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Kameezol 2 repress... A picture at a nice price !!! One of the very first hardfloor records... A dry medium kick, changing all the time during the tracks... Loads of fun in da mix... Lots of eyeblink and cheezy cook.... And what a beautyfull Picture Disc ! Woutcha ! You might have noticed that for the 10th years anniversary of Toolbox we decided to produce real loads of special things this year... Expect more soon !

vol.2 of remix package is done by norway disco king prins thomas.

Phil Weeks & Joss Moog back together for future classic house tune on Syncrophone Recordings.
Additionnal Lerosa Killer remix !

Known in many circles for his wonderful dubstep excursions comes San Francisco native 'DJG' with his excellent take on Drum & Bass. This is his first release when it comes to D&B and we are very proud to be releasing these amazing tunes! Welcome aboard!

A. HYDRATE A deep menacing vibe kicks things off a a steady kick while claps and thick snare are sprinkled throughout leading up to a thunderous reese that will challenge any system. Muffled horns and vocals keep things interesting leading up to a subterranean breakout takes things into dubby territory! A truly wonderful piece of original music!

AA. HYDRATE ( CONSEQUENCE REMIX ) Known for his work with the Autonomic crew, Consequence seemed the perfect match to recreate an already wonderful tune and does a great job with this remix. A hazy intro with dusty crackles leads into the tune's signature kick with claps. Dubby stabs with a drawn out horn take things deeper before the bass punches through.

Consequence has taken his signature minimal sound and added upon the original for a truly deep, original recreation. These are the kind of remixes we like! Dub Dub Dub!!!

The new album will be released across a series of 4 limited edition 12" vinyls. This is the 2nd 12 inch From Tronic Jazz The Berlin Sessions. A Guy Called Gerald has spent the last couple of years flitting through shadows, turning up on labels like Perlon, Beatstreet and Sender like a peripatetic prophet of the Berlin underground, seeding the scene with cryptic singles that return to the past to suggest alternate futures. Now he returns to Berlin's Laboratory Instinct label with the follow-up to 2006's Proto Acid: The Berlin Sessions, the album that re-established Gerald as an acid hero and techno auteur. Tronic Jazz: The Berlin Sessions builds upon the foundation established by its predecessor to create an even more powerful statement of intent, one that communicates more persuasively than ever Gerald's vision for techno in its third decade of existence. One immediate difference stands out, this time around. Where Proto Acid offered a seamless mix of 24 cuts, recorded in one epic session, Tronic Jazz collects 13 standalone tracks. That's welcome news to DJs. After so many years of digital anything-goes, you might have forgotten the kind of sounds that are possible with "old" machines: the way a lead stacked against tuned percussion and shrouded in pads can evoke still other sounds, hidden in the mix, or maybe not really there at all. It's a ghostly, suggestive presence, a kind of evocation of infinite possibility within the context of a limited set of inputs. In that sense, Tronic Jazz follows a certain minimalist impulse, but it's far too lush ever to be mistaken for the dread "mnml" of recent years. This stuff is wide-eyed and full of life. When it funks, it funks hard, and when it smoothes out, it can be as intimate as a hand-written note left on a lover's pillow. As "class ic" as Tronic Jazz may be, the album refutes any notion that "class ic" equals "retro," that the ideas have all been expressed before. Tronic Jazz takes the foundations of house and techno as though they were a kind of language, and speaks volumes with them.

Second release with Stacy Kidd & Mike Dixon for Chicago Party time. After the success of the first release this UK Label continue with a solid EP.

German doomcore artist MOLECULEZ delivers his second release on the mighty SYMP.TOM imprint! Very raw stuff on this new release, including new and pounding collaborations with MENTAL WRECKAGE and THE RELIC

After several hot releases on Labels like Cadenza, Kling Klong, Globox, Capsula and his own imprint called Andes Music Chile based Producer Francisco Allendes is back on the street and debuting for Phaze Records. Two great tribalistic tracks with hot remixes from Someone Else (Foundsound, Resopal, Glückskind, Microcosm) and the Bad Boys !!

POP AMBIENT returns...and beyond the usual anticipation, for a cause. We celebrate a decade of annual bliss with POP AMBIENT 2010!

DJ SUPPORT from Disco Assasssins, Fort Knox Five, Basement Freaks, Plump Dj's, Bassbin Twins, Maelstrom, Flore, Mike McKenna, Rory Hoy.

A1 | In My Dreams (Cudder Anthem)
A2 | Soundtrack 2 My Life
A3 | Simple As
A4 | Solo Dolo (nightmare)
B1 | Heart of A Lion (KiD CuDi Theme Music)
B2 | My World f. Billy Cravens
B3 | Day N Nite (nightmare)
B4 | Sky Might Fall
C1 | Enter Galactic (Love Connection Part 1)
C2 | Alive (nightmare) f. RATATAT
C3 | CuDi Zone
C4 | Make Her Say f. Kanye West & Common
D1 | Pursuit of Happiness (nightmare) f. MGMT & RATATAT
D2 | Hyyerr f. Chip Tha Rapper
D3 | Up Up & Away (The Wake & Bake Song)
D4 | BONUS TRACK - Day N Nite (Crookers Remix)

oining forces with the Minsk-based whiz kid Maxim Samos, who makes his second appearance on Theomatic, AN-2 delivers two mid-paced numbers that naturally blend the elements of funk, rock and disco.

Nachgepresst und mit leicht erhöhtem Preis wieder lieferbar ist die Doppel-LP von und mit der Produzentenlegende Winston Holness aka Niney The Observer, vollgepackt mit 28 Klassikern aus der Bütezeit des Reggae inklusive Nineys Hit "Blood & Fire". Mit allen Artists mit Rang und Namen und den Musikern der Aggrovators, The Revolutionaries und dem Soul Syndicate, eingespielt in Randy's Studio 17, King Tubby's, Dynamic Sounds, Channel One, Joe Gibbs und dem Black Ark Studio!

Here we go. The second "Home Sweet Home Sessions" lies upon the table! That means: Upon You is celebrating its second anniversary and is looking back on another successful year. Again- this fine compilation puts together a selection of the members of the inner circle of production, with whom they've been sharing the nightlife and the love to electronic dance-music.

ft. robert owens

2008 was a heady time for the third wave (or was it the fourth?) of deep house, and this is a tune from Swedish Markus Enochson that was hugely popular at the time, with big dawgs like Dixon, Dean Da Costa and Jimpster all finding ways to work it into their sets. 'These Won't Put Me Down' pairs supple and broad bass with zippy synths that energise and enliven the mix without getting too main room. If you really like things pair back to the most sultry, candlelit essential,s then the Charles Webster Dub is one of his many classics. Marku& Enochson & The Subliminal Kid then combine for a second rework which layers in some filtered vocals for that woozy, blurry late-night vibe.

Hector moralez forms another formidable partnership with jump recording's dj jaz. coming from the west side offers 2 top-notch original cuts and kicks off with a bang on a1.
Slum Science S Hudd Traxx Rmx

Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked López Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP.

Recorded in 1976 in the wake of the "Proceso de Reorganización Nacional", the bloodiest period of dictatorship in Argentina, the album was initially frowned upon by critics and public alike, both still firmly rooted in jazz traditionalism and obviously not ready for the new ideas that musicians like López Ruiz were experimenting with. Despite being a commercial flop upon its release, the album has been enjoying a growing reputation over the last two decades, acclaimed by jazz enthusiasts who value it from a different historical perspective and embrace its experimentation during this revolutionary period of change.

Forty-five years after its release, the album receives the Altercat treatment with a much deserved deluxe reissue, with sound direct from the master tapes and an accompanying 12-page booklet with previously unpublished pictures and bilingual liner notes telling everything you ever wanted to know about the album and those who made it possible.

first copies in limited orange vinyl

ommy four seven is a young successful and prolific producer : not only has he had tracks signed to labels like brique rouge, catwash records, io music, love minus zero and jm recordings, but he has also remixed artists such as mike monday, fex, tom pooks and mark o'sullivan. being a permanent member of the br mob, he's the future of the label. mark o'sullivan is half of dk7 with jesper dahlbäck and member of the mighty quark.

New Kill Brique with Tom Pooks rmx.

limited press, be fast... order, to secure your copy!!

The unstoppable Spaziale Recordings set their sights on an absolute Paradise Garage classic from 1982 - the much sought after and instantly recognisable ‘Together Forever’ by Exodus. This fully licensed, remastered reissue comes housed in a full picture sleeve and contains a killer DEF Mix from Stefano Ritteri alongside the original extended vocal and dub versions.

Bursting with passion, ‘Together Forever’ is a record that was destined for greatness. A Larry Levan favourite, and for good reason. Produced by Errol Mattis and featuring one of the most sampled vocals in house music, there’s a triple threat of plucked basslines, clavinet power and joyful horns backed with the kind of percussion that ignites a rarely witnessed tribal energy within. It’s had crowds in fits of frenzies ever since its release and every collection deserves this gem nestled within it.

As well as the original extended vocal and dub versions, Stefano Ritteri steps up to add his own special touch, giving it some proto house power. He echoes and manipulates those fiery vocals, introducing each element gradually from the acid tinged topline to the layers of drum machine heat, gradually building the suspense to pure fever pitch.

Shadow Play, the brand new label owned by Parisian artist Le Loup and his partner Pura, drops its second release courtesy of the bossman himself alongside Chris Carrier. The two men got together in the studio and cooked up some tasty goodness. The first of four tracks on this release is the intergalactic opus 'Phoenix Lights', which works off serene pads that transport you out into the cosmos, along with a warm, soothing bassline and electronic chirps and bleeps. 'Research Programm (Outro)' takes us into more obscure realms, as Chris Carrier and Le Loup sample a scientific vocal and create a mesmerising bed of sounds underneath it. On the flip we kick off with 'Clouds Reflection', another track which features a sample from an old instructional video. This track has minimal composition, with dreamy astral pads, shuffling beats and a grumbling low end. In the second half Chris and Le Loup introduce more twinkling FX, to engage and hypnotise you... To bring the EP to a close we're presented with 'V-Shape', which begins with a layer of clever drum programming aimed straight at the hips. Once you're moving get ready for the juicy bassline, and a sultry top end that grips you and gripping progression. The perfect to end an utterly fresh EP...

Hui Terra. The dreamlike shape of the half-heard word, abstracts with faint impressions of bucolic landscape, or handfuls of translucent and brightly-colored gemstones that hold odd, elusive, asymmetrical form. This enchanting, gently surreal debut album from Alex Cobb's Etelin project explores the power and playfulness of impulsive action diffused through electro-acoustic and ambient sound.

This music was created with digital synthesizers and a sampler in the four months immediately following the birth of his first child, a hazy period marked by a lack of regular sleep and a diet of INA-GRM, Nuno Canavarro's "Plux Quba", and Microstoria's "Init Ding" - records that appeared to produce both stimulating and soothing effects on a newborn's nascent consciousness. Recorded and arranged at all hours, this is an album that reflects on moments of tumult and fragility. Cobb sews small sharpnesses and surprises into its movements to uncover different aspects of each sound source, doubling as hypnic starts cast to advance and variate the narrative in subtle and unexpected ways. Sound and atmosphere manifest in eccentric, alchemical fashion, as though forming in processes of sublimation - solids dissipating into vapor - and deposition - clouds resolving and dropping to the ground in piles - to an obscure and domestic rhythm. There's the purveying sense of moving within the boundaries of small, hermetic ecosystem. This is underscored and doused by a slow, blooming sense of warmth; growing joy without bombast. Even the more startling textures conceal this same truth and emphasis, such as the alien, sour salt-butter electronic babble in "Little Rig", largely sampled from Cobb's son's voice at just a week old. It is emotional music - devoted, affectionate, and playful.

Over the past fifteen years, Florida-based multi-instrumentalist Eric Lanham has quietly generated a diverse and remarkable body of work both as a solo artist and in group settings. From the disorienting drone/collage ecstasies of Caboladies, his trio with Christopher Bush (Flanger Magazine) and Ben Zoeller, to wildly divergent solo flights under both his own name and as Carl Calm, Lanham’s carefully meted out recordings display the talents of a chameleonic composer who is as capable a sound designer as he is unconcerned with trend in experimental electronic music or notions of prolificness. “Objet Dirt” arrives ten years after “The Sincere Interruption,” his excellent longplayer for the now defunct Spectrum Spools imprint. Captured live, these compositions are brimming with kinetic, elastic, off-grid rhythms, an articulate and enigmatic language that restlessly darts around the stereo field. Of the collection, Lanham says "I haven't made a single piece of music that sounds like this since and it is hard to imagine doing so again.” If this is the case, the 20+ minute closer is a formidable final document. At once chaotic and tightly controlled, it is a torrent of coiling low-end, submerged and stretched rhythms, and seething high-end filigree that is as indebted to the hungry ghosts of free improvisation as it is anything resembling techno.