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Two gypsies with pedigree backgrounds in Flamenco got together with a drum machine in a studio during the early 80's and the result was Chipen, a somewhat poppy chart oriented project featuring Peret Reyes the grandson of legendary Catalan Gitano musician Peret (aka "El Rey de la Rumba") and Johnny Tarradellas. "Volao" is a mid tempo effort to bridge Pop and Rumba, mixing catchy funk guitar riffs with elements of Flamenco in unprecedented ways. "Chiribiri" sounds like it could be the theme song to a Catalan morning show or even a Japanese 80's Toyota Camry ad, reeks of stereotype and cliche, except that Chipen is the real deal, as real as the darkness of the hair dye on the cover photo. Extended version of Volao on the B side. Remastered at Manmade Mastering in Berlin.

Toronto-based artist and co-boss of Parallel Minds, Ciel, known for her distinctive, precise, playful, and intricately crafted electronic productions, delivers a vibrant new EP on SUZI titled "Sada’s Dream". Originally performed during a live set at MUTEK Montreal, Ciel has refined these initial ideas into a five-track journey that showcases her unique sound palette, marked by meticulous attention to rhythmic and melodic interplay.

The EP opens with "Be That As It May," setting a contemplative tone with complex rhythms and a haunting flute-like melody that gradually unfolds into a brighter, expansive atmosphere.
Following this, the second track "Viral Load" shifts towards a tougher sound, featuring digital bleeps and arpeggiators that swirl around modern dubstep elements, creating a dense auditory texture.

The third piece, "Divide and Conquer," blends airy textures with a robust, infectious bassline and glitchy, compelling melodies, demonstrating Ciel's ability to balance delicacy with power.
Moving forward, "Bubble Gum Pop," the fourth track, adopts a clubbier vibe with its vigorous house vocals and lively breakbeat drums, offering a sharp contrast to the preceding tracks.

Concluding the EP is "Sada's Dream," the title track. This fast-paced, playful composition marries minimalist rhythms with whimsical bleeps and snippets of vocals, ending the EP on a note that feels both conclusive and invitingly open-ended. "Sada's Dream" is a sonic tapestry that weaves together the subtle complexities of Ciel's signature style with a narrative that is both intimate and expansive, capturing the essence of her artistic vision.

These days, singer-songwriter and actor David Blue tends to be remembered only in relation to Bob Dylan. A member of the supporting cast in mid-60s Greenwich Village and The Rolling Thunder Revue. Yet to categorise Blue in this way is reductionist, and does him an injustice. He was something of an archetype of the 60s generation of Greenwich Village singer-songwriters. Yet, esteemed by his peers, he was overlooked. He released seven albums in a decade, and his acting career was shaping up when he died suddenly at the age of just 41. His passing was barely noted in the rock press, and in the subsequent years Blue was all but forgotten. Of late, though, that’s

changed. His albums started to reappear on CD on small labels and, in 2020, both Rolling Stone and Mojo magazines published major reappraisals. Blue – at last – was getting the attention denied him in life.



It wasn’t until 1965 that Blue, as Dave Cohen, released his first recordings – three songs on Elektra’s Singer Songwriter Project. All betrayed a debt to pre-electric Dylan. But then again, so did much else coming out of Greenwich Village at the time. Elektra contracted Blue to do his own album, and in 1966 David Blue was released – his first recording to appear under that name. Electric folk rock with a garage band attitude, somewhat in debt to Highway 61, it didn’t sell well. Shortly after the album’s release Blue formed and toured with The American Patrol, a four-piece rock band, recording an album for Elektra that was never released.



Now, for the first time, Hanky Panky and Mapache release those historical abandoned American Patrol recordings, along with the three tracks included on Elektra’s 1965 LP Singer Songwriter Project, as David Blue And The American Patrol The Lost 1967 Elektra Recordings & More and David Blue, his self-titled 1966 debut album, on two exclusive vinyl editions limited to 500 copies

2024 Repress

DJ Boring finally drops his Winona track on vinyl super lush deep houz action for the club! backed with a deep freakout jam from Miagma on the flip!

Limited Blue Vinyl !

Warehouse Color Vinyl Series continues !

This EP could arguably be the peak expression of Filippini's, (aka Enrico “Big City” Filippini) career in Italo-Disco. Without doubt a more polished pinnacle within the genre, elegantly and efficiently conceived, with less grammar mistakes than many of its contemporaries. Downtempo paced in the low 100's, Enrico takes his time with the nostalgic lyrics in confident efforts of mending some questionable past romantic affairs. A production with melancholic nuances that would very deservingly find its place in a mix by the late visionary DJ Zecky for example. The kind of track that could be played 3 times in a row before offending anyone, very digestible to the ear, a delightful pleasure for the less sober soul, to be served with cocktails and high SPF sunscreen, just cruising along.

Hame's music is all about shared feelings without the barrier of words. In this three tracker debut EP on the new label of Lola Haro called 'Small Steps', he found the sweet spot between housy energy combined with emotion.

His patiently evolving backgrounds combined with subtle energy buildups through themusic keep you in an hypnotic lock on the dance floor.

Hushed has a straight forward and groovy low end with energy right from the start, while slowly evolving in a viby detailed trip.

Relieve has a more subtle bassline combined with lush percussion elements and a melancholic,yet hopeful human touch - creating a feeling of acquiescence.

Moments Like Now is a groovy, deep, club night bomb. Its ever changing yet repetitive lead is carried by a deep sub bassline and a punchy kick that keeps you moving while textures pads and vocals guide you through the track.

Introducing “Salvation,” an electrifying EP that defines modernity with its dynamic and driving sound.

“Love is Not Infinite” takes you on a futuristic audio voyage with its robotic vocals, dirty yet expressive synths, and a captivatingly catchy beat

Embark on a vibrant journey with “Cerise,” where the main hook, a colorful and energetic synth chord, dances dynamically throughout the entire track. Feel the pulsating waves of sound as

Ignacio Arfeli has being supported by giants like Monika Kruse, Adam Beyer, ANNA, Victor Ruiz, Charlotte de Witte, Eric Prydz and many many others.

The third part of Jay Tripwire’s My Life With The Machines.
Heavy, essential collection of west coast house produced in the early 00’s!

Four consistently brilliant tracks that once again raise the bar for both Pamela records and Justin Robertson. Killer bass lines, punk funk grooves, frantic ska rhythms and pulsing percussion to rip up any floors. A must have EP for the lovers of all things chug.

DJ Feedback:
Luke Unabomber - 'Cup of silence ' is f**king ace !!!!!! Off ghosts too is also very standout. Excellent.

Japanese vocalist Q.i & producer Hair Kid, originally from New Jersey and now also based in Japan, are the duo known as Milk Talk. Their off-kilter brand of synth funk sits somewhere between modern funk & city pop but is sure to please fans of vaporwave, future funk, disco & deep house as well. Their recently-released album is still an elusive find outside of Japan but “Wagamama Riso,” a digital-only loosie released during the early days of the pandemic, has now been unleashed in physical form on Los Angeles-based MoFunk Records. MoFunk's head, XL Middleton, remixes the track and adds his own retro-electro/R&B flair to the leftfield boogie feel of the original version. Both versions on a single 7” make this a top choice for anyone who loves their funk loaded with analog synthesizer action.

DJ support:
- DJ Notoya (Tokyo Condition)
- Walla P (Voyage Funktastique)
- Soul Clap

Milk Talk's self-titled debut album was released recently in Japan and has added greatly to the buzz surrounding the group. However, the difficulty of procuring physical copies of their LP outside of Japan will surely make this 7” a desirable piece of add to any DJ or record collector's stash. Milk Talk was also recently featured on the Soul Clap Records compilation “New Directions In Funk Vol. 1,” curated by XL Middleton.

limited repress! Fully driven dubby cuts! Hailing from Venezuela, but now residing in Barcelona, Gustavo Romano and Emidio Falconi have been working together since the early 2000s, they’ve been recording bewildering techno under the Moreon & Baffa moniker and have had their output featured on prominent labels such as Visionquest, Berg Audio, Subwax BCN, No 19 and BUDARE.

Gear up, get down & flip shit! IT’S PARTY TIME!!! San Diego, California’s Peak Geeks brings it in the form of real-deal west coast BREAKS, like actual f’n BREAKS!!! - for all the ladies, homies & heads far & wide, from street 2 shore!

VINYL ONLY !! NO REPRESSES!! Snooze = lose & cry the blues. Get the goods at One Eye Witness.. NOW!!!

LTD Repress 2023 !

Classic Peven Everett repressed on Groovin.

Originally issued on Science/Virgin in September 1997, Modus Operandi established Rupert Parkes as an unmistakable force within the realm of drum and bass and downtempo - Modus Operandi is presented here with scrupulous attention to the detail of its original UK first pressing and is available on three 140gm LPs.

Whether replacing a much-loved original, or adding to a collection afresh, this is a superior way to enjoy such enduring and influential music.

Born in Suffolk, Parkes, learnt saxophone as a child, but by the early 90s, he like many others, got into electronic music, and by the middle of the decade was making inventive, skeletal, drum and bass. Photek was first heard on his own label, with releases such as Seven Samurai and U.F.O, which brought him to the attention of Goldie, who released his calling card Natural Born Killa EP on his Metalheadz imprint. Photek's slower take on what was then known as 'jungle', produced a half- step breakbeat, adding a glacial, mellowness to the relentless beats.

By the time of his signing to Virgin, Photek was truly making waves, and Modus Operandi was trailed by The Hidden Camera mini album, which reached the UK Top 40, as did the single Ni Ten Ichi Ryu. Modus Operandi was a critical and commercial success, reaching the Top 40 and establishing him as a go- to producer and remixer. The space around his beats and his ample yet judicious range of effects can be heard on tunes such as The Hidden Camera and the jazz
influenced title track.

Photek has not released a new album in over a decade. He now is an established film and television composer in Hollywood. However, his work is fondly remembered and still sounds as fresh as a drum and bass daisy.

Piezo’s Ansia imprint returns for its 8th outing ‘Imago’, inviting Berlin’s Unity Vega for a split EP of uptempo dancefloor explorations that mine that fertile space between footwork, drum’n’bass, dancehall and experimental contemporary club sonics.

Unity Vega leads the charge with ‘No Body No Mind’ - a waterlogged darkside skanker that sits somewhere between the half-stepping jungle of the UVB-76 crew and the kind of oddball dancehall deconstructions often peddled by Ansia's extended circles. 
Appearing again on the flip, Vega ups his pace on ‘Set Em’ - a nervy footwork roller that pits gully hip-hop vocal chops against rising bell chords and washes of delayed noise. Think Rashad dubbed out by Kevin Martin and you’re in the right ballpark.

Label head Piezo’s contributions continue along similar lines, albeit in his own unmistakable style. ‘Toughts, Heavy’ also finds the midpoint between d’n’b and dembow, this time marrying a gurgling acid bassline with a euphoric-turned-paranoiac trance lead. 
Up next, ‘Nel Frigo Ah’ strips things back to the raw, banging basics: a looping vocal call pinned down by a frenetic crescendoing drum workout.

To close, Japanese legend Foodman delivers a pots-and-pans rework of ‘Thoughts, Heavy’ - a true curveball tool for the adventurous DJs amongst us.

New music from veteran Scottish IDM producer Pliiant, who throughout the years has had releases on Pub's Ampoule label and his rare as f&ck Talent Hoover series.

This new one dips and dives between Spanners era Black Dog and early Bola / Skam Records type madness.

31st century electronic soul in 4 new sound purses from Pliiant.

Priori and Al Wootton combine efforts on FLAW, a 4 track EP of psychedelic workouts combining maximal dance floor elevation and evocative world building.

Intricate, shuffling percussion, bubbling, tweaking, acidic synthesizers and heady sound design come to the fore. The mood is heavy, yet propulsive. The burden of penitence and the desire to atone.

On this tightly cohesive EP, both producers exert their unique styles and weight of production experience, while aptly channeling the strange grace in the mud of the world.

MIHN records proudly presents the new EP ‘Apollo’ by the duo from Washington DC, Rush Plus. The title track offers up heady, cerebral, celestial techno. Ready to kick up dust and initialise the dance floor. French producer Amor Satyr provides a rambunctious, bass heavy twist to ‘Apollo’. Flip it around and turn it you get ‘Flexibility’, a track that at first builds a minimal thread of tension between rhythm and sound that widens and relaxes to open up a projection of night skies eager to part so daylight can break. ‘Orange Turbo (feat. Bordon)’ injects charged, syncopated static into bodies to accentuate an angular degree of posture to move the collective’s sensations toward a euphoric climax. The tracks all combined exerts focus and mindfulness for the dancefloor. Apollo is a summoning of forces ready to conjure an electrifying, ecstatic experience. For devotees at the altar of atmospheric techno, inquire within. Style: Techno + Electro

Sebastian Groth is a stalwart of the German techno scene who has been releasing music for over a decade. With the majority of his output focused on his own imprint ReWasted,he has also featured on the likes of Industrial Strength, Kombination Research, and Naked Lunch. Here he delivers 2 Original Tracks + 2 Remixes by some of the most Hyped Artist for harder Techno Tunes at the moment: Valeriø Innørta from Rome is the first remixer and who has appeared on NineTimesNine, D. Carbone's Carbone Records, WarinD Records and Scuderia. And, London-based Charlie Sparks supplies the second remix with his back catalogue including Amelie Lens' EXHALE, Possession and NineTimesNine. Expect to hear some driving and hard-hitting, rave-inspired, dance floor weapons...

A NEW FOUR TRACKER BY RISK MANAGEMENT PRODUCTIONS CREW MEMBER, TOM CARRUTHERS! YOU KNOW HIS MASSIVE RECORDS THAT MADE NOISE FOR L.I.E.S. AND NOW HE IS BACK WITH A FOUR TRACK SLAMMING OLD SCHOOL CHICAGO STYLE FLOOR BURNER. TOTAL MIX SHOW HOUR MATERIAL!

NOTE FROM THE LABEL:

RISK MANAGEMENT PRODUCTIONS IS HERE!
THE FIRST OFFICIALLY SANCTIONED SUB-LABEL OF L.I.E.S. RECORDS,RISK MANAGEMENT IS A FULL SCALE PRODUCTION TEAM AND LABEL DEDICATED TO PRESERVING THE INTEGRITY OF DANCE MUSIC AND COLLECTIVELY ELIMINATING ALL THE WACK MUSIC THAT HAS BEEN POLLUTING YOUR AIRWAVES AS OF RECENT TIMES. TIRED OF ALL THAT NOISE OUT THERE? LET THE RISK MANAGEMENT PRODUCTION CREW LEAD YOU IN THE RIGHT DIRECTION. WE LOOK BACK TO THE DAYS WHEN NAMES REALLY MEANT SOMETHING AND PRODUCERS AND DJS HAD REAL RESUMES TO PROVE IT, NOT SOME RANDON NO NAME TALKING BS ON THE WEB. WE LOOK TO WHEN THERE WAS A TRUE DEDICATION AND RESPECT FOR THE CRAFT. THINK OF MUSTO AND BONES, HOW AND LITTLE, THE BURRELL BROTHERS, DEF MIX PRODUCTIONS, MAW, YOU GET THE IDEA, REAL PRODUCTION TEAMS WHO MADE A MARK, DJS WHO REALLY DJ'ED AND MADE THE CULTURE WHAT IT WAS. RISK MANAGEMENT IS A SMALL HAND PICKED CREW OF LIKE MINDED PRODUCERS AND DJS DEDICATED TO THE WAYS OF OLD, BRINGING FRESH MUSIC TO YOU FOR THE CLUB. NO POSING, JUST MUSIC!

MORE INFO TO COME!

Type steps up to the plate next, with the 'Deeper Still EP' - his first solo release on Rupture.

Setting the dance alight with his Jupiter debut last year with the long awaited 'Hummer', he comes correct with a full EP in 2024. This time led by another heavily demanded Rupture dub - the mighty 'SK85'.

Here comes the 11th act of our 10" series. Another fusion of obscure 60/70s grooves, epic 90s conversations and other unknown elements from outer space.

Balearische Grammophon is back with another EP featuring two previously unreleased remixes of one of Germany's biggest contributions to hairstyle and nylon sales.

To some less reputable musicologists these versions of "Brother Louie" are to the original version what AMG is to Mercedes Benz - pure performance.

B-side refutes any claims that Ketamine might have been less prevalent throughout German recreational circles during the 80s. If not in the streets, surely in the recording studios, whatever happened, this was not meant for radio play. For select dance floors only.

This new volume of the Electronic Music Anthology is dedicated to Techno.

Routed through an interdimensional gateway; the latest message from Psy-fi Sounds has materialized. Reporting back to the home world with 4 separate accounts of their latest cosmic endeavors. Encounters with complex life forms, analysis of digital realities and investigations into the true nature of the universe are transcribed within. The trilogy is now complete.

This year, we’re dropping the highly anticipated 2nd edition of VARIOUS ARTISTS. Each artist was handpicked to ensure the vinyl delivers a flawless vibe.



We’re excited to welcome these incredible talents to our musical family. Brace yourselves for a release that’s as sensational as it gets!

Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.

12" compilation with new tracks by Eoism, Voertuig, Colkin and a lost gem by Peter Seiler featuring Sheryl Hackett. Picture sleeve with a bold artwork based on a sculpture by Hede Bühl. Limited to 500 copies.


Colkin (Raw Soul, Mauke Club) kicks off the a-side with a spheric acid house meditation. Next is a track by Peter Seiler which could be found on the extended reissue of his 'Flying Frames' debut LP on Innovative Communication in 1989. It features the soulful voice of Sheryl Hackett. An extraordinary groover that is meandering between song and jazz improvisation. Eoism (Pulse Drift, Undersound, Inch By Inch) complete the a-side with some low-swung electro flavors, driving you straight into sunset.

On the b-side Voertuig (Tonal Oceans, Cobra Club) hit us with a serious and raw acid jam - dark and dirty. On the following track they show us their experimental jazzy side and cool things down again. A track the 1990s downbeat era was missing. Eoism close the first volume of FUTUR with a floating, futuristic banger from their lab.

Benedikt Meger's aspiration for funkscapes was always to feature funk grooves, old and new, fresh and relevant for today. Whether some rare, not so rare or just under the radar recordings from the past or new productions from today's artists across different electronic genres. This idea now culminates into the selection for the compilation FUTUR.

Enjoy the ride.

Japanese DJ / turntablist maestro DJ KOCO aka SHIMOKITA has been mesmerising the world with his DJing finesse and turntable wizardry. An undeniable level of skill, supreme taste and genuine humility, has seen DJ KOCO rise to the top of the game, as a DJ’s DJ and collector’s selector.

It was whilst being captivated by DJ KOCO’s seamless juggling clips on Instagram, that we saw him cutting up some choice Brazilian 45s. After reaching out to send him a selection from our own Brazil 45’s catalogue, we discovered his deep love of Brazilian music, and the concept of a DJ KOCO curated Brazil 45 boxset was born. As ever, the brief was simple, compile a selection of your favourite Brazilian cuts from the country’s rich musical makeup for the series.

So here it is, ten of DJ KOCO’s most beloved Brazilian jams. The boxset kicks off with the boogie brilliance of Famks ‘Labirinto’ and that is paired with one of three classic Waltel Branco tracks selected by DJ KOCO. Elsewhere, Lee Jackson's blissful cover of The Doors 'Light My Fire' and the energetic MPB joy of ‘Vê Se Pisa No Braseiro’ by Paulo Diniz take pride of place. The dons, Arthur Verocai and Ed Lincoln are also present, further confirmation of the fine ear the DJ has for Brazil’s bountiful musical offerings.

Going above and beyond the brief, DJ KOCO went one step further, producing two exclusive edits especially for the boxset. First up, a restructured interpretation of The Boogaloo Combo ‘Boogaloo Combo’ extending the funked-out break to masterful effect. Secondly, taking on Zito Righi’s 1969 Bossa Nova, rap dancer 'Poema Ritmico Do Malandro' with an exuberant re-edit.

A personal and endearing selection of sought-after tracks, that gives both an insight into DJ KOCO’s broad tastes and digs ever deeper into the breadth of music Brazil has to offer. We can’t wait to see the man himself cutting these 45’s up on his hallowed turntables.

Wake up sleepyheads; after another rotation around the sun and the fog of the early year drifting across the realm, what better way to break through than breaks. Spray is once again on the archival quest, dusting off jewels for the dancers, with this time’s excavation taking us to a 1994 North London bedroom (heard that before huh?). Originally released on D*Fusion Records, at a time when the ever-rising pulsating amphetamine twitch of hardcore was side stepped, with some furthering their fury into jungle, and others receding into more cerebral and ethereal realms. This collection of huge tunes falls into the latter from the producer Anoesis; a release for the post-post generation, when bygone specters of trance dance mania become the ghouls of the moment, the need for Rave ever increasing.

All in all it takes about 15 seconds to know that ‘Heavy Water’ is an essential massive break your speaker hit. Gated vox pop out like sirens in the smoke and lasers, calling you to engage with the eternal/internal rhythm that is the acid squelch break. A perfect dose of psych deviates the song to a higher path. For the remix contemporary audio savant D. Tiff strips away the buzz saw grind of the original, encouraging hypnosis and trance-infected desires, with a touch of mooood.

On the flip Diact is super keen for an ascension. A menaced freaky overlord, pulling at the strings that the dancers are mere puppets to follow, channeling a big beat essence. Trouble Down Groove assumes the form of the classic break and vocal flip, full of twitched sampling hype; 1 for the dancefloor headspinners. Aligned to the Anoesis sound, it’s mutated with a certain type of alluring growl, a sonic signature, and the key sound running through this EP.

Kicking off 2024, Diffuse Reality launches the year with a captivating new vinyl release, teasing the beginning of a wave of upcoming releases slated for the year ahead. cat can do presents M SERIES Vol 2, a 5 track EP of Techno with touches of Acid, splatters of Detroit and heavenly pads that will make you dance non stop till the next morning. This is a full printed cover from our series: Textures. Dance and enjoy.

Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision.

Jbal Rrsas starts with the seductively apocalyptic opener, The Key to the Exit, a deconstructed sha’bi production. With tracks like Six as Oil and the delightfully intense Violence for Free, Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed’s vocals on Complain and Pre-Island are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said “Khonnar is an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political.” With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.

Killer electro anthems. Der Panther and die Gestalten! As always no repress here, no games, no faces no bling bling! Vinyl only.

Part two of the DJ Phantasy Unreleased series. These tracks were discovered over the past few years on the DAT’s that Phantasy has had in storage since the early 90’s. These two tracks were recorded in 1993 at Jack Smooth’s studio and were engineered by Alex Reece.

Dark, moody and melodic – the trademark sound of DJ Phantasy around this time, drawing from the endless raves that he was playing in 1993. But in 1993 the scene and the sound was constantly advancing and tracks were sounding dated within a month or two, so they were not released back then. But now they sound fresh and futuristic and we at Vinyl Fanatiks are so lucky to be able to work alongside Liquid Wax to be able to share them for the first time.

Released in a high quality gloss Liquid Wax housebag and white inner sleeve.

An EP packed with slicing hats and dynamic basslines, Sense of Tension is a perfect collection of dance§oor grooves from Thai producer DOTT. Opening track ‘Sense of Tension’ combines moody basslines with §oaty driven chords whilst §aring hi-hats cut seamlessly throughout.
The title track moulds between minor dreamy chords and high cut synths creating a divine level of contrast which sets any dancer's pulse raising. On A2 ‘Among the Lines’ sees DOTT take the tempo down a pitch, bringing a cerebral quality to his music as detuned synths §oat alongside driven claps and tranquil vocal samples. On the §ip side DOTT opens with ‘Detuning Your Mind’, adding a minimal in§uence to the music with complex driven kick patterns and dynamic jazz samples wash throughout. B2 brings in Boulderhead, a Bristol based producer who adds a funky §ip to ‘Detuning Your Mind’. Boulderhead who has a string of well received releases on labels such as Craigie Knowes and Rhythm Section holds nothing back on the remix - delivering a grooving base and euphoric set of synth lines to the track, sure to make any dance§oor move.

Following the "Hey Oh Let’s Go!" 7-inch debut, label owner Dove Quiete is back on Muovo Musica Records for its second release: a 3-tracker mixture of Acid, Bass, Electro, Footwork, Ghetto, Punk, Techno, and a whole lot else. Written and produced by Guglielmo Prati aka Dove Quiete in the infamous Serendeepity basement studio. Mastered at Prisma Sonoro Studio. Milan, 2023.

Following the "Hey Oh Let’s Go!" 7-inch debut, label owner Dove Quiete is back on Muovo Musica Records for its second release: a 3-tracker mixture of Acid, Bass, Electro, Footwork, Ghetto, Punk, Techno, and a whole lot else.

Written and produced by Guglielmo Prati aka Dove Quiete in the infamous Serendeepity basement studio. Mastered at Prisma Sonoro Studio. Milan, 2023.

Acid, Hardcore, Punk, Techno ... Hardcore techno cover of the Classic punk track 70s blitzkrieg Bop by Ramones. 45 o 33? Choose your mood.

A geniune collection of dubs from DATs courtesy of Downlink, slow cooked in a dusty drawer since 1997. A1 was originally released on Mosaic and stays true to the dub techno sound which defined the label while the other tracks have never seen the light of day until now. If gritty acid workouts are your cup of tea then look no further. The A side features a printed artwork from San Francisco based artist Klari Reis.

Science Cult presents the 7" remix vinyl of drøn's 'Numerator' with remixes from the found sound and experimentalist Maude Vôs along with label co-founder Syrte!

Back in 2006 El Michels Affair began releasing a slew of brilliant covers of Wu-Tang classics on 7" as part of their acclaimed “Shaolin Series”, eventually leading to their full length project of wu-fueled interpretations - “Enter The 37th Chamber” on Fat Beats Records in 2009. Now available for the first time on 7" by popular demand, 2 more stand-out tracks from the LP - Shimmy Shimmy Ya b/w Incarcerated Scarfaces

On “Philadelphia 2099,” a laidback electronic vista evokes the long violet twilight that precedes sunrise on Mars. On “Tharsis Montes,” bubbling synth lines signal the industry of the day ahead, before an infectiously funky bassline is sown on “Seeds,” and alien growth is tended amid shards of interstellar synth sunlight in “Echoes From The Red Valley.”

Second single of remixes coming out of Fabrice Lig's album "The Mental Bandwidth" by Plaid, Cinthie and Truncate

Jäger 90, from Germany, stands as one of the last genuine bastions of body music, akin to DAF or Liaisons Dangereuses. Their album “Rückspulen” provides an hypnotic sonic experience characterized by simple yet powerful instrumentals, where acoustic drums intertwine with deep square wave monophonic basslines to create an immersive and intense atmosphere.

Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid WHITE vinyl and an EXTRA SERIE of 100 copies in solid BLACK vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Legowelt returns to L.I.E.S.Records with a new album full of ultra-RAW hypnagogic lo-fi electrofunk. Classic, murky, cold as ice Hague-style slammers from the king of Smack. These eight tracks go back to the essence of the Legowelt sound, cutting through the noise of modern dance music charlatans, taking them to school with his undeniable signature stamped all over this release. A dancefloor classic in the making.

"Give Me The Sunshine" is one of the most iconic and enduring rare groove tracks. It was composed by Johnny Simone at the time he was working with Stevie Wonder at Motown. Others in the group were Kenny Stover and Alvin Few, all three of them born under the 'Leo' star sign. Kenny worked as a songwriter at Motown and lived in the same house asMarvin Gaye at the time "What's Going On" became an idea. He co-wrote "Inner City Blues" but was only credited much later. The original"I’m Back For More" included here has equal standing in thesoul world too, the song later reaching new insights when covered by Al Johnson featuring Jean Carne. Both songs come from the album "We Need Each Other" long associated with Expansion Records. The two songs featured here first appeared on Expansion 12" in 1986, the launch year of the label which in 2021 celebrates in 35th Anniversary.

Originally released in 1993 on DJ Phantasy’s Liquid Wax label, it has now been repressed in conjunction with Vinyl Fanatiks on coloured vinyl.

For this release Phantasy teams up with Lynnford Jones from Rufige Kru. In fact, neither of them remember doing these remixes back in the day until they spoke together about them and the memories came flooding back! These are remixes of a Liquid Aliens track previously released on Liquid Wax via Vinyl Fanatiks, but long since sold out.

As always with anything on Liquid Wax, these tracks are big club releases as Phantasy was testing them out at all the raves in the early 90’s. But Phantasy always has a trick up his sleeve that makes his music sound incredibly original and still fresh to this day, 31 years later!

LIMITED PRESSING.

Lossapardo's new album "If I Were To Paint It" releases on May 17th. Known for blending art and music, Lossapardo has caught the eye of big names like The New York Times Magazine or Netflix and building a strong artist community around him (FKJ, Luidji, Bas, Joseph Solomon, Montell Fish, Olivia Dean…).

His music, filled with feelings of wonder and a bit of sadness, tells stories that connect with people everywhere. From painting to composing music, every piece of his work is a journey into emotions. His album invites listeners into a world where every note and color creates a vivid picture of life's ups and downs. Lossapardo crafts experiences that speak to the soul, promising an album that continues to share his unique vision with the world.

Aura Dinamica deliver their third release so far. Driving tunes are coming from 'Manent' this time!

Repress! Move D gebührt weltweiter Respekt, und er zählt sicherlich zur Alltime-Top 15 deutscher DJs und Produzenten. Einer seiner Meilensteine auf Compost Black Label - die "Silk & Shmoove EP" (Compost Black Label 14), die seit Jahren vergriffen war - gibt es jetzt als Limited Edition Repress!

Stimmen:
"Move D deutet wiedermal auf seine Liebe für simpel gestrickte, perfekt produzierte Housenummern mit viel Spirit hin." - De:Bug
"A great diverse record. 4 great cuts: Deep house, Atmospheric house, acid house, discoed sampled chunky house, all thrown in there, the way I like it! Will be playing out!" - Josh Wink
"Really like the rolling hills track...good disco flavoured cut up action...works really well...a strong e.p with something 4 everyone." - Charles Webster
"Wow...big record...100% support ..." - Martin Landsky

Dark Grooves Records starts with the aim to rediscover cult tracks from Deep-House to Uk Garage and old-school Techno. This third release comes from the Philly producer Dozia Blakey, who put out this ep on 1996 under the alias Music From The Trees. The whole EP is a quality Deep House / US Garage record, also including a remix by King Britt (Dynamics Birthday Mix). On Side B we also find "Back to Basiks" which which showed up as the first track on Prosumer Boiler Room mix from 2012.

Drumcode heavyweights Pig&Dan and Victor Ruiz link for their maiden collaborative EP.

The project begun in the first quarter of the year when the artists were still touring and was later completed during a series of productive sessions after lockdown Pig&Dan members Dan Duncan and Igor Tchkotoua experiencing a creative synergy with close friend Victor Ruiz that injected some lightness into an otherwise challenging time for the trio of producers.

‘Consciousness’ is driven by a catch low-end riff that’s powerful and funky in equal measures and is a particular favourite of Adam Beyer’s, highlighting the boss’ Drumcode Indoors II and Tomorrowland’s United Through Music stream. ‘Music Takes You’ is a delicious low-end roller driven by a punchy synth workout that drops down into a captivating vocal break made for big moments. ‘Paradise Lost’ is a widescreen melodic gem, comprised of a laser-kissed synth hook, crisp percussion, and a clever low-end chord progression, giving it a classy timeless appeal.

"Secret Crunch follows up with the second release, The - One Split Wonder' EP. Another record by label heads Roman Rauch and Moony Me, but this time separated on two sides.
On the RR-Side (Roman Rauch) things start off with the suspenseful intro of - Don't You Try', slowly evolving into an unstopable stomper and reaching its' peak with the artist's characteristic dusty rhode chords. - Boogie Trip' deepens the side down a bit and mesmerizes with it's soothing pad, clever vocal sampling and a wonky synthline. The - Crunchy Skit', a tropical locked groove, closes the side. The MM-Side (Moony Me) begins with the energetic and pumpy - Screwdriver', delivering a classic House feeling with its' swinging drums and bassline and euphoria will arise with the vocals in the main break. - Resig Nation' gives you a little break to relax and bounce your head to the melancholic moaning of Moony Me's MPC. For the beat heads. And finally - Love Deserter' unleashes its' chaotic power through wonky drums, precisely pitch-modulated samples and an interesting arrangement."

Stefan Ringer's latest release embodies his signature infectious style of dance music, showcasing a blend of tracks that pay homage to his roots in Atlanta. Opening with "ATL Sh*t," a tribute to his formative years in the city's vibrant DJ and nightlife scene, the song features a lineup of local artists who share their own Atlanta experiences. "Satisfy" channels the essence of early dance music, boasting a rhythmic allure complemented by the velvety vocals of Ash Lauryn and luscious chords.

"Crazy World" sees Stefan himself take the mic, offering a poignant reflection on the current state of affairs through song. Collaborating with Kareem Ali on "Vision," the duo crafts a deep, forward-leaning track carrying a message of positivity. The EP concludes with a hypnotic, sample-based groove that slows the pace and captivates the listener.

Originally released in 1993 on DJ Phantasy’s Liquid Wax label, it has now been repressed in conjunction with Vinyl Fanatiks on coloured vinyl.

One of DJ Phantasy’s many aliases alongside his pal Robert Chimiel. The lead tune is a total rave anthem – hands to the lazers business! The flipside has a such a sweet chugging bassline that takes you on a trip!

As always with anything on Liquid Wax, these tracks are big club releases as Phantasy was testing them out at all the raves in the early 90’s. But Phantasy always has a trick up his sleeve that makes his music sound incredibly original and still fresh to this day, 31 years later!

LIMITED PRESSING

The cool fish Syberian98 never ceases to amaze and comes back with his best groovie stuff. He's going further in 'techno reminiscence' and meet some soulful house roots from Detroit and Chicago. Highly recommended for your home party or club in that it sounds classy, deep and heartbreaking.

Thomas Schumacher keeps defining and refining the gold standard of high energy Techno. His latest piece of work once more showcases his unique ability to create powerful, contemporary Techno that packs a punch while paying tribute to his rave roots. A must play.

repress !

Official remastered limited edition of a huge Italo Boogie from 1983. The plus on this release is represented by the B-side filled up with an unreleased instrumental dub version to give you even more options for dropping this essential classic !

Pure Virgin EP, compiling 3 original tracks that were produce by Vietnamese artist "TrinhNu" during the most intense lockdown in Vietnam, is considered as a love letter to the early 90s dance music - unconventional, progressive and fearlessly fun. “A Shout Going Out” kicks off as a quasi-breakbeat House track, accompanied by the nostalgic samples. “The Cliffhanger”, inspired by European proto-Trance, offers a mystical ambience and a darker atmosphere to the club. On the other side, peak-time “Tu Nay” is the journey of ravey sounds with euphoric M1 synth-lines and classic samples. Liquid Earth guides “Tu Nay” into an orbit around a trippier and richer sphere of Tech House.

Eight years after Cuthead's "Give'n'Take", it's Sneaker's turn to put together four of his favorite tracks for Uncanny Valley's compilation series. The artwork is once again by Planetluke com aka Luca Lozano. "This record is a vista of my world where music inhabits the air between people. As an exchange of genius, emotions, gestures - even conventions, rituals, and love. Dedicated to L.B. BaD, whose music I inhaled and whose records inspired me on my quest for deepness. You will be missed!" (Sneaker) Besides L.B. BaD's wonderful "Late In The Evening (Music's Seeping Thru)" you'll get three absolute bangers on top. The Optimistic Misanthropes are Mystic Bill, VeXaTioN and Sneaker himself. One of the most influential Chicago House DJs, true to the underground for over three decades now, and once part of the Trax Records roster... Mystic Bill. VeXaTioN already got to know him back in the days but is currently hailing from Mexico City. His track was born in Los Angeles and remixed by Sneaker in Berlin. Also, Left Unknown's "Maedchen" got the jacking Midas touch from Sneaker, a touch you've come to recognize. Behind the one-off project is Saxonian Gnista aka DJ Detox and somebody who wants to remain incognito. Jacob Korn however is well-known since the early days of Uncanny Valley and is above all Sneaker's best buddy at TailOut Studio, Dresden.

2023 marks the tenth year of Music From Memory; a decade of groundbreaking archival releases, cross-generational collaborations and long-standing creative partnerships with our ever-expanding community of artists.

To celebrate this milestone, earlier this year we asked our roster of artists to submit a piece of music for an anniversary compilation. As submissions gradually came in, we were blown away by what we received and slowly began to piece them together into what was to become “10”.

Featuring work from artists who were present during the formation of the label, such as Gigi Masin, Joan Bibiloni and Michal Turtle, as well as artists like The Zenmenn, RAMZi and Dea, who have helped the label expand over subsequent years, “10” serves as a natural bookmark of where we are musically, whilst simultaneously reflecting on the label's rich musical past.

In keeping with the Music From Memory ethos, the music of “10” spans both time and space, with submissions ranging from Vito Ricci's 'Da Hamptons' (1985) to Yu Su & J. Wilson's 'Mitti Atar' (2023). It crosses the globe, with a total of 10 countries represented across 17 tracks. The final result is an immersive musical compilation that flows perfectly from start to finish.

Tragically, during the last few weeks of finalising MFM066, label co-owner Jamie Tiller passed away in a sudden accident. “10” was always intended to be a way to reflect on the journey of Music From Memory. The fact that it is now also one of the last releases that the team all worked on together adds a whole other level of reflection and makes it all the more special.

KIAS is back!! Crafty techno weapons.

Rag’n’Bone Man is ready to accept joy into his life. Born Rory Charles Graham, the Sussex-born singer known for his gravelly blues vocals, took the world by storm with his debut album ‘Human’ in 2016. Now multi award-winning, the British vocalist is embracing newfound balance, returning to his creative foundations while building anew.

It’s the most vital chapter to date in one of British music’s defining stories. A truth-telling voice that has framed an era, Rag’n’Bone Man’s success speaks for itself: his debut album ‘Human’ went platinum four times over in the UK and multi-platinum in a further twenty-seven countries - becoming the fastest selling male debut album that decade. While his latest release ‘Life By Misadventure’ debuted at #1 and spent seven weeks in the Top 10, making it the fastest-selling album by a solo artist in 2021. With over nine-billion worldwide streams (and counting) over his entire catalogue, Rag’n’Bone Man is a voice that can be heard across the globe. Now he’s ready to eclipse this: assured, and built with love, his uplifting new album “What Do You Believe In?” finds the multi award-winning British artist (with three BRITs, two MTV Europe awards, and an Ivor Novello to his name) facing the future with passionate excitement.

‘What Do You Believe In?’ is anchored in the blossoming of confidence and the enduring support network he finds in family life. It’s taken time, but Rag’n’Bone Man is in a secure, loving place - and he wants to share that feeling. The period surrounding second album, 2021’s ‘Life By Misadventure’, was marked by self-doubt, with troubles weighing down on the singer’s shoulders – but then things changed - As a result, new album ‘What Do You Believe In?’ has a bold, yet radiant touch.

With the pairing of the poignant and ubiquitous themes and the sonic brightness of both 00s hip-hop and the youthful memories they prompt, the release of the albums title track ‘What Do You Believe In?’ sets the tone for the for the thrilling musical journey Rag’s is preparing to take fans on.

American indie-pop luminary Clairo returns with third album, Charm, co-produced by Clairo and Leon Michels (of The Dap-Kings and El Michels Affair). Evoking balmy summer evenings and tête-à-têtes in plush conversation pits, Charm is a collection of warm, 70’s-inspired grooves that move lithely between jazz, psychedelic folk and soul. Available on July 12th.

After releasing a bundle of records on differents labels as Mental Groove, Brique Rouge or RZ in the noughties, A Jackin Phreak's acid house project is now reactivated and brings to you three brand new tracks, fully acid influenced for your own pleasure.
Steps back again in the vibe of '88 second summer of love with the Chicago jackin' sound of 'Good As You', let yourself go and do the trance-dance to the acid groove of 'Addicted' then go further and loose your control with 'Pulsion'.
As you can expect, 'Good As You' EP is released as limited random color vinyl pressing and, as a complete artist's project, its full color sleeve is designed by the A Jackin Phreak's himself.

For this sixth release, A Jackin Phreak has teamed up with
Vienna based, multi-talented artist and original member of
S'Express, Helena Eribenne.

Together they’ve been exploring further experiments in the Acid
House genre and are pleased to present "TIDALWAVE" to you.
As an ode dedicated to love, the spell begins with Helena’s
vocal incantation evolving on a solid acid burner '88 style - as
only the Phreak know how. Based on a slow 808 rhythm beat,
it's 303 knobs action won't let you go until the end.

This collaboration has also been an opportunity for them to
reach out to long-time creative soulmates this sound project.
Both AJP and Helena have asked friends to create their own
renditions without restrictions.

Berlin's “rude boy” Stefan Braatz, head of Adapter Records
submits his strong Jackin' House rework dedicated to the
hottest dancefloors.

Closer to the original mix but with a formula based on
reconstructed sound bites and collages is Low Profiler's Discozma Rmx. They are an Austrian duo navigating the acid
stream with ventures into more psychedelic dimensions. A
lovely trip to an altered state of mind.

Hometown's Skat closes this sound journey and transcends the
original vibe to distant territories but keeps it deeper again with
its awesome Detroit influenced dub version.

Vinyl lovers that we are, this release is available as a limited
edition issued in an assortment of colours.

Repress!

Second in the remix series from A Man Called Adam’s acclaimed Farmarama album, this 12" features spacious deep house earworms from wunderkind Aleksandirand jazzy vibes from Columbian rising star Felipe Gordon - The FG mix is exclusive to this vinyl release.
'AMCA' rework their own track Michael into a swing laden dub &
redit Aleksandir’s demo & monitor mixes into sparkling big room Balearic.

Age Of Love wrote and released their most iconic track in 1990. It went on to become a stone-cold dance classic that inspired a whole trance movement that has endured throughout the years.

Now its 3 most famous remixes are available on 1 record: the legendary 1992 Jam & Spoon 'Watch Out For Stella' Mix, Charlotte de Witte & Enrico Sangiuliano's 2021 Remix & Solomun's 2017 remix.

Limited to 1000 copies.

Lost recordings that defined the modern sound of the Sahara.

This album contains the first recordings of modern music from the Sahara and mark the birth of the genre that is known in the West as ‘Desert Blues’ or ‘Desert Rock’. Ahl Nana changed the folk music of the Sahara to modern, cosmopolitan music by using Western instruments like the electric guitar. They paved the way for artists like Ali Farka Touré, Tinariwen, Mdou Moctar or Bombino. Although the group is still active today, they only recorded 2 LPs and a handful of singles. All these recordings took place in 1971 at the Boussiphone studios in Casablanca. The records were never distributed and therefore remained unknown for almost 50 years, until Radio Martiko discovered a batch of unsold factory stock a few years ago. On this album, you will find a selection of these revolutionary recordings.

To celebrate 40 years as a solo artist, Alison Moyet releases Key, a collection of 16 reworked singles and deep cuts, alongside two brand new tracks. Key is a blazing showcase of the depth and breadth of Moyet"s song writing ability that unlocks who she is as a creative artist. With nine studio solo albums to choose from to celebrate her fortieth year as a solo artist, Moyet wanted "to look at the trajectory of those decades and explore songs that, in their original form, were never fully realised or have had their relevance to me altered by time." The album distils 40 years of music making, presenting a cohesive overview of a long and dazzling journey.

Propulsive tabla percussion and meditative drones collide in deep instrumental conversation on Shruti Dances, the debut collaborative album between UK heavyweights Auntie Flo and Sarathy Korwar, forthcoming on the newly relaunched, Make Music imprint.

Across six exchanges of dynamic electronic production and richly layered Indian classical percussion, Shruti Dances discovers two architects of rhythm and movement on an explorative journey through South Asian tonality and diasporic identity.

One an elemental force on drums, the other on the decks, London-based, Indian-raised drummer/composer, Sarathy Korwar and Scottish-Goan producer/DJ, Auntie Flo first connected back in 2019, unaware both were navigating opposite ends of the beat equilibrium. Where Auntie Flo (aka Brian D’Souza) was new to Korwar’s reimagining of jazz, Indian classical music, electronics and spoken word, Korwar was already a big admirer of Auntie Flo’s intl-facing club output, having first discovered D’Souza’s Rainfall On Red Earth off his Soniferous Garden 12” and 2019 SAY award-winning (Scottish Album of The Year), Radio Highlife. Once properly acquainted, Korwar invited Auntie Flo to remix a track off his landmark 2019 album, More Arriving, described by The Guardian as “a stylistic leap from jazz to hip-hop to spoken word…a protest record encompassing the breadth of immigrant experiences”.

The seeds of an unlikely yet powerful musical bond had been sown and when mutual friend, co-founder of Mixcloud, and Make Music label organiser, Nikhil Shah, asked the duo to inaugurate the label’s new live/electronic direction (previously home to Leon Vynehall, U and George Fitzgerald), Korwar and D’Souza hit the studio. Expanding on early conversations around traditional Indian instrumentation, practicing meditation and improvisation, Shruti Dances (a riff on free dance movement, Ecstatic Dance) was born. Meaning 'that which is heard' in Sanskrit, shruti refers to a note in musical terms, but in this case also references the album’s most prominent influence and instrument, the shruti box.

“The shruti box formed the basis of the sound of the project. It’s a drone instrument, similar to a harmonium, and it makes an amazing sound. I’ve spent the last two years studying sound therapy, and immersing myself in ambient and drone through the Ambient Flo project, and am particularly interested in how they can induce meditative states of consciousness. I was really excited to hear what the Shruti box could do with this EP.” Auntie Flo

Across six tracks, (each named after 6 of the 7 main musical notes in the Indian solfege system), Shruti Dances draws on a celestial mix of traditional percussion and processed digital effects. On opening track Dha, Korwar’s sparse tabla rhythms hop across D’Souza’s scattered, arpeggiated synths, where as on Pa, a Balearic shuffle channels Moroccan Gnawa music and Senegalese sabar meets Mark Ernestus’s Ndagga Rhythm Force. Harmonic speed tabla and roaming drones provide a sense of the ethereal and fourth-worldly on Ma, a track that’s resplendent, curious atmosphere would fit snug into the deep listening-focused programming of Auntie Flo’s Ambient Flo online radio station, a curatorial platform and avenue exploring his interest/promotion of mental health, launched over the UK’s first lockdown. Ni sees Korwar pick up the sticks, thrashing toms in a spirited frenzy, whilst downtempo album closer Sa offers some room for reflection, its slow, swirling chords cloud our focus, leaving us with all but the distant sound of birdsong.

Abstrack Records is back with a new EP, putting the emphasis on instrumental music. Angers based band Auroboros, whose paths crossed on numerous time with Abstracks, largely on the occasion of infamous Freaks Pop festival, delivers twenty minutes of a progressive and cosmic, rocky jam.
«Camel» feels like a pursuit, a chase after an uncatchable vanishing point. The relentless acceleration of the tempo and the increasing power of the instruments feel like they’re leading us to an inconcei- vable paroxysm.

During the breakdown, everything strangely feels faster and calmer at the same time, we think we’re catching a glance at this horizon, even believing we’re reaching it as drums are fading away. But the ascent starts again and the trance is non negotiable. The power stream of the instrumental energies washes over the immobiles and the sceptics.

On the B side, two very different reworks complete the picture. Romain FX distills the dancefloor essence of «Camel». With a cosmic, almost oriental approach. The original piece gives birth to a proper peak-time banger, pure leg shaking material.

Mytron gives us a more playful and trippy remix. Seven minutes of a vibe that seems to be spinning and drifting, without ever breaking the patiently settled groove, filled with tribal spirit and sometimes even humour.