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With Motions, Black Flower presents a unique EP, a compact collection of musical organisms that simply insisted on coming into the world. During the creation of their latest LP Kinetic, an abundance of ideas emerged, far more than could fit on the album. Among these half-formed sketches were a few striking pieces with such a strong character that they refused to be left behind, and some even grew into band favourites.

Diagonal Walk, for instance, has long opened the Kinetic live set while on tour in Europe, despite not appearing on the record itself. The band loved playing it so much that they decided to bring it to its full potential: mixing it, mastering it, and ultimately giving it a physical release. The result is a track where energy swells and breaks in waves, offering groove, colour and deft counterpoint.

That momentum also elevated Out of One, Many, a meditation on polyrhythm and shimmering harmony, as well as Trip to the Store. Both pieces were further developed and now complete this new collection of tracks. The time between full studio albums has proved creatively rich for Black Flower. Motions stands as a vibrant statement of kinetic energy, and the band is thrilled to finally share it with the world.

Cat Power marks 20 years since her Memphis-shaped 2006 album The Greatest with 'Redux', a three-track EP cut in Austin with Stuart Sikes and the Dirty Delta Blues band, the same crew who toured that record. Marshall salvages material linked to The Greatest's early sessions, opening with a fresh take on James Brown's 'Try Me', attempted during the original run but never finalised. She then revisits her own 'Could We' in the looser, road-worn arrangement aired on tour. The flip holds her reading of Prince's 'Nothing Compares 2 U', recorded as a nod to Teenie Hodges, the Memphis guitarist whose playing underpinned The Greatest and whose influence threaded her writing.

Luminary and guiding light of the Wave and Italo resurgence, Curses returns to Wrong Era Records under the veil of Tutto Vetro, presenting the mechanical masterpiece ‘Trust The Beat’ in this fresh form. A master of cinematic body music, Tutto Vetro ignites the release with 'Trust The Beat,' a slamming and enigmatic proto cut. 'Wild Things' delves deeper into his talent for infectious melodies and commanding percussion.

When I first started Future Retro London, primarily as a club night, the first event was meant to take place in April 2020, but due to the coronavirus pandemic, the date got pushed to June 2020 in the hopes that venues in the UK would have re-opened by that time. They very much were not re-opened by then and navigating the various lockdown periods that occurred meant the first event didn't actually happen until December 2021.

Dead Man's Chest was part of the original lineup intended for the first event but by the time it was actually able to happen, he had temporarily relocated to Portugal & it meant he wasn't able to make it for it. Various attempts were made afterwards to try & include him in events I was doing but nothing came together until I finally had him play the 2nd joint event I did with Distant Planet in December 2024.

He runs a label called Western Lore which I've featured on previously, with 2 different remixes I did of Plastic Face by Response & Pliskin, as well as a track featured on the first Blunted Breaks compilation. It only made sense to eventually work on a joint label project as his label is a key figure in the current wave of jungle music, plus I hadn't put any music from him on Future Retro London yet so now I can finally tick him off the list!

Big up to Dead Man's Chest for his work on the collaborations & for his involvement in making this release a reality.

Dedication is Stevie Bensusen and Lashley Todd, two friends born and raised in Seattle, WA, who started singing together in high school. Their dynamic blend was undeniable and it made all the sense in the world to form a band together. And if and when the planets were somehow aligned and they were gifted with adequate financing, go into the studio and record their voices. Convinced that their unmistakable vocal blend would be better served by recording their own material (songs both written and arranged by Stevie) that would showcase their voices, both solo and together. After attending Boston's Berklee College of Music to study theory and composition, Stevie returned to Seattle with a batch of new tunes and arrangements in his portfolio. He and Lash focused on rehearsing the material and looked for a chance to take their sound into the studio. As luck would have it, someone liked their prospects enough to bankroll their studio sessions. They hired and rehearsed the top-notch players that would make up their masterful rhythm section, then booked time at now legendary Kaye-Smith Studios in Seattle to cut and mix their tracks. What came from those sessions are four powerful and sophisticated R&B performances, being made available only on the Final Bell label by Super Disco Edits. Their adventures in the unpredictable world of recorded music are now beginning to unfold. Which brings us to this moment in time when audiences in the UK can finally discover, and appreciate . . . Dedication.

“ It’s like a more psychedelic , organic KLF Chill Out with deep roots and cosmic overtones“ Richard Norris

“ A beautiful trip “ Jem Finer

D.E.N 01 LAND - Composer Danny Hammond
Land is the first in a series of earth inspired sonic journeys , part sound meditation , part immersive psychedelic nature trip. Incorporating field recordings , shack instruments and spoken words from cosmic adventurers .

It originated as an installation at the 14 Hour Technicolor Drone event in Sept 2025 whereby all listeners fell into a deep nature/dream slumber.
For fans of Pauline Olivieros ,Brian Eno , Terry Riley , Don Cherry , Barbara Hepworth , Alice Coltrane , John Betjemin and all other ambient adventurers.

D.E.N
Deep Earth Network is a long term sound project exploring deep-listening , drone and sonic adventure , all inspired by the earth in all its manifestations , land , water , space , consciousness. Initiated by Danny Hammond , D.E.N will present different sonic projects and collaborations from vinyl / audio releases to sonic installations with the aid of The Deep Earth Soundsystem and the Sonic Heads ( S.H ) a collection of sculpted head audio transmitters.

Delphine Dora, the prolific French composer and multi-instrumentalist, graces Marionette with a suite of keyboard instrumentals that evoke futurism and the transcendental. Based in France and actively releasing music since the 00’s, Delphine’s remarkable solo and collaborative projects loosely connect the dots scattered across modern classical, folk, ambient, and poetic writing - always seeking new ambitions in terms of her sound.

Leaving behind the chaos of city life for the quiet solitude of a small village in the French countryside, Delphine finds herself fully immersed in the present moment and committed to her multi-disciplinary creative practices, savoring the experiences of deep listening in nature and her environment. Drawing from an academic background in Outsider Art and Art Brut, Dora yearns to express intimate inner dialogues, revealing the beauty of vulnerability through transportive musical passages to the mystical and sublime.

L’inéluctable pulsation du temps was composed in 2018, at a time when Delphine’s life was becoming increasingly busy, marked by relentless touring and concerts unfolding in rapid succession across different places. Written in parallel with L’Inattingible, her most ambitious album, it stands as its instrumental counterpart. The recordings reflect a period of exploration and assimilation of the Nord Electro, an instrument that opened up vast sonic possibilities, particularly for the development of rich polyphonies inspired by repetitive music. The track titles draw inspiration from an essay by Hartmut Rosa on the notions of acceleration and alienation - a reflection that resonates strongly with the pre-covid era right before the quarantine. The album reveals Delphine’s most colorful and rhythmic side, an aural mille-feuille, in total contrast with her previous melancholic vocal works.

On L’inéluctable pulsation du temps, Dora sustains atmospheric drone miniatures that form the foundation for flowing, cyclical arpeggios, spiraling into a liminal dream space where the repetitive phrasing of melodies rewards introspective listening. The compositions move through (dis)enchanted landscapes, taking unexpected turns into more haunted terrain, their contours further blurred by Dora’s intuitive articulation and sense of refinement. By mirroring both the acceleration of time and the experience of alienation, Delphine conjures up timeless sonic meditations, rendering the inevitable pulsation of time as something at once mesmerizing and unsettling.

A heavyweight library record delivered straight from the Gods; truly, we are all blessed: Dubmaster Dennis Bovell presents cLOUD mUsIc. A miraculous set of loose limbed, slinky funk-forward dub on the A-Side with totally blunted, spaced out trippiness on the grooving versions gracing the flipside.

A pioneer of dub and progenitor of lovers rock, genius producer-arranger Dennis 'Blackbeard' Bovell's prolific and eclectic career encompasses a huge range of music: from dub poetry to lovers rock, afro-beat to post-punk, disco to pop and beyond.

His production work encompasses such diverse figures as Ryuichi Sakamoto, The Slits, Fela Kuti, Linton Kwesi Johnson, The Pop Group, Janet Kay, Saada Bonaire, Orange Juice, Golden Teacher, I Roy, Maximum Joy, Steel Pulse and more.

cLOUD mUsIc features 8 new, deep, never-heard heaters, initially created for upstart UK library label FOLD. Dennis had written some music under the influence of Cloud-watching and presented it to FOLD with a view to them presenting it as Library Music to be utilised by anyone interested in having music for incidentals, films, TV and advertising etc.

cLOUD mUsIc represents Dennis expressing himself freely and inviting others to join and express themselves. As Dennis explains: "Library music is what makes the difference between creating for specific reasons and creating for your own individual enjoyment. cLOUD mUsIc was created whenever I felt the urge to create music that I wanted to, with no pressure. It was recorded at various times and in various studios around the world with various musicians’ assistance. Much sonic indulgence with many different recording devices."

Who doesn't like the sound of that?

Repress

Modularz Label owner Developer presents his first LP Sold in Three Parts A,B&C
The Title named "In Pure Form' is a real wealth of work that developer has been creating over the last year. Its a fairly large catalog of music focusing on raw rhythms, strong tools and powerful funk fueled techno.
We do advise that this is not your average concept album with ambient and break beat type pieces that the market is flooded with - but instead a more straight to the point no filler type of LP.
This is a massive selection of functional tracks direct from the Developer factory of techno. Already a huge amount of support and positive feedback received on this release from the global heavyweights currently playing a selected amount of tracks from this killer release.
First pressing CLEAR vinyl

A couple years ago Developer created a Modularz sub label named " Developer Archive " the idea was to slowly release tracks taken from his personal collection and specifically made for his live DJ sets. Through Developer Archive these tracks are now being released in a limited amount and the chosen selection are the ones that Developer felt made the largest impact in clubs and venues around the world.

Developer Archive is an extension of Modularz.

A solo project that started in 2011 releasing limited vinyl only releases and continuing to focus on techno and bizarre raw grooves produced exclusively by Developer.

"Developer Archive 16" is the latest EP from Developer, released on his personal imprint. Initially established as a vinyl-only label, the platform has since expanded to include digital releases. This EP delivers a collection of groove-driven, drum-infused techno tracks from Developer’s personal archive, reflecting his signature sound and production expertise. Featuring a total of eight tracks—four on vinyl and four as digital exclusives—Developer continues to craft powerful rhythms designed for both the club and the warehouse.

Repress 2026

NEOCLASH is DJ Hell's new work.
The Electroclash of the early 2000s is reconstructed here, its characteristic codes extracted and reshaped into a modern, reflective form.
NEOCLASH is a cultural experiment - music as a medium of reflection, a structure for space and time, and a vehicle for exploring the tensions between technology, the body, and perception.
Electroclash now - or a manifesto for the aesthetic relevance of electronic club music, combining strong old-school references with a new understanding.
DJ Hell, a.k.a. Helmut Josef Geier, delivers a contemporary reinterpretation of the Electroclash genre.
International Deejay Gigolo Records was the pulse of the movement 25 years ago - and Hell, its very namesake. Godfather of Electroclash reloaded.
25 years and many milestones later, DJ Hell returns to his roots with NEOCLASH, proving that Electroclash in 2025 can sound not nostalgic, but forward-thinking and visionary.
NEOCLASH builds a bridge between past and present within electronic dance culture and club music.
Italo Disco, New Wave, Indie Dance, Disco, Pop, Chicago House, Acid, Detroit Techno, and Avantgarde Music merge here into a bold new interpretation.

Richard Norris aka Dr No hooks up with Orange Juice/The The legend Zeke Manyika for a storming rendition of the Marshall Jefferson all time house classic 'Open Our Eyes'. Raise your hands if you understand...

Mit Secret Love legt die Londoner Band Dry Cleaning ihr bislang reifstes Werk vor. Das dritte Studioalbum, produziert von Cate Le Bon, ist eine konzentrierte Momentaufnahme der besonderen Chemie zwischen Florence Shaw, Tom Dowse, Nick Buxton und Lewis Maynard. Aus intensiven Sessions in Peckham, Chicago, Dublin und schließlich im Black Box Studio in Frankreich entstand ein Werk, das Vertrauen und Verletzlichkeit ins Zentrum stellt - die Bande zwischen den vier Musiker*innen ebenso wie das fragile Verhältnis zwischen Nähe und Manipulation in der Gesellschaft. Musikalisch schlägt Secret Love eine Brücke zwischen den paranoiden Untertönen des frühen US-Punks, dem coolen Strut der Stones, Stoner-Rock, No-Wave-Experimenten und zarten, fast pastoralen Gitarrenfiguren. Die Stücke atmen gleichermaßen Schärfe und Verspieltheit, immer getragen von Shaws unverwechselbarem Sprechgesang, der präzise auf die dynamischen Soundlandschaften ihrer Band reagiert. Damit knüpft sie an eine Tradition von Spoken-Word-Künstlerinnen wie Laurie Anderson an, erweitert sie aber um eine ganz eigene Mischung aus Absurdität, Empfindsamkeit und lakonischem Humor. Die erste Single "Hit My Head All Day" zeigt exemplarisch, wie Secret Love gesellschaftliche Themen - etwa Desinformation und Einflussnahme - mit persönlicher Unsicherheit und existenzieller Fragilität verknüpft. Doch trotz aller Schwere bleibt das Album von einer spielerischen Offenheit geprägt: Ideen wurden ausprobiert, verworfen, neu zusammengesetzt - bis ein Sound entstand, der gleichzeitig roh, elegant und unerwartet warm klingt. Secret Love ist ein Album über das Vertrauen - in Freundschaften, in Musik, in sich selbst - und über die Risiken, die damit verbunden sind. Es markiert für Dry Cleaning den Schritt zu einer Band, die ihre avantgardistische Energie zu einem unverwechselbaren Ausdruck verdichtet hat.

Métron Records announces Mycorrhizal Music, the forthcoming album from composer and multi instrumentalist Ess Whiteley. Currently a PhD candidate in Composition at the University of California-San Diego, Whiteley’s practice spans recordings, installations, performances, and scores, a body of work as diverse as the fungal webs that inspire it.

Across seven tracks, Whiteley explores interconnected sound worlds shaped by mycelium networks, rhizomatic structures, and other unseen systems that sustain life. Rooted in experimental electronics, minimalism, ambient and IDM, the record imagines sound as ephemeral connective tissue capable of reshaping how a listener might experience time, memory, and futurity.

At the core of Whiteley’s work is an excavation of what lies beneath perception, the felt but unspoken currents of emotionality and subtle experiences that dwell in the unconscious.

Mycorrhizal Music channels these hidden threads into a speculative ecosystem of kinship and exchange, where joy, play, and spirituality interlace like branching hyphae beneath the soil. Mycorrhizal Music has been conceived as kinetic ambient music, designed to move with the listener while walking, riding trains, driving, cooking, where everyday rhythms align with shifting sonic textures, reminding them of hidden, interconnected, mycelial webs of spiritual vitality beneath the surfaces of daily activity.

Guided by a vision of speculative ecology and interspecies resonance, it thrives in contrasts: tracks like Rhizomatic Harpists and Whispered Messages in Tapestried Fields of Fluid Motion pulse with fluid momentum, while Kaleidoscopic Patterns of Emptiness Dancing drifts into fragile stillness.

With artwork by Kenta Senekt and mastering by Brandon Hocura, Mycorrhizal Music extends Métron Records’ ethos of cultivating subtle, interconnected sound worlds.

Posh End Music boss Fear-E returns with his second album ‘Descent into Ascension (Snapshots of a Mental State)’ this February. Recorded during a period of withdrawal and isolation, the release serves as a diary of a mental state as the producer worked through a period of challenging mental health. Here, he hones in on his primary love of techno bringing in influences of Bangaltar-ish French house and disco and also pays homage to EBM originators Nitzer Ebb.

Limited edition 7' VINYL COLLECTION
Label & cat no DYNAMTIE CUTS - DYNAM7023

A limited edition 7' release by FOXY, both tracks taken from the 'GET IT ON' LP. Again DYANMITE CUTS give you never been on 7' release. Including a wonderful re-production of the original sleeve x500

Track A1 - 'Mademoiselle' - RARE GROOVE Club classic, Sexy DANCE FLOOR vibes and long awaited 45 release, Djs favorite. !!!!
Track B2 - 'Tena's Song' Mid-tempo DISCO VIBE. Classic drum break. Great DJ tool
MUST HAVE 45 rpm 7'

2025 Repress

We’re thrilled to welcome back Gabriel Belabbas to Automatic Writing with his debut EP on the label. A longtime friend of the imprint, he first appeared on our 2020 various artists compilation, and after years of shared exploration, “Rider On The Storm” now comes to life.

From Perlonesque minimal to 90s-fueled house and peak-time tech-house, this versatile and mature collection of tracks is designed for different moments of the night and day.

Geese veröffentlichen ihr zweites Album '3D Country', den Nachfolger ihres Debüts 'Projector'. Im Sommer 2021 tauchte die Band wie aus dem Nichts auf und obwohl die 5 Jungs aus Brooklyn eigentlich vorhatten, nur ein paar Songs vor dem College zu veröffentlichen, wurde schnell ein Album draus, dass u.a. von der NY Times, Stereogum, Rolling Stone gefeiert wurde und ihnen Auftritte im TV bei Colbert und im Vorprogramm von Jack White einbrachte. '3D Country', von der Band und James Ford (Arctic Monkeys, Depeche Mode, Shame) co-produziert, entpuppt sich als ein abgefahrener, wilder und unvorhersehbarer Ritt, der eine Welt unter die Lupe nimmt, die nicht mehr so ganz die alte zu sein scheint.

2023 Repress

Hertz Collision returns to Truncate with a killer EP filled with funky, jackin rhythms accompanied by remixes from The Advent and Truncate

For catalogue number 016 Rødhåd invited Inox Traxx to his studio for a week-long session in January 2024. The result is SILVENE a four track EP showcasing the symbioses of the two producers in various depths.
Written & Produced by Inox Traxx and Rødhåd at WSNWG Studio Berlin.?Mastered by Conor Dalton at Calyx Mastering in Berlin?

5 Year Anniversary of Jme's follow up to Integrity; a release like no other.......over half a dozen videos, an exclusive cinema screening tour, which had a physical only release launch featuring various limited formats and much more.....the rules of a 'release' were broken once again.
Features on the album include Skepta, Giggs, Wiley, P Money, Big Zuu, Shakka, President T and Merky Ace whilst production comes from the likes of Preditah, Tre Mission, S-X, Blay Vision, Lewi B, Splurt Diablo, Deeco and of course Jme himself.

For the 17th release on his WSNWG imprint, label head Rødhåd teams up with Oslo-based DJ and producer Kameliia. Born out of a series of multiple studio sessions at the WSNWG Studio during the summer of 2024, Carmine is the powerful result of their creative synergy.
Written & Produced by Kameliia and Rødhåd at WSNWG Studio Berlin.?Mastered by Conor Dalton at Calyx Mastering in Berlin?Vinyl Cut by Schnittstelle Mastering Berlin

a A1 CARMINE 01 240718
b A2 CARMINE 02 240715
c B1 CARMINE 03 240716.2
d B2 CARMINE 04 [240717]
[2ee40716]

Celestial Echo is back with their fourth release and the first properly licenced reissue of Lisa Hill's dance floor anthem, 'I Am On The Real Side.' Originally released in 1982, this disco classic has remained a favorite among many discerning DJs and has kept dance floors moving for years.

Recorded in New York in 1982 with producers Dennis Williams and Joe Webb, this track became Lisa Hill's only release.

Now officially licensed and presented on 12-inch vinyl, the reissue features a reimagined company sleeve, updated labels, and pressed and remastered on heavyweight vinyl for an authentic analog experience.

Pressed and distributed by Prime Direct Distribution, buy or cry!

The new album by Mecánica Clásica, Una Teoría del Ritmo, unfolds across nine tracks as an intimate and organic rhythmic landscape. Rhythm is not something to be counted or measured, it's an odd power that shapes life and nature. Embracing rhythm is a wild experience rather than a technical concept.

The album emphasizes its strong subjectivity: rhythm exists deep within the self and at the core of perceived phenomena and listening itself transforms that kaleidoscopic perception.

Moving against cold conceptualism, Una Teoría del Ritmo embraces a truly warm and intense space, seeking a path where listeners can feel a special energy through hypnotic, melodic and percussive sound waves in a cosmic and naturalistic way.

2024 repress

Finally another repress is coming in
The second part of Thomas Melchior's 'Meditations' Series.

A limited edition 7' release by MIAMI, both tracks taken from the 'PARTY FREAKS' LP. Again DYANMITE CUTS give you never been on 7' release. Including a wonderful re-production of the original sleeve x500

Track A1 - 'I CAN SEE THROUGH YOU' - Club classic in its own right, TOP CLASS CLUB track, massive rare groove dancer. Super sexy vibes and feel. A long awaited 45 release, need I say more!!!!!!
Track B2 - 'Chicken Yellow' Heavy Mid-tempo groove. Classic heavy drum break sample.

Mr. K takes on two different disco moods in the latest in his long-running series of edits on 45.

Danny Krivit’s edit of Tony Orlando’s “Don’t Let Go” was released in Japan in 2012 and immediately became a sought-after, impossible to find rarity. Orlando’s version of “Don’t Let Go” was released at the height of the disco era, but the song itself was already a well-worn pop standard, having been covered by numerous artists before the pop singer tried his hand at it, switching things up with a percolating disco groove. “I never expected to rave about a Tony Orlando record,” wrote Vince Aletti in his Record World column in June of 1978, “but this one’s really terrific… My pick for a summer refresher.” The Jimmy Simpson mix on the original 12-inch follows the vocals with a long instrumental section that teases the various elements provided by the Muscle Shoals band (guitar, vibes, strings, and above all a sinuous synth) back in over the relentless bass and drums. Danny’s edit, which he’s trimmed down for its debut on 7-inch, works with this instrumental break and more than lives up to Aletti’s description as an addictive warm weather jam.

From the moody instrumental sound of “Don’t Let Go” we move to the bright uptempo vocal track "I Fall In Love Everyday." In spite of the relative obscurity of this fabulous but lesser-known cut, it comes with a sparkling pedigree. “I Fall In Love Everyday” was written by Jay Graydon (whose credits also include “Turn Your Love Around” for George Benson and “Breakin’ Away” for Al Jarreau), produced by Motown ace Mickey Stevenson (who wrote “Dancing In the Street”) and arranged by David Foster, who was just making the transition from session keyboardist to the superstar songwriter/arranger he’d become. The backing track was first used for singer/TV personality Jaye P. Morgan’s version of the song a year earlier, but you certainly can’t blame the team for reusing the music when the band included studio heavyweights like Harvey Mason, Lee Ritenour, Ray Parker Jr., and Kenny Loggins. Danny’s creative edit fashions a clean, DJ-friendly instrumental intro where none existed on the original, and gives new life to a track that’s sure to bring some sunshine to dancefloors.

As always, these unique selections from Mr. K’s personal stash are cut on a loud, club-ready 7-inch pressing.

Two all time Jazz dancers: Nancy Ames release two great album back in the late 60s Latin Pulse' was first & Spiced with Brazil was second, both Dynamite Cuts is releasing one track from each album to make this limited edition 7' 45 x500 only
club classics
DYNAM7009
Track A - Carcara' Boom, this just jumps right out at you. An amazing Latin dancer. Which also has Dynamite Vocals that just drag you into the song. Nothing but Explosive Jazz vocals, FIRST TIME ON 7'
Track B - Pow, Pow, Pow' a masterful version of this dance floor anthem. Nancy yet again delivers a superb vocal. Perfect sound of the day.
never before on 7' 45 vinyl must have track

Niagara return to Discrepant with Buxtehude, a new work bending the legacy of Dietrich Buxtehude into their own fractured, electro-organic language.

Rather than a tribute, Buxtehude feels like an abstract dialogue with the Baroque composer’s sense of structure and flow—reimagined through Niagara’s raw synth work, off-grid rhythms and subtly warped melodic cycles. The trio let the music grow from the inside out: patterns expand and contract, harmonies tilt slightly off their axis, and small details accumulate until each piece reveals its own internal gravity.

There’s a clarity to Buxtehude that feels carved rather than composed. Tracks move with a quiet insistence, like mechanical organisms finding coherence through repetition and drift. Melodic fragments surface briefly, disappear, then return transformed, lending the album a strange balance between austerity and warmth.

With Buxtehude, Niagara continue to refine their unmistakable approach—playful yet rigorous, minimal yet full of life— remaining entirely their own.