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300 only LTD no repress

For their 7th entry, Analog Concept Records proudly presents the mysterious and fresh sound of D82 with the Galaxico EP. From beginning to end, it's easy to hear that D82 is in fine control of the machines and its sonic dreams - navigating the listener through four scenes of lucid, spacy, atmospheric electro tracks that powerfully radiate from the speakers into your soul.. Indeed, finely blending the seams between Detroit and UK electro, while winking an eye to a fresh future sound - D82 has arrived on the premium quality vinyl shores of Analog Concept Records with the lush intergalactic sounds of Galaxico" EP.

DJ Subaru has already made their name exciting dancers with offbeat anthems and obscurities as part of their luminous Pleasuremaxxx parties, alongside similarly inclined soirees in Leeds, London, Berlin and beyond. Making their accomplished production debut on CWPT with 'Lots of Love', DJ Subaru instinctively mines the expressive, outsider strains of disco, Italo and pop pleasures in their record bag, revealing an EP that throbs with the pleasures, pain and potential of a life in strobes and smoke.

Vocalist and muse Tiss Vampiric emerges from London’s shadowy underground to lend their voice to the brooding, disco-Gothic track, ‘My Love’. Stalking a moody paradise amongst DJ Subaru’s EBM-oriented synthesizers, their baroque lyrics conjure an atmosphere that bridges the energies of subversive pioneers such as Soft Cell and Ministry, a sensual maze where denial only leads to more devotion, as well as more dancing.

Keeping the lights dim but brightening the corners, the prolific cosmic disco pioneer Prins Thomas reinvigorates his legendary ‘Discomiks’ approach for a euphoric remix of ‘My Love’. Incorporating DJ Subaru and Tiss Vampiric into a dancefloor canon that also includes Lana Del Rey, Pet Shop Boys and the Chemical Brothers, this classic arrangement has been road-tested to build euphoria, joyfully reflecting menace from mirrorballs.

The latter portion within 'Lots of Love' leaves us entirely in DJ Subaru’s musical visions. The only voice on ‘I <3 You’ is soft and robotic, intoning the track’s simple title over a lush, caramelized groove that’s pure circuits and sentiment. In contrast, the moody pads of ‘Just Visiting’ build to a crescendo of breaks and basslines that capture more urgent early hours energy, while ‘She’ provides a beautifully naive melody and a slightly balearic touch for a wide-eyed kiss goodbye.

2024 Repress

Gorje Hewek follows up last year’s impressive ‘Life EP’, with a new 5-track package brimming with collaborative spirit. The work also marks the Watergate label debut of the legendary Hernan Cattaneo.
The artist is a mainstay of the All Day I Dream collective and a master of intricately woven electronic compositions, which also transfix the dancefloor. For his return contribution to Watergate Records he brings a string of cohorts in toe – Dulus, Polo & Molac from his excellent Shanti Records imprint, alongside ADID affiliate Roy Rosenfeld and Argentinean great Cattaeno.
The opener ‘Altitude’ is a dreamy bass-driven heater that unfolds beautifully over an eight-minute period and is highlighted by a key driven melody that’s both playful and emotive. ‘Astro World’ is an eclectic slice of organic house that captivates with a string-laden break before dropping down into a rhythmic second half. The EP’s title track is a silky sunset cut resplendent with twinkling pads that has enough groove to seduce a dusty dancefloor. ‘Vida’ begins life as a slinky percussive jam, before the dam breaks and a colourful river of melody drives the track home. A delight. ‘Kaleidoscope’ stays true to its name driven by a lush chord melody that cascades throughout. A gem made for big moments.

• Limited edition remastered 7” pressing of this classic track • 450 copies • Exclusive label and house bag design • ‘Rumble’ has been featured in many films including Pulp Fiction and is currently being used in UK TV advertising These Versions P 2014 VipVop c 2022 Easy Action both taken from the LP ‘Ace of Spades’ (Vipvop004) on VipVop records

New year, new you, new crew! Another rising star from France, Marina Trench, joins the WOLF Music family, following up an inaugural EP on DJ Deep's highly acclaimed Deeply Rooted with this accomplished and diverse four tracker of house goodness.

Absorbed by house music from an early age Marina Trench is already proving herself to be a humble, yet highly talented, force to be reckoned with. Waterside EP is case in point. The title track is summertime ecstasy through and through. Undeniably catchy and packed with a club-ready punch, Trench sets off at pace, revolving the track around a pinging techy bassline as layers of percussion, echoing pads and delicate vocal refrains from Marina herself glide on through. Peak time, earworm business that bangs.

Get up, ‘Get In’. Moving through the downright ethereal to some tough, dancefloor darkness. Sweeping pads and glitching arps ease you in before the breakdown leads to an unleashing of brooding bass chords and reverberating top end counterparts that marry with a mean acid bassline. Tough, tactile and firmly focused on the club.

On the flip, ‘Train Call’ is a chopped jazzy deep house roller. Heavyweight piano stabs intertwine with deft twinkles as crisp hats dance around thumping kicks before ‘Straight’ eases you off into the depths of the night. A sumptuous little slice of deepness - meditative, trance-like calls from the ocean and pensive pianos provide a perfect soundtrack for the early hours.

Marvin Gain presents four special cuts on the second output of Subsdance.

We are proud to announce our latest release with Mihai Pol titled 'Right Now'.

The three track EP debuted on our sub label 'Blanc.' Featuring three dynamic tracks that are bound to ignite dance floors worldwide, this collection is a testament to Mihai's signature sound in the realm of music.

Stepback Records next release sees the Moot Tapes and Made Magnetic boss Polytunnel making his debut for the Edinburgh based label.

Polytunnel goes deep into electro made for dance floors.

His style of melodic electro mixed with breakbeat influenced acid has seen his music gain acclaim from the likes of Mixmag, DJ Mag, Inverted Audio, XLR8R and supported by the late great Andrew Weatherall on his much-missed NTS show, Musics Not for Everyone.

Previously released on labels including We’re Going Deep, Seventh Sign Recordings and Childsplay with support from the likes of Truncate, Dan Curtin, Placid, Vladimir Ivkovic, Marvel Dettmann, Ame and more.

Italian Producer and part of the r²π trio PRG/M lands on the label with a five track EP. With a mixture of deep and club orientated tracks the EP follows and refines the sonic direction of the label. In addition to four original tracks, Switzerland based producer Mod21 completes the release with an extended remix showing his signature sound.

strong new oliver ho tune !!!

Smoove pays tribute to one of the greatest albums of all time ‘Bizarre Ride to The Pharcyde’

Sourcing the original samples and re-using them to create a fresh, seamless cut n paste mix, fused with Smoove’s signature production.

Flip to the B Cyde for an extended version of ‘Summer Cyde’ with the bluntest of beats!

Not content with presiding over three outstanding labels - Dessous, Audiomatique and Poker Flat (now in its 16th year) - and dusting down his long-dormant Traffic Signs pseudonym for the brilliant 'Cookie Jar", Steve Bug finds time in his schedule to spoil you with another stellar release. The title track 'Coconut Paradise' is a masterclass in crisp, high-definition house, as dubby synths, a solid kick and an insistent bass stab form a deeply hypnotic groove. Sustained tones surge in from the distance - all the elements coming together to create a perpetual motion machine. 'Thick As Mud' lives up to its name: this is house music that draws on the deep and deadly palette and spacious arrangements of dubstep and glitch, burnished with snickering percussive repetitions and scything synths. 'Pants on Fire' is a restlessly inventive bricolage of unconventional percussive sounds and textures. Metallic tones ping and bounce deliciously in every direction. One EP. Three outstanding tunes. Another formidable addition to an impressive discography.

For nearly eight years Oonops is performing his (bi-)monthly vinyl show on Brooklyn Radio in New York. On the 21th March he dropped his 150th episode of "Oonops Drops" including exclusive guest mixes from around the globe like Skratch Bastid, Coldcut, Rich Medina, Kutiman, Morcheeba, J.Rawls, Fingathing, Guts, Supreme La Rock, DJ Kaos (The Artifacts), Fat Freddy's Drop, The Reflex, The Herbaliser, Hunger (Gagle), Scratch Perverts and many more. Link to the show and back archive: see brooklynradio website

Time to celebrate this event with an exclusive 45-vinyl like at his 100th episode.

He invited artists from his show and network to join him for this multifarious single compilation. Starting on side A with Slick Walk (Merse & DJ Robert Smith) and Sneaky from Fingathing who conjure a heavy scratchy bassy version of Moondog's legendary song "Bird's Lament". On the flip DJ and beatproducer Avantgarde Vak from South Korea drops a cool oldschool instrumental track named "Keep Ya Eyes Up" before Toshiyuki Sasaki from Japanese Jazz Trio Nautilus is ending this 45 with four precise drum breaks for all beatjugglers out there.


And here is little story which Sneaky has to tell you about their version of "Bird's Lament":

Despite productions appearing here and there since 2015, Yuzo Iwata has kept a relatively low output. Contributing tracks to compilations and releasing singles under aliases Fabio Lazaro and Almost East, Iwata is also affiliated with Junki Inoue's recent SAISEI label, editing pioneering early Japanese techno from the likes of Suzukiski and COLOGNe for rerelease.
After 'Acid House' appeared on the Butter Sessions Come Together 12" in 2020, the label now play host to Yuzo Iwata's first ever full length. The 10 tracks span a wide variety of tempos and show a consistent approach to unusual sound design first evidenced in Iwata's RA Mix of the Day for Clubberia (100% originals recorded circa 2017).

Kaizu unfolds with dense environmental ambient textures before 'Neverland' takes us into broken dancehall rhythms and acid-tinged dub. 'Funclub' is reminiscent of Japanese video game soundtracks and 80s fusion whilst further into Side A the balearic energy continues to captivate, closing with the beautiful 'Heroes Show Up Late'. This short piece is built around a looping vocal sample and shuffling drum work that all come together perfectly. There's even a trace of Brazilian MPB influence at play with the vocal/synth interplay. It's Iwata's knack for percussion that is most evident across the album however, with Side B opening cut 'Gamelion' taking an Indonesian inspired approach to modern techno. It runs in a similar vein to Komodo Kolektif's work and might be the dancefloor highlight of the whole LP. 'Sundance' follows with more Japanese motifs, recalling Haruomi Hosono's F.O.E project. Another strong rhythmic workout suited to the floor. The environmental ambient textures return with the closing piece 'Time 2 L', strings, bird calls and droning synthesiser winding down the proceedings. Letting us know it's time 2 leave?

Alex Stein with his first Terminal M release in 2024.

For the fourth EP of the parisian vinyl only label, nifo invited back Corsican talent & Jazz enjoyer, Ionescu. This EP is full of collaborations, with friends and talented musicians, such as Sylvain Le Provost & Sabine Tavenard who helped for the jazzy cut in A1. Shuffle Social Club. In the EP you'll find a lot of variation of styles, from electronic to Jazz, from Breakbeat to House, get lost in the imagination of Ionescu and enjoy the trip.

Reality Hacked Part 1 sees the long-awaited vinyl release of the Matthew Dear, Perel and Jonny Rock remixes of Mirage. Taken from Lost Souls Of Saturn’s album ‘Reality’, released on their Holoverse Research Labs imprint, the original tracks saw Seth Troxler and Phil Moffa teaming with vocalist Adam Ohr (aka Addy Weitzman of Footprintz and The Beat Escape) for a cosmic synth-pop anthem.

The first 12” collects together the irresistible house remix from Perel (DFA / Kompakt), Jonny Rock’s chugging rework by Jonny Rock, and the gloriously twisted sprawling take from Matthew Dear.

Limited edition of 100 copies. There will be no repress in the future.

Malmo Traxx returns with a compilation of early tracks crafted by Malmo's legendary NOS, featuring hardware jams discovered on old reel tapes and presumed-lost CD recordings assumed to have been lost for a long time. 303 hypnotic bass-lines, trance elements, punchy 909s, ambient, and futuristic electro. Limited Edition.

Unveil Sterac's journey on Somov, immersing in a spiritual opening and euphoric soulful revelations that shape his unique sound. A dimension where Amsterdam's electronic pioneer connects rhythm and heart.

Good For You present a special Paradise Garage inspired 12 Inch sampler from the upcoming ‘Paradise Garage : Inspirations’ compilation, featuring two of Kenny Summit's collaborations with the Director's Cut duo, and Godfathers of House, Frankie Knuckles and Eric Kupper. Neither of these tracks have ever been pressed to vinyl, so this is your chance to own these masterful tracks cut loud and proud on either side of a 12 inch.

The A side houses the last ever Frankie Knuckles production, a project Frankie and Summit worked on with Eric Kupper - remixing 'You'll Never Find Another Love Like Mine' by the legendary Lou Rawls – pure soulful house brilliance from the very first second. On the flip you’ll find a further Kenny collaboration with the dynamic duo entitled ‘Loving You’ – the trio teaming up to deliver a stunning Motown inspired dance floor stomper with an uplifting vocal by the one and only Yasmeen. Two certified anthems that have had heavy rotation with DJs like Cajmere, Grant Nelson, Sonny Fodera, Quentin Harris, Robert Owens, Tony Humphries, Danny Rampling, John Morales, Graeme Park, Pete Tong and still continue to get played the world over.

These tracks form part of a wider compilation, ‘Paradise Garage : Inspirations’ that contains unreleased remixes of iconic club tracks like Loves Last Episode‘s remix of Deee-Lite‘s ‘Power Of Love’, and seminal club classics like the Masters-At-Work remix of Todd Terry‘s anthem ‘Sume Sigh Say’ and Francois K’s “Time & Space.”

Both this sampler and the full compilation feature a masterpiece of cover art designed by Alexander Juhasz, the artist behind the award winning films The Little Prince and The Babadook.

Analog gear stalwarts present their time-tested dancefloor weapons.

‘10 Years Love On The Rocks - Sky Is The Limit’ is a compilation celebrating a decade of the seminal label, a reflection on its journey, the current status of the dance floor and a pivotal moment for its founder; a personal essay over eight tracks on ten years in the game, from one of the most unique voices in the industry: PARAMIDA.

The V.A. features a selection of artists reflecting the idea of chosen family at the heart of the label – figures responsible for early releases such as Massimiliano Pagliara and Fantastic Man, to Alex Kassian, recent additions E-Talking and Running Hot, and newcomers to the label such as Sweely and Dreamphaze – a collaboration between Alex Bradley and 90s techno legend Neil Tolliday – to name a few.

Expertly curated and sequenced, equally rewarding in close listening and on the dancefloor, there’s a thread throughout that pairs laid back grooves with cinematic, emotional chords, tripped out keys and melodies, and variations in ambience, with highs and lows that feel reflective, nuanced, considered and masterfully crafted; a reflection of the maturity that has developed in the label’s output since its first release in 2014, Massimiliano Pagliara’s classic ‘Flying Away From You’.

Connecting classic house, prog and balearic influences, the label’s sound remains indefinable but unmistakable and in full effect here, not afraid to reference iconic prog/trance and even euro dance in a compilation that envelopes the complete spectrum of dance floor emotion.

There’s nothing out there quite like this – a quality true of all the label’s releases, an achievement that was both the focal point of the label at its inception and a full circle moment that speaks to its development – staying true to itself while progressing with (and shaping) the times – a decade later. “I never expected Love On The Rocks to make it to ten years,” explains PARAMIDA, whose own trajectory over the same period of time – to Panorama Bar resident and one of the most prominent, boundary-pushing and sought-after artists in the game – has been nothing short of meteoric. “Everything has a beginning, a middle and an end. When the time comes, I know what the last release will be. But it never feels like the right time. This compilation represents the past, present and future. It’s an inflection point. After this, anything is possible.”

Sky is the limit.

2023 kicks off with an experiment from the 8TT8 collective.
A special release, a compound of eight peculiar tunes carefully designed to fit in every context and moment whether it be the earliest warm up to the latests afterparty.

These eight stories are shaped through the use of melancholic chords blended with glitched percussions sprinkled on captivating basslines and resonating claps filling the room with elation.

Notes of evergreen pioneering come from ArTeo as the crafter of the beautiful botanical microsculpture on the cover.

Raised down under and now based between London and LA, AK Sports' productions, DJ sets and Balamii shows are a melting pot of rave flavours, equally inspired by the old school as the new.

This makes for a truly unique, easily identifiable sound that combines computer-love, retro acid synths ("Robots Are Forever") and anthemic piano stabs ("Sayulita") with futuristic, cosmic soundscapes; and industrial techno, with MPC claps and reverberating breaks ("Kurrupt", "Xoxo"). On Lost In The Sauce EP, unorthodoxy and irreverence are at the core with AK Sports refusing to follow the rules laid out by genre.

Let's welcome Ignacio Arfeli with his Terminal M debut incl. a big remix from Ramon Tapia

Let's start 2024 with Mark Reeve's first ever Terminal M solo EP.

A1 Kenzo is the opening track of this energetic EP which is stitched with warm percussive sounds, warped samples and a bouncing rolling kick and bass.


B1 Diod takes a more grittier and more distorted tone, accompanied by another rolling bassline. A dance floor lifter, that has a warm feel of atmospheric sounds.


B2 Ratty puls takes on a more scatty beat with a more distorted sounds, its been carefully woven through a trippy mid range which moves with the vocal samples.

Words cannot describe how happy I am to finally return with my own music. It took me a long time to overcome my depressing state and to be able to be creative again.

I think every artist knows how it feels when you are blocked and cannot do music anymore, it is a very sad and frustrating feeling…. .

I am very relieved to be back now with two new tracks. Hope you like them.

Oliver Dollar’s Industry Standard welcome Detroit’s Outr Drive featuring vocalist Steffanie Christi’an for a vinyl release on the label. This package presses up the original ‘You Don’t Know’, first released on the label in 2021, with remixes from John Arnold & KON.

The original sees Outr Drive deliver a low slung, soul drenched, deep house track with a live bass line and lush keys that set the tone of a track for a wonderful vocal from Steffanie. The song is both emotive and seductive and shows off her amazing vocal range.

Detroit’s John Arnold steps up for the first remix taking his version into a deep electronic, synth driven work out, using the vocals to blistering effect over his swirling Detroit styled synth chords.

Over on the B-side we have some disco gold from Boston’s KON. He’s crafted a vintage styled disco record around the vocal that sounds truly authentic, almost feeling like it was recorded in a live session. This mix oozes quality and will be a timeless floor pleaser for the cooler floors.

Pale Blue unveil the penultimate single from their forthcoming album on Crosstown Rebels with ‘Together Alone’, accompanied by a driving and hypnotic remix from Kölsch. Artists with renowned solo careers alongside their ever-evolving journey as the critically acclaimed duo Pale Blue, Mike Simonetti and Elizabeth Wight continue to showcase why their collaborative material is much-loved from all corners of the electronic realm and beyond. Arriving on the heels of the release of the playful and charming ‘No Words’, the pair return to Damian Lazarus’ Crosstown Rebels with the third and penultimate single ahead of their forthcoming album release as they switch up the mood and veer into wistful territories across the absorbing ‘Together Alone’ - backed by a remix from Kompakt mainstay and electronic heavyweight, Kölsch.

A carefully created journey across almost eight minutes, ‘Together Alone’ is an exemplary showcase of balance and restrain as delicate melodies and hazy tones float amongst subtle nimble percussion arrangements, blooming synths and Wight’s captivating vocals for a deep dive into dreamy spheres. Bringing his own take to the record, Danish electronic pioneer Kölsch heads to Crosstown Rebels with his excellent crafted ‘I Have You’ remix, as he builds on the original with a powerful and emphatic introduction of anthemic leads, crisp kicks and a warping bassline rooted at the track’s core to transport the production firmly into the heart of the dancefloor.

Highly Limited Edition re-issue of this mid 80s nugget from down under. HUGE TIP!

Poetical License was a brief project uniting Scottish born and Aotearean (New Zealand) musician Mark Airlie and keyboardist and vocalist Keri Ansley after the duo met in New Plymouth. The solitary 7” came together in 1986, recorded at the infamous Auckland studio, The Lab.

The A side’s fragile Footprints is as utterly charming as it is drenched in melancholia with a delicate glockenspiel lick and Ansley’s ethereal delivery of the vocals. On the B Side, Room 101 pivots to wonky rock and a more post-punk approach to composition. The two tracks shine brightly among an abundance of outsider gems made in Aotearoa during the 1980s.