Introversion launches his own label, Makatao, with the powerful 4-track solo EP titled "Sea Of Life." Influenced by 90s chords and trance elements, alongside 2000s hardgroove drums, he establishes the label's sound as diverse yet consistently on point. All tracks are crafted for booming sound systems and energetic dancefloors exclusively.
International Superstar DJ and world-renowned artists, Jamie Jones along with hit making, Brit nominated songstress Jazzy, deliver THE ear-worm, dancefloor hit of the summer 2024…there’s no avoiding this future anthem.
‘We Groovin’ is the latest addition to Jones’ discography, following hit singles like ‘Fine Fine Baby’ and ‘Lose My Mind’. Tracks that continue to be supported by some of the best DJ's worldwide as well as plays at Jones weekly Paradise residency at Amnesia, one of Ibiza biggest club nights.
Jazzy, a Brit-nominated Irish DJ, earned acclaim with her Irish #1 single ‘Giving Me’. Her mix of training and passion for club music led to a Top 5 UK single with Belters Only on ‘Make Me Feel Good’.
Available on limited edition orange vinyl (1000 units only), in a collectable picture sleeve.
COME ON Yé!
Spanish hero JAVI MULA is back on an amazing splatter 12”!
With a massive demand on Discogs and prices for ALL other pressings on ALL labels soaring (150 to over 400€), a repress is here!
Including the most-wanted version of this Spanish holiday club classic, the ORIGINAL, and as well with an amazing new remix by Belgian house hero Christopher Phonk, well-known from his classic underground house tracks “Marmalade Skies” and “Why Don’t You Love Me”.
Christopher Phonk has taken this track to the next level.
Also on this release, the acapella and the Robbie Moroder Remix.
MUST HAVE!
RNT co-founder JKriv joins forces with keyboard virtuoso Jason Lindner to drop the Real Ones EP, a clubby and musical 3-track excursion that includes a deep and polished remix from rising star Retromigration. Needing little introduction, JKriv is a driving force behind RNT, architect of edits, original productions, and the aesthetic direction of the label. Jason Lindner has a storied musical history that includes leading the in-house big band of legendary jazz club Small’s in the early 2000s through to performing on David Bowie’s final album Blackstar, and much more. The duo have been honing a musical alliance for the past few years through their work together in the A Joyful Noise band and hybrid-live sets on hometown Brooklyn Razor-N-Tape events, developing an inctricate musical interplay and incendiary energy that is captured perfectly here. Across these 3 melodic house tracks, lush layers of synths interlock and build toward big anthemic moments, with hard-hitting drums driving the energy forward. Retromigration steps up to deliver a gorgeously slick remix to round out this exceedingly musical and eminently playable 12".
Step onto the dancefloor and relive the golden age of club culture with the revival of Jon Pleased Wimmin’s iconic anthem “P.A.S.S.I.O.N,” brought back by Full Circle in a brand-new package of remixes. Following the success of the Tin Tin Out Mix reissue in 2023, this release features fresh reinterpretations from some of today’s most exciting names, including the legendary Demi Riquísimo and a brand new remix from Jon himself with Paul Morrell, a triple platinum selling remixer, for the likes of Ava-Max, Kelly Clarkson, All Saints & Troye Sivan.
Jon Cooper, universally known as Jon Pleased Wimmin, became a defining figure of the UK scene thanks to his flamboyant presence and finely tuned knack for getting the party started.
From his beginnings as a face on London’s late-80s dancefloors, Jon made the leap from clubgoer to DJ in 1991 with his Cabaret act The Pleased Wimmin, catching the eye of Danny Rampling and securing sets at the legendary Milk Bar. His unmistakable style, fearlessness behind the decks, and sheer love of music led to him touring the world, being voted 6th in DJ Magazines' Top 100 DJ poll and reaching Top 30 with the original release of P.A.S.S.I.O.N. He is still playing out weekly across Europe & the U.K.
With Full Circle’s revival, P.A.S.S.I.O.N bridges past and present, paying tribute to Jon’s legacy while propelling the track into a new dimension. Alongside Demi’s deep, groove-heavy rework, the package also includes a brand-new Jon Pleased Wimmin & Paul Morrell Remix, road tested by Jon this summer at Pikes & 528 Ibiza, which injects fresh energy and an edge while staying true to the spirit of the original.
This isn’t just a reissue; it’s a chance to own a piece of dance music history, reimagined for today’s floors. Grab your copy, feel the groove, and let these remixes guide you back into the feeling of where it all began.
Oscar Mulero and Another Machines join forces together for the next installment of their Joven Prisionero Project. No less than seven cuts on the zeroes and ones version and a six cut vinyl gonna be released on our 78th release. You may wonder what's inside this new outcome, and the answer is easy and direct: Pure techno with no roundabouts. But techno is an open language and this duo speaks all dialects: From the merciless and bleepy Conocete to the functional and fast paced minimalism on De tunica roja passing thru the drilling Surrealista Entorno stopping via Birmingham on Persiguiendo ecos, breaking the grooves and going martian for Mundo Efimero, back to Birmingham again with El nuevo jardin to finalize the duties with Identidad Variable in a pure scifi mood. If you want to spend your money on a totally useful collection of tools here you have the perfect package. El Joven Prisionero delivers to you exactly what your bodies and minds need under the strobe light. Soon available in your trusted physical and digital dealers.
This Spring, the Psionic imprint returns with its seventh chapter, welcoming rising Uruguayan talent Juanma Alegre to the fold. Across four forward-thinking, rave-infused cuts, Alegre blurs the boundaries between mysticism and pure dancefloor drive.
The journey opens with “Capsule of Time”, a deep, pulsating opener awash in acid-laced atmospheres and hypnotic grooves. Next up, “Selvinter” delivers a seismic mix of rolling drums, liquid acid lines, and dreamy pads—built for moments of late-night transcendence.
Flipping to the B-side, “Intrus” locks into intricate percussion and mind-warping textures, maintaining pressure without letting up. Finally, “Going Inside” closes the record with breakbeat pulses and off-kilter rhythms, channeling raw emotion straight to the heart of the peak-time floor.
Juanma Alegre opens the portal—step through if you dare.
Dabrea is the first release by Kliche, a new alias from Biri. The record features three timeless and dubwise dancefloor cuts alongside a closing downtempo roller. Steeped in lush ambiance, and with a sense of urgency echoing the exploratory energy of rave’s formative years.
Following a move to London from Berlin, these tracks were recorded early 2025 and mixed at Willem Twee Studios in Netherlands. The record represents a fresh start for the producer after stepping away from club music, seeking a freedom of expression beyond the conventions of techno.
Fusing the melodic ideations of braindance with soundsystem weightiness and a deftness of craft, Dabrea is an impressive statement that ignites new energy into the contemporary club continuum.
2025 Repress
L.F.T. returns to Mechatronica with his unique, signature blend of new wave and breakbeat influenced electro for the mind, body and floor. Boldly shaped by distorted drum machines, gut-wrenching grooves and haunting vocal chops, the KeyGenerator EP comes backed by an explosive IMOGEN remix and an occult collaboration with Cardinal & Nun. A spellbinding record on its own, and another crystal clear testament to L.F.T.s razor sharp sonic vision and ability to generate new styles from the past, present and future.
2024 Repress
Lars Huismann is back on Mutual Rytm with the much-anticipated third volume of his 'Sounds From The Past' trilogy.
A core part of SHDW & Obscure Shape's ever more crucial Mutual Rytm imprint thanks to his timeless techno offerings as part of his ongoing 'Sounds From The Past' series, Berlin-based DJ/producer Lars Huismann's stock continues to rise release by release as a talent merging influences from the past with forward-thinking nuances of the future. Drawing on the early 2000 techno sound, he embellishes it with his own perspective, as evidenced by his earlier releases on the label. This latest six-track offering is another accomplished outing from this unique talent as he concludes the three-part series on the label in style.
The title track 'Sound From The Past III' opens up with a finely filtered chord groove that provides a smooth and hypnotising foundation. A subtle bassline, buoyant kick drums, and embedded vocal patterns harmonise with the synths, unveiling a smooth linear groove that soon sweeps you up.
'Fusion' brings more intensity with its barreling drum kicks, a dirty driving bassline, and melodies flashing by like headlights on an intergalactic motorway, with the overhanging pent-up energy inescapable. Next, 'Shimmer' rides on vast, heavy layered drums that are warm, and comforting as the track travels through a journey of diverse dub techno elements.
Like in 'Loucura', taken from 'Sounds From The Past II', Lars again showcases his strong influences from Brazilian and Latin music. On 'Estar Farto', the drums and bass are tightly interwoven, racing beneath bright and funky synth lines that bring ever-evolving shades of colour. A jazz drummer himself, the music transports into the groove via intelligent brass chord progressions and fine-tuned vocal and percussion elements.
It's straight dance floor business on the closing vinyl production 'Bittersweet', with its muted synth smears darting over more macho drum programming, while digital bonus 'Dusty Lick' is an unrelenting, jazzy, percussion-driven banger that hits hard and heavy in all the right places.
Sex Tapes From Mars presents Outdom Records' boss, LATENT, who shares a brand-new four-track EP that spars with breakbeat, electro, house, and left-field electronics, neatly centring them all into a steady, sexy collision. The record as a whole captures genuinely original-sounding, rough-edged b-boy breaking badness - nostalgic, but never polite. It's a few BPMs slower than Sex Tapes' last few outings, but no less effective. Arguably, it's more late '80s sounding than ever, although, in fact, it's a brand-new, stonking release that showcases the label's versatility and unpredictability.
The opening track, "Break Machine", sets the pace with a clear nod to the '80s US group of the same name, bringing tidy drum workouts and clipped vocal samples that recall early Chicago, as well as choppy rave and street party energy at its most unfiltered.
"Disco Hijack" pushes the clutch into a more functional gear, merging delay-heavy, druggy, chuggy, sludgy bass with more robotic vocoder tropes, sharing something playful but IDM and European skewed. It's a dancefloor tool with a wink - just the style this now accomplished label has made its identity. Oh, don't forget the amens and clattering jungle breaks. 1990 or 2040? Fuck knows.
On "Distress Robot", pneumatic percussion and malfunctioning android chatter bring a darker, more mechanical edge, while "Virtual Body" closes with a spacious, garage-leaning shuffle that pulls the EP into recognisable contemporary yet still very much peak-time territory.
LATENT gives lean grit, pushes the edges, and lets the tracks feel alive in their imperfections. It’s music that thrives on tension between old-school reference points and modern floor pressure.
Bristol's label head Elon Dust HAS done it again.
Vinyl-only as per, don't sleep."
Two Drumcode mainstays, Layton Giordani & Bart Skils, join forces on rapturous but dark-edged techno thriller ‘Deadly Valentine’. Skils is globally renowned for his chart-invading take-no-prisoners techno. The Dutch producer’s last release on Beyer’s imprint was the 2024 ‘Sakura’ EP comprising collaborations with SUDO and Drunken Kong. Giordani, also a chart topper, at the forefront of an exciting new genre-bending sound, combines influences of melodic house, progressive, and indie dance with techno. His last DC outing was a recent rework of the seminal ‘Let’s Go Dancing’ from Tiga and Audion, and the otherworldly but peak time ‘Freaks At Night’ single last June.
The duo have a history of playing B2B at massive events like Drumcode, Loveland and Awakenings. This is their first collaborative standalone single (their ‘Midnight Magic’ was on Layton’s 2020 Drumcode LP). 'I was listening to Spotify and going through an indie dance rabbit hole’ Layton says. ‘I stumbled upon this track, was instantly hooked, and knew Bart was the right guy to collaborate with on this record.’ ‘Layton sent me the vocal idea and I turned it into an arrangement with a rolling groove’ Bart says. ‘After that the track was updated several times and mixed with a new vocalist for release.’ ‘Deadly Valentine’: complex, steady percussion with insistent techno beat gives a dark questioning edge to the high, sweet vocal, fast, echoing, often layered or harmonising with itself, singing the apparently romantic wedding ceremony lyrics in French & English.
Garage Hermétique celebrates its tenth release with what could be described as a mini-album. Multi-talented producer Levat's electronic vision comes in different shapes and forms. Whether it's Electro, Italo, IDM, Trip Hop, Techno or Electronica, his brush paints a diverse yet cohesive collection of tracks, united by the ability to create dreamy atmospheres, emotional leads and punchy drum patterns, always bordering on the edge of pungent eeryness.
2023 Repress.
In honor of the January full moon, 2016.
Supported by Alan Backdrop, Claudio PRC, Ness, Svreca, Antonio de Angelis, Arnaud le Texier, Exium, Kwartz, Takaaki Itoh, The Noisemaker, Unam Zetineb, Vilix, Oscar Mulero, Eric Cloutier, Conrad van Orton, Acronym, Felix Lorusso, Jose Pouj, Nihad Tule, Nobody Home, Brando Lupi, Brendon Moeller (Echologist), Francois X, Gianluca Meloni, Artefakt, Iori, Rasmus Hedlund, Reggy van Oers, Retina.IT, Stefan Vincent, Antonio Ruscito, Sam Kdc and more.
Amsterdam Italo Diva and art phenomenon Maxime Duvall is back!
She releases a new smashing TOPHIT “Creatures of the Night” on her brand-new label “Disco Total Tophit Records”.
This first release is produced by Machinegewehr and comes as double A-side with an intense Italoconnection remix on the flip side.
Maxime Duvall is known for previous hits “All Night” and “Raining in my Heart ” released on the Bordello A Parigi label. Her outstanding and hysterical sing-along performances made her into a local celebrity with a huge fan base via her Disco Total parties. Her new label “Disco Total Tophit Records” aims to combine the best Italo Disco with visual- and performance art.
With “Creatures of the Night” Maxime Duvall brings a melancholic and energetic Italo Disco inspired song with her trademark lyrics and an extremely catchy chorus. The song is driven by a solid arpeggiated bassline and builds up into euphoria with melodic and lush synthesizer melodies.
On the flip-side, Italoconnection transforms the original track in a slow-burning, multi-climaxing and ecstatic mega track reminiscent of Giorgio Moroder.
