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Kampana brings you two reworks from Aroop Roy's essential DJ Weapons series, on 7" for the first time. 'Cross the Tracks' brings a bumping house groove to the funk classic.
'Spooky' reimagines the soul hit with brand new bass, guitar and rolling drums, creating a magical dancefloor moment.

Basic7 is back to Respect The Craft.Enterprises with the 2nd EP full of hypnotic dark vibes, synthetic organics and dancefloor tested rhythms which he perfected in his distinctive way.

Sweep returns with its second release, bringing together Jigit co-head O.Bee and Unreleased boss Cem G. ‘Makes Me Feel’ is the first music to see the light from a long-standing friendship and collaboration shaped between their two homes, New York and Istanbul, and comes backed with a stirring remix from Giegling’s Edward.

O.Bee and Cem G bring forward a sound rooted in Istanbul’s music culture, developed through ReSolute’s warehouse parties on the outskirts of Brooklyn and refined at Berlin’s Club der Visionaere. It’s music that feels equally at home in all three settings. Dyed Soundorom’s Sweep is built around underground sounds with depth and groove — much like his own DJ sets — and this second release sits naturally within that world.

On side A, the original mix of ‘Makes Me Feel’ rolls out with a sturdy groove from the start. O.Bee and Cem G build the energy carefully, peppering the ethereal atmosphere with a repeated vocal clip as the tension grows. A variety of percussive layers and pads add depth, keeping you locked in. Halfway through, the vocal goes into full flow — scattered words bounce around like a jumbled poem, evolving into a call and response of dissipating voices on top of the rolling bass, fully hypnotizing. Underground music par excellence.

The flip features a rework from one of Giegling’s central figures, Edward, who adds a tougher edge to the original. Still operating in the deeper end of the spectrum, the remix plucks out the ‘Make me feel’ part of the vocal and uses it throughout. Dark, brooding and enchanting, Edward’s reinterpretation progressively adds more layers, increasing the dynamism while bringing further nuance to the atmosphere. A real treat for Edward fans…

If you caught Dyed Soundorom playing anywhere, you surely would have heard these cuts in the mix. Perfect dancefloor groovers… Now they’ve finally arrived on Sweep — c'est l'heure de la fête!

discotech is back with our second Various Artists colour series! Returning with another essential collection, we've unearthed a selection of rare underground cuts from the late '90s and early 2000s. Carefully remastered from the original recordings, this release shines a light on timeless productions from Big Hair, DJ Quiz, Rob Pearson and Crowdpleaser.

The response so far has been incredible, with support coming from some of the scene's most respected selectors, including Archie Hamilton, Francesco Del Garda, Chris Stussy, Josh Baker, Skream, Arapu, Ivan Schmagge, Dungeon Meat, Alexndria, Toman, Mella Dee, Marco Carola, Alexander Skancke, Chris Carrier, TIJN, David Gtronic and many more.
Limited 300 press. Coloured vinyl x

LP Limited Edition (500 copies) ‘Draw Out Your World” LP on Pink Marble Vinyl with signed postcard.

Caoilfhionn Rose's completely immersive fourth full-length offering - her first for Lost Map - is a powerful statement about new motherhood, strength and resilience through change and the importance of collaboration, community and placing trust in others. A softly unravelling collection of songs grown from dreamy improvisations and driving, beat-led folktronica. 'Draw Out Your World' arrives in the wake of Caoilfhionn having scored a #1 on the UK Official Independent Albums Chart, as a key contributor to Mancunian post-punk cult heroes The Durutti Column's critically-acclaimed 2026 release Renascent.

Raised in Manchester, Caoilfhionn developed a "deep, almost spiritual appreciation" of music in all its diversity. Drawing inspiration from nature, dreams, and personal experiences, she crafts songs that are both intimate and universal in their themes.
A performance at a local café caught the attention of Gondwana Records founder Matthew Halsall, who invited Caoilfhionn to work on her debut album 2018's Awaken. It became the first of three albums for the label; followed by 2021's Truly and 2024's Constellation. As a bandleader she headlined tours across the UK and Europe and has also supported artists such as Mammal Hands, The Breath, GoGo Penguin, Alabaster dePlume and Hania Rani.

Scattered ideas for what would become Caoilfhionn Rose's fourth album began accumulating long ago, in fits and starts and multiple iterations, with some tracks lying finished but unheard for years. Yet the record only truly began to take shape in the midst of a period of profound personal change. During a trip to Marrakesh, Morocco with her husband and long-time creative partner Rich Williams in January 2025, the pair spent evenings among the musicians and communities gathered beneath the night sky in Jemaa el-Fnaa. "The trip really reinvigorated us and led to lots of conversations about why we make music and why we love it," she remembers.

Several of Draw Out Your World's newest songs were born during Caoilfhionn's pregnancy with her first child. Although a deeply joyful time, she experienced severe sickness throughout, making music difficult (her voice changed so much during pregnancy that some vocals had to be re-recorded after her daughter arrived). In moments when she felt well enough, Caoilfhionn and Rich began shaping new ideas and songs from loops and fragments he had been creating, later bringing musicians together to record and remodel the compositions live in the studio. A combination of impulse and patience, individual expression and collective improvisation lies at the heart of Draw Out Your World. Four tracks emerged during two days of spontaneous invention in Copenhagen with multi-award-winning Danish electronic jazz duo Svaneborg Kardyb. Other, older pieces were patiently revisited and reworked with keyboardist John Ellis (a founding member of The Cinematic Orchestra). Caoilfhionn's ongoing collaborations with The Durutti Column have long informed her carefree approach to making music ("lots of improvising and experimenting… seeing what sticks"); here she pushes it further than ever. "It's been a lot about following my intuition and trusting in the process and musicians in the room," she says.

Started from a sweet little mini-hand-drum loop by Rich and finished with Awen Blandford's swooping cello lines, lullaby-like opener 'Reflecting The Light' was inspired by Caoilfhionn's pregnancy - "the feeling of my little girl growing inside me," as she puts it, and the almost supernatural feeling of connection to another person it brings. The much older 'Grow' - a song about how a person "keeps unfolding" through good times and bad - came close to appearing on Caoilfhionn's previous record Constellation in 2024 before finding renewed meaning and purpose here, reinvigorated by John Ellis's rolling Fender Rhodes. Set to finger-picked guitar and hazy electronics, the album's title track 'Draw Out Your World' drifts into view like a gentle parting of the clouds - a mellow but vivid reflection on dreams and realities and the pathways in between, with shades of Judee Sill and Linda Perhacs. By sharp contrast, 'Hidden Wars' - a song about trying to get away from spiralling negative thoughts - is set to a fiercely snaking groove inspired by Caoilfhionn's love of artists like Portishead and The Smile. The moodily languid and sparse 'Just To Be Alive' leans into Caoilfhionn's more electronic side, Nikolaj from Svaneborg Kardyb conjuring pure atmosphere on his swirling Juno synth, before 'To A Feeling' collides into a wild, wonky and raw jazz jam rising to Eleanor Colee's ripping saxophone solo. 'As I Find Myself Again' lands the album on a subtle ellipsis - its feeling of calm finality unsettled by the faintest flicker of a new melodic phrase at the end.

Although best-known these days for serving up blissful Balearic beats, Chris Coco's Coco, Steel & Lovebomb project started life as a platform for his early 90s house productions. Pleasingly, the veteran British producer is now making house again, in this instance in cahoots with long-serving Italian artist DJ Rocca. On side A, they both deliver their own pass on 'Echoes In My Mind', with Rocca's fluid, warm and organic Italian dream house-meets-Balearic house pass being followed by Coco's hybrid deep house/nu-disco take. They jointly explore their love of African musical culture on languid, hazy and mid-tempo B-side 'Mama Sol Mama Africa', where fluttering flutes, warm Rhodes keys and layered percussion catch the ear. That comes backed with a lovely alternative 'dub' full of effects-laden musical details and ear-catching percussion hits.

Two of the most prolific remixers in the world of Disco,Dave 'Love' Lee and John Moraleshave teamed up for one of their biggest projects to date - 'Mixed To The Maxxx'. After gaining access from the legendary original artists, the pair take the multi-track tapes of many classic Disco, Funk & Soul tracks and re-work them...to the Maxxx!

Where Remixed With Love stands as Dave Lee's own gold-standard body of work, Mixed To The Maxxx sets that legacy alongside Morales' own decades-deep M+M body of work: Lee brings his musically dense, groove-first touch to the likes of Harold Melvin, Syreeta, Lenny Williams and The Brand New Heavies, while Morales applies his extended, dancefloor-built M+M treatment and crushes the likes of Barry White, The Temptations and Loleatta Holloway, plus Dennis Coffey's breakbeat classic "Scorpio" for the DJs and collectors alike. Both work from original tapes, surfacing parts barely audible or entirely unheard in the source mixes, and both know when to let a classic breathe rather than bury it under modern production. It's a pairing a long time in the making. Lee and Morales first talked about working together around a decade ago, and getting Mixed To The Maxxx off the ground took five years of patient work: tracking down usable stems, securing approvals, and navigating a licensing landscape where much of the best material is now tied up with major labels increasingly cautious about clearing remixes. What's landed here is the product of that graft as much as the pair's shared ear for a great record, the sound of two people who know exactly what they're looking for and are willing to put in the time to find it.

A double 12" sampler in summer 2025 previewed the record's range. A bass-driven overhaul ofThe Brothers Johnson's "The Real Thing" and an extended mix of Philly legends Bell & James' "Livin' It Up (Friday Night)" showcased Lee's side, while an anthemic take on Inner Life's "Ain't No Mountain High Enough" and a tempo-lifted Light Of The World"London Town" flew the flag for Morales. Both drew strong early support ahead of the full LP.

2026 Repress

It's time for no.7 in the Disco Combine vinyl only series, with two heavy hitters re-worked and re-mixed from the tapes by Dave 'Love' Lee. On the A is 'Not This Time (Baby) (Give Me Some Moore Mix)' a much loved slice of Philly Disco,Aabsolutely bursting with lush orchestral arrangements. This classic jam has been given a noticeably different refresh, with a show-stopping acapella intro and more of the less heard instrumental passages. Speaking of classic, on the B is 'Jammin' Up In Smoke (Ready Steady Eddie Mix)' a Harris Machine, gospel charged chuggerAwhich is given a more groove based mix, which builds up instrumentally before hitting some falsetto vocals half way through, leading to a big hands in the air finale. Stay still if you can!!

Hector Ram and Ricky Ramirez are starting to celebrate ten years of Short Attention Records and it's US house stalwart DJ Aakmael they've enlisted to pop the champagne cork and cut the cake. He's one of those artists who turns out plenty of music, much of it sounding within the same consistent deep house framework. But there's always a little something to his tunes that keeps you coming back for more - a perfectly chosen sample, a nagging bassline, a sense of melancholy that you cannot escape. All of that is true on his latest. 'Things Always Happen' has keys that convey beautiful pain, then 'If You Believe' is a deep house haze with smudgy samples and blues-y ache. 'Free' is more light with trilling jazz-funk keys and earthy guitar frets sprinkled into the mix. 'Stopmotion' shuts down with a signature Aakmael bump. Just timeless stuff.

West Coast tech house had long since taken shape by the time it made its way over to the UK at the turn of the new millennium, and that's in part because of the pioneering work of the Casa Del Soul crew. The "DJ-first, producer-second collective" was founded in Denver in 1999 by a bunch of artists including DJ Darrell Foxx, who put out several records that laid out the blueprint for this raw, gritty sound across several EPs. His debut, 'The Collective EP', was one of them - two live-session, warehouse-ready tracks of low-slung and stripped-back tech with swing in the drums and dust in the percussion. The original DAT tapes were lost in a blizzard, which meant original copies have become ever more scarce and pricey on the second-hand market... until now. This fantastic remaster brings them back to life with the same distinctive rawness that made them favourites with Doc Martin and Tyrant (Craig Richards and Lee Burridge) the first time around. Utterly essential.

2 tracks
45 RPM

Compiled by Rey Colino.
Design by AJAM.

What is an edit? A correction, a confession, a DJ tool, a mild act of vandalism—or simply the result of listening to somebody else’s record and thinking: very good, but what if this bit went on a little longer?
For his contribution to the Running Back Mastermix series, Gilles Aiken aka Edward opens a folder that has apparently been filling up for quite some time.
The Giegling resident’s thirteen edits reach back through years of DJing, collecting and producing. Made for sets rather than release schedules, they form something like a musical autobiography told through other people’s records: Carl Craig, Roman Flügel, Motohiko Hamase, Kirk Degiorgio, Aubrey, Sven Väth, Michael Rother and more.
From Japanese ambient jazz and Detroit techno to dub techno, house, trance and kosmische music, these are not attempts to improve records that didn’t need improving. They are the small interventions that happen after living with music for a long time: a rhythm exposed, an entrance moved, a passage extended, the unnecessary made necessary.
“These records mean a lot to me,” says Edward. “They consist of edits I’ve gathered over the years, some of them going way back. In a way, they reflect my musical journey. All of these artists have been a huge influence on me as a producer and DJ.”
Usually, such edits remain on hard drives, USB sticks and in vaguely labelled folders. This time permissions were requested, publishers located and, somewhere, presumably, a spreadsheet became very important.
Miraculously, everybody said yes.
Thirteen thank-you notes to the music that helped make Edward Edward. Naturally, they require three records.
Mastermixed accordingly.
Also available on cassette,

DJ Support: Fantastic Man, Sedef Adassi, Shanti Celeste, Tornado Wallace, OK Williams

F-Man flips an early 00’s RnB classic into a haunting, West Coast–flavoured club edit with stripped drums, deep low end and sweeping strings. Summer festival favourite via Sedef Adasi & Shanti Celeste. Comes with Instrumental + a heads-down acid Bonus Bass Mix. White label, limited run.

Ready for Chapter 18?

Vinyl only. You know the drill.

Grab your copy before it’s gone.

Flug brings his singular vision to Backspin Records with 'From My Soul', a 7-track EP that marks a powerful new chapter for both artist and label, rounded out by a remix from Kashpitzky. Moving between deep emotional techno, raw percussive functionality and high intensity, the release showcases Flug's signature precision and narrative depth while keeping things classy and never falling for overused tropes. Kashpitzky completes the package with a remix that reinterprets the source material from a darker, more straight-forward angle. ??

Opening with the title track 'From My Soul', Flug sets off on an epic 8-minute journey built on reverberating melodic layers, shimmering chord pads and a strong low endthat unfolds slowly and deliberately, balancing emotional weight with a hypnotic drive. 'Make It Loud' follows with a more stripped, functional direction, where warm low-end energy, minimal percussion and reverb-drenched sine wave synth hits create a tight, circular groove anchored by a subtle but sinister vocal presence. ??

On the flip side, 'Human Instinct' turns the energy more direct and physical, driven by a saturated kick drum, looping synth motifs and sparse vocal cuts that heighten tension without disrupting the flow. 'The Awakening' expands the emotional scope with a deep kick and tom-driven bassline, expansive droning pads and dragging percussion that build a rich, cinematic atmosphere. Kashpitzky's remix reimagines the original at a faster BPM with distorted chord stabs, off-grid hi-hats and layered synth work creating a tense, industrial atmosphere that breaks into a spacious breakdown before dropping back into a stripped,high-impact groove. ??

With the 'From My Soul' EP, Flug marks a strong first statement on Regal's Backspin Records, delivering a cohesive body of work that balances depth, emotion and dancefloor utility, reinforcing the label's dedication to innovative techno.

GECKO - JUST CLOSE YOUr EYES is finally back on vinyl. Forst time originanny out on Delirium Records in 1998!
The re-issue is re-mastered and as bonus the record includes on the B-side a reverse cut.
Don't buy fakes - choose the original!

FNS008 is a split EP from Tbilisi-based Generali Minerali and Marsascala-based Sound Synthesis.

Side A is all Generali Minerali - robotic breaks and rough textures with a direct, stripped-back approach.

Former TES resident and now a key figure at Meteor Studio, he plays a vital role in Tbilisi's nightlife.

Side B features Sound Synthesis, blending ethereal pads with acid-driven elements and melodic synths.

As the creator of Wave Function Records, he has released numerous classic Electro/Acid records.

Mastering - Incision Mastering
Artwork - WrongMeow
Distribution - Vinyl Future

Since the release of DAMAGED in 2024, Michael Fiedler aka GHOST DUBS has been surfing intensifying waves of adulation, earning praise from such diverse underground legends as Justin Broadrick (Godflesh/Jesu), Regis, Stefan Betke (Pole) and Steve Von Till (Neurosis). With second album Oblique, his mastery of sculpting sound waves results in a spellbinding set of alien soundscapes: larger in scale, richer in tone and considerably more cinematic than its predecessor. Lower, deeper and moodier, its cloudy abstractions, shadowy pulsations and submerged rhythms find Fiedler reaching further into his own sonic void, crafting blurred melodies and addictive narco loops into something simultaneously heavyweight and hypnotic.

Lead single and album opener “Low Times” sets the atmospheric pressure to maximum, resembling a dream date between prime dirt-house era Andy Stott and Berlin dub-tech pioneers Basic Channel. From there, Oblique descends into a series of enchanting mood scenes: the furtive, balletic gyrations of “After All”, the haunting ambience and buried heartbeat throb of “Soft Collapse”, and the noirish atmospherics of “Blackout Dust”, which worms its way into the mind like some forgotten David Lynch scene. The spirit of reggae is more distanced here than on DAMAGED, but the ghost of Jamaican dub still permeates these foggy soundscapes, particularly on “Bombed Suburbs”, where Augustus Pablo-style melodicism is chopped, screwed and slowed into a magnetic lock groove.

Superficially minimal but maximal in its minute detail, Oblique is a record of contorted reflections, mesmeric echoes and tantalising audio mirages. By the vaporous mist of closing track “Almost a Structure”, obvious rhythm has been craftily filtered away, leaving a blurred and blunted residue full of mystery and implied narrative. Dense in the best possible sense and crushing when played loud yet equally potent played quiet, Oblique imagines dub techno burning its own rigid rulebook: sensual, funky and concussive rather than dry or alienating. Following Fiedler’s recent work scoring Sound of Falling, recognised at Cannes in 2025, Oblique finds Ghost Dubs shedding his influences and making it clear he has arrived at a sound entirely his own — essential deep listening and a bewitching dose of future shock.

Auto-Mirage is the result of an artistic exploration built around the idea of escape.

Many different settings could be associated with this album, without ever having to choose just one. It can feel like a carefree van trip with no particular destination, the start of a relaxed summer evening with friends or even a sleepless night filled with introspection.

Its alternative identity flows between indie and surf pop, with touches of jazz and soul influences. The arrangements are meticulously crafted, adding depth to the compositions as well as authenticity to the voice.

Auto-Mirage brings together recognized talents such as Olefonken (Hubbabubbaklubb) for the mixing part, Brian “Big Bass” Gardner for the mastering, the captivating voice of Swiss singer Sreya and the striking flights of UK harpist Rachel Kitchlew. This album blends visions and influences to create a project that can accompany anyone, in any situation, as long as it brings that sense of escape.

Nothing flashy, nothing wasted. Straightforward tools for warm-up or peak, built for rooms that need low end over noise

12“ limited Picture Disc Vinyl

Harvey McKay’s “Table for One” returns to Systematic Recordings for a special and deeply meaningful vinyl edition. Originally released digitally on Systematic, the EP captures the unmistakable sound of the Glasgow producer: powerful, hypnotic and uncompromising techno, driven by raw energy while always retaining the musicality and soul that defined Harvey’s work. Following Harvey’s passing in Spring 2026, this release inevitably carries a different weight. For Systematic and Marc Romboy, it is first and foremost a celebration of
his music and the lasting impression he left behind.
For the first time, “Table for One” will be available on vinyl, presented as a strictly limited 12” picture disc pressing of only 500 copies. The original version takes the A-side, while Marc Romboy’s remix opens the Bside, offering his own interpretation of Harvey’s distinctive sound. The release is completed by “Mycelium”, another powerful example of McKay’s ability to combine hypnotic repetition, precision and sheer dancefloor energy. More than a vinyl edition of an outstanding Systematic release, this record has become a tribute to an
artist whose music will continue to live on through clubs, DJs and dancefloors around the world.

Originally released in 2006, John Acquaviva presents Swen Weber's ‘First Stroke’ returns on Secret Weapon Records with a
brand new remix from Luca Lozano. A defining Electro House record of its era, built around its instantly recognizable synth
theme, now gets a sharp 2026 update as Lozano moves the hook onto a break-driven groove, adding playful bass movement
and a futuristic vocal touch.
The remastered original is included on the flip, preserving one of the standout club records from the mid-2000s Electro House
boom.

Komatssu se ha encargado de cocinar el primer lanzamiento de su sello Dramalax: cinco cortes con sonidos que recorren desde el electro afilado y potente hasta los breaks ácidos, pasando por sonidos que recuerdan al electroclash más pistero.

Paradoxia abre la referencia con un primer corte implacable, construido sobre kicks profundos y una cadencia mecánica que recuerda al pulso constante de una fábrica en funcionamiento. Un mundo robótico donde todo encaja como parte de una inmensa cadena de montaje.

Nanobot trae un ritmo electro bien marcado, una sensación de avance constante a través de un túnel donde atmósferas cálidas nos acompañan liberando la tensión, un tema perfecto para cambiar el color del set.

Recovering Faith, una herramienta perfecta para el club. Arpegios envolventes, sintetizadores de sabor noventero y una energía marcadamente eléctrica construyen una atmósfera perfecta para sumergirse en la pista de baile.

Alligator viene después, con un pulso firme marcado por una percusión potente, donde lásers y hits vocales se entrelazan con un bajo eléctrico y punzante, creando un ritmo macarra y pistero. Un track con mucho carácter.

Etainen le pone el lazo a este primer lanzamiento. Aquí, el sonido sintético y robótico del electro que hemos visto en ‘Nanobot’ y ‘Alligator’ se da la mano con un break de batería clásico, generando atmósferas tensas y ácidas. Un track divertido y pistero, perfecto para crear momentos de tensión en tus sets.

En conclusión, Komatssu presenta con esta referencia una declaración sonora de lo que Dramalax quiere traer a vuestras maletas: sonidos potentes y versátiles para los aficionados al electro y los breaks con sabor clásico, sin perder de vista el sonido de hoy.

To celebrate the 15th anniversary of the release of the stone-cold classic ‘Want You In My Soul’, Winding Road brings together a group of deep house legends to put their own spins on the Lovebirds feat Stee Downes original.

The Schmoov! remix is a feel-good 80s disco reimagination, cloaking Stee’s soulful vocals in uplifting synths and strings.

The Atjazz remix is a mellow and percussive beauty which has sunshine baked into its very heart. All the quality you’d expect from the master.

On the flip, the dubs – starting with a punchy dancefloor-friendly Kneedeep dub, and closing things off with the beautiful underwater vibes of Lovebirds’ own ‘Ocean Dub’.

German psychedelic indie five-piece Marcoca returns with Mediocre Mirage, a vibrant nine-track album blending surf-rock, indie, psychedelia and jazz-infused textures. Following their previous album Soliloquy and a European tour in 2025, the band dives deeper into their colorful, guitar-led universe. From upbeat grooves to more introspective moments, Mediocre Mirage is a playful and immersive journey through nostalgia, escapism and human connection.

New record from Mézigue. EAU DE SHIT is a multi genre mini album mixing Acid House, Techno, Hip Hop, Rap and beyond...

The mission is complete.
With the landing behind him, the astronaut begins spreading the sound of Planet Tapes across the planet.
What was once a distant destination is now alive with sound, light and movement. The music starts to travel, bringing different identities, energies and visions together on the same frequency.
Signals of Unity captures this exact moment: four artists, four different messages, one shared destination.

A1 – Mirko Felicioli – Sin City
Mirko Felicioli opens the record with a strong and distinctive statement, built around tension, groove and a sharp sense of movement.
A2 – Mathi – Starship
Mathis continues the transmission with Starship, a cut suspended between movement, imagination and futuristic drive.
B1 – Two Opposites – Tormento
The label captains return with Tormento, combining energy and emotion in a track built for movement, while keeping their unmistakable approach to electronic music.
B2 – Ginno – Void
Gianko closes the record with Void, a deep and evocative final passage that lets the signal drift beyond the dancefloor.

Four artists. Four signals. One planet.
The music has spread.
The people have gathered.
The party has begun.

PT.007 – Signals of Unity

*Glow In The Dark Coloured Vinyl*

Four years after its original release, Mochakk's breakout anthem 'Da Fonk' featuring Joni continues to define a generation of house music. Originally released via Nervous Records in 2022, the record has surpassed 60 million Spotify streams alone, becoming Mochakk's signature track and one of the most recognizable records in modern dance music.

Fronted by fellow Brazilian artist Joni's soulful vocals, "Da Fonk" bridges classic house and contemporary club energy. Its stripped-back bassline and timeless groove have made it a fixture on stages and dancefloors around the world, while also marking a turning point for Mochakk, who has since become one of electronic music's defining artists, widely praised for his vibrant live sets in which "Da Fonk" has remained a staple. To celebrate the track's continued success, Nervous Records releases the 'Da Fonk' Remix Pack today across all streaming platforms, alongside a limited edition three-vinyl release available during Mochakk's long-awaited New York City takeover from August 28, 29 and 30.

Spanning three parts, the remix pack brings together a wide range of artists, each offering a different take on one of house music's most enduring records of recent years.

The first vinyl features Mochakk’s Original Mix and OG Dub of “Da Fonk”, in addition to a new Bass Mix from Marco Carola, whose signature rolling grooves and understated approach bring fresh weight to the original without losing its unmistakable feel. The second vinyl moves across a broad spectrum of club sounds. Australian duo Confidence Man inject their playful, high-energy style into the track, while Berlin's DJ Gigola delivers a sleek, club-focused interpretation. Cinthie, known for her deep-rooted house sound and analogue production style, offers a warm and driving remix, with Brazil’s Bronka rounding out the record on a fresh, contemporary rework. The third vinyl shines a light on Brazil's electronic music scene with an all-Brazilian lineup. Solarce Brothers contribute a soulful reinterpretation that nods to the original's house roots, alongside remixes from DJ Fuzil, Classmatic, and Deekapz & kLap, each bringing their own perspective to one of Brazil's all-time most influential electronic releases on global stages.

Two of MOLELLA's biggest hits on a single gold-colored
vinyl: a celebration of the love of music!

Monolink and CIOZ bring a stripped-back electronic edge to Crosstown Rebels with ‘Don’t Talk To Me’. The German multi-instrumentalist makes his Crosstown Rebels debut alongside Italy’s CIOZ, with OMRI. also returning to the label on remix duties. There are few artists in electronic music quite like Monolink. Moving naturally between singer-songwriter, producer and live performer, his music gives as much weight to voice, melody and narrative as it does to electronic production. For ‘Don’t Talk To Me’, he joins Bergamo-born, Berlin-based CIOZ, whose own work is driven by rich musicality and a willingness to move beyond convention. The link-up makes for an intriguing signing to Damian Lazarus’ Crosstown Rebels, bringing together two different approaches to electronic music without either losing their identity.

‘Don’t Talk To Me’ is deliberately pared back, pairing Monolink’s voice and songwriting with sparse textures and gently shifting melodies. Rather than building towards a conventional dancefloor payoff, the track unfolds with a quieter sense of tension, sitting somewhere between alternative songwriting and electronic voyage. An artist whose productions and remixes have quickly made him a recurring presence in the Crosstown Rebels universe, OMRI. takes the track deeper with his remix, adding darker, hypnotic qualities while preserving the original’s restraint. ‘Wasting Time’ closes the release with another sweeping collaboration, built around subtle melodic details and captivating synth flourishes.

The collaboration marks Monolink’s first outing on Crosstown, adding to an impressive career that has seen him craft his distinctive sound via Berlin-based imprint Embassy One and on labels like Cercle Records. Performances have taken that music from Burning Man and Montreux Jazz Festival to Day Zero Bali, where he joined Damian Lazarus for its first edition, as well as sets alongside Lazarus at Club Space, Zamna and more around the world. Meanwhile, CIOZ brings his own expansive approach back to the label, with material also landing via Monaberry, Frau Blau and Stil vor Talent, plus remixes for Diplo, Oliver Koletzki, Patrice Bäumel and the Crosstown head honcho. With both artists comfortable moving between emotional depth and dancefloor function, ‘Don’t Talk To Me’ gives that shared instinct plenty of room to breathe.

RAWAX welcomes Moreno Ácido to the artist family!
Big first release from the portuguese producer.
Presenting the full range from powerfull, groovy, deep to soulful House.
Don't miss this great record!

Debut album by N.W.A and pioneering 'gangsta rap' album - including Dr Dre, Eazy-E and Ice Cube. Download included.

Paul Walter joins Subsdance with an outstanding three-track release.

BLUE is back, your dancefloor needs fulfilled. A new chapter, pressed on vinyl.

Renovat Records opens its vinyl catalogue with a four-track built around deep rolling rhythms, low-end pressure and deep, warm energy.

Side A brings together Remus and Drianu. Remus sets the tone with a rolling and percussive cut that moves with a deep, steady groove, while Drianu follows with a more hypnotic approach, driven by heavy sub pressure and a stripped-back, locked-in rhythm.

Side B shifts the mood through Lumieux and Vid. Lumieux brings a sharper and more kinetic edge, while Vid closes the record by slowing things down into a deeper, more spacious and dynamic trip.

Four distinct perspectives on minimal and microhouse, connected by groove, restraint and a clear focus on the dancefloor.

RAWAX presents the 10th release by Ricardo Villalobos on his own series.
Another two new superb minimal monster. Vinyl only!

What started as a SoundCloud mix series has grown into a record label.

Lush Tunes Only presents a 12’’ deep house series from friends and fresh names, kicked off by a new alias from T.Jacques and Velvet Velour.

2026 Repress

Following the Dream 2 Science release on the Rush Hour Reissue series earlier this year, another NYC garage classic by Ben Cenac, also known for his Newcleus outfit, gets a much deserved reissue. Unlike Dream 2 Science, which remained an obscure record at the time, Sha-Lor became an international club hit and a Summer Of Love staple song. The timeless feel of this innocent, heartfelt vocal song sounds as fresh as it did back then and is sure to fill people's hearts with joy again. This reissue features the Caught Up Version, which was the most popular mix from the origin

The fifth release on Phorum imprint comes from Dutch producer Siphonophora. Rooted in the deeper reaches of hypnotic techno, her sound is shaped by pulsating low-end, intricate percussion and subtle tonal shifts, unfolding through immersive, sci-fi-tinged atmospheres.

SOMA35.4 - Slam 'Activate' Remixes

Soma's 35th anniversary remix series continues with SOMA35.4, turning its focus to one of the label's more recent defining tracks - Slam's 'Activate'.

Originally released as part of Slam's catalogue over the last decade, 'Activate' quickly established itself as one of the duo's most recognised and widely played tracks of the period. For SOMA35.4, the track is handed over to four artists who each bring a distinct perspective to its driving, functional foundations.

Luke Slater takes 'Activate' and applies his trademark precision and raw club-focused approach. Oscar Mulero delivers a tougher, more industrial interpretation, pushing the track deeper into his characteristic high-pressure sound. Phil Berg brings a hypnotic, groove-led edge to his version, while Nastia Reigel offers a more contemporary, atmospheric take that reshapes the track through a different sonic lens.

SOMA35.4 continues the ethos behind the 35-year project: bringing together established figures from Soma's history and artists operating within its wider sonic sphere.

Tracks 1, 3 & 4 Mastered By Conor Dalton @ Glowcast Mastering
Track 2 mastered by Carlos Koschitzky

"This album is created over the past years with my brother Alfred. This period has been spiritually transformative for me. it reflects the playfulness and authenticity that comes out of releasing deep traumas and healing wounds. this music comes from a deep place of joy and connection with my brother and with the essense of being a child. being filter free and in contact with the most uncomplicated and loving parts of ourselves, still emphasizing magic and mystery, like childhood does without asking for permission or confirmation.

It took me a while to actually see the music as an interconnected piece. i have been taking in and out material, re mixing, removing, rearranging, re producing and regretting all along the way. but suddenly when we mastered this selection on a cassette tape recorder, the meaning started to reveal itself and drawing threads back in time.

Bivabippalukka is playfulness, intuition, transition and myths. the page of cups. the ideas rising, the energy flowing, flowers, stars and jumping creatures on the verge of dimensions. fortune telling, magic cards, secret caves and things that disappear right in front of you.
many talented guests playing with me and my visions on the album.

Bossa nova is the most comforting genre for me. and we need comfort in these times. we need comfort to heal and feel joy to be able to keep dreaming and manifesting - and transmuting the world.

I am not gonna play this music live in the form it appears. i will still continue playing spiritual ambient music. this work is something else. it is pocket of joy, a cup with a fish. it is a step on the journey, like everything else. "

We are Excited to announce - The Department of Almost with our first full-length LP - Second Office. The Album
will be released via WSNWG on October 9th.
„Developed over extended Berlin studio sessions in January 2026, the record brings together two artists whose
respective platforms, STOOR and WSNWG, have long embraced artistic exchange and open creative practice.
Moving between crafty dancefloor material and more reflective and exploratory compositions, the album
develops a shared sonic language that extends beyond their two unmistakable, longestablished artistic voices.
Across eleven compositions, deliberate dancefloor material is elegantly intertwined with calm and spacious
soundscapes. A propulsive current gives way to passages of suspension and introspection. While rhythm and
atmosphere gradually fold into one another, the record favours gradual transformation over dramatic gesture.
The album's quieter moments open up a more contemplative space, extending its emotional register without
departing from its forward motion. Beneath, a subtle and understated sense of distance evokes spacious
environments and glacial landscapes – topographies in cold light.“
We have setup a preorder with the first Single - Fingerprints - on Bandcamp. A limited special edition will be
released via WSNWG Bandcamp on September 4th - 12.00pm CET.
All Tracks Written, Produced & Performed by Speedy J & Rødhåd in January 2026 at WSNWG Studio in Berlin.
Mastered by Conor Dalton at Calyx Mastering Berlin Vinyl Cut by Lathesville Mastering Berlin
Cover Foto by Thomas Beutel


a A1 Cold Start 260114
b A2 Felt Temperature 260116.1
[c] A3 Fingerprints [260116.3]
[d] B1 Your Neighbours Dog [260123.1]
[e] B2 Double Shot (Floor Mix) [260119.1]
[f] B3 Borrowed Lime [260120.1]
[g] C1 Ulli’s Car [260125.2]
[h] C2 Series Of Events [260120.2]
[i] D1 Made In Finland [260123.2]
[j] D2 Wolken [260125.1]
[k] D3 Double Shot [260119.1]

[a] A1 Cold Start [260114]
[b] A2 Felt Temperature [260116.1]
[c] A3 Fingerprints [260116.3]
[d] B1 Your Neighbours Dog [260123.1]
[e] B2 Double Shot (Floor Mix) [260119.1]
[f] B3 Borrowed Lime [260120.1]
[g] C1 Ulli’s Car [260125.2]
[h] C2 Series Of Events [260120.2]
[i] D1 Made In Finland [260123.2]
[j] D2 Wolken [260125.1]
[k] D3 Double Shot [260119.1]

[a] A1 Cold Start [260114]
[b] A2 Felt Temperature [260116.1]
[c] A3 Fingerprints [260116.3]
[d] B1 Your Neighbours Dog [260123.1]
[e] B2 Double Shot (Floor Mix) [260119.1]
[f] B3 Borrowed Lime [260120.1]
[g] C1 Ulli’s Car [260125.2]
[h] C2 Series Of Events [260120.2]
[i] D1 Made In Finland [260123.2]
[j] D2 Wolken [260125.1]
[k] D3 Double Shot [260119.1]

[a] A1 Cold Start [260114]
[b] A2 Felt Temperature [260116.1]
[c] A3 Fingerprints [260116.3]
[d] B1 Your Neighbours Dog [260123.1]
[e] B2 Double Shot (Floor Mix) [260119.1]
[f] B3 Borrowed Lime [260120.1]
[g] C1 Ulli’s Car [260125.2]
[h] C2 Series Of Events [260120.2]
[i] D1 Made In Finland [260123.2]
[j] D2 Wolken [260125.1]
[k] D3 Double Shot [260119.1]

[a] A1 | Cold Start [260114]
[b] A2 | Felt Temperature [260116 1]
[c] A3 | Fingerprints [260116 3]
[d] B1 | Your Neighbours Dog [260123 1]
[e] B2 | Double Shot (Floor Mix) [260119 1]
[f] B3 | Borrowed Lime [260120 1]
[g] C1 | Ulli’s Car [260125 2]
[h] C2 | Series Of Events [260120 2]
[i] D1 | Made In Finland [260123 2]
[j] D2 | Wolken [260125 1]
[k] D3 | Double Shot [260119 1]

2026 Repress

Played 3 of the 4 at Tillatec recently and they rolled.

With the “Extrasensory” EP, Slices Of Life welcomes one of the most versatile producers in the UK minimal house scene. Since 2003, Tom Ellis has been creating funk- and jazz-inspired house and techno, distinguished by his keen sense of organic rhythm. His extensive discography spans labels such as Logistic/Telegraph, Minibar, Wisdomteeth, KANN, Banoffee Pies, Onysia, among many others. Beyond his solo work, he is also the mastermind behind the electronic jazz ensemble Soulstatejazz.

The four tracks on “Extrasensory" distill this wealth of musical experience into diversely textured minimal house productions. Precisely placed drums and percussion, and rolling grooves form the foundation - clearly shaped by Ellis’s background as a drummer, percussionist, and bass player.

All the tracks share a warm, organic atmosphere, oscillating between lightness and relentless drive. The title track, "Extrasensory", blends almost pop-like melodies with shimmering vocals. "Bring Forth" takes us into deeper, dubby, and driving territories, while "Be The Moment" reveals a playful and melancholic side. Finally, "Vividly" immerses us in a dense, dreamy, yet pulsating sonic world.

Tour-Maubourg opens a new chapter with Alone Together, his own imprint created to explore multiple aliases and sonic directions under one creative umbrella. Inspired by the 90s classic house north american scene (MAW, Glenn Underground, Strictly Rhythm, Nu Groove, etc.), the label's first record, "It's Time EP", fuses Tour-Maubourg's classic signature sounds, jazz chords, MPC grooves, organic musicianship, and carefully chopped vocal samples in an old school and club-focused aesthetic.

Turner Club are a UK house duo who met in the North East more than 20 years ago. They head up their own label and often explore melancholic sounds with cuddly grooves, and this time they land on Jason Wilkins aka Camille's Adeen label with three hugely tasteful original cuts, with a neat remix completing the package. 'All For Free' has a heavy groove that's softened by the gentle male vocals and smeared chords. 'Hard Lovin' Me' has the astral colours and swirling ambience of classic Larry Heard again, with a tender vocal. 'Find A Way' picks up the pace with more strident drums and crisp percussion as the vocal infuses the mix with sunk-spoken warmth and soul. The Glenn Davis remix is soft-focus deep house with a nice dusty edge.

LODE

(by Memory Remains)
present,
unknown.

but well-known artists.
limited vinyl

Tooflie's anonymous archivists return for another trip through the past, this time leaving geography behind for the unruly musical landscape of the 1980s. Four edits bring together the creme de la creme of Polish rock, Danish new wave, Soviet avant-garde and Georgian synth-pop, giving each source a fresh dancefloor angle while keeping what made the original so distinctive. A Balearic rework, an Hi-NRG treatment and two more leftfield interventions turn these unlikely archival finds into records that work just as well at home as they do on a larger system. The original records behind these edits are notoriously hard to find, making Tooflie 008 a rather useful detour for diggers and collectors, as well as anyone with a soft spot for overlooked musical oddities.

Second volume in Vuo's Moodsurf series. Finnish, functional, no filler. Solid. Nothing here is loud. It works because it holds back, letting space and repetition do the job a drop usually does.

Classic Latin Tunes Became Sals Hits! Pablo Yglesias -aka DJ Bongohead- compiles Grosso Recordings an amazing serie with classics tunes from Caribbean music that became great successes of "Salsa". Some tracks have been remastered and restored, others are presented on vinyl again after many many years. "This is the four volume in our series on the Roots of Salsa...The main criterion was to pick tracks that sounded adequate for today's DJs to play at a gig or were sufficiently interesting (or enough of a surprise to fans of the later version) to merit inclusion. The other measuring stick was that they needed to come from the old-school, before the more modern era (from 1962 on) and all of its recording innovations and marketing strategies...for now, listen to these dozen gems and then go back to their more familiar cousins from recent times and compare and contrast, and we're sure you'll be enlightened and entertained." Liner notes by Pablo "Bongohead" Yglesias. Format and selection designed for DJs, collectors and general public.

Bassline brings together Russell Ruckman and Marcia Carr for a 12", which was originally part of a 2025 digital album, but now drops on wax and has been remastered for extra punch. Side A opens with the vinyl debut of Rani G & Raul Riena's 'Feels So Right' (World-Life-music Raw Teaser remix), which will soon transfix the floor while the driving groove of Hot Issue's 'Motion 96' is a cool vibe with wet clasp and dusty drums brought to life by cute little melodies and plenty of snap. Side B leans into deeper territory with Mercedes' Living For The Moment (Booker T remix)' and the uplifting dub energy of Never Gonna Give Up. If you like soulful house with a classic New York edge, this one bangs.

Each volume in this series dedicated to House influenced by Jazz has been a bestseller.
This volume was previously released only as a double CD, which was long out of print, and now, by popular demand, it has
been released for the first time as a double vinyl.
The sounds here explore not only Jazz but also Soul and Minimal.
All the tracks have never been released on vinyl except the first, a remix by LTJ Xperience, which has long been out of print.
Tracks by Don Carlos, J Boogie, Interanima, Riccicomoto, Guido Nemola, Belladonna, From P60, and Paolo Faz, among others,
are also included.

Minimalista Records' first vinyl does not choose one face: it chooses four. Two MURI collaborations (with C.I.S.C.O and C4STRO), a track from Martim Tonic, and the production debut of Little Freak, the new alias of Alex Mendes, form an Assemblage that favours diversity over uniformity. A conscious decision: to show from the very beginning that the label's philosophy, minimal as a lens not a limit, holds more than one sound. Lisbon, 2026. The first pressing of a scene taking shape.

As part of the 20 Years of BM anniversary celebrations, Bondage-Music proudly presents Bondage Games Pt. 11 — a special five-part vinyl series. Each release is named after a constellation, together forming a unique tribute to two decades of Bondage-Music.
With Bondage Games Pt. 11, the label's iconic vinyl series returns in its most ambitious edition to date. Created to celebrate 20 years of Bondage-Music, the series unfolds across five constellation-themed releases, each featuring four exclusive productions from artists closely connected to the label.
The first chapter, Ursus, brings together four exclusive tracks from Roger Gerressen, Sascha Dive, Rhadow and Lola Palmer. From Roger Gerressen's hypnotic groove-driven Patterned Shards and Sascha Dive's unmistakable deep house craftsmanship on Dub Chronicles #10 to Rhadow's atmospheric Ripples and Lola Palmer's warm and emotional Slow Down, the record perfectly reflects the timeless musical identity that has defined Bondage-Music since day one — deep, soulful, groove-focused and made for both intimate listening and late-night dancefloors.
Pressed on heavyweight 180g vinyl and housed in an individually printed sleeve, Ursus continues Bondage-Music's longstanding commitment to exceptional quality in both music and design. The artwork was created by BM's longtime Head of Artwork, Pete Bombart — a close friend and an integral part of the label since its earliest days. His unmistakable visual language has become inseparable from the Bondage-Music identity, earning a loyal following far beyond the music itself.
Whether collected as part of the complete anniversary series or enjoyed on its own, Bondage Games Pt. 11: Ursus is a celebration of the artists, the friendships and the unmistakable sound that have shaped Bondage-Music over the past twenty years.

DJ Support: FISHER, ACRAZE, AFROJACK, Rebuke, ALOK, Mau P, Tchami, MEDUZA, James Hype, Joel Corry, Hot Since 82, Dombresky, Oliver Heldens, OFFAIAH, Danny Howard, MEDUZA, Bob Sinclar, Joel Corry, Groove Armada, Sam Feldt & more.

Toolroom’s next Sampler showcases 4 big releases from Malaa, Zaark, ESSEL, Cristoph, Mark Knight & Wh0.

2026 Edition, black vinyl



Flashmob is Vitalic's second studio album, released in 2009. This album confirms Vitalic as a major figure in the electronic music scene, proving his ability to reinvent himself while maintaining his signature power. The rock energy of his first album gives way to a more disco-influenced sound, featuring the now-iconic track "Poison Lips."

This isn't music. This is sonic warfare.

Put out on the circuit in 2016 as a collaboration between Leipzig's Flop Beat Disk and the Zombieflesheater-run micro label operating as Kritik Am Leben this limited to 150 copies 12“ EP sets out to kill and slaughter. Heavy distortions set to maximum levels meet loudness wars taken to the extreme and hyper-fragmented beat violence which follows just one singular device: Mash Up Di Place! And it succeeds.

Never officially distributed before this is the first time ever this unrecognized gem is available to a wider audience, albeit in extremely limited quantities.

Limited pressing of 150 copies..

Waking Dreams returns with “Fantasies,” a four-track excursion by Aline Umber and AGELESS that explores the hypnotic facets of deep house. Featuring the label’s most sought-after ID, the title track finally receives its official release, unfolding as a meditative yet driving cut built on understated percussion and an airtight groove. Lush chords douse the track’s atmosphere, while dubby synth stabs and a spoken-word vocal cut through the arrangement, deepening its hypnotic pull and transfixing the listener. Dan Ghenacia takes things deeper with his electro-tinged rework, expanding on the original’s addictive groove with angular drumwork, adding further club functionality and sharpening it into a darker, more introspective counterpoint. Two additional originals round out the collaborative EP with brighter, kinetic energy.

DJ Support: Moodyman, Groove Armada, Folamour, Horsemeat Disco, DJ Deep, Art Of Tones, Sophie Lloyd, Terry Farley, Stuart Patterson and Seamus Haji

Al Kent needs no introduction when it comes to being one the most prolific kings of disco in the UK. He reimagines hidden treasure and takes inspiration from the glory days of 70’s dancefloor nuggets to create modern day classics. Come Back Home (Again) is probably his most popular track to date and here he re-works it with his Disco Love Orchestra updating this disco gem for a new generation. A Philly style musical sound-bed with hooks galore topped by one of the most rousing, soulful male vocals you’ll hear in a long time.

Pressed on a tasty 7 inch with dinked hole limited stock so act fast!

By Most Bands' Fifth Album, The Sound Is Pretty Set. Parameters
Established. Refinement Dissipated In Favour Of Formulaic Execution Of
What's Worked In The Past. Fair Enough. All Them Witches Take A
Harder Route. In 2017, The Nashville Four-piece Offered What Might've
Otherwise Become Their Own Template In Their Fourth Album, 'sleeping
Through The War'. Their Second For New West Records Following
2015's Mellow-vibing 'dying Surfer Meets His Maker', 'sleeping
Through The War' Brought Larger Production Values To Dug-in Heavy
Psych Blues Jamming With Oversight From Producer Dave Cobb (jason
Isbell, Sturgill Simpson). After Exploring New Ground On 2013's
'lightning At The Door' And 2012's 'our Mother Electricity' As Well As
'dying Surfer Meets His Maker', With 'sleeping Through The War' The
Band Had Arrived At Something New, Something Sprawling, And
Grander-feeling Than Anything Before It.
So Naturally, In A Year's Time They've Thrown That All To The
Appalachian Wind, Turned The Process Completely On Its Head And
Reversed Paths - Recording In A Cabin In Kingston Springs, About 20
Miles Outside Of Nashville On I-40, With Guitarist Ben Mcleod At The
Helm. The Result, Mixed By Rob Schnapf (beck, Elliott Smith, Kurt
Vile), Is The Most Intimate, Human-sounding Album All Them Witches
Have Ever Recorded And Another Redefinition Of The Band. Introducing
Keyboardist / Percussionist Jonathan Draper To The Fold With Mcleod,
Bassist / Vocalist Charles Michael Parks, Jr., And Drummer / Graphic
Artist Robby Staebler, The New Eponymous Record Isn't Self-titled By
Mistake. It's The Band Confirming And Continuing To Develop Their
Approach, In The Shuffle Of 'fishbelly 86 Onions', The Organ-laced
Groove Of 'half-tongue', The Tense Build Of 'hjtc' And The Fluid Jam In
Closer 'rob's Dream'.
From The Sustained Consonants In Parks' Vocals To Mcleod's
Commanding Slide In 'workhorse' And Drifting Melancholy At The
Outset Of 'harvest Feast', All Them Witches Are Laying Claim To The
Essential Facets Of Their Identity.
Lp Format Pressed On Red Transparent 140g Double Vinyl In A Gatefold
Sleeve.
For Fans Of The Oh Sees, Baroness, Mastadon.

Produced by Nigel Godrich, Win & Reìgine, and recorded in multiple locales including New Orleans, El Paso and Mount Desert Island, WE paradoxically distills “the longest we’ve ever spent writing, uninterrupted, probably ever" (per the band’s Win Butler) into a concise 40 minute epic – one as much about the forces that threaten to pull us away from the people we love, as it is inspired by the urgent need to overcome them. WE’s cathartic journey follows a definable arc from darkness into light over the course of seven songs divided into two distinct sides -- Side “I” channeling the fear and loneliness of isolation, and Side “WE” expressing the joy and power of reconnection.

On the album’s cover, a photograph of a human eye by the artist JR evokes Sagittarius A*, the supermassive black hole at the center of the galaxy. This stunning image -- embellished by the distinctive airbrush color tinting of Terry Pastor (utilizing the same physical technique he employed on David Bowie’s iconic Hunky Dory and Ziggy Stardust covers) – is the visual expression of WE.

Kampana brings to you two more reworks from Aroop Roy's legendary DJ Weapons series, on 7" for the first time. 'Visions' gives a disco lift to an obscure, but anthemic soul cut , with stunning vocals and classic sound.
'High Riding' is a funky rework that chops and splices the original sample into an infectious jazzy disco groove, building into an epic climax.

Mit „Wax“ schlagen die schwedischen Rocker Åskväder ein neues Kapitel auf: Erstmals ist Saga Flygare Täll als Sängerin und Gitarristin dabei. Das dritte Album verbindet bluesige Riffs, skandinavische Rock-Energie und große Hooks und richtet sich an Fans von The Hellacopters, Thundermother und Turbonegro. Begleitet wird der Release von einer umfangreichen europäischen Marketingkampagne und mehreren Musikvideos.