Roll Music
- C4: Dance, Dance, Dance
- C5: Barbara Ann
- C6: Do You Wanna Dance?
- C7: Heroes & Villains
- C8: Good Timin
- D1: Kokomo
- D2: Do It Again
Expanded Edition[176,43 €]
Black Vinyl[9,12 €]
Blue Vinyl[10,29 €]
Black Vinyl[34,24 €]
Translucent Blue vinyl[35,92 €]
"To kick off the yearlong celebration and provide the perfect summer soundtrack, Capitol Records and UMe will release a newly remastered and expanded edition of The Beach Boys career-spanning greatest hits collection, Sounds Of Summer: The Very Best Of The Beach Boys, on June 17. Originally released in 2003, the album soared to no. 16 in the US and stayed on the chart for 104 weeks. Now certified 4x platinum for sales of nearly four and a half million albums, the collection has been updated in both number of songs and audio quality, expanding the original 30-track best of with 50 more of the band’s most beloved songs for a total of 80 tracks that span their earliest hits to deeper fan-favorite cuts and from their 1962 debut album, Surfin’ Safari through to 1989’s Still Cruisin’.
Assembled by Mark Linett and Alan Boyd, the team behind 2013's GRAMMY® Award-winning SMiLE Sessions and last year’s acclaimed boxed set, Feel Flows – The Sunflower and Surf's Up Sessions 1969-1971, Sounds Of Summer features nearly every US Top 40 hit of The Beach Boys’ incredible career, including “California Girls,” “I Get Around,” “Surfer Girl,” “Surfin’ U.S.A.,” “Fun, Fun, Fun,” “God Only Knows,” “Good Vibrations,” “Be True To Your School,” “Wouldn’t It Be Nice,” “Kokomo,” “Barbara Ann,” “Help Me, Rhonda,” “In My Room,” and many others. Fifty additional tracks showcase a broad mix of songs from across their wide-ranging catalog with some of the many highlights including “All Summer Long,” “Disney Girls,” “Forever,” “Feel Flows,” “Friends,” “Roll Plymouth Rock,” “Sail on Sailor,” “Surf’s Up,” and “Wind Chimes.”
The collection boasts 24 new mixes including two first-time stereo mixes, plus 22 new-and-improved stereo mixes, which in some cases feature the latest in digital stereo extraction technology, allowing for the team to separate the original mono backing tracks for the first time.
The expanded edition of Sounds Of Summer will be available in a variety of formats, including a 3CD softpack, and as a Super Deluxe Edition 6LP vinyl boxed set on 180-gram black vinyl in two options – a standard set or a numbered, limited edition version featuring a rainbow foil slipcase and four collectible lithographs. Both versions will feature color printed sleeves that replicate the original “Capitol Catalog” sleeves that highlight the entire Beach Boys discography, and all formats will include a booklet with new liner notes and updated photos. The original 30-track version will also be available in its newly remastered and upgraded form on single CD or double gatefold LP on standard weight vinyl or as a higher-end limited edition numbered version pressed on 180-gram vinyl with a tip-on jacket and a lithograph. "
- A1: Surfin' Safari (Mono)
- A2: County Fair
- A3: Ten Little Indians
- A4: Chug-A Lug
- A5: Little Girl (You're My Miss America) (You're My Miss America)
- A6: 409
- B1: Surfin
- B2: Heads You Win - Tails I Lose
- B3: Summertime Blues
- B4: Cuckoo Clock
- B5: Moon Dawg
- B6: The Shift
- C1: Surfin' Safari (Stereo)
- C2: County Fair
- C3: Ten Little Indians
- C4: Chug-A Lug
- C5: Little Girl (You're My Miss America) (You're My Miss America)
- C6: 409
- D1: Surfin
- D2: Heads You Win - Tails I Lose
- D3: Summertime Blues
- D4: Cuckoo Clock
- D5: Moon Dawg
- D6: The Shift
Heavy cumbia guitar rock from 1960s Colombia. Formed in 1961 by the legendary brothers Pedro Jairo and Guillermo Leon Garces, LOS GOLDEN BOYS rose quickly to the top of the Colombian "musica tripical" scene by combining popular rock influences with cumbia, gaita, porro and other local styles. The band recorded several hit singles and albums for the Dsco Fuentes label until the tragic death of brilliant electric guitarist Pedro Jairo in 1972 laid the original LOS GOLDEN BOYS to rest. Cumbia De Juventud is a newly remastered collection of 12 of the heaviest sogs from their golden era!
Repressed and back in soon, note small price increase. Indie store Only Release. Limited Edition Yellow Vinyl LP With Red Streaks. The Dead boys hailed from Cleveland, Ohio and relocated to New York to become one of the first US punk bands. Originally signed to Sire Records, the Dead Boys were notorious for their edgy attitude and songs. After frequent shows at CBGB, the club owner of CBGB became their manager. The Dead Boys debut studio album - “Young, Loud and Snotty” was recorded and released in 1977 and quickly became one of the definitive US Punk Rock albums! Roling Stone - Best Top 10 Punk Albums of all time. Sourced from the original mater tapes. Pressed at RTI for Maximum Fidelity. Limited Edition Yellow Vinyl with Red Streeks. 9/10 - All Music Guide
Sic transit gloria mundi! Roy Bianco & Die Abbrunzati Boys, die Halbgötter des Italo-Schlagers, nehmen den Ariadnefaden beherzt in die Hände und ziehen als gemachte Vielzahl von Theseus aus der Mitte des Labyrinths. 2020 is over if you want it. Und schon bot 2021 der Gruppe ein neues Reich der Ideen. Man schöpfte tief aus den Quellen der Inspiration über das heilige Land Italien und schließlich gab es neue große Werke des Italo-Schlager-Pops. Denn auserzählt ist diese Erfolgsgeschichte zwischen Kunst, Konsum und Kritik noch lange nicht. Von Roberto zu Roy, von „Greatest Hits“ zu neuen Titeln, heißt das neue Album fast schon folgerichtig „Mille Grazie“. Denn zum 40-jährigen (gegründet wurde die Gruppe schließlich 1982)
Bandjubiläum im Jahr 2022 muss man nach so einer bewegten Zeit auch einmal ganz bescheiden hinter den Mythos treten. Sich selbstverständlich mit dem nötigen Augenzwinkern, bei der großen Mutter Musik, bei den Fans und schließlich auch bei sich selbst bedanken.
- 1: Super-Fire
- 2: Click Click
- 3: Crash 17 (X-Rated Car)
- 4: Disco Six Six Six
- 5: Life In Pink
- 6: Thekindamzkyoulike
- 7: Vera Cruz
- 8: Anotherdroneinmyhead
- 9: Cash Machine
- 10: Wilmington, Zodiac Love Team
- 11: Sharkmeat, My Funny Valentine
- 12: Sexy Sam
- 13: I’m From France
- 14: Man Ray Of Love
- 15: Magattraction, Red Bar
- 16: If Glamour Is Dead
- 17: Viva Roma Star
- 18: Your Life To Slide (Previously Unreleased)
- 19: Distracted Rvs #7
- 20: Do It Like Diamonds
- 21: Black Leather
- 22: Keep Yr Pants On
Very limited double black vinyl, Download Card Included. No returns. This is for Indies Only. Seminal post–hardcore band Girls Against Boys are celebrating the 25th anniversary of the 1996 release of their critically acclaimed album House of GVSB with a double vinyl reissue of the album. Packaged in a full-color gatefold jacket, side A and B are the original album remastered by Bob Weston (Shellac). Side C and D feature odds and ends from the band’s 90s era work including sought-after b-sides, singles, compilation tracks, and one previously unreleased recording. Beginning February 4, 2022, GvsB will embark on their first tour since 2013. The band will be playing songs from across their entire catalog with stops in Chicago, Los Angeles, Washington, DC, and Seattle, among other cities. European dates to be announced soon. “the great ’90s post-hardcore thud-masters” Stereogum // “A pathbreaking hard-rock opus that plays like one long money shot” SPIN #5 Top Album of the Year
With songs that run the gamut from heart-breaking to satirical and a host of unforgettable film scores, Randy Newman has used his many talents to create musical masterpieces widely recognized by generations of audiences. After starting his song writing career as a teenager, Newman launched into recording as a singer and pianist in 1968 with his self-titled album Randy Newman. Throughout the 1970s, 80s, and 90s he released several acclaimed albums: 12 Songs, Sail Away, Good Old Boys, Little Criminals, Born Again, Trouble in Paradise, Land of Dreams, and Bad Love.
Good Old Boys is the fourth studio album by Randy Newman, released September 10, 1974 on Reprise Records. It was Newman’s first album to obtain major commercial success, peaking at #36 on the Billboard 200. Good Old Boys was initially envisioned as a concept album about a character named Johnny Cutler, an everyman of the Deep South. Newman made a demo of these songs on February 1, 1973; they were released as the bonus disc for the 2002 CD reissue, titled Johnny Cutler’s Birthday and are now being included on vinyl for the first time in this Run Out Groove deluxe edition.
In addition to his solo recordings and regular international touring, Newman began composing and scoring for films in the 1980s. The list of movies he has worked on since then includes The Natural, Awakenings, Ragtime, all four Toy Story pictures, Monsters Inc. and Monsters University, Seabiscuit, James and the Giant Peach, A Bug’s Life, and Meyerowitz Stories. Randy Newman’s many honors include 7 Grammys,® 3 Emmys,® and 2 Oscars,® as well as a star on the Hollywood Walk of Fame. He was inducted into the Songwriters Hall of Fame in 2002 and the Rock and Roll Hall of Fame in 2013—the same year he was given an Ivor Novello PRS for Music Special International Award. Newman was presented with a PEN New England Song Lyrics of Literary Excellence Award in 2014.
21 Bridges ensures the classic Beastie Boys demo collection gets a proper reissue, following its former relegation to only CD and bootleg vinyl formats. 'The Def Jam Master Demos' hears our favourite rabble-rousers at their rawest, with every track from their landmark project 'Licensed To Ill' getting an exclusive, less polished look-in. Fight for your right to definitively own every Beastie Boys rarity, and grab this one while you can.
Everyone is searching for it and we’ve got it for you.
"Let's Dance The Bugalu/Aprende Mi Tumbao" by The Guantanamo Boys, could be one of the most sought after records in recent times, a jewel produced in the late 1960s by Gabriel Oller, Latin music pioneer in the United States, now reissued by the Gladys Palmera label as its debut title.
The passage of time has in no way lessened the power of this record’s rhythm. On the contrary, today the Afro-Cuban + groove + funk + Latin soul sound that has taken it to cult status among collectors and DJs is connecting more than ever. Just ask the MCs and selectors who say that The Guantanamo Boys is the holy grail of Latin sessions. And its re-release has been a long time coming.
Produced by Gabriel Oller as an EP on his SMC (Spanish Music Center) label, with no cover and scant mention of the participating artists, The Guantanamo Boys’ 7” single was an amazing discovery for the team at the Gladys Palmera Collection, the most extensive collection of Afro-Latin music in the world.
That’s why we´ve reissued this record on vinyl, preserving the original sound and with attention to every detail of the recording, which features multi-instrumentalist Ray Fernández (known in the 1970s for his alternative salsa-funk band Ray and His Court; pianist and arranger Papi Peña (Conjunto Impacto) and singer Rubén Ríos, better known as Mr. Pachanga, Cuban music pioneer in the U.S.
Gladys Palmera Records is the Gladys Palmera label, bringing you this exceptional recording in an exceptional format: 10”. Don’t let it out of your sight, because you won’t tire of listening to its sound, rhythm and sabor.
As no strangers to the West End Records back catalogue – both having taken on remix duties individually in the past – 2022 sees Michael Gray and Dr Packer combine to give two classics the Rework treatment. Brenda Taylor’s seminal “You Cant Have Your Cake And Eat It To” is finessed into a contemporary disco standard: Taylor’s voice still cutting through with plenty of soul while synth and pianos provide the groove. “Don’t Make Me Wait” cuts a slightly edgier tone, with acid-like bleeps and plenty of reverb making it a perfect counter track as part of this release.
Another set of essential Reworks from West End.
Pink & White Vinyl
After three standout EPs on Atomnation, Japanese producer and live artist Ryunosuke Hayashi a.k.a. boys be kko serves up his long-awaited debut album. Hensa is a serene nine-track electronic trip that oozes musical charm.
He makes his music in a studio with its own roof terrace and counts the likes of &ME and Bonobo as fans while Running Back boss Gerd Janson has remixed him in the past. This new album finds him expand on his always emotive, clean and futuristic fusion of house, disco and melodic techno in alluring new ways.
This is a brain-cleansing, soul-enriching work of melodic electronic perfection from boys be kko.
The mod revival band Secret Affair recorded several promising singles and albums between 1978 and 1982. Their 1979 debut album Glory Boys features hits like “Time For Action” and “Let Your Heart Dance”. The UK was in the grip of the mod revival, and Secret Affair brought a very unique style. Besides the vocals of Ian Page he also added his trumpet to the different songs. They recorded both own material and covers like “Going to a Go-Go.” (the Miracles) for the album. The album’s centerpiece, “Glory Boys”, became the movement’s anthem for youth across the nation.
Glory Boys is available on black vinyl and contains an insert.
Manchester reggae band X-O-Dus are best known for their single English Black Boys, produced by Dennis ‘Blackbeard’ Bovell and released on Factory Records (Fac 11) in February 1980. This remastered compilation collects together 7 of their best tracks and is limited to 500 copies on 180 gsm vinyl (plus digital copy)
Talent-spotted by Joy Division manager Rob Gretton, X-O-Dus performed at live events such as Zoo Meets Factory Halfway (August 1979) and Factory By Moonlight (April 1980). In time-honoured Factory fashion Fac 11 was released almost a year late, being the only reggae record to appear in a sleeve designed by Peter Saville.
Digitally remastered by Peter Beckmann in 2021, this 7 track vinyl edition includes both sides of the Factory single as well as 5 album demos recorded in 1980. For optimum sound quality the album is pressed on 180 gsm vinyl.
The vinyl inner bag contains sleeve notes by former manager Martin Dunlop, along with archive images including previously unseen shots from the Moonlight Club show on 4 April 1980 by Peter Anderson.
‘Open Mouth, Open Heart’ is the Hopeless
Records debut from San Francisco-based punk
band Destroy Boys.
Identifying as majority female, non-binary,
LGBTQA+ and POC, Destroy Boys are known as a
band that uses their platform to be outspoken
advocates for myriad social justice issues,
especially when it comes to racial equality,
LGBTQA+ rights and inclusion for all.
The punk trio have been redefining West Coast
punk and have been embraced by TikTok to the
tune of 20 thousand user-made videos and over
3.5 million views.
In addition to having racked up over 60 million
streams, their music can be heard in 2020's Tony
Hawk’s Pro Skater 1+2 game and upcoming
campaigns for Fender and Starz' Hightown.
The band can currently be seen on Sad Summer
Festival, where they will be sharing the stage with
All Time Low, The Story So Far, The Maine,
Movements and Grayscale.
For fans of FIDLAR, Bikini Kill, Mannequin Pussy.
After a first tune of a pure mental Hard techno acid, you'll get a banger (what a kick !!) Doom Hardcore downtempo dark tune...
The flip brings 2 acid Doom tunes.
The fi(r)st one is sophisticated complex tune : the beat, the breakbeats, the structure : everything is original... and the last track is an acidcore graveyard digger with a cool breakbeat drop.
FAT !
Thirteen turbocharged tracks indebted to the pleasures and pitfalls of their lives in the modern city of Sydney and to the the first and second waves of international extreme music freaks and loonies: pure fucking aggression. The Oily Boys have graced us with a beast of an album that swells between direct, gripping, tangible hardcore punk and near nauseating psychedelia and throb which at moments feels like either ritual trance or a nervous breakdown. Cro Memory Grin contains near equal measures of tension and release; an exercise in high catharsis. It’s rare that a punk record can give the listener anywhere near the same intoxicating feel of an “everything louder than everything else” live show, but that’s what Oily Boys have done. That lightning in a bottle feeling of excitement, chaotic energy, delirium, presence in a moment and frenzied flight into a mind state both frightening and ecstatic. The stone has been carved, the fire has been lit, and this is it... Cro. Memory. Grin. *** Best played LOUDEST ***
For number 89 in the Brazil45 series, we present a no-nonsense Brazilian funk / samba rock double-sider courtesy of the mighty Golden Boys and Silvio C sar. The Golden Boys were a quartet formed in 1958 by the Correa brothers; Renato, Roberto, Ronaldo, and their cousin Valdir Anuncia o. They enjoyed a stellar recording career, from the 50s through to the 90s, with members of the group still involved in music to this day. For this selection we headed to their self-titled 1975 album released on Odeon and cherry-picked one of the group’s funkiest moments, ‘Segura Na Cintura Dela (O Gavi o)’. By now performing as a trio, they enlisted Paulo Deb tio of Lemos E Deb tio 8206;fame as executive producer and, on the controls, producer Milton Miranda. Miranda was a silent figure behind so many of the much-loved classic Odeon / EMI releases of the 60s and 70s. ‘Beco Sem Sa da’ is another Odeon release, and another classic produced by Milton Miranda. Taken from Silvio C sar’s self-titled 1971 album, here the prolific singer and composer delivers a swinging samba rock / groove. With fantastic arrangements by Geraldo Vespar, this addictive swing was reconstructed in the 2000s when Drumagick sampled it for their track ‘Sambarock’. So here we have two slices of Brazilian dancefloor pressure just waiting to take centre stage again.
- Next installment in BRAZIL45 Series.
- Brazilian funk and samba rock double-sider.
- Both tracks produced by Milton Miranda.
Released on the 40th anniversary of 38 Special’s fourth studio album as part of Snakefarm Records’ “Reskinned” reissue series. This version marks the first repress of the album since it’s original 1981 release and has been specially remastered for vinyl. Comes with sleeve notes and original artwork and pressed on 140g hot pink. Very Limited Edition. Numbers will be shared out when all orders in.
The Beastie Boys originally released Some Old Bullshit in 1994. It compiles several of their early EPs, recorded in the early 1980s. These recordings present a sound radically different from that of the hip-hop sound generally associated with the band. Instead, these songs represent the band’s part in the early New York hardcore scene. The album also features taped segments originally heard on Noise The Show, a popular hardcore radio show on WNYU in New York that played early recordings from the Beastie Boys. These segments feature the hyperbolic introductions of Noise The Show‘s host, Tim Sommer, an early supporter of the band.
Featuring Beastie Boys’ Earliest Recordings, Including “Egg Raid on Mojo”and “Cooky Puss” on 180g black vinyl.
Das ursprünglch 1994 veröffentlichte Album ”Some Old Bullshit” der Beastie Boys kommt nun als Reissue
und stellt mehrere ihrer frühen EPs zusammen, die in den 1980er Jahren aufgenommen wurden.
Diese Aufnahmen präsentieren einen Sound, der sich radikal vom Beastie Boys-typischen Hip-Hop-Sound
unterscheidet. Stattdessen repräsentieren diese Songs die Rolle der Band in der frühen New Yorker HardcoreSzene. Das Album enthält auch aufgenommene Teile, die ursprünglich in Noise The Show zu hören waren,
einer beliebten Hardcore-Radioshow auf WNYU in New York, die frühe Aufnahmen der Beastie Boys spielte.
Die Vinyl kommmt auf 180g schwarzem Vinyl, als 1LP.
Today, the Berlin-based artist, DJ and producer BOYS NOIZE (Alex Ridha) announces the release of two new songs on July 16th via his imprint BNR. BOYS NOIZE’s tear-out run of collaborative singles will continue with (+)side "Nude", this time partnering up with Estonian avant-gardist TOMMY CASH, and (-)side "Xpress Yourself".
Traditional village music transformed into fiery and frenetic underground Hip Hop. Emerging from the digital cultural renaissance of the early 2000s, where DIY studios sprung up throughout West Africa, "Patriote" is a shining example of localized global music. Hypnotic and driving rhythms built from sampled percussion and chopped-up instruments combine with syncopated staccato "ragga" inspired flow into infectious hammering tracks that sound like nothing before. Mamaki Boys was formed in 2002 by Aziz Tony, Bachou Issouf, and Salif André, when a local Hip Hop movement was exploding in the capital of Niger. "Patriote" was recorded to address a trend in the scene they perceived as too derivative. Produced at Studio BAT, one of the first studios in Niamey, Mamaki Boys sought to merge modern Hip Hop with traditional music. They invited elder musicians into the studio to play Nigerien instruments like duma and kalango, which were sampled and looped over their compositions. "We wanted to put tradition in the rap, ancestral dances, the things that our grandparents did in the village," Aziz explains. "Our mission was to re-value the culture, put it into Hip Hop, and to show all the colors of our country." Self-describing their music as "tradi-moderne", a Nigerien movement of folk revitalization, their cultural manifesto presents through every aspect of their work. Each track relies heavily on traditional instruments, and each rhythm is based on a dance from Niger. Their mission extends to the urgency of their lyrics: Takai challenges the population to preserve their culture, Kagani Kagani is a demand to take back mineral, oil, and uranium rights from their colonizers, while Komando uses war cries to inspire artists to keep speaking out. A strong entry in 21st-century global music, Mamaki Boys "Patriote" takes back the tools of globalization, repurposing them in the fight for cultural identity. Originally self-released in 2009 on limited edition CDR in Niger.
Brooklyn-based duo Julian Duron and Michael Sherburn are Earth Boys, connoisseurs of heady house music that warms you with soft summer heat. Returning to Shall Not Fade after the success of their sellout LP Earth Tones last year, Automatic EP continues the Bristol label's new Classic Cuts series. It beautifully blends jazz instrumentation with deep house energy, creating sophisticated and unique dance music.
The title track is absolutely not to be missed - it's something a little different from the duo, centralising completely infectious vocals that are guaranteed to circulate your head for hours, a clean cut hit. Jazz sax meanders over the laidback house beat and into the next track "Okokok," which nods to Middle Eastern disco, this time the sax solos pair with a throbbing acid bassline. This acidic edge is brought to the forefront in the hard hitting business of "Revolution 420", a rave ready number infused with laser cut synths and dreamy pads.
Floating flute samples bring in the B side, the hazey natural breaks but disco influenced bassline making "Hush" both muted and danceable. Earth Boys bring master house producer JT Donaldson on board for the closing track, a sound soaked with funk n soul influence in its chunky slap bass and crooning female vocals. "Love Got You" winds the EP to a close with style - both cool and romantic, understated and glittering with character.
Order SNFCC004 now
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Triple Vision Record Distribution BV · Achterhaven 160 · Rotterdam, Zuid-Holland 3024 RC · Netherlands
“The term ‘Front Porch Singin’’ may actually be a metaphor for
many creative and conceptual musical ideas. But, for us, this title
has become more of an attitude than anything else. What if the
four of us were sitting on a porch together and someone begins to
sing a favorite old Gospel song, like ‘Swing Down Chariot’, or a
country and Western standard like ‘Red River Valley’, and
everyone else just joined in?
“That is what happened at RCA Studio A. But, as usual under
producer Dave Cobb’s leadership, this album turned into so much
more. The Front Porch Singin’ attitude remained prevalent
throughout, as songwriters, musicians, Dave and all four of us
kept coming to the table with terrific creative ideas to enhance our
Front Porch experience.
“This project is quite honestly one of the most heartfelt albums we
have ever recorded. Perhaps it is because we recorded these
songs in the middle of a raging pandemic that changed the face of
America and obviously took a huge toll on those of us in the music
business. It was a bit strange to social-distance from each other in
the studio, but we believe it drew us all closer and, in doing so, we
may have inadvertently recorded the perfect project for this time
period. These songs, whether new or old, reflect a certain
optimism and a deep-seated faith that God will work all of this out
as we move forward. ‘Life is beautiful’, as one song says. We must
embrace it and celebrate it with all of our being.
“Join us on The Front Porch and, if it is God’s will… Let’s keep on
SINGIN’.” - The Oak Ridge Boys
Produced by six-time Grammy award-winning producer Dave
Cobb (John Prine, Brandi Carlile, Chris Stapleton, Sturgill
Simpson, Jason Isbell & the 400 Unit), who also co-wrote several
of the songs on the album.
The Oak Ridge Boys are members of the Country Music Hall of
Fame and The Grand Ole Opry. They are Grammy, ACM, CMA
and Billboard Award winners. They have had 12 gold, three
platinum and one double platinum album, more than a dozen
national Number One singles and over 30 Top Ten hits.
After 4 years of re-issuing some of the best house and disco, from hard to find deep-house gems to all times classics, Groovin Recordings are really excited to start releasing new music too, featuring some of the best young producers from the new generation. The first release introduces Groove Boys Project (Lucas Moinet and Alexandre Valard), a talented duo from Paris with a unique sound, a classy mix of fender rhodes, jazz chords, MPC based drum beats, soulful strings and some classic synths.
“Studio 937 cuts” is a two tracks EP that show their skills in the best way.
"Never Give Up" is a sophisticated jazzy-house track, composed with Kamasari and GBSiX who wrote the lyrics and the vocal part too. You’ll never get tired of GBSiX’s vocals !
On the B side "Deep In The Blue" is a Fender Rhodes deep-house ballad from Lucas Moinet, for all the Rhodes lovers out there.
Der Inbegriff für des kommerziellen und künstlerischen Höhepunkts von Traffic, ”The Low Spark Of The
High Heeled Boys,” erreichte weniger als ein Jahr nach seiner Veröffentlichung Gold und erzielte schließlich
einen Umsatz, der über den von Platin hinausging.
Nun erscheint das Album als individuelles Re-Issue aus dem phänomenalen ”Traffic 2019 - The Studio
Albums 1967-74 Boxset.” Aus den Originalaufnahmen remastered und auf 180 g schweres Vinyl gepresst,
ist es ein Muss für jeden neuen oder erfahrenen Traffic-Fan.
The Low Spark Of The High Heeled Boys” erscheint als Deluxe LP und digital.
It is with extreme pleasure that we, Basement Boys Records proudly announce our 100th single release and 30th year in the music business as an active recording label!
Holding down our 100th release is the legendary multi-faceted singer/songwriter/producer Byron Stingily. As one third of the Chicago-bred, world renown trio, Ten City and as its primary lead vocalist, Byron’s velvety falsetto graced such House Music staples as “Devotion”, “That’s the Way Love Is”, “My Piece of Heaven” along with scores of other classic House music favourites. As a solo artist, Byron went on to create such memorable House jewels as “Get Up” & “It’s Over” a classic collaboration with the Basement Boys for his project on Nervous Records.
“We Belong Together” contains four mixes. The Monday Night Vocal Dub and Instrumental are up first, with percolating congas and swinging violins that accentuate the well-paced drums and percussion of this delectable mix. The brassy horns sing in tandem with Byron as he tugs on the heartstrings with his romantic, chromatic vocal adlibs and signature riffs. The sugar-laden strings and sparkling pianos brings to mind the 90's Ten City production of Marshall Jefferson.
DJ/songwriter/musician/producer, Maurice Fulton is one of House music’s true originals, back where he started. Maurice had the first release on Basement Boys Records with Sticky People "Kong". A man with a mind-blowing complexity behind all that is deep, dark and funky.
Fulton’s mix takes a more soulful tech approach employing a host of electro sounds. A fervent polyrhythmic vortex of percussive wind chime effects, married with classic snares, tom toms & hi-hats, deep sub bass and a meaty kick all define this masterful alignment of electro and acoustic elements. At the midway point, Maurice turns the suspense-filled symphonic intro from the previous mixes into this electro breakdown groove fest sure to drive dancers into a frenzy complete with Byron’s heartfelt lyric.
Closing it out the Main Mix in all its glory, hi-powered, dense bottoms and percussive elements, sweet R&B “boogie” style chords, neatly placed horn accents with Byron slaying the lyric as he always does in his exquisite, soulful pleading falsetto telling the object of his affection, “We Belong Together”.
- 01: Kangundo D Boys - Mpenzi Maggie
- 02: Kyanganga Boys Band - Ivinda Ya Tene
- 03: Nyeri Honey Boys - Ndikwenda Kwanangwo
- 04: Kangundo D Boys - Mbarak Mwinshehe
- 05: Kirurumo Boys - Mwendwa Wama
- 06: Kali Kali Boys - Ungwana Ni Tabia
- 07: Kirurumo Boys - Njeri
- 08: Nyeri Honey Boys - Nowe Wecuka
- 09: Kyanganga Boys Band - Kyalo Kya Sikimu
- 10: Kali Kali Boys - Mchezo Wa Panya
This album is a celebration of benga and rumba music recorded in Nairobi, Kenya in the early 1980s. The five Kenyan groups chosen all feature "Boys" in their band names in one form or another; a common theme in Kenyan music at that time.
The tracks selected were all released as 7" vinyl singles on the Boxer, Lulus and Hit Parade labels, which were all part of Babu Shah's Audio Productions stable. This is the first time they have been released outside of Kenya.
No Wahala Sounds are proud to bring you these lost musical gems and would like to thank Doug Paterson for digital clean up from the original vinyl.
Due for release on 09 April 2021. Interest for airplay from Tom Ravenscroft and Gideon Coe from BBC 6 Music, DJ Ritu from Resonance FM/SOAS Radio, Roger Hill from BBC Merseyside, Steve Barker from BBC Lancashire, and DJ Debbie Golt from Resonance FM.
Indie rockers The Ordinary Boys, team up with ska vocalist Ranking Junior
on brand new single ‘Legacy’, a poignant yet jubilant tribute to Murphy’s
father the late Ranking Roger, front man of legendary
Birmingham band The Beat.
This limited edition 7” single also includes “Jump and Skank” on the flip side.
The Ordinary Boys first met Ranking Junior way back in 2005 at a festival in
Japan, when Junior was performing with his father as part of The Special Beat,
a band made up of members of 2 Tone heavyweights The Specials and The
Beat. The Ordinary Boys were fresh from chart success following the release
of their celebrated single ‘Boys Will Be Boys’.
After sharing the stage and performing together, the two bands bonded over
their love of ska, rock and being on the road, sparking a close friendship between The Ordinary Boy’s front man Samuel Preston and Ranking Junior.
It was when Junior called Preston to inform him of his father’s death on 26th
March 2019 at the young age of 56, that they decided to get into the studio,
both feeling the need to pay homage to Ranking Roger and mark his passing
by working together on new songs.
The result is ‘Legacy’, a catchy and accessible track that is both deep and euphoric in equal measure, that perfectly showcases Ranking Junior’s powerful
vocal and highlights the songwriting skills of Samuel Preston, who had been
penning hits for artists as diverse as Cher, Enrique Eglesias and Liam Payne
prior to recording.
Ranking Junior comments: “This song is a celebration of my father’s life and it
seems a fitting tribute to release it on the anniversary of his passing.”
- A1: Wouldn't It Be Nice
- A2: You Still Believe In Me
- A3: That's Not Me
- A4: Don't Talk (Put Your Head On My Shoulder) (Put Your Head On My Shoulder)
- A5: I'm Waiting For The Day
- A6: Let's Go Away For Awhile
- A7: Sloop John B
- B1: God Only Knows
- B2: I Know There's An Answer
- B3: Here Today
- B4: I Just Wasn't Made For These Times
- B5: Pet Sounds
- B6: Caroline No
- A1: Wouldn't It Be Nice
- A2: You Still Believe In Me
- A3: That's Not Me
- A4: Don't Talk (Put Your Head On My Shoulder)
- A5: I'm Waiting For The Day
- A6: Let's Go Away For Awhile
- A7: Sloop John B
- B1: God Only Knows
- B2: I Know There's An Answer
- B3: Here Today
- B4: I Just Wasn't Made For These Times
- B5: Pet Sounds
- B6: Caroline No
The ultimate pressings of the Beach Boys discography from Analogue Productions!
Original mono mix produced by Brian Wilson
One of 10 titles featuring 33 1/3 mono and stereo remastered editions: Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (And Summer Nights!!), Beach Boys Party!, Pet Sounds and Smiley Smile
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom and 180-gram vinyl pressing by Quality Record Pressings!
"It was Pet Sounds that blew me out of the water…I love the album so much. I've just bought my kids each a copy of it for their education in life. I figure no one is educated musically 'til they've heard that album." – Paul McCartney
"All of us, Ginger (Baker), Jack (Bruce), and I consider Pet Sounds to be one of the greatest pop LPs to ever be released. It encompasses everything that's ever knocked me out and rolled it all into one." – Eric Clapton
"For those in search of an original mono in pursuit of sonic quality, search no more. This Analogue Productions pressing is now the definitive pressing and the one we chose to feature at our Classic Album Sundays events to honour the 50th anniversary of Pet Sounds, an album that helped change the course of pop music." — Colleen ‘Cosmo' Murphy, Classic Album Sundays
"Overall though, this new reissue is the best sounding of all. The bottom end has more weight and solidity and the instrumental separation and front to back layering is nothing short of astonishing compared to the pleasing mush offered up by other editions. ... Pet Sounds belongs in every serious rock record collection and if you're going to have but one version this one from Analogue Productions is the one to have." — Music = 11/11; Sound = 11/11 - Michael Fremer, AnalogPlanet Read the whole review here.
"What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition
To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And we’ve got ‘em!
For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!
We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl,” “In My Room,” “Little Deuce Coupe” and more lend themselves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honoured favourites shine brighter than the originals!
Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.
Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times." It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best).
VH-1 named Pet Sounds as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. It's been ranked No. 1 in several music magazines' lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone's 500 Greatest Albums of All Time list.
- A1: Wilton Gaynair - Rhythm (1959)
- A2: Lance Hayward Feat. Totlyn Jackson - Old Devil Moon (1960)
- A3: The Eric Grant Orchestra - Let’s Fall In Love (1960)
- A4: Cecil Lloyd - St. Thomas (1961)
- A5: Lennie Hibbert - I Love Paris (1961)
- A6: Ernest Ranglin - Exodus (1962)
- B1: Cecil Lloyd Group - I’ll Remember April (1962)
- B2: The Workshop Feat. Don Drummond - It Happens (1962)
- B3: The Workshop Feat. Tommy Mccook - The Answer (1962)
Talking about the foundation of Jamaican music, the Alpha Boys School in Kingston can be considered as one of the places where it all began! Back in the day, under the direction of Sister Mary Ignatius, the school was the place where young boys from the poor neighborhoods in Kingston could embrace an instrument (mostly brass and drums). Then history tells us that some of these kids became among the most influential musicians in the history of Jamaican Jazz, Ska, and Reggae. Joe Harriott, Dizzy Reece, Tommy McCook, Don Drummond, Cedric Brooks, Rico Rodriguez, Johnny Osbourne, Leroy Smart and Yellowman are just some of the fruits of such a great community art project. Now this compilation contains some rare gems produced between 1959 and 1962 by Jamaican Jazz heavyweights such as Tommy Mc Cook, Don Drummond, Ernest Rangling, Lennie Hiibert, Cecil Lloyd and others. This is highly swinging music inspired by the Black American tradition with a unique and inevitable Caribbean flavour. Don't miss it!!!
- Rare P-Funk album from 1983 - Funkadelic/Parliament All-Star Line-Up - First ever vinyl reissue - Comes with a repro of the original insert - 180g Black Vinyl Edition - Limited to 500 copies, comes with obi strip // Jerome "Bigfoot" Brailey is an American drummer who started performing in the early 1970s with several R&B groups from the likes of The Unifics, The Chambers Brothers and The Five Stairsteps where he developed his unique style and finesse on drums. Later in 1975 he joined George Clinton's P-Funk collective and has appeared on many of Parliament & Funkadelic's most popular recordings (some of which he also co-wrote). Brailey played on classic albums like `Mothership Connection' and `One Nation Under A Groove'. Samples from that body of work (and his drum arrangements) have since then appeared on hundreds of hip hop and contemporary R&B songs by renowned artists such as Kendrick Lamar and Childish Gambino. Jerome Brailey is a member of the Rock and Roll Hall of Fame (inducted in 1997) and part of their `50 greatest drummers in the Hall' list (stating that his drum style kept Parliament-Funkadelic rooted in the old-school `James Brown-style funk')_next to this achievement, he was proclaimed by Rolling Stone as one of the `100 Greatest Drummers of All Time' for his steady kick drum, shifty hi-hat action and intricately unpredictable snare patterns. Brailey earned numerous Gold and Platinum records with the P-Funk Organization and has worked as a session drummer for many talented artists such as Herbie Hancock, Buddy Miles, Snoop Dogg and Pharoah Sanders. George Clinton's funk empire was not without its disagreements and Jerome Brailey's `Mutiny' project was a direct result of just such a disagreement (as well as one of the more notable offshoots of the P-Funk axis). Mutiny performed in a style not far removed from the classic P-Funk style and with a lot of emphasis on the dual lead guitar work, but what makes them unique compared to their contemporaries is that at times their recordings also emit a darker, more sinister feeling. Besides Brailey on drums (and on most of the lead vocals) Mutiny featured a funk-alumni line-up and released three amazing and collectible albums: `Mutiny On The Mammaship' (CBS, 1979), `Funk Plus The One' (Columbia, 1980) and `A Night Out With the Boys' (J. Romeo, 1983)_these were followed by two comeback albums: `Aftershock' (Rykodisc 1995) and `Funk Road' (Catbone, 2013). The `Mutiny' album we are proudly presenting you today (A Night Out With The Boys) is an underrated gem made by musicians who defined the funk scene of the '70s and '80s! Featuring an all-star line-up that includes Rodney Curtis (Fred Wesley, Maceo Parker), Michael Hampton (Funkadelic-Parliament, Deee-Lite), Kenni Hairston (Cameo) and Maceo Bond of Osiris/Afrika Bambaataa fame! `A Night Out With The Boys' has it all: Jerome's trademark drumbeats, funky bass grooves, driving riffs accented by stinging synth parts, slow spacey (and prominently featured) guitars, top-notch lead vocals and chants that recall Sly Stone's "Loose Booty". The whole album is a hot dance jam with crisp percussion_an extremely infectious, locked-in-the-pocket bass-heavy monster-funk-bomb that any serious self-respecting funk fanatic must have in his/her collection!
Every so often Public Release takes a snapshot along their discography timeline, to pause and recognize the various artists that represent the past, present and future of where the label sits. The last such release was in 2016, and four years, twelve releases later it’s time for another marker. This EP pools together six exclusive tracks from their global family, some on the PR roster for the very first time. From the beautifully addictive melodies by Tendts and Metropolitan Soul Museum, brooding baselines and synths from Richard Sen and Tim Sweeney, to the ecstatic floor energy produced by Fran-key and Earth Boys, the range presented here is impressive. Equally enjoyable as an abbreviated album, or as singular tracks at your service.
The original, the inspirational, the bombastic, the never bettered, the one.
'Don't make me wait' is all of the above and so much more. Classic to the core. Huge earth shattering record right here.
OK, so the scoop, for the uninitiated is this - the Peech Boys were Larry Levan's group, we're talking early 80's NYC here, 1982 to be precise, around the height of the Paradise Garage as Larry was making the transition from superstar DJ to producer. He brought a sparse, dubbed out, narcotic late night feel to the overall sound of this record. This was a short-lived project, but the influence is still felt today, the Peech Boys DNA is inside the veins of modern dance music, as is Larry's. There is no underestimating what an impact this record had. 7+ minutes of electronic bliss, trailblazing stuff, and don't get us started on the dub. Do yourself a favour, BUY this classic if you don't own it already, you'll keep coming back to it time and time again. Guaranteed. This essential 12" is repressed here in it's original 1979 glory, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2017 in conjunction with West End Records, NYC.
Monkey Business is the third single to be taken from the forthcoming album ‘Hotspot’ out 24th January 2020, and features a radio edit of the track, remixes from Friend Within and Prins Thomas, plus exclusive B-side ‘At Rock Bottom’. "Hotspot" was mostly recorded in Hansa Studios, Berlin, and mixed in The Record Plant, Los Angeles.
It was produced and mixed by Stuart Price and features ten brand new tracks including the single "Dreamland" feat. Years & Years, which was released in September. Another of the songs, "Burning the heather", features Bernard Butler on guitar and was recorded at RAK Studios in London.
3 new tracks by eccentric Japanese artist boys be kko. A1 'Oreinspotting' is a floating track with a big bass line that keeps going - well produced as always. 'got type B' is a track with a big intro and b1 'Home Run Bat', the title track, shines the way it's arranged. All around, a great EP with a 100% signature sound from Tokyo, Japan.
The french and fresh production team Mochi Men (Young Pulse & ATN) is back on wax, releasing their 2nd official remix on Mochi Records ! After making a great impression with their previous and
sold out release (the deep house – UK jazz funk remix of Resolution 88’s "Taking Off), they return with a monster nu disco boogie nugget, remixing “Boys and Girls” from the famous french latin funk sensation, Setenta ! With a strong reputation since their first hit “Funky Tumbao”, followed by 4 LP's, a collaboration (on record and on stage) with Nuyorican legend Joe Bataan and even a remix
by Kenny Dope Gonzalez (Masters At Work), the Parisalseros of Setenta entrust their latest hit to the Mochi Men funky rascals.
The result is a heavy boogie bounce of a real party jam, that hits hard on the dancefloor
Kicking 2019 off in fine style, we present Boogizm co-founder Fym. Having previously presented tunes on Daniel Bell's 7th City, Circus Company, Telegraph, LMML, and Veniceberg. We have here 4 trax of hi-tech-lo-fi-funk. The works on this wax are devoid of cliche and full of quirky flavors; all whilst maintaining their dancefloor appeal.
Hip hop heads, 7" freaks - Check this one!
Earth shattering early 80's Bronx sounds transmitted back to us as fresh as the day they were terraformed!
NYC's Easy Street label is known for it's contributions to house music, electronic disco and boogie, but there was a handful of early rap singles on the label too including this megaton bomb from the freshly monikered Lil' Jazzy Jay & Cool Supreme from '85, all the way live. This record has it all, dubbed out FX, vox, cuts and brain frying vocoders..... not to mention the monolithic drum machines and dope braggadocios rhyming.
This is the FIRST TIME this mid 80's rap rarity has been made available on a 7". Both the 'club vocal' & 'dub instrumental' are featured here, cut at 33 rpm for maximum sonics. Made available courtesy of Above Board distribution for 2019. Shout out to Easy Street, %100 legit re-issue, re-master & re-press, essential wax!
After over 100 million album sales the Backstreet Boys return newly signed to RCA Records. Formats are double LP (1st Feb) and CD (25th Jan). Includes the singles "Don't Go Breaking My Heart", "No Place" and the Ryan Tedder/Shawn Mendes penned song "Chances". Radio support across R2, ILR network, plus ad campaign. Video plays at Vevo and MTV. Ads, features, interviews and reviews across all press. Online/social media activity. Recent TV performances have included Strictly Come Dancing, Loose Women, This Morning, Lorraine, ITN News, 'Stand Up To Cancer'. Sold out June UK arena dates. Poster campaign and database mailout.
Formed by German prominent electro producer Boysnoize and French film director/electro producer Mr. Oizo (aka Quentin Dupieux), Handbraekes comes back with a brand EP, the third one since the mysterious episodic collaboration started in 2012. Blending Boyznoize electro maestria with Mr. Oizo's peculiar touch, '#3' will undoubtedly both startle minds and make bodies dance, creating disco riots in clubs and festivals around the world.
German producer and DJ Boys Noize has announced the release of his much-anticipated cover version of Adamski and Seal's 1990 rave classic 'Killer' on 12 vinyl, via The Vinyl Factory and Boysnoize Records.
Featuring vocalist Steven A. Clark, the original 12 version is backed by an instrumental, both of which you can listen to below:
As Boys Noize says: 'Being a '90s kid I kind of grew up with this song which later became one of these tunes I'd play out at the end of the night. When I met Steven and heard his voice for the first time I immediately thought of that track and the idea of doing a cover version was born. It was initially just for fun but it turned banging and lit the dance floors wherever I'd drop it.'
Adamski and Seal's original represented something of a breakthrough for both the producer and vocalist, spending four weeks at the top of the UK Singles Chart in the summer of 1990.
Speaking to journalist Dave Simpson in The Guardian in 2013 Seal explains the impact the song had on his career: 'Within a week, I went from being a relative nobody - this weird guy at raves, with silver bits in my hair - to a household name.'
Boys Noize' 'Killer' is out now digitally and on 12 vinyl, limited to 500 copies.
The original, the inspirational, the bombastic, the never bettered, the one.
'Don't make me wait' is all of the above and so much more. Classic to the core. Huge earth shattering record right here.
OK, so the scoop, for the uninitiated is this - the Peech Boys were Larry Levan's group, we're talking early 80's NYC here, 1982 to be precise, around the height of the Paradise Garage as Larry was making the transition from superstar DJ to producer. He brought a sparse, dubbed out, narcotic late night feel to the overall sound of this record. This was a short-lived project, but the influence is still felt today, the Peech Boys DNA is inside the veins of modern dance music, as is Larry's. There is no underestimating what an impact this record had. 7+ minutes of electronic bliss, trailblazing stuff, and don't get us started on the dub. Do yourself a favour, BUY this classic if you don't own it already, you'll keep coming back to it time and time again. Guaranteed. This essential 12" is repressed here in it's original 1979 glory, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2017 in conjunction with West End Records, NYC.
In early 2017, Public Release dropped a four-tracker by Brooklyn's Earth Boys, a duo comprisedof Julian Duron and Michael Sherburn, and now it's being followed by a collection of remixes by some formidable names from around the world.
Where the EP of originals fell squarely in the category of vibey, shuffling, laid-back house
grooves, Trail Remix is decidedly made for the after-midnight parts of club sets. The 12-inch begins with a T&P - that's Beats in Space's Tim Sweeney and Phillip Lauer's version of 'Trail Mix'. Acid-flecked and hard-edged, and tongue-in-cheek at heart yet seriously functional, it's the original red-lined and shot down the highway at ninety miles an hour. (Worth noting that this is
the transatlantic unit's first remix to be released.) After that is Earth Boys' own redo of 'Highway
1' a juiced-up re-imagining of the first version, filled out with chunkier kicks and fatter synth washes that completely envelope any sense of direction. The flip leans towards the ethereal, stretchy, abstract, though it, too, is tracky and driven. The B1 slot goes to Canadian wunderkind Khotin, of 1080p and Normals Welcome, who blows some stardust into the tune, enveloping it in a blanket of sharp drums and icy pads. NYC mainstay Mike Simonetti, formerly of Trouble Man and Italians Do It Better, currently of 2MR, caps the record with his beefy overhaul of 'Trail Mix' a compression of industrial percussion, tribal rhythms and sub-bass undulations.
- A1: Make Some Noise
- A2: Nonstop Disco Powerpack
- A3: Ok
- B1: Too Many Rappers (Feat Nas - New Reactionaries Version)
- B2: Say It
- B3: The Bill Harper Collection
- B4: Don't Play No Game That I Can't Win (Feat Santigold)
- C1: Long Burn The Fire
- C2: Funky Donkey
- C3: The Larry Routine
- C4: Tadlock's Glasses
- C5: Lee Majors Come Again
- D1: Multilateral Nuclear Disarmament
- D3: Crazy A** S**T
- D4: The Lisa Lisa/Full Force Routine
Hot Sauce Committee Part Two is the eighth and final studio album by the American hip hopband Beastie Boys, released on April 27, 2011. The album received critical acclaim upon its release and was also a moderate commercial success, debuting at No. 2 on the Billboard 200 chart. The release was supported by four singles - "Lee Majors Come Again", "Too Many Rappers" featuring Nas, "Make Some Noise", and "Don't Play No Game That I Can't Win" featuring Santigold. Pressed on 180G vinyl.
It´s quite some years after Starburst , the first record on Internasjonal the japanese duo Traks Boys, consisting of Kawasaki based producers and Djs Crystal and K404 did for us. But a short 7 Years down the road the magic is still there. "Be With you" and "Weekend Lights" are mesmerizing, sparkling with creativity and beauty. "Be With you" is modern disco cut up of the finest while Weekend Lights is a hypnotic stringinfected warm groover that we can´t get enough of. Finally Weekend (Light) Lover and Friend of the House Axel Boman takes it all home in the biggest of ways.
Reduced with care and then build up again to one the neatest breaks that we heard this year.
Musique par Andrew Chalk & Timo van Luijk
avec:
Tom James Scott - piano
Jean-Noël Rebilly - clarinette
Daniel Morris - guitare pedal steel
Mastered & cut by Rashad Becker at Dubplates & Mastering, Berlin 0417.
Having been entranced by both Andrew Chalk's work with MIRROR (and back to his solo works as FERIAL CONFINE, plus multiple collaborations with David Jackman, The New Blockaders, Daisuke Suzuki, etc ) and Timo van Luijk (as Af Ursin, In Camera, La Poupée Vivante, and collaborations with Kris Vanderstraeten and others) for many years, I was naturally intrigued to hear about and hear their duo project ELODIE. The project formed in 2010, and has spanned eleven beautiful albums already, to date.
"Vieux Silence" for Ideologic Organ is their first release presented outside of their own record publishing nook, Faraway Press & La Scie Dorée. However this is not the first encounter between Ideologic Organ & ELODIE, they performed at a night in London I curated in February 2012, alongside Jessika Kenney & Eyvind Kang. Elodie's performance was among the most delicately engaging and savant I have witnessed... so very quiet, with snow falling in London outside Cafe Oto's windows, the audience palpably entered a high intensity listening focus. The impression of this vivid memory is striking, considering how spare each of the individual elements present that night were.
"Vieux Silence", and ELODIE in general provoke a visual imagination in an instant, perhaps filtered through aged watercolour, tape grain, antique lenses, forgotten levels of listening and observational patience. On this gorgeous album Chalk & van Luijk also collaborate with piano, pedal steel and clarinet (played by , Tom James Scott, Daniel Morris and Jean-Noel Rebilly, respectively).
Each detail carefully considered and colouring step by step, like an impressionist watercolour.
- Stephen O'Malley, Les Lilas 2017
Quartet Series is back with the Bodybuilder Series after Scott Franka's popped the new offshoot's cherry in the spring. For this sophomore release, Nachtbraker sourced some serious production talent from Eindhoven, The Netherlands. While it's the Portamento Boys' first ever release, they have the chutzpah to go full-frontal Italo and pull it off with great panache with a moody and energetic EP. The record is characterized by catchy melodies, quirky vibes and warm analog grooves. Connoisseurs will instantly recognize the TR-606 and 707, SH-101, Ensoniq Esq1 and a Casio CZ-3000. The Italo express jets off and takes no prisoners with 'Been There Come Back", a banging workout paying homage to the glorious 80's. Shoulder-pad boogie anyone 'Portamento 101 feels like you're playing the 1986 version of Outrun on your Sega. On the flip 'Final Dinner' serves up some fine Asian-Italian fusion Cuisine, and finally the P Boys drop 'Eighty Ain't", acknowledging that even though the tracks are clearly inspired by the 80s, they didn't just emulate, but innovate instead. Now let's introduce the Portamento Boys. Some say it al began when the first episode of 'Jacques, zo is het wel weer genoeg geweest' was aired on the Dutch box back in the second half of 1988. Others say it was the respect he got for robbing the local Albert Heijn with the famous saying, 'Hallo, Jumbo' that made him end up in solitary confinement. His colleagues say he never let go of Piet, his last undercover assignment. But the only one to help him in these times of mental distress, identity crises and general psychosomatic turmoil was Koos. After all these years there is a mantra to find in Piet's life that keeps him going.
- A1: Home And Dry
- A2: I Get Along
- A3: Birthday Boy
- A4: London
- A5: E-Mail
- B1: The Samurai In Autumn
- B2: Love Is A Catastrophe
- B3: Here
- B4: The Night I Fell In Love
- B5: You Choose
Pet Shop Boys are pleased to announce 'Catalogue: 1985-2012', a very special series of reissues of all their studio albums released on Parlophone. This definitive edition will feature each album from the duo's peerless discography on the label, remastered and released with additional 'Further listening' albums of bonus tracks, demos and mixes created in the same period of time as each album. Many tracks are being released for the first time. Each album will be accompanied by an extensive booklet in which Neil Tennant and Chris Lowe discuss each song, illustrated with many archive photographs. The entire project is designed by Farrow.
Alongside the 'Further Listening Editions' the remastered original albums will also be reissued on 180gm heavyweight vinyl.
Totes Preesh make tracks for your ears. Sean Marquand and Patrick Wood of New York City have created these sounds for you and your friends and tooled them to perfection, for your pleasure. Whether you're at home, or in the club, or driving around in your car, looking for drugs, you can count on these guys to soundtrack your day correctly. They were featured on 2015's 'Mangiami - La Compilation' on Golf Channel Recordings, but this is their first 12'. They are here to make you bump to a cosmic sound that is sexy and pristine, and yet, also feels exactly like two buffalo boys going round the outside, round the outside. Double A-side alert. First up 'Head Shop Boys', a kicky, kinky, neon affair, perfect for late-night debauchery, on the flip, 'Haole' is a straight up trip with some serious old school New York flavour, and will undoubtedly prove to be the world's first crossover drive-time club banger.
- A1: Happiness
- A2: The Pop Kids
- A3: Twenty-Something
- A4: Groovy
- A5: The Dictator Decides
- A6: Pazzo!
- B1: Inner Sanctum
- B2: Undertow
- B3: Sad Robot World
- B4: Say It To Me
- B5: Burn
- B6: Into Thin Air
Das 1965er-Album "Beach Boys' Party!" wurde remixed, remastert und erweitert zu "BEACH BOYS' PARTY! UNCOVERED AND UNPLUGGED". Zum 50jährigen Jubiläum erscheint es als Doppel-CD und enthält 81 Songs und Sprachtracks. Am 4. März erscheint die Vinyl Edition mit 12 Tracks, remixed and remastered im "Uncovered and Unplugged"-Style.
Sasha Siems Debütalbum repräsentiert einen Songzyklus aus 12 Tracks, die ihre unterschiedliche musikalische Sozialisation widerspiegeln. Über Jahre komponierte die in Englang geborene Halb-Norwegerin klassische Musik, die weltweit mit Preisen ausgezeichnet wurde. Gleichzeitig aber übten zeitgenössischen Pop-Musiker wie Andrew Bird, Tom Waits, Björk und Joanna Newsom mit ihrem innovativen Songwriting und ungewöhnlichen Arrangements eine wahnsinnige Faszination auf Sasha aus. Im Ergebnis ist Most Of The Boys eben das, was es ist - ein ungwöhnliches Album, idiosynkratrisch und groß. Siem wuchs in London auf als Tochter eines norwegischen Vaters und einer englischen Kunsthistorikern auf. Sie begann mit 5 Jahren Klavier zu spielen, kurz danach kam Cello dazu und mit 11 Jahren studierte sie an den Wochenenden an Londons Guildhall. Bereits mit 20 Jahren hat sie für angesehene Orchester wie das London Symphony Orchestra, das London Philharmonic Orchestra und das Norwegian Chamber Orchestra komponiert. 2010 gewann sie den British Composer Award. Ihre Liebe zur Poesie brachte sie schließlich dazu, Ausdrucksmöglichkeiten neben der Klassik zu suchen und sie fand sie in ihren Songs die schlussendlich zum Album Most Of The Boys wurden.
Featuring heavily on most of Drumcode's shows due to his impeccable DJ'ing, Bart Skils is back with a new EP flexing his signature rolling sound and hooks.
Caressing from one track to another, the use of pads in this EP and using uneasy sounds to build tension in each track. The swelling bass within each track manoeuvres the tracks into dark after hour's territory with the help of the subtle percussion.
We call them the rat pack of our beat scene. With all diversity in sound, the three producers are unified in their love for dope beats and high-proof drinks, both catered and consumed with style and expertise.
Suff Daddy, the globetrotting gin connoisseur and minimoog player with domiciles in Berlin, Düsseldorf and Sydney. He has released three solo albums and has worked with artists like Miles Bonny, Fleur Earth, Ta-ku and Elzhi. After a one year stint in Sydney, he returned to Berlin this spring.
Brenk Sinatra, the Wien-Kaisermühlen homeboy, Westcoast rap fanatic and producer of the forthcoming MC Eiht album. Last year Brenk released the critically acclaimed S3 album together with US singer Miles Bonny and has laced beats for an armada of MCs from both sides of the Atlantic.
And last but not least Dexter, the Stuttgart based trip maker and platinum producer with a day job as a pediatrician. This June Dexter released his second solo-album 'The Trip' a homage to the psychedelic rock era and one of the most innovative and genre bending hip-hop albums of 2013.
All three first met at the Hi-Hat Club, the producer series that we started a couple of years ago with the goal to push and celebrate the art of beat making. With their respective volumes 'Suff Draft' (Suff Daddy), 'The Jazz Files' (Dexter) and 'Chop Shop' (Brenk Sinatra) each of the guys put the instrumental hip-hop thing on a new and different level. None of their beats need a MC to be complete, they are full songs in their own right.
The official birth date of the Betty Ford Boys was the 2012 Beat BBQ in Cologne where Dexter, Suff and Brenk performed together for the first time. Right after the now legendary gig, that was ended by police forces Suff Daddy left for Sydney so that most the recordings for the Betty Ford Boys debut album took place in the cloud. Right after his return to Berlin, the Boys jumped on the bus and played their first club tour which finished with a gig at the Splash Festival.
On August 30th, the Betty Ford Boys release their first album 'Leaders Of The Brew School' on Melting Pot Music. The record combines the best of three worlds and has a surprisingly chilled Westcoast vibe. It's perfect summer music, it's edgy and relaxed at the same time and keeps you thirsty for more ....
Once again, Erol Alkan and Boys Noize have teamed up, for what has become a stunning re-imagining of last years smash single 'Avalanche'.. Determined to avoid a taking an obvious route, the pair originally intended to commision a spoken word interpretation- the natural choice was the melifluous Jarvis Cocker.
Rainbow Arabia have been one Kompakt's most endearing acts to
work with us in years. The husband and wife duo Danny and
Tiffany Preston started our year out with the genre-defying full
length 'Boys And Diamonds' which went on to become one our
most acclaimed releases of recent time - the Los Angeles Times
went so far as to proclaim 'Rainbow Arabia are L.A.'s new electro
heroes' in a recent feature.
- A1: Get The Balance Right! (Combination Mix - Get The Balance Right!)
- B1: The Great Outdoors!
- B2: Tora! Tora! Tora! (Live)
- C1: Get The Balance Right!
- D1: My Secret Garden (Live)
- D2: See You (Live)
- D3: Satellite (Live)
- D4: Tora! Tora! Tora! (Live)
- E1: Everything Counts (In Lager Amounts) (Everything Counts)
- F1: Work Hard (East End Remix)
- G1: Everything Counts (Original 7" Mix)
- H1: New Life (Live)
- H2: Boys Say Go! (Live)
- H3: Nothing To Fear (Live)
- H4: The Meaning Of Love (Live)
- I1: Love In Itself 3 (Love In Itself)
- J1: Fools (Bigger)
- J2: Love In Itself 4
- K1: Love In Itself 2
- L1: Just Can't Get Enough (Live)
- L2: A Photograph Of You (Live)
- L3: Shout (Live)
- L4: Photographic (Live)
- A1: Toolman - Gold Bunny
- A2: Toolman - Gold Bunny (Bogdan Balaban Remix)
- B1: Toolman - Gold Bunny (Giomini & Konstress Remix)
- B2: Toolman - Gold Bunny (Tony Matt Remix)
- C1: Abnormal Boyz - Unlucky Day (Dj Emerson Funky Remix)
- C2: Abnormal Boyz - Unlucky Day (Simon Stokes Remix)
- E1: Kid Culture - It´s Time 2 Jack
- E2: Kid Culture - Diskobruck
- F1: Kid Culture - It´s Time 2 Jack (Giomini & Toolman Remix)
- G1: Francesco Grant - Black Sheep
- G2: Francesco Grant - Black Sheep (Abnormal Boyz Remix)
- H1: Francesco Grant - Power Words
- H2: Francesco Grant - Wakelon
- I1: Tony Matt - Chrome (Martin Woerner Remix)
- I2: Tony Matt - Alcatraz
- J1: Monque - I´m A Jazzman (2K10 Version)
- K1: Donk Boys - Gaffeltruck
- K2: Donk Boys - Gaffeltruck (Takuya Morita Remix)
- L1: Donk Boys - Fladder
- L2: Donk Boys - Lagret Runt
- M1: Abnormal Boyz & Marcus Raute - Bad Question
- N1: Abnormal Boyz & Marcus Raute - Think Darkly
RASTER MEDIA 30 YEARS ANNIVERSARY EDITION REPRESS / 180 G VINYL
Ich bin meine Maschine features remixes by Boys Noize, Function and AtomTM himself.
to underline this tryptic statement (and to demonstrate the diversity) of one of atom™'s compositions that appeared on his 2013 'HD' album, raster-noton now releases a vinyl ep featuring remixes by boys noize, function and atom™ himself. 'ich bin meine maschine', in an elaborate manner, illustrates uwe schmidt´s main musical concern - the exploration of electronics in pop music. inspired by a statement of the cybernetician heinz von foerster, atom™ constructed/generated a message that is playing around with a widely-cited kraftwerk quotation, turning 'ich bin eine maschine' into 'ich bin meine maschine' (i am my machine). besides the album version of 'ich bin meine machine,' the ep features some dominantly techno infuenced versions that perfectly connect the pop attitude of 'HD' with dancefoor functionality. the boys noize remix shows off alexander ridha´s deft skills for translating atom™´s futuristic pop into his own rough and driving electronic language. on the other hand, atom™'s 'linear remix' breaks down the original structure of the song and turns it into a reduced and much straighter, forward looking composition. function - one of techno's true underground heroes - provides a remix that is breathing the air of solid and hypnotic club music, in which just the essential elements are streamlined and ondensed into perfection. all 3 remixers adapt the track to their particular universe. by doing so, they prepare the 12' vinyl for its fnal destination - the club.
- A1: Leo Kottke - The Tennessee Toad
- A2: Gulp - Game Love
- A3: Bob James - Nautilus
- A4: James Last - Inner City Blues
- A5: Philip Glass - Floe
- B1: Map Of Africa - Bone
- B2: Seals & Crofts - Sweet Green Fields
- B3: The Millennium - To Claudia On Thursday
- B4: The Beach Boys - Surf's Up
- B5: Primal Scream - Carry Me Home
- C1: Massive Attack - Man Next Door
- C2: Tnght - Bugg'n
- C3: Outkast - Slum Beautiful
- C4: Timmy Thomas - Why Can't We Live Together
- D1: Harry Nilsson - Coconut
- D2: Canned Heat - Poor Moon
- D3: Rick Miller - Future Directions
- D4: Django Django - Porpoise Song
- D5: Benedict Cumberbatch - Flat Of Angles Pt.4
- 1: Any God Of Yours (Instrumental)
- 2: Swell (Instrumental)
- 3: Arise Dear Brother (Instrumental)
- 4: Ammi Ammi (Instrumental)
- 5: Buffed Sky (Instrumental)
- 6: Sex With Nobody (Instrumental)
- 7: Eye’s Drift (Instrumental)
- 8: The Sea Liner Mk 1 (Instrumental)
- 9: Empty Vessels (Instrumental)
- 10: New Builds (Instrumental)
- 11: Dull Boys (Instrumental)
- 12: Thames Water (Instrumental)
XL Recordings is proud to mark the 10th anniversary of Archy Marshall’s (aka King Krule) A New Place 2 Drown with the release of a newly remastered instrumental edition.
Originally released on 10 December 2015, A New Place 2 Drown remains a singular entry in the Archy Marshall catalogue. Known to many for his work as King Krule, Marshall released A New Place 2 Drown under his own name, highlighting a different facet of his creative identity. An atmospheric blend of submerged beats, woozy textures, and diaristic storytelling, the project earned widespread acclaim upon release, including Pitchfork’s Best New Music.
Developed in parallel with a visual world shaped with his brother and longtime collaborator Jack Marshall, the quietly influential project stands as a multidisciplinary love letter to their home of South London, originally released alongside a Will Robson-Scott–directed short film and a book of artworks, photography, and poetry by the Marshall brothers.
The 2025 instrumental edition offers a newly illuminated perspective on the record’s sonic core, drawing fresh attention to the production craft that underpins the project. By stripping the songs back to their foundations, the release highlights the intricate textures, rhythmic detail, and atmospheric depth that have helped A New Place 2 Drown grow into a cult favourite over the past decade.
“A New Place 2 Drown evokes a septic world filled with flickering halogen bulbs, sticky synth keys, and corroded outputs. Marshall has made tremendous strides as a producer, gorgeously reproducing the gloom and loneliness of early '90s hip-hop and finding a way to integrate it into his own style.” - PITCHFORK
- A1: Roland Alphonso - Sai Pan
- A2: The Renegades - You've Lost The Love
- A3: The Ethiopians - You Got To Be Clean
- A4: Henry Buckley - Beware Of All Those Rude Boys
- A5: The Tartans - What You Gonna Do Now
- B1: Roland Alphonso - Stranger For Durango
- B2: The Renegades - Knocking On My Door
- B3: Soul Brothers - Shanty Town Curfew
- B4: Oswald Sewell - Where Can He Go
- B5: Henry Buckley - If I Am Right
- C1: Roland Alphonso - How Soon
- C2: Pulus - Sow To Reap
- C3: The Renegades - Big And Fine
- C4: Black Brothers - Born To Rule
- C5: Laxton Ford - Finders Keepers
- D1: Hopeton Lewis - Run Down
- D2: Oswald Sewell - Oh My Love
- D3: Hopeton Lewis - Pick Yourself Up
- D4: The Tartans - Dance All Night
- D5: The Tartans - What Can I Do
- D6: The Federal All Stars - Merritone False Starts 1
Part 2[47,48 €]
21 track Album from Various Artists released by Dub Store Records
The Mighty Diamonds are one of the most famous vocal groups to come out of the Jamaican Reggae scene.
Their perfect harmonies ride over the wholesome and Garveyite influenced lyrics to such great effect that they will always evoke memories of that time and place, but also like all great music never seems to date.
The Mighty Diamonds consist of Donald ‘Tappy’ Shaw (lead vocals) Fitzroy ‘Bunny’ Simpson and Lloyd ‘Judge’ Ferguson providing those fantastic harmonies.
They began their recording career working with producers Stranger Cole and Rupie Edwards but found their breakthrough success with producer Joseph ‘Joe Joe’ Hookim at the legendary Channel One Studios recording ‘Hey Girl’ and covering two foreign tunes namely ‘Country Living’ (The Stylistics) and ‘Stoned Out of Mind’ (The Chi-lites) which suited their vocal styles perfectly.
The vocal group also cut tracks with other famous producers of the time Joe Gibbs ,Gussie Clarke and Mr.Tappa Zukie of which we focus this release on.On listening, these tunes work perfectly with harmonies weaving together and lifting the songs to another level.
The group also leave some room for a history lesson in the shape of ‘Morgan the Pirate’ and the thought provoking ‘Do You Want to Spend Your Time Wasting Time’.
Well waste no more and enjoy this set by one of Jamaica’s finest vocal groups….
- A1: Big Boys Intro (Skit No Audio)
- A2: One Mean Stang
- A3: Come On Wit Me Baby
- A4: Style Like Mine
- A5: For Them Bustas
- A6: You Tell Me
- A7: Pimpin' Still Goin' On
- B1: My 9 Glock
- B2: Ain't To Be Played Wit
- B3: Gots To Make Some Money
- B4: Can't Play No Playa
- B5: Dedications (Skit No Audio)
- B6: Street Sense
- B7: Revised Dedications (Skit No Audio)
Vinyl LP[26,85 €]
- A1: Big Boys Intro (Skit No Audio)
- A2: One Mean Stang
- A3: Come On Wit Me Baby
- A4: Style Like Mine
- A5: For Them Bustas
- A6: You Tell Me
- A7: Pimpin' Still Goin' On
- B1: My 9 Glock
- B2: Ain't To Be Played Wit
- B3: Gots To Make Some Money
- B4: Can't Play No Playa
- B5: Dedications (Skit No Audio)
- B6: Street Sense
- B7: Revised Dedications (Skit No Audio)
Tape Cassette[13,40 €]
California and New York aren't the only US cities to have pioneered underground hip-hop over the years. Back in the nineties, southern states such as Memphis, Tennessee were also hotbeds for the fast evolving musical phenomenon. As we push on into the second millenium; from the swathes of short-run, tape-only releases that came out in the 1990's, some are at last being cut to vinyl. Shawty Pimp and the Big Pimpin' Productions crew were brought to international ears in 2014 when his album 'Comin' Real Wit It' was pressed to vinyl and sold out in the blink of an eye. Gyptology Records (a new Europe-based Hip-Hop and Egyptian Archaology styled re-issue label) now present a vinyl pressing of the 1995 sequel; 'Still Comin' Real'. Here are eleven original, raw rap cuts, remastered and restored with love. Available June 2018 for the first time in the format that never goes out of style. Vinyl only for now and in one short-run only, no represses. Produced with the full consent and participation of the artists.
- A1: Warfare-Bunny Lee All Stars
- A2: The Conquerer-Derrick Morgan
- A3: Bossa Moon-Ss Binns
- A4: The Return Of Jack Slade-Derrick Morgan
- A5: Annie Pama-Bunny Lee All Stars
- A6: Cutting Blade-King Horror
- A7: Revenge Of Eastwood
- B1: Melting Pot-Max Romeo
- B2: Clap Clap-The Hippy Boys Featuring Max Romeo
- B3: Walk With Des-The Des Allstars
- B4: Peace Maker-The Hippy Boys
- B5: Death Rides A Horse-The Hippy Boys
- B6: Dreams To Remember -The Hippy Boys
- B7: In The Spirit-Lloyd Chambers
2025 Repress
The Sound of Now...mentioned in 'The Return of Jack Slade' by Derrick Morgan was the sound of 1969/1970 and that sound was the sound of Jamaican Reggae.The look at the time was the Skinhead fashion borrowed heavily from the Jamaican Rude Boy style.
The Skinhead movement started around 1968 and by the following year of 1969 became the style and fashion of many British teenagers.The uniform of the Skinheads consisted of boots,braces and jeans and the upbeat Reggae sound seemed to match the style perfectly.
Never before has a music matched a look more perfectly than that of the Skinhead/Rude Boy and Jamaican Reggae sound.
So stand up and move your feet one more time to the Skinhead Reggae Sound!!!
Hope you enjoy the set....
- A1: Ska Boo Da Ba- The Skatalites
- A2: Confucious- Don Drummond & The Skatalites
- A3: Storm Warning- Lyn Taitt & The Boys
- A4: Alley Cat Ska- Tommy Mc Cook & His Ska-Talites
- A5: Trench Town People- Theophilus Beckford
- A6: Walking Down King Street- Theophilius Beckford
- A7: South China Sea-Johnny 'Dizzy'moore
- B1: Ringo- The Skatalites
- B2: Nuclear Weapon- Roland Alphonso & His Ska Talites
- B3: Magnificent Ska-Lyn Taitt &The Baba Brooks Band
- B4: Come On My People-Daniel Johnson
- B5: Hit You Let You Feel It-The Tenor Twins
- B6: The Re-Burialdon Drummond @ The Skatalites
- B7: Love Me Or Leave Me-Lloyd Clarke
'Ska never stopped you know! From its Jamaican music if the piano's not playing ska or the guitar....any music you have...Reggae...even the computer music..the piano's playing Ska Ska Ska...it leads the music so Ska is still the backbone of Jamaica music, Right'..Bunny Lee
The music of Jamaica has had a profound and lasting influence all around the world and Reggae is the name by which it has become universally known.
Although the term Ska is often used to describe all Jamaican music before Dub,Dee Jays and Dread in the mid 70's the real Jamaican Ska was made in Kingston between 1961/62 to 1966.
- 1: Fall In
- 2: Molly
- 3: Owe You Nothing
- 4: Sleep Through It
- 5: Seventeen
- 6: Maybe You're Crazy
- 7: Tea Leaves
- 8: Fsa
- 9: Super Stupid
- 10: Boys From Out Of Town
Deranged Records and Forward! Records will release Wildhoney's first LP, Sleep Through It. The group formed in late 2011, aiming to write pop songs with the energy and malcontent of hardcore punk, but without its entrenched masculinity. The five-piece has since become one of the loudest—and sweetest—bands in its hometown of Baltimore. Sleep Through It expands on two excellent 7-inches and one cassette EP, drawing influences from '60s girl groups, '80s post punk, indie pop, and shoegaze. New songs like first single "Fall In" showcase just how well Wildhoney combines wall-of-sound power with delicate passages and gorgeous vocal melodies. Older songs such as "Super Stupid" and "Seventeen" return on the LP, newly realized and sounding better than ever. Throughout the album, the group's blasts of distortion and use of dense textures are balanced with beautiful pop tunes and chiming guitar work. The swirl of noise surrounding singer Lauren Shusterich's voice is not unlike the best of the Cocteau Twins, or even Deerhunter, especially on the soaring title track. Sleep Through It was recorded at Beat Babies Studio in Woodstock, Md., with Chris Freeland (Lower Dens, Wye Oak). The album is Wildhoney's first with synthesizers and features liberal amp and pedal experimentation. The recording process was intense and fast, cramming lots of work into a small amount of time. That hectic schedule is impossible to hear on the LP, which unravels at its own dreamy pace.
Repress
Power Music Records presents Mood ll Swing! This release was originally only available as limited red vinyl edition. On A side ther are the glorious originals from Mood II Swing "Move Me" and "Move Me - Alternative Mix". On The B side we have 2 great remixes of Mood II Swing's "Call Me" by DJ Duke.
The 2018 remastered version will be available on red and black vinyl (please upload both with the diffrent catalog numbers (see below).
- A1: Out Of Time
- A2: Don't Lie To Me
- A3: Somethings Just Stick In Your Mind
- A4: Each And Every Day Of The Year
- A5: Heart Of Stone
- A6: I'd Much Rather Be With The Boys
- A7: (Walkin' Thru The) Sleepy City
- A8: We're Wastin' Time
- A9: Try A Little Harder
- B1: I Don't Know Why
- B2: If You Let Me
- B3: Jiving Sister Fanny
- B4: Downtown Suzie
- B5: Family
- B6: Memo From Turner
- B7: I'm Going Down
Die erste offizielle Raritätensammlung der Rolling Stones, “Metamorphosis”, wurde ursprünglich im Juni 1975 veröffentlicht. Das Album vereint legendäre Outtakes und Raritäten sowie eine Fülle von Demos, die Mick Jagger und Keith Richards für andere Künstler komponierten und später von den Stones selbst neu aufgenommen wurden
- A1: In The Flesh?
- A2: The Thin Ice
- A3: Another Brick In The Wall (Part 1)
- A4: The Happiest Days Of Our Lives
- A5: Another Brick In The Wall (Part 2)
- A6: The Ballad Of Jean Charles De Menezes
- B1: Mother
- B2: Goodbye Blue Sky
- B3: Empty Spaces
- B4: What Shall We Do Now?
- C1: Young Lust
- C2: One Of My Turns
- C3: Don't Leave Me Now
- C4: Another Brick In The Wall (Part 3)
- C5: Last Few Bricks
- C6: Goodbye Cruel World
- D1: Hey You
- D2: Is There Anybody Out There?
- D3: Nobody Home
- D4: Vera
- D5: Bring The Boys Back Home
- E1: Comfortably Numb
- E2: The Show Must Go On
- E3: In The Flesh
- F2: Stop
- F3: The Trial
- F4: Outside The Wall
- E4: Run Like Hell
- F1: Waiting For The Worms
- A1: Precious
- A2: The Phone Call
- A3: Up The Neck
- A4: Tattooed Love Boys
- A5: Space Invader
- A6: The Wait
- A7: Stop Your Sobbing
- B1: Kid
- B2: Private Life
- B3: Brass In Pocket
- B4: Lovers Of Today
- B5: Mystery Achievement
- A1: Castle In The Sky
- A2: Pigeons And Boys
- A3: Miner
- A4: Flying Stone
- A5: Dora
- A6: Theta And Paso
- B1: Big Tree
- B2: Flapter
- B3: Dragon's Hole
- B4: Fortress Of Tidis
- B5: Theta And Paso
- B6: Lost Paradise
Based on the image of Laputa directed by Hayao Miyazaki and producer Isao Takahata to Joe Hisaishi, this album was made in front of a soundtrack board. The jacket is designed by cutting out the protagonist Puzzu and theta from the theater poster.
The Bela Session is a full release of Bauhaus' first studio session from January 26 1979, where the iconic "Bela Lugosi's Dead" was recorded. This is the first and only official reissue of "Bela Lugosi's Dead" on vinyl, and the first time 3 of the 5 tracks have been released. This EP has been produced directly by the band with Leaving Records, in advance of the band's 40th anniversary
UK post-punk pioneers Bauhaus' immensely influential 'Bela Lugosi's Dead' - originally released in 1979 - is considered the original gothic rock record.
The first official vinyl reissue of 'Bela Lugosi's Dead' and first release of complete recording session (including 3 previously unreleased tracks), mastered by Mandy Parnell.
The live version of 'Bela Lugosi's Dead' was in iconic 1983 film The Hunger. It has been covered by Nine Inch Nails, Massive Attack and Nouvelle Vague.
The original version of 'Bela Lugosi's Dead' has never been on streaming services.
180g vinyl. The art is a variation of original 1979 12-inch. Reproduction of original recording session tape on inner sleeve. Includes 50x50cm poster of cover, gold retail sticker.
- A1: The Jon Spencer Blues Explosion - Bellbottoms
- A2: Bob & Earl - Harlem Shuffle
- A3: Jonathan Richman & The Modern Lovers - Egyptian Reggae
- A4: Googie Rene - Smokey Joe's La La
- A5: The Beach Boys - Let's Go Away For Awhile
- A6: Carla Thomas - B A B Y
- A7: Kashmere Stage Band - Kashmere
- A8: The Dave Brubeck Quartet - Unsquare Dance
- B1: The Damned - Neat Neat Neat
- B2: The Commodores - Easy
- B3: T Rex - Debora
- B4: Beck - Debra
- B5: Incredible Bongo Band - Bongolia
- B6: The Detroit Emeralds - Baby Let Me Take You (In My Arms) (In My Arms)
- B7: Alexis Korner's Blues Incorporated - Early In The Morning
- C1: David Mccallum - The Edge
- C2: Martha Reeves & The Vandellas - Nowhere To Run
- C3: Button Down Brass - Tequila
- C4: Sam & Dave - When Something Is Wrong With My Baby
- C5: Brenda Holloway - Every Little Bit Hurts
- C6: Blue - Intermission
- C7: Focus - Hocus Pocus
- C8: Golden Earring - Radar Love
- D1: Barry White - Never, Never Gonna Give Ya Up
- D4: Sky Ferreira - Easy
- D5: Simon & Garfunkel - Baby Driver
- D6: Kid Koala - "Was He Slow?
- D2: Young Mc - Know How
- D3: Queen - Brighton Rock
- A1: I'd Do Anything For Love (But I Won't Do That) (But I Won't Do That)
- A2: Life Is A Lemon & I Want My Money Back
- B1: Rock & Roll Dreams Come Through
- B2: It Just Won't Quit
- B3: Out Of The Frying Pan (& Into The Fire) (& Into The Fire)
- C1: Objects In The Rear View Mirror May Appear Closer Than They Are
- C2: Wasted Youth
- C3: Everything Louder Than Everything Else
- D1: Good Girls Go To Heaven (Bad Girls Go Everywhere) (Bad Girls Go Everywhere)
- D2: Back Into Hell
- D3: Lost Boys & Golden Girls
25 Years after it was released, the 16x platinum selling Bat Out of Hell II: Back Into Hell is to be repressed on vinyl for the first time since its initial release. Featuring the classic #1 single 'I Would Do Anything For Love (But I Won't Do That)'.
And following on from the hugely successful Bat Out of Hell II: Back Into Hell, Welcome To the Neighbourhood is to be repressed on vinyl for the first time since its initial release in 1995. Featuring the hit single 'I'd Lie For You (and That's The Truth)'.












































































































































![Shawty Pimp - Still Comin' Real [Cassette Version]](https://www.deejay.de/images/l/1/7/338717.jpg)
















