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***
in this room
the hours of despair
still make shadows
***

Next on curtea veche’s LTD series we welcome 2 legends of the game , Hipp-E & Halo Varga aka H- Foundation . Pioneers of the west coast house sound from the early 00’s we are super happy to have this brilliant ep on curtea Veche ! Comes with 2 fine remixes by Arno x Dj Dope & Dana Ruh

Ukrainian label Trance Pandemic continues to evolve, in this issue we have full black and white cover designed by Dima Phase. This EP is a split of goa trance-house from Kurilo and Roland's acids and drum machines from Komponente.

The sound is suitable for loud raves and secret afterparties.

Mastering by the legendary Lapucci at Burbidub studio as always, made the sound even more beautiful. Copies limited.

Mood Child is back with 'Various Moods Vol. 3', a captivating collection of six tunes, each possessing its own distinct mood and power.

Led by founders Manda Moor and Sirus Hood, this superb album features standout contributions from label favorites Reboot and Marian (BR), while also shining a spotlight on fresh talent, including Crewcutz, Band&Dos, Sterium, Samarone, and Drewski.

Available now on both vinyl and digital formats, *
'Various Moods Vol. 3' continues Mood Child's tradition of delivering innovative, boundary-pushing music.

CRIPPLED BLACK PHOENIX ist seit Gründung im Jahr 2004 ein Leuchtfeuer für die Gebrochenen und Unerhörten. Mit Justin Greaves an der Spitze haben sie Alben geschaffen, die zu den Stimmlosen, den Ausgegrenzten und den Enttäuschten sprechen.
Mit diesem Doppelalbum, „The Wolf Changes Its Fur But Not Its Nature“ + „Horrific Honorifics Number Two(2)“, feiern CRIPPLED BLACK PHOENIX zwei Jahrzehnte des Trotzes und der Selbstreflexion.

„The Wolf Changes Its Fur But Not Its Nature“ lässt die Echos ihrer Vergangenheit wieder aufleben, indem sie Klassiker, die von der Zeit und dem Wandel geformt wurden, überarbeitet und neu aufgenommen haben. Zusammen mit alten Freunden und neuen Verbündeten pulsieren diese neu interpretierten Hymnen mit neuem Elan und rohen Emotionen. Von der ausgedehnten Odyssee von „Song For The Loved“ bis hin zur Wiederauferstehung des verlorenen Klassikers „Whissendine“ zeigt jeder Track die Erforschung des menschlichen Zustands und den immerwährenden Kampf für Gerechtigkeit und Gleichheit.

In „Horrific Honorifics Number Two(2)“ legen CRIPPLED BLACK PHOENIX einmal mehr die Seele der Musik frei, die ihren Weg geebnet hat, und huldigen den Titanen, die ihren Geist geschürt haben. Mit eindringlichen Interpretationen wie „Vengeance“ von New Model Army, einer Hymne des Widerstands und der Rebellion, und der eindringlichen, introspektiven Interpretation von Laura Branigans „Self Control“ fordern CRIPPLED BLACK PHOENIX uns auf, diese Klassiker durch eine neue, unbeirrbare Linse zu sehen.

Für Fans von Solstafir, Mogwai, Pink Floyd, Junius

CRIPPLED BLACK PHOENIX ist seit Gründung im Jahr 2004 ein Leuchtfeuer für die Gebrochenen und Unerhörten. Mit Justin Greaves an der Spitze haben sie Alben geschaffen, die zu den Stimmlosen, den Ausgegrenzten und den Enttäuschten sprechen.
Mit diesem Doppelalbum, „The Wolf Changes Its Fur But Not Its Nature“ + „Horrific Honorifics Number Two(2)“, feiern CRIPPLED BLACK PHOENIX zwei Jahrzehnte des Trotzes und der Selbstreflexion.

„The Wolf Changes Its Fur But Not Its Nature“ lässt die Echos ihrer Vergangenheit wieder aufleben, indem sie Klassiker, die von der Zeit und dem Wandel geformt wurden, überarbeitet und neu aufgenommen haben. Zusammen mit alten Freunden und neuen Verbündeten pulsieren diese neu interpretierten Hymnen mit neuem Elan und rohen Emotionen. Von der ausgedehnten Odyssee von „Song For The Loved“ bis hin zur Wiederauferstehung des verlorenen Klassikers „Whissendine“ zeigt jeder Track die Erforschung des menschlichen Zustands und den immerwährenden Kampf für Gerechtigkeit und Gleichheit.

In „Horrific Honorifics Number Two(2)“ legen CRIPPLED BLACK PHOENIX einmal mehr die Seele der Musik frei, die ihren Weg geebnet hat, und huldigen den Titanen, die ihren Geist geschürt haben. Mit eindringlichen Interpretationen wie „Vengeance“ von New Model Army, einer Hymne des Widerstands und der Rebellion, und der eindringlichen, introspektiven Interpretation von Laura Branigans „Self Control“ fordern CRIPPLED BLACK PHOENIX uns auf, diese Klassiker durch eine neue, unbeirrbare Linse zu sehen.

Für Fans von Solstafir, Mogwai, Pink Floyd, Junius

Since the early 90s Rotterdam is known throughout the world of dance music for its many influential creative endeavours and one of these was the short-lived label See Saw. Active between 1991 and 1995, the label was the home to mostly Dutch producers who were just dipping their toes in the waters of house and techno. Or, who already had a whole leg in like Speedy J.

Sandwiched between two of his early releases as The Melody (Discogs detectives know what’s up!) sits The Jewel EP, the only EP Gijs Vroom did under his Diamonds & Pearls alias. A kind stranger online once described the record as effective and joyful and we couldn’t agree more. It’s a mixed bag of zippy breaks, swirling pads, tight Lately basses, and foxy vocal snips and like many records of the era it maximises charm with minimal equipment. It’s these kinds of twelve-inches that stood at the cradle of the Dutch house sound and so it is very deserving of a little nook in your record bag.

Hidden Recordings introduces its largest and most ambitious project to date - the debut full length artist album of Mike Wall. Mike's history with the label and his rapidly expanding profile has led to this joyous moment.

The break-through German talent seamlessly sows nine originals full of over- arching musical motifs: mood, balance, and character - there is a sense of depth and sophistication that underlies Mike's unique sound of grime and toughness.
Support from many including Someone Else, Patrick Bateman, Axel Bartsch, Sasha Carassi, Andrea Ferlin, Angel Alanis, and Luigi Madonna.
''up' and 'ketamin' are my faves.' - Someone Else (FoundSound)

'Different Colours, Up, Ketamin and Suggestion are my tracks on this cool album from my friend Mike! Looking forward to play these tracks!'
- Patrick Bateman (Tic Tac Toe)

'Solid techno full-length here... nice work boys!' - Noah Pred (Thoughtless/ Highgrade/Trapez)

'Solid. Suicide & Up are my favorites. ' - Derek Marin (Subtrak/Thoughtless/ Trapez)

'Mike is the best, fuck the rest!' - Lars Wickinger (Traum Schallplatten/ 'Really good one. Love it. Thanks LC.' - Liss C. (Android/Wall Music)

'bunch of great tunes here. there seems to be a hidden little story in every track.' - Axel Bartsch (Kompakt/ Get Digital)

'Very diverse and moody-Great winter time music-Hard to pick a favorite here- Mike is on a tear-Well done HR!!' - John Massey (From 0-1)

'Consistant as always, Mike Wall's album delivers cut after cut of rolling Techno, deep and nasty. Full support in my sets!' - Damon Fonooni/ Habersham

'Nice driving grooves and dark presence throughout, will definitely be giving these a run on the dance floor. Especially the off-kilter spookiness of 'Choose Live' - Cyanwave (Sub-sensory)

'Great album all the way around. Suggestion is my pick, that lead that starts in around 3mins is haunting! Solid, Thanks' - Sone (From 0-1)

2024 Repress

Number 03 in the Dolly TS series is Italian techno wonderboy Rosati. 'First impression' has its own unique techno signature, raw energetic techno funk with a Detroit flavor directly from the machines. 4 straight up heavy groove hitters on this 4 track EP!!!

Repress!

Pinkman is proud to present the debut album of darkwave artist Skelesys. Across nine evocative tracks, "Fading Echoes" navigates the tension between nostalgia and self-discovery, weaving together a moody blend of synth-pop, post-punk, and goth influences. The result is an atmospheric exploration of memory, heartache, and resilience--a soundtrack for those moments when the past refuses to stay buried, and the future feels uncertain. From the cold, creeping synths to the mournful guitar lines that echo like distant whispers, Fading Echoes immerses the listener in a soundscape where shadows and light coexist. The album has a distinct cinematic quality, evoking the smoky allure of neon-lit cityscapes and rain-slicked streets, where every track feels like a chapter in a film noir tale of introspection and escape. There's a sense of longing that runs through the album, a desire to hold onto something beautiful, even as it slips through your fingers.

Bringing back the old school rap & hip hop flava, from coast 2 coast

2024 Repress

This EP is the first instalment in a series of four compilation releases that aim to showcase fresh electronic talent in the UK Electro/Techno scene. Future Funked sees Phil and Matt combining styles to create an electro throw down with chunky analogue basslines. Six Number Test is slow 808 workout from Abstract Knights, the owners of London electronica label Colony productions. Vorticism; Quick, tight beats, Robiotic Rhythms and deep sub bass make up the basis of Vorticism.X Insert is Menacing filtered bass lines, crunchy electronic beats, beautiful reverberant melodies and soft classic style Toytronic pads.

Warehouse Find!!

Proper 90´s Acid Trance feel, limited hand stamped copies!

UFC presents Cybernetic Implant, its seventh release, an EP where electro and cyberpunk go hand in hand with hardware equipment for a trip to an unpromising future. The Ep consists of six tracks, three originals mixes produced by Ático Corp. and three remixes by producers Hd Substance, 7053M4R14 and Robot City.

In the three original tracks we find three different visions of electro where broken and sharp rhythms are mixed with bursts of synthesizers, atmospheres and samples that refer directly to less optimistic science fiction.


On the other side we have the three remixes where each artist contributes their particular vision by reimagining the tracks in their studios directly from their hardware gear. Synthesizers, drum machines and hardware effects are once again invited to the journey. Welcome this time not to a credible future, but to a dystopian future.

Banging circular techno ! Regular kick and crazy sounds for this kind of techno :)

banging industria ltechno ! Autorpod... small press !

analoque records presents the first release on their new 180g vinyl-only label: a three-track EP by Buzé, with a remix by Gathaspar—all crafted for the dance floor.


Tracks written & produced by Charly Buzé
Remix produced by Gathaspar
Mastered & cut by Manmade Mastering
Designed by meta-art-design

Clock DVA is one of the pivotal groups of industrial music. Founded more than forty years ago, the instrumental outfit has seen a contemporary partnership of electronic experimentation forged between Adi Newton and Maurizio Martinucci since 2010. It is their source material that proves fertile ground for two remixes, remixes by two heavyweights of electronic music. Atom™ delivers his re-imagining of “De-Konstructor.” A lone string is met by snapping snares as an alluring, yet cold, melody unfolds. Newton’s raspy throaty words rise, a stark prescient poetry countered by angular acid-twisted keys before samples buckle and loop. The second stalwart of electronics drafted in is Scanner for his reframing of “Rayonist Refraction #1.” A ghostly female voice haunts a backdrop of electrical fizz and voluminous cracks of shuddering thunder. Guitar strings tremble in this eerie landscape with a smattering of spoken text bringing solace to this hostile environment. Music for an all to immediate reality.

Next up on this new hand-stamped series, incognito DJ Marathon takes us into uncharted territory with a trippy techno cut that will go the distance. On the flip side, Ebende returns with another dubbed out groove on the dreamy yet crystal clear Aniara frequency.

Vuelve a nuestras cubetas el pelotazo de Hurtado "Post Corrective", lanzado por el sello Overstep para su quinta referencia con dos temazos originales y dos remixazos del mismísimo Regis y de Dynamic Forces, los capos italianos del sello.

Although the seven-inch is the smallest of the vinyl formats, it can pack a real punch. This is certainly the case with Bordello A Parigi’s latest discovery, Real Velour. This mysterious outfit draws on a spread of influences for Champions. Warm strings of throbbing bass and crisp drums dawn into shining synthlines as elements of indie and synth-pop melt. Chords are addictive, memorable hooks of pure joy countered by bittersweet lyrics that tell a sorrow-streaked story of calamitous change and dead-end dreams. The flip sheathes the cold wave edge of the original, letting the superb synthwork sing. Bright and uplifting, embers of electro disco smoulder with italo in this intricate instrumental version. A stunning 7” that marries melancholy with melodies of better tomorrows.

Limited to 200 copies.

A rare German disco experiment from 1982 by Herbert Hildebrandt-Winhauer of Rattles fame and Peter Hesslein, delivering a sleazy electro-boogie groove with funky vocal layers on the A-side and a cosmic disco instrumental with thick drums and synth magic on the flip side.

Originally released as a 7-inch, this remastered 12-inch edition includes Trent’s DJ-friendly extended edit of Erotica and a high-energy reimagining of Rado-Keno.

Breathe in, Breathe out.

We travelled along the curvature of the earth and bent our minds asunder to get to where we are now. The passing of time has only made the lore more precious. With the gifts we have been provided, the story can finally begin.

A man with drum machines, keyboards and a penchant for rawness enters. With rough takes and a distaste for convention, he emanates the sonicisms of TriForm. The forces of Earth are captivating but sometimes they conspire against you, and sometimes you lose revered recordings for abnormal reasons. From these once thought irretrievable tapes, he manifested the Refound EP.

An ode to the EP’s arduous production, ‘Lost and Found’ revels in classic 90s house euphoria. Iconic bass stabs elevate and punctuate the succinctly aligned keys, causing big smiles and dancing miles. ‘909 Anodyne’ waxes and wanes, the vocoder-like synths repeating and reinventing over the mellifluous chords and the time-honoured drum machines' canonical reverberations.

Flip the wax for ‘Attrakted’, a crunchy concoction with big-room tendencies. The bells are alive, and they’ve given you a thumping DJ tool that just won’t quit. Rounding things off is the aptly named ‘Younight’, lock in and get blindsided by the subtle acid, choral keys and saccharine beat. It’s emotion ‘til the very end.

This is house music for every moment, made with machines and love. No AI, guy.

Uun returns to his imprint Ego Death for its 7th release. The vinyl version is pressed onto a special marble red and black color variation created specifically for this release. The artwork is printed on a partially translucent mylar lithograph.

“The more things change, the more things stay the same. The progression of the digital space from a place where like minded individuals can get together over shared interests has gone the way of everything else in the modern world. There is money to be made after all, and data is worth more than gold. All around us are rent-seekers, hucksters, and those who seek to profit from what was never theirs.

Platform Decay is the beginning of the end result. Everything that is unique and interesting is being flattened for maximum palatability and consumption. It is what the advocates like to call content. We have given all of ourselves away, so that we can be advertised to. All to chase the algorithm; the black box where art, culture, and creativity enter and only an amalgamation of disparate nothing exits.

Atrahasis is the genesis, the original story, the prime instance of human creativity and storytelling. We sell ourselves sight unseen for the simulation of a social experience. You try to walk the tightrope between physical and digital but soon realize you can’t have both. However your engagement is up which is the upside of losing everything. Reaching into the past you finally realize the meaning of the lamassu, the double aspect. Only to be forgotten again as you are consumed by the ouroboros.

The project is made whole by the evocative artwork of Ryote, who brings the themes together in a unique visual style. The beautifully printed vinyl insert lithograph print represents the digital tomb of social media, with the label art depicting the mythological double aspect.”

Darius Syrossian’s Moxy Muzik Editions is fast becoming a firm favourite for all manner of reasons, from the consistently top-level tracks from some of the scene’s best producers, to the bespoke hand-drawn artwork from artist Charlotte Archer that decorates each new volume's sleeve. A must have series for any vinyl head out there and volume four is no different. From Glasgow via Leeds through to Southampton, Syrossian shines a light on some of the UK’s rising stars in the world of house music.

Up first Glasgow’s Tiptoes who provides one of Darius’ tracks of the summer, ‘Cuss Tomato’. Driving, soulful and skippy with nods to Grant Nelson and king Kerri that has been doing damage everywhere it’s been played.

Next, Syrossian remixes fellow Leeds producer Tomrob with his track ‘Professor Shellington’, taking the original’s minimal grooves, upping the tempo, filling the breaks with hands in the air pianos and injecting another dose of bounce into the beats.

The flipside has not one, but two tracks from Southampton’s Ronnie Spiteri, a double header of peak time bombs, one of which entitled ‘Scorpion’ had its first play at Creamfields by Alan Fitzpatrick and Darius in Manchester, leading to a flurry of track ID requests and Darius' TikTok post of the track going viral. A monster of a cut with an Enzo Siragusa style bass, a heavy thundering kick and a solid groove.

Four absolute winners once again from Moxy Muzik.

Faith presents the first in a new series of 12” pressings, collating together current and forthcoming productions and remixes from the recently reignited label. Volume one includes the huge Darius Syrossian remix of Pete Heller & Terry Farley’s Junior Boys Own classic ‘Movin On’, Harry Romero’s monster retake on the Villalobos favourite ‘Wild Luv’, plus two remixes of 2000’s WMC anthem ‘Love You Some More’ by Cevin Fisher from Cevin and Harry Romero.

DJ Support:
Paul Woolford, Jamie Jones, Nic Fanciulli, Heidi Lawden, Gerd Janson, Darius Syrossian, Doc Martin, Groove Armada, Dam Swindle, Dario D’Attis, Sasha, Tedd Patterson, Austin Ato, Oliver $, Oscar G, Luke Solomon, Fouk, Smokin Jo and more

Enter rebellious sonic wonders. Natural Goofy's Planka Records label is finally here.

Funderground – where fun meets the underground through a symphony of beats, melodies, and unbridled energy.
The debut album showcases four diverse talents, each bringing their unique flavor to the dancefloor.
A1. Moray - Lujuria Universal:
A track that embodies the essence of the universe's seductive allure. Its thumping beats and ethereal synths will transport you to a dimension where pleasure has no boundaries.

A2. Natural Goofy - You Are Alone:
Enter the depths of the night through a dark and thick symphony, echoing through your very core. Sweaty pulses and haunting melodies intertwine, casting an irresistible, enigmatic spell.

B1. Len Lewis - The Emperor Strikes Back:
Produced in 1999, this track exudes the aroma of old school tech house. It's not just a song - it's a time capsule, inviting you to dance to the rhythm of history.

B2. Will Vickers - Arf Tone:
Leaning into the sublimely strange things that happen in the early hours. A house influenced track that will leave you with more questions than answers.

This EP was made during the Ukrainian war by Alex Pervukhin.

One of the biggest, breakbeat channelling stompers out there, courtesy of the in-demand duo Borai and Denham Audio, finally gets an official release with three fiery remixes via Room Two Recordings. A track that’s ripped through airwaves and club dancefloors alike, ‘Make Me’ has all the hallmarks of a future classic. Doused in Amen breaks, rattling subs, rave stabs and an instantly recognizable mid ‘80s Donna Allen sample. Together the track feels like a long forgotten rave anthem from the ‘90s with its mix of high intensity breaks and soulful vocals.

With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat.

Split Ep between Mainrecords & C-Lektro
Limited to 250 copies.

Industrial masterminds Boris Wilsdorf (Einstürzende Neubauten), Karl O’Connor (Regis), and Liam Andrews (My Disco) saddle up for a debut album proper of spectral goth swagger as Eros, heavily oriented to ritualist late night consumption.

Again joined by Anni Hogan on keys, and recorded at Berlin’s hallowed andereBaustelle by Wilsdorf, ‘Your Truth is a Lie’ is distinguished from the debut Eros mini-LP (’A Southern Code’ 2022) by the addition of vocalist Rosa Anschütz, and running nearly twice as long, giving fans of the trio something to get their fangs right into, and the time to do it. The album's 8 tracks are hewn from sinuous guitars and rattle with skeletal drums, rent in a resounding environment where listeners are encouraged to operate, prone and agog, on sixth, proprioceptive, senses, to best receive Eros’ arcane sacrament.

The notion of studio-as-instrument is key to Eros’ appeal, and in Boris Wilsdorf’s hands, Berlin’s enviably well stocked andereBaustelle studio is equally credited along with Liam Andrews’ signature bass guitar and O’Connor's knee-knocking rhythms. Strings are made textural and the rhythm section unleashed wraithlike against backdrops of plangent war horns and Anni Hogan’s slivers of noirish piano. Combined, they establish a vertiginous scale and low lumen mise-en-scene where Karl enacts a narrator inside its head, swapping roles with Rosa Anschütz on the bleak romance of a standout ‘Schlag, spiel mir in die Hände’, that feels like stepping around a moonlit no-man’s-land in mauer-era Berlin.

A patiently deferred sense of gratification guides proceedings from the shadow-stepping dabke goth figure of ‘Cut From the Soul’, thru the ominous palpitation and lurching resolution of ‘The Light is Mine’, to the worksite poetry of ‘Let Love Decide’, there Danse Society-styled below-belt hustle of ‘Healing Waters’, and a concentrated, seething gathering of their collective energies in its title song.

"The true narrative shall forever shroud itself in mystery to the outside world.
It is whispered that man never truly set foot on the moon, but merely touched it.
Just as the tale of this record unfolds, two souls from distant realms brushed ever so close, yet destiny denied them a lasting encounter, not even a fleeting union of Nino's and Ali's wings.
Perhaps, it was fated that the circle of a past life, woven with trust, blooming with flowers, and exchanged glances, must close in the cosmic pursuit of Venus, chasing the Crescent Moon, serenading love to its own Sun."

Bordello Travels presents the fourth volume of ‘Buone Vacanze’ with your tour guides Aural Trace, Sparkling Attitude & Gianmaria Gamberini, Bubs and Amount. Comes with a limited edition Bordello Aperitivo sticker sleeve.

Toronto-based Hypnotic Mindscapes deliver 4 analog grooves for their eponymous vinyl debut. Founded by Cosmic JD and managed by a tight-knit group of artists, Vol. 1 explores the liminal spaces where electro paranoia meets 90s techno euphoria. Berlin-based Canadian Tro kicks-off the EP with a melancholic trip into a future where machine bleeps duet with FM chord melodies. A2 sees established Ecuadorian producer Nicola Cruz’ Fauna Extinta alias present an energetic modular outing that still maintains his dramatic flare and lightness of touch. On the flip, Berlin-based Ecuadorian Chicaiza delivers a skittering electro bomb with hints of vintage trance. Elusive Toronto live-act Payphone round-off the EP with a deep and cinematic tour of the cosmos.

2024 Repress

Zeta Reticula makes his Censor debut with Star’s Wobble EP. The A side starts with the EP title track with rushing leads, arps and a distinct energy that ZR is known for, all held together with electronic clangs and atmospheres adding tension to the mix.

Next is Planet’s surface which has a murkier and tougher sound, jumping between broken beats and 4/4 electro territory in sections that creates a twisting, turning wormhole straight to the galaxy from which it was made. Unaided Eye is the final track of the A with a deeper and more drum focused mix intertwined with tripped out pads and fx.

On the flip, Sync 24 & Alex Jann take care of the title track remix adding a rushing bass, claustrophobic edits, builds and impacts that the pair are known for respectively. Francois Dillinger brings the B-Side to a close with a sparse stripped back electro sound adding almost a down-tempo alternative to Zeta Reticula’s original.

This is Censor’s 5th vinyl release following on from London Modular Alliance, Assembler Code and Alex Jann.

Mastered by Alden Tyrell
All tracks Uroš Umek
Remix P by Sync 24 & Alex Jann (Star’s Wobble Remix) // Francois Dillinger (Planet’s Surface Remix)

"Split 1.0" is definitely a split release! Side A delivers some fresh hypnotic techno sounds by Bastian Balders himself while side B catches up with some groovy house tracks by Anton Kubikov, who is active since the mid 90s and well known for his minimalistic dub techno-house style. Side A ends with a mysterious electronica outro while Anton produced some chilled guitar riffs combined with acoustic signals and delays to finish the whole EP. Don't miss this limited hand-stamped record!

Early bird support by:
Vincent Neumann, Cecilia Tosh, Truncate, Alexander Kowalski, Kaiser, illousion, ForestOn Stasys, Kontinum, Richie Hawtin, Cristian Varela, Virgo, Hellix, Vasco Valente, Frank Leicher, Ina Kacz, Carlotta Jacobi, Hypnotic Black Magic, Clubberia / Nori, Juho Kusti, DJ W!ld, Rich NXT, Marcel Dettmann, JosephCapriati, Wlderz, JakoJako & many more.