"Escape from dimension" is the 2nd EP of Saint Paul on his own imprint Moonrise Hill Material. Lyon based artist takes you on a musical journey through his diverse influences. This 5 tracker is a strong blend of funk, jazz, soul, hip-hop and house music, right on point for the summertime!
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You know we like the hit 'n run specials here at All Ears !
HOT PEAS 'N BUTTER got in touch with a simple, but oh-so effective set of EP's ready to drop over the next few months.
Time machine tear-ups from the golden era, as likely to be heard on Mom & Pop's turntable as they were rattling the cones on the home-made block party stacks or basement sound systems.
100% DJ material - and available in VERY short supply...you snooze, you lose !
Hand stamped vinyl only 12" series in poly-lined kraft sleeves
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To mark his second artist album on his own Millionhands label in July, Tee Mango teases with a fantastic second EP from it featuring remixes from Hidden Spheres (Lobster Theremin, NTS), Kiwi (Futureboogie, Optimo, Life & Death) and Hubie Davison (Regraded).
The fantastic full length finds the UK artist stretch himself and serve up a dazzling array of soul-drenched, vocal-laced songs featuring his own singing and influenced by the likes of Prince and Bon Iver, alongside awesome gyuest vox from Detroit funk legend and former Funkadelic member Amp Fiddler.
Opening up EP 2, Tee Mango serves up a fizzing and arpeggiated electronic disco track, ‘Woo Hoo’ which will undoubtedly be rocking festival tents this summer. Irishman and Leisure System man Hubie Davison then steps up to the plate with a heart-warming, tripped out and twinkling organic house mix of ‘Down Down Down’, featuring warm oaky melodies and Mango’s fragmented falsettos.
Then comes a dazzling techno-not-techno mix of ‘Woo Hoo’ from Londoner Kiwi, an associate for labels like Correspondent and Optimo Music. This superb version keeps the galloping arpeggiated feel of the original but swaps the broken beat for a straight four to dizzying effect. Following that is acclaimed Lobster Theremin, Rhythm Section and NTS regular Hidden Spheres with a hip house basement re-rub of ‘Down Down Down’ with more of Tee Mango’s fragmented falsetto over a beat Prince would be proud of.
Finally, Tee Mango himself then steps out with the excellent balearic skit ‘Don’t Worry About the Rain’ with deliciously soothing Rhodes and synth whines topped with Mango’s vocals imploring us to ignore the weather.
This is a top package that bristles with brilliant club sounds for a range of different settings and more than whets the whistle for the forthcoming album.
It was 2010 when Massimiliano Pagliara and Discodromo got together and started working on Costellazione K78. It's finally time to reveal this piece of italo-cosmic beauty landing on Cocktail d'Amore Music. The spaceship starts off and a vocoder announces the destination. In the middle of the track there is an interference...Is that a hole Oh right they are out of it! Going higher, higher...higher through space-time.
B side is taken by a dub version where drums play the main role. Everything is condensing together, it feels like connection is lost, but the bass line comes in and takes control. Destination reached, time to celebrate. Thank you guys for the efxapella, we'll all do good use of it. Greetings from planet Earth!
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"Can you still tanz
Ze Dresden don returz mit final missonen.
Arcade go loop-de-loop.
Arabia Town rock'n'stroll.
Ce Soir pour industrial complexion.
2 Stroke Poke de herzsaiten.
Danke Dunkeltier, Sneaker, Gino. Guter Freund.
Remember Peoples. Bahnsteig not beige shite. Ein mal noch !!!
"
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We are excited to present SOUR005 from rising talent - A/P coming straight out of Malta and being supported by some of the biggest djs around in the circuit today. 3 beautifully produced sample heavy hitters in true Sour Edits style, just in time for the summer.
Early support from Denis Sulta, Alex Virgo, xxxy, Marcin Krupa, Braga Circuit
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1977, East Hartford, Connecticut. Rahni Harris — a 21 year old reverend and multi-instrumentalist — and his band, ‘Family Love’, were not afraid to embrace their love of R&B and Gospel. They laid down ‘A Different Drummer’ LP - One of the most forward thinking LPs recorded during this period and arguably of all time.
‘Syncopated Love’, 'He’s My Friend’ and ‘Make It Easy’ have been supported by DJs and collectors in the know for many years. Now, Rain&Shine give Rahni’s’ seminal record another lease of life for discerned collectors, DJs and music lovers worldwide!
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The Vega Records 5 Pack Vinyl Unreleased Projects have become very sought after pieces amongst vinyl enthusiasts and collectors, thanks to Vinyl Parties and Performances by Louie Vega at Phonica Records in London and Rush Hour Records In Amsterdam (during ADE).
Previously only available as a 5 pack 12" which now commands high prices on discogs and have never available outside of a few select stores worldwide.
Now available as unique 12"s for the first time the third part features Amp Fiddler 'So Sweet' & Professor Featuring Ndu Shezi & Thebe - Unobenga (Remix By Louie Vega).
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Brit-funk disco/boogie classic from Atmosfear. Official Mr Bongo replica
reissue of the original Elite release, cut loud at 45rpm.
In 1982 Atmosfear hit their prime with the release of this underground
classic, ‘Xtra Special’. A gear switch from their jazz-funk origins, this boogie
track featuring the sublime vocals of Beverley Skeete, is a prime example of an
innovative band at their peak.
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Mediterranean pop songs screwed with dirty RnB sounds. Disorientating, freudian slip disco edit takes to the clubs; up-tempo, left of field and a down right dub siren infused banger - confused yet? Slow-mo dub melting in the heat of the eternal summer, untether yourself and drift away.
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It's been a while since Al Kent the Scottish Disco guy released anything on his own label. But since he's celebrating 20 years of Million Dollar Disco in 2019 this seems like the perfect time to rectify that. Following on the heels of a string of successes for labels like GAMM, Razor n Tape, Cree and BBE, this sublime piece of disco soul has been road tested all over Europe and beyond, with each play getting the same massively positive reaction and a queue of punters dying to know what the hell they've just danced to! So it's probably a good idea to make this available on a super limited one sided pressing so even more people can dance to it.
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Razor-N-Tape co-head JKriv delivers a modern disco anthem for his first outing on Joey Negro’s Z Records with ‘Vertigo’. Written by J and singer Adeline, ‘Vertigo’ is a sprawling production, with dazzling live instrumentation (performed primarily by J himself), soaring string orchestrations, and classic extended 12”-style breakdowns.
Adeline, best known as the singer of live disco outfit Escort, serves up the infectious hook with a soulful and confident swagger reminiscent of Chaka or Whitney in their prime. Respectively modern and retro in all the right places, Vertigo has a freshness and a familiarity to it all at once, and is certain to get the dance floor spinning!
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The Vega Records 5 Pack Vinyl Unreleased Projects have become very sought after pieces amongst vinyl enthusiasts and collectors, thanks to Vinyl Parties and Performances by Louie Vega at Phonica Records in London and Rush Hour Records In Amsterdam (during ADE).
Previously only available as a 5 pack 12" which now commands high prices on discogs and have never available outside of a few select stores worldwide.
Now available as unique 12"s for the first time the third part features Louie Vega Starring Toni C 'Time Don't Wait' & E.O.L. Soulfrito 'Soulfrito Burnin''.
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Editorial return with one of Italy's finest edit maestro's who delivers a superb 4 track EP of summer vibes.
Riccio has appeared on labels such as Super Value / Fly By Night / Extra Virgin / Hidden History etc
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Showbiz feat Villa is a disco infused, funked up, party jam with just the right amount of cheek. Voluptuous vocals from Villa glam this one up to the nines making it equally at home at a Paris fashion week after party as it would be on a Boogie Nights remake. Having produced, remixed and collaborated with artists such as Gorillaz, Lana Del Rey and Phoenix we proudly welcome Yuksek to Club Sweat with this stylishly en vogue anthem.
Who better to remix this funk fuelled gem, than the mighty Purple Disco Machine. Following on from his certified summer smash hit 'Dished (Male Stripper)', he's hot, hot property and rightly so.
Straight in from the off PDM switches up the breakbeat loops for a juicy kick and sizzling percussion to give a different dimension to the edit. Those oh-so-fabulous funk grooves lay the foundation for a catwalk of tape delayed synth breakdowns and hands-in-the-air drops that will leave you feeling like you, and only you, are the star of the show.
Destined to storm the charts just like 'Dished' did! These are the advanced copies, DJ support to follow...
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Aura Safari are: Alessandro Deledda, Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo.
The band started with the meeting of a musician and a group of DJ's / producers coming from different musical backgrounds and generations. Aura Safari is the union of various musical eras and influences such as Jazz Fusion, 80's Boogie, World Music, Italo House, Balearic Beats and Jazz Funk.
Years spent in the local scene of Perugia (Italy) attending Umbria Jazz Festival every summer and winter nights at the legendary Red Zone Club have shaped the sound of Aura Safari.
The LP is an example of their true love of music across a vast spectrum.
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The Vega Records 5 Pack Vinyl Unreleased Projects have become very sought after pieces amongst vinyl enthusiasts and collectors, thanks to Vinyl Parties and Performances by Louie Vega at Phonica Records in London and Rush Hour Records In Amsterdam (during ADE).
Previously only available as a 5 pack 12" which now commands high prices on discogs and have never available outside of a few select stores worldwide.
Now available as unique 12"s for the first time we start off with 2 tracks Disco Space Babies - Cosmic Disco (Louie Vega Mix) & Sylvester - Dance (Disco Heat) (Louie Vega Remix).
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Full Intention's Michael Gray returns with his re-work of one of best Italo Soul anthems from the 80's, being Advance's 'Take Me To The Top'! Originally released on the Italian 'X-Energy' label in 1982, this one was in fact the record that built the X-Energy label. Released in cooperation with Michael's new outfit 'Sultra', High Fashion brings you the Michael Gray 'Sultra' remix together with his very playable 'Michael Gray Dub' on the flip side. A must have for all Disco lovers.
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The Vega Records 5 Pack Vinyl Unreleased Projects have become very sought after pieces amongst vinyl enthusiasts and collectors, thanks to Vinyl Parties and Performances by Louie Vega at Phonica Records in London and Rush Hour Records In Amsterdam (during ADE).
Previously only available as a 5 pack 12" which now commands high prices on discogs and have never available outside of a few select stores worldwide.
Now available as unique 12"s for the first time the third part features Louie Vega & Joe Claussell - 'Getting Deeper' & C.O.O. 'Funky Cadets (Daddy's Workshop Demo Ruff)'.
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Especial is delighted to present Phil Gerus to the label, with his personal ode to relationships, Still Blind. After acclaimed boogie, disco and italo tinged 12"s for the likes of Public Release, Superior Elevation, Leng and Sonar Kollektiv, here we present Gerus' first solo full vocal performance - eschewing samples as a natural development.
Progressing confidently from his early excursions, Still Blind finds funk'd rhodes, Prophet 5 synth, guitar, slap bass and Linn drum all wrapped around a killer pots'n'pans groove, then sent to vintage cassette. His heartfelt vocal, give a knowing, memory inducing cry that marries past and present as some Downtown NYC meets Europop, discoidiant dream.
In best presenting Gerus' first vox it seemed natural to ask Especial family member, friend and confidant Mr Philip Lauer to once again get behind the mixing desk. Still Blind is just made for his melodic wunder; with an increasing penchant for all things synth-pop, his ubiquitous arpeggio heavy but beautiful tight, rising hats, nuanced dub programming, hands high strings, plus a way with melody that brings the reversion to dance floor transcendence.
The 80s bromance complete, the flip is handed on a dubplate(r) to label remixer, designer and visionary, Jamie Paton to turn out another of his deep, drudge, dub outs. Coming as both vocal remix and dub - again conjoined in "discomix" style for the brave (dead) heads - this is Paton at his brooding, echo laden best. Rising and falling, Gerus' refrain acting as dub melody around symphonic heavy bass. Tune in and dub out.
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"Music Is Nice" f/k/a "Fantasy" f/k/a "Snippets (Of Life, Love & Everything In Between)".
Produced in 2013, but shelved by the commissioning label. Now finally released, through Omena.
One could argue that these tracks mark the beginning of a creative journey for HNNY.
It's a brilliant parade of wonderful beats and melodies and a glimpse into the producer's musical thought process.
For every track that delivers the expected, the next one does something quite extraordinary.
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The Vega Records 5 Pack Vinyl Unreleased Projects have become very sought after pieces amongst vinyl enthusiasts and collectors, thanks to Vinyl Parties and Performances by Louie Vega at Phonica Records in London and Rush Hour Records In Amsterdam (during ADE).
Previously only available as a 5 pack 12" which now commands high prices on discogs and have never available outside of a few select stores worldwide.
Now available as unique 12"s for the first time the second part features Tony Touch & Louie Vega's "Sacude".
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Il Bosco is back at the controls ably assisted by The Bat & Flemming Dalum.
Edit not edit tackle.
Four Red Laser bangers ready for your local diskotek - Forgotten Euro dreams, euphoric Italo & boogie tinged pop-pretenders.
A bona-fide insider selection.
Limited press comes with wrap around riso print poster sleeve in pvc cover...
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“We’re going to Graceland! Soul Clap returns giving one of Paul Simon’s most beloved records in history that signature edit ‘tidal-wave of emotion’ touch that has taken so many other classics and brought them into new light for Today’s dance floor. The nostalgia is in full effect as this 1985 anthem takes the boys right back in their formative school years.”
“The Clap flips this Paul Simon and Ladysmith Black Mambazo sample into a tribal house groover. Propelled by tube driven drum machines, cascading scales and melodies, Lady Smith’s rooted in the raw sounds of bygone synths nurtured back to life”
“Soul Clap breaks the main mix down to its bare essentials on this drum tool bringing the rhythms to the forefront highlighting the vocal chant that gives the original record its signature feeling”
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Fresh for 2019, Soul Clap returns with “Ready To Freak”, a disco infused tribute to New York City nightlife, featuring the legendary Kathy Brown on vocals. The release is the US based duo’s latest excursion on their eponymous Soul Clap Records since their collaboration with Funkadelic and features 4 special versions Ready To Freak any discerning dancefloor, boombox or Walkman.
The "Disco Mix" lives up to its name, edited and arranged with Morgan Wiley (Midnight Magic, Hercules & Love Affair, etc..) it takes the melodies and basslines of the original demo and loads them up with Wiley's keyboard wizardry over live drums. On the "Disco Dub", Soul Clap’s Eli aka Bamboozle and Wiley flip the groove with a Roland RX7 drum machine for that 80’s proto-house feel. Then on the flip-side, Soul Clap’s Charlie aka Lonely C pulls out all stops for a pumped up piece of floor shaking house music on his "Club Electronique". Finally, his "Dub Electronique" makes things oh-so-DJ-friendly with a bass driven drum work out that has already gotten massive reaction during Soul Clap's DJ sets!
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When he's not busy in the studio or touring the world with his running mate Hans (Junktion) as Fouk.. Daniel Leseman takes time for his own solo projects and we're pleased to be able to release two vintage Daniel Leseman groovers on a piece of 10' vinyl for the
7th stop in our Kolour LTD 10' series.
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When two creative minds join and bring an all-out modern Disco track, this is the result. Natasha Kitty Katt & Twisted Soul Collective have aligned forces to bring you an array of ideas, thoughts, sounds and feelings. If you like your tracks, upbeat and funky, then this is a golden ticket. Definitely for the Disco dancers,
you can visualise grooving to this number under a mirror ball.
On the B Side Cosmic Bitch with beautiful background orchestration and a contemporary groove can integrate perfectly into either a Disco or House set. From big clubs, to sunshine surroundings, this track has already received stellar feedback.
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Re-issue of the much sought after Hotbath edit series from Crazy P. Hot Bath is back with more hot and steamy gems...
Four edits that take you on a musical journey from funk/foul/disco to even a little touch of pop! This is going to make it to many various DJ's boxes and dance floors!
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Fast becoming the golden boy of a new generation of broken beat producers, Danvers shows no signs of slowing up with this latest release on Boogie Café. Four cuts of soulful broken beat tinged deepness, kicking off with 'Desire' a double bass groover interweaved with hazy pianos and chopped up vocals. On remix duties, Harry Wolfman lays down a woozy, sun-drenched, emotive rework. Awash with jazzy keys, dreamy synths and tight drum loops offering up the perfect soundtrack to kick back to, beachside, Pina Colada in hand... On the B side, Danvers is back at the helm with 'Can't Let Him Know' an afro tinged, bruked up jam, heavy on the live bass, syncopated synths & vocal litanies. Last up, 'Someone To Count On' is a crunchy, late night, soiree coupling a monstrous bass synth, crushed up drum hits and sleazed out pads. Heaters a plenty on this one, taking Danvers one step closer to world Danvination.
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Gabe Gurnsey returns with another limited-edition, white label pressing that melds
together two of the standout moments from ‘Physical’ into one irresistible slab of nocturnal electro. Combining the tectonic sleaze of ‘I Get’ with the roll call to rave transcendence of ‘Harder Rhythm’, Gurnsey creates, naturally, ‘I Get Harder’. Mutating his work to further perfect his halcyon club sound, ‘I Get Harder’ releases a slow-crawl ecstasy that’s ideal for dark rooms and open minds. Not one for the faint hearted
The enigmatic Vyvyan returns to MMM with the incendiary single, CoatBraPants. Backed up with 2 remixes from Running Back’s Gerd Janson, as well as the debut remix from Charlie Nobody, the single further displays the unique driving disco house hybrid stylings of Vyvyan, and acts as the perfect precursor to his Debut album, also to be released on MeMeMe and expected in early 2020. Not content with a single bite of the peach, Gerd Janson has provided us with both an out-and-out 90s New York house interpretation, as well as a separate organic dark-disco-dub version. "Charlie Nobody”, aka Chris Stoker from Ess O Ess and Not An Animal Records, laces his first ever solo piece of released music with a psychedelic dose of dancefloor arpeggiation nestled beside some sweetly balearic guitar playing.
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The supermegafunkinmachine's first official record with La Scimmia Records, offers the best vintage funk/disco-nu disco music. One track on each side, but every track is full of different musical suggestions, old school 70's funk, a bit of Psychedelia with a special attention for the club culture.
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Rare sought-after future disco via Italy. Composed during the time when GIORGIO MORODER was creating DONNA SUMMER's "I FEEL LOVE" and FRANKIE KNUCKLES was making a name for himself at the WAREHOUSE. Limited import color vinyl. Don't sleep these will be gone fast.
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Finally Copenema drops on vinyl. This special limited edition vinyl EP especially for those summer beach bar vibes.
The EP includes the much loved Te Faz Bem which became a Balearic classic in Ibiza last summer after DJ Harvey regularly played it at his residency 'Mercury Rising' at Pikes . This caught the attention of Pete Tong who played it on his BBC Radio 1 show multiple times.Deixa Música Tocar (Let The Music Play) on the B side is the second single (currently unreleased) and carries on the same classic Balearic vibe from Te Faz Bem.
Super strong remixes from Riccio & Kenneth Bager complete the 12' nicely. The single representing 'the other side of Ibiza' is receiving strong support from Pete Tong, DJ Harvey, Ruf Dug, Peaking Lights, Alfredo, DJ Pippi, Phli Mison, Jon Sa Trinxa and other Balearic inspired DJs and echoes a renewed interest in Latin and Brazilian inspired sounds across the beach bars of the Mediterranean in summer 2017. Copenema (Copenama = Copenhagen Vs Ipanema) is a collaborative project between artists from Denmark and Brazil with the album partly recorded in the living room of Brazilian star Rodrigo Sha in Rio Di Janeiro, and finished at the legendary Volmers studio in Copenhagen.
Copenema is the latest incarnation of Music For Dreams' label boss Kenneth Bager in collaboration with artists and friends Rodrigo Sha, Danish composer Troels Hammer and producer Thomas Schultz from Ambala. The lead single 'Te Faz Bem' was the last track recorded during the sessions and will be the first single released on Music For Dreams this autumn.
Another classic remastered Italo Disco / Cosmic Classic from Best Record Italy, originally released on Musix Records in 1982, produced by legendary Italian producer Maurizio 'Sangy' Sangineto. (Change, Armed Gang, Firefly). This one includes all the original full extended versions Including the special electronic cosmic version on the side A plus the original and instrumental version on the flip.
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- A1: Sunsay (Feat Richard Farrell)
- A2: Good Company Girl (Feat Ymtk)
- A3: Echo 1
- A4: I Am That (Feat Leah Vee)
- A5: I Don't Wanna Know (Feat Mickey Shiloh)
- A6: Echo 2
- A7: Force Notch
- B1: I'm Coming Home (Feat Richard Farrell)
- B2: Fight (Feat Cheshy)
- B3: Echo 3
- B4: Just Because Of You (Feat Daramola)
- B5: Let Me Know (Feat Tonyb)
- B6: Wondrous Spirit (Feat Richard Farrell)
- B7: Echo 4
Echoes is the second album by the Ukrainian producer Cape Cod, released jointly by labels Vinyla Records & Kiev House.
Echoes is a comprehensive and multi-genre work in terms of sound and song creativity. On second album, dance music floats between genres, styles and mood from track to track, while Cape Cod skillfully waves the breakbeat, r'n'b of the new school, soul and hip hop into the tracks and brings his love to the disco house to the sound level.
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Previously released as part of a double LP compilation with her complete output on Selector Sound and the Deep Inside You EP. However, this is the first official reissue of the Deep Inside You EP as it's on stand-alone release. Soul singer Gloria Ann Taylor has no rags to riches tale to tell. Her story is one of personal sacrifice, failed relationships, and missed opportunity. She was leading a hard knock life before being swept-up by the flash and promise of a marriage and business partnership with a successful record producer. She would be nominated for a Grammy, rub shoulders with James Brown and Bootsy Collins, and turn heads from Motown. But in the end she rejected professional singing, the music business, and the lifestyle that came with it. Thankfully for music lovers, before Gloria closed the doors on her singing career, she left us with some amazing soul songs. Deeply shaded by gospel roots, her haunting sound clearly comes from the gut. Gloria did not fake the funk.Gloria was a partial owner of the Selector Sounds label, along with her husband/producer Walter Whisenhunt (previously a right-hand man to James Brown), and her brother Leonard. They released five Gloria Taylor singles between 1971 and 1977. They also released the three-song Deep Inside You EP, under the name Gloria Ann Taylor and Walter Whisenhunt's Orchestra. In the studio Whisenhunt would work up a unique musical brew that mixed northern soul with exotic percussion and fuzzy psychedelic guitars. He moved Gloria through arange of tempos and stylings from ballads to disco. Her gritty vocal performance was set to orchestral arrangements creating a juxtaposition of grandeur and solace. The pinnacle of their collaborations has to be the jaw-droppingly epic EP version of "Love Is a Hurting Thing"; a chugging, string-laden disco track, that sounds like proto-Theo Parrish.
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Moving to London, producing two sell-out records with Mall Grab’s Steel City Dance Discs, and nailing mixes for Rinse, NTS and Boiler Room, made 2018 a landmark year for Australian-born producer and DJ Loods. Following his extensive touring across the UK and Europe, Loods has been working away in the studio to produce his Classic Music Company debut. This two-track 12” marks an impressive label outing for the artist, as title track ‘Walking Away’ offers a summer-ready sound with soft keys, a soulful vocal sample and lilting beat. On the B-side is the deep and grooving ‘The Feeling’, where the burgeoning artist presents another track primed for summer dancefloors with this disco house number.
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Kitsuné veröffentlicht die neue EP des kanadischen Produzenten Pat Lok, der mit jeder Menge R&B, Soul und House Gute-Laune-Vibes verbreitet, Millionen von Streams generiert und mit Acts wie Galantis, HONNE oder The Magician auf Tour geht. Auf seiner "Corazon EP" wird Pat Lok von den Vokalisten Tom Aspaul, Dances With White Girls, Kate Stewart, Luke Burr und Hannan Yadi begleitet.
[e] From The Back (with Party Pupils) [feat. Dances With White Girls]
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Elements Of Lifefeat.Lisa Fischer&Cindy Mizelle
Into My Life (You Brought The Sunshine) (Louis Vega Remixes)
Vega Records puts together a vinyl package with one of the hottest records in the catalog. Now a classic in the UK Into My Life' is getting a whole new treatment and will be released as a double pack vinyl. A brand new version unreleased, the original studio recording of the song before it was remixed in the house format is already being played by Gilles Peterson on Then there are the main version, instrumental, and two original dubs, which are all remastered by Vega's mastering engineer Walter Coelho. The full vinyl package with cover art is ready to be released on Record Day' on April 21, 2018.
Released on RSD
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As you might have noticed we are no fans of big words. That is
why we will keep this one relatively short: After eight years of
releasing E.P.`s we are happy to present you the ¦rst long
player on Rose from our beloved M.ono. He has collected
twelve tunes over the last years to bundle them into "Spritti
Moments 2008–2018". The result is a journey wandering into a
deep-disco-breakish vanilla sky trough the different moods of
house music with not only straight beats. We hope you like it.
We are celebrating Spritti Moments! Love Rose
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Remix of The Bucketheads classic is final release in Positiva's 25th anniversary seriesCelebrating 25 years at the summit of the dance music industry, iconic label Positiva Records is proud to unveil the final release of the Positiva 25 series, EJECA's extended 'Got Myself Together' rework.
First made famous by The Bucketheads in 1995, the track quickly cemented a reputation as a staple hit of many 90s clubbers lives. Reimagined with a 2019 touch by EJECA (aka Garry McCartney), the producer laces his own mix with a series of rhythmic bass-line grooves.
With Pete Tong supporting EJECA's previous productions on his BBC Radio 1 show, the Irish producer is famed for his dynamic blend of house and techno, releasing on esteemed labels such as Sasha's Last Night on Earth imprint, KMS and Defected.
Launching in 1993, Positiva's back-catalogue includes many of the biggest hits of the past quarter-century, with the imprint achieving a staggering 14 UK #1 singles. Marking the celebration in 2018 with a range of special events, Positiva hosted parties at a range of venues including legendary Ibiza venue Cafe Mambo and London's Ministry of Sound club. The label also released a complete Positiva 25 box-set to commemorate the occasion, providing party goers with a nostalgic trip down memory lane thanks to 6 discs of the imprint's classic anthems.
With EJECA's slick production set to drop on 12th April, the track is the final release from the Positiva 25 catalogue, and follows re-imaginations from the likes of Floorplan, Kideko, Yotto, Mele, Dash Berlin, Eats Everything and Shadow Child.
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Vive La Musique burst onto the scene last year with the hugely successful "Tabala Mouv". For the follow-up, they present two songs from prolific Congolese talent, Sammy Massamba, taken from his cult self-released album "1990 - Beni Soit Ton Nom". Title track "Azali" immediately hooks you in with its mysterious intro, laden with early 90s keyboards and drum machine. Sammy's funk guitar and anthemic vocal lines turn this unique composition into an infectious afro-pop masterpiece. Label founder Aroop Roy steps up with a customary edit, extending the arrangement and giving the drums and mix a modern-club touch. Sammy describes the second track, "Birika", as a mix of Congolese Rumba, Afrobeat. and Reggae. A mid-tempo bass and guitar groove form the backdrop for Sammy's powerful vocals. An exquisite rumba guitar line completes another high class composition.
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Marius Circus retuns to his own In The Garden label with his cover version of Lindstrom’s
‘I Feel Space’, backed with an Andrew Weatherall remix.
Norway’s Marius Circus has been steadily building stream over the past few years, starting out
with a release on Prins Thomas’ Full Pupp in 2011 before 2017 saw him launch his own In The
Garden label, picking up support on releases from the likes of Perel, Axel Boman, Jennifer
Cardini and Ivan Smagghe amongst others.
Here though we see Marius deliver his interpretation of fellow Norwegian friend Lindstrom’s
classic ‘I Feel Space’, replaying and programming all the parts of the original whilst adding his
own twist via squelching 303 licks, choppy bass hits and crunchy drums.
Andrew Weatherall’s remix follows next, with gritty low-slung drums, spiralling atmospherics and
winding 303 licks driving the composition whilst the cinematic melodies of the original further fuel the
murky, hypnotic groove.
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With such a raft of quality music coming across the Summer from NuNorthern Soul, we thought we would put together an EP of some of the tracks featuring across the upcoming months...
We have taken our favourite tracks from various digital releases and present them on one vinyl 12" EP On the A side we take Nick J Smith's 'Waves Take Hold' from the Waves Take Control EP'
'Waves Take Hold', is a kaleidoscopic, life-affirming exercise in late 1980's style Italian Dream House, that's so warm and rush-inducing that it's likely to get the hairs on the back of your neck standing to attention.
Full of ricocheting drum machine hits, sun-bright lead lines, elongated chords and rich bass, it sounds like it was tailor-made to soundtrack sunrise in Rimini...
Bonnie & Klein 'Ocean Leap' taken from the Ocean Leap EP
There's a deeper and dreamier feel to the 'Ocean Leap' track, whose bubbly melodic motifs and synthesizer panpipe flourishes offer subtle nods towards 1980's Greek new age electronic composers such as Vangelis Katsoulis amd Dimitris Petsatakis.
Bonnie & Klein's synthesizer-heavy melodiousness comes accompanied by dub disco strength bass and undulating, off-kilter drums, but retains the rush-inducing bliss associated with the pioneering work of their Greek predecessors.
AA is given up to the 10 minute + track from Mirage: 'Endless Ocean' taken from their Reflections of the Sun EP.
'Endless Ocean' is a slowly building masterpiece. After a hushed, atmospheric opening, the track bubbles away on waves of hazy bongo beats, lapping water sounds and seductive chords before rushing skywards in a swarming swirl of trance-style synthesizer lead lines, echoing electronics and picturesque piano motifs.
The eight chapter of the infamous Slow Motion Compilation series, “Italian Dance Wave Disco Otto”, has quite some hidden gems to be discovered. Beginning with a track from Marcello Giordani DJ (half of the duo Marvin & Guy), that expresses a perfect Italian melancholic sunset (as the title also states), energetic, strong, but always poetic. Always following that "beachy" vibes we find The Caribbean House, serving a track that could last a century, and we would never mind. Electro hints mixing with deep and balearic vibes: ears glued to the headphones. Moreover, we have again Slow Motion queen, System Olympia with a track that could make even nuns sweat on the dancefloor: beats and bass to die for. To close this chapter, you can pamper your ears with a angry balearic track from Gallo, not suited for the more weak hearts, that’s for sure.
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Influenced by early 90s hip-hop's use of samples Jesse Bru's sounds pay homage to older traditions in music and come correct as classy soulful emissions.
Like the big bang, 'Science is Science' launches faster than you think right into a proper disco number, and 'Bassment Dweller' is a lovely sunny day soul-jam with a thuddy kick for all the sub-huggin bassment dwellers.
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Nashville's dusty funkateers Magic In Threes return to RNT Reserve with a triptych of low-strung grooves, each complimented by a superlative remix. Chupa Cabra, a sweet soulful joint, is reimagined as a devilishly pulsating and funky burner by RNT mainstays FOUK on their remix. Parisian Patchworks takes the 70s-cop-show funk of Work Tapes straight to Nigeria with a beautifully crafted highlife remix. Finally there's Come On Down, reminiscent of classic Donald Byrd in the Larry Mizell days, which is beefed up and readied for the dance floor by analog wizard Lay-Far. A lovely package for listening, or bumping!
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Producer and DJ O’Flynn has announced his new 12” single, ‘Sunspear’, to be released on 3rd May 2019 alongside previous single ‘Tru Dancing’ on Silver Bear Recordings.
His latest outing follows a self-released 12” on his newly incepted imprint Hundred Flowers earlier this year, as well as singles on Blip Discs and Ninja Tune.
With his new single he continues to evolve his signature style: the breezy Sunspear swirls with a euphoric world music sample and heated percussive energy, whilst peaktime weapon B side Tru Dancing is a horn-infused disco-house gem.
O’Flynn says "I wanted to make something for the summer dancefloor that people could have fun to. It was about taking the sample and recontextualising it to make something more modern whilst keeping the original feel, adding additional percussion to up the energy.”
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Mokadelic - Doomed to Live is the theme tune to the hit Sky original series Gomorra. In celebration of the enchanting classic, Crosstown Rebels commissioned Daniele Baldelli & Marco Dionigi, who produce two stunning ‘Nu Disco’ and ‘Dub’ remixes and Davide Squillace, who provides the equally impressive ‘Ethnik’ remix.
Based on the acclaimed book of the Neapolitan writer Roberto Saviano, Gomorra, is focused on the fierce Neapolitan crime organization, depicting street-level crime and its hierarchical organization from the pavement, all the way up to regional government offices. The original theme tune played a significant part in the success of the show and was quickly commissioned to be remixed. The end result of which is a stunning release featuring a selection of Italy’s seminal artists, who each represent a different aspect of the country’s long-standing affiliation to club music and culture.
Baldelli and Dionigi’s Nu Disco remix combines cosmic synth stabs alongside otherworldly pads to form a meaningful astral cut, whilst the duos Dub mix features swinging drum solos and an infectious wooing vocal throughout. Davide Squillace’s Ethnik remix of Doomed to Live is a tribal fashion, as hollow drums pave the way for a soothing, emotionally charged piano key that runs alongside shimmering Maraca sounds.
Daniele Baldelli is a veteran of the scene and considered by many to be the pioneer of Cosmic Disco, a sound that first came about during his club residencies at Italy’s Cosmic and Baia Degli Angeli. On top of this, Baldelli’s collaborator Marco Dionigi held a residency at Verona’s Alter Ego club for twenty years. Born in Italy’s Siena, it was a trip to London that ignited Davide Squillace’s passion for electronic music. The Italian native debuted as a Circoloco resident in 2007, and has founded multiple labels since, including Sketch, Hideout and Titbit.
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Manchester's Yadava steps up to the plate for the next installment of the High Praise Edits series. A member of the cities infamous party collective So Flute collective, Yadava has steadily been making a name for himself as a incredible selector with productions to match (including recent release on the likes of Church and Banoffee Pies records). He also holds down the 'Expansions' show on NTS Radio alongside co-host Contours.
With his incredible knack for weaving spiritual, soulful and uplifting energies throughout his music, it's no wonder we had to get him on board for High Praise Edits Vol IV.
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Having hallmarked their success through their ability to showcase the hottest talents in dance music, whilst being renowned for curating some of the finest compilations over the years, London's finest party collective, Future Disco now offers a warm welcome to Gimbrère to the imprint. The young Dutchman steps up to the plate with his heavy weighted disco weapon, 'A Thing', seeing AVA regular Jordan on the remix duty.
Kicking things off, Gimbrère teases with a series of sweet melodic disco grooves under a booming range of 808 kicks, slowly sweeping off the filters to let the passionate vocal howls let loose and tear through the speakers. Coupled with thunderous crashes and well deserved breakdowns, this track is without a doubt some real peak time business from the flying Dutchman.
On the flipside, Jordan lays one down for the early hours, switching up the beat into a trashy hi-hat affair, making room for a wobbly old school bass and synthline to playfully glide along with the sam-ple hooks. Two completely different, yet equally as satisfying cuts, rounding off what is yet again an-other quality release from the Future Disco crew.
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“Made in Switzerland for use in Italy”. Lowell’s charming Italo-ish oddity from 1985 gets a proper reissue, courtesy of Compassion Crew and MPR. B/w the dope instrumental and a runnin’ remix from Ruf Dug. Restored from vinyl and mastered by Thomas P Heckmann at Trope. Cut by Andreas Kauffelt at Schnittstelle. Full colour cover with artwork by Mel Keane.
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Who said that da new Long player must consist by Intros, Outros and Off-Tracks – that all lies in the eye of the beholder and depends on his perspective. It must be honest and has to odd pictures in the heads. DOMPE succeeded that in a perfect way. At the beginning of May, he will release his latest album named HIPPIE CRACK on his own Label JACKRUIT RECORDINGS.
HIPPIE CRACK – music is our drug – it makes us happy and gives us the chance to flee from the gray and ordinary daily routine. These 12 Tracks are highly addictively. Close your eyes, dance and time can be forgotten. Back to the roots – back to good old house music tunes, simple but not easy produced. The DOMPE Style has not to be described on more details; Again, and again full of different facets. These tracks are as always full of summer vibes und carried by lots of samples with plenty of old-school-sounds.
All tracks from the Album tell a story, can be listen to at home or also in the club. It starts with love and full of harmony, before it changes the chill mood the clubbing sounds. All in all, the complete package is very atmospheric. Like a good gig the sounds it goes harder step by step and at its best it comes to an end.
From the front till the back a project with a high intention – one of DOMPES heart wishes was a cover designed by BRINGMANN & KOPETZKI. The result is a perfect comic version of DOMPE and that's a banger. So, HIPPIE CRACK isn't only a musically hot shit, but also a visual highlight.
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Faze Action return with Zeke Manyika to present "Kubatana", which aptly means "Together" in Zeke's native Shona. This second release, in a series of four 12"s, features live horns and flute with the lead track taking influences from the late 80s South African Proto House sound. The result being an uplifting slice of original African House for the modern dance floor.
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Alex ‘Kiwi’ Warren’s passion for music has been a fire that has long burned within. With acclaimed releases on Disco Halal, Optimo and others, Kiwi’s work has earned him a wealth of support from some of the scenes biggest names such as Andrew Weatherall, DJ Harvey and Gerd Janson. He now joins Edinburgh’s Paradise Palms for the latest instalment of their highly regarded 7” series which has previously seen groovy, off-beatofferings from Tom Blip and Justin Robertson.
You Want Her To is a playful, low slung stomper featuring a slowed-down House beat, pads and a catchy oddball chant from Warren himself. Peeling Oranges ups the NRG and uses an Italo-strength arpeggiated bassline to great effect, resulting in a peak time electronic Disco smash. Both tracks feature alternative 7” and digital mixes.
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More Edit Action Aimed Straight At Late Nite Disco Dancefloors!
Disco Bits Return To The 12" Format With Another Collection Of Varied Cut N Paste Edits.
Side A
1. Funk Freak
Disco Bits Are Suckers For A Bit Of Hip House And Here They Take A Slept On 80's Rap Classic And Polish It Up For Modern Dancefloors.
The Addition Of Beefed Up Drums And Percussion Turn This Into A Guaranteed Floor Filler. We've Already Lost Count Of How Many People Have Asked Us What This Is When We Tested It Out On The Floor.
2. What You Want
Here The Crew Take A Nu-yorican Disco Classic And Put The Break Where It Was Always Meant To Be, Right At The Centre Of The Track. Drums, Drums, Drums To Make The Dancefloor Rock, Rock, Rock!
Side B
1. Dance On
An Edit Of A Timeless Afro-tinged Disco Underground Classic. An Unstoppable Percussion-heavy Groove Teases A Build-up To A Heady Mix Of Horn Stabs And Vocal Chants.
2. A Thousand Megatons
A Rework Of A 1980's Slept On Jazz Fusion Album Track Puts The Groove Front And Centre, Building Around An Up-front Bass And Brass Workout That Underpins An Irresistible Vocal Hook. Destined To Detonate Any Party-time Dance Floor.
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After Dj Psychiatre's Goosebumps Track From The Last Whyte Number Va, It Was Only A Matter Of Time To Have Our French Fella Coming Back - This Time With A Full Solo Ep. As A Little Icing On The Cake We Treated Ourselves For The 10th Piece Of Wax With A Slammin' Remix From A Producer Who Was Real High On Our List For A Long Time: Black Loops!
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Gianni Marchetti is one of Italy's best kept secrets...
A composer with a long and elaborate list of writing credits in both pop music and movie soundtracks.
He penned proper anthems in Italy's post-war melodic tradition. Amongst his large and varied oeuvre, in 1977-1978 he composed and recorded the original soundtrack for the skin flick 'Disposta A Tutto'
A slow-burning mix of funky clavinets, scat vocals, wah wah guitars and sultry tenor sax lines, all tied together by a distinctly Italian sensibility.
Rather than fading into obscurity, the soundtrack became a prized collector's item for DJ's and rare groove enthusiasts.
In 2019, Heristal and Danilo Braca (AKA Dany B) are very proud to present a new version of 3 tracks from the Disposta A Tutto soundtrack, edited and extended for maximum dancefloor impact.
After a short hiatus Phonica Records revives its deep-house focused Karakul imprint for Harry Wolfman's new 12" 'The Ritual'!
Having produced a dozen 12's for labels such as Dirt Crew, Omena and Outplay, Harry has been honing his craft for the best part of a decade and you can hear how his sound has refined over the past few releases, reaching new heights with this latest record for Karakul.
'SMBC' kicks the 12" off in a laid-back style with its woodwind and brass samples complimenting bright pads and drums, reminiscent of MCDE, while the mellow and sultry 'Eva' is up next.
On the flip 'Obi 1' takes things up a notch both in tempo and energy, working around a lo-fi drum loop and cunningly filtered bassline.
Strings come to the fore halfway through making this a real uplifting gem, the mixture of instrumentation bringing to mind early Pepe Bradock.
Finally 'The Ritual' rounds out the record in a mesmerising way, slowly introducing more and more elements and stirring the pot before fading out again.
An original and fitting way to end the record.
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Foul & Sunk is proud to present 'Morello', a cathartic EP from upcoming producer star D.Y.A. As an university educated jazz drummer the concept of improvisation and aspiration for that one special musical moment is surely no secret to D.Y.A. So both tracks 'Morello' and 'Cosy' are melodic groovers with the extra portion of soul. Beside this there are Johannes Albert and Shan on remixing duties. Albert is taking it to a deeper level, while Shan delivers a 9 min. monster remix with his emotional melodies and deep grooves.
About D.Y.A
City: Berlin (DE)
Labels: SOLIDE / Foul & Sunk
Growing up in a family where D.Y.A was surrounded by all kinds of different music led
to the mindset of appreciating each genre as equally important and eventually got him
to draw inspiration from all kinds of music. As an university educated jazz drummer the
concept of improvisation and aspiration for that one special musical moment is surely no
secret to D.Y.A.
While being Berlin based and a founding member of - SOLIDE', a label and collective he
runs along with fellow producers Kalyma and MYNY, translating these rather complex
concepts from jazz into house music, wether we are talking about production or DJ Sets,
has been one of D.Y.A´s main goals. Looking back to a relatively young discography, this
summers forthcoming EP´s on Solide and Foul & Sunk, with remix guests like Johannes
Albert, Panthera Krause or Shan, will fall in nicely to showcase D.Y.A's influences and his
quest for a special musical moment.
With newcomer Törsh as the first release, the team of Zissou Records establish their uplifting yet down to earth approach to the world of underground dance music. Discover your element with their ¿Tienes Fuego EP - spicy-firy 'Thai Take Away", silky-flowing 'Laid On Coco", rich & earthy 'Magic Johnson' and cheerful-breezy 'Can't Let You Go". Uncover the raw emotion under all that tamped, dusty patina of the dancefloor and hand out happy smiles without expecting anything in return.
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Fresh original, his one’s a spicy 122 bpm groover as that peaks with Bread N Butta laying down some
seriously smooth piano licks.
The groove comes out of nowhere, and ends up being the funkiest rolling deep house track you have always
wanted on 7 inch vinyl.
Calgary’s Bread N Butta, aka, Enoque Carrancho, Enno Karr and One Less Of Them is another extremely talented artist
to emerge from the city that seriously loves House music. Bread N Butta is a moniker intending to express a more
soulful, playful side of Enoque's musicality.
The ever-charming UK based pop power trio – Patawawa released their funky indie dance jam on Kraak & Smaak's label Boogie Angst'. Stepping up on remix duties is Hot Toddy, a name synonymous with quality in the UK disco, house and dance scenes. One of the founding members of Crazy P, both his work with that project and his releases under his solo moniker have never been short of excellent. There is no denying his pedigree in the genre and has once again assembled two absolute fire-starting reworks.
Maintaining the catchiness and instant glittery likability of the original, his mixes instead focus firmly on the club dancefloor with the 'Hot Toddy Disco Dub' clocking in at eight minutes and boasting more grooves than your local car-tyre dealership. It's still a bass led fiesta with disco vibes aplenty for your dancing pleasure. And for those that like their mixes a bit deeper fear not! There's the self-explanatory - 'Hot Toddy Deeper Dub' which is everything you'd want and more all neatly packaged in a dub mix.
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Dancing People is an edits label embracing sounds from around the globe, with the focus firmly on making you move. These DJ friendly cuts are ready for dancefloors far and wide, paying respect to the original versions by enhancing their energy, vibe and musicality.
Vinyl only, 300 press.
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Strap in for the 16th Masterworks Music release, captained by Dr Packer. The slice and dice surgeon brings four funk fuelled waves to ride out across the cosmos on.
Mars landing imminent, the A side houses the space-age, interplanetary ‘Cozmic Funk’ with its whoozy synths and alluring vocals. Back this with the squelching goodness of ‘Funk Of The Future’ packed with sleazed up keys, thumping bass injections and vibrant chants.
On the flip side, ‘Waves Of Funk’ turns the celestial synthwork up to hyperdrive, mixing sensuous basslines with bewitching vocals to lure in any wanderers. Closing out the EP on the final funk wave, vocoder business blends with extra-terrestrial Balearic guitars in ‘Skin Tite Funk’ as the shuttle turns it’s trajectory back to planet earth.
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Dark Entries Editions reissue series continues with a double A-side of the first two Helen maxi singles, 'Witch' and 'Zanzibar', as a 4-song EP. Helen was an Italo disco studio project that consisted of various producers, songwriters, and vocalists from Italy in the 1980s. The first line-up included popular Italo producers Piero Cairo and Massimo Noe, known for their work with Joe Yellow, Den Harrow, Pink Project, and Dharma to name a few. They were joined by prolific Italo session vocalist Elena Ferretti. 'Witch' was originally released in 1983 on Out Records, a label distributed by Discomagic Records. Signature Linndrum and Simmons drums create the driving rhythm track while Elena's powerful vocals tell the haunted tale of a witch and her magic. In 1985 the second incarnation of Helen recorded the song 'Zanzibar'. The vocal version was written by Ennio Ronchelli (Keyboards) and Roberto Barocelli (Guitar, Bass), with singer Daniela Paratici. This line-up was heavily influenced by the 'Afro' movement made popular by DJ Beppe Loda. 'Afro' refers to the Cosmic musical trend of slower disco records featuring African drums and rhythms. The 'Afro Mix' of 'Zanzibar' was produced by DJ Daniele Losi and Roberto Lodola, with additional live hand drums and sticks by Nigerian percussionist George Aghedo. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl is housed in the original jacket from the ''Witch'' maxi single, featuring artwork by Elena Feretti. Each EP includes a fold out poster with the nude female model
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Limited 200 copies Vinyl Only *
When instrumental parts are more powerful than lyrics, thats the perfect scenario for Gigi Testa, goin' deep, with a full dub edit of “Sentimentally it’s You”. Owner of the legendary store A1 Records in New York City and Boss of Dailysession label, Toshi aka Monchan is very welcome for his first cut with a beautiful dub edit of "Snapshot”.
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Limited 200 copies Vinyl Only White Label, Hand Stamped *
The Marsupials look into their pouch again grooving the brilliant In the Pocket as they love to do keeping the original song message's,is it in your pocket! :) Very First Cut for Rocksteady label owner, based in Detroit, Peter Croce getting down with funk slapping this beautiful jam calling The Awakening
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GIANT RECORDS 10th release is from New York born ADAM COLLINS and limited to 150 hand stamped and numbered copies. Adam is widely known for his work as one half of production duo - OMNI AM, along with Marky star and counts Derrick Carter and Evil Eddie Richards and a whole host of others, amongst their fans. Adam's release for Giant is titled - DAY2DAY and has all the trademark's of Adam's wonky,
left of feld, slightly of kilter grooves - DAY2DAY builds and snakes itself into a bottom bass heavy House jam - Chicago style keys mould the snare and hats into an infectious work out - with an alien like hook that keeps it all slightly wobbly. The
next cut is from the super talented CARL FINLOW under carl's RANDOM FACTOR guise, a beauty in its own right ! Super tight drums and a punchy RANDOM FACTOR bassline take's this mix on a journey through many shades of electronica - as the track swells nicely with warm atmospheric pads and sprinkles of emotive keys, with an electro style hook that keep's it all swinging in Carl's trademark sound. The next mix is from LA based producer MIEKA DU FRANX. Mieka's mix strips the original
down to the bare essentials and gives it a tuf minimal feel. The last mix is from ECHO OF GLORY, which see's Echo take the track on a Acid tinged work out - adding
dubbed out vocals and super subbed out bass.
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Following on the heels of the hugely successful Joaquin Joe Claussell Edits & Overdubs Lenny Williams Changes 12” comes another soulful disco 12” monster taken from the eagerly awaited forthcoming Joaquin Joe Clausell’s Edits & Overdubs
Part 2 Double CD + Limited 7” Vinyl coming September 2019. Served up this Nme is another dope Joaquin Joe Claussell Edit & Overdub of the not overly played soulful disco classic Ntled “Come Go with Me” by Pockets. Come Go with Me is an album cut that was never releases on a 12” and is another example of album songs that were a favorite at the Claussell family’s home growing up. This is destined to be another Unofficial Edits & Overdubs Classic.
Due to the winding, down of record sales during the summer months, this will be a Limited Release.
Don’t Sleep!
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- A1: Charanjit Singh - Raga: Madhuvanti
- A2: C Cat Trance - Shake The Mind
- A3: Disco D - Beat It
- B1: Cybotron - Mumbo Jumbo
- B2: Rinder & Lewis - Gluttony (Dompteur Mooner Edit)
- C1: Barbara Norris - Heavy Hitter (Dompteur Mooner Edit)
- C2: Tambien - Quedarte' (Vinyl Only Bonus Track)
- D1: Equip - Xxxo
- D2: Nad - Distant Drums
- D3: Dopplereffekt - Infophysix
Welcome to the fourth chapter of the ELASTE series!
In this compilation I am progressing a style I am inaugurating: Vintage Futurism. The best metaphor for this genre is Charanjit Singh's 1982 album Ten Ragas to a Disco Beat in which he created a sound which mirrors, but more importantly pre-dates, the first acid house record by five years. It is no novelty record, but truly capturing the hypnotic potential of acid/house music. It became my key track for Elaste Volume 4.
Previous incarnations of Elaste have aimed to catch the spirit of the late 70's Italian Cosmic Discotheque, a place where the history of DJing was rewritten within this microcosm. For this latest instalment I was most intrigued by weird of-the-time (or 'out-of' as the case turned out to be) electronic disco, a vast genre!
Bringing together those progressive avant-garde tracks that were expanding the genres of house, disco, acid, new wave, and ultimately use Elaste as a vehicle to highlight those tracks that were ahead of their time. These legendary works ranges from 1978 to 1996, a wide spectrum of musical history, in which some of the older tracks may sound modern, and newer ones sound may sound vintage.
Many of these authentic back-to-the-aural-future moments were initial sparks for whole genres - Larry Heard´s Disco-D alias happened just before house music. Greg Wilson's 1984 project Equip was produced for a UK Electro compilation, but never made the LP, because it sounded simply too futuristic. Michael Rinder´s Gluttony can't be called Disco any more, not even Post-Disco. For Elaste Vol. 4 we have built Vintage Futurism as a home for these ultramodern mavericks. - Dompteur Mooner
About Dompteur Mooner
Mooner stepped into the limelight as part of Zombie Nation, whose 1999 smash hit 'Kernkraft 400' was signed to DJ Hell's Gigolo label and earned worldwide chart success. As one of the most knowledgeable experts in obscure vintage electronic music, Mooner however decided to do things a little less obvious from that point on: He left Zombie Nation and founded Erkrankung durch Musique, a label dedicated to releasing left-field electronica, from techno to experimental pop, old and new. He also a highly regarded DJ, known for his unmatched record collection and bootleg edits, such as his - Girls Girls Girls' Ep that combined great 80s girl bands as extented edits, or - Greatest Hits', an hommage to dance - orientaed Rock music.
Mooner just finished his fourth chapter of - Elaste', a compilation series for Compost Records that started the Cosmic Disco hype.
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Welcome to Black Riot Records - the tougher brother of Midnight Riot Records - a larger than life house label with an array of artists & producers from around the globe.
The A side features Hacienda resident Buckley who delivers two deadly covers of the Ralph Rosario classic 'Renditon' that is already is receiving love from Jamie Jones.
The B side features Hot Mix 5's Mickey Oliver with 'Just A Tease' featuring Russoul that can only be classed as real deep house. The Hypnotic Lovers re-rub gets all Detroit Swindle on us with big dusty beats, warm instrumentation & heaps of soul.
DJ Support: Soulclap, Luke Soloman, Jamie Jones, Nachbraker & Danny Krivit
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- A1: Glenn Jones - I Am Somebody (Joey Negro Finessed Remix)
- A2: Patrice Rushen - Never Gonna Give You Up (Jn Re-Grooved Mix)
- B1: Samuel Jonathan Johnson - You (Joey Negro Zoomed In Mix)
- B2: Deniece Williams - Free (Joey Negro Re-Grooved Mix)
- C1: Venus Dodson - Shining (Joey Negro Tribute To Leroy Burgess Mix)
- C2: Gwen Mccrae - Doin' It (Joey Negro Soulful Reprise)
- D1: Mass Production - Shante (Joey Negro Cosmic Funk Mix)
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With their next carefully curated release, the Opilec Music label begins to shine a light on the roots of Italo with the reissue of an ultra rare and obscure synth Italo disco track by A. Avenue from 1984.
This is a special Record Store Day 2016 release and of course, Opilec Music has remastered the original vocal and instrumental versions and here include I-Robots reconstructions and two Flemming Dalum's reworks.
This is a track many labels wanted, but only Opilec Music have been granted official rights to this cult re-release. Originally released on Discover Records, this is the only EP
A. Avenue (aka Dario Ancona and F. Feleppa) ever put out and it now fetches high prices on Discogs. Once you hear the music, you can understand why: The lovably naive and innocent vocal version is seven minutes of cosmic and psychedelic grooves with perfectly retro melodies and pixelated chords that take you into outer space.
Mid tempo drums are full of funk and drive and the two part vocal—one crisp and clean, one filtered and dehumanised—really lend the whole thing a special robot feel that is second to none. As well as a stripped back instrumental, there is a fine I-Robots Reconstruction that is quicker and more driving.
The vocals are also more prominent, soaring up top above reflective synths and rainy xylophone style melodies. It is a real Italo disco gem that is followed by a spacious and tripped out version from Danish DJ and producer Flemming Dalum, who has been devoted to Italo all his life and works with labels like Mothball, Bordello A Parigi and Disco Modernism.
He also layers in more cowbells, punchy drums and claps that refresh it for a modern club, and buy the EP digitally and you will get a second Dalum edit that is the deepest of the lot - 100% true to the original.
This reissue will make many record collectors and Italo disco fans truly happy, and is just the start of some brilliant new projects to come.
MB DISCO IS BACK After a break. we're ready with new releases. After heavy demand, we decided to press this little gem on vinyl. It features the stellar remixes from Psychemagik.
Named after an 80s French cartoon, this single is the product of Turkish producer Alico and his shady cohort, Cagri. The tune is a straight-up salad of vintage Eurodisco with lashings of Italo dressing. Evoking the likes of 'Droid' by Mito, Vangelis and anything by Hipnosis, this laconic sprawling synth-fest is saved from total retroville by a crisp modern electro-house bounce.
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Emotional Rescue returns to the Caribbean with the music of Glen Ricks and his infectious Jamaica meets Boogie goldmine that is I've Been Waiting For You.
A performer since the age of 7, Glen Ricks (born Ricketts), established a reputation for his singing range and ability to seamlessly shift from tenor to soprano, going on to sell over a million records around the world.
Having immigrated to Canada as a child, after teaming up with his first band The Fabulous Flames Ricks returned to Jamaica to create his first records. Moving effortlessly from reggae to lovers, and dancehall to soul, R&B, disco and boogie, Ricks established a successful career and he continues to perform to this day.
I've Been Waiting For You is indicative of that cross-pollination of style and sound. Released on 7" in 1983 on the short lived Seraff label, the mix of Ricks' soul voice with laid back boogie groove creates a sound full of lazy JA swing.
Now highly sought after, this special 12" reissue includes the stand out vocal and is backed with an instrumental that builds on the interplay between bass, drums, piano, guitar, keys and finally, backing vocals. To seal the deal - and in true label style - LA's rising star DJ Duckcomb presents the perfect Discomix, seamlessly cutting between both versions with some respectful dubbing in the mix.
Italian House music pioneer LTJ releases two funky edits and hosts a lush rework by Canadian heavyweight DJ and producer Eddie C on London label untitled (recs) for the second installment of the imprint's u(r)blue series. 2 sides, 2 heavyweights groovers!
LTJ has been DJing since the late 80s in his hometown of Bologna and has since then developed a cult following garnering international acclaim from his peers. His productions are notably regulars in Moodymann's tracklisting.
The opener 'Street' is an edit of 'Street Dance' by funk/disco American group Fatback band. A2 is an exhilarating rework with acid undertones of 'Black is The Color' by legendary funk guitar player Wilbert Longmire. On the B side, Eddie C goes head to head with LTJ by producing an edit of the same Longmire track fueled with his own signature deep & dreamy production.
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Summer is coming sooner this year, and you can tell from the heat of the two latest releases from Slow Motion: yes ladies and gents, Italian Dance Wave Compilations are back! The first of the two, “Italian Dance Wave Disco Sette”, is here to delight you: starting from a half Italo and half Asian influenced Altieri track, killing it with a dancefloor belter that will make you sweat the night away, raving sensations guaranteed. Lukebox (Fabrizio Mammarella and Umberto Saba from the duo Loudtone) will serve you a slightly more downtempo, modular, weirdo beast that will make your head bang without you even notice: banger. Back on your turntables, is also Robotalco who is providing some proto-house extravaganza and adding some charme to the dirty, chunky beats of the compilation. Last but not least, José Manuel, delivering a touch of biting deep house and electro tribal feels to close the gap, and make us scream “hell yes”.
Introducing this first look at The Vision; a Bristol Boston collab with a locker of funk ready to go. Dusted up from endless years digging this pair of record enthusiast’s productions are full of the flavours of original disco and soul. This debut outing sees the pair dive deep into their record collections and add their unique stamp on personal house & R’n’B classics.
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incl Cassette and signed Cover !
Who said that da new Long player must consist by Intros, Outros and Off-Tracks – that all lies in the eye of the beholder and depends on his perspective. It must be honest and has to odd pictures in the heads. DOMPE succeeded that in a perfect way. At the beginning of May, he will release his latest album named HIPPIE CRACK on his own Label JACKRUIT RECORDINGS.
HIPPIE CRACK – music is our drug – it makes us happy and gives us the chance to flee from the gray and ordinary daily routine. These 12 Tracks are highly addictively. Close your eyes, dance and time can be forgotten. Back to the roots – back to good old house music tunes, simple but not easy produced. The DOMPE Style has not to be described on more details; Again, and again full of different facets. These tracks are as always full of summer vibes und carried by lots of samples with plenty of old-school-sounds.
All tracks from the Album tell a story, can be listen to at home or also in the club. It starts with love and full of harmony, before it changes the chill mood the clubbing sounds. All in all, the complete package is very atmospheric. Like a good gig the sounds it goes harder step by step and at its best it comes to an end.
From the front till the back a project with a high intention – one of DOMPES heart wishes was a cover designed by BRINGMANN & KOPETZKI. The result is a perfect comic version of DOMPE and that's a banger. So, HIPPIE CRACK isn't only a musically hot shit, but also a visual highlight.
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Prelude Records is easily one of THE most influential Disco labels of all time. The label released classic upon classic and launched the careers of many now influential artists and producers and engineers. Names like Francois K, Shep Pettibone, Tony Humphries and more were all intrinsic to the Prelude story. The music this label released throughout it's life has shaped modern day club culture and continues to do so....
1977 saw the release of one of Prelude's most sought after, desired and rare offerings. A 12" promo that features 2 insanely deep cuts from the labels impressive repertoire. Bill Brandon & Lorraine Johnson's split DJ promo 'We Fell In Love While Dancing / The More I Get, The More I Want' - 2 megaton Disco bombs that will have your dancefloor in a frenzy. This essential release has changed hands for hundreds of pounds on the used market and has never been legally reissued before, there are sub-standard boots around and they sound awful. This official reissue has the full unedited versions of the tracks and has been repressed from the master sources and with the full involvement of the licensors to provide 2019's clubs with a true Disco rarity, as it was way back in '77!
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Kalita's obligatory Record Store Day offering is something rather special: synth-funk visionary couple Emerson and Leora Sandidge's mythical unreleased album finally sees the light of day, following Emerson's sole private press seven-inch single release way back in 1988. Those two tunes ("Sending All My Love Out" and "Why Are You So Cold?") make the cut on this belated debut set, alongside six other previously unreleased recordings from the same sessions. Their take on electrofunk, boogie and '80s soul is colourful, soulful and synth-heavy, with the included tracks veering from up-tempo club workouts (see "Raw Deal Cocaine Kills") and fizzing dancefloor pop workouts, to sugary ballads and seductive slow jams. In other words, it's a more than tidy selection of rare and unheard gems.
By now you might have heard Nico & Vinz's 'Am I Wrong' on the radio. The duo's international smash debuted at number 37 on Billboard's Pop Songs countdown this week and is already working its way up the iTunes download chart to the number one spot. But who are these soulful hitmakers with their distinctive African rhythms Well, for starters, they are actually Norwegian.
Nico Sereba and Vincent Dery released their debut LP back in 2012 under the name Envy but decided to rebrand themselves when the first taste of their sophomore set exploded in Scandinavia, and then Europe. 'Am I Wrong', a soul-infused pop song with a unique world music twist, has already reached the top 5 in Norway, Sweden, Finland, Denmark and Germany.
Part of the track's colossal appeal is the striking video clip, which was filmed on location in Botswana, Zambia and Zimbabwe. The narrative is fairly simple — Nico & Vinz wander around the gorgeous terrain trying to find each other — but the combination of stunning scenery, beautiful people and the evocative soundtrack is something to behold. Watch up top.
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- A1: Jungle Jerry - You Are Now Listening To The Quiet Storm
- A2: Green Buddha - Green Buddha
- A3: Physical Therapy - Male Tears
- B1: Physical Therapy - Angel Of The Morning
- B2: Kirk The Flirt & Peter Pressure - Over The World
- B3: Fatherhood - Ya Carrying
- C1: Physical Therapy - Mischief Maker
- C2: Buckaroo! - Hand Tool
- C3: Dj Overnite - My Medicine
- D1: Stefan Proper - Known Travelr
- D2: Car Culture - Cc #5
PYRAMID TRANSMISSIONS presents the 2nd solo release on the label from PT creator ADJ.
STREET LIFE Part 2 continues the theme of Part 1 with another 4 tracks of bass driven future electro music from one of the longest standing members of the scene.
STREET LIFE Part 2 is more pure Future Bboy music with punching kick drums, Alien melodies and crunchy glitches for that unmistakable ADJ sound aimed at making you dance while getting in your head simultaneously. ADJ always looks to the future but with nods to his past of 808 electro music.
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Special edition on white vinyl, limited to 50 copies with generic sleeve
Full Intention's Michael Gray returns with his re-work of one of best Italo Soul anthems from the 80's, being Advance's 'Take Me To The Top'! Originally released on the Italian 'X-Energy' label in 1982, this one was in fact the record that built the X-Energy label. Released in cooperation with Michael's new outfit 'Sultra', High Fashion brings you the Michael Gray 'Sultra' remix together with his very playable 'Michael Gray Dub' on the flip side. A must have for all Disco lovers.
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Hugo Mari, formerly known as Books, has been receiving a lot of welldeserved love of late, and for good reason. Even though the London-based producer has been delivering respected dance-floor cuts and Edits on labels such as Omena, XVI and Sound Of Speed, his most recent release on Detroit Swindles’ Heist has really helped put him on the map. Having remixed Dele Sosimi and been remixed by Laurence Guy and Kai Alce, Hugo is moving in the right circles and it’s only a matter of time before he really gets the recognition he deserves.
His debut EP for Freerange is aptly titled Unalloyed Pleasure and consists of three originals that will give you and the dance floor just that. The lead track manages to meld slamming kicks, distorted bassline, deep, cinematic strings, disco hats and cut up spoken word into something fresh and unique.
Raise It Up sees Hugo go full on euphoric disco mode with an uplifting slice of sun-drenched soul just perfect for the summer months ahead. Lush Philly strings and vocal sample bring a classic vibe and catchy hook to the party.
Closing out this brilliant EP we have Just A Memory, a jazzier and more pensive slice of deep house music with upright bassline and familiar Rhodes sample taking centre-stage. Snippets of vocal float in and out of focus whilst the rolling, percussive groove brings an immersive energy that locks you in to it’s seductive mood.
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The new Outplay release is by young and upcoming dj/producer Cleanfield, or 'Jelle' as his mom calls him.
Hailing from Arnhem, the Netherlands, it's always great to see another talent pop up in the Dutch scene!
He has made three super catchy tracks for us, perfect for the summer season!
First up is the title track 'Haute Cuisine', warm bouncy bass topped with a super infectious lead melody and percussion. If there is a track more suited for the festival season it's this one for sure!
'Hot Wheels' races on with a deep rolling groove, fuelled by wah wah rhythm guitars, warm synth chords and arpeggios.
'Conflict With Clayton' brings another solid groove to the table with scattered vocal samples and multiple synth layers. Scorcher!
So imagine dancing your ass off to this EP in the sun and feeling fantastic, we sure are!
After numerous features and collaborations Obenewa, Kaidi Tatham and dego combine together to form Blacks & Blues.Three song based dance tracks to fill the void of underground vocal club music.
'Spin' is flavoured with S.A house & afrobeatz whilst Obenewa sings about the wonder that is love. 'You Know The Feeling' moves towards the funk that is synonymous with 2000Black and 'Don't Know Why (chant for love)' is purely the marriage between reggae and jazz.
- A1: Flamingo Pier – Hold It
- A2: Louis La Roche & Mylo – Lovers (Mylo Edit)
- A3: Galaxians - How Do U Feel (Darshan Jesrani Morning Remix)
- B1: Bertrand Burgalat - Etranges Nuages (Yuksek Remix)
- B2: The Funk Hunters – Party Rockin (Kraak & Smaak Remix)
- B3: Kiwi – Midnight Driver
- C1: Teddy Pendergrass – Life Is A Song Worth Singing (Jamie Jones Remix)
- C2: Darshan Jesrani Ft Charli Umami - Take Me
- D1: Life On Planets & Lowheads - Get Loose (Vocal Mix)
- D2: Sink Ya Teeth - If You See Me (Future Disco Edit)
- D3: Cults - Offering (Mike Simonetti Remix)
Welcome to the Future Disco. A technicolour space where you let your senses run free and immerse yourself in a nocturnal journey of musical discovery. Every collection is inspired by the past, but perfectly curated for tomorrow's dance-floor - this is disco’s future.
It’s been ten years since Future Disco arrived with the seminal first edition ‘A Guide To 21st Century Disco’. Since then they have gone on to release over 20 albums and countless worldwide parties and radio shows. So to celebrate ten years in the Disco forefront Future Disco have provided a new artistic direction alongside a brand new album in the series.
While the outside may have changed the inside is exactly the same. An eclectic selection recapitulating the sound of today and tomorrow, with firm nod to the past. Future Disco has always managed to weave that line of interesting and party starting and on this album, it’s no different. Disco has always been about uniting the dance-floor and Future Disco embody this spirit with a cross selection of sounds and artists.
They find plenty of future rising stars with New Zealand’s Flamingo Pier and Paris’s Yuksek all comfortably sitting alongside more established names such as Jamie Jones, who reworks the legendary Teddy Pendergrass, Metro Area’s Darshan Jesrani and the original destroyer of Rock and Roll, Mylo.
There’splenty of exclusives on this album. One exclusive coming from superstar dance producer Mylo, one from cult hero Kiwi and a Future Disco edit from head compiler Sean Brosnan. It also see’s a number of tracks being pressed to vinyl for the very first time including the aforementioned Jamie Jones remix of Teddy Pendergrass, Galaxians, The Funk Hunters and Bertrand Burgalat.
The entire mixed album has as always been edited and mixed for dancing pleasure. For the first time the album will be available as a heavyweight limited vinyl edition, with 300x limited edition pressed to pearl white.
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About a year ago, I had dinner with a special group of friends obsessed with food like me, we call it the Yum Yum Club. Max Pask is a member and while we were preparing a decadent meal, he played me that Evans Pyramid song « Never Gonna Leave You » that I didn't know of. It blew me away and I immediately tried to integrate it in my DJ mixes. But that proved to be a challenge as the beautiful song is very lo-fi in its production with very quiet beats. OK for a very end of a night, but I wanted to play it more than that, so we decided to make an edit with Max that quickly turned into something closer to a remix. Here it is now. There's a house mix for the pumping hours and a disco mix that is closer to the original. Very glad to introduce you to the amazing music of Evans Pyramid (if you never heard of him), a forgotten genius from Boston, the missing link between Shuggie Otis and Prince.
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Jasper Street Co. has cemented its reputation through the years as one of
America’s premier medium for quality soulful and gospel-based house music.
With the release of the “Rejoicing” double vinyl album on Nervous Records,
Jasper Street Co. is now going next level in presenting songs and productions
that will be peak hour/hands in the air timeless anthems.
Jasper Street Co. consists of vocalists Randy Roberts, Vonita White, Richard
Burton and super producers Teddy Douglas and DJ Spen. Teddy is one of the
founding and core members of The Basement Boys, a monumental production
team behind multiple hits including the 1991 gold single “Gypsy Woman (La Da
Dee, La Da Da)” – arguably one of the greatest house music productions of all
time. The Basement Boys earned maximum respect from the music industry and
fans worldwide as they always remained true to the roots of quality house, but
still were able to bring that house feeling to productions with pop artists like
Michael Jackson, Lenny Kravitz and Erykah Badu, while still making hits for core
dance artists like Ultra Naté and Martha Wash. DJ Spen also has a storied
connection with the Baltimore music world. From his days in the early 80s
making mix tapes for local Baltimore radio shows to his experience as a founding
member of a group called Numarx that originally recorded “Girl You Know Its
True,” which eventually was a number one worldwide hit for Milli Vanilli, to his
eventual work with The Basement Boys, Spen has solidified his position as a
major figure in the American house Music Industry.
This double album includes the Number 1 Traxsource Charting single “My Soul Is
A Witness,” a cover version of the seminal Ultra Naté house music anthem
“Rejoicing (I’ll Never Forget)” featuring vocals by Dawn Tallman, and the gospel
house stomper “Praying For You.” Other guest artists include Byron Stingily and
Norma Jean Wright on “Paradise,” musical contributions from Charles Dockins on
“Happy Song” and arrangements by Tommy Davis on “You’re My Latest, My
Greatest Inspiration.”
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Today, Swedish producer Rudolf Nordström aka Mr. Tophat announces his debut album “Dusk to Dawn” a three LP dark-disco odyssey that features live instrumentation from some of Sweden’s finest classical musicians (Mats Bergström, Per-Erik Adamsson) as well as appearances from his friends and collaborators Robyn, Axel Boman and Kleerup.
The Mr. Tophat sound is one that goes on and on, deep into the night. “Dusk to Dawn” is an epic collection of underground disco and house tracks, synthesising Western classical with contemporary club music. It’s an album that rewards multiple listens, a sprawling, ecstatic climb to the sublime, layered and full. It’s an album that pushes out into new uncharted territories.
As Rudolf writes in the text in the gatefold vinyl; “the first ideas of creating an actual album came in the spring of 2016, not long after the breakup from a long relationship. A dark time full of contemplation and re-evaluation of my life. That September I got the first sonic images, right after a month I’d spent living on Ibiza. The powerful sunsets, the dramatic skies over the Balearic sea, the starlit nights and the beautiful sunrises. They looked like Renaissance paintings by Rubens or Michelangelo. I remember swimming in the ocean with a view of a pretty horizon, filled with love and soft emotions. I remember standing alone in the pitch-black night, how I felt the Mediterranean storm and heavy rain hit my cheeks. It felt as I was crying and screaming, even though there was nothing but silence. The thunder lit up the cloudy sky like a strobe, to suddenly a few hours later with the turn of dawn bring everything into calm and peaceful nature - like everything was reset. This reminded me of life, death, primal aspects and the biological processes in general. As I made the album I was reading Derrida’s essay “Plato’s Pharmacy”. How he describes the moon and night has been an important influence on the record”.
To capture the sublime on “Dusk to Dawn” Mr. Tophat brought Sweden’s finest classical musicians into the studio. At the same time, some of the 25 tracks on the record are pure synth driven trance, while “Balearic Moonwalk feat. Kleerup” is on a pop-house tip. The result juxtaposes experimental textures with pure rhythmic momentum. On LP highlight “Hedonism” he collaborates again with Robyn (having first worked together on the “Trust Me” EP in 2017).
Mr. Tophat was an avid clubber as a teen, way before making his name as a cult DJ; “everything started when my childhood friend Kalle and I first visited Berghain. It was 2008 and we were 18 years old. We had found each other being two individualists with our own nerdy interests. Together we plunged into them, Kalle in hairstyling, me in electronic dance music, computer games and cyber-punk. With borrowed fake ID’s, platform shoes, blue-dyed hair and like our idols from “Party Monster” we overdressed and started raving in the forests and clubbing in the city of Stockholm. Berlin and Berghain became a place we went and visited almost once a month during a two year period. Ever since those days I’ve always loved and felt a big passion for the rave and club scene. As a space where you can freak out, be yourself, queer and believe in hedonism. It shall and should be about freedom. I guess that’s why the scene and the music attracted me.”
The hours from “Dusk to Dawn” signify a time when you can cast off your inhibitions and be free for Tophat. “The history reminds me of why I’m even creating music, about my past, my feeling of techno-punk, then and now and everything in-between which has been of significance to this album and my artistry”. It’s this refusal to conform, working in tandem with his sonic perfectionism that makes “Dusk to Dawn” such a compelling, neo-romantic soundscape, a free-associating moon-walk through time and space. Thinking back to the time in Ibiza, Mr. Tophat remembers “the turquoise sky and the coloured sea in peach were faded together into a seamless vision, the horizon was impossible to navigate; meanwhile the bright dusk was filled with hate, darkness and mayhem. Nature - so simple, but still so complex.” “Dusk to Dawn” tells the tale of those nights.
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- A1: China Burton - "You Don't Care (About Our Love)" (Joey Negro Edit)
- A2: Ed Bentley - "Bentley Boogie
- B1: Style X - "No Secret Affair
- B2: Mirage - "Summer Grooves
- B3: Savanna - "Never Let You Go
- C1: Ritual - "Sore Lip
- C2: Mbt - "You Know Too Much
- C3: Ranson, Mckenzie & Friends - "Orange Groves
- D1: 52Nd Street - "Express
- D2: The Cool Notes - "I Wanna Dance
- D3: Nigel Martinez - "Better Things To Come" (Joey Negro Edit)
Backstreet Brit Funk Vol.1 is being reissued for the first time since it's original release in 2010 plus this will be the first ever release on vinyl for this highly regarded collection. A collection of rare and very sought-after underground British disco, funk and soul tracks avoiding the obvious hits that have been on a million cd's already. Many of these tracks never went beyond a very small local release but have since become very collectable - buying this lot would set you back somewhere in the four figures. Both Vol.1 (2010) and Vol.2 (2018) of the Brit Funk albums tell the story of the underground scene from the late 70's through to the mid-80's in the UK when punk and disco were giving way to a new blend of jazz, soul and funk, heavily influenced by the American big hitters of the day but re-worked by the UK pioneers for the British dance floors. Both volumes contain a unique selection of high quality music, which will have a shelf life lasting well beyond the currents trends and fads. All tracks have been Cedared and re-mastered to a very high standard and now sound better than ever before.
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Five years after his track 'Mr. Croissant Taker' appeared on Soulwax's Grand Theft Auto V radio station, Belgian producer Transistorcake releases his official debut release, the 'Future Plans' EP on Eskimo Recordings. Featuring 4 tracks of hazy electronica that would sit neatly alongside early releases on Aphex Twin's Rephlex label or recent excursions by the likes of Palmbomen and Betonkust.
Opening tracks 'Future Plan I' and 'Future Plan II' sets out Transistorcake's stall nicely. Swirling synth melodies, an ever evolving bassline that leads you down a labyrinthine maze and diaphanous strings and pads all add up to create an ecstatic yet at the same time melancholic quality to the music that manages to sound both ancient and modern.
"Future Plans I and II are constantly changing routes of ideas, improvisations and coincidences," explains Transistorcake, "nothing is a constant in the two numbers, outside the pulse of the drums. You can see them as two possible versions of the future or as an old version of the future alongside its current variation."
Whilst cut from the same cloth as the previous tracks 'Ribbles' has more than a touch of the Nordics to it. Sparkling, playful melodies glitter like snowflakes caught in the flash of a strobe light before a pulsing disco beat rockets the track into the stratosphere. In his own words the track is "an ode to spontaneity and dancing without braking. I pictured it being played by a live band next to a pool at an LA cocktail party in the '80s."
Closing the EP we have 'Kluts', driven by a stuttering, head-nodding, rhythm that recalls that rapping sound of a woodpecker in the forest, the track is gently swaddled in a warm embrace of synthetic stings that gradually develops and asserts its dominance over the course of nine, all-too brief as it happens, minutes. For all its gauzy textures there's also an undeniable solidity to these tracks, an underlying organic quality and nostalgic warmth that permeates them.
Having previously studied jazz composition and played in several bands over the years, Transistorcake brings a sense of spontaneity to the often all-to-structured world of electronic music. This EP just capturing a snapshot in time of these songs that can be endlessly reworked and reimagined in his live set, where live bass and drums, are added to his collection of vintage synths to an endless back and forth between man and machine.
Atangana Records presents its 4th releases, beginning a new collaboration
with Henri Debs & Fils imprint.
This record is a first tribute that Atangana Records and Henri Debs & Fils
wanted to give back to the great Guadeloupean producer Henry Debs.
With this compilation EP, gathering rare and unpublished titles, Déni Shain
and his team aim to dust off the archives of the label and allow as many
people as possible to discover the pearls of the French Caribbean Islands.
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DJ Nature follows up 2018’s ‘Ultimate Delusion’ EP with another set of pure heaters for Futureboogie.
The Bristol born DJ and producer, also known to many as Nature Boy, comes with an exemplary track record, but that’s to be expected from one of the scene’s early pioneers. Releases for Golf Channel Recordings, Jazzy Sport and Ruff Disco Records are considered true classics, and rightly so!
Breezy MPC house jams of the highest quality, ‘Flutter’ manages to fuse David Lynch style pads and earthy vocals with a marching rhythm, whilst ‘A Moment’ gets cosmically charged with a spiralling modular lick over a chugging guitar hook and spacey chords.
NB’s Mix of Siliconada goes straight for the jugular, with looping disco rhythms and off kilter jazz licks, whilst the Original Version lays heavy and disorientating synth work down for a killer techno injection.
As always, DJ Nature delivers a unique and distinctive sound that is often imitated but never bettered!
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The track Blind by Rheinzand first came to the attention of Music For Dreams label honcho Kenneth Bager after he heard the track being played by DJ Harvey at Mercury Rising, in Pikes Hotel, Ibiza last summer.
Amonth later he got the soundcloud link to an album by Belgian trio Rheinzand and suddenly "Eureka moment” yes there it is! Kenneth jumped on a plane to Belgium to meet them. Rheinzand got signed and have just finished their superb debut album, which will be released later this year on Music For Dreams.
The first taster of the album is the bouncy and balearic Blind. Reinhard from the band explains "The original of "Blind" started as a very rough 4 chord progression within a half hour before leaving to the studio to record some other stuff, with the intention to have the bass player and the drummer jam over it, so we could take that home and make it into a proper song. It had a very harsh and irritating synth on that initial version, so everybody kind of hated it at first. It was only after the vocal by Charlotte came in, that everybody started to see the potential of the track. From zero to hero, so to speak "
As part of the limited 12” is an excellent Dub Version.
Rheinzand is a collaborative project between the creative masterminds Reinhard Vanbergen, known from 'Das Pop' and Mo Disko, from the renowned disco duo 'The Glimmers'. Their tracks are a blend of psychedelic funk, disco-rock infused with some wild electronics. Joined by the lush vocals of Charlotte Caluwaerts they played many a festival over the last 4 years. Live on stage they are accompanied by the likes of Stéphane Misseghers (dEUS, Disko Drunkards) on drums and Bruno Coussée (MannGold) on bass.
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After the shift of consciousness in 2012, generations collided as Charlie and Eli from Soul Clap made contact with another very special duo; Chuck “Da Fonk” Fishman and Sa’D “The Hourchild” Ali. Chuck and Sa’D are one tentacle of the cosmic octopus which is the world of George Clinton / Parliament-Funkadelic.
This vitally important limb touches down in the worlds of Funk, Rock and R&B but also into Disco, House and the electronic beyond. Together with a roster of collaborators including Grammy-nominated producer G Koop, original Funkadelic bass player Billy “Bass” Nelson, Talking Heads and Sting vocalist Dolette McDonald, Midnight Magic’s Morgan Wiley, Philadelphia’s One Era and Michael The Lion, Angeleno Oz “Ozgood” McGuire, Bostonian Chas Bronz, Jamacalian David Marston and more, a supergroup of producers was established representing Funk, Style and Quality better known as FSQ! Lead by the mind of Chuck Fishman the FSQ remixes and reworks have always gone above and beyond.
Soul Clap launched the group in 2014 with the FSQ debut EP, “Zulu Congo Call” which got 9/10 in Mixmag and DJ Mag. Their remix work for other artists can be found across a variety of labels?—?Midnight Riot Records, Jalapeno Records, Wolf + Lamb, Bastard Jazz and many other dance music indies. Their full length album will be released in the winter of 2019 on Soul Clap Records.
Sa’d “The Hourchild” Ali unfortunately passed away in the early summer of 2018. “The Remix Special” an album compilation of unreleased FSQ remixes of their Soul Clap Records label mates was released in Sa’d’s honor with all proceeds going to his family.
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Walk Don't Walk And !k7 Records Presents 'age Of The Ego' - The Immaculately-crafted Eighth Album By Dance-music-national-treasures Crazy P. Following 30 Million Steams For Their Previous Album, Sold-out Headline Gigs In Manchester And Percolate In London, Supporting Chic And Chaka Khan, Plus Shows For Bluedot, Festival No 6, Love International And Boiler Room In Bali, The Nottingham/manchester Band Are More In Demand Than Ever. Fans Of Fleetwood Mac, Peter Gabriel, Grace Jones, Arthur Russell, Jam Hammer, Prince And Bobby O Will Find Much To Like, But This Is Clearly Modern Music, Where Heavy Clubs Beats Are Layered-up With Perfectly-placed Arrangement, Ace Playing And Stratospheric Soundscapes. Musically, Crazy P's Breadth Of Studio And Writing Experience Shines Brighter Than Ever, And 'age Of The Ego' Has Their Unmistakeable Stamp Of Quality, But Is Now Augmented With A Broader Palate, And - Like Many - A Feeling Of Upset With The State Of The World.
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All producers on this timeless EP known for their contribution to Deep House Music.
Kerri Chandler & Joey Negro has been injecting soul & funk into music since the early 90s, making them one of house music's originators. With a career span of more than 30 years, Spen & Karizma has become one of the most sought-after DJs in the US. Studio don Vincent Inc always bring unforgettable impressions & inspiration for mind, body & soul. 4 tracks came together to tell music stories about hypnotic deepest stuff, depression, happiness, loneliness, love, miracles and magical experiences. And now we're asking other's to join the sound conversation
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In 2017 Blair French came out of hibernation to release contrasting but similarly sun-kissed EPs on Rocksteady Disco and Claremont 56.
Here, he returns to action with a scintillatingly sunny and sensual six-tracker on NuNorthern Soul that may well be his strongest release to date.
Given French's chameleon-like musical history, that's certainly a bold claim.
Over the years, he's been a member of a multitude of musical collectives - most notably Cosmic Handshakes and Formless Figures - established his own DIY record label (Fat Finger Cosmic) and released music that touches on a dizzying array of styles, from award-winning movie soundtracks and Afro-fired deep house, to skewed techno, blissful ambience and experimental hip-hop.
On Patio Pastel, French is in full on sand-between-the-toes Balearic mood, delivering a range of lucid, ear-pleasing compositions that will sashay their way into your consciousness.
Contrast, for example, the drowsy organs, glistening pedal steel and undulating hand percussion of opener 'Patio Pastel' with the Serge Gainsbourg style chanson-goes-tropical bliss of 'La Playa De Tercipelo', which features some deliciously breathy vocals from Stephanie Lyon.
Then there's 'Morning Sail', a sumptuously evocative soundscape rich in toasty, dub disco bass, shuffling percussion and lilting, Jonny Nash style guitar solos (see also the effortlessly horizontal Lounsbury Gardens'), and the kaleidoscopic, saucer-eyed Balearic pop brilliance of ;'Human Make Human', where new age synthesizer melodies and the fuzzy vocal refrain of Kasi Seguin gentle dances above an Afro-flecked, mid-tempo groove.
Throughout the EP, French mixes electronic and acoustic instrumentation, drawing together musical elements from a myriad of styles to create sumptuous new fusions.
It's particularly evident on superb closer 'Belle Isle Sunsets', where colourful synth motifs, eyes-closed guitar riffs and Mediterranean-warm chords wrap themselves around a gently pulsating, impressively layered groove.
Like the rest of the EP, it's perfectly pitched, expertly executed and wonderfully atmospheric.
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A7 Edits is back with its second instalment from JD Twitch (Optimo). Following in the fashion of the first record by Stefano Ritteri, Volume 2 offers two edits alongside their sought after original counterparts from Africa Seven favourites’ M’Bamina and Tala AM.
The A-side sees JD Twitch take on M’Bamina’s 1982 ‘Kilowi-Kilowi’, from the group’s third album ‘Reflexion’. Twitch takes this already dance-friendly number and stretches it out, producing a a laidback disco groover with added effects for good measure. A delightful organ line pops us near the beginning, reappearing throughout the edit, often taking turns for centre stage with the vocals or the horns, whilst the funky bass keeps the pace and style throughout. Following Twitch’s version is the original which starts with a rather trippy, meow infused intro before slipping into the type of groove that M’Bamina became known for.
On the B-Side we have Tala AM first up re-edited in classic Optimo eclecticism. ‘Arabica’ was the lead track on Tala André Marie’s 1978 album on Fiesta records. JD Twitch goes large with his version, amping up the already powerful original into overdrive with heavy drums, plenty of reverb and some trippy Frankie-goes to Hollywood-esque effects glittering over the top. It’s not what you expect, but exactly what you wouldn’t expect from a man like Twitch, and definitely works on the floor. The B-side closes with the original version, more disco but all the same power behind it.
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Der schwedische Produzent Rudolf Nordström aka Mr. Tophat präsentiert sein Debütalbum, das im ersten Schritt als dreiteilige Vinylserie und wenige Wochen später als Doppel-CD erscheint. "Dusk To Dawn" ist eine epische Kollektion aus Underground-Disco und House mit live eingespielten Klassik-Elementen von einigen der besten klassischen Musikern Schwedens (Mats Bergström, Per-Erik Adamsson) sowie Kollaborationen mit Underground-Pop-Ikone Robyn, ihrem musikalischen Teilzeit-Partner Kleerup und Stockholms Top-Produzent Axel Boman.
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With their latest 'International Disco Mafia 2' release getting love from the likes of Marc Grusane and Jacques Renault, these Dublin based modern discotheque messers are on a roll.
Their latest sees Yorkshire based machine squelcher Perseus Traxx coming heavy on the A side with 'Pump It', which grinds a crashing jack track in and out of some choice disco snippets to create a relentless floorburner for 2019.
Sir Leon Greg is another of the Traxx-man's many pseudonyms, and 'Shakey' is an acid house tinged makeover of an old Northern Soul classic he made a few years back.
Fatty Fatty head honcho Pablo supplies his 'Warehouse Mix'Â of the track, which strings it out into a wild 10 minute trip that teases and caresses you before the strings and that chorus send you over the edge completely.
Last but not least, 'Last Days' will be, to some ears, the pick of the bunch - a rich, ever circling slice of funked up house music that will touch you in all the right spots, rounding off the package in some style.
Volume 3[17,61 €]
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Volume 3[17,61 €]
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Warehouse Find!
Danish producer Paxton Fettel joins Delusions for his debut EP for the label entitled Night Waves. Despite his youth, he has notched up an enviable catalogue of original, eclectic releases including two LP's for Greta Cottage Workshop as well as EP's for Plumage, Kolour LTD and Apersonal. Paxton's unique sound and audiophile approach to production has led to remixes for Uffe on Tartelet, Chocky on Secret Reels and most recently Sunrom on edgling vinyl-only label The Bricks.
For his Night Waves EP we get a snapshot of the mans diversity across three original tracks. The opener sees Paxton in his most raw, jacking, dance oor focussed mood to date and the result is a high energy house track which punches hard on a big system. Featuring his own bass playing, snipped and squeezed through the sonic mangle, Night Waves steams along with big bold pianos, swinging hats and just the right amount of oating synths. Simple elements which combine to be so much more than the sum of its parts and one of those stand-out cuts that will be stuck in your head long after you've left the danceoor.
Flipping over we have Paxton going full-on jazz mode in Pacica 399 To Freedom. A track which once again has his beloved Sandberg California live bass part pushed to the fore, pianos, strings and synths building around the driving disco groove. Feel-good sunshine vibes oozing from the speakers as little melodies dance around the sizzling hi hats and encompassing pulse of the kick drum.
Finally we have a deeper note to close on with It's Clear. A repeating vocal hook runs throughout the intro while intricate drum programming gives a nod to the sounds of broken beat and live jazz sensibilities. The end result is a warm, loose and dubby jam which completes the package in ne style and leaves us looking forward to hearing more from this talented young producer from Copenhagen.
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- A1: Welcome Back
- A2: Just Like You
- A3: Automatic (Feat Panama)
- A4: Northern Lights (Feat David Harks)
- B1: String It Again
- B2: Mirage
- B3: Shadow Of You (Feat David Harks)
- C1: Primordial (Feat Niya Wells)
- C2: Still Not Forgotten
- C3: Take It From Me (Feat Emma Brammer)
- C4: Athena (Feat Anduze)
- D1: Don't Go (Feat Nteibint)
- D2: All For You
- D3: Through The Night (Feat David Harks)
5y anniversary[26,85 €]
"solar Nights" Heisst Der Nachfolger Des 2016 Erschienen Debütalbums "panorama Pacifico" Des Nu-disco-produzenten Tim Bernhardt Aka Satin Jackets Aus Deutschland, Der Bereits Auf Toolroom Veröffentlicht Und Blank & Jones Remixed Hat. Inspiriert Von Der Leichtigkeit Eines Nile Rodgers (chic) Und Dem Perfektionismus Eines Tevor Horn Transportieren Die 14 Neuen Tracks Auf Solar Nights" Mit Ihrem Frischen Sound Zwischen Smooth-disco, Balearic-house Und Leftfield-pop Plus Zahlreichen Gastvokalisten Den Spirit, Glamour Und Glitzer Des Spät-1970er Manhattan Ins 21. Jahrhundert.
d2 All For You
| d3 Through The Night (feat David Harks)
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The Pretenders 'Just Be Yourself' remixed from the original Multitrack 2" tapes. World class DJ Kon has been busy doing groundbreaking re-works and remixes of Chic, Michael Jackson, George Benson, T.S. Monk, Donna Summer, Chaka Khan, Gil Scott Heron, Willie Bobo, Pleasure + many others.
His 3-Volume Off Track "BBE" compilations with Amir of previously unknown Disco, Funk, Boogie & Jazz tracks have gone on to influence tastemakers Dimitri From Paris, Gilles Peterson, Joey Negro, Mayer Hawthorne and a new generation of artists like Anderson Paak and Floating Points.
This remix of a legendary and highly in demand Modern Soul track on Carnival Records keeps in step with the original recording while breaking ground into new sonic territory. The sound is rich and full due to Analog mixing by Kamal Humphrey through Maurice Starr's SSL Board. ... simply a future classic.
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A true Balearic / Cosmic classic LP - Columbian brothers Elkin & Nelson's 1974 debut double album 'Angeles Y Demonios' is the perfect blend of traditional latin music, psychedelia, fuzz, glam, ethnic rhythms, progressive rock leanings and everything else in-between! The album had been received quite well on it's release, enabling the brothers to move to Spain and explore their ideas and melodies full-time, but it wasn't until the late 1980's Balearic explosion that the brothers unique musical vision struck a chord with those outside of Spain whose interests were rooted in the more esoteric corners of the record shop racks. Possibly the most well-known track from this LP was 'Jibaro (Enrolle)' that featured on the closing side of the set. This track was picked up and subsequently covered by Paul Oakenfold and the burgeoning wave of UK DJ's who had become enamoured with the white isle and her many sounds, thus birthing the term 'Balearic Beat'. 'Jibaro (Enrolle)' is perhaps one of the benchmarks of that particular microcosmic scene and sound but that doesn't mean the rest of this amazing LP should be ignored. A truly wondrous trip through the rock underground, not traditional by any means, if you dig the Balearic sound, psych-rock, funk and all of it's orbiting planets then this will certainly flip all the right switches for you. A very original set. This classic has been legally reissued by Above Board distribution in conjunction with the legal rights holders - Sony Music Entertainment. This high quality 2 x LP repress features original 1974 gatefold sleeve and label artwork and has been remastered from Sony's original sources by Optimum Mastering, Bristol UK.
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Kampana presents 4 doses of Afro disco and house, from Captain Planet, including his heavily in demand rework of Shina William's Agboju Logun.
The LA producer is at the top of his game across the EP, serving up a timeless blend of retro vocals, horns and percussion, with subtle but highly effective club-centred production. This record will not leave your box!
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Limited edition remastered reissue of a classic balearic cosmic track produced by Giorgio Giordano, Giorgio Dolce and Roberto Zanetti (Savage) with the pseudonym of G.A.N.G. , taking inspiration from Mike Oldfield but with a "slow beat" that gives an engaging groove, enriched in the second part by the ethereal vocal interpretation of Stefania Dal Pino. It is a rare "cosmic" pearl, including a dub instrumental version.
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Cosmic Disco Classic Played Regularly By Baldelli, Lodola And In The Underground Scene, Produced By John Kongos In 1981and Released On 7 Inch, Containing Only The Short Vocal Version. Now Remastered And Reissued By Best Italy On 12" Containing The Full Vocal Original Version Plus The Instrumental Version On The Flip.
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A solid House and deep house EP.
Famille Electro Records spins back with a 2nd V/A and a guiding principle : electricity. A (side) for Air : Nikholson's breath-catcher 'Spin Things Out' gathers smashing claps and heavy funky bassline while Federico Mesclando's 'In the true' invites you to take a deep breath. B (side) for Blast : Maurice Skine's 'Isobox' is packed with unrestrained rythmic and seesaw bass parts. When the english DJ-producer Simon Baker tailors his remix, Isobox onto eclectic genres, electric pleasures.
VINYL ONLY, 300 copies.
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Following on from 2018's 'Tribeca Tapes Part One' release, Willie Graf & his musical partner Darren Eboli deliver another fantastic 4 tracker on Copenhagen's Music For Dreams Label.
Willie Graff splits his year between DJ residencies in New York and Ibiza (Pacha). In this second outing with studio partner Darren Eboli, the influence is, African, NY clubbing, World mixing Mediterranean and further afield. The duo finds its roots in the past, building a link between the soul of a song and the warmth of a melody then combining them with a contemporary sound.
The opener 'All Is Bliss' sits at the pinnacle of the underground - A powerful, Balearic, disco influenced club track full of Spanish guitar, handclaps, club synths sounds like it was made for Dj Harvey's 'Mercury Rising' at Pikes in Ibiza. 'Ahimsa' is an outstanding track with funky breakbeat, weird Eastern samples, sneaking acid and Kraftwerk like arpeggios.
'La Sirena' is a balearic beach styled mid tempo chugger with chopped up breaks, deep sub-bass, Compass Point styled keys, whispering voices saying 'Let Your Mind Be Free'. If you are a Cafe Del Mar connoisseur and longing for that sunset moment 'Bellatrix' does the trick featuring bits of Spanish Guitar, Flute, Oboe and floating warm pads creating that early 90ties vibe. Another winner from Willie and Darren - and hopefully an album soon.
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Disco-formatted and world-fusioned four tracker with hints of Finnish-Prog-Rock, Jazz and New Age by Helsinki's Jesse. Last track being the burner on this EP, "Keke Rullaa", a blissfull balearic pearl with mediterranean guitar, soft glow and afro-beating rhythms embedded in a dynamic 9 minute narration.
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