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Vinyl only - Limited copies - No repress

Ever since the early days of the 90s when producers began experimenting with the signature motifs of high octane disco music within the 4 on the floors, there has been a steady stream of happy go lucky releases which have never failed to deliver the goods on the Dancefloor.

Say Namm label head BDK remains a devotee to both genres, and pours his passions into the tunes he crafts, with SNA001 demonstrating the vibe of the imprint and the direction it might be heading in. The tunes found on this release weren’t your run of the mill edits, oh no, they had heart, swerve and depth, with the samples pushed to their absolute limit both in terms of energy and creativity.

Keeping the fire very much alive and well, 002 provides the diversity and well roundedness we came to know and love with the first release, with each track showcasing a differing side to the relationships that persist between disco and house.

The EP’s opener ‘Just Can’t Be Without You’ draws plenty of focus to the baseline and looping vocal effect, a superb groove that delves deep into the soul. ‘All I Want’ keeps its cards close to its chest, with a thunderous rhythm section providing the basis for a heart clenching melodic section to come forth, and its release is top notch.

On the flip, ‘Oh! What a Life!’ places plenty of emphasis on the excellent drumming patterns, with the intricate key lines and vocal performance dwelling perfectly within the peaks and troughs. Rounding off the experience comes the aptly named ‘Disco Sauce’, which shifts perspective to the euphoria inducing guitar riff, one which dominates the top layer to perfection as the rest of the track also does the business over and over again.

So why not embrace the warmth and get lost within some superbly made disco-house, with riffs and hooks to remember and rhythm sections to really immerse yourself within. The Dancefloor is waiting…..

DJ Feedback:

The Blessed Madonna - yasssssssssss
Jason Kendig - Super Energy
Jacques Renault - Into this, quite the ride!
Seven Davis Jr - Yes!!!!
Queen & Disco - Loving these! Thanks!
Tiptoes - Nice EP!

Fledgling but already well-formed French label Endangered Musique mints a new series here, Easy Trax Part 1, with four 90s-tinged house cuts. The Sexy Mix of Higher Level's 'Sax Maniac' opens up with loopy sax lines and throwback drums in a tune that is easy to love. There is a more sweaty, New Jersey style to Native Groove's pumping and dubby 'I Need A Man' before Side Kick's 'I Got The Hots' comes in two forms. The Hot dub loops a recognisable melodic pattern over chunky but deep drums and the Hot mix layers up bright, neon-hued chord stabs over an unresolved groove.

2nd release from Kiss Klassics serves up 2 of Justin Timberlake’s R&B classics getting the 45 edit treatment from mysterious Canadian Edit maestro Vince Cartier!?

The third release from Slovenian collective LuckIsOn! Fantastic musical adventures as always!

Bloop Recordings run by Magazino and Cruz from Lisbon celebrates its 25th release with 2 vinyl Album. 8 floor use friendly track fit all kinds of situation in modern electronic dance scene. The 1st Vinyl is with the artist all around Europe and the 2nd Vinyl is with the Portuguese producers.

Being somewhat of a conceptual experiment. All the artists on this album were asked to imagine fusing Acid and House with the Virtualsex LP which was released on Buzz in 1993. A 303 sound would be welcomed but not essential with an emphasis on soulful emotion and melody.

Each record comes with a individual digital download code

Pirka's first vinyl comes from Romanian producer Adrianho with a remix by heavyweight dj and producer Arapu. A blend of afterhour music and smashing podium vibes.

Praetorium sets off to probe and explore the boundaries of what music can still be. Withstanding the usual trends and expectations of the scene and cheerfully doing so, we invite you to lend your ears to Modest Ionescu, a lesser known moniker of a dear friend of ours.

An authentic artist album in the truest sense, "Nori de Praf" LP is themed around spacious and precise design, gentle harmonies and narrative complexity.

Finding it difficult to explain it ourselves, we'll let you decide what it is and what it isn't.

Vinyl only.

During the pandemic shut down of 2020 we became absorbed and obsessed by one record in particular. That record, released digitally via Mexico City label N.A.A.F.I., was ‘Get Free’ by TYGAPAW, which features multidisciplinary artist Mandy Harris Williams. A complete body of work intersecting their musical and cultural roots, this is an 11-track collection of hard-hitting, cathartic energy, exploring black joy, the active dismantling of imagined limitations, and the eradication of self doubt using techno landscapes.

Upon learning that there was no plan to release the record on vinyl we started a conversation about making that happen on Mister Saturday Night Records.

Two years later and through numerous pressing delays we are honored to announce the belated release on two slabs of orange vinyl and updated artwork.

Recut and Repressed!

Unic have carved out an enviable reputation over the last year for championing resolutely unique artists and sounds. Here they launch their vinyl only label with an equally impressive array of sonic flavours. Four artists each experience an other worldly vision and utilise their formidable musical gifts to translate it into musical form.

Early support from: Ada Kaleh, David Gtronic, TIJN, Nils Weimann, Vlad Arapasu, Herck, Crihan, Halo Varga, Tulbure, Teluric, IULY.B, Shoxy & Dudley Strangeways.

REDISCOVER A SELECTION CURATED BY RADIO FG OF THE MOST EMBLEMATIC TRACKS OF THE FRENCH ELECTRONIC MUSIC SCENE IN A DOUBLE LP EDITION!

Sometimes The Universe Wants To Tell Us Many Things, It Wants To Send Us Signs About Our Existence, Our Destiny Or The Way That We Have To Take It.

Perhaps We Have Lost The Sensibility To Hear The Universe, To Recognize And Interact With It. Perhaps, We Need To Back To Basics, To Listen To The Voices, Understanding The Natural Dialogue With The Universe, Catching The Signums The Caelo.

Northallsen Records Present "signums De Caelo" By Aleja Sanchez. Our First Vinyl Reference With Remixes By Von Grall &
Awb.

The Mannheim-based event series "Intermission" launches its record label with this 12" designed by Adrian Zorzano. IR001 is a split EP by Cuthead (Uncanny Valley, Dresden), who also played the first Intermission night in 2017, and LSW (Intermission, Mannheim). You can expect six tracks from Disco to (Acid) House – we hope you love this music as much as we do!


The first full ep on credo by folker zwart from amsterdam, and here we go with some modern techno amusement like a fresh breeze and showcasing the talent in here. while all the shades are undoubtly focussed on the dancefloor shade 1 is probably the most peaktime-like approach while shade 2 creates an amazing atmosphere with its pure and clean pads and sounddesign. shade 3 even crosses some slightly jazzy path and alltogether a perfect definition of the credo idea to present colors and not only shades.

G. Markus - Recently Revealed As Ben Gomori Of Monologues Records And Sterns Edits—returns With The Fifth Volume Of His Vinyl-only Edits Series.

'lifted' Is A Joyous, Vocal Chopped Bumping Edit, Manipulating And Filtering Those Gospel Flavoured Samples Into A Raucous, Hands In The Air Feel Good Anthem, Tied Behind A Gritty No-nonsense Beat.

Flip It Over And 'panties' Hits You With A Wobbly Party Jam, Full Of Exuberant Guitar Licks, Fizzing Hats And Funked Out Bass Riffs - Sure To Get The Heart Racing From The Off.

Two Killer Edits Once Again From The G-edits Camp!

Dj Support:

Disclosure, Hercules & Love Affair, Soul Clap, Karizma, Shadow Child, Marcel Vogel, Auntie Flo, Till Von Sein, Roger Sanchez, Danny Tenaglia, Richy Ahmed, Moon Boots, Sacha Robotti, Droog, Kraak & Smaak, Horse Meat Disco, Meggy, Kristin Velvet, Terry Farley, Hernan Cattaneo, Mark Farina, Piek, Danvers, Coco Cole, Dom Servini, Kiko Navarro

Deep within the forests of Rüdersdorf, Germany, 1.5 miles outside of Berlin, exists a forgotten realm, a dark dystopian and deserted place. It is truly special. Here, menacing towers of an abandoned factory reach into the tarry ebon void, embracing the eerie atmosphere. It was once known as VEB Chemiework Rüdersdorf; a chemical manufacturing center for farming phosphates in the late 1800s and later repurposed for the manufacture of Vauxite during the second world war. The vast area of gigantic factory buildings is filled with decaying cement structures and is usually deserted and quiet. But not tonight. On this particular night, wild, untamed acidic tones of underground Brooklyn acid techno penetrate perfectly. Soon the irresistible sound waves bring to life whatever ghosts remain here. It was dubbed a “music research mission” put together by the nonconformist Sonic Groove Records label. It was the summer of 2020; in the middle of one of the more chaotic years in planet Earth’s recent history. With the planet’s entire population in Covid lockdown and absolutely menaced by a collective fear of the unknown; DJ Adam X was on a mission, inspired to provide an appropriate soundtrack for the setting. Accompanied by fellow artists Maedon, Reade Truth, and Sarin, what followed was a night of magic, as they re-experienced beloved timeless 90s era acid tracks. The massive monolithic buildings served as the perfect backdrop; a stationary frame for an unexpectedly active sky complete with flaming meteors, suspicious satellites, and potential UFOs. This intense nocturnal experience provided the inspiration for Adam X’s latest release; “Rüdersdorf” a modern take on his trademark acid sounds. Simultaneously mechanical and soul-felt, the LP is full of brain-numbing techno excursions, layered heavily with intense TB303 patterns that slowly dissolve and melt your brain. This is where the acid underground takes charge, providing the flawless soundtrack for the unknown. Hard, challenging grooves for these challenging times. Close your eyes, and visions of Chemiework slip into focus. The experience makes you wonder: Do we have a future? Adam X provides an opportunity to dance and maybe not even care.

Selector 001 is the first vinyl release of Highly Facts. Dancefloor killer tracks from Lusta on the A-Side and Matt Matter on the B-Side, includes a remix by Samuel L Session.

finally repressed !

H2H, the project of Chez Damier and Ben Vedren, teamed up with Ricardo Villalobos for a studio session in Berlin.

4 deep and soulful joints lovingly crafted & reworked by Editorial's Ed Wizard & Disco Double Dee The 'Love & Shake EP' is sure to please!
DJ Reactions:
Session Victim - dope! 'Endless Love' - KILLER! my favourite on the record!

BAR Musica Welcome italian Francesco Mami, with two trippy minimal tracks, alongside a classy Fred P remix!

Early support from: Raresh, Enzo Siragusa, Giuliano Lomonte, Archi Hamilton, Barac

This 3 vinyl compilation showcases the entire Italo Hiits output to date. 6 Hi-NRG tracks across 3 plates; the quintessential soundtrack for the home (or dance-floor!) workout.

After the successful digital release, Discodelic Edits Vol. 1 is finally out on Vinyl. Two fresh Disco edits by Peter LC are going to fire your dance floors. You can’t miss the well known Italian House edit “Tentami & Rubami” (A Side) with its funky sonorities and disco grooves. “Stay With Me” (B Side) will make you dance no matter what.

BRUCE, K-LONE, RHYTHMIC THEORY AND GLANCES line-up on this tearing 12" comp. TIP!

The 12" brings these four artists who have close ties to Chris Farrell’s Bristol based label and shop.

Bruce with a contemplative dancefloor dub in tribute to Alex T, esteemed Leeds record shop worker and DJ - sadly taken from us too young.

K-LONE delivers a subtle and subby house roller.

Rhythmic Theory makes a final appearance with a bumpy and bassy techno track.

Glances bring a deft funkiness to the broken techno sound.

This is the end of a chapter. The last Idle Hands release for the time being. The shop continues and new projects beckon.

#PF005 ITRIA VOL.3 is a slow techno-inspired cosmic journey that condenses in a single orbit a great cast of artists coming from different galaxies. It marks an evolution in sound and mood, taking us to a deeper and more visceral dimension.
The first track by Interstellar Funk is a 100% pure electronic mind-trip, a machined groove where thoughts still roam frenetically paves the way for a more intimate experience.
Tamburi Neri’s downtempo track shapes a space-time portal in which to sink; their sound is like a beat echoing from the bottom of the chest and spreading to the tips of the fingers softly.
For the first time, Salamanda co-works with Polifonic framing a Korean unknown soundscape, an ambient loop track through which we break away from this dimension and move towards the exotic.
Hiver restore a connection with reality through their pulsating bass. The heartbeat speeds up, but we still float into a dreamy techno atmosphere.
Claudio PRC & ZIPPO come into play with a powerful combination of techno textures that gets us to resurface and awaken the senses.

Seasoned heads may already be aware of DynArec. The project of one Chris Kalera, DynArec has been a force in the electro underground for more than two decades at this point, releasing numerous records and helming the Vaporwave label to boot. He has marked himself out as a purveyor of top-quality machine-funk during his career, a producer who runs with the spirit of Detroit to craft club traxx of wicked intensity.

After a period of relative quiet in the late 2010s, Kalera has roared back into action recently, with a run of releases emerging in 2021 and 2022 across labels including Cultivated Electronics, Superluminal and Umwelt's New Flesh. Now the Vaporwave Records founder takes his Central Processing Unit bow with the Force In The Sum EP, and his hard-hitting electro style is immediately at home on the Sheffield imprint.

Force In The Sum commences with 'A Dispatching Role', a track where eerie vocal snippets and delay-drenched anti-melodies cluster around a volatile low-end wobble and crisp 808 snap. It's equal-parts ominous and invigorating, kind of like the Thom Yorke of 'Kid A' times if he'd been granted an audience with Gerald Donald. 'A Dispatching Role' is prime slalom music, and the mood carries through to following cut 'Stabilized'. After a stentorian opening of unerring kick drums and fizzing keys, 'Stabilized' soon blooms into a retro-futurist robo-electro joint which comes off like a more textured iteration of Unit Moebius.

Things open up a little more on first B-side 'Canonical Form' - at least, they do before the track's pretty opening flushes are interrupted by a vicious blurting bassline reminiscent of, say, Jensen Interceptor. There are no broken beats here, the track's unyielding four-on-the-floor thud pushing the joint a little more towards techno mode than the A-side jams. This straight beat remains on Force In The Sum closer 'Classification Of Elements', with sputtering hi-hats playing off the groovy pings of the synths to devilishly danceable effect. Slip-sliding saw sounds and spine-tingling, almost 'X-Files'-esque lead lines enter to up the ante, but the mood shifts after DynArec starts to lace lush chordal stabs and delay-drenched modular runs through the track. All the while, a voice repeats the mantra "what matters is the sound" - and who could deny the truth in this statement?

DynArec's prolific recent run continues with the four track Central Processing Unit debut Force In The Sum. Tense, expansive and worldbuilding, this is wickedly danceable electro done right. Truly, what matters is the sound.

RIYL: Jensen Interceptor, Cardopusher, Cygnus, Silicon Scally

Subterranean Odyssey is back with it’s 3rd release by Juaan… Hailing from Mar Del Plata in Argentina, he’s started to make a name for himself in Europe and beyond with his releases on highly regarded labels such as, most recently, Partisan.

The “Lorenzo EP” is dedicated to Juan’s newborn son and showcases his sound perfectly with a variety of different moods. This EP includes 4 tracks that are sure to be club (Ju)anthems in the coming months.

As ever, the artwork was elegantly designed by Madame Fourmilion.

BLR gets back in the game with a record from Manchester DJ / Producer Sameed. Ode to G is even parts disco and house, with two tracks on the loopy soul side and two sitting more in the orthodox house pocket.

I hold Your hand Like I want My hand To be held. When we are young we show our love by emulating those we love. Tributes, respect, adoration, getting lost in things. Trying to become a person we wish to be. Hold that process and don't be afraid to let it always hold you too. Swallow Me is the result of playing Kamala Sankaram’s astonishing performance in clubs, of splicing it into and out of things, of those ideas taking on a little life of their own and connecting her ideas to new spaces and audiences. I Love Like Your Men is a tribute to the undated diaries of Samuel R Delaney, slices of time that cut themselves holes into other times and other places. Moments of reflection that now tie into the heads and bodies of others. Thank you to Kamala for your work, it’s clearly so inspiring, and for being supportive of this, which is humbling. Swallow Me samples Kamala Sankaram’s performance at the final Resonant Bodies festival in New York in 2019. “In Ancient Greek, ololyga is the ritual shriek of women, a sound so alarming to men that it could not be uttered within their earshot. Kamala Sankaram’s work was written as a direct response to the 2016 election.” It was released on New Focus Recordings.

The word datasal paints inner pictures for most people growing up in Sweden during the 1990’s. The datasal (a classroom for computers) was an ordinary classroom with few changes to fit the school’s 10 newly leased computers. The room represented the change of times in Sweden during this period: the fixed institutions and the awaiting digital flood wave.

The music of Datasal sounds captures the feeling of printing a downloaded picture of your favorite hockey player or music artist or the expectations building up as you wait for the modem to log in to interact with the thousands of users of the internet in 1995. The two tracks on this release manifests the excitement but also the bit of fright you felt connecting to the world in the mid 90’s - a time when the internet still was fun.

The sound is built around repetitive sequencer loops and programmed beats where electric bass, electric guitar and flute improvise around a theme, creating a sound that is best described as cosmic flute house. Datasal is an harmonic reminder of a time where digital progress seemed less harmful than today.

Words can't fully express how honored we are to launch our label with this timeless masterpiece of a tune. And honestly, words will never do this monumental piece justice. Just focus, and the music will effortlessly take you further, and further, and further, into the beyond within. Deep and serious, yet light and uplifting, and so, so powerful. Truly devotional music.

On the B-side we find Deepbass taking the essence of the original into his signature trance-techno hybrid, suitable at any sequence of a DJ-set. We have already seen the track work wonders on dance floors up north.

Toffes Varld ends the journey perfectly with his unique eco-friendly style. The sound of an early, misty morning deep into the Varmland forests. where innocence and play still rule the environment. Wynja energy at its purest.

Repress

303 202 EP - Follow up from the huge 101 EP, a collection of Acidic techno cuts made with the legendary TB303 and the SH101 machines.

Coming of the back of the two previous releases, the 303 series continues with the same energy as the last ones.

Produced in Kreuzberg by Falling Apart.

Third iteration in OEW’s VA series, WITNESS03 brings over a fresh new quartet of heaters from another of its carefully curated cast of up-and-rising producers. Delving in the vaults of 90s rave, and spanning all things from atmospheric techno to spine-tingling bass, via electro, acid and further afield electronics.

Engaging first, CLJL flings a brick of breaksy sedition into the matrix with the mighty “System Research”. Fusing 303-emulated traction with jaw-crushing freq shifts, ruff snares and fluttering synth spirals gone astray, this one is pure woofer-busting material. Second in line, Naone “Silhouette” is an aggressive slice of dopey, bass-heavy cosmonautics, tailored to have the listener zoning out into a magnetic field of alien echoes, delays and reverbs.

Flip sides and here is LVCA and Sidd taking over your brainwaves with “Stranger” - a squelchy joint connecting the dots between Bochum Weltian spaciousness, pop-laced ethereality and a propulsive programming bound to astral project yourself into a whole other dimension. Last but not least, N-GYNN’s “Fire Rave” engineers a jagged and easy-going carnival of funkster machine talk, weird organic noises and sleazy boogie.

VOY 12

Exium & Reeko make their return on Nheoma. Three massive Techno cuts in there!

The first in series of self-released Liquid Earth Physical releases, “The Electronic Brain” is a nose dive into Junkyard Synthesis.

From EP Title opener and the three tracks to follow, you’ll find part '80s sleaze, part '90s deepness and part '00s wiggle wrapped into one package.

A2 track "Vector Boy and The Horse With Three Legs” is as cooked as the title given. A twisted ride on a budget carnival right, steered forward by driving percussion and a mid-break bubbly synth line.

“Bubble Pop,” an ode to the 1986 arcade game, is a straight shooter. An early morning tune that pirouettes nicely through a sunrise set. Record closer, “Stingray Shuffle,” ties the release together with its juggled arpeggios and organically grown drum work.

The Electronic Brain makes dance music cocktails that pop like a twist of lime hitting seltzer. Melodic, crisp, and refreshing.

Aksel & Aino are back with their unmistakable mix off deep analogue instrumentation and poetic vocals. Dreamy pop from Scandinavia that follows up their 2020 released album „Lullabies For Submarines“.
As always this caters to moments on & off the dancefloor.

There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’. A Grammy Award winner, Frankie had a street in Chicago named after him where the old Warehouse once stood to commemorate the first ever Frankie Knuckles Day on 25th August 2004. Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades.

Now he is commemorated once again by long time writing and production partner Eric Kupper who will release part II of the special commemorative album on vinyl around this date. Eric, himself a seasoned DJ producer and writer, working side by side with Frankie on many his seminal classics, as well as personally working on over 116 Billboard #1 Dance Records. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

The album features some of Directors Cut’s best works with the Re-Directed version of the seminal classic ‘Baby Wants To Ride’ plus their re rubs of Inaya Day, Sybil, Hardsoul and Lou Rawls - You’ll Never Find Another Love Like Mine (Kenny Summit, Frankie Knuckles & Eric Kupper Unreleased Anthem).

This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continue Frankie’s legacy whilst focusing on music in schools, LGBTQ youth homelessness, AIDS research / prevention & diabetes research / education.