"Propersound" adds to it's impressive legacy with a stunning new Vinyl, Alex Martin - Asimov EP.
4 tracks of dreamy and soulful Electro grooves that truly intertwine music for the clubs and the mind. Ltd. White Coloured Label. Essential, don't miss this...
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Desolats Labelhead Loco Dice präsentiert nach seinem Killer-Remix für Mobys Klassiker "Go" nun eine großartige neue Single als Vorgeschmack auf das später im Jahr erscheinende neue Album "Love Letters". "Roots" reflektiert Locos musikalische Wurzeln in Düsseldorf, Detroit und darüber hinaus und bietet wieder eine exzellente Kombination aus robustem House und Tech-Funk, die jeden Dancefloor sprengt.
Homegrown talent from the beautiful inland town of Hamar, surrounded by the beautiful Furuberget and lake Mjøsa. First collab with these former Skwee-stars on Full Pupp Splits Prins Thomas,
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The Hamburg and Mainz based project is back with the next two timeless future classics dedicated to the dancefloor.
Already played by: Telfort, Smallpeople, Woody, Session Victim…
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After closing the first part of Fundamental Records' experiment called Music for The Other People Place, the second part begins. Music for The Other People Place. Experiment 2. A special and highly limited electro / electronics project (tributed to James Stinson), produced by different artists that will remain anonymous, if they choose to...
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Honne Music is pleased to announce our next vinyl release (HMV04), once again a compilation of different artists; managing to put together a good musical variety for all tastes. On side A we have the old school teacher and legend Steve O' Sullivan with his track "Keep Me Waiting" which is a start to finnish master class and a perfect example of how to express multiple feelings through music. Complementing that side is our friend and incredible person RQZ with his track "Blow Out", touches of mystery and seriousness is what describe this track the best and of course a perfect groove to start heating up any dance floor. Side B start with another good friend from many years ago, Dot with his track "Against All Odds" a track with a lot of aggressiveness, sophisticated drums, dope and progressive bassline, and to finish side B we have a family member Louiv with "Thoughtful Moment" and as the name indicates, a perfect track to get you thinking about life, a track that makes you feel many emotions once you hear it, the power of the bassline and those subtle enveloping pads that go in and out throughout the track can transport you to any memory no matter how remote it may be.
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The Danish producer debuted on the label in 2018 with Totem - an EP of detailed, low-slung productions that highlighted the artist's keen ear for moody, undulating sequences & slick production techniques.
On his return, Banke ups the ante - increasing the tempo moderately and where previous work focused on inviting dance-floor hypnosis, Facelift makes classy peak time propulsion the order of the day.
The work maintains many of the sonic motifs associated with the Dane's production: firm, buoyant low end drives the music, working neatly in tandem with reduced percussive accents and more exposed, crystalline sequences that lift the recordings and offer new, expressive tones to the producer's growing discography.
In many ways lead track Facelift does what it says on the tin, and offers up the most intense experience on the EP. In equal parts as dense and moody as it is exhilarating and uplifting, the track is a fine example of how careful use of limited sonic components can generate extraordinarily affecting results in the right hands.
B1 Yellower continues to channel the feverish energy of the A side, making the most of a driven lead sequence that sits front and centre in the mix. A stylish piece of engineering that bridges the record with some style, offering an alternative but equally effective approach to the EP theme.
Closer Lark indulges in a similar energy, albeit tentatively more heads-down in its articulation - carefully constructed with particular attention paid to the groove and arranged exquisitely to generate a latent frenzy over its run-time.
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UFO Inc. starts the new decade with fast, dark improv-techno tracks by the New York DJ, producer and singer Heidi Sabertooth. The four tracks on UFO4 are an impressive testimony to her passion for vintage gear and are the result of an interplay of mainly three machines with which she also plays live: Roland SH-101, Korg ESX2 Electribe and Yamaha DX200 - Sabertooth knows her tools inside and out by heart and tried on this EP to sound as "live" and spontaneous as possible. She plays her machines like instruments and want them to have some life and breath in them because she grew up playing all kinds of wind and string instruments and played in bands many years before she became a DJ. Her approach to making tracks is to capture as much live experimentation and weirdness as possible, while still making something that grooves and kicks on the dancefloor. She is not so concerned about making things perfect, in fact sometimes she intentionally try to disrupt things if it starts sounding too polished or square: ,,I like things to be human. I think you can feel it in the recording when the hands are touching the machine - it is human/machine/spirit connection.?This is why I named the EP as such - With The Void - this is how I like to create: jump into outerspace, into the unknown, with my machines and we all have an experience together - a cosmic electric dance - and that's when I hit the record button." On UFO4 you can definitely hear the fun she and her machines had in the recording process.
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Detroit's John Beltran under his alias "Indio" was released on CD back in 1999 on Derrick May's Transmat label. We are very pleased to present you this fantastic album which have been remastered and will now be available for the first time on vinyl. A timeless journey of warm Detroit vibes from the start to the end...
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Kassian are back on Heist with a follow up to their debut release ‘The Premise’ from 2018. Their new ‘8th Movement’ EP showcases their knack for a tight dance floor groove and is another great example of their well-groomed electronic funk. The EP features 3 originals and a Leo Pol remix. The Kassian boys have worked like maniacs to build their profile since their debut in 2018. Their debut title track ‘The Premise’ was nominated track of the year by Gilles Peterson, and their track ‘Bad Habit’ has been a staple in DJ sets from us and many others. Meanwhile, they’ve had releases on ‘Phonica White’, ‘Groovence’ and started their own label ‘Kassian Versions’ with some heavy edits. They also started a radio show on ‘Balamii’, instantly becoming one of the station’s favorite shows and they’ve worked on charity compilations for Covid19 and the United Nations Women’s charity, while still finding the time to deliver a seriously cool new record on Heist. Apollo is built around a bumpin’ disco bassline, hazy stabs, vocal chops and a deceptively simple but oh- so-catchy lead loop. The track also features some nifty keys and percussion by Thomas Arroyo, who produces afro-inspired house under the name Laroye and has really succeeded in giving the track an added layer of warmth and expression. This track has everything you need for a solid party anthem: A solid beat, a catchy bassline and just the right amount of chops, fills and vocals. The title track takes a deeper turn, with some lovely Motor City inspired chords, rolling drums and their soon-to-be signature surprise move of a driving acid line. A hit of a ‘dubby’ piano and a vocal chant both move in and out and of the forefront, adding some really nice layers to the heads down vibe of the track.
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Finally, Regis lets his rhythmic noise opus out into the world, a bruising and hauntingly absorbing album - his first since 2001 - dispatched on his pivotal label; Downwards.
On a masterful twenty-year followup to ‘Penetration’, Karl O’Connor yields a definitive solo LP that distills his passions for sonic brutalism and bastardised Chicago tracks with syncopated UK swagger and reverberating warehouse ballistics. Its lip-bitingly gripping effect is testament to a resounding reputation as one of Industrial music’s most influential producers, and sees the artist bring his own influences - from Test Department to Jeff Mills - into line with his potent palette of narcotised tones.
Recorded in Berlin with Einstürzende Neubauten’s producer/engineer Boris Wilsdorf, the album’s supple, spartan, and rhythmic gymnastics notably benefit from acres of icy room to roll around and lash out. Snagged around muscular bassline revs, and caressed with keys and vocals by postpunk catalyst Annie Hogan (whose recent turn for Downwards was a total revelation), the 9 tracks
portray Regis at his leanest and most mesmerising, which is all the more impressive coming from an artist who’s deliberately held his line through club music’s mutations for more than 30 years.
Between the razor-sharp electro of ‘Everything is Ahead of Us’, and the pure voodoo of ‘Calling Down A Curse’, he sharply carves a uniquely UK and shark-eyed style that lets on to influence from tech-step D&B and dark garage rolige as much as Test Department’s seminal ‘Beating The Retreat’ or 23 Skidoo and ‘Crackdown’-era Cabaret Voltaire.
Highlights such as the swingeing 11 minutes of swordplay drums and bubbling acid in ‘The Sun Rose Pure’, and the straightjacketed funk of ‘I See Fire’ epitomise the rudeness at play, and together with the viscerally personalised sound design virtues of ‘Another Kind of Love’, the immaculate noirish vignette ‘Alone of All Her Sex’, and the lush tristesse evoked by ‘Eros in Tangiers’, this album effectively defines Regis as peerless in his field, and is essential to fans of the artist’s solo classics and with British Murder Boys, Sandwell District, Ugandan Speed Trials and CUB.
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Be As One presents the new "Expert" Series, focusing on the labels leading figures, providing 2 tracker EP's, bringing back the attention to a full sided 12" with their singular out of the box approach.
On EXP01 it's label head Shlomi Aber with a fast forward driving peak-time techno rumble.
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I am very happy to get a lot of my Terminal M artists together for another cookies compilation! But also glad to present you a few new artists like Kintar, Whyt Noyz, Landmark and Veerus & Maxie Devine (Monika Kruse)
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This time we give you an Apparel Wax bottle opener while from the cover you can get a panel to play battleship, with the hope of making these complex days a little lighter and more playful.
The eighth chapter of the Apparel Wax saga brings with it, as always, a multitude of sounds and suggestions. The masked producer always manages to renew himself, bringing something new and special to each record but always remaining faithful to his musical line. APLWAX008 will be released in January and consists of four tracks: the first is a track with a very marked dynamics and is characterized by a solid rhythm section, a bass line that recalls the UK garage, vocal samples and a beautiful harmonic evolution produced by evolving chords. The second track, A2, winks at Jazz and Soul with a production rich in rhythmic virtuosity, keyboard solos and an almost hypnotic vocal loop while the second side starts with B1, which takes us back to an imaginary dancefloor with a powerful beat and airy disco chords. The EP closes with B2 that softens the tones giving a more intimate, classy and deep end, with references to Funk and R&B. In short, an EP that touches many genres while remaining compact as a whole. Another small masterpiece of production and music selection by Apparel Wax. Out in January 2021, to warm up your winter.
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Having won approval and success in its debut release, the spclnch vinyl series continues with the release of a second record from Wiesbaden producer - Peter Fanai.
Weighty, spacious bass pleiades fill the sound field, erase the consequences of duality and, flowing into the viscous full-bodied substance of verified sound design, it would seem that they will momentarily shift the tectonic plates of the electronic genre.
Maestro Basicnoise is again involved in the spatial enrichment of textural proportions of reverberation and percussion. This time, their sequence runs under the quality mark of the Australian-German collaboration. The accurate Kooscha warms up the sensorics with elegant dance manipulations and a distinct rhythm, and the related association Echoton traditionally introduces a tart concentrate of meaningful thoughts.
The rich aftertaste of variable electronic abstractions takes the subconscious and musical outlook to a different plane.
Now you are more than an observer.
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DJ Varsovie's new EP takes place in September 2045, in a futuristic end of summer before we have to leave earth. The journey is supported by remixes from Anetha, Minimum Syndicat and Stephanie Sykes, each one gives a different perspective on this dystopic love story. Septemper EP is a double vinyl edition with a colored sleeve and the record is printed on 180 grams vinyl, some of the tracks are also in 45 RPM for maximum quality.
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Not content with defining the sound of minimal techno in the nineties, Robert Hood has more recently fine tuned his own gospel tinged take on the genre. It comes under the Floorplan moniker, the genesis of which is said to have come to him when awakened by a late night vision. Since 2016, it has been a collaborative duo between Hood and daughter Lyric, and never fails to lead to religious experiences on the dance floor.
With roots in the Detroit techno scene in which Hood first emerged, Floorplan’s sound is embellished with the heartfelt emotions and unbridled passions of Chicago house music. It is heavy and analogue and filled with vigour thanks to the expert drum programming and ever rising sense of euphoria that comes from the well sculpted synths. But it also speaks to the heart and soul and has done since first standout cut ‘We Magnify His Name.’ The pair’s endless quest for the perfect groove continued through albums like 2013’s Paradise - which spawned anthemic singles like ‘Let’s Ride, ‘Baby Baby’ and the massive ‘Never Grow Old’ - and 2016’s Victorious.
The same year saw Hood’s daughter Lyric officially become part of the project. Since then they have taken Floorplan to endless headline shows at high profile clubs and festivals everywhere from New York City to Ibiza, London to Amsterdam. Their electric sets leave crowds feeling uplifted, spiritually awakening and totally in awe. Part of the success of Floorplan is the combination of Robert’s old school excellence and Lyric’s new school innovation: their music, with its big chords and even bigger vocal samples, could be 30 years old or fresh from the pressing plant, such is its universal sense of appeal.
Another new album is due on Aus Music in winter 2019 and once again distills the power of techno and feelings of house music with a certain sense of studio magic that emerges when this iconic father-daughter duo come together. It is rare to make music as stripped back yet emotionally enriched as Floorplan, but this pair do it with ease and a firm focus on durable grooves. Functional but full of form, tense but atmospheric, loopy but ever evolving, Floorplan truly transcend the dance music spectrum.
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Another must have and sought after Moodymann release available for the first time since its initial release in 2001. The Telephone EP was th
third in the limited Forevernevermore 12' series following Don't You Want My Love and In My Wagon.
The A side is a remake of the title track from Forevernevermore and in classic Moodymann style the original is presented in a different contex
Combining all the essential elements of the initial groove and adding a variety of new sounds and effects, we are offered a totally fresh take o
this stone cold Moodymann classic.
On the B side The Telephone is a funked up slightly retro jazz inspired groove incorporating complex drum programming and chilled keys whic
hints at the direction Moodymann was to take his productions in on his later albums Silence In The Secret Garden and Black Mahogani II.
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London imprint Drifted Records bring the heat with their second solo output in the catalogue. DR002 - Spirals EP, written by Dublin born, Berlin based wiz ‘New Members’, displays a distinct voyage of the beloved 90s era with a modern innovation.
Side A showcases the heavy, rolling drum patterns, airy dub chords and cleverly placed hats that you wanna’ be hearing at 4am on a packed dance floor, with both ‘Spirals’ and ‘Mythos’.
Flipping the record gives us something else entirely. B1 offers a silky, screw-faced stomper ‘No Mind’, which features samples from the great Alan Watts. Followed by a timeless edition to round off this latest instalment, B2 gifts us a gorgeous and percussive Jungle number entitled ‘Secrets’.
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Trick Track Records continues its pursue for unimagined sounds with its “TRCKV03.
Herck & Somesan are the protagonists of our third vinyl only release entitled “La Mesure”, which carries out their own interpretations towards their sole dance music experiences into an universal track. On the B side of “La Mesure” showcases Herck & Somesan own take on independent produced tracks as they portray diverse means of understanding dance music. Atypical to any EP, the record is a complex presentation of individual and collective artistic creativity.
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For Haven's sixth release in their main series co-head Keepsakes returns to the label with his first EP of 2019 and a new, slower direction for his sound. Following on from a busy touring schedule in the previous year and well received EPs on Haven, "Modern Anxious Vernacular" takes a different approach to Keepsakes' crunchy and vigorous tones, opting to explore slower tempos while maintaining his signature character in an environment of ever increasing BPMs.
The A1 begins the EP with "Seep", throwing mind-shattering kicks, eerie vocal atmospheres and shuffling hi-hats at the listener before striking with a hectic staccato synth line at the halfway mark in a highly effective slow-mo banger. The BPMs decrease further still in the A2 on "State Of It", which utilises effective, stepping drum programming and left-field hypnotising synth work to create a more unusual and melodic ambiance. The B-side kicks off with "Hovel Of Scum", delivering a dynamic percussion loop and crushing kick drum before introducing creepy synth lines and sampling work to reintroduce a ghostly mood. Finally, the EP is closed with "Selfies Are For The Weak", a slowed-down rolling broken-beat workout based around an ear-worm vocal sample and delay-heavy percussion, ending this new sonic expedition in Keepsakes' musical world.
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We are glad to introduce you this Bandcamp exclusive premiere, release available on pre-order vinyl and digital, from label owner Oscar Mulero, offering us four cuts of precise and expertly crafted techno.
"Transparent Ray" relies on a cosmic sequenced line, growing and evolving over a dry kick drum while additional percussive layers run on top.
"Solarized" starts with a solid groove and gated synth sounds that change in shape as the minutes go. Liquid but raw at the same time.
"Opposite" is built upon an asymmetrical beat combining digital bleeps and filtered 808 snares spiced with delays and reverbs, a mixing tool in essence.
As a digital bonus track, "Generator", fat bass drums, continuous percussive components in various layers, plus occasional synth action.
Four cuts that interacts one with each other, made to be combined, frequency melted in expert dj sets.
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Na Zrak Records presents its third vinyl release Various Artist called “Into the Cave” by herck, Bryz, Sebastian Eric and Djosh.
Them Genre propose is a kind of minimal with influences even techno characterized by the important groove. Surely it is a very recognizable sound and different from what is mainstream but we also like to involve artists coming from other musical worlds in our project, however, to try to give a product as colorful as possible of all the nuances that music can have.
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For the inaugural EP, FOLD resident Gareth Wild presents "Common Assault". With metallic tubular synthesis, cut-throat percussion and rolling rhythms, this EP is an effective and essential piece of material demonstrating all angles of Techno, immersive to peak-time.
The release features three original tracks and two locked grooves from Gareth with stripped back, dark-side remix work from Madrid's very own Roll Dan.
Featuring bespoke, full colour cover art by designer Lion Sauterleute and pressed up on coloured neon wax the release lands 25th September at all good outlets.
In the meantime, check out the snippets on our Soundcloud. The movement continues!
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It is 20 years later and this record still stands the test of time.
I distinctly remember when this record dropped it was a huge game changer, and really put the thick tripped out sound of the West Coast on the map, and created a sound that would be imitated for a
while to come.
In the mid to late 90’s there were records by Dj Buck, Doc Martin, Leaf Recordings, Wicked, Come Unity etc that laid the foundation to this record by bringing the sound of the whole coast to the world. On “Hear Dis Sound” there was this perfect blend of the artwork done by Skribblez and this rich dubbed out party rocking set of tracks that captured something that had yet to be seen or heard on such a large scale as such a pivitol moment in the lineage of dance music.
This record opened so many doors for so many of us all over the world, whether you call it “West Coast house” or whether it fit into the new genre known as “Tech House” is irrelevant- it was a massive hit.
At the time this came out, I knew Hipp-e from the days of the underground rave circuit in North America from the 90’s and I didn’t really know Halo at all then as he was more a part of the midwest
North American scene, originally hailing from Chicago before moving to San Diego.
Their success was almost over night after this record dropped, they were a global phenomenon. About the same time Peace Division had also kind of honed in on this type of sound with a double pack, but their take- a more UK style and I think each others successes piggybacked each other. You literally had these 2 production duos pop out around the same time with a comparable vibe and people wanted more of this type of stuff to play, and thus that sound and movement was born. For the anniversary the original mix has had a set of remixes from artists who truly understand how to bring new life to this project. Each remix brings something new and unique to the legacy of this track. The first remix from the Romanian Duo- Livio and Roby has a very interesting modern,yet classic take.
The deepest and most musical of the package, this rendition ditches the dub elements for a more straight to the floor groove that develops into this vintage almost Larry Heard esque piano riff, string section accompaniment and rolling synth bass. Its a highly developed excursion into the real deep house sound from the 90’s. Next up we have Yoyaku and Irenic’s Roger Gerressen bringing us a warm rich percussive outing.
He himself is known for these deep stripped down drum grooves with ever evolving pads and dubbed out elements, so his take on this captures the feel of the original, perfectly melding it to his trademark
pads and shuffle hats that we have come to expect from this staple of the underground.
Parisian mainstay D’Julz does what he does best, forward driving bass, hints of dub, and this evolving groove that takes you on a journey style arrangement. I remember about 5 years ago I wanted a rip of this and he had one, its like fate that he remixed it.
Per Hammar bring forth his futuristic forward thinking approach to the project, tight clean production and that swirl of soundscapes often heard in the projects. His track builds and builds to this pivitol
breakdown that is sure to destroy any dancefloor, and swiftly right back into a nod to the original.
The head honcho at Fuse- Enzo Siragusa brings his signature style of pumping pulsating grooves sweet dichotomy of introducing lush chords in the breakdown. He then pulls it all back into the meat of
the track and back into the chords again. This rendition has a type of feel akin to a vintage Mood2Swing dub. This has a nice balance that would work amazing in a club setting or in an underground warehouse.
-Words written by: Jay Tripwire
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Following the huge success of the second release ‘Volar La Pluma’ (digital only), Ninetoes’ Head To Toe imprint once again turn to the founder to deliver another stellar production. Dropping also on vinyl, the collection comes with two remixes from Ezikiel and Berlin’s Oskar Jehlmann.
The original features a quirky melody which sticks with you throughout its entirety, partnered alongside the occasional string line entering the scene and a hydrid groove of breaks and house that combine with ease.
Ezikiel’s rework totally flips the melodic elements, scattering them over a more upbeat, minimalistic rolling house groove that grows and grows to create pure euphoric moments. Rattling snares enhance the builds in sublime form, leading you in to the final climatic drop.
The last of the three, Oskar Jehlmann’s version lowers the tone and ups the tempo, bringing the Berlin and warehouse vibes straight to the dance floor. Liquid rides and a thumping kick carry you over gritty bass hits before the original melody enters in a somewhat more stripped back form.
HTT003 continues the label’s path of delivering quality dancefloor driven underground dance music.
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Runemark Records comes back with yet another vinyl and the twelfth release in the label catalogue which combines two probably the most creative and popular artists from Lithuania - Ten Walls and Daddy Was A Milkman. The duo's collaboration has lead into a strong and beautyful EP called Hidden' and includes two original compositions and a remix from Ten Walls. The title track lifts above reality and holds energy with tight rhythms, deep atmosphere and crystal vocals on top. Suitable for every dancefloor as well as to enjoy privately. The second original composition in the pack is called Airglow'. It's another strong statement and is no less than the title track. Last but not least comes Ten Walls' remix for Ink' that can be found in Ten Walls Queen' album vinyl edition. Cozy and at the same time massive sounding remix is even more calibrated for the dance floors than the original. Ten Walls delivers highest quality as always. EP is available in a vinyl format, later on also in digital format. Enjoy the music!
Runemark team.
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Levitar ones again!
The Argentinian Club with his label brings us a new release with four bombs for the dance floor of pure house with disco influences.
This version V.A, as usual, contains tracks from artists from around the world. In this case it includes tracks from
Around 7 (Paris), Fabrizzio and Manuel Sahagun (Arg) and the Chilean duo "Area51" formed by Camilo Gil and Rodrigo Valdivia.
This release is available only on vinyl, get you copy and support us!
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The long awaited Couple Affair series is back on the shelves. Soul Button, Nick Devon, Clawz SG, Dahu, Monarke and Strinner tie in their craftsman skills to unveil this fascinating four track vinyl release.
“Levitate” by Nick Devon & Soul Button opens the series with this masterful track and sets the tone for what’s to come. “Parallax” by Clawz SG & Strinner, gradually heats up and invites you on a journey through an abundance of progressive beats and synths, infused with melodic flares. “Centaurus” by Soul Button & Monarke, with its pulsating rhythm and synth echoes, will leave you hypnotized. The final contribution comes from Dahu & Soul Button, with the track “Sentient”. The two artists have brought their most powerful elements to the table. A true reflection of raw feelings and energy.
This memorable vinyl release brings the family together by showcasing the strength and harmony created by the pioneers of ethereal techno.
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Vuew’s artistic vision is to curate a platform where forward-thinking meets the arts of organic and detailed-orientated underground dance music that dominates Southern & Baja California. Lefthook and Paulo embody that vision with their Once in the West EP.
Once in the West is a personally creative collaboration between Lefthook and Paulo, two of our record label’s core members and close friends whose collaborative chemistry dates back to their audio engineering college classmate days.
This EP represents the summation of their musical development so far, imbued with their native West Coast House roots, love for creative technology, and passion for producing soulful, heavy funk-based music with purpose. The result is a blending of talents, artistic convictions, and a rare yet organic way of feelings things alike. This EP is full of emotion and energy. Made for the dance floor yet perfectly enjoyable at home just the same. Enjoy the vuew.
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Manchester based Rudosa has been around for almost a decade, quietly building a nice catalog of releases signed to Intec, Suara and Second State. Not to forget collecting multiple Beatport top 10s and support from iconic producers including Carl Cox, Adam Beyer, ANNA, and Amelie Lens. His no nonsense approach to Techno lead to this debut 4 track release on Terminal this September, after his debut on the labels VA earlier this year.
Opening with the title track ‘Heavy Rotation’, it’s an emotionally charged, acidic roller. Warehouse drums and wild open hats playfully minge with sharp pads, vocals and stabs. ‘Primo’ continues apace. Stadium-sized sonics and a kettle drum kick drive the track as it thunders on into the dark recesses of the club. ‘Delusions’ is a trippy, trancey cut. Wild melodics weave among the sparse percussive layers creating a softer, but no less engaging mid-set showstopper. Finally, ‘Adapted’ ties up the EP in epic fashion. A very rounded release package that offers a ton of energy with depth.
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After a short break, we are back! For this 5th release, we invited on this project artists that we absolutely wanted to have on our imprint. Big thanks to Jacques Renault (Let's Play House Records/NY)
GZZ (Sure Cuts Limited/FR), DJ Counselling (Constant Circles/UK) & JR From Dallas (Gourmant Music/FR).
4 Tracks EP focused to get people moving and influenced by Disco, Lo-Fi, Soul and without forgetting the Groove!
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For their tenth anniversary, Lucidflow return to physical media with a value packed slice of wax. Klartraum and co-owner Nadja Lind feature, alongside production behemoth D. Diggler, Klartraum partner Helmut Ebritsch and special guest slot for returning artist Spettro.
Nadja leads off at full tilt with a high energy workout on 'Holistic Kit', teaming tumbling drums with sci-fi synths and poignant key changes. With high tempo techno and the return of synth led music being a key theme from 2018, this is absolutely on the money. Pairing with the usually rambunctious D. Digger, 'Mekong Delta' is more contemplative. Named after the Vietnamese region, the track is as hypnotically undulating as the river that runs through it.
Then, joining up with fellow Lucidflow co-owner Helmut Ebritsch, 'Weltenwandler' is a typical Klartraum workout. Ocean deep, the key aspect to lock on to here is the rising and falling dub chord that underpins the track. It goes from a supporting rhythmic tone to lynchpin of the evolving melody which creeps in sneakily as the track evolves. Finishing off the release is 'Lunch With Kerri' from Spettro. The Little Helpers and Get Physical artist returns to Lucidflow with a particularly on point piece of jazz flecked broken down techno. Full of energy, it is a crackling highlight, and a little taster of what is to come from this artist on Lucidflow in the near future.
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Next up for our 6th release we deciced to change it up and put together a VA with 4 different collab duo's each bringing a different vibe and style to the release!
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Repress of a Deep House Classic. 12inch comes as blue transparent vinyl.
Andy Vaz has a giant passion for cycling, precisely for extensive trips from his Hometown Cologne to Düsseldorf and other destinations around the area on his old school flavoured VITUS 979 Duralinox racing bike. “Bicycle Love” is his personal homage to it.
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