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Yung Lean - That's It (feat. Future & Metro Boomin)
Travis Scott - RHYNO (prod. by Guy-Manuel de Homem-Christo)
CA7RIEL & Paco Amoroso, PinkPantheress,
Fred again.., & Etienne de Crécy - Sexy Magic
Morgan Wallen - Last Thing You Need
Rauw Alejandro - Macacoa 2000
Keith Richards - Bright Lights, Big City

Atlantic Records and Rockstar Games announce Grand Theft Auto VI: The Album, the upcoming official soundtrack album from the biggest, most immersive evolution of the groundbreaking Grand Theft Auto series yet; Grand Theft Auto VI.

Launching alongside the hotly anticipated game, Grand Theft Auto VI: The Album features 34 original tracks that capture the electric energy of GTA 6’s world of Vice City and Leonida, with a genre-defying roster of the most exciting and preeminent artists in the world.

With 34 original tracks that capture the electric energy of Grand Theft Auto VI’s world of Vice City and Leonida, Grand Theft Auto VI: The Album features a genre-defying roster of the most exciting artists in the world.

St. Panther is the recording project of Dani Bojorges-Giraldo (they/them), a Mexican/Colombian artist, producer, singer, rapper, and multi-instrumentalist living in East Los Angeles. On their full-length debut, East Side Love Story, they dedicate an effervescent, soulful set of love songs to the place they call home.
The project has developed over the past six years within the walls of their East Los Angeles apartment. Friends, lovers, sounds, and songs, the essence of the East Side pours through the windows as an endless stream of distinctly Latino taste. Chicano soul, Motown classics, G-funk anthems, and other feel-good oldies fill the air with warmth and romance. Everything imbues the timeless East Side Love Story, arriving in 2026 on the art-forward label drink sum wtr.

Volume 1 - Growth
Resurrection is a long-term musical work that has accompanied Christine Benz for almost twenty years. The first track was created in 2007 (track id - Born after Code), with another piece added nearly every year thereafter.
Throughout this time, she continued to produce other music while steadily developing her artistic language.
Musically, the album moves between minimal techno, ambient and experimental electronic music. Across different phases of her life, Resurrection gradually grew into an archive of her personal and musical evolution.
The complete work unfolds as a trilogy across Volumes 1-3.
At its core lies her fascination with sound as material. Rather than thinking in terms of conventional melodies, she works with textures, vibrations, and spatial relationships. A small number of elements give rise to complex sonic spaces, where minimal changes can have a profound effect. Mistakes, chance occurrences, and unexpected responses from the systems she uses also become part of the music. Even from chaos, remarkable structures
emerge. Whenever unplanned beauty reveals itself, she preserves it as a small “miracle” in which control and chance intertwine.
The complete work unfolds across three chapters: Growth, Structure and Resonance, exploring repetition, frequency, perception, consciousness and technological development in the relationship between humans and
machines. It moves from origin through the formation of an internal order towards connection and interaction.
Volume 1: Growth, draws upon the Fibonacci sequence and the spiral as symbols of natural development, with the music growing through repetition and minimal change into increasingly complex forms. Throughout the
project, technology appears as a tool, a partner and a mirror of our perception, raising the question of whether consciousness, responsibility and empathy can evolve alongside technological progress.
During the project’s long evolution, Donato Dozzy developed an interest in Christine’s distinctive sound design.
In 2021, this led him to propose his own interpretation of Our Determination for Volume 1, subtly reworking the track through his own musical perspective.
The artwork developed by Christine also went through a creative process of its own. The original photographs were taken in a basement around 2019, with a wet curtain draped over her. In 2026, she decided to transform
this visual world into a moving-image artwork. For the production, a film crew reconstructed the entire setting.
The video shoot demanded a great deal from Christine: after several hours beneath the wet curtain, the cold was no longer merely part of the staging. This elaborate creative process gives the artwork its distinctive character
and makes it an essential part of Resurrection.
The first chapter will be released in November 2026 as a double-vinyl edition housed in a distinctive gatefold sleeve with an inside-out finish, matte varnish, and partial raised spot UV varnish. Two further double-vinyl
releases, Structure and Resonance, will complete the trilogy. All three volumes will be released on Pirat Records.Records.

Originally unleashed in 2014, Watchers of Rule stands as one of the most aggressive, intense, and relentless entries in Unearth's catalog.

On their fourth album BGM, originally released in 1981, YMO continued where they left off with X∞ Multiplies, by venturing further into synthesizers, drum computers and experimentation with rhythm, sequences and speeds.

This album is more focused on atmosphere and mood. Some even say this album is a turning point for YMO and the international pop music scene. They successfully merged lyrics, sound bites and their signature electrically programmed music on BGM. “1000 Knives” and “Cue” are the most famous; ‘The Hand Clap’ on “1000 Knives” is probably one of the most used samples in the ‘80s, early ‘90s.

BGM is available on black vinyl and includes a 4-page booklet.

To celebrate 30 years since its original release, Boards of Canada’s Hi Scores returns in a new edition on Warp Records.

Originally released on Skam Records in 1996, Hi Scores was Boards of Canada’s first widely available release. The six-track release features some of the duo’s most enduring pieces, including “Turquoise Hexagon Sun” and “Everything You Do Is A Balloon”.

For its 30th anniversary, Hi Scores is being reissued by Warp, marking the first time their whole catalogue has been widely available on vinyl at the same time. Hi Scores has not been available on vinyl since 2014 and is newly packaged in a gatefold 12" sleeve, with four 12"×12" prints.

Anlässlich des 30-jährigen Jubiläums erscheint "Hi Scores" von Boards Of Canada als Neuauflage bei Warp Records. Ursprünglich 1996 bei Skam Records veröffentlicht, war "Hi Scores" der erste breit verfügbare Release des Duos. Die 6-Track-EP enthält einige ihrer zeitlosesten Titel wie "Turquoise Hexagon Sun" und "Everything You Do Is A Balloon". Damit ist der gesamte BOC-Vinylkatalog erstmals gleichzeitig und flächendeckend erhältlich.

The reissue follows the release of Inferno in May 2026, Boards of Canada’s first new album in 13 years.

Tracklist:
A1. Hi Scores
A2. Turquoise Hexagon Sun
A3. Nlogax
B1. June 9th
B2. Seeya Later
B3. Everything You Do Is A Balloon

Fourteen years have passed since Woollen Kits released two albums in a single year (Woollen Kits and Four Girls, both 2012), but Melbourne/Naarm’s beloved Kits are back to remind us what we’ve been missing all this time.

Weather the Storm still draws from the same deck of cards, but opens the door to some more classically renowned influences like The Velvet Underground, Television Personalities, Beat Happening ,Marine Girls, Bob Dylan, Van Morrison, et al.

Across ten tracks it’s clear just how well they can write a hook, a verse, a chorus, a song; bringing together themes of everyday life, love and sincerity with aphorisms, stories and the classic sound we know and love.

Woollen Kits’ approach is almost as minimal and primitive as it was back in 2007, when singer/guitarist Tom Hardisty first sent a few channels into the red on an old Tascam tape machine. Simple chords, strong melodies, witty lyrics and a clear message. It’s a hell of a combination when it’s done well, and one they would only refine from there.

Tom (Hardisty) recruited a second Tom (Ridgewell, drums) and a Leon (Applebee, guitar) to help guide his new Cramps/Half Japanese- worship bedroom project into a real-life band, playing their first gig on NYE ’08 before launching into 2009 to record their first canon release, the Teenage Love 7”.

Yes, much time has passed since the band’s last record, Four Girls, came out in late 2012, but in the interim members have released plenty of other music across numerous projects, including Constant Mongrel, Nun, Canine Apathy, The UV Race, TB Ridge as The Director, Calamari Girls & more.

Mit „La Forteresse“ schlägt Pomme ein neues Kapitel ihrer künstlerischen Laufbahn auf. Auf ihrem fünften Studioalbum präsentiert die heute 30-Jährige ein zutiefst persönliches Werk, das sie erstmals vollständig selbst produziert hat, unterstützt von den Musiker:innen ihrer Live-Band.

Konzipiert als Fabel in vier Kapiteln, erzählt „La Forteresse“ eine Geschichte der Emanzipation: von der Kindheit und ihren Prägungen über die Liebe und ihre Verletzungen bis hin zu den Mauern, die wir manchmal durchbrechen müssen, um uns selbst neu aufzubauen.

Entstanden über mehrere Jahre hinweg zwischen Japan, dem US-Studio von Aaron Dessner und dem Château de la Haute-Borde, schöpft das Album seine Bildsprache aus Burgen und Wäldern, mittelalterlicher Mythologie sowie den fantasievollen Welten von Hayao Miyazaki. Musikalisch entfaltet Pomme dabei ein so vielschichtiges Universum wie nie zuvor, in dem intimer Folk, Klavier und Stimme, akustische Gitarren, Synthesizer und opulente Orchestrierungen aufeinandertreffen.

Stück für Stück fällt die Rüstung, und immer mehr Licht dringt in die Festung ein. „La Forteresse“ ist ein intimes, reichhaltiges und zugleich strahlendes Album, das eine Pomme zeigt, die freier und selbstbestimmter wirkt als je zuvor und ihr künstlerisches Universum vollkommen beherrscht.

As a longtime member of Hot Chip and LCD Soundsystem, Al Doyle has spent decades working alongside two of the most distinct vocalists in modern pop: Alexis Taylor and James Murphy. If he’s had a song or an idea, there’s always been someone else he’d rather have sing it.
But on November 20, 2026, the British multi-instrumentalist will release Hollywood Saviour, an album that drove him to finally embrace his own voice. “It’s me discovering a way to write and sing stuff that I could live with,” he says of his first-ever solo outing.
Recorded in his East London studio, Relax and Enjoy, Hollywood Saviour has the feeling—the rush and release—of a breakthrough, of an artist letting go. Doyle’s found freedom in simplicity here, leaning into the many pleasures of guitar-bass-drums, indulging wholeheartedly in the weird, spontaneous, raucous, and raw. He sounds free.
That sense of fun and rampant possibility can be felt in every groove, Doyle finding added inspiration in the loose and the louche, from Sexual Harassment’s 1983 electro-funk raunch-o-rama “I Need A Freak” to Throbbing Gristle’s locomotive 1980 paean to jerking off, “Something Came Over Me,” which is lovingly covered here.
At times, this album feels like a delirious response to the darkness of our current moment. On opener “Hard Times in America,” Doyle offers us a psychedelic window into his experiences traveling back and forth to the United States in recent years, feeling fascism’s hold tighten with each visit.
That sense of character comes through in Doyle’s vocal approach, a giddy combination of Iggy Pop, Pete Shelley, and PIL-era John Lydon. On “All I Want for Christmas”—a dark and devastating highlight—he takes on the shape of a drug addict come holiday season, “both dead and alive,” abandoned by his family, stumbling through a garden of drum machine and piano. It’s a pop song, lovely and lovingly rendered. It just wouldn’t be the same without his voice.

22, A Million is a record of dualities. First released in 2016, Bon Iver's third album found Justin Vernon reckoning with pain and love, suffering and redemption, omens and happenstance. Such ambiguity is the core of how Justin composes words: there are always two ways to see something. Inside a fragmented language of symbols and numbers is a sonic distillation of past years of turbulence and how to recover. Across ten songs, 22, A Million shattered expectations of what a Bon Iver record could be. Through different groups of friends—close, passing, new, old—he began to assemble proto-melodies, vague textures and specific moods from hundreds of hours of recorded improvisations. Songs like “22 (OVER S--N),” “33 ‘GOD’,” “715 - CRΣΣKS” and “8 (circle)” traded familiar structures for fractured electronics, pitch-shifted vocals and dense layers of sound. What initially felt like a radical departure has since become one of the most influential and enduring works in Bon Iver’s catalog. 2026 marks the ten-year anniversary of 22, A Million. To celebrate,


Bon Iver and Jagjaguwar will release a deluxe anniversary edition pressed on Frosted Silver vinyl, featuring new alternative artwork with soft-touch finish and spot UV gloss detailing. The package will include the original 28-page lyric booklet, represented here in 3x silver inks, with an additional 12-page full-color inlay booklet documenting the album’s creative process through previously unseen artwork and an essay penned by Eric Timothy Carlson. The Brooklyn-based artist’s visual work has shaped the Bon Iver world since 22, A Million and his visual language has become inseparable from the album itself. A custom 12-panel ‘inverted cross’ CD edition will also be available.

The Forbidden Planet is the new album by Tomorrow Comes The Harvest, featuring Rasheeda Ali. The album explores a wide range of electronic and acoustic improvisational conversations, creating expansive and constantly evolving sound landscapes.

The recording carries forward many of the qualities that have made Tomorrow Comes The Harvest so distinctive from its beginnings. The project originated through the percussive dialogue between Jeff Mills and the late Afrobeat pioneer Tony Allen. When thetwo creative forces first came together several years ago, what emerged was more than a collaboration or musical conversation. They opened a pathway-a way of creating through instinct, exchange, rhythm and freedom. That pathway continues to lead toward new horizons, and The Forbidden Planet is evidence of just how far it can travel.

The album is the result of an intricate creative process spanning nearly two years, connecting a series of recording sessions at notable studios including Criteria Studios in Miami, Soda Sound, and the legendary Studio Ferber in Paris, France.

The Forbidden Planet explores the more cerebral dimensions of the band's vast musical language. An idea is introduced, and almost immediately it begins to transform. Themes are questioned, reshaped and redirected as the musicians respond instinctively to one another.

As Tomorrow Comes The Harvest is known for, the performances were recorded largely through improvisation, often capturing the energy and spontaneity of an almost one-take process. These recordings were later carefully refined and shaped into the compositional structures heard throughout the album.

The creative seeds have been planted in fertile ground, allowing ideas to grow naturally and without restriction. In rhythm and in spirit, each musician contributes an essential voice to the conversation. Within that collective precision lies something even more important: a shared love of musical freedom and the possibility of creating without boundaries.

Prabhu Edouard - tabla and vocals
Jean-Phi Dary - keyboards
Jeff Mills - percussion and electronics

Featuring Rasheeda Ali on flute, with a special guest appearance by Laurent Vernerey on electric bass.

The Forbidden Planet will be released November 20th, 2026 on Axis Records on Double-Vinyl & CD + DVD. The DVD features selected live footage from Tomorrow Comes The Harvest, featuring Jeff Mills, Jean-Phi Dary, Prabhu Edouard and Rasheeda Ali.

Filmed & recorded live at London Jazz Café on September 27th, 2025, the footage captures highlights from the band's unique fusion of electronic music, jazz, percussion and improvisation.

In 2022 bracht Hendrik Lasure met 'Het Wiel' voor het eerst een album onder eigen naam uit. Vier jaar later krijgt die plaat een vervolg met 'De Val': elf eigenzinnige Nederlandstalige songs waarin Lasure een wereld bouwt die ergens tussen het alledaagse en het magisch-realistische zweeft.

Waar 'Het Wiel' nog terugblikte op de kindertijd, draait 'De Val' rond verbinding en het gebrek eraan. Melancholie en sehnsucht lopen als een rode draad door het album, maar Lasure verpakt ze in poëtische taferelen waarin de gewone wereld voortdurend een beetje uit haar voegen raakt. Mensen gooien stenen in de slotgracht van een paleis, de avondzon kleurt de hemel paars en een toevallige ontmoeting kan zomaar een heel nieuw universum openen.

Ook muzikaal kiest Lasure voor de essentie. Voor 'De Val' verruilde hij zijn vertrouwde piano tijdens het schrijven voor een gitaar, een beperking die de songs hun eigen vorm en directheid gaf. Producer Koen Gisen hielp die wereld verder uitbouwen, samen met onder anderen Meskerem Mees, Jolan Decaesteker (Ão, Mooneye), Aya Suzuki en Sep François.

Het resultaat is een spaarzaam gelaagde plaat met veel ruimte voor Lasures karakteristieke manier van zingen: ergens tussen melodie en poëtisch parlando. Referenties als Spinvis, Mount Eerie, Sun Kil Moon en PJ Harvey zijn nooit ver weg, maar 'De Val' heeft bovenal een heel eigen signatuur. Avant-kleinkunst, nu-pop ofiets waarvoor nog geen naam bestaat: Lasure maakt muziek voor wie graag even uit de werkelijkheid verdwijnt.

Legendary London drummer Crispin “The Pump” Taylor releases his long-awaited debut album Licence to Fill on Monks Road Records, celebrating 35 years at the heart of the Soul, Funk, Rare Groove and Acid Jazz scenes.

A founder member of Push and former member of pioneering Acid Jazz outfit Galliano, Taylor has also toured and recorded with Zero 7, The Blow Monkeys, Dexys Midnight Runners, Seal, Paul Weller, The Funk Brothers, Marlena Shaw, Candi Staton, Carleen Anderson, Urban Species and many more.

Licence to Fill brings together original Funk, Soul and Jazz material, featuring acclaimed musicians including Mick Talbot, Angelo Starr, Joe Cang and Matt Deighton.

A heavyweight debut from one of the UK's most respected groove-driven drummers.

Stix Records, a sub-label of Favorite Recordings, is back with Disco Reggae Vol. 7, continuing a series that goes back more than 20 years, to the success of The Dynamics’ acclaimed album Version Excursions.

Born in Jamaica, reggae has always shared deep roots with Soul, Funk, R&B and Pop. Over the decades, Jamaican musicians have mastered the art of reinterpreting iconic songs through their own unique musical language. With the Disco Reggae series, Stix Records celebrates this rich tradition, bringing together fresh reggae interpretations of timeless classics from across the musical spectrum.

For this seventh volume, Charles Maurice has once again carefully curated a selection packed with gems, featuring reinterpretations of tracks by Hall & Oates, Gloria Estefan, Crystal Waters, Patrice Rushen, Cameo, Joe Smooth, and many more.

Behind the controls, the usual crew of friends is back: Taggy Matcher, Mystic Jungle, Soul Sugar aka Booker Gee, and Mato. This time, they are joined by Dub Shepherds and Slowly from Japan, who each bring their own flavour to the collection with two killer covers.

The result is another feel-good journey through Disco, Funk and Reggae, made for dancing under the stars, cruising with the windows down, or simply vibing with friends.

Disco Reggae Vol. 7 is another chapter in Stix Records’ ongoing celebration of the timeless connection between Jamaican music, classic songs and the dancefloor.

One of the most anticipated films of the fall, Primetime releases on September 25, directed by Lance Oppenheim (Sperm World, Some Kind of Heaven), and starring Robert Pattinson as "To Catch a Predator" host Chris Hansen. The soundtrack is equally star studded, with an original score composed by frequent collaborator of Oppenheim's, Ari Balouzian, plus an original song by Phoebe Bridgers.

** Vinyl-exklusive Tracks
Kosmische Psychédélique (Motorik, Astral and Avant-Garde Musik from Deutschland and Beyond 1970–2025)

Der neue Two-Piers-Sampler "Kosmische Psychédélique" entführt den Hörer auf eine Reise durch die hypnotische Welt der Kosmischen Musik – von den wegweisenden Motorik-Beats, elektronischen Experimenten, psychedelischen Klangwelten und avantgardistische Ambient-Sounds des Deutschlands der frühen 1970er Jahre (La Düsseldorf, NEU!, Harmonia, Cluster, Brainticket, Klaus Schulze, Popol Vuh, Faust, Guru Guru, Tangerine Dream) bis zu zeitgenössischen Künstlern, die deren astrale, ambiente und avantgardistische Möglichkeiten von Wiederholung, Textur und Raum auch heute noch ausloten.

So schlagen Acts wie Boards Of Canada, Turzi, Tortoise, Beak>, Pale Blue Eyes oder The Early Years Brücken zu Post-Rock, Shoegaze und Electronica, und veranschaulichen damit, wie das vor über fünf Jahrzehnten in Deutschland etablierte musikalische Vokabular bei einer neuen Generation psychedelischer und experimenteller Künstler Anklang fand und findet – und bis heute noch nachwirkt.

Wie alle Ausgaben der "Psychédélique"-Serie ist auch diese Ausgabe keine Crave-Digger-Sammlung obskurer, schwer zu findender Raritäten, sondern eine Hommage an die Kosmische Musik, die die Gelegenheit bietet, in ihre eigenwillig-wunderbaren Klänge einzutauchen und ihre Genialität zu genießen.

To celebrate the 50th anniversary of Jean-Michel Jarre's groundbreaking 1976 masterpiece Oxygène, a definitive new range of anniversary editions arrives in 2026, presenting the landmark album with its most advanced audio presentation to date.

Working from the original 1976 stereo mix, Miles Showell at Abbey Road Studios has overseen the mastering process, creating a new high-resolution digital transfer that both preserves this iconic recording for the future and provides the source for a new generation of release products of the highest possible quality. This new remaster retains the warmth and detail of the original recording while delivering enhanced clarity across all formats.

Fifty years after redefining electronic music, Oxygène remains one of the most influential electronic albums ever released. These anniversary editions celebrate its enduring legacy with state-of-the-art audio, collectible packaging and definitive new formats for both long-time fans and new listeners.

The Deviants (formerly The Social Deviants) were a British psychedelic rock band originally active from late 1966 to 1969. The bandname was later used as a vehicle for the musical work of writer Mick Farren until his death in 2013.

Musically, the Deviants were something like the British equivalent to the Fugs, with touches of the Mothers of Invention and the British R&B-based rock of the Yardbirds and the Pretty Things.
Their roots were not so much in the British Invasion as the psychedelic underground that began to take shape in London in 1966-1967. Mick Farren said that they were influenced by The Who, Charles Mingus, The Velvet Underground and Frank Zappa.

The Deviants is their 3rd album and is now available as a numbered limited edition of 1000 copies on yellow vinyl and it contains a replica of the original mini booklet.

DJ Tails & Noizer is a legendary Dutch hardcore and rave duo consisting of Marc (Tails) Oudijn and Michel (Noizer) van der Padt. Rising to prominence in the mid-1990s, they became essential figures in the Early Rave and Happy Hardcore scenes.

"Drum & Basz" is their signature anthem, widely regarded as a genre-defining track.

They have performed at the world's most iconic hardcore events, including Thunderdome, Mysteryland, and the Love Parade.

Available in the Hardcore Legends series on black vinyl!

Antonio Carlos Jobim was definitely one of the most important artists in the bossa nova movement of the 1960s. The pianist and guitarist wrote the iconic "Desafinado" and, probably the most famous song in the genre, "The Girl from Ipanema". His elegant style of playing the music became the blueprint for the genre and inspired many.

Stone Flower is the album where you hear Antonio Carlos Jobim evolve in response to the new trends of the 1970s. His gentle and signature melodies are still there, but there are new elements; you here for example an electric Fender Rhodes. These changes only add to the timeless sound of Stone Flower.
The album has an impressive line-up of artists that were at their creative peak such as Ron Carter, Airto Moreira, and Eumir Deodato. Producer Creed Taylor and engineer Rudy Van Gelder give it the warm, high-quality sound that's typical of many CTI releases.

Stone Flower is available as a limited edition of 2000 individually numbered copies on transparent/black marble vinyl.

Eve 6 is the debut studio album by American alternative rock band Eve 6, originally released in 1998. The lead single and popular song "Inside Out" became a hit and reached #1 on the Modern Rock charts. Other singles include "Leech", "Superhero Girl", "Open Road Song" and "Tongue Tied", all contributing to the album's wide recognition.

The album was produced by Don Gilmore, known for his work with Linkin Park and Good Charlotte. Eve 6 became certified Platinum, selling over one million copies in the United States and achieved high positions on the Billboard charts, making it a hugely successful rock debut.

Eve 6 is available as a limited edition of 1500 numbered copies on yellow & white marble vinyl. The record comes in a deluxe sleeve finished with leather laminate and includes an insert with lyrics and liner notes.

Nailbomb's live album Proud To Commit Commercial Suicide, was recorded at the legendary 1995 Dynamo Festival in Eindhoven, The Netherlands.

With 110.000 attendees, this was the biggest Dynamo Festival that was ever put together. Featuring a line-up of bands like Machine Head, Life Of Agony, Biohazard, Downset, Dog Eat Dog, Fear Factory, and many more, this was truly an event people from around the world wouldn’t miss.

Nailbomb's legendary live show (featuring appearances from former Dead Kennedys drummer D.H. Peligro, Biohazard bassist Evan Seinfeld, Sepultura's Igor Cavalera and Front Line Assembly/Fear Factory keyboardist Rhys Fulber) is still being talked about to this day. The last two studio tracks were recorded at Chaton Studios, Scottsdale, Arizona, in July 1995.

Proud To Commit Commercial Suicide is now available on black vinyl and contains an insert.

What is an edit? A correction, a confession, a DJ tool, a mild act of vandalism—or simply the result of listening to somebody else’s record and thinking: very good, but what if this bit went on a little longer?
For his contribution to the Running Back Mastermix series, Gilles Aiken aka Edward opens a folder that has apparently been filling up for quite some time.
The Giegling resident’s thirteen edits reach back through years of DJing, collecting and producing. Made for sets rather than release schedules, they form something like a musical autobiography told through other people’s records: Carl Craig, Roman Flügel, Motohiko Hamase, Kirk Degiorgio, Aubrey, Sven Väth, Michael Rother and more.
From Japanese ambient jazz and Detroit techno to dub techno, house, trance and kosmische music, these are not attempts to improve records that didn’t need improving. They are the small interventions that happen after living with music for a long time: a rhythm exposed, an entrance moved, a passage extended, the unnecessary made necessary.
“These records mean a lot to me,” says Edward. “They consist of edits I’ve gathered over the years, some of them going way back. In a way, they reflect my musical journey. All of these artists have been a huge influence on me as a producer and DJ.”
Usually, such edits remain on hard drives, USB sticks and in vaguely labelled folders. This time permissions were requested, publishers located and, somewhere, presumably, a spreadsheet became very important.
Miraculously, everybody said yes.
Thirteen thank-you notes to the music that helped make Edward Edward. Naturally, they require three records.
Mastermixed accordingly.
Also available on cassette,

Following a series of releases that have shaped its identity, Orion Records presents its first album “Debut” by label bosses Orion.
While keeping a recognizable tone, the duo moves in a broader direction, exploring different shades of experimental electronic music.
The record shifts between ambient soundscapes, breakbeat rhythms, syncopated grooves and tracks more geared towards the club still maintaining a strong focus on sound experimentation.
To feel with your eyes closed.

One of the most anticipated films of the fall, Primetime releases on September 25, directed by Lance Oppenheim (Sperm World, Some Kind of Heaven), and starring Robert Pattinson as "To Catch a Predator" host Chris Hansen. The soundtrack is equally star studded, with an original score composed by frequent collaborator of Oppenheim's, Ari Balouzian, plus an original song by Phoebe Bridgers.

Double LP, pressed on gold vinyl. As part of Lineage II's 22nd anniversary celebration, NC America and Black Screen Records are proud to announce the first-ever Lineage II collector's edition vinyl album, which elegantly combines a track selection reflecting the game's iconic history and memorable musical identity. This vinyl album is now available for pre-order and will hit the stores in November. Arranged by composers Bill Brown (Tom Clancy's Rainbow Six), Jamie Christopherson (Metal Gear Rising: Revengeance), Inon Zur (Fallout 4), and NCSOUND, the track list is a collection of 40 of the most recognized pieces from the original soundtrack, carefully selected to create a cohesive listening experience rather than a complete collection. Published by NC, the album flows between calm, reflective village themes, atmospheric exploration pieces, and more intense, dramatic compositions tied to combat, progression and large-scale conflict. The track list draws from the original soundtrack's most recognized pieces and centers on two major regions: Giran and Aden. Early on their journey, players venture into the world's southern territory of Giran. As they explore the region's villages, tracks such as "Crossroad at Dawn," "Shepard's Flute" and "Caravans Crossing" help create a calm, grounded atmosphere that reflects the peaceful nature of travel through the area. In contrast, the world's northern territory of Aden reflects the game's grander, more conflict driven spirit. As players continue their journey, the Elven Village track "Unicorn's Rest" marks a turning point, gradually giving way to darker settlements and imposing castles through standout tracks such as "Knighting Ceremony" from the iconic Aden Castle and "Expedition March" from the Town of Oren, where tension, warfare and large scale conflict take center stage. Across both regions, the tracks are more than background music; they shape how players experience each location, from villages and hunting zones to moments of intense combat. This collection brings together the sounds that have defined Lineage II for the past 22 years, offering a reflective musical journey for both longtime players and new listeners alike.

Finally, almost three years after the well-received Orange Wine EP, and three international tours, Okvsho is back with their fourth project “A place between us”. Georg and Christoph Kiss, the two brothers behind Okvsho, are showcasing a project that is more intimate and bolder than ever, offering an insight into their thoughts, feelings, and experiences during the last two years. The unique style Okvsho has become known for in recent years has once again evolved, combining organic and electronic elements with beautiful harmonies and expressive rhythms.


Okvsho’s second LP will also be the first full-length project to be released on the newly founded Zurich-based label Current Moves, with which the Okvsho-brothers aim to shape the young European jazz scene they are inspired by and also an established part of.


“A place between us is the frst step into a new era for us – We’re very grateful for the love and support we received during the past six years and we’ll continue to strive for the better. Thanks for becoming part of our journey.”

Smallville presents a very special album project – 'Tumbling Cycles' by Billus is here to stay! Ethereal deep-dubby house music from Australia, that feels like finding the hidden-treasure you were not even looking for.

„When I am most enjoying making music, I have this sense that I'm just watching cycles of sound happen and match up in front me on their own and I'm not really just doing anything and it's really nice. Most of these tracks stem from a small collection of
iteratively distorted percussive jazz and breaks that I kept coming back to and watching them cycle around each other.“

This is Billus' approach while he is out in the studio zone. As a result, we all get the chance to scuba-dive into his soundscapes like a warm blanket, interwoven rhythms and cosmic textures, that seem to have the ability to heal. The fresh feels was real,
every time the album went by.

Billus is praised for his impeccable mixtapes for a lot of very special occasions of doing not a lot- make sure to check these out. And Billus produces sprawling music- he released on Naarm labels Animalia, Vessel and Pollinate and he makes music to shyaway in the woods, picking up lil mushrooms if you feel like- or leave these untouched for the same effects.

So while listening to the Tumbling Cycles LP, make yourself comfy and try to work out your own personal scenario, in which Billus' music and his leftfield approach would flourish best. These tracks come with approval by the sweetest dancefloors
around the world and we can't wait to release these to the world. The 2x12“ comes with a stunning full-cover artwork from Stefan Marx.

WOW! An early ’80s New Wave, Electro, Proto-Electronica, Industrial and Kraut-Pop album that has never been released before is now coming out on Elaste Records and it’s a perfect fit! History is being made.

Quotes: “A pearl” (Hans Nieswandt) / “Great album” (Hell, Gigolo) / “Awesome album” (Patrick Pulsinger) / “Magnificent material” (Roman Flügel) / “An ’80s electronic gem… an ’80s Krautpop highlight” (Sankt Otten).

In the early eighties, Michael Heinkel was one of those quiet electronic musicians hardly anyone knew — at least outside of Munich. While machine rhythms were being perfected in Düsseldorf, dilettantism was elevated into an art form in Hamburg and West Berlin was soundtracking its own feverish coldness, Munich seemed to be a place where, apparently, nothing was happening. Or almost nothing. Because beneath the radar, far removed from the grand narratives of those years, Michael Heinkel was already creating his own electronic cosmos — stripped-down, idiosyncratic and often ahead of its time. Electronic minimalist music, born somewhere between a home studio, nightlife and the longing for a future that could only just be imagined back then. But the recordings disappeared into drawers, onto cassettes and tape reels. For decades, they remained a secret shared only among friends, insiders and a handful of close companions. It was only 45 years later that Andreas Dorau and Ralf Hertwig (Palais Schaumburg) — two defining figures of that early avant-garde — insisted that the recordings finally be made accessible. Not as an exercise in nostalgia, but as the overdue release of a missing piece in the history of German electronic music. This music is not a nostalgic retrospective. It is a delayed signal from a future that had already begun back then. Format: Heavyweight black vinyl incl. printed inner sleeve + download card



Quotes: -"Michael Heinkel's long-lost LP is a treasure trove. I'm constantly amazed at the musical gems from the early '80s that are still waiting to be discovered." - Hans Nieswandt (Whirlpool Productions) - „Some München musical history that somehow got missed at the time finally gets released after 40 years. Great album.“ - Hell (Gigolo) - “Awesome album! Today, we can only imagine just how groundbreaking electronic music at this level was back then. When gems like these are heard for the first time in perfect sound quality, it’s like a trip back in time to the early days of electronic music. Back to the future!!!” - Patrick Pulsinger (Cheap / iO / Sluts’n‘ Strings & 909 / The Private Lightning Six) - “Terrific material!” - Roman Flügel (Acid Jesus / Alter Ego / Sensorama / Warp 69) - “ELASTE has unearthed an 80s electronic gem! A German minimal wave gem-freshly unearthed! Minimal, rare, brilliant - an 80s Krautpop highlight.” - Sankt Otten - „Pure and delicious 80s Electronics from Munich. We love it.“ - Gorilla Aktiv

Gorgon City return with their new Album, "Aether."

Marking a major milestone, the electronic duo are returning to their full live format for the first time since their 2019 performance at the Coachella Outdoor Theatre. The highly anticipated return features sold-out headline shows at London's Alexandra Palace and Manchester's Victoria Warehouse.

The 2 x LP includes 12 tracks of the Duo’s trademark sound featuring artists like Caroline Byrne, Maximillian, Cloves & Jem Cooke (Crosstown Rebels).

The long-awaited vinyl re-issue of ‘Sunday At Devil Dirt’ from Isobel Campbell and Mark Lanegan.

Sunday At Devil Dirt is the second full-length collaboration between the former Belle & Sebastian member (Campbell) and Lanegan, the Screaming Trees frontman and part-time QOTSA vocalist.

Recorded between studios in the Catskills and Isobel's native Glasgow, Sunday At Devil Dirt is an album of dust bitten ballads and troubled wanderings, easily the equal of its predecessor. Again, Campbell and Lanegan complement each other beautifully, like silk on cracked leather. While continuing to mine the same rich seam of Alt-Country, Folk and Blues of their debut, the new record also embraces a dusty southern gothic, while a sultry, jazzy feel is evident on a number of tracks. As with their debut, the album has been written, produced and arranged by Isobel Campbell, with Lanegan providing lead vocal duties.

First released September 16, 2016, Fetish Bones was the debut album of Philadelphia based musician, artist, and activist Camae Ayewa, performing as Moor Mother. Recorded in her home studio using a collection of machines, field recordings, and analog noisemakers, the album's 13 tracks fused the visceral anger of punk with the expansive improvisatory spirit of Sun Ra, arriving not as a way to forget but as a demand to remember.

The record was named an Album of the Year by The Wire and Jazz Right Now, and landed on Pitchfork's Best Experimental LPs of 2016, Rolling Stone's Best Avant Albums of 2016, and Thump's 25 Best Experimental Albums of 2016. "Deadbeat Protest" made both Pitchfork's and Noisey's Best Songs of 2016 lists, and Bandcamp named Ayewa its 2016 Artist of the Year while including Fetish Bones among its 100 Best Records of 2016.

Ten years later, Don Giovanni Records celebrates that debut with a 10th anniversary edition, pressed with a foil album cover and featuring the previously unreleased bonus track "Marian Anderson," a collaboration with Wolf Weston and Wooden Elephant. In the years since Fetish Bones, Ayewa has become one of experimental music's most celebrated and prolific voices.

Following acclaimed releases on Permanent Vacation and Shall Not Fade, as well as their Panorama Bar debut, Rhode & Brown return with their second album, Multitudes.
Across nine tracks, the Munich-based duo showcase their signature versatility, moving seamlessly between dubby tech groovers, bouncy house cuts, and sleek, 90s-inspired downtempo. The LP features collaborations with Italian producer Ferrari (Faith Beat) and London-based Braga Circuit (Rinse), alongside vocal appearances from UK rapper RONNI and Munich/ Mexico-based artist Sianza.

Astro’, the new double LP by Donato Dozzy, is in many ways a culmination and intersection of life-long interests, and Tresor Records is delighted to announce that it will launch into the cosmos on November 20, 2026.
Donato Dozzy is beloved for his way of blending synthesised sounds into seamless, deep, hypnotic works, whether as a DJ or in the studio. So it might come as a surprise that at the root and source of Dozzy’s musical inspiration, we find Japanese children’s cartoons and toys.
In the late 70s into the 80s, Italian youngsters, including Dozzy, were captivated by a wave of Japanese cartoons featuring Jumbo Machinders, awe-inspiring robots on adventures beyond our solar system. Every episode came dubbed into Italian, and had its own specially written Italian theme song, each pressed onto a 7inch single. This was the launchpad for two lifelong obsessions: vinyl records and vinyl figurines, and still kept in his home today in immaculate, carefully tended collections.
In 2025, Dozzy took a sample from the first of the Japanese themes he ever owned, Astro Robot Contatto Ypsylon. Marking the first time he had directly sampled a song for his own work, later to become the track ‘Astro’, this created an impulse to begin a series of new music, sparked by the robots in his collection.
Dozzy’s meticulous respect for his collections is reflected in the precision of these tracks. Elements within each track are harmoniously organised together while ever retaining a sense of space that reflects the cosmic subject matter. Explorative tracks like ‘Raydeen’, and ‘Himika (M Song)’ exemplify this with powerful yet gentle arpeggios, while ‘Pegasu’ brings forth visions of robots assembling for a deep-space mission launch.
Much like the human characters in the cartoons who piloted the Jumbo Machinder robots, on ‘Astro’, Donato takes control of mighty machines such as the EMS Synthi AKS to create sonic journeys for us all to embark on. ‘Jumbo Crack’, written on the AKS, is a soaring beatless piece built of rising bass tones and white noise that combine to conjure taking off from earth or a long journey through space. The whole collection is rounded out with ‘Ryoma (Lò Song)’, a gigantic trance anthem that could easily be the closing credits of your favourite childhood cartoon.
With ‘Astro’, Donato Dozzy pulls together threads in his life: the warp of music and synthesisers intertwining with the weft of childhood memories. A tribute to that freedom to dream, and to the sounds that, from the turntable of his childhood, led him toward alien and technological musical territories.

2026 Repress

From spearheading France’s jazz-house and electronica scenes, to amassing millions of streams for lauded tracks such as Ode To Love, Manhattan To Brooklyn and Artifice, Tour-Maubourg is a flag bearer…

The highly acclaimed U.K post- punk band Joy Division was originally called Warsaw . Formed in Manchester, England in the late 1970s, the group consisted of Ian Curtis on vocals, Bernard Albrecht (aka Sumner, aka Dicken) on guitar, Peter Hook on bass and Stephen Morris on drums. Hook, Albrecht and Curtis hooked up at a local concert and later formed the group Warsaw. The band's name was taken from a David Bowie- Brian Eno composition, "Warszawa". The 5 bonus tracks on this album are demos cut by the group at Pennine Studios in Manchester on July 18, 1977 with Steve Brotherdale on drums. The first eleven tracks presented here were the result of a recording session for that album that took place in early May of 1978. Rehearsals leading up to the session resulted in two new songs being added to the group's existing repertoire: "Interzone" and "Transmission." "Interzone" was based on the backing track of the song "Keep On Keepin' On," to which the band added their own lyrics. The result was a song distinctively their own. "Transmission" was written by the band during the final week of rehearsals. The first verse contains a quotation from Alistair Crowley's The Book Of Thoth. The two recordings are interesting renditions of songs which would later became famous.

In their countless years of deep digging, Dark Entries has uncovered many curiosities, oddball Italo and synth-wave creatures too rare to live, too funky to die. Dark Entries’s conservationist efforts began with 2020’s Endangered Species Vol 1. Six years later, we are finally treated Endangered Species Vol 2, an even more ambitious effort which features eleven specimens previously deemed extinct, now safely preserved on vinyl. Things kick off with an extended mix of Palazzo di Danza’s “Play That Song For Me,” a lavishly produced German-Italo number propelled by a slinky bassline. Russian Olga Vosconyan’s “Cars” delivers what might be the moodiest song ever produced for a car commercial.

Fuzz Dance maestro Alexander Robotnick appears with a previously unreleased male vocal demo version of “I Wanna Believe,” a legendary track that would later appear under the name Gina & the Flexix. Canadian industrial royalty Dwayne R. Goettel (Psyche) and cEvin Key (Skinny Puppy) team up on the horror-sampling hit-heavy blaster “Bastards.” Belgian EBM progenitors à;GRUMH... report for duty with a slab of machine funk on “The Army.” UK DIY stalwarts Khmer Rouge bring Krautrock-inflected minimalism with “Take Me (Across the Floor Tonight) In Dub.” Endangered Species Vol 2 comes housed in a sleeve designed by Eloise Shir-Juen Leigh, and includes a 16 page booklet featuring liner notes, lyrics, and photographs of each featured project. Please assist Dark Entries in their efforts to preserve the rarest of beasts (and beats).

Ever since the release of his first solo album more than 20 years ago, German musician and producer Christian Kleine has experimented with blending and contrasting the varying textures and approaches of post-rave IDM, breakbeats, shoegaze and punk. His latest album offering, Touch & Fuse, shows he's continued to refine and perfect that combination, which is less a conscious concoction and more of a natural outcome of the music he likes. From the edgy Aphex-isms of 'Val 2' and the heavily filtered breaks of 'Reverse Angle' to the slowed down grunge meets pure electronics of 'Return of the Underground', this is unique, accomplished stuff.

When We Froze is Ignez's entry into the Primal Instinct catalogue. A world held between ice and water. A kiss preserved beneath the frost, where winter finds its quiet shape. Yet somewhere below, the water keeps its own flow. It's a record about what happens beneath a frozen surface, about the quiet flow that never actually stops, even when everything above it looks still.

In the seclusion of a house in the Bavarian Forest, something unfolded that felt less like a conventional album production and more like an internal process of condensation. This house wasn’t a studio - it was a retreat. Its 1960s-inspired interiors, creaking wooden stairs, and crackling fireplace shaped the sound of Carl Gari as much as the instruments themselves. Though the house no longer exists, its atmosphere remains present in the recordings.


The music of Carl Gari - Jonas Yamer, Till Funke, and Jonas Friedlich - resists easy categorization, a trait that continues on this monumental new album. From the friction between electronic music and guitar textures, the trio forges a distinctive, idiosyncratic sound. Distorted electric guitars and pulsating basslines intertwine with analog drum machines, tape delays, and intricate effect chains, creating music that is raw, organic, and psychedelic. A new element on the album is the trio’s first use of vocals: Jonas Yamer, usually on bass, raises his voice in a punk-tinged, invented language that hints rather than narrates, unsettling more than it explains.


The guest artists do not merely decorate the sound - they alter its very structure at critical points. Polygonia contributes layered vocals that mesh seamlessly with the album’s technoid architecture. Will Brooks of Dälek delivers a dark rap feature on ‘Poison Shyness (Anti-Social)’, his words carving the sonic space with precision. Coby Sey adds introspective vocals that hover between experimentation and restraint on ‘Inner Link’. New York rap pioneer Sensational introduces a deliberately rough, individual counterpoint on ‘Disco Lights’, while the German percussionist Simon Popp drives the album forward with an uncompromising drum performance that insists rather than accompanies on ‘Zeitesser’.


The cover photographs, taken by Jonas Yamer, project images of corridors onto paintings located in the now demolished house where the album was recorded. Visually, this reflects a key motif of the album: spaces exist only as overlays and echoes - not mystical ghosts, but traces of a place that has physically vanished.

Recorded between 2016-2024 in Neunburg vorm Wald and Munich. With kind support by Kulturreferat der Landeshauptstadt München.
Mixed by Johannes Wagner aka J.Manuel at Apollo Studio, Berlin (A1, D1 w/ Fadi Mohem). Mastered & cut by Stefan Betke at Scape Mastering.
Photography by Jonas Yamer. Packaging design by Sepehr Mokhtarzadeh.

Mit "Karaoke Bar" präsentieren Angus & Julia Stone ihr siebtes Studioalbum und schlagen erneut ein spannendes neues Kapitel in ihrer musikalischen Entwicklung auf. Entstanden auf Reisen rund um den Globus, vereint das Album die Eindrücke von Orten, Begegnungen und Momenten zu einer lebendigen, atmosphärischen Songsammlung. Erstmals setzen die Geschwister verstärkt auf elektronische Elemente, die den charakteristischen Sound des Duos erweitern und gleichzeitig die vertraute emotional-intime Klangwelt bewahren. Im Fokus steht dabei eine spürbare Leichtigkeit und Freude, die sich durch das gesamte Album zieht.

Gesanglich agieren Angus und Julia dabei enger denn je: im Wechsel, im Einklang oder harmonisch verwoben verleihen sie jedem Song zusätzliche Tiefe und Ausdruck. Die aufwendige Produktion unterstützt die erzählerische Kraft der Stücke und hebt die jeweilige Stimmung eindrücklich hervor.

"Karaoke Bar" fängt musikalisch wie lyrisch ein Gefühl ein, das zwischen Nostalgie, Melancholie und Gegenwart schwebt – und öffnet den Hörer:innen ein intensives Tor zu einem bewusst erlebten Moment.

Mit "Karaoke Bar" präsentieren Angus & Julia Stone ihr siebtes Studioalbum und schlagen erneut ein spannendes neues Kapitel in ihrer musikalischen Entwicklung auf. Entstanden auf Reisen rund um den Globus, vereint das Album die Eindrücke von Orten, Begegnungen und Momenten zu einer lebendigen, atmosphärischen Songsammlung. Erstmals setzen die Geschwister verstärkt auf elektronische Elemente, die den charakteristischen Sound des Duos erweitern und gleichzeitig die vertraute emotional-intime Klangwelt bewahren. Im Fokus steht dabei eine spürbare Leichtigkeit und Freude, die sich durch das gesamte Album zieht.

Gesanglich agieren Angus und Julia dabei enger denn je: im Wechsel, im Einklang oder harmonisch verwoben verleihen sie jedem Song zusätzliche Tiefe und Ausdruck. Die aufwendige Produktion unterstützt die erzählerische Kraft der Stücke und hebt die jeweilige Stimmung eindrücklich hervor.

"Karaoke Bar" fängt musikalisch wie lyrisch ein Gefühl ein, das zwischen Nostalgie, Melancholie und Gegenwart schwebt – und öffnet den Hörer:innen ein intensives Tor zu einem bewusst erlebten Moment.

Pont Neuf mark 10 years with an all-star cast and a masterclass in club music - timeless, tasteful, and built for the dance floor.

Landing on the 4th of September via his own imprint Knee Deep In Sound, ‘Obsessions’ is less a traditional dance record and more a reckoning — with where Daley Padley finds himself now, as an artist and as a person. Written across a period of constant movement, touring and introspection, the album holds the push and pull between intensity and stillness that has come to define his world.

This is an artist who started making music in Barnsley — long nights, small rooms, total commitment to sound. Those early marathon sets weren’t a stepping stone to something else. They were the foundation of everything that followed: global tours, chart success, the creation of Knee Deep In Sound, a career built entirely on instinct rather than expectation. Hot Since 82 has never followed a fixed path. He’s carved out a space that sits somewhere between underground credibility and global reach — and it’s that same restless, uncompromising approach that shaped this album.

“Some days feel heavier, some thoughts harder to hold. But music still reaches the places words can’t. It’s therapy and a reset button.”

That sense of release runs through the entire record. While rooted in house music, Obsessions doesn’t sit in one place for long — not to prove a point, but because that’s simply how Padley hears music. It moves between deep house, breakbeat, melodic electronica and full club focus as naturally as a conversation shifts tone. Moments of euphoria give way to reflection and tensions dissolves into release.

The album opens with ‘All That Matters’ — a track that feels immediately both expansive and intimate and sets the emotional register for everything that follows. From there it unfolds like a journey rather than a sequence.

Lead single ‘Shaded’, landing on the 12th June taps directly into classic house lineage while feeling unmistakably current — a bridge between where this music began and where it’s heading. Elsewhere, ‘Life’s Too Short’ and ‘Eternity’ introduce warmth and movement, weaving piano, breakbeat and subtle Afro influences into the album’s wider palette.

As the record progresses, the light changes. ‘Wow’ leans into darker, late-night territory — tension, restraint, a hypnotic centre. The collaborations with Kuuda on ‘State Of Mind’ and ‘Time’ bring the album back into full club focus: driving, physical, built for scale.

Esteemed DJ & Producer Joris Voorn sets aside his dance floor sensibilities for his latest body of work as he looks deeper into his production capabilities with ‘Melatonin’.

The 17-track record serves as a direct, downtempo companion piece to his 2025 dancefloor-focused album, ‘Serotonin’. By stepping away from high-energy techno, Voorn uses this body of work to explore cinematic sound design, rich textures, and weightless, slower-paced arrangements.

Drawing from his years of studio experience, the new album focuses on the Dutch producers influence from ambient and down-tempo soundscapes. Working with long term collaborators and musicians Bram Stadhouders (braem) and Michiel Borstlap, ‘Melatonin’ delivers a thought-provoking listening experience making this an essential purchase to complete the set.

Timeless is a brand-new 10-track compilation featuring rare and unreleased studio recordings from Prince’s legendary vault. This unprecedented album encompasses tracks spanning every phase of Prince’s illustrious career, from 1977 to 2016. The project has been meticulously mastered by Grammy-nominated engineer and producer Chris James, a former Prince engineer whose notable credits include HITnRUN Phase Two, Art Official Age, and Plectrumelectrum. Timeless will be available on CD & black vinyl, providing profound insights into Prince’s creative process and musical evolution.

*The Mood Mosaic Vol. 12 – Mondo Porno* returns in a special new edition. This cult
compilation explores the sensual, cinematic side of rare groove, bringing together
funk, soul, erotic lounge, psych-funk and afro-funk through a selection of rare tracks
by artists including Chakachas, The Afro Rhythm Group, Bill “Ravi” Harris, Rita
Cadillac and South African Combo.
Fully remastered and expanded with a previously unreleased track, the reissue comes
as a double LP on white vinyl and includes an exclusive 50 × 70 cm poster.
A collector’s edition created for lovers of irresistible grooves, vintage sounds and cult
cinema.










j D1. Partners In Crime – Inspector 2211 (3:06) Bonus Track










[j] D1. Partners In Crime – Inspector 2211 (3:06) [Bonus Track]










[j] D1 | Partners In Crime – Inspector 2211 (3 06) [Bonus Track]

*Kissa* is an immersive ambient electronic project crafted by Mathias, drawing inspiration from the serene and evocative atmosphere of Japanese jazz kissa cafés. These intimate spaces, known for their deep reverence for music, serve as the foundation for *Kissa’s* sonic landscape—where warm nostalgia and futuristic minimalism intertwine. Consisting of eight expansive compositions, *Kissa* abandons traditional rhythmic structures, allowing sound itself to guide the listener. Ethereal textures, evolving drones, and subtle harmonic shifts create a meditative experience that blurs the lines between memory and imagination. Each track is a portal—an invitation to lose oneself in sound, to explore the spaces between notes, and to embrace stillness as a form of movement. With *Kissa*, Mathias redefines the boundaries of electronic music, crafting an experience that is at once deeply personal and universally resonant. Whether serving as a soundtrack for introspection or a companion for late-night contemplation, *Kissa* embodies the essence of timeless listening—where music is felt, not just heard.