quête:limite

ince its opening in spring 2021, JUBG, a still young Cologne gallery for contemporary art, has specialized in the broad field of artists and collaborations working along artistic interfaces, especially those between visual art and experimental and/or electronic music. For example, JUBG has already hosted exhibitions by Markus Oehlen, Kim Gordon, Wolfgang Voigt, Matthias and Aksel "Superpitcher" Schaufler, Sven-Åke Johansson, and Emil Schult. Albert Oehlen, who is a kind of mentor and supporter of the gallery, was also a guest at Albertusstraße this summer, where he presented the exhibition D-I-E ORPHEUSMASCHINE together with Michael Wertmüller, Thomas Stammer and the poet Rainald Goetz.

It is only logical that the gallery now expands its sphere of activity to include its own label, on which music appears that comes from similar contexts as the artists listed above already suggest.

As catalog number 1, JUBG is now releasing the official soundtrack to "The Painter" from 2021. The film, German title "Der Maler", is a mixture of feature film and documentary and a collaboration between German director Oliver Hirschbiegel, best known for his Oscar-nominated film "Downfall", and Albert Oehlen, with whom Hirschbiegel has a long friendship, as they both once studied together at the Hochschule der Bildenden Künste in Hamburg.

The docu-fiction shows Oehlen struggling with a painting and pondering the meaning of his work. Oehlen is played by German actor and musician Ben Becker, accompanied by the off-screen voice of Charlotte Rampling. In the film, Becker makes a painting that Oehlen himself creates step by step behind the camera, while the actor improvises the process in front of the camera.

The wonderful music for this film comes from no less than two outstanding personalities whose individual biographies and musical signatures could hardly be better suited to this project. On the A-side it is Gudrun Gut, icon not only of the German electronic music scene since at least the 90's, singer, composer, DJ, label owner (Monika Enterprise) and of course founding member of the legendary 80's New Wave band Malaria. On the B-side it’s the world famous and award winning US avant-garde trumpeter and improvisational musician Nathan "Nate" Wooley, who has played with Fred Frith and John Zorn among others.

Gudrun Gut's tracks bear such beautiful titles as "Bewegung", "Küste" or "Weinen" and she once again pulls out all the stops of her great skills and decades of experience as a producer of the most diverse electronic music genres. These are unusual and much more experimental musical paintings that she creates here than on her recent solo works. Edgy, angular, raw and unpolished, yet always elegant and clever, she subverts the male artist madness depicted extensively in the film in her own unique way.

Nathan Wooley answers with the instrument he has been familiar with since childhood, the trumpet, with which he is able to create a ravishingly virtuosic noise. His pieces are more like sketches, often only 90 seconds or a few minutes long, but in all their abstractness underpin the narrative of the film almost perfectly.

A limited edition of 20 copies in total, painted and signed by Ben Becker, can be purchased directly through JUBG.

JUBG, eine noch junge Kölner Galerie für zeitgenössische Kunst, hat sich seit ihrer Eröffnung im Frühjahr 2021 auf das weite Feld von Künstler:innen und Kollaborationen spezialisiert, die entlang künstlerischer Schnittstellen tätig sind, insbesondere an denen zwischen bildender Kunst und experimenteller und/oder elektronischer Musik. So hat JUBG bereits Ausstellungen von Markus Oehlen, Kim Gordon, Wolfgang Voigt, Matthias und Aksel "Superpitcher" Schaufler, Sven-Åke Johansson und Emil Schult gezeigt. Auch Albert Oehlen, der eine Art Mentor und stiller Unterstützer der Galerie ist, war im Sommer dieses Jahres zu Gast in der Albertusstraße, wo er zusammen mit Michael Wertmüller, Thomas Stammer und dem Dichter Rainald Goetz die Ausstellung D•I•E ORPHEUSMASCHINE präsentierte.

Es ist nur logisch und folgerichtig, dass die Galerie ihren Wirkungskreis nun um ein eigenes Label erweitert, auf dem Musik erscheint, die aus ähnlichen Zusammenhängen und Sphären stammt, wie es die oben aufgezählten Künstler:innen bereits vermuten lassen.

Als Katalog-Nummer 1 veröffentlicht JUBG nun den offiziellen Soundtrack zu "The Painter" aus dem Jahr 2021. Der Film, deutscher Titel “Der Maler”, ist eine Mischung aus Spiel- und Dokumentarfilm und eine Zusammenarbeit zwischen dem deutschen Regisseur Oliver Hirschbiegel, vor allem bekannt für seinen Oscar-nominierten Film "Der Untergang", und Albert Oehlen, mit dem Hirschbiegel eine lange Freundschaft verbindet, studierten sie doch beide zusammen einst an der Hochschule der Bildenden Künste in Hamburg.

Die Doku-Fiktion zeigt Oehlen, wie er mit einem Gemälde kämpft und über die Bedeutung seines Werks nachdenkt. Oehlen wird vom deutschen Schauspieler und Musiker Ben Becker gespielt und von der Stimme von Charlotte Rampling aus dem Off begleitet. Im Film erstellt Becker ein Gemälde, das Oehlen selbst hinter der Kamera Schritt für Schritt anfertigt, während der Schauspieler den Prozess wiederum vor der Kamera improvisiert.

Die wunderbare Musik zu diesem Film kommt von gleich zwei herausragenden Persönlichkeiten, die mit ihren individuellen Biographien und musikalischen Handschriften kaum besser zu diesem Projekt passen könnten. Auf der A-Seite ist dies Gudrun Gut, Ikone nicht nur der deutschen elektronischen Musikszene seit mindestens den 90er Jahren, Sängerin, Komponistin, DJ, Label-Betreiberin (Monika Enterprise) und natürlich Gründungsmitglied der legendären 80er Jahre New Wave-Band Malaria, auf der B-Seite der weltberühmte und Preisgekrönte US-amerikanische Avantgarde-Trompeter und Improvisationsmusiker Nathan “Nate” Wooley, der u.a. mit Fred Frith und John Zorn zusammengespielt hat.

Gudrun Gut’s Tracks tragen so schöne Titeln wie “Bewegung”, “Küste” oder “Weinen” und sie zieht hier einmal alle Register ihres großen Könnens und ihrer jahrzehntelangen Erfahrung als Produzentin der verschiedensten elektronischen Musikspielarten. Es sind ungewöhnliche und sehr viel experimentellere musikalische Gemälde, die sie hier entwirft als auf ihren jüngsten Solo-Werken. Kantig, eckig, roh und ungeschliffen und dabei immer elegant und schlau, unterläuft sie den im Film ausgiebig dargestellten männlichen Künstlerwahnsinn auf ihre ganz eigene Art und Weise.

Nathan Wooley antwortet mit dem ihm seit Kindesbeinen vertrauten Instrument, der Trompete, mit der er in der Lage ist, einen hinreißend virtuosen Lärm zu erzeugen. Seine Stücke sind eher Skizzen, oft nur 90 Sekunden oder ein paar wenige Minuten lang, die in all ihrer Abstraktheit das Narrativ des Films nahezu perfekt untermalen.

Eine auf insgesamt 20 Exemplare limitierte Edition, bemalt und signiert von Ben Becker, ist direkt über die JUBG zu erwerben.

Mystery edit label Body Edits is back with volume 2

Wonky underground edits from Rev Bloo’s vaults, reviving multi genre dance gems with fresh tempos and new life.

Limited pressing act fast.

First released in 1998, Luvstruck became an instant house anthem and a defining track of the era. This limited edition red vinyl celebrates that legacy with four essential old school remixes: Marco V & Benjamin, TimoMaas, Alex Trackone, and Klubbheads 2005 Remix. Each version brings its own flavour, from deep underground grooves to peak-time euphoria. A true collector's piece, this pressing pays tribute to the track's timeless impact on dance culture.

Phone Traxxx is back. Snaking into your record bag with another high-score.
Dig out your burner, plug in the charger and dial 1-800-UKG-4LYF

Road-tested favourites from the live set make a limited appearance on vinyl.

Finnish dub-techno craftsman TM Shuffle, head of Vuo Records, resurfaces with a deep and distilled EP that goes straight for the late-night heart of the dancefloor. Rooted in Tampere’s raw, analog dub sound, his productions have long balanced weight and warmth, smoked-out chords, rolling low-end and subtle shuffle that keeps the groove in constant motion.
The lead track “Kellari” dives into basement mode: pressure-cooker drums, slow-burning stabs and a humid, lived-in atmosphere that feels equally at home on a huge system or in headphones at 4 a.m. On the second original cut, TM Shuffle links up once again with long-time collaborator Monoder, the alias of Jussi-Pekka Parikka, known for his dubbed-out explorations on labels like Statik Entertainment and Pakkas-Levyt since the early 2000s. Their joint track stretches time, letting echo, tape hiss and distant melodic fragments float around a rock-solid groove, channelling years of shared studio language into one focused, hypnotic flow.
On the flip, Anton Kubikov (SCSI-9) steps in with a lush reinterpretation of Kellari. A true Russian techno veteran with a catalog that spans Kompakt, Force Tracks, Mayak and beyond, Kubikov melts the original into a widescreen, dream-state trip, soft-focus pads, gentle yet insistent percussion and that unmistakable rolling pulse that made his work so enduring. The remix doesn’t just extend the track; it opens a new dimension, turning the basement pressure into a slow-rising, celestial drift.
Pressed on limited coloured vinyl, this EP is built for selectors who like their dub techno deep, human and timeless, a record that will quietly live in bags for years and keep resurfacing whenever the room calls for true late-night elevation.

Third Space returns with ‘Third Wave’ and it’s a big one! The latest Various Artists EP gathers four deep and soulful house cuts from talented producers SY, Mbius, Jay Gadian, and label boss Miguel Seabra. A tribute to vibey, musical house tracks made for both the soul and the dancefloor. Each tune stands strong as an anthem, respecting the rich heritage of house music while dressing it in fresh, modern grooves. True to Third Space tradition, ‘Third Wave’ arrives as a limited vinyl-only release, capped at 150 copies with a strict no repress clause. A must-have for collectors and house music enthusiasts alike.

Mastered by: Miguel Seabra at Aura Project Studio

Distributed by: Carpet Distribution

Watershed is the ninth studio album by Swedish progressive metal band Opeth. Watershed is the first studio album by Opeth to feature guitarist Fredrik Åkesson and drummer Martin Axenrot, who replaced longtime guitarist Peter Lindgren and drummer Martin Lopez. The artwork for the album was made by Travis Smith in collaboration with Mikael Åkerfeldt. Opeth is a band that has been taking amazing chances and managed to not only win new fans, but not alienate older ones. A perfect blend of the death metal of Still Life and Blackwater Park, the monolithic riffage of Deliverance and Ghost Reveries, and the prog/classicism of Damnation combined with classic Deep Purple, Pink Floyd, and Scorpions. Watershed is available as a limited edition of 4.000 individually numbered copies on silver & black marbled vinyl, includes a 4 page booklet and a poster and the sleeve has a special linen laminate finish.

180 GRAM AUDIOPHILE VINYL
- LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON ORANGE COLOURED VINYL

Desmond Dekker recorded some of his best known songs together with his backing group the Aces (consisting of Wilson James and Easton Barrington Howard). Their debut album 007 (Shanty Town) includes their single of the same name, which made him Jamaican music's first outernational superstar, reaching the 14th place in the UK charts. You'll hear how the Ska music from the mid-60s is developing to the Rocksteady sound. This was 'Ska' or 'Blue Beat'—(or its new name for the slower tempo 'Rock Steady'), and the lyrics come from the Calypso-Mento method of telling about current events in music. So in a groovy way, Desmond, James and Barry (the Aces) have given a report of love, politics, nagging women, the celebration of the Fifth anniversary of Independence, and gang warfare. This is were it all started before Desmond became the international star.

Even before Bob Marley and Jimmy Cliff Jamaica already had their own international superstar, Desmond Dekker was his name. Famous because of his international hits, such as 'Israelites' (1968) and 'It Miek' (1969).

007 (Shanty Town) is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

Orange vinyl, limited to 200 copies. REMASTERED version of the Earthless epic live at Roadburn 2008. "This double gatefold LP, recorded at Roadburn Festival in 2008, celebrates the psychedelic powerhouse that is Earthless in all their mind-splitting live glory. In fact they put in one of the best live performances I'd ever seen." - The Sleeping Shaman

Recorded in one night in 2017 "The Real Will Wood" is a raucous live album accompanying a concert film of the same name. "The Real Will Wood" is a genre-bending mockumentary concert film co-created by Will Wood and Chris Dunne (Life in the World to Come, Revelator). The soundtrack and concert video were recorded in one night in 2017; the band was strung out and bigger than ever. Until recently, this raw and high-energy live album has had only limited releases, as has the film.

Rob Smith, RSD is not only a successful dubstep producer and pioneer of the Bristol sound, but also a very popular deejay travelling the world sharing his music. Coming from a reggae background and well-versed in sound system culture, Rob kept some of his best productions for his exclusive use when deejaying, the only way you would hear these gems was being played in one of Rob's sets. Fortunately, we've managed to persuade Rob to let Reggae Archive Records share these dubplate specials with a wider audience on a limited-edition vinyl LP. Compiled and sequenced in conjunction with Rob, the LP features nine tracks newly edited and mastered by Rob to enhance the bass playback on vinyl - it's cut heavy!
The tracks were recorded between 2006 and 2011, a time when one strand of dubstep heavilyembraced reggae and dub. Rob calls these tracks reggae infused dubstep and that's what they are, but Reggae Archive Records is a reggae label and this selection of dubstep tracks will most certainly appeal just as much to reggae and dub fans. Fusing dubstep beats, reggae samples, and seriously heavy basslines, this is a joyous celebration of musical cross fertilisation that has been tried and tested in clubs worldwide. In keeping with the dubplate origins of the tracks, we have designed the labels to replicate an old school acetate, while the sleeve pays tribute to seventies pre-releases albums with a replica stamp giving just the artist and title on a plain white sleeve with aged effect.

2026 REPRESS!

Limited edition, ultra clear vinyl version of RÜFÜS DU SOL's standout Innerbloom Remix EP. Calling on a who's who of modern electronic’s greats, they harness the unquestionable expertise of this all-star cast to adapt their dark, emotive and gargantuan single 'Innerbloom'.

The result is an array of dancefloor-destined destruction from the legendary UK superstar Sasha, melodic deep house wizard Lane 8, and Germany's very own H.O.S.H.

Emerging from the Ukrainian darkness in 2011, Kaosophia blend the raw energy of black metal with dissonant tones and emotionally resonant melodics. Their music is a sonic tapestry woven with intricate guitar riffs, powerful vocals, and haunting arrangements.
The band recorded their first demo “Towards The End” which was self-released by them in 2012 on a limited edition cassette.

2013 saw their first album “The Origins of Extinction” released on CD and cassette and the band followed up with many shows across Europe. 2017 saw Kaosophia expand and deepen their abyssal sounds even further with the monumental “Serpenti Vortex”, with lavish cover art produced by occult master artist Dávid Glomba, it rose Kaosophia to the upper echelons and forged their name as one the best and most formidable black metal acts in the scene at the time.

After a long period of silence, bloodletting and transformation, Kaosophia return with their darkest, most mature and powerful work to date. 2025 sees the return of Kaosophia with their new album “Beyond The Black Horizon”.
A dark and malevolent opus that explores themes of darkness, existentialism and the human condition. Delving deep into the complexities of the mind, the fragility of existence and Death itself.
Kaosophia preach orthodox ideas of Satanism in the most straightforward and ruthless form - total unconditional worship. Self-destruction as the overcoming of human essence and the cognition of pain to gain access to another level of reality's perception.
It is time to enter the end of days and venture beyond the Black Horizon…

Originally released in 2005, this standout EP returns as part of the much-anticipated reissue campaign from cult New York imprint Drugsex — a label that quickly became a treasured name among heads who lived and breathed the underground. Born from the creative partnership between UK producers Rob Pearson and Simon Copleston, Drugsex carved out its own raw, hypnotic corner of the international tech house movement.

For the second instalment in the reissue series, label head Rob Pearson teams up with Daniel Poli under their Distant Strangers moniker — a project that, even back then, was whispered about among selectors for its deep, rolling grooves and stripped-back intensity. Both artists had already made their mark with releases on some of the most respected labels of the era — from Rekids and Swag Records to Evasive Records, Rescue Recordings, and beyond.

The pair’s first collaboration, the Lost Souls EP, became a highly limited, in-demand underground gem, pressed in small quantities and played by those in the know. This follow-up, crafted at Online Studios in Croydon, took their sound to the next level — two original tracks built for dancefloors that like things hypnotic, physical and uncompromising.

On the A-side, Virtual Morality is a slick and driving slice of tech house pressure. Crisp percussion, rolling low-end and a subtle but addictive hook make it a peak-time weapon that never goes out of style. Flip it over for Take Us In Deeper — a track that lives up to its name with a shadowy groove, atmospheric layers and a perfectly balanced push and pull that draws dancers further into the late-night haze.

Adding even more weight to the release, Adam Collins — known for his work with Omni AM and Euphoria Records — steps in with a remix of Virtual Morality on B2. His version injects an unmistakable acid edge, elevating the original into a tripped-out, floor-focused burner that fits as comfortably in a basement sweatbox as it does on a sunrise terrace.

Nearly two decades later, these tracks still carry the same raw power and effortless groove that made them cult favourites in the first place. This reissue isn’t just a nod to the past — it’s a reminder of why this sound endures.

Following the overwhelming response to the Warner remix series produced by Joe Claussell, with copies disappearing in hours-another Stella remix package steps forward. This is not part of the Edits & Overdubs series. No loops. No shortcuts. Like the previous release, Ashford & Simpson’s “Stay Free” was rebuilt straight from the original 48-track 2-inch multitrack tapes, resulting in two fully realized remix versions designed for the floor. The A-side delivers a 14+ minute deep, extended journey-patient, evolving, and powerful, injecting new life while honoring the soul of the original. The B-side flips the script with an Alternate Instrumental, stripped back and ready for late-night moments. Cut, tested, and refined on dance floors worldwide over several years, these versions have already proven their weight in real club settings. Pressed on green vinyl, housed in a heavy Japanese-style cardboard sleeve, and accompanied by a Warner-style disco promo one-sheet and bumper sticker-a nod to the golden era of 12” promos.

Limited to 300 copies. Similar to the Deodato Whistle Bump 12” - No repress. No extras.

Get ready for the new school year with our latest compilation,



Back to school. Featuring 31 old-school lofi hip-hop tracks with warm vinyl textures and smooth, head-nodding rhythms, this mix is perfect for studying for exams, sketching in your notebook, enjoying a coffee break, or simply watching the leaves turn.



Sometimes, all it takes is the right soundtrack to make even the busiest school days feel a little easier, and a little more yours.












l B4. eli filosov p h i l o - doinfine

Banging techno autoprod. Supa limited and coming with a printed sleeve...
Notice that B2 is a hit combo with UTurn 01 "Item One".

Four Hardcore rave classics remastered and pressed at ISL-egendary label :

A1 comes from ISR27 (1994), AKA Sal Mineo.
A2 was unreleased on vinyl so far.
B1 used to be a Bastard Loud 06 (1995) killer !
B2 comes from Industrial Strength 11... in 1993.

Enjoy Lenny Dee's selecta for this third Hardcore Rave Classics Volume 3 !

Limited edition 10 year anniversary football fan scarf.

Two sides, two designs
Made in Italy!

When percussionist, pianist and vibe player Ricardo Marrero recorded the ultra-rare Latin jazz meets funk LP “A Taste” in 1976, little did he know that decades later that sealed copies of the original album would exchange hands among collectors for thousands of dollars. A veteran of the New York salsa and Latin jazz scene since the mid-1970s, Marrero has worked with luminaries such as The Fania All-Stars, Pete “El Conde” Rodriguez, The 5 Stairsteps, Dave Valentin, Angela Bofill and most recently - Ruben Blades. Full of up-tempo funky gems and sizzling slow burners, “A Taste” also includes Marrero’s crossover hit “Babalonia” that received quite a bit of airplay in the mid-1970s. Originally pressed in a very limited quantity on Don King and Lloyd Price’s TSG Records, and with little or no promotion, “A Taste” nevertheless pushed the boundaries of New York City salsa forward and has subsequently become one of the rarest, sought after and expensive records the vinyl world has ever seen. Suffice it to say that the music on this obscure jewel is priceless, featuring some of the greatest players of the era, directed by the great maestro Marrero on keyboards, percussion, vibraphone and vocals with the legendary Dave Valentin (flute, percussion, coro), Ralphy De Jesus (bongos, percussion, quinto), Erasto Bernard (congas), Tito Marrero (drums, timbales, percussion), George Oldziey (flugelhorn, trumpet), Nancy O’Neil (lead vocals, coro), John “Figgy” Figueroa (tenor saxophone, soprano saxophone, baritone saxophone), Sean Mahony (trombone) and John Dearth (trumpet). A taste of Ricardo Marrero & The Group is one that’s sure to satisfy.

- Debut album by percussionist, Pianist, Vibraphonist and two time Grammy Award winner
- Rare 1970 melange of Latin Jayy, Soul, Funk and Salsa from New York City
- Features legendary flutist Dave Valentin

In 2017, at Documenta Kassel (but in Athens), I invited José Jiménez Bobote, a remarkable gitano artist from the Tres Mil Viviendas neighbourhood in Seville, to record a series of actions in specific locations in the Greek capital. Ancient Greece and modern Greece. I wanted him to draw sound from the city, to strike it as only a flamenco artist can, with his feet. To hit the ground and make it moan, ring out with noises evoking significant moments in history: from Diogenes the Cynic and the Apostle Paul’s sermon at the Areopagus to Rosa Eskenazi’s resistance to the Nazi-German occupation, and the ups and downs of police Inspector Costas Haritos’s survival at the European Bank during the PIGS crisis. Bobote struck the ground and Athens responded, sending back echoes of the past, in an exceptional anachronistic exercise. In flamenco it is possible for several times to sound simultaneously.

We took seventeen hours of footage, and water from many wells.

I then shut away producer, musician, and friend Raül Refree with this material so that he could take the long titles and use them as scores, turning them into mere songs. It was very important to think in terms of songs. The tracks had to have the capacity to be songs, the kind of thing one whistles while absent-mindedly walking down the street. Generally speaking, the scores—that is, the texts—defended the use and abuse of the loose coins that people carry around in their pockets. Loose change as a kind of everyday fetishism against big financial capital. Pistis! Refree managed to coax that distinctive unity of songs, their bright catchiness, from the amalgamation of sounds that would, in other hands, end up being labelled concrete music. Peter Szendy would be pleased and grateful. Being able to sing under one’s breath something that others consider simply noise.

Seven songs, yes. And if you get the chance, take a stroll through Athens with them: the locations are clearly defined. If not, then let Athens fill your home with all its ancient wisdom, boring into your ears like worms, making holes in history.

Listen, and, as people used to say, turn up the volume!

Pedro G. Romero, Santa Marta, Colombia, November 2025

Comes with booklet with song lyrics written by Pedro G. Romero. Limited edition of 250 vinyl records.

Killer Groove Records proudly presents the debut 45 by Italian cinematic funk trio Atabasca. A syncopated journey where funk, psychedelia, and cinematic groove merge into a timeless narrative suspended between rhythm and vision.


"Cacopoulos" and "Kundela Mawedi" mark the birth of Atabasca's sonic universe: the first two singles from the upcoming self-titled debut album,which will be released on March 27 in limited-edition LP, CD digipack, and digital formats.

On the A-side, "Cacopoulos" is an impetuous, visionary ride that fuses the power of instrumental groove with the evocative imagery of library music and Italian golden-age soundtracks. From the first beat, listeners are drawn into a dry, dusty landscape driven by a primal drum groove and the acid twang of a guitar that evokes the spirit of classic Westerns. Indeed, "Cacopoulos" pays homage to I Quattro dell'Ave Maria (Ace High) and to the legendary Eli Wallach, the sly outlaw who turns deception into revenge, a subtle yet powerful nod that ties the trio's sound to imagery steeped in dust, dreams, and redemption.


On the flip side, the sound of an old lap steel guitar evokes the gentle waves of the sea, opening the doors to "Kundela Mawedi", a dreamy track with exotic tones and heavenly atmospheres. The sonic journey unfolds through hypnotic rhythms and echoes of ancient cultures, where ethereal voices and warm, entrancing bass lines intertwine with psychedelic riffs and evocative guitar melodies, merging into a soundscape rich in warmth and mystery. The chorus, with its unexpected choral chant, adds a spark of magic. An elegant twist that gently stirs the dreamlike mood and transports the listener into a new sonic dimension, steeped in mysticism and tribal vibrations. "Kundela Mawedi" is more than just a song: it's a sensory experience, a musical ritual where tradition meets psychedelia, sand meets sea, and the soul dances upon the waves of time.


Recorded in a single take, the session captures the raw energy and natural atmosphere of the performance. Artistic production was handled by the trio alongside Andrea Fabrizii (digger, musician, producer, and catalogue curator for CAM Sugar), while Riccardo Ricci mastered the tracks at Velvet Room Mastering Studio in Brighton.


A killer double-sider, blending psychedelic and funk moods with percussive, jazzy textures. A must-have gem for every groove-loving DJ.


Like a desert blooming within the evergreen forests of the planet's far north, a unique, alien, disruptive environment: this is the vision behind Atabasca, the project of Luca Mongia (guitars, lap steel, keyboards, vocals), Paolo Mazziotti (bass, keyboards, vocals), and Valerio Pompei (drums, percussion, vocals). Individually active for over twenty years on both national and international scenes, the three musicians came together in 2023 to create a project that merges experience, experimentation, and creative freedom. Their music is imaginative and at times dreamlike, blending the classic concept of the instrumental trio with the worlds of film scoring and sound design.


Atabasca's sound moves through jazz-funk, world, and cinematic territories, weaving together afrobeat, desert, and psychedelic influences into a personal and timeless language. Each piece is a scene; each sound, a fragment of a world, a journey between reality and imagination where groove, texture, and organic timbre merge into a singular sonic ecosystem: a perpetually shifting balance that generates new inner landscapes.


Fans of Khruangbin, Surprise Chef, and instrumental psych-funk, take note!

From time to time Fortunea Records gives us the chance to highlight and welcome new faces. And this one is Petals In Sound!

Louise Baldwin is a UK-based producer and DJ. After over a decade of living, working and partying in South East London, she relocated to Crosby in Liverpool. Following a number of years experimenting with music production, she finally found her groove during the 2020 Covid lockdown. In October 2020, she released under her moniker the well-received debut EP 'Palace’ on Boyanza Records, gaining support from the likes of NTS Radio and the Sloth Boogie Radio Show. Many releases on labels such as Closer To Truth, Dirt Crew and Inhale Exhale followed.

Louise playfully attacks the fabric of deep house, pushing and pulling the genre into modern territory with clever and precise production techniques. And now she will release her first vinyl record on the Austrian imprint. The ‚Days‘ EP includes 4 original tracks and a remix by the Vienna-based dj and producer Dzc.. Hypnotic rhythms and well crafted deepness defines this record.

Petals In Sound’s ‚Days’ EP will come out on december 19th. All tracks have been mastered by Patrick Pulsinger. The vinyl is limited to 200 copies and there will be no repress!

Not of This Earth is the first studio album by guitarist Joe Satriani. Originally released in 1986, this all-instrumental album was making ripples in the guitar-playing community not long after it was issued. It’s easy to see why: superior compositions, a signature style, a unique tone, and playing that’s out of this world. The fiery sound of “Not of This Earth” and “Hordes of Locusts” is tempered by the cool, dark tone of “Driving at Night”. There isn’t a weak track on this disc, even though the world’s most commercially successful solo guitar performer was still maturing when he released it.

Available as a limited edition of 1500 numbered copies on transparent blue vinyl.

Cinema Serenade is an album by John Williams and Itzhak Perlman, featuring orchestral performances of famous and notable film themes,
with Perlman's violin at the forefront.. Amongst others, it features work by Michel Legrand, Elmer Bernstein, John Barry, André Previn and John Williams himself.

All the work on this album is conducted by Williams and performed by the Pittsburgh Symphony Orchestra. It also features exclusive liner notes from well-known film critic,
musicologist and professor Royal S. Brown,
Cinema Serenade is available as a limited edition of 500 numbered copies on aquamarine coloured vinyl.

Sweatmaster releases a new full-length album after a 15-year hiatus via Svart Records Sweatmaster, one of the aristocrats of Finnish garage rock, is making a big comeback with the release of their fifth album More! in January 2026. After the release of their 2010 album Dig Up the Knife, the band took a long break, which ended a few years ago with live performances both domestic and abroad. At the same time, new material began to emerge in the rehearsal room, and the band quickly found a common strategy for working on it. "We were unanimous about the strengths of our band and decided to get to the heart of the matter. The main idea was to make straightforward songs carried by the vocals. The kind that would work well live with our aggressive playing style," says the band's drummer Matti Kallio. Svart Records will release Sweatmaster's fifth album early next year. More! is a sharp package of fourteen songs that has not been polished to death. "We wanted a raw and electric sound for the new album, built tightly around the three of us playing. The aim was to stick to Sweatmaster's original energy and not spread ourselves too thin. However, despite our efforts, the intervening years brought some new tones with them," guitarist Mikko Luukko explains the background of the new album. The album's first single will be released on Friday, September 19th, and according to singer-bassist Sasu Mykkänen, Destroyer is the essence of Sweatmaster. "The drum fill draws you into the pull of the electric triangle. The guitar taps at the ballads and wants nothing more than to drive the rhythm until the passionate vocals take over. The song doesn't lead anywhere, it's already there. 2 minutes, 37 seconds. Wham bam. Here you go." More! is available for pre-order now at Svart’s webstore on Svart exclusive vinyl, limited coloured vinyl, classic black vinyl, and CD. Release date January 30th, 2026.

Dylan Atlantis' Insta bio read 'amateur artist' at the start of the year. Now she's on a billboard in Times Square. With vocals and lyrics that extend well beyond her young years, Dylan Atlantis is the definition of meteoric rise. Pitchfork describes her as "the silky R&B singer, sliding in with the laid-back cool." THE PHILIPPINES-BORN, WEST SYDNEY BASED MUSICIAN WAS RAISED on a musical diet of RnB and Hip-Hop by her Mum. Now a self-professed lover of all genres of music (even country), she's out here sharing her innermost thoughts and lyrical experiments with the world. "I kinda just treat music like a diary but also a science lab where I can experiment expressing myself in different ways until it's awesome enough that I feel compelled to share it." Impressed Recordings are proud to present Dylan Atlantis' release - It Starts Again, on limited edition vinyl.

Sweatmaster releases a new full-length album after a 15-year hiatus via Svart Records Sweatmaster, one of the aristocrats of Finnish garage rock, is making a big comeback with the release of their fifth album More! in January 2026. After the release of their 2010 album Dig Up the Knife, the band took a long break, which ended a few years ago with live performances both domestic and abroad. At the same time, new material began to emerge in the rehearsal room, and the band quickly found a common strategy for working on it. "We were unanimous about the strengths of our band and decided to get to the heart of the matter. The main idea was to make straightforward songs carried by the vocals. The kind that would work well live with our aggressive playing style," says the band's drummer Matti Kallio. Svart Records will release Sweatmaster's fifth album early next year. More! is a sharp package of fourteen songs that has not been polished to death. "We wanted a raw and electric sound for the new album, built tightly around the three of us playing. The aim was to stick to Sweatmaster's original energy and not spread ourselves too thin. However, despite our efforts, the intervening years brought some new tones with them," guitarist Mikko Luukko explains the background of the new album. The album's first single will be released on Friday, September 19th, and according to singer-bassist Sasu Mykkänen, Destroyer is the essence of Sweatmaster. "The drum fill draws you into the pull of the electric triangle. The guitar taps at the ballads and wants nothing more than to drive the rhythm until the passionate vocals take over. The song doesn't lead anywhere, it's already there. 2 minutes, 37 seconds. Wham bam. Here you go." More! is available for pre-order now at Svart’s webstore on Svart exclusive vinyl, limited coloured vinyl, classic black vinyl, and CD. Release date January 30th, 2026.

Released in partnership with our friends at Neon and Filmtrax to release Edo Van Breemen’s score to Osgood Perkin’s latest horror hit The Monkey. Based on the Stephen King short story produced by James Wan (The Conjuring, Saw), The Monkey is a new trip by Longlegs writer/director Osgood Perkins. When twin brothers find a mysterious wind-up monkey, a series of outrageous deaths tear their family apart.

Twenty-five years later, the monkey begins a new killing spree, forcing the estranged brothers to confront the cursed toy. The score is as playful as the movie itself, whimsical when it needs to be, but also managing to be terrifying and tense.

Lenticular edition strictly limited to 1000 copies pressed on brown & green split vinyl, housed in a printed outer O-Card. Composer Edo Van Breeman told us that when they were recording the score, "Mr. King’s Monkey haunted our process for the entire duration of post-production on this film while Mr. Perkins possessed us to mutilate sounds and arrangements in a manner beyond our control. We hope you enjoy this record, and if not... shit, man, that sucks.”

This album is a beautiful union of the enchanting rhythms of Bossa Nova and the sophistication of jazz. Standout tracks from the album include Garota De Ipanema, Desafinado and Corcovado. This highly requested LP were released on a limitednumbered white viny LP in 2025 and now it will be re- released on 180g 'One Step Pressing' Vinyl LP.

Una interpretación de Soinuarenbidea II debería partir de esta premisa: todo es posible, nada es aleatorio, y en sí mismo es un imposible de aleatoriedades. El escenario planteado explora la idea de realidad aumentada desde una percepción sonora, ambiental y colectiva. La obra transita hacia adelante y hacia atrás recreando experiencias extintas de porvenir incierto, tratando de facilitar un fin pacificador. Cada pieza sonora se crea, se despliega, se repliega y se destruye, en una torsión permanente de toda la realidad que hace posible cada fragmento musical, cada identidad acústica, cada espacio sonoro. Lo onírico, la ficción, y el viaje están continuamente presentes, y es en el transitar de cada fragmento donde se produce el diálogo de la exposición musical. Los elementos de esta ficción se recrean continuamente, en un continuum donde se entrelazan y se van contorsionando a medida que crecen o decrecen con cada fragmento de síntesis concreta. Los temas explícitamente musicales son el magma que conduce a dar voluptuosidad al disco, siendo la piel un contexto o límite que en sí mismo fluctúa indefinidamente en texturas y configuraciones posibles. Y la urdimbre del silencio es la síntesis que está continuamente presente y que trata de cohesionar los fragmentos en continua colisión expresiva. Las grabaciones de campo proporcionan el material sonoro concreto, y como un fractal sonoro cada una de ellas ofrece diferentes grados de interpretación que a su vez conduce a nuevos fragmentos y nuevas creaciones. Así que se puede pensar que esta es una síntesis de una posible realidad, pero interpretable en infinidad de maneras. Un movimiento y una estaticidad implícitas que generan estructuras y dinámicas acústicas. Lo que se escucha no es real, pero en sí mismo forma parte de la realidad, creando un escenario expectante. Lo cinematográfico, plástico y teatral, danzante y dinámico cobra importancia en este juego, porque se trata de contar una historia, una experiencia recreada desde los puntos de vista del arte visual. Es a su vez hilo conductor y entretenimiento, discurso político y puro divertimento. Es desde este espacio de convivencia artística que tiene sentido la totalidad y justifica el formato sonoro planteado. La contradicción de la obra es patente en el formato, y es a su vez el planteamiento de una accidentalidad en el devenir vital. Contenedor de Ruido recoge todas estas contradicciones y las manifiesta en la obra Soinuarenbidea II. Es una historia sonora, es un cuento acústico. Es un fragmento de vitalidad en imágenes audibles. Es una invitación a la reflexión, a la crítica, al disfrute, a la meditación, a la celebración. Y sobre todo es esperanzadora apreciación de la realidad como algo maleable que confeccionamos colectivamente, que requiere de una paciente observación y la participación colectiva global, en un mundo finito pleno de diversidades y del que ignoramos prácticamente todo, al que deberíamos volver con respeto y devoción.

Soinuarenbidea II-ren interpretazio batek premisa honetatik abiatu beharko luke: dena da posible, ezer ez da ausazkoa, eta, berez, ausazkotasun ezinezko bat da. Planteatutako agertokiak errealitate areagotuaren ideia aztertzen du, soinu-, ingurumen- eta talde-pertzepzio batetik abiatuta. Lanak aurrera eta atzera egiten du, etorkizun zalantzagarriko esperientzia desagertuak birsortuz eta helburu baketsua lortzen saiatuz. Soinu-pieza bakoitza sortu, hedatu, tolestu eta suntsitu egiten da, musika-zati bakoitza, identitate akustiko bakoitza eta soinu-espazio bakoitza ahalbidetzen dituen errealitate osoaren etengabeko bihurdura batean. Onirikoa, fikzioa eta bidaia etengabe daude presente, eta pasarte bakoitzaren joan-etorrian gertatzen da musika-erakusketaren elkarrizketa. Fikzio honen elementuak etengabe birsortzen dira, continuum batean, non sintesi zati zehatz bakoitzarekin hazi edo txikitu ahala elkar lotzen eta bihurritzen diren. Esplizituki musikalak diren gaiak diskoari atsegintasuna ematera eramaten duen magma dira, azala testuingurua edo muga izanik, testura eta konfigurazio posibleetan mugarik gabe aldatzen dena. Eta isiltasunaren irazkia etengabe presente dagoen sintesia da, zatiak etengabeko adierazpen-talkan kohesionatzen saiatzen dena. Landa-grabazioek soinu-material zehatza ematen dute, eta soinu-fraktal batek bezala, horietako bakoitzak interpretazio-maila desberdinak eskaintzen ditu, eta horrek, aldi berean, zati eta sorkuntza berrietara eramaten du. Beraz, pentsa daiteke errealitate posible baten sintesia dela, baina hamaika modutan interpreta daitekeena. Egitura eta dinamika akustikoak sortzen dituzten mugimendu eta estatikotasun inplizitu bat. Entzuten dena ez da erreala, baina, berez, errealitatearen parte da, eta agertoki espektakularra sortzen du. Zinematografikoak, plastikoak eta antzerkikoak, dantzariak eta dinamikoak garrantzia hartzen dute joko honetan, ikusizko artearen ikuspegitik birsortutako istorio bat, esperientzia bat, kontatzea baita helburua. Aldi berean, hari gidaria eta entretenimendua da, diskurtso politikoa eta dibertimendu hutsa. Elkarbizitzarako espazio artistiko honetatik osotasunak zentzua du eta planteatutako soinu-formatua justifikatzen du. Obraren kontraesana nabarmena da formatuan, eta, aldi berean, bizi-bilakaeran istripu-tasa bat planteatzea da. Zarata-edukiontziak kontraesan horiek guztiak jasotzen ditu eta Soinuarenbidea II obran adierazten ditu. Soinu istorio bat da, ipuin akustiko bat. Bizitasun zati bat da, irudi entzungarrietan. Hausnarketarako, kritikarako, gozamenerako, meditaziorako eta ospakizunerako gonbidapena da. Eta, batez ere, itxaropentsua da errealitatea modu kolektiboan egiten dugun gauza xaflakor gisa hautematea, behaketa pazientea eta partaidetza kolektibo globala eskatzen dituena, dibertsitatez betetako mundu mugatu batean, ia guztia kontuan hartzen ez duguna, eta errespetuz eta debozioz itzuli beharko genukeena.

An interpretation of Soinuarenbidea II should start from this premise: everything is possible, nothing is random, and in itself is an impossible randomness. The proposed scenario explores the idea of ​​augmented reality from a sonic, environmental, and collective perception. The work moves back and forth, recreating extinct experiences of an uncertain future, seeking to facilitate a peaceful end. Each sound piece is created, unfolds, retreats, and is destroyed, in a permanent twisting of all reality that makes each musical fragment, each acoustic identity, each sonic space possible. The dreamlike, the fictional, and the journey are continually present, and it is in the transit of each fragment that the dialogue of the musical exposition takes place. The elements of this fiction are continually recreated, in a continuum where they intertwine and contort as they grow or diminish with each fragment of concrete synthesis. The explicitly musical themes are the magma that leads to the work's voluptuousness, the skin being a context or boundary that in itself fluctuates indefinitely in possible textures and configurations. And the warp of silence is the synthesis that is continually present and seeks to unite the fragments in a continuous expressive collision. The field recordings provide the concrete sound material, and like a sonic fractal, each one offers different degrees of interpretation that in turn lead to new fragments and new creations. So one can think of this as a synthesis of a possible reality, but interpretable in an infinite number of ways. An implicit movement and staticity that generate acoustic structures and dynamics. What is heard is not real, but in itself is part of reality, creating an expectant scenario. The cinematic, plastic and theatrical, dance and dynamic aspects take on importance in this game, because it is about telling a story, an experience recreated from the perspective of visual art. It is at once a common thread and entertainment, political discourse and pure entertainment. It is from this space of artistic coexistence that the whole makes sense and justifies the proposed sound format. The contradiction of the work is evident in its format, and it is, in turn, the presentation of an accidentality in the course of life. Noise Container gathers all these contradictions and manifests them in the work Soinuarenbidea II. It is a sound story, an acoustic tale. It is a fragment of vitality in audible images. It is an invitation to reflection, to critique, to enjoyment, to meditation, to celebration. And above all, it is a hopeful appreciation of reality as something malleable that we collectively craft, requiring patient observation and global collective participation, in a finite world full of diversity and of which we know practically nothing, to which we should return with respect and devotion.

Paisajes sonoros, diseño sonoro, drones y música grabada, realizada y arreglada para Contenedor de Ruido por David Aranaz. Coro: Basandere Ahotsak. Producido y mezclado por David Aranaz. Mástering: Estanis Elorza. Fotografía: David Aranaz. Texto: David Aranaz. Traducción: Saioa Aranaz Oreja. Trabajo y Diseño artístico: Cristina Martinez. Edición: Contenedor de Ruido Producciones y Sarbide Music. Distribución: Contenedor de Ruido.

Contenedor de Ruido agradece el apoyo en la realización de Soinuarenbidea II al coro Basandere Ahotsak y en especial a Eva Orbara Goicoa.

Soinuarenbidea II está dedicado al pueblo palestino.

Paisajes y objetos Sonoros, samplers y otras músicas transformadas para Soinuarenbidea II
Burlada: Paseos sonoros matinales por Merindad de Sangüesa, Calle Mayor, Capuchinas, Parque Uranga y varias iglesias y plazas. Pasajes del cotidiano: basura de papel, cristal y plástico.
Pamplona: Cementerio de San José. CEIP Sanduzelai /// Quinto Real: Fábrica de Armas, Puerto de Urkiaga y alrededores. Suite del silencio, bosques en movimiento /// Fábrica de armas de Orbaiceta: regatas, biosques, paseo sonoro hasta regata /// Belate: Puerto de Belate y alrededores. Vacas en pradera junto a las turberas /// Bardenas Reales: Suite de guitarra y Suite del silencio, estepa desértica /// Austria: Tranvías de Graz y Viena. Muchedumbre del metro de Viena.
Voces cinematográficas de: Matanza en Texas, Robocop, Espíritu Sagrado, Solo los Amantes Sobreviven, Voces de Gaza, Yojimbo, Terciopelo Azul, Los 7 Magníficos.
La pista A2 está dedicada a la memoria de David Lynch.
La pista B4 está dedicada a Eva Orbara Goicoa.
Pista A4: Contiene interpretaciones de piano de Three Piano Pieces Op.11 de Arnold Schoenberg.
Pista A5: Es una interpretación expandida con síntesis FM del Concerto Op. 24 - Etwas lebhaft - de Anton Webern.
Pista A7: Contiene la canción Besarkatu ninduzun (Letra de Josune López y música de Josu Elberdin) en interpretación de Basandere Ahotsak en la iglesia de Burutain bajo la tormenta.
Pista B2: Contiene la canción Recuerdos de la Alhambra (Fernando Tárrega) en interpretación torsionada de David Aranaz Sarasa.
Pista B14: Contiene la canción Agur María (Letra y Música de Estíbaliz Robles “Estitxu” y arreglo exclusivo de Alfonso Ortiz para Basandere Ahotsak) en interpretación de Basandere Ahotsak.

Equipamiento para Soinuarenbidea II.
Micros de condensador SE7, configuración XY y ORTF; Micros de cinta ORTIZ LUTHIER configuración XY y Blumlein; Grabadoras MARANTZ y ZOOM; Sintetizadores y samplers Elektron MONOMACHINE SPS-1, MACHINEDRUM SFX6 y MODEL:SAMPLES. Dave Smith MOPHO. Torso Electronics S-4. Sintetizador Modular 333 DIY; Guitarra clásica ALHAMBRA 6P; Esculturas Sonoras tipo Baschet, cristal y metales; Mesa Soundcraft FX16ii; Interface de Audio RME Babyface Pro FS; DAW Logic Pro; Procesamiento de modelado analógico con Acústica Audio, Waves, Softube, Brainworx, Sonible, Analog Obsesion, Tokio Dawn. Metering de Logic y RME DigiCheck . Amplificación Hafler PRO2400. Monitorización BW DM602 S3. Mezcla digital; Mastering híbrido.

"Deep Purple's Greatest Hits, released in 2009, is a comprehensive compilation showcasing the legendary band's most iconic tracks. Spanning their groundbreaking career, the album features classic live versions of hits like ""Smoke on the Water,"" ""Highway Star,"" ""Child in Time,"" and ""Black Night,"" offering a perfect introduction to Deep Purple's influential sound. Known as pioneers of hard rock and heavy metal, the band’s virtuosic guitar solos, soaring vocals, and dynamic keyboard riffs shine throughout this collection. Greatest Hits captures the essence of Deep Purple's heyday while celebrating their timeless appeal. It highlights the band’s ability to blend powerful rock energy with intricate musicianship, making them a cornerstone of the genre. For longtime fans and newcomers alike, this compilation is an essential addition to any rock music collection, solidifying Deep Purple’s legacy as one of the most influential bands in rock history. Greatest Hits is available as a limited edition of 1500 individually numbered copies on purple coloured vinyl."

Back in 2002 British producers Fingaz and Skillz teamed up to create a project showcasing the current state of London’s R&B and hip-hop artists. In collaboration with different artists, they produced the compilation Big Brovaz Watching You, which led to the eventual formation of the group Big Brovaz. The group was referred to as a softer version of the So Solid Crew. The group enjoyed huge success, particularly with their debut album, which made big waves in the UK charts, with four singles reaching the Top 10. “Nu Flow”, the debut single, even reached the top 3 in Australia, Belgium, New Zealand, Netherlands, Sweden and Turkey. Similar successes were also achieved by the “Favourite Things” and “Baby Boy”. Big Brovaz became one of the most notable UK R&B / Hip-Hop acts of the early 2000s and are still loved by fans of the genres to this day. Their debut album is now available on vinyl for the first time and features the bonus track "OK (Rock Remix)" and the hidden track "My Favourite Things (Original Version)".Nu Flow is available as a limited edition on translucent green coloured vinyl and includes an insert.

Terror Squad is the second album by Danish thrash metal band Artillery. It was originally released in 1987 via Neat Records. It's the successor of Fear of Tomorrow (MOVLP3190) and was later followed by their most succesfull album By Inheritance (MOVLP3935).Terror Squad; the opening track "The Challenge" immediatly kicks your door down and from there on their thrash metal is aggressive, relentless, and executed with deadly precision. At the time it lacked commercial success, but it made up for it with sheer musical intensity. The album's combination of blistering riffs, thunderous drumming, and commanding vocals still leaves its mark decades later. When Artillery hits, it leaves a crater Fun fact: Metal Hammer included the album cover on their list of "50 most hilariously ugly rock and metal album covers ever" Terror Squad is now available as a limited numbered edition of 1000 copies on red translucent coloured vinyl and contains an insert.

Playing with a Different Sex was the debut album by seminal post-punk band Au Pairs, released in 1981.

Described retrospectively by AllMusic as ‘one of the great post-punk records’, a review by Record Mirror on its release said the band’s ‘critique of all forms of possession and sexual stereotyping assumes a devastating power’. Themes include sexual politics and the torture of women imprisoned in Northern Ireland during The Troubles of the 1970s, as well as a stunning cover of David Bowie’s ‘Repetition’ about domestic violence. It peaked at No. 33 in the UK, and features the single ‘It's Obvious’, which reached No. 37 on the US Club Play Singles chart. Playing with a Different Sex is available as a numbered limited edition of 750 copies on turquoise coloured vinyl and contains an insert.

A year after their acclaimed self-titled debut album, The Only Ones followed up with Even Serpents Shine. The sophomore album was met with positive reviews, that “Even Serpents Shine doesn’t boast an out-of-the-box classic tune along the lines of “Another Girl, Another Planet” from the debut, but in many respects, this is the more consistent album, achieving a similar degree of thematic and melodic variety while generat- ing a more coherent sound and feeling.”

Even Serpents Shine features remastered audio and is avail- able as a limited edition of 1000 individually numbered copies on flaming coloured vinyl.

On Stage is a live album by legendary American singer Elvis Presley. Recorded in Las Vegas in 1969-1970, the album was a follow-up to From Memphis to Vegas/From Vegas to Memphis. Unlike its predecessor, On Stage is focused on songs that weren’t associated with Elvis previously. The album features the worldwide number one single “The Wonder of You”, written by Baker Knight and originally recorded by Vince Edwards. Some other notable songs include “Sweet Caroline” (Neil Diamond), “Yesterday” (The Beatles) and “Proud Mary” (Creedence Clearwater Revival). “See See Rider” would eventually become Elvis’ frequent opening songs during concerts up until his last show. The album brings Elvis’ charismatic stage presence straight to your living room, and contains nothing but classic songs to sing along to. Pressed on transparent red vinyl, this record is available as a limited edition of 2500 individually numbered copies.

Will Butler, known for his work with Arcade Fire, has composed the original score for the Broadway play Stereophonic. The play, set in the 1970s, explores the dynamics of a rock band on the brink of success or collapse. Butler’s score authentically captures the era, using period-specific instruments and recording techniques to evoke the raw energy of 1970s rock.. He recorded the parts with the original cast from Stereophonic, including Will Brill, Andrew R. Butler, Juliana Canfield, Eli Gelb, Tom Pecinka, Sarah Pidgeon, and Chris Stack. The production received acclaim from critics and no less than 13 nominations at the 77th Tony Awards, taking home five, including Best New Play. Stereophonic now holds the record for the most Tony nominations by a play. Stereophonic is available as a limited edition on translucent yellow coloured vinyl and includes an insert.

Bert At the BBC is a comprehensive collection of Jansch’s appearances at the BBC, featuring over eight hours of rare and unreleased recordings, including live-on-air spots, studio sessions and full concerts straight from the BBC vaults, delving further into this legendary performer’s canon. Bert Jansch was the very essence of folk music, providing inspiration for everyone from Paul Simon and Neil Young to Led Zeppelin and countless folk revivalists. This unparalleled limited-edition compendium is available as a 4xLP and 8xCD set, housed in a coffee-table book set with a lavish 40-page book tracing the recordings from Bert’s earliest moments at the BBC. It includes interviews and insights from Lauren Laverne, Jools Holland, Johnny Marr, Jacqui McShee, Bob Harris, Bernard Butler, Mark Radcliffe and many more. Twenty broadcasters, producers and collaborators contribute at length to the booklet, with great affection for this gentle, maverick genius. Bert’s BBC legacy remains the most significant and exciting untapped reservoir of his music. The undeniable advantage of recordings made for broadcast is that they were, by their nature, created for public consumption and, barring live-on-air appearances – which might go well or go badly, but were going out either way – were explicitly signed-off by the artist as representations of his art that were good enough to be heard. The set is compiled by Colin Harper, author of Dazzling Stranger: Bert Jansch and the British folk and blues revival (Bloomsbury, 2000), who contributes detailed liner notes to the package. The release is mastered by IFTA award-winning engineer Cormac O’Kane. The vinyl release features 48 tracks on LP and is accompanied by a download card with over six hours of extras spanning 1966–2009, including BBC4’s St Luke’s concert (2003), and a complete Queen’s Hall, Edinburgh concert (2004) for BBC Radio Scotland. It is also available as a special 8xCD set containing all 147 tracks and encased within a coffee-table book. Bert Jansch At The BBC is an epic and enduring trail, 45 years in the making. “He was that rarity, a musician who really did deserve to be regarded as a legend.” The Guardian // “As a guitar player there was no one like him. He was jazz and blues and folk but there was a whole world in there that was just him, esoteric”

The Modern Sound Quartet represents one of the most treasured, yet least documented, outfits in the history of Italian library music. An exceptional studio band of session musicians with a formidable groove, they released only a handful of albums under this name in the second half of the 1970s. However, their sound indelibly shaped dozens of "invisible" soundtracks, often without ever receiving an official credit on the back sleeve.

Led by pianist and composer Oscar Rocchi, and featuring Andrea Surdi (drums), Luigi Cappellotto (bass), and Ernesto Verardi (guitar), the quartet embodies the more jazz-funk, cinematic, and irresistibly groovy side of the 1970s Milan scene. They established themselves as a compelling alternative to the already established groups operating primarily out of Rome, such as I Marc 4 or I Gres.

Juggling late-night club jam sessions, tours supporting Italian pop giants like Ornella Vanoni, and creating rhythmically intense library records, the Modern Sound Quartet forged a unique sonic aesthetic: sophisticated, electric, and profoundly metropolitan.

This boxset celebrates their funkiest side—an irresistible combination of incandescent drum breaks, tight grooves, and high-intensity fusion passages—bringing together some of the most sought-after tracks from legendary LPs like Erbe Selvatiche (1977), Floreama (1977), Horoscope (1978), and I Tarocchi (1980). The selection also delves further back to the roots of their sound, including two powerhouse tracks from Pop-Paraphrenia (1973), a project where Oscar Rocchi—backed by a young, lethal Tullio De Piscopo on drums—sowed many seeds that would fully blossom in the subsequent Modern Sound Quartet output.

Created with DJs, beatmakers, and collectors of Italian library music in mind, this boxset deliberately features tracks that were never previously released on 7 inch—an ideal format for maximizing the rhythmic punch of the quartet's sound.

Available in a limited worldwide edition (500 copies), enriched by iconic 70s-style artwork conceived and designed by Eric Adrian Lee.

Oxblood Red vinyl, limited to 400 copies. Lord Elephant are back with their second studio album "Ultra Soul", a psyched blend of 70's, 90's and 00's extravaganzas mixed together with the distinctive heavy breath of the band. Blues, doom and sludge are fused again in the strange trademark of the trio, allergic to genre-labels and ready to expand the vision beyond cages! Recorded, mixed and mastered at Studio 73, Ravenna, by Riccardo Pasini (Nero Di Marte, Ephel Duath, Ottone Pesante..) Artwork and Layout by JJ Farfante ArtLab (Melvins, Mudhoney, Ufomammut)

TO COMMEMORATE THE 10th ANNIVERSARY OF HIS PASSING

DEFECTED HONOURS FRANKIE KNUCKLES WITH SPECIAL EDITION ‘HOUSE MASTERS’ VINYL

Defected celebrates the life and legacy of house music pioneer Frankie Knuckles with a limited-edition vinyl offering of his notable ‘House Masters’ release.

Marking ten years since his passing, join Defected in honouring the enduring legacy of house music pioneer. All proceeds of ‘House Masters: Frankie Knuckles’ will be donated to Frankie Knuckles Foundation as it was when the compilation was originally released back in April 2015.

“Frankie Knuckles, whom many consider to be one of the architects of house music is still highly influential to a new generation. Since his untimely passing ten years ago it has been incredible to see the continued outpouring of love and respect that he has received. His legacy is why the Frankie Knuckles Foundation exists. Through our work we honour him by supporting initiatives that he was passionate about: music education, AIDS and diabetes research, prevention and LGBTQIA+ youth homelessness. This commemorative vinyl release of ‘House Masters’ in association with Defected will allow us to do just that!”

Frederick Dunson, Founder, President & Executive Director, Frankie Knuckles Foundation

The forthcoming vinyl releases will feature a selection of his finest productions and remixes including the seminal ‘Your Love’, ‘The Whistle Song’ and remixes for Chaka Khan and Sounds Of Blackness.

Find out more about Frankie Knuckles Foundation and its commitment to educating and supporting initiatives across LGBTQIA+ communities and AIDs prevention

TO COMMEMORATE THE 10th ANNIVERSARY OF HIS PASSING

DEFECTED HONOURS FRANKIE KNUCKLES WITH SPECIAL EDITION ‘HOUSE MASTERS’ VINYL

Defected celebrates the life and legacy of house music pioneer Frankie Knuckles with a limited-edition vinyl offering of his notable ‘House Masters’ release.

Marking ten years since his passing, join Defected in honouring the enduring legacy of house music pioneer. All proceeds of ‘House Masters: Frankie Knuckles’ will be donated to Frankie Knuckles Foundation as it was when the compilation was originally released back in April 2015.

“Frankie Knuckles, whom many consider to be one of the architects of house music is still highly influential to a new generation. Since his untimely passing ten years ago it has been incredible to see the continued outpouring of love and respect that he has received. His legacy is why the Frankie Knuckles Foundation exists. Through our work we honour him by supporting initiatives that he was passionate about: music education, AIDS and diabetes research, prevention and LGBTQIA+ youth homelessness. This commemorative vinyl release of ‘House Masters’ in association with Defected will allow us to do just that!”

Frederick Dunson, Founder, President & Executive Director, Frankie Knuckles Foundation

The forthcoming vinyl releases will feature a selection of his finest productions and remixes including the seminal ‘Your Love’, ‘The Whistle Song’ and remixes for Chaka Khan and Sounds Of Blackness.

Find out more about Frankie Knuckles Foundation and its commitment to educating and supporting initiatives across LGBTQIA+ communities and AIDs prevention

2026 Repress

We are happy to welcome LA re-edit crew Boogie Down Edits first up is their De La Soul's reworks, re-inventing some of their best-loved hip-hop cuts as party-starting house jams. Wisely, they've chosen to retain many of the key musical ingredients of their source material, subtly shifting the grooves to aid slick mixing and peak-time joy.

We kick off with the loose-limbed hip-house punchiness of 'Saturday’ then move into a more jackin’ bumpy groove on the classic ‘'Me Myself and I'

On the Flip we have a bass heavy Hip House style rework of ‘Buddy’ rounding off the package with a housed up groovy vocoder laden version of ‘ Say No Go’.

A great start from the BDE crew watch out for more..
Limited Vinyl pressing.

" A very limited 7” for the tropical heads, beat travellers and cosmic cumbia astronauts on the new imprint Sun Of A Beach — the free-spirited daughter of Editions de Lux, who skipped town, fell in love somewhere between Kingston and Cartagena, and came back glowing, barefoot, and heavy on the bass.

At home in the steaming rainforest as much as the urban jungle of the Chapinero district of Bogotá, Colombia’s psychedelic groove pilots Ácido Pantera deliver a double-sided tropical weapon aimed straight at late-night sweatboxes, boat parties, and sun-soaked terraces.

"Te quiero, te amo” is a declaration of love at 132 bpm, bouncing along like a low-rider over cobblestones while neon synths float in the humid air.

Flip it for “Pájaro cantor”, a sound system destroyer that will lock the floor in an acid trance that feels both ancestral and futuristic in the same breath. This one’s featured on the FC26 soundtrack and will have you shimmying like Luis Díaz right before he bangs one into the top corner!

You know what to do!"

5 Year Anniversary of Jme's follow up to Integrity; a release like no other.......over half a dozen videos, an exclusive cinema screening tour, which had a physical only release launch featuring various limited formats and much more.....the rules of a 'release' were broken once again.
Features on the album include Skepta, Giggs, Wiley, P Money, Big Zuu, Shakka, President T and Merky Ace whilst production comes from the likes of Preditah, Tre Mission, S-X, Blay Vision, Lewi B, Splurt Diablo, Deeco and of course Jme himself.

Celebrate three decades of dance music history with 30 Years of Klubbhopping – the ultimate Best Of collection from the legendary Dutch DJ/producer team, Klubbheads. Known for their unstoppable beats and countless club anthems, Klubbheads have shaped the sound of global dancefloors with releases under many aliases, including Drunkenmunky, Da Klubb Kings, Itty-Bitty-Boozy-Woozy, DJ Disco and others. This anniversary release unites their most iconic tracks for the very first time, capturing the creativity, energy, and party spirit that defined generations.

From the club to eternity, 30 Years of Klubbhopping is more than a compilation—it’s a celebration of the sound that made the world move.
30 Years of Klubbhopping is available as a limited edition of 1000 individually numbered copies on crystal clear vinyl and includes an insert with track-by-track liner-notes written by the Klubbheads.

ATA Records proudly present the latest release from The Flying Hats, Blender 7” Following the buzz surrounding their debut LP and the soft limited pre-release of Blender, anticipation for this single has been huge - and with good reason.
“I've never heard something so perfectly combine funk and reggae and do it in a way that is dancefloor gold”. - Monkeyboxing.
The Flying Hats - the Leeds quartet responsible for one of the standout albums of the year - return in phenomenal form with two previously unreleased cuts of the highest calibre. Both tracks strike hard somewhere between Kingston and New Orleans, as if The Meters were channelling Jackie Mittoo or Sound Dimension were jamming with Jimmy Smith.
Thick, funky-reggae organ leads the charge with killer breakbeats, bass pressure, and rhythm-section fire designed to light up any dancefloor worth its salt. Both sides are built for selectors, collectors and dance DJs alike.

2026 Repress
DJ Support: Seth Troxler, Marco Carola, Sasha & Digweed, Camelphat, Dennis Cruz and many more

The chances are you've already heard this track being played all over the place this summer; It's been causing some damage on the dancefloor all over, and is now it's finally available on wax for a limited time

In a World of deep paradoxes unrestrained by time, mysterious new corporations appear; tagged with the words 'Sunrise Inc.' ... For the first chapter in Childhood Intelligence's Sub-Division Corporation "Sunrise Inc.", Future vinyl Artifacts from Inf0 - Sheffield, UK - have been collected; 6 Traxx showcasing visions of Dark Mystique, from Dreamy Auras and Lush Soundscapes, to Outer Space - all in Pulse with Fresh Acid Saturation and Electrobass. Limited copies...

“I II III” is pure voltage. An EBM synth-punk blasting assault forged in the concrete heart of Kyiv. These tracks don’t just move: they hit, with brutalist force, fury, and cold rage. Each beat stomps forward like a clenched fist, a sound for strobe-lit riots and blacked-out warehouses. Body music as survival instinct and harsh rhythm as revolt. Raw. Unrelenting. Necessary Presented in ONE- OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid RED vinyl, All tracks have been specially remastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

El Elektro Compilado Padrísimo Vol. 1 is a double 12” compilation curated by Spanish artist Elektro’s Grandfather, Dark Vektor featuring his personal selection from today’s scene. A fearless snapshot of the Spaniard national electro scene. Established figures stand shoulder to shoulder with new blood, generating a current where tradition and innovation collide in sparks. Every track is a charged fragment of a collective identity, soldered into one unstoppable groove. A declaration that the Spanish electro underground is alive, mutating, and absolutely padrísimo. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Multidisciplinary Brussels-based artist Sagat steps up with a new mini album on the Basic Moves side label, Gems Under The Horizon, featuring a remix by Slovenian ambient bird e/tape. A few years ago, Wiet Lengeler, aka Sagat was invited by Basic Moves to create a live visual show using an analogue video synth setup to accompany a 5-hour dj set by e/tape at Face B in Brussels. From that moment on, the synchronicity between the two artists was clear - and this EP is the result.
Besides his visual work, Wiet Lengeler is also known for his contemporary techno music, primarily released on Brussels’ cult label Vlek Recordings. For this mini-album, Gems Under The Horizon 003, he presents four grainy ambient and textured electro-acoustic explorations. The tracks unfold organically — like ivy — gradually revealing layers of sound and hidden textures beneath babbling streams of electronics. e/tape’s remix feels like a natural continuation of Sagat’s sonic universe, together forming a mesmerising whole that explores the fringes of ambient music. In addition to the release, a limited run of the release + 30 x 3 riso printed posters from the visual show at Face B, made by Sagat and hand numbered are made available.
Mastering and lacquer cut was done by Frederic Alstadt at Angstrom Mastering. Artwork & inserts are designed by renowned Ghent-based visual artist Dieter Durinck.

Sit back and enjoy the wonderful aural world of Sagat and e/tape.

Sincerely,

The Basic Moves team.

Limited Plum Colored, Full colored Vinyl 12” Jacket 12 Inch Release

Hot on the heels of the recently released Divine Harmonics – From Then Until Now (Part One of Two) the limited orange vinyl edition that sold out within weeks, we are thrilled to announce the arrival of the highly anticipated Part Two of Kuniyuki and Joaquin “Joe” Claussell’s Divine Harmonics imprint.

This next installment is expected to surpass the excitement of both earlier releases, especially as it comes as a plum colored vinyl packaged in a stunning full-color jacket designed by the incomparable Akemi Shimada. As with all Divine Harmonics editions, this is a strictly limited full 12-inch package, created with collectors in mind.

About the Record

Recorded in a fully equipped studio in Brooklyn, New York, this project was born from the idea of gathering musicians who deeply admire Kuniyuki’s work and inviting them to contribute to the composition.

William Onyeabor self-released this record in 1980, before he gave up his life as the greatest Nigerian funk artist to become a devout Christian. This is a limited color edition of William Onyeabor"s ATOMIC BOMB. 10 years later, the music still EXPLODES.

Marking 50 years of David Bowie’s groundbreaking tenth studio album, the limited-edition picture disc LP is pressed from the same master and includes an exact reproduction of the original promotional poster used at release.

For this anniversary edition, the Half Speed Master album has been recut on a customised late-model Neumann VMS80 lathe with fully recapped electronics, sourced from 192kHz restored masters of the original Record Plant master tapes. No additional processing was applied, delivering the closest possible representation of the album’s original sound.

Das legendäre Kultalbum „Bastards“ aus dem Jahr 1993 ist endlich zurück – und das in einer limitierten, farbigen VinylEdition!

Mit brachialer Energie, kompromisslosem Sound und Lemmy‘s unverkennbarer Stimme gilt Bastards für viele Fans als das beste Motörhead-Album aller Zeiten. Klassiker wie Burner, Born to Raise Hell und I Am the Sword zeigen die Band auf ihrem absoluten Höhepunkt – roh, direkt und voller Wut und Herzblut.

Diese Sonderauflage ist ein Muss für jeden Rock- und MetalFan: Ein Stück Rockgeschichte, das in keiner Sammlung fehlen darf – Motörhead – Bastards, jetzt als exklusive Vinyl-Edition!

The legendary cult album ‘Bastards’ from 1993 is finally back – in a limited edition coloured vinyl release!

With its brutal energy, uncompromising sound and Lemmy‘s unmistakable voice, Bastards is considered by many fans to be the best Motörhead album of all time. Classics such as Burner, Born to Raise Hell and I Am the Sword showcase the band at their absolute peak – raw, direct and full of rage and passion.

This special edition is a must-have for every rock and metal fan: A piece of rock history that no collection should be without – Motörhead – Bastards, now available as an exclusive vinyl edition!

The Chambers Brothers are four biological brothers who cut their teeth in church choirs and on the gospel and folk circuit around Southern California. But, things really picked up halfway the 1960s when they started performing in New York and in 1968 scored their only hit “Time Has Come Today”. This 11-minute opus spent five consecutive weeks at #11 (yes, really!) on the Billboard Hot 100 and really showcased the progressive mindset of the brothers; the group combined American blues and gospel traditions with the effects-laden sound of psychedelic rock that was very much in-vogue around that time. If you’re fan of psychedelic soul such Rotary Connection, you can’t miss this. The Time Has Come is available as a limited edition of 1000 individually numbered copies on red coloured vinyl.

Mike Cannon – Best Of (LP) Limited Coloured Vinyl

Die neue Best Of-Collection von Mike Cannon präsentiert die stärksten Titel und begehrtesten Versionen der Italo-DiscoLegende in höchster Klangqualität. Mit dabei ist natürlich auch „Voices In The Dark“, der weltweite Megahit, der Mike Cannon unsterblich gemacht hat und bis heute auf keiner echten Italo-Disco-Party fehlen darf.

Diese Veröffentlichung ist ein absolutes Muss für alle internationalen Italo-Disco-Fans und bildet gleichzeitig den Auftakt einer brandneuen ZYX Italo Disco Serie. Jede Edition erscheint sowohl als CD als auch als farbenprächtige VinylAusgabe – ideal für Sammler und Liebhaber des Genres. Freu dich auf weitere kommende Highlights der Serie, unter anderem Duke Lake, Alan Ross und Roy.

Ein hochwertiges Sammlerstück und die perfekte Gelegenheit, die Magie von Mike Cannon neu zu entdecken!


Mike Cannon‘s new Best Of collection presents the strongest tracks and most sought-after versions of the Italo disco legend in the highest sound quality. Of course, it also includes ‘Voices In The Dark’, the global mega-hit that made Mike Cannon immortal and is still a must at any real Italo disco party today.

This release is an absolute must for all international Italo disco fans and also marks the start of a brand new ZYX Italo disco series. Each edition is available on both CD and colourful vinyl – ideal for collectors and lovers of the genre. Look forward to more upcoming highlights in the series, including Duke Lake, Alan Ross and Roy.

A high-quality collector‘s item and the perfect opportunity to rediscover the magic of Mike Cannon!

A box of this limited 7” showed up in the post, The Dahlmanns’ new single.. Norwegian power pop masterminds scoring dues from their whole rock and roll journey, Suzi Quattro, Dictators, Stooges, and all the great Scandinavian power pop / garage rock scene. Its been 15 year ssince their debut, and they still have a knack for perfect pop tunes wit ha hard edge. The A-side is a classic power pop, clap along to this… Line says ”the lyrics are inspired by the images of Finland’s Touko Laaksonen. It’s about a ”Tom of Finland” type character meeting up with his gang to attend shows at Max’s Kansas City in New York”. And on the flip, the Dahlmanns have turned a Prince classic into one of their own, Line explains, ”In my early teens, around the time of the release of his ”Sign O’ The Times” album I was obsessed with Prince. I never cared much for the over-the-top, experimental funk stuff but I liked ”Controversy” and ”Dirty Mind”, the latter includes another pop gem, ”When You were Mine”. ”Dirty Mind” was released on October 8th 1980, Johnny Ramone’s birthday and also mine. Such coincidence in life makes me happy”. A new album is pending, but jump in quick to get ahold of one of these 7”s.

Our director, Joe Stephenson, was looking for a bold, gothic, and dramatic score mixing traditional Hammer Films tropes with a modern sensibility.

Much like Jekyll and Hyde, this is a score of two parts, recorded with two different orchestras - the Budapest Art Orchestra and The Royal Scottish National Orchestra.
This helped to emphasise the split personality of the score: switching from sparse, haunting horror to the operatic gothic explosions we hear towards the end of the film.

A 30-person choir helped achieve a sense of scale where needed, and Hyde’s textural effects are performed on a variety of rare archaic instruments such as the Viola Da Gamba and Stroh Violin which help to evoke the sense of an ancient evil.

With a gorgeous smoky coloured vinyl, and Sean Longmore’s stunning bespoke artwork, this is a limited release that I’m eagerly awaiting to display on my own shelf.
The future of Hammer Films is bright, and I’m thrilled that fans can celebrate its rebirth with a score that honours the past while eagerly stepping into a new era." - Blair Mowat

Zombie Club presents a re-edition (new sleeve art) of "Mambo Calypso" another volume of sonic Caribbean Cruise. Following the approach of the first volume and understanding the Caribbean as a region is not limited to a strictly geographical demarcation but rather a demographic and cultural space where countries, islands and coastal areas may fall into a common Mare Nostrum even arrives in New Orleans. The influence of African drum and the "Cuban clave" makes different music beyond its specific components be they Latinos, Anglos or Frenchie's - look at themselves and recognize a certain family. This is not a coincidence, since the slave trade brought African music from the port of Havana to Cartagena de Indias, Nassau, Port-au-Prince, Salvador de Bahía and the southern United States. The same Blackness, the same rhythm, the same festive mood, spirit of resistance and struggle. And so, Arsenio Rodriguez can be heard without jumps next to a Calypso of Blind Blake, or a tasty Pacho Galán's coastal Cumbia crossover with Dave Bartholomew's Mambo or a Latin Swing of Lalo Guerrero, where the Dominican Merengue sounds Joseíto Mateo in line with that of its Haitian neighbor Nemour Jean Baptiste. A very spicy musical "melting pot," a gumbo of percussion and languages, to enjoy and dance. Re-board the Zombie Club Cruise, mixing different genres of Caribbean music with a high dance and rhythmic component. This selection designed for collectors, Dj's & calypsofied zombie dancers.

The follow-up to 2024’s "Perpetual Eden" sees Bloody Head stretch out and capture the cosmic sprawl of their live gigs on record. Available on limited-edition LP with spot-varnished sleeve.
After finding their Perpetual Eden and then seeing it violently retrograde, Bloody Head return with a new transmission devoted to the pendulum’s swing and the big wheel’s turn.
The big wheel turns and the seasons turn and we turn and it all just keeps on spinning away… elliptic, off kilter, centres not holding, the whole merry-go-round whirling and dissolving and coagulating, perpetually.
The CHILDREN OF THE DUSK and the sundry weirdoes and creeps depicted on the cover painting, channelled by Danny Roberts 777, all spinning and singing and sinning as they rattle along… in some sort of strange, discordant VIBRATORY AFFINITY with themselves/each other/it all.
Stay a while and take the time to BEND DOWN AND KISS THE GROUND/smell the roses/find your Eden, in and amongst the nooks and cracks and crannies and in the thin, strange places.
TIME AS VEILED ETERNITY is a microcosm of the whole merry Shambala, pushing and pulling and coming together and falling apar
Recorded, mixed and mastered by James Atkinson at the Stationhouse, Leeds. The session almost kiboshed by Storm Éowyn. A sprawling mass/mess which oozes and lurches from bloody minded heaviness to meditative reflection to unsettling delirium and back again, ending in total sonic breakdown. More focused and restrained, more reckless and chaotic. There is No time, to every season some sort of purpose.

With their bold blend of doom metal roots, atmospheric rock, and ethereal vocals, THE GATHERING were already reshaping heavy music in the mid-90s. But few recordings capture that electric live energy better than their iconic set at Dynamo Open Air , and now, for the very first time, this legendary moment finally arrives and it's everything fans could hope for. Expertly released by 7 Mater / Sevan Mater, this deluxe edition is limited to 500 copies each on Black and Purple vinyl, with a custom cover artwork designed by Sevan Mater that honors the spirit of the era while bringing new visual depth. It's not just a reissue - it's a resurrection. Recorded during a time when the band was ascending into cult status, the Dynamo performance showcases the perfect fusion of Anneke van Giersbergen's soaring vocals with the band's dynamic instrumental interplay. Songs like "Eleanor", and "Leaves" ring out with clarity and emotion, capturing both the power and subtlety that defined their live presence

Joaquin Joe Claussell Presents the Second Installment of His Acclaimed Alias: BlackSalsoul

Brooklyn, New York City — Renowned producer, DJ, and spiritual music visionary Joaquin Joe Claussell returns with the second chapter of his celebrated alias, BlackSalsoul. Continuing his lifelong exploration of deep, soulful soundscapes, this latest release focuses on edits and reinterpretations across Spiritual Jazz, Soulful Disco, and African Dance traditions.

Following the success of the debut 7” (Cat# UEDNEXT.1), which sold out within weeks and remains a one-time pressing despite overwhelming demand, the BlackSalsoul series reaffirms its commitment to exclusivity. Each edition will be available strictly on limited 7” and 12” vinyl—a tribute to the physicality and ritual of true record culture.

Blending the warmth of analog production with Claussell’s signature spiritual energy, this release bridges eras and continents, honoring the roots of soulful expression while speaking directly to today’s dance floors.

For fans of Fusion Jazz, Soulful Disco, and Afro-inspired Edits, the new BlackSalsoul record offers another essential journey through rhythm, emotion, and transcendence.

Deep Techno, Techno, House, Detroit Techno
James Baker aka ReKaB passed away very recently and so unexpectedly. He had only submitted the music for his new EP for YORE less than two weeks before his sudden passing.

The original title was meant to be "Let the Machines Talk", but we decided to change it to "The Last Talk of the Machines."

It feels not only sad but also surreal to hear music that was created only shortly before, knowing James is no longer with us in embodied existence. This is the very last talk of his loved Machines.

R.I.P James aka ReKaB- Lost but not forgotten.

Strictly limited to 200 Copies worldwide (NO REPRESS).

Limited to 250 copies !

The Deadheads had never had much luck with spaceships. Their first mission had ended in a catastrophic engine failure, leaving them adrift in deep space for weeks. This time, their craft was hardly more reassuring. A hodgepodge of outdated technology and shoddy repairs made it more of a floating death trap than a reliable cruiser. As they began their descent toward the strange planet, the hull creaked and rattled, sending a wave of dread through the crew.

"Hold on," Matt's voice crackled over the intercom, without much conviction, as if he himself doubted they would make it out alive. Outside, a thick, grayish atmosphere swirled ominously, while the planet's gravity became far stronger than anticipated.

“Fuck, we’re gonna burn at the entrance!” M yelled, his hands flailing on the console as sparks flew from the control panel. The ship’s sensors were completely jammed, and the navigation system flickered intermittently, like a dying light. Below, the planet’s surface was a tangle of lava rivers and jagged rock formations, the kind of place no sane person would ever land. But the Deadheads had never pretended to be. They lived in a state of constant emergency.

As the descent intensified, the alarms blared. On the bridge, the screens lit up with red warnings and flashing messages: "SYSTEM ERROR," "UNSTABLE TRAJECTORY," "SUIVITY SYSTEM COMPROMISED." The lines of code scrolled by too quickly to be read, while a mechanical voice repeated relentlessly: "Imminent impact. Structural integrity at twenty percent."

The once pristine shell of the vessel began to disintegrate, with shards of metal breaking away and disappearing into the atmosphere.

With a final, piercing screech, the ship crashed onto the planet's surface, sending up a cloud of dust and debris. The crew was violently thrown from their seats, stunned but barely alive. They struggled to their feet amidst the wreckage, the ship reduced to a charred shell around them.

"Well," M said, wiping the dirt off his suit with a grimace, "at least the air is breathable." Matt scanned the hostile expanse stretching before them and smiled slightly. "Perfect. Let's hope we have better luck with the planet than with our ships."

With that, the Deadheads gathered their equipment and headed into the unknown, while the remains of their ship slowly sank into the unstable soil of the planet.

A band that quit at the top... but now they're back! Sun-Rot was one of the most promising acts of the Hungarian indie scene with their floating, soulful, dreamy, yet psychedelic sound reaching it’s peak on their 2023 album, Mirage. Unfortunately, the band split up just after the album's release, however, after a two-year hiatus,

they have now reunited and are already working on new material. Budabeats Records is not letting Mirage be forgotten by releasing this little gem for the first time on vinyl, in the form it rightfully diserves: on 180 gram marbled vinyl, limited to 200 copies worldwide.

Credits:

Vocals: Míra Mészáros
Guitars: Péter Mónos, Gergo Balla
Bass: Gergo Dorozsmai,
Drums: Timár Benjámin
Music by Péter Mónos, Benjámin Timár, Péter Gál
Cover art by Máté Kováts, Péter Mónos
Sleeve layout: Miklós Fekete
Recorded, mixed and mastered at Tom-Tom Studios by Gergo Dorozsmai
Mastered by Anders Peterson (GS Mastering & Post)
A&R: Dj Gandharva & Von Yodi

PRESTO's followup beat tape showcasing 12 instrumentals, including some unreleased beats from 2009-2010. This album features a blend of jazz and soul inspired beats to vibe out to or use as DJ tool. Limited edition on light violet vinyl. Full pirc sleeve. Out on his TOP SECRET PRODUCTIONS label.

PRESTO (MUKATSUKU, GROOVIA, CONCRETE GROOVES, is back from the (beat) lab with this new 10 track instrumental album. This beat tape was mixed while living in NYC and is a tribute to 90s hip hop with a blend of jazz and soul. 2 tracks were previously released on a 7" from MUKATSUKU. For fans of “MUSHROOM JAZZ”-styled downtempo. These are some serious head nodders, ‘nuff said. Pressed on limited edition blue vinyl. Full pic sleeve.

Re-issue of two limited release tracks from Larry Heard's Love Arrival album sessions. Great edit by J.A.N. (aka Moodymann/KDJ) and the last missing piece from the sessions: Time Machine, a bass driven soulfull stomper that'll transport you to an early 90's dancefloor...

It's taken over two decades, but at last, the wait is over: Sevan Mater has unleashed the first- ever vinyl pressing of Live Damage , the iconic live performance by DARK TRANQUILLITY, captured during their "Damage Done" era. Pressed on Gold and Black swirl vinyl, limited to just 500 copies, and housed in a stunning gatefold cover, this reissue is nothing short of melodic death metal heaven. Originally released in 2003 as a DVD, Live Damage immortalized one of DT 's most intense and electric live shows - recorded in Krakow, Poland. Now, for the first time ever, that raw energy, that iconic Swedish aggression, and that perfectly balanced blend of melody and brutality has been etched into vinyl grooves for audiophiles and collectors alike. From the soaring leads of The Treason Wall to the punishing drive of Final Resistance, every track explodes with clarity and presence on wax.

The vinyl mastering brings new warmth and immediacy to the performance, giving fans the closest thing to being there, without the sweat and flying beer. And the packaging? Absolutely elite. Sevan Mater delivers a luxurious gatefold, featuring rare tour photos, liner notes, and an aesthetic drenched in cold, melancholic elegance. If you're a fan of At The Gates, In Flames, or if Damage Done was the soundtrack to your early 2000s fury, this release is a must-own. More than just a live album - it's a time capsule of melodic death metal at its peak.

Limited repress of the white vinyl pressing. Includes unlimited streaming of all digital tracks from Arlo Parks' first and second EP's, PLUS a free spoken word poem 'London' only available with Vinyl purchase. The artwork sleeve is reverse board black - and includes the 'London' poem written by Arlo Parks. Artwork sleeve both front and back created by Arlo Parks. Includes Sophie.”Sophie' is a song about "crumbling under expectations and feeling helpless, but with a persistent, quiet sense of hope underpinning it”. True to form, it's a melodic and beautifully articulated sonnet, cementing the notion that she is overwhelmingly considered the majestic voice of Generation Z

Mandrake Handshake announce new remix version of lead single Hypersonic SuperAsterid from W.H.Lung's Tom Sharkett released 24th November and the Special Limited Eco- Green Vinyl Edition of their critically acclaimed debut LP 'Earth- Sized Worlds', set for release 12th December via cult indie label Tip Top Recordings The concept tying together every last note and lyric of 'Earth- Sized Worlds' - the debut album from the London/ Oxford self- dubbed 'Flowerkraut' collective Mandrake Handshake - is an awfully simple one: 'Welcome to Space Beach' .Varying anywhere between 7-10 members - including a dedicated, flamboyant tambourine shaker - their pristine, multi-limbed spectacle of a live show has journeyed up and down the UK and EU in recent times. With multiple headline tours to their name, including a sold- out show at London's iconic 100 Club earlier this year, the group have already ticked off slots at the likes of Wide Awake, Green Man and Manchester Psych Fest, as well as shows with psych-figureheads W.H Lung, Pale Blue Eyes, Triptides and Sugar Candy Mountain, and Del Amitri as their profile soars.

Attention Italo-disco junkies: Disco Segreta is back, and we’re kicking off our 10th-anniversary celebration in style with a release you simply can’t miss. We’re beyond excited to present the official reissue of Cecilia Rizzoli’s iconic single, “Così non va”—a tearjerker Italo-disco masterpiece that has haunted the dreams of collectors for decades.

Originally released in 1985 in an ultra-limited run of just 500 copies split on two cult labels, Scarabes Sound and Discokkio, this gem became a mythical treasure for those dedicated diggers uncovering the rarest Italo disco tracks. “Così non va” blends hypnotic Juno synth lines, punchy Linndrum beats and airy arpeggios with Cecilia’s emotionally charged vocals, creating a soundscape that’s pure melanchol-Italo perfection—ideal for winter nights and nostalgic dance floors.

For this reissue, we’ve painstakingly tracked down the original analog master, that we’ve lovingly restored and remastered to deliver the kind of pristine sound quality this track deserves. The release features the remastered original and a fresh, contemporary edit by Latino-Swedish Italo-disco legend Claudio Burgos, aka Mr. Fantasy. Secure your copy now before it disappears into collector heaven—again!

lim. 2025 remastered Reissue!

Thirty years ago, LA producer Aaron Paar realized his dream of launching a label with the debut of Worldship Music, dropping the now cult classic Planet Eater EP in the late summer of 1995. Crafted on his newly acquired SP1200 and refined with mix engineer extraordinaire Greg “Ski” Royal, the record became the label’s very first release and a true vanguard single. Overflowing with the raw swing and deep grooves of classic US house, these tracks still radiate the timeless energy of the mid-90s underground. Now carefully remastered and reissued in a strictly limited edition, Planet Eater EP returns as an essential piece of house history for DJs, collectors, and true heads alike.

WRWTFWW Records is thrilled to unveil the limited edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kanky? ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center / Spiral's visionary NEWSIC label.
Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm - a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative - an album that breathes with nature itself.
Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog - alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous - Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital.
A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.

OSI's classic album Fire Make Thunder reissued on vinyl for the first time in January Fire Make Thunder is the fourth and final studio album by American progressive rock band OSI. Originally released by Metal Blade Records in 2012, this cult album is now reissued on vinyl with new limited colorways on January 16th via Svart Records. OSI (Office of Strategic Influence) began as a supergroup pairing between Fates Warning guitarist Jim Matheos and Chroma Key / ex-Dream Theater keyboardist Kevin Moore in 2002. Known for their extremely solid songwriting, critically acclaimed albums, and for having a unique sound of their own, OSI truly perfected the formula of progressive metal- and rock. Fire Make Thunder is a grand, imaginative album that has been stated as the band's greatest work. OSI left a mark on not only progressive metal, but many genres on this album. Filled with stirring and pleasing sounds, Fire Make Thunder shows the exquisite songwriting duo of Moore and Matheos excelling themselves.

OSI's classic album Fire Make Thunder reissued on vinyl for the first time in January Fire Make Thunder is the fourth and final studio album by American progressive rock band OSI. Originally released by Metal Blade Records in 2012, this cult album is now reissued on vinyl with new limited colorways on January 16th via Svart Records. OSI (Office of Strategic Influence) began as a supergroup pairing between Fates Warning guitarist Jim Matheos and Chroma Key / ex-Dream Theater keyboardist Kevin Moore in 2002. Known for their extremely solid songwriting, critically acclaimed albums, and for having a unique sound of their own, OSI truly perfected the formula of progressive metal- and rock. Fire Make Thunder is a grand, imaginative album that has been stated as the band's greatest work. OSI left a mark on not only progressive metal, but many genres on this album. Filled with stirring and pleasing sounds, Fire Make Thunder shows the exquisite songwriting duo of Moore and Matheos excelling themselves.

Limited Edition Transparent Black Vinyl Version - 500 Units Only

There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’ for his unrivalled contribution to the house music we know today; what started as an underground movement in Chicago has grown to international heights thanks to Frankie. His records earned him recognition on a global scale, allowing him to work with some of the globes biggest names including the likes of Diana Ross, Whitney Houston and Michael Jackson.

Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades. Now he is commemorated by long time writing and production partner Eric Kupper. Eric, himself a seasoned DJ producer and writer, has worked on over 116 Billboard #1 Dance Records and played a pivotal role in a many of Frankie’s productions. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

Together they re-produced and re-purpose classic cuts for modern dancefloors, with reworks including tracks from Marshall Jefferson, Ashford & Simpson, Artful & Ridney and The Sunburst Band, alongside Frankie Knuckles originals. These releases have now been brought together by Eric to feature on special album called ‘The Directors Cut Collection’ on SoSure Music. It includes the Director’s Cut reworks of Frankie’s classic cuts such as ‘Your Love’ and ‘Take You There’ with Jamie Principle, alongside Frankie’s first #1 single - ‘The Whistle Song’ on which Eric shares writing credits.

Within a multitude of classic reworks, highlights include a previously unreleased version of Ashford & Simpson’s ‘Bourgie Bourgie’ and a huge Director’s Cut Retro Signature mix of Marshall Jefferson’s The House Music Anthem (Move Your Body) featuring Curtis McClain.

The Director’s Cut Collection is a fitting tribute to commemorate the fifth anniversary of Frankie’s passing whilst giving Eric a platform to tell his side of the creative story. This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continuing Frankie’s legacy well into the future.

Everyone knows the story of American disco.
But few are aware that, between the late 1960s and the late 1980s, Italy wrote a parallel one — spontaneous, surprising, and incredibly creative.

It is a story that spans two distinct seasons: the Italian disco of the 1970s — melodic, handmade, sometimes naïve yet always original — and the emerging Italo Disco of the 1980s, electronic, futuristic, and lightheartedly projected toward the future.
Two different languages, yet both driven by the same desire for freedom and modernity. Discoteca Sound — Italian Discoteca Underground 1975–1986 brings together 18 rare tracks — including two previously unreleased — that tell this story of transition: from the orchestral and sentimental disco of Italian dance halls to the synthetic and visionary sound of the first drum machines.
A journey through private archives, local labels, regional studios, and forgotten voices — the sonic map of a country that has always danced, but to its own rhythm. From Mediterranean disco to the first Italo Disco, from the dim lights of provincial dance halls to the early home synthesizers, each track opens a window onto an Italy that dreamed of the dance floor as a universal language of connection during the brief season of revolutionary utopias.

This compilation celebrates ten years of work by Disco Segreta — a decade dedicated to the research, recovery, and appreciation of Italian disco and electronic culture. An act of justice owed to all those artists who had their moment yet were never remembered by history — bringing back to light an essential, still too little known part of our musical heritage.
Because dancing today remains, more than ever, a living act of memory.

Limited edition 2LP, features 2 previously unreleased tracks and a new 2025 version of Coscarella & Polimeno – Station to Station.






f Grazia Vitale – Poi (1975) Previously Unreleased










q Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) Previously Unreleased






f Grazia Vitale – Poi (1975) Previously Unreleased










q Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) Previously Unreleased






f B2. Grazia Vitale – Poi (1975) Previously Unreleased










q D4. Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) [Previously Unreleased]






[f] B2. Grazia Vitale – Poi (1975) [Previously Unreleased]










[q] D4. Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) [Previously Unreleased]






[f] B2. Grazia Vitale – Poi (1975) [Previously Unreleased]










[q] D4. Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) [Previously Unreleased]