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STAR CREATURE drops this 7" featuring special guest E. LIVE on the A-side which is a beach dripping, convertible seat soaker. Sweet & deep. The flip is a big stomp romp instrumental that's left field enough to be sick. Limited picture sleeve edition of just 300 copies.

Pyramid of Knowledge presents K.O.P. 32 “Broken Bridges”

Pyramid of knowledge is back on his own Beyond the Bridge imprint with a new project as K.O.P. 32.

Broken Bridges is a haunted listening trip, a crossover between hypnotic Italian deep techno and tribal frenchcore, bringing you in a dark hole of synthetic atmosphere, acid motifs and twisted drums.
Additional to the single tracks available digitally, the 6 track mixtape will accompany your car journey to the next warehouse or forest party.

Limited edition of 100.
The audio cassette is coming with Bandcamp download code.

Back on vinyl for the first time in 5 years on translucent orange with green splatter. Download code included. Beyond the 4th Door, delivered an album not unlike Eternal Tapestry's epic live shows. Containing stretches of melodic guitar improvisations, dark brooding songs slowly build and expand to allow in layers of light. The album was created by recording more that two hours of material in their home studio, mostly live, and hand picking the elements that became these 5 tracks. There is a free and open nature to their structure creating a spacious environment for the listener to explore. Harkening back to the early 70's experimental rock that inspired them, such as Popol Vuh, Cluster and Träd Gräs och Stenar, Beyond the 4th Door is an album meant to be listened to in its entirety. Available on limited edition vinyl again, after the original 2011 release and 2016 re-press sold out within months of their respective releases. Eternal Tapestry are in every way musicians of the now. Extremely active in the new underground of cassettes and CD-Rs, releasing limited edition carefully designed albums on the premier purveyors of the counterculture.

New West Records is proud to present the reissue of two classic Antone's Records blues titles.

These two titles have been remastered for vinyl. Each LP is displayed in a beautiful, one of a kind package (leather texture, die- cut, embossed logo) and pressed onto 180- gram vinyl that is manufactured in the USA. These limited edition pressings are now available on color vinyl for the first time. Pressed on Limited Edition 180 gram Purple Color Vinyl.

Born in Birmingham, Thomas Atlas began his impressive musical journey studying the greats thanks to his Father’s record collection.
From then, his fondness for Funk and Soul has grown stronger, taking him touring the UK and USA with some of the finest outfits. But Thomas always knew his destiny was to follow his own path and he has done just that! Now collaborating with British boutique record label Hillside Global on these exclusiverecordings.

The self-titled ten-track debut album leaks zest like a freshly pressed fruit.

This multifaceted artist takes influence from Maceo Parker and George Duke, while keeping true to his vision. It gets the foot-tapping instantly with an infectious cadence. Also, vocally, Thomas boasts a charming timbre which smashes through the mix with conviction.
The slick guitar riffs, bluesy rhythms and fist-pumping beats rip through with might, leaving the thirst for feel-good fully quenched! Hillside Global’s aim is to deliver an experience not just a product. These recordings are pressed under the Hillside Global Exclusive Black Label. The limited edition, first pressing consists of a spot-varnished gatefold sleeve housing a 180g marbled coloured vinyl.
This deluxe release also includes a complimentary download card, alongside a hand numbered certificate of authenticity signed by the label director and recording artist. Designed and pressed in Great Britain

Limited to 500 copies worldwide* 1980’s Australia were a blistering inferno of totally great powerpop, garage- and punkrock bands. Hoodoo Gurus, Stems and Lime Spiders were on top of their game and labels like Waterfront and Citadel put out albums and 45’s that most music aficionados would die for.

The Spliffs formed in Townsville, a small city on the northeastern coast of Queensland in Australia. In 1986 they unleashed their debut
45. Recorded all by themselves and released DIY style they got some rave reviews and got to play Sydney, Melbourne and Brisbane
opening for The Saints and Hoodoo Gurus. Their debut single is fab jangly 80’s powerpop right up there with Plimsouls or The Nerves.
Housed in a deluxe picture sleeve that comes with a printed inner sleeve filled with many rare and previously unpublished photos plus an interview with Spliffs main man and guitar-slinger Jamie Forsberg conducted by power pop guru Ric Menck. Orange color vinyl.
File under: ”beyond essential to any serious rock’n’roll, powerpop, garage and punk fan”.

Sweden’s One Way Ticket Records is a sister label to On The Dole Records who gave you “Jobcentre Rejects” (and more) and
to Sweet Mental Revenge Records who gave you Rodger Wilhoit. OWT is also a sub-division of Stora Skivmässan –
Scandinavia’s biggest record fairs

LIMITED 300 ONLY TRANSPARENT GREEN VINYL LP. HOUSED IN A REVERSE BOARD
PRINTED SLEEVE WITH POLYLINED INNER BAG AND DOWNLOAD CODE.NON-RETURNABLE.

The wonderfully named Kevin, are a three-piece band formed in Osaka, Japan in 2017. The line up at the time of recording/releasing this debut album ‘Aftermath’ consists of Hayato Izawa (vocal), Yutaro Umemoto (guitar) and Yuichi Umemoto (drums).

The band has been influenced by psychedelic rock, krautrock, folk music and free jazz. But Kevin are less full on psych-rock than some of their Japanese contemporaries (and new label mates) like Acid Mothers Temple, Mainliner, & Hibushibire.

The strong krautrock influence is more prominent in their unique sound. Taking influence from the likes of Can and This Heat

Their sound was initially based on noise music. Nowadays, they are minimizing their equipment and developing their own music with a groovy, delicate and devastating band sound.

In 2019, the band successfully performed their first show abroad, in Taiwan, and with the worldwide release of ‘Aftermath’ now via Riot Season records they intend to travel and play far and wide (when rules allow)

Brazils Bungle is no stranger to Drum & Bass, with releases on some of the most respected labels in the genre. Now in 2022, he delivers his debut 117 EP with four futuristic and emotional tracks that will stir deep feelings in your soul.

Available in limited edition purple vinyl.

40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour.
Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters.

This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.

New Remastered edition of Keith Richards ‘ Main Offender’ available on Limited Edition Red Colour LP, Black LP and 1CD Digipak (also available as a Deluxe 2CD and Super Deluxe Boxset).

Keith Richards of the Rolling Stones continues the restoration and reissuing of his storied solo catalogue with this set of Main Offender releases featuring remastered studio and live album recorded in 1992.

The Main Offender LP and CD is newly remastered under the supervision of original producer and X-Pensive wino Steve Jordan.

New Remastered edition of Keith Richards ‘ Main Offender’ available on Limited Edition Red Colour LP, Black LP and 1CD Digipak (also available as a Deluxe 2CD and Super Deluxe Boxset).

Keith Richards of the Rolling Stones continues the restoration and reissuing of his storied solo catalogue with this set of Main Offender releases featuring remastered studio and live album recorded in 1992.

The Main Offender LP and CD is newly remastered under the supervision of original producer and X-Pensive wino Steve Jordan.

Edit-maestro Jacques Renault returns to the Stamp label with another pair of floor-filling Disco anthems, cut, spliced and juiced up, ready to slide right into your record bag...

Hand-stamped and limited as usual, be quick !

New West Records is proud to present the reissue of two classic Antone's Records blues titles.

These two titles have been remastered for vinyl. Each LP is displayed in a beautiful, one of a kind package (leather texture, die- cut, embossed logo) and pressed onto 180- gram vinyl that is manufactured in the USA. These limited edition pressings are now available on color vinyl for the first time. Pressed on 180 gram Cherry Red Color Vinyl.

Limited exclusive red vinyl.Tim Armstrong, guitarist and frontman of
Rancid, took a different path on his 2007 solo debut, with able backing
from L.A

Reggae revivalists The Aggrolites, Armstrong crafted a grooving, fun-filled modern reggae album, influenced by ska, rock steady, roots reggae, and dancehall and filtered through a modern pop- punk attitude.The sound of the record (nimble, jumped- up, and retro but fully modern) impresses instantly, but as the record goes on, Armstrong's voice emerges as the star. His raspy croon, staccato
toasting, and ragged shout fit the reggae sound surprisingly well.

After 3 sold out albums, French Shoegaze heroes Dead Horse One comes back with a new EP, louder than ever, the band tends towards heavier territories such as post-grunge and alternative rock, heavier sound, massive production but still timeless catchy melody lines
Limited to 300 copies on transparent pink vinyl. "When Love Runs Dry is like a time machine. Time froze in 1991. Boris Yeltsin is still in the game, Bill Clinton laughs.. Ride and My Bloody Valentine are the best bands of this damn whole world. Liam Gallagher is fighting in the schoolyard and young Westerners think only of Nirvana. What happened between now and that era? Nothing. We are playing louder than ever."

With Bail Was Set at $6,000,000 Batmobile was looking for a sound that was more fitting to the live sound of that moment, something they always did when recording an album. The main difference with the previous albums was that they put more emphasis on the guitar, which led to a slightly heavier sound than Batmobile had before. The album itself contains songs that became long time live favorites such as “Kiss Me Now”, “Calamity Man” and the Motörhead cover “Ace of Spades”.

The legendary Dutch psychobilly kings Batmobile formed in 1983 and were the first band not from the United Kingdom to perform at the influential psychobilly club, Klub Foot.

Bail Was Set at $6,000,000 is now available as a limited edition of 500 individually numbered copies on translucent red & black marbled vinyl.

A holy grail of French classic new wave! Thierry Müller, who initiated the French RUTH project, is not at his first try when the album POLAROID/ROMAN/PHOTO including the eponymous title track is released in 1985, but already a known name in underground experimental/electronic music with ARCANE, ILITCH (albums "Periodmindtrouble", "10 Suicides") as well as the more punky RUTH M.ELLIYERI (cult track "Mescalito"). Together with Philippe Doray, quite a big name of French experimental music at the times, Müller started RUTH. As early as 1982, a first instrumental version of the track Polaroïd/Roman/Photo is out under the name of the project RUTH. "I wanted to write a piece to make the girls dance and make fun of the boys. I plugged a small handmade clock on my Farfisa organ as a sequencer. I had a small Roland synth-guitar, I put the organ in it and that's how it started." Next came Frédérique Lapierre, who contributed original vocals on the track in 1984 as well as wrote lyrics and sung two more album tracks. Thierry asks some friends to write texts for the album and then recording tracks with Phillipe as well as Frédérique. But when the sessions are over, both musicians are not too happy with the results of the Polaroïd/Roman/Photo version: according to them, it lacks "flamboyance". They decide then to record a new female voice with a professional singer (Frédérique Cambon), sound engineer Patrick Chevalot offers to mix the track "so that it blows out". The whole album was finally released in 1985 with Paris Album, a small independant label, barely selling 50 copies in 1985, despite its eponymous title as a potential success. A first limited CD version was issued in 2001 via Fractal, but In 2004, DJs Marc Colin and Ivan Smagghe discover the track Polaroïd/Roman/Photo and decide to exhume it from oblvion. They released it on a compilation called So Young but so cold (Tigersushi) and then with Born Bad records on the BIPPP compilation in 2008. Thanks to them, the track (remixed and released via Aufnahme & Wiedergabe) and the album (reissued in 2008 (CD) via Infrastition and 2010 (LP) via Angular) started a new life, now back in print via BORN BAD RECORDS! + 12 pages booklet (Iiner notes UK + french) + Download code RIYL: Cold, Minimal & New Wave, Dark Dance, Elektro

Inner Vision also features four cuts, these courtesy of DJ Compufunk, aka Nao from Osaka. He's the founder of Compufunk Records (the longest-running record shop for House and Techno in Japan) and, as the four solidly crafted tracks show, an experienced producer in his own right. The vertigo-inducing title track struts aggressively with a high-velocity swing peppered by tinkling synth accents and acidy squelches, after which “Abyss” cools the pace for a sexier House style (a swishing drum machine detail even gives the cut a rather Kraftwerk-like tinge). On the flip, “Midnight Sky” grooves as boldly, this time with a smattering of Garage worked into its swing and chiming synths brightening the mix, while “Mind Power” changes things up with a swirling bottom end that's so dizzying it's positively gyroscopic. Dj Compufunk sn't averse to packing his productions with layers of dizzying detail, and as a result the stimulation level remains high throughout. Strictly limited 250 copies.

Quindi Records returns once more to the swooning romanticism of Cabaret du Ciel, the long-running project from Andrea Desidera and Gian Luigi Morosin. After the contemporary material which made up long-player The Breath Of Infinity, Raintears heads back into the group's archives and focuses on a limited cassette release from 1991.

Originally released on Morosin's own Ionisation Tapes, Raintears is described as heralding a new phase for Cabaret du Ciel following their earlier Solarisation and Weather Colours cassettes. This revised, expanded version of the release opens with 'Raintears (Piano Version)', which originally came out on an Ionisation compilation entitled Imago Sonora 1. Truly evoking the spirit of the track and its meaning, it was recorded on a rainy Sunday afternoon when Desidera's friend and trained pianist Francesco Martignon heard the original melody for 'Raintears' and proceeded to improvise on the theme, with Desidera and Morosin embellishinbg Martignon's exquisite playing with subtle touches of synth and sampling. In its fragile, tape-worn repose, the piece is loaded with the delicate ambience a rainy Sunday afternoon implies - calm, melancholic and wistful.

'A New Day' is a piece cast in light and shade, contrasting two core melodic phrases expressed through synth and guitar, with a light touch of speech sampling adding to the cinematic poise of the track. 'Time Of The Twins' originally appeared as a single track on the cassette release, but here it's framed as two distinct parts which meet in the middle. The first half is patient, gliding ambience rich in the harmonic interplay and winding narratives which typifies Cabaret du Ciel overall. The second half opens up like a flower looking for the sun, all pronounced keys pirouetting across the fundamental chord progression established in the first chapter.

'A Delvaux Postcard', previously titled 'East Roads', takes on a spectral, spacious form as it passes by slow, rhythmic pulses and freewheeling synths, momentarily joined by scattered shards of sampled voice layered and filtered in a manner which reminded Morosin of Belgian surrealist painter Paul Delvaux. The EP closes with the original version of 'Raintears' (billed here as 'Raintears II'), a plaintive and disarmingly beautiful ambient piece centered on Desidera's light and poignant playing. As Morosin himself describes, "Andrea is in a full state of grace, touching the listener through his fingers with the notes into their deepest emotions. The first time I listened to the basic version, I was just speechless."

Prolific punk pioneers Penny Rimbaud and Youth proudly present their collaboration album ‘Corpus Mei’, out November 19th via One Little Independent Records, with limited edition grey vinyl available from January. Vinyl edition is limited to 500 units. Recorded and mixed over the year 2011 and then remixed in 2019 (it took all that time to see the depths), 'Corpus Mei' brings together two disparate elements and makes them as one – Penny Rimbaud and Youth. Rimbaud is perhaps best known as a founder member, drummer, and lyricist of the seminal anarchist punk band Crass. Since those times, he has dedicated his life to the headier pursuits of poetics and philosophy. Youth, whose post punk band, Killing Joke, remains a vibrant musical force, has at the same time become one of the most sought-after record producers of today. Realising from the outset that they shared an interest in the creation and promotion of “matters spiritual”, these two now legendary

Magma is one of the most influential bands from France. Their music defies any of the standard and convenient classifications of rock, instead they operate in a realm of their own creation. Their third studio album Mëkanïk Dëstruktïẁ Kömmandöh was originally released in 1973 and showcased in particular the range of singer Klaus Blasquiz and introduced the ground-moving work of bassist Jannick Top. The French edition of Rolling Stone magazine named the album the 33rd greatest French rock album and ranked the album 24th on their list of the ’50 Greatest Prog Rock Albums of All Time’.

Mëkanïk Dëstruktïẁ Kömmandöh is available as a limited edition of 2000 individually numbered copies on copper coloured vinyl. The album is housed in a gatefold sleeve with a copper foil finish on the front of the sleeve.

Faitiche presents Beispiel (German for "example", also suggests playing together), a joint project by Frank Bretschneider and Jan Jelinek. Muster is their first album.

Free electronic music, the result of spontaneous improvisations.

“Meaning” is a concept that is overused in connection with music. Muster does not call for the same kind of air quotes. With its title, German for patterns/exemplars, Beispiel’s album frees itself from the ballast of teleological semantics. There is no overarching theme, no preparation, no reading list, no reason for this music. Just two facts: Frank Bretschneider and Jan Jelinek have known each other a long time and appreciate each other’s work; and they share a love of modular synthesizers and of experimental set-ups designed to capture surprise.

Bretschneider and Jelinek got together for their first joint session in 2016 and the years that followed brought more such meetings at Jelinek’s studio for open-ended musical dialog – at irregular intervals and with no clear objective. The improvisations were recorded in two stereo tracks: one track for Bretschneider’s audio, one for Jelinek’s. After each session, the recordings were processed separately, the options essentially limited to cutting and altering the frequency range. The nine pieces for Muster were selected from the resulting material.

This approach reflects an ideal: music is when you play your first note without knowing what the third or fourth will sound like. When your 290th note still sees you leaving the beaten track, and when curiosity grows as the piece unfolds. Duping is part of Beispiel’s practice. Improvisation is about disagreement. It’s a matter of addressing the right issues. What’s happening here? What’s mine, what’s yours? Are “why” and “where next” legitimate questions?

Muster is an exemplary work. Nine suggestions for what can be. Nine ideas for possibilities of listening.

Arno Raffeiner

Limited Brown Vinyl

Brown Rice is probably the most accessible entry point into Cherry's borderless ideal, jelling into a personal, unique, and seamless vision that's at once primitive and futuristic in the best possible way. Its title track is a sensual fusion of various styles and sounds from the African, Indian and Arabic traditions. It also represents the spiritual multiculturalism that Cherry was interested in exploring during this creative period. With ex-Ornette Coleman cohorts on board – Billy Higgings on drums and Charlie Haden on double bass (also heard on electric) – the album (originally released in Italy in 1975) is a cult on its own.

Collection of ten unreleased demos written for the ninth PJ Harvey studio album The Hope Six Demolition Project, including demos of ‘The Wheel’ and ‘The Community Of Hope’. Features brand new artwork with cover art based on a drawing by Polly Jean Harvey, plus previously unseen photos by Maria Mochnacz and Seamus Murphy. Artwork is overseen by Michelle Henning with Rob Crane. Mastering by Jason Mitchell at Loud Mastering, under the guidance of long time PJ Harvey producer John Parish.

Limited 2 LP set pressed on opaque orange vinyl of the forth studio album that was released on CD in 2021.

LIMITED

Austere Recordings and LAAK are back after a long hiatus with a limited 200 copy, hand stamped release. Picking up pretty much were they left off, at deep end territory.

Back at it with certified disco royalty Mr K, who lets loose the 7th instalment of his sought after, limited edit series. Tweaked and extended in all the right places, if there’s anyone that knows the recipe for dancefloor ecstasy it’s this man right here.

Tape

Limited to 100 CASSETTES Fairground of Tears’ ‘Execution’ is a 10 track EP of heavy, noisy techno, containing 5 original tracks and 5 remixes from Melania., Phin, Pre Silent, Antechamber and Tomohiko Sagae. Conceptually, the release explores the multi-perspectival facets of the serial killer phenomenon, both the victim and the killer, but also the role of the voyeur, which in this instance, the listener becomes. Fairground Of Tears is a London based producer, resident DJ at Noise Orchestra and the founder and curator of the London event series, Exiled. credits Mastered by Joe Farr Artwork by Hila Angelica Mazzocco

Calibro 35, the legendary crime funk combo sampled by Dr.Dre and Jay-Z, announce the reissue of "Traitors", their iconic fourth album, on Crystal Red vinyl and digital deluxe edition with bonus tracks.

Record Kicks proudly presents the reissue of CALIBRO 35's fourth legendary long-time sold out album "Traditori Di Tutti" (Traitors) on March 04thon limited edition crystal red vinyl and digital "deluxe" edition with bonus tracks.The publication is part of "The Record Kicks Trilogy" that follows the reissue of the first three albums of the band, released in 2020. This time, Milan label Record Kicks will repress on wax of three different colours and on digital deluxe edition, the fourth, fifth and sixth legendary studio albums of the Italian cinematic-funk cult band. The digital deluxe edition of"Traditori Di Tutti" includes 2 bonus tracks: a crime funk cover of "Get Carter", originally released as a b-side of the "Butcher's Bride" 45 vinyl, and the unreleased funky stormer "Milan, Michigan".

"Traditori Di Tutti" is the fourth album by Milan's combo, inspired by noir masterpiece novel "Betrayers"published by the father of Italian noir, award-winning crime fiction author Giorgio Scerbanenco. The album contains only band's original recordings, from floor-shaking first single "Giulia Mon Amour" to groovy "The Butcher's Bride", from deep funky "Filthy Bastards" to the dancefloor jazz madness of "Mescalina 6". The five-piece pays homage to "I Maestri" such as Morricone, Micalizzi and Bacalov with 12 tracks full of funky beats, heavy guitars, groovy bass lines and fuzzy organs.

There's one thing that Italians do better than others: funky soundtracks. Quentin Tarantino knows best: soundtracks from Italian movies of the '60s and the '70s are the THING! "Calibro 35 does with music what Tarantino does with films". They borrow what they love and they make it their own. With Rolling Stone magazine words "Calibro 35 are the most fascinating, "retro-maniac" and genuine thing that happened to Italy".

Active since 2008, CALIBRO 35 enjoy a worldwide reputation as one of the coolest independent bands around. During their fourteen-year career, they were sampled by Dr. Dre on his Compton album, Jay-Z, The Child of lov & Damon Albarn; they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat and Headhunters and as unique musicians they collaborated with, amongst others, PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine as "the most fascinating, retro-maniac and genuine thing that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide including VIP fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin' Criminals) among others.

**LTD BLACK AND RED MARBLE**

As humans, we are aware of our inner beast and should therefore be able to control it. We understand our hard-wired primal urges and why they exist in an evolutional sense. We understand the relationship between mind and body. Highly evolved and intelligent, we should be able to recognize these genetic hangovers and control them as a means to act positively and move forward as a compassion-ate species. Unfortunately, this is not the case. Recent global events have proven this. The human race is consuming itself.

World Eater, the new album by Benjamin John Power's Blanck Mass project, is a reaction to this. There is an underlying violence and anger throughout the record, even though some of these tracks are the closest Power has ever come to writing, in his words, actual love songs.'

Maybe subconsciously this was some kind of countermeasure to restore some personal balance,' Power explains.

On World Eater, Power further perfects the propulsive, engrossing electronic music he has created throughout his impressive decade-plus career, both under the Blanck Mass moniker and as one-half of Fuck Buttons, as he elaborates upon the sound of 2015's brilliant double album Dumb Flesh. As massive as the sonic world of the new record often feels, its greatest achievement is in its maximization of a limited set of tools, a restriction intentionally set by Power himself.

As an exercise in better understanding myself musically, I found myself using an increasingly restricted palette during the World Eater creative process. Evoking these intense emotions using minimal components really put me outside of my comfort zone and was unlike the process I am used to. Feeling exposed shone a new light on this particular snapshot. I feel enriched for doing so.'

(A) 1. John Doe's Carnival of Error
(B) 2. Rhesus Negative
(C) 3. Please
(D) 4. The Rat
(E) 5. Silent Treatment
(F) 6. Minnesota / Eas Fors / Naked
(G) 7. Hive Mind

A hidden gem from the notorious Nurse With Wound list ! Limited to 500 copies, this double LP features Heratius' studio album Les Boniments (1979) - never before released on vinyl - and the first ever vinyl reissue of Gwendolyne (1978). Heratius could be described as like a mix of Etron Fou Leloublan and Faust (in acoustic mode that is), with hints of Albert Marcoeur, Red Noise, in a music that is full of invention with typically French eccentric touches. The Heratius album Gwendolyne was also much touted by Chris Cutler (of Henry Cow fame) at the time as the French Faust.

Diego el Cigala is, with any doubt, one of the greatest flamenco geniuses of our times. Not only because of his voice and charisma, but also for recording such vast and wide discography singing with majesty and no complex any style he could be challenged to perform. At Flamencoenvinilo we wanted to re-catch one of his early works back to his flamenco roots: "Entre Vareta y Canasta" (18 Chulos) was originally published in the year 2000 and, as many of his works, this album has proved the test of time and it has become a true classic. This will be the first time this album comes out on 12". Limited to 500 copies. Accompanied by Niño Josele (guitar) and a large group of percussionists, "Entre Vareta y Canasta" the second album by Diego El Cigala made him known among many people outside the traditional nucleus of flamenco for his simplicity, purity and mastery. The unique voice of this artist moves with naturalness and feeling in styles as different as martinete, bulería or fandangos.

The long awaited third volume of our "Algo salvaje" series, featuring untamed 1960s beat and garage nuggets from Spain. "Algo salvaje" is an anthology devoted to a rich period when hundreds of bands appeared all over Spain and, after paying attention to what their US and British contemporaries were doing, found their own way to vent their teenage rebellion through loud guitars. With amazing results! Many of the 28 tracks are reissued for the first time, including very hard-to-find records. This double LP gatefold package includes extensive notes by Vicente Fabuel featuring all the original record sleeves and artist photos. "Algo salvaje" ("Something Wild"), now reaching its third volume, celebrates the darkest, neglected and rebellious side of Spanish beat. Internationally labelled as nuggets (after the original compilation of the same name concocted by Jac Holzman and Lenny Kaye in 1972 for the Elektra label), the more common garage rock label has been used to place and describe one of the most fertile chapters of rock & roll history during its most creative years. An underground story which has luckily become known, with participants from all around the globe which included anonymous musicians, independent record labels with impossible names and ridiculously limited pressings, often not more than a few hundred copies. The tracks chosen for the occasion, a selection filtered strictly by their musical value, adhere to the rules of the classic nugget genre while demonstrating the permeability of garage sound and its inevitable evolution at the turn of the decade (1967-1974) through mixes that embraced psychedelia, soul and even prog rock. Epic and pretty wild. Just the kind of material that this record label usually handles. Many of the 28 tracks are reissued for the first time, including extremely hard-to-find records. This double-LP package includes extensive notes by genre-expert Vicente Fabuel featuring all the original record sleeves and artist photos. So let the band play...

Response & Pliskin joins forces once again for another essential drum & bass release, limited hand stamped copies..

This release sees two fresh originals from Gareth. The exceptional peak-time title track Night Breed comes with extraordinary energy from it's cut through tubular lead and rolling drums. Tronic State works with an untethered off beat kick backed by metallic synthesis and immersive undertones. Remix work sees exceptional Spanish precision engineering from leading exponent of underground Techno Oscar Mulero alongside a full raw to the core, amen drum re-work from rising UK artist Swarmm.

Limited edition bespoke blue and white marble vinyl. Buy on sight!

coloured vinyl

Newest Ruffneck Prime (DJ Ruffneck) at his own label - a great hardtechno banger!! Available on limited coloured vinyl!!

Support from: SNTS, Richie Hawtin, Esther Duijn, Paula Temple, Dax J, Jerome Keys, Vishscale, Edo Messina, Obscur Antism, Joseph Capriati, Rats On Acid, D.A.V.E. The Drummer, DJ Scot Project, DJ Hellraiser, Jack Wax, DJ Wank and more !!

Limited!
Gaïsha - Oriental Psychedelic Sounds and Funky Grooves

Gaïsha is a collaboration between the Belgian-Moroccan singer, Aicha Haskal, and Les Cerveaux Lents.

Aicha Haskal’s voice is smooth and warm voice and switches seamlessly between Arabic chants, parlando and even rap. The Arabic lyrics of the song ‘Ghalat’ were written by the Egyptian poet Abdelhamid Farag, who calls himself a ‘poète de l’ éloignement’. His lyrics are permeated with deep melancholy and romance. The song is a tribute to Abdelhamid, who passed away in 2020.

B-side ‘L’Amour Digital’ is based on ‘Sihtou Wajdan’, a traditional Muwashah. Muwashah is a poetic form that originated in Al- Andalus (Muslim Spain in the 11th century). Aicha adds to the poem a reply in French, giving the song a universal and interconnecting flair.

‘Ghalat’, een ode aan de Egyptische dichter Abdelhamid Farag, knalt uit je speakers met een geweldige levenslust”- Cutting Edge

Wie fan is van de muziek van Altin Gün, heeft met deze nieuwe single van het Gentse Gaïsha er een leuke ontdekking bij. - Indiestyle

"Het ritme, de synths en de groove lijken westers, maar verder ademt alles aan deze track een oosterse melancholie uit.” - Damusic

Limited Edition Vinyl LP – 1971 album cover, thick tip-on sleeve, 700 copies only

Finally putting an end to a long wait for library music lovers, Four Flies Records is proud to present the first reissue of Piero Umiliani's Paesaggi – a record that, despite remaining for many years pretty obscure compared to other titles in the maestro's discography, is now regarded by collectors and experts as the gold standard in Italian library music.

Originally released in two versions with different sleeves, the first on Liuto Records in 1971 and the second on Ciak Record in 1980, the album features tracks composed by the maestro himself (under his alias Zalla) and performed by the legendary super-group of Italian session players I Marc 4, this time with Angelo Baroncini instead of Carlo Pes on guitars (which probably explains the name being spelled with a 'k' instead of a 'c' on the album cover).

The Italian word paesaggi means "landscapes", and that is exactly what the music in the album has been designed to evoke – a journey of moods and emotions, through exotic and pastoral scenery, with loungey sounds that caress your ears like the song of an enchanted nightingale. Mysterious yet captivating soundscapes transport you to a faraway and peaceful place, possibly somewhere in rural Asia. While listening to the record, you'll feel as if you are sitting under a pavilion, right in the middle of a tea plantation, enjoying a freshly brewed green tea and watching the calm sunset.

In addition, Paesaggi is paradigmatic of Italian library music and its genre-defying nature. By using a multitude of instruments, such as flute, vibraphone, harpsichord, sitar, gong and others, it brings together a variety of arrangements, styles, and genres spanning from bossa nova to jazz, easy listening to psychedelic, Latin, exotica, and many more.

Under Umiliani's brilliant direction, the pianos and keyboard instruments of Antonello Vannucchi, the guitars of Angelo Baroncini, the bass of Maurizio Majorana, and the drums of Roberto Podio dance together and – enriched by other instruments played by top session musicians like Bruno Battisti D'Amario (sitar), Franco De Gemini (harmonica), or Franco Chiari (vibraphone) – create the sound that makes Paesaggi so unique.

With the honour of reissuing this masterpiece so many decades since its release comes a responsibility to do full justice to one of the greatest Italian composers of the 20th century and his now celebrated legacy. Four Flies have done their best to put out a record that replicates as closely as possible the value of the original as a cultural artefact, providing Italian library connoisseurs and novices alike with an exquisite sonic, and tactile, experience.

Limited edition 2000 copies.
•Cut by Kevin Gray at Cohearent Mastering.
•Plated at Quality Record Pressing (QRP).
•180 gr vinyl pressed by Optimal in Germany.
•Deluxe high-gloss flipback album jacket.
•Double insert using an original photo by JP Leloir from the concert.
•Each record has been visually checked to prevent defects.
Donald Byrd’s residency in Paris in 1958 to study with composer Nadia Boulanger gave rise to one of the greatest bands of his career with Bobby Jaspar on tenor sax and flute, Walter Davis, Jr. on piano, Doug Watkins on bass and Art Taylor on drums.

Sam Records is proud to present this previously unreleased concert by the Donald Byrd/Bobby Jaspar Quintet recorded during the evening dedicated to ‘Modern Jazz’ during the 1st and only Cannes Jazz Festival on July 11th 1958. The initiative for this festival was taken by Yvonne Blanc, a lady of good society who played the piano and lived between Paris and Cannes.

This festival was organised in partnership with the festival of Knokke-le-Zoute, in Belgium.

Recorded in Cannes, France, July 11, 1958.

Donald Byrd (Trumpet)

Bobby Jaspar (Flute/Tenor saxophone)

Walter Davis Jr. (Piano)

Doug Watkins (Bass)

Art Taylor (Drums)

Escape Music are pleased to announce the release date for Lonerider’s second studio album titled “Sundown" with 500 limited edition Vinyl “Smokey” colour all will be numbered 1-500 and will include an exclusive hand signed postcard from all members of the band! (limited edition 500 units in “smokey” colour). The Band is: Steve Overland: Vocals / Simon Kirke: Drums / Steve Morris: Guitars, Keyboards and Hammond / Chris Childs: Bass - In 2019 the debut album “Attitude” by Lonerider was released, a band that not only features Steve Overland (FM, Solo, Shadowman), Steve Morris (Heartland, Shadowman) and Chris Childs (Thunder) but legendary drummer Simon Kirke of Free and Bad Company fame. The band come across like Bad Company mixed with Shadowman and their debut “Attitude” was loved by many. Lonerider have the feel of that classic Bad Company that we know and love, yet the songs are modern, fresh and vibrant. Since 2019 the band have been working on a new release and it will be available in early 2022, entitled “Sundown”. This new album boasts 12 new tracks of classic rock in the same vein as “Attitude”, well why change a winning formula? - The vinyl version is a numbered edition of 500 and to make it special it has two different tracks to the CD, namely “Love to Love” and “Long Time Gone”. A great start to 2022.

Fabio & Grooverider have been at the forefront of UK dance music for over 3 decades. This is the roots of their story told through music. The 2 London DJ's are part of the DNA of the global Jungle / D&B movement and they have remained relevant, cutting edge, authoritative and essential to this truly underground art-form since it's inception. RAGE could arguably be the ground zero of Jungle. The party was started at London's cavernous Heaven club by Fabio & Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. RAGE was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio & Grooverider were the people firmly behind it. RAGE is approaching its 30th anniversary. Its sonic and cultural legacy is still being felt today, Fabio & Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. This musical selection you hold in your hands, the first of 4 parts, sees them delve into their prodigious memories and record boxes to select a true musical representation of the very beginning of one of the UK's most unique and influential musical movements of the last 50 years. Across 4 x 2 x 12"s compilations we are taken on the journey through the sounds of RAGE, accompanied with track by track notes from Fabio & Groove themselves. This is the sound of the underground, from the inside out. This is a masterclass in the old-school. The roots. There is no filler here, it's simply ALL killer. Lovingly selected and programmed by the masters - 'The Living Shock' & 'The Ladies Choice'. Produced in conjunction with Above Board distribution and Fabio & Grooverider. All tracks mastered from original sources and fully licensed. Mastering by Optimum, Bristol. Artwork and design by Atelier Superplus. 2019

Jonas Lindberg & The Other Side is the progressive rock project from Stockholm, Sweden-based bass player, songwriter and producer Jonas Lindberg. The new album - called "MILES FROM NOWHERE" – features Jonas joined by Jonas Sundqvist, Jenny Storm and Jonathan Lunderg. Returning on a few tracks is Simon Wilhelmsson (drums) who some may remember from their first EP, as well as Jonas's brother Joel and Roine Stolt (The Flower Kings, Transatlantic) on lead guitars,amongst others. “MILES FROM NOWHERE” is a journey that takes in stunning guitar solos, intense drums, folky melodies, majestic instrumentals & a 25-minute epic. Available as Limited CD Digipak, Gatefold 180g 2LP+CD+LP-Booklet & as Digital Album.

Compiled by Birmingham Musician and Designer Dave Twist. This Compilation features many well known and completely unknown faces from the scene and some local Heroes such as Nikki Sudden, Stephen Duffy, Jowe Head, Dave Kusworth, Deluxe 2 x LP set Limited to 500 copies only worldwide. In the light of the film King Rocker by Stewart Lee about The Nightingales revised interest in the post punk sound of Birmingham is increasing. Duran Duran’s John Taylor is featured in his first band Dada (with Twist on drums) sounding not a bit like his MTV champions of the 80’s. Some of these tracks were only ever issued on a very small run 7” at the time and some were never issued at all, such as The Hawks (until recently and to great acclaim)

New limited pressing on 180g Electric Blue Vinyl. L.A. Witch’s self-titled debut album unfurled like hazy memories of late-night revelries in the city center creeping back in on a hungover Sunday morning. Guitarist/vocalist Sade Sanchez purred and crooned over jangling guitar chords, painting pictures of urban exploits, old American haunts, and private escapades with a master’s austerity. Bassist Irita Pai and drummer Ellie English polished the patina of the band’s vintage sound, adding a full-bodied thump and intoxicating swing to the album’s dusty ballads, ominous invitations, and sultry rock songs. The album had an air of effortlessness like these songs were written into the fabric of the Western landscape by some past generation and conjured into our modern world by three powerful conduits. The band readily admits that L.A. Witch was a casual affair and that the songs came together over the course of several years. That natural flow hit a snag when the band’s popularity grew and they began touring regularly, so a new strategy became necessary for their sophomore album, the swaggering and beguiling Play With Fire

Matthew Halsall unveils new band and announces 'Salute to the Sun'

his new album on Gondwana Records

Limited edition Double Clear vinyl, printed on reverse board with Gold foil artwork plus double printed reverse board inner sleeves including download code. Cover Artwork by Daniel Halsall with design and layout by Ian Anderson of The Designers Republic.

Comes packaged in a resealable, re-usable Polypropylene anti-static, acid-free, crystal clear sleeve for maximum protection.

Composer, trumpeter, producer, DJ and founder of Gondwana Records, Matthew Halsall has always worn many hats. But at the heart of everything that he does Halsall is first and foremost an artist and a musician. A trumpeter whose unflashy, soulful playing radiates a thoughtful beauty and a composer and band-leader who has created his own rich sound world. A sound that draws on the heritage of British jazz, the spiritual jazz of Alice Coltrane and Pharoah Sanders, as well as world music and electronica influences, and even modern art and architecture, to create something uniquely his own. A music that is rooted in Northern England but draws on global inspirations.

Salute to the Sun is his first album as a leader since Into Forever (2015) and marks the debut of his new band. A hand-picked ensemble featuring some of Manchester's finest young musicians: Matt Cliffe flute & saxophone, Maddie Herbert harp, Liviu Gheorghe piano, Alan Taylor drums and Jack McCarthy percussion as well as long-time Halsall collaborator, bassist, Gavin Barras who has been at the heart of Halsall's bands for over a decade. For Matthew it was important to have a band based locally and able, pre-Covid, to meet and play each week, and who also performed a sold-out monthly basement session at Yes in Manchester. The album draws energy from these sessions and inspiration from themes and ideas that have inspired Halsall through the years (on albums such as Oneness, Fletcher Moss Park and When the World Was One) ideas of ecology, the environment and harmony with nature.

"I feel Salute to the Sun is a positive earthy album. I wanted to create something playful but also quite primitive, earthy and organic that connected to the sounds in nature. I was listening to lush ambient field recordings of tropical environments such as jungles and rainforests and found myself drawn to percussive atmospheric sounds which replicated what I was hearing (bells / shakers / chimes / rain sticks) and I started to experiment with more wooden percussive instruments such as kalimba and marimba".

Salute to the Sun features lush wholly improvised tunes inspired by ambient rainforest and jungle field recordings, deeply soulful tunes built around hypnotic harp and kalimba patterns, deep Strata-East inspired spiritual jazz grooves and some of Halsall's most beautiful playing and inspiring healing melodies yet recorded.

The album was recorded at the band's weekly sessions, using Halsall's own recording set-up, giving the recordings a relaxed vibe and unforced energy that really lets the music breath. The album is also very much a family affair as Halsall's brother Daniel Halsall, artistic director of Gondwana Records, was an important presence at the sessions and co-produced the album. It is also his memorable artwork that adorns the cover of Salute to the Sun, an album beautifully designed by legendary designer Ian Anderson of The Designers Republic, who also created the covers for the recent archival releases Oneness, Sending My Love and Colour Yes and is one of Halsall's favourite designers. Together Daniel Halsall and Ian Anderson have designed all of Matthew's seven albums to date, so it felt extra-special to bring them together for, Salute to the Sun, an album that Halsall was determined to present in the very best way possible. The album was mixed with another long-time collaborator, George Atkins at 80 Hertz in Manchester, who works tirelessly with Halsall to perfect the sound and was mastered by noted engineer Peter Beckmann who brings an added depth to the sound specially around the bass notes as well as Halsall's trumpet. The magnificent double vinyl was cut as a Half Speed master by Barry Grint at Alchemy Mastering for the best possible analogue experience.

The result is arguably Halsall's most beautiful and complete recording to date, playful, charming and imbued with the warmth of the sun and the energy of life.

Limited to 300 copies. Vinyl green bottle

Originally released in 1973 on Philips. One of the best UK Folk albums ever. Highly recommended if you like Heron, Syd Barrett, Nick Drake, Simon & Garfunkel.

Evensong's self-titled album is a high-prized UK folk-pop artifact. The duo's fragile, harmony-drenched songs are given instrumental muscle by seasoned session players Clem Cattini, B. J. Cole and Herbie Flowers, and ornate string arrangements courtesy of former Spencer Davis Group guitarist Ray Fenwick.

Limited Edition one vinyl in a gatefold cover, black vinyl and
black inner sleeve.

One-year-and-a-half after landing on earth with its first eponymous EP, The Outsider Syndrome is back from its exploration of the vast Techno universe with more musical UFO’s.

Through “Social Engineering”, the Lyon-based duo – composed of E-care and Don Jo –, is about to deliver another dose of rock-influenced electronics, delving its dark-energy into a not-so-sci-fi-anymore dystopian future made of totalitarianism, supranational control.

Four raging tracks of analog techno and electro, with a huge space given to narration and improvisation, as a fight against boring, repetitive standards.

To be published once again on Beyond Techno Musical UFO’s on limited-edition vinyl.

R&C Records boys are back with a new sampler of their "feels-good" sound, digging deeper into the 80's Italo Disco scene.
The logo side captures a Gaznevada inspired re-imagination, magically moved into a newElectro-SpaceDisco dream with a Balearic flavour; on the flip side a Firefly's classic disco anthem re-grooved to an Electro-Boogie 'desire', laid on spacey synths and balearic keys.
Limited. VINYL ONLY

Purple Vinyl

Live jazzy house track featuring a collective from Chicago's jazz scene recorded live at the Sonotheque club in 2007. Written by RICK GHERENBECK & VICK LAVENDER, both formerly of MR ALI. Deep and jazzy for fans of RAHAAN, DJ SPINNA, and RON TRENT. Limited 1-sided heavyweight purple color vinyl.

Each LP sleeve is delivered as a bespoke limited edition, hand-printed and customised by the man himself. Features Jehst, Taja, Jaz Kahina, Vandal Savage, Junior Disprol and Cappo. The return of the “Zack de la Rocha of Ashby de la Zouch”, back in tandem with Chicago producer Spectacular Diagnostics World status 2020-21; a write-off, one to be struck from the record, ‘NULL AND VOID’ if you will. This hasn’t stopped Kid Acne kicking on and bringing what he calls “the difficult fifth album” to the Lewis Recordings megaplex. Full of Yorkshire say-so, his inimitable strain of hip-hop delivers the mind-bending with everyman knowhow, fearlessly “taking out pop chart sucker rappers with a blow dart”. Spectacular Diagnostics (Westside Gunn, Vic Spencer, Conway the Machine, Nolan the Ninja) is back on the boards for Kid Acne’s latest magical mystery tour, strengthening regional alliances with UK heavyweights Cappo, Jehst and Vandal Savage as well as introducing one-to-watch Taja. Driven by the wise man’s testament that thou shalt never use the internet again, Acne shakes off screen burn and heads back to the great (socially distanced) outdoors with a fresh batch of wavy, chaos theorising boom-bap.

Rapidly marking themselves out as one of the most abrasive, innovative artists to watch in 2022, Brighton-based feminist electropunk trio CLT DRP are delighted to kick off their year with new single ‘TORX’, out now on Small Pond Records.

The single will be available to purchase on a new limited edition 10” vinyl from Small Pond which features new track ‘TORX’, previous single ‘Ownership’ plus a remix from New York’s FLOSSING (Brace Yourself Records), and their cover of Dolly Parton’s track ‘Why’d You Come In Here Lookin’ Like That’.

Commenting on the track, CLT DRP vocalist Annie Dorrett says: "TORX is a hard-hitting non-stop racket. It was a stream of consciousness that stemmed from a very tired & frustrating day where I couldn't get my oven fixed in my flat because I didn't have the right screwdriver and I was dealing with a sort of post-break-up rant about somebody that caused me a lot of grief. It’s one of my favourites to play live now."

Legendary rockers Scorpions return with their new album “Rock Believer'', which was created in the studio during the lockdown in their home base Hannover. “The album was written and recorded in the style of the classic Scorpions DNA with core Schenker/Meine compositions. We really went back to the essence of what defined us in the first place”, says front-man Klaus Meine The new album Rock Believer on CD in a 4-panel digipack with a 16-page booklet including 11 tracks. The CD Deluxe is a 6-panel digipack with a 20-page booklet including 16 tracks. The vinyl release is available as a limited black 2 LP (180g) in a gatefold including 16 tracks., and a black 1 LP (180g) including 11 tracks

Legendary rockers Scorpions return with their new album “Rock Believer'', which was created in the studio during the lockdown in their home base Hannover. “The album was written and recorded in the style of the classic Scorpions DNA with core Schenker/Meine compositions. We really went back to the essence of what defined us in the first place”, says front-man Klaus Meine The new album Rock Believer on CD in a 4-panel digipack with a 16-page booklet including 11 tracks. The CD Deluxe is a 6-panel digipack with a 20-page booklet including 16 tracks. The vinyl release is available as a limited black 2 LP (180g) in a gatefold including 16 tracks., and a black 1 LP (180g) including 11 tracks

Lady Bird's brand new debut album 'WE' is finally aboard..
Embodying, as it does, the collective creativity and spark of the band, heralding a
celebration of survival and life, and the emotions induced during a tumultuous
album recording process that strengthened their brotherhood and friendship to
no end. Available on very limited Black and Red 'Lady Bird' edition (we had to
right?) each version comes with a luxuriant 24 page lyric booklet included and
download code.

Brand new album by the legendary Swamp Dogg.In 1954, 12 year old
Jerry Williams, then performing under the name Little Jerry Williams,
made his first recording for Mechanic Records, a blues stomp with a
shockingly mature vocal performance - Through the 60"s Williams' career
developed with a number of successful singles, including 'I'm the Lover
Man' and 'Baby You're My Everything', as well as writing and producing
hits for Dee Dee Warwick, Doris Duke, and Patti LaBelle and the Blue
Belles. It was in 1970, however, that the full extent of Williams' eccentric
creative genius was unleashed on the world for the first time, with the
birth of his musical alter-ego, Swamp Dogg
Created to 'occupy the body while the search party was out looking for Jerry
Williams, who was mentally missing in action due to certain pressures, maltreatments and failure to get paid royalties on over fifty single records,' the
Swamp Dogg alias, still in use today, allowed Williams to create music that was
bolder, raunchier, and more honest to his creative instincts. The Dogg's cult
classic debut 'Total Destruction to Your Mind' struck a powerful blend of Williams
classic soulful sensibilities and the blooming psychedelia of the time. Infused in
the swirling brew is Swamp's blink- and- you'll- miss- it humor, a number of acid
odes, and a heavy dose of sharp political insight. Though the psychedelic
strangeness alienated R&B fans of the time, and the authentic R&B infrastructure
prevented it from clicking with hippie audiences, it has retroactively received
legendary status in cult music circles.Now, 50 years after Total Destruction
introduced Swamp Dogg to an unprepared world, and nearly 70 since Little Jerry
Williams went into the studio for Mechanic, Williams brings us I Need A Job' So I
Can Buy More Autotune. A spiritual successor to 2018"s hit Love, Loss and
Autotune, this album continues to push Swamp's sonic exploration of the effect
as one of his many creative weapons. In the extended tradition of Total
Destruction, Swamp Dogg's 2021 LP neatly balances sleek modern production
techniques with that classic Dogg sound that has anchored William's music since
the 70s. Subtle yet soulful drumming, skin- tight horn grooves and meandering
funk guitar leads create a sonic landscape fitting Swamp Dogg's iconic croon,
occasionally drenched in the titular autotune. At 78, Swamp Dogg is as sharp of a
singer and songwriter as ever. His raunchy yet charismatic sense of humor takes
a more forward role on I Need a Job' So I Can Buy More Autotune, with earnestly
delivered lyrics about all day sex and an entire song dedicated to the perils of
'Cheating in the Daylight.' Many of the record's most charming moments emerge
from the juxtaposition of Swamp's left field humor with genuine messages of
love, such as 'She Got That Fire', which weaves descriptions of imagined sex acts,
including but not limited to an encounter involving edible underwear, in between
relatively wholesome proclamations like 'she must be an angel on earth,' and
'when she looks at you, it's like sunshine from her eyes'. I Need a Job does more
than prove that Swamp's still got it, it proves he's still getting better.

LIMITED

Debütalbum der Bergener Band! Kosmodome, noch so ein aufsteigender Stern am Firmament der florierenden norwegischen Prog-Musikszene, mit psychedelisch klingenden Rock in der Atmosphäre der späten 1960er Jahre. Kosmodomes Musik ist die Idee der beiden Sandvik-Brüder und ist riffbasierter Rock mit Stoner-Elementen. Gemeinsam überbrückt das Duo die Lücke zwischen dem explosiven Drive von Bands wie Mastodon mit melodischer Magie und retrospektivem, cleverem Songwriting. Während des gesamten Albums verweilen Kosmodome im Melodischen und Groovigen, Instrumentale Abschnitte sind von zentraler Bedeutung für ihr musikalisches Geschichtenerzählen. Zusätzlich unterstützt durch lyrische Themen: Introspektion und Staunen, Nachdenken über die menschliche Verfassung und Frustrationen gegenüber der zeitgenössischen Gesellschaft.

Für Fans von Motorpsycho, Black Mountain oder King Gizzard And The Lizzard Wizzard.

Limited 200 copies sound. With 4 noisy hardcore, pityless and sober. A dancefloor non stop kicker with a solid Base Mobile old school influence at his best.

A superb first EP, bringing mental techno, "never too mutch" sound.
And an acid finisher.

Limited and autoprod.

Enjoy :)

Vinyl press from praised tunes of the digital series !!

Vinyl press from praised tunes of the digital series !!

A welcome vinyl issue for Matthew Halsall's 2012 masterpiece, Fletcher Moss Park, specially re-mastered for this limited edition release.

Released to critical acclaim and arguably Halsall's most complete recording Fletcher Moss Park is inspired by one of Manchester's most beautiful places. A rambling, multi-tiered park of walkways and dreamy gardens that offers the contemplative Halsall a place of peace and respite from the city, a meditative space to think and write in. The stillness and beauty of the surroundings have steeped into his beautiful compositions for this album. Elegant and sincere, Halsall's compositions draw on his love of spiritual jazz, modern dance music and favour an earthy honestly and direct communication over tricksy arrangements and it is this deceptively simple openness that gives his music such a unique flavor.

Featuring saxophonist Nat Birchall, harpist Rachael Gladwin, pianist Adam Fairhall & Taz Modi, bassist Gavin Barras and drummers Gaz Hughes & Luke Flowers plus a string quartet.

Limited coloured marbled vinyl edition of this album Booker T. & the M.G.s formed as the house band for Stax Records and provided playbacks for numerous singers, including Wilson Pickett and Otis Redding. During a - recording break for Billy Lee Riley, 17-yearold keyboardist Booker T. Jones, guitarist Steve Cropper, Lewie Steinberg on bass and Al Jackson Jr. on drums began messing around with a bluesy organ riff. The president of Stax Records, Jim Stewart, was at
the mixing board. He liked what he heard and recorded it. The result: „Green Onions,“ with „Behave Yourself“ as the B-side.
The record became a hit when radio DJ Reuben Washington played it four times in a row, even before the band had a name. The single went to #1 on the US R&B chart, #3 on the pop chart, reached #7 in the UK
and sold over a million copies. The song was listed as one of the 500 greatest songs of all time by Rolling Stone magazine and received a Grammy Hall of Fame Award in 1999. It was followed by the allinstrumental album „Green Onions“, which is now a classic of the era.

The album was included in Robert Dimery‘s 1001 Albums You Must Hear Before You Die. Booker T. & the M.G.s have been called the most influential stylists in modern American music. Until the 2000s, they
played as the house band for countless world stars such as Bob Dylan, Stevie Wonder, Johnny Cash, Eric Clapton, George Harrison, Neil Young and many others.

Limited Edition Turquoise/ Yellow &White Splatter Colour Vinyl 2LP Set. 1500 Units for UK.

Nina Simone’s story from the late sixties to the nineties can be told through her legendary performances in Montreux. Taking to the Montreux stage for the first time on 16 June 1968 for the festival’s second edition, Simone built a lasting relationship with Montreux Jazz Festival and its Creator and Founder Claude Nobs, which uniqueness, trust and electricity can be clearly felt on the recordings. Simone’s multi-faceted and radical story is laid bare on ‘Nina Simone: The Montreux Years’. From Nina’s glorious and emotional 1968 performance to her fiery and unpredictable concert in 1976, one of the festival’s most remarkable performances ever witnessed, the collection includes recordings from all of her five legendary Montreux concerts – 1968, 1976, 1981, 1987 and 1990.

Featuring rare and previously unreleased material from Claude Nobs’ private collection, Nina Simone devotees worldwide will be thrilled by the inclusion of the powerful I Wish I Knew How It Would Feel To Be Free, poignant and fearless Four Women and Simone’s hauntingly beautiful performance of Ne Me Quitte Pas. A spine-tingling version of Janis Ian’s searing and potent Stars, which Simone covered for the very first time during her 1976 Montreux performance, sits alongside her bold and electrifying re-imagine of Bob Marley’s ballad No Women No Cry in 1990. The collection closes with the encore of Nina Simone’s final Montreux Jazz Festival concert and one of Simone’s most-loved and best-known recordings, the exuberant My Baby Just Cares For Me, showcasing the deep and multidimensional facets of Simone’s life and music.

Rosales follow-up their debut for the Archives label 'Still, Tomorrow' with 'Woven Songs'. Written between 2019 and 2020 (prior to their debut album) this collaboration between Ian Hawgood and Brad Deschamps is a joint release on Home Normal and Polar Seas Recordings, featuring stunning artwork by Laura Kay Keeling. This new long-form work was sourced from guitar and synth loops and processed by Space Echo, cassette and reel-to-reel for decayed textures. The result is music that develops carefully, only to slowly fragment in the whir of the analog machines, all culminating in the dynamic penultimate piece 'matter'. 'Woven Songs' is available on limited LP and digital.

Tape

The occult and folk music have been friends for a while. In the 21st century, hauntology and the resurface of some cult soundtracks from the 1970s and 1980s helped to create a new sense of folk, not associated with the typical acoustic feeling, but more relatable with library, krautrock/kosmische and industrial music. João Kyron and Tony Watts, long time collaborators since the late 1990s with their band Hipnótica, and more recently with Beautify Junkyards (Ghost Box) are well acquainted with this friendship. Hidden Horse is their new project as a duo and “Opala” their first release.

With eight tracks and almost thirty minutes, their first release explores dense and greyish urban utopias. The song titles explore ideas that mix sci-fi, horror, science, space and urban phobia, and the music Kyron and Watts create delivers, using electronics and drums with great relish. Their relationship as musicians, which spans more than two decades, can be felt in the way their music flows with a continuous dialogue.

“Opala” is always keen to take you to another dimension. It lives in its own twilight zone, where the obscure entangles the most obvious senses of reality. It sounds like Jacques Tati “Playtime” with a hauntology soundtrack: it kind of feels that this imaginary world is real, but it’s not. And it sucks you in to be a part of it and enjoy it: close your eyes and let yourself go while listening to “Levitação Magnética” or “Fantasmas do Planeta”. You will feel like a foreigner in a new city.

Donut chiefs The Mighty Mocambos return with triumphant funk workout "The Take Off" out on limited edition 45.

On the instrumental A-side, crunchy drums and percussion set off into a 7-minute breakbeat extravaganza where dramatic horns and psychedelic, fuzzed-out guitars build up to an epic finale.

On the flip, Nichola Richards chants soulfully before passing the baton to Brooklyn MC JSwiss, whose spoken word poetry takes the listener to another level, ready for take-off!

Another sure-shotwinner from the Mocambo camp, for all funk DJs and aficionados.

'Anon 1' was originally released as a very limited Anonymous 12" on Past Inside the Present in 2020, featuring 36 and Isaac Helsen. The idea was to let people hear the music and judge it not on the names behind it, but purely on the quality of the music itself. When it sold out, the label revealed who wrote it. Obviously quite a few 36 & Isaac Helsen fans missed out, so Past Inside the Present repressed the record, but this time with the knowledge of who made the tunes now public.

Detroit's Niko Marks brings the Heat as always. Here on Yore-039 he delivers 4 Soulful House Tracks, covering a wide range of styles. From Deep, Soulful to Acid-Inspired driving Vocal Tracks. It's all there. Strictly limited to 250 copies. Grab them while they last & File under: House music that only Detroit can do.

The PINA Crew return !

An the A side we have a deftly extended Disco-Rock workout that crescendo's perfectly for maximum floor-frenzy.

Over on the B, we're treated to a wonderfully sleazy, vocoder punctuated cosmic throb... Simple, effective jams on limited edition 7"
Floor food for all moods...

TIME magazine counts Gifted Gab amongst the top female rappers in America. "Cause & Effect" is her vinyl debut, showing off Gab’s singular style, mixing complexity with wit, confidence with seduction, bars-upon bars of rapping with R&B melodies. Half of the album is hard-hitting gangsta murder music, while the flip side is effortlessly smooth. "It's for the after-party, the kickback. When you finally got the one you’ve been vibing with all night up close and personal,” as DJ Mike Ramos describes in the liner notes. Seattle underground hip-hop label Crane City Music is proud to release a special, limited-edition vinyl version of “Cause & Effect” on transparent red wax. The record is the color of blood and love, both appropriate analogies for its twin sides. It has been specially mastered by Adam Straney, has liner notes from DJ Mike Ramos, and is limited to 1,000 numbered copies.

This is the first record issued by new label A.MA Edizioni from Bari, a mini lp with four tracks written, produced and arranged by DJ and producer Gerardo Frisina. Production is exclusively on vinyl but the music is not limited to the dance floor. Each track has its own well-defined identity: Burak is characterized by ethnic rhythms evoking an intense atmosphere of oriental flavors. Zagara is the track that is closest to Gerardo Frisina's past productions,the brasilian sound is enhanced by the vocals of Francesca Sortino and interplay between the flute and piano. On the AA side, Michael's Vision displays striking jazz influence. The atmosphere generated by strong rhythmic impulse is reinforced by the tenor sax improvisations of Germano Zenga and refined by the piano work of Giovanni Guerretti. In the Burak Jazz Version the track is embellished in a jazz style with soprano sax, electric piano and vibraphone, maintaining the original concept but creating a perfect listening experience.

Personnel:
Germano Zenga Tenor Sax/Soprano Sax
Giovanni Guerretti piano/electric piano
Francesca Sortino Vocals on Zagara
Alexandra Savage Flute on Zagara
Joseph S. Wilson Bass
Paul Herrera Drums

Battle Axe is a Trojan compilation album that was originally released in 1972. The album is a set of early productions by Lee Perry. It features many rarities and includes recordings by well-known singers such as Junior Byles, Delroy Wilson and Little Roy amongst others. Most of the instrumentals are by The Upsetters. The title track, which is also by The Upsetters, is actually an instrumental version of Bob Marley & the Wailers’ “Small Axe”.

Battle Axe is available as a limited edition of 750 individually numbered
copies on orange coloured vinyl.

Brand new album length offering from the San Franciscan sike-shroom cloudbursters, Carlton Melton… 5 tracks of crackling doom laden psychedelic thwack and strum. Burgeoning SF underground/overground label BROKEN CLOVER gets the honour to drop this hefty slab-o-sike, a counter part / adjunct to 2020’s “Where This Leads” and 2021’s “Night Pillers” releases.


The third part of a much travelled trilogy? Maybe, these are the last fruits of the laden tree of psych that blooms at the DOME in northern Cali, where the band returned to in 2017 to fire up their Magick Karpet…


The four tracks on side A range from a bubbling riff driven freak out to some wild and live electrical buzz/fuzz mongering.. typical / atypical Melton mind melts… and running roughshod over some pensive almost Canterbury driven guitar musings along the way... raw, alive.. essential.


But the B side.. a 19 plus minute title track that is pure psylocibian-pummel..strap yourself in…lets go for a ride..
Carlton Melton are still: Andy Duvall, Rich Millman, and Clint Golden. Flyyyyyy onnnnnnnn!


its limited..500 are made

24K Magic, the critically acclaimed, RIAA certified platinum album from multiple GRAMMY Award-winning singer/songwriter/producer/director/musician Bruno Mars, featuring the hit records, “24K Magic”, “That’s What I Like” and “Versace on the Floor”, is out on a Limited-Edition Gold Vinyl on February 11th, 2022.

Bruno Mars is a 21-time GRAMMY Award nominee and multi-GRAMMY winner. The celebrated singer, songwriter, producer, musician has sold over 171 million singles worldwide, making him one of the best-selling artists of all time. His most recent critically acclaimed and RIAA certified platinum album, “24K Magic,” made an impressive debut atop the Top Digital Albums and R&B/Hip-Hop Albums charts. Additionally, the album and its lead single, “24K Magic,” simultaneously hit No. 1 on the iTunes Overall Albums and Overall Songs charts week of release. The single has since climbed to No. 4 on the Billboard Hot 100 and has also officially been certified Platinum by the RIAA. Mars latest single, "That's What I Like," recently climbed to #4 on the Hot 100, marking his 14th top-10 hit and his first #1 on the Hot R&B Songs chart.

"Hall Of The Mountain King" marks the beginning of the successful
relationship with producer Paul O'Neill.

Considered a turning point in the band's musical identity, the album shows the beginning of their progressive tendencies as they explore new forms of expression in their music, distinguishing between the old and new Savatage.
Mastered for vinyl and reissued with the original cover design, enhanced artwork and extensive liner notes by Clay Marshall, the album will become available as a 180g Black Vinyl Gatefold Edition and as a Strictly Limited Heavyweight Collector's LP Edition on Golden Vinyl which includes an exclusive 7" Vinyl Single featuring the song "This Is Where You Should Be" on Side A and a 1987 live version of "Hall Of The Mountain King" on Side B.

Staking their claim as the new heavyweights of rock & roll's modern-day renaissance, the Tennessee quartet Naked Gypsy Queens have
announced 'Georgiana,' their debut EP, out February 11th via Mascot
Records/Mascot Label Group.

Limited to 1000 copies worldwide, the 5 tracks will be on one side of the vinyl, and the B-side will be etched.Rooted in amplifed blues, hard-charging grooves, and dual lead guitars, the band builds upon the larger- than- life sound of their
heroes from the 1960s and '70s, keeping the fame burning for old-school hard
rock while using their own 21st century fuel. Formed while all four members were
still in high school, Naked Gypsy Queens built their audience the blue-collar way:
by plugging in, turning up, and playing out. They cut their teeth on the classics —
the Rolling Stones, MC5, the Allman Brothers — and funneled those infuences
into their own songs, creating an original sound that was loud, aggressive, and
flled with supersized hooks.With 'Georgiana,' the band confdently steps into the
international spotlight. These songs mix southern- fried swagger, electrifed
stomp, and sharp songwriting into fve unique anthems. With a sound that
reaches across generations, Naked Gypsy Queens bridge the divide between the
genre's past and future, creating timeless rock & roll for the modern world. Naked
Gypsy Queens are Rock Royalty in the making.

"Hall Of The Mountain King" marks the beginning of the successful
relationship with producer Paul O'Neill.

Considered a turning point in the band's musical identity, the album shows the beginning of their progressive tendencies as they explore new forms of expression in their music, distinguishing between the old and new Savatage.
Mastered for vinyl and reissued with the original cover design, enhanced artwork and extensive liner notes by Clay Marshall, the album will become available as a 180g Black Vinyl Gatefold Edition and as a Strictly Limited Heavyweight Collector's LP Edition on Golden Vinyl which includes an exclusive 7" Vinyl Single featuring the song "This Is Where You Should Be" on Side A and a 1987 live version of "Hall Of The Mountain King" on Side B.

Delain are a Dutch symphonic metal band formed in 2002 by former Within Temptation keyboardist Martijn Westerholt, intending for the band to be a project, but after their debut record Lucidity Delain became so successful, a live band was formed. The second album, April Rain, was released in 2009 to critical acclaim within the rock and metal scene. The album features guest contributions by cellist Maria Ahn and Nightwish vocalist and bassist Marko Hietala. Three singles were released: “April Rain”, “Stay Forever” and “Nothing Left”.

Delain’s April Rain is an album that belongs in the collection of every symphonic metal fan. It’s available as a limited edition of
1000 individually numbered copies on smoke coloured vinyl, including an insert!

The development of the rock steady sound, late in 1966, enabled a new generation of young, dynamic music makers to make a mark upon Jamaica’s recording industry and of these, few proved more successful or influential than Clancy Eccles. In 1969 he scored his biggest hit, the rambunctious ‘Fattie Fattie’, which sold in huge amounts both at home and the UK. The single’s popularity prompted Trojan Records to issue Eccles’s debut long-player, Freedom, which gathered the best of his self-produced recordings as a singer. Freedom’s sleeve photo is one of the classic reggae music images, with Clancy riding a motorcycle through a rugged terrain absolutely screaming relaxed cool.

Available as a limited edition of 750 individually numbered copies on orange coloured vinyl.