All Vinyl New Releases - News

This blues infected party monster is the first release of a new project from a very known german producer. You will never find out who he is though. Coming with fine remixes from Kolombo & Ellroy. RIP The Cooler

We are delighted to present our second vinyl only series, Esuoh Limited, exclusively focused on offering you the latest trends in House music. Esuoh Limited 001 includes tracks by Juliche Hernández, Outstrip, Moises and Mac-Kee.

Limited to 300 copies worldwide incl. remixes by Rraph, Brian Burger & Hystericmaniak.

Dark and futuristic playful mix of old and new sounds
Without a doubt, Manfredi Romano (aka DJ Tennis) is a busy man. Co-founder and partner of Life and Death, a DJ with a full schedule and someone who still always has his fingers (and mind) in multiple projects and multiple places at the same time. How he juggles it (or when he sleeps) are questions best not pondered. One thing those who know him well have surely noticed is that he does it all while constantly on the move. Unfazed by the constant whirl of cities that pass him by, he somehow manages to remain focused throughout. No matter where he goes, he somehow always manages to remain local.

The collection of tracks on this double EP reflects that. Conceived and written in different cities (Miami, Milan, London, Brooklyn, Berlin and Palermo), each track captures both something of the place of conception and something of Romano's relationship to it. Not a travelogue per se but more an emotional love letter to all these many places he calls home.

Whether it's the plaintive call of Lovechild (featuring The Rapture's Luke Jenner), the dark and futuristic journey of Floating Boy (Self Portrait), the playful mix of old and new sounds found in Williamsburg, the techno indie mix that is Ah! Isobel, the ethereal trip of Anatomy or the indie-rock love song from the afterlife called You Close My Eyes, all these tracks are diverse and yet distinctly derive from a singular mind and personality. It's as if it's not just a collection of music but rather an introduction to the personality of DJ Tennis himself.

Rounding out the release is an ecstatic remix of Anatomy by the elusive producer from Michigan known as North Lake and on the digital release is Shorts for Tiger, a song written in celebration of a friend lost too young. In fact, all of the songs here are deeply personal and this EP shows it, as Manfredi Romano welcomes you in to meet him.

Local will be released on double vinyl and in digital format with slightly different versions found between the two formats.

Attention long-time Inner Sunset Recordings fans, collectors, newcomers, and anyone who might have missed getting their hands on these tracks the first time around! In response to ongoing public interest and demand, Inner Sunset Recordings is proud to announce a special 4-track E.P. that features classic works and underground dance club favorites from the earliest years of the label's existence nearly a decade and a half ago! 'I.S.R. Classics: A Reflection on the S.F. Aughts' is a 12' record that fiercely epitomizes the Inner Sunset Recordings sound and showcases some of the most loved and most highly sought after works (all remastered!) from releases: ISR1201, ISR1202, ISR1204, and ISR1205.

The "Between Places" Saga continues..This time with non other than powerman Jensen Interceptor. 5 tracks of icy electro which defently burn down every dancefloor. Including a special collab with "Das Muster" from Germany.

Best known for his ambient excursions as Voices From The Lake alongside Donato Dozzy, Neel joins Token with the 4-track Calcata for Token 76. From his collaborations with Dozzy to his solo work for their joint-run label Spazio Disponibile, Neel's studio experience as a mastering engineer has gained him recognition as a producer who pays great attention the technical aspects of his sound.The title track falls within our expectations of exquisite ambience, with fluid, rhythmic mids and a delicate interplay of organic and unnatural noise in the high end. The opening shuffling hats in Re. Vox cement the release firmly in Token territory, while the staggered exaggeration of a synth line falters between beats and more crafted waves of noise increase the stress. Bassiani evokes its Georgian namesake in hypnotic bliss, while Treja's murky bass follows a dizzying theme overhead.

The Planetary Assault Systems project has been active for some 15 years now, channeling an exploratory theme into cutting edge, non-conformist techno for the clubs but also for listening at home. His previous album for Ostgut Ton, "Temporary Suspension", re- instated that classic P.A.S sound and found the dextrous artist touring even more with this tougher, purist techno aesthetic.

It was just a question of time to reach the point when Wayne considers himself to be the one to create a musical statement in order to show what he thinks about all the current status of some parts of the electronic dancemusic circus. He still suffers from too much so called 'minimal' in his eyes and he wants back the energy he is missing on many occasions... 'You know, techno without bass is like f...... without screwing him in...' Some might say he`s too late with this song, but that`s simply Wayne! In his universe the meaning of time is different to what we all would expect. Anyway, he finally checked out Garage Band on the Mac he recently "lended" from somebody he does not even know, and here we go with his first very own song. Lyrics in german only and heavily inspired by one of the biggest hits from the 80ies from the german cult-formation "Trio", but to make a long story short: it`s Wayne`s message that the so called "minimal" sound is definitely over now: "Always klick and always klack, I can not tell how much it sucks..."

Anthony Linell's latest suite of tracks cruise and drift with their head up. With a dizzy palette of terse and winding melodies, 'Sculpting Energy' feels like another new avenue for Linell on his unbreakable run of EPs. Drone surveillance-style patterns remain intact this time around, hinting at the unmistakable frozen planes of his previous works, yet with the opening track there's the smack of bustling heat, as its title 'Therme' alludes to. The EP's closing piece, 'Vision of the Imminence', presents a familiar sullen theme. Perhaps the measure of his latest work's difference is in the modulating barbed wire-percussion and birdsong- synths that wrap the track's cold core

Following their highly successful debut release 'Visions', industry brand Unic are back with a truly magical follow up. Channeling the essence of 'Xanadu', that mysterious and idyllic place where nature rules supreme.. Romanian talent RQZ takes centre stage as he flexes his production prowess across three transportive slices of minimalist techno. Once again Juli Jah delivers a stunning visual accompaniment for this highly collectible release.

Early support by Raresh, Petre Inspirescu.

New project alert for this experienced duo with a deep history from playing Hammond organ for Robert Plant, releasing 12"s on MAW's Kenlou Records and playing weekly six hour vinyl DJ sets, with 20+ years experience WLC have come full circle for this diverse EP. "Give You More" is a MPC house groover with KDJ-esque jazz-funk loops and vocal sample chops while "Miami Rice & Peas" centres around Latin piano motifs. "Everybody's A Star" replays the classic Minnie Riperton "Inside My Love" chord progression but with added vocals and disco flavours and "Which Way Is Detroit" fuses broken beat, techno, live keys and electric bass with a pulsating breakbeat. Finally, the bouncy "Five Soul Chords" utilises some J Dilla swing combined with warm analogue synth programming. Highly recommended.

Because Life's is a recollection of Momentz.

Written and Produced by Ernesto Ferreyra (Cadenza, Loosen Up) and Alexis Cabrera (Fun, Rationalism)
Cover art : Javier Bellomo
Distributed by vinylfuture

This rock solid tech-house four-tracker marks the return to Norse Projekt of the brilliantly named Bertalan Bagylas, better known as Giash. The well-regarded producer begins his first NP 12" for three years with "Lyskamm", a gently undulating late night roller rich in glitchy noises, ricocheting percussion hits, strange noises and subdued orchestration. Bagylas serves up some deeper, darker and dubbier fare in the shape of "Urban Landscape", before alternating between Romanian style minimal techno grooves and spooky breakdowns on bleary-eyed cut "Balfrin". To round off the EP, Vincentiulian gives that track a loose, dreamy and gently positive tech-house makeover.

Mystik dons the helmet and descends into the unknown, crafting sounds tailored for the denizens of sound system culture.

GMUF006 is produced by beat butcher RADE. He dedicates this EP to our friend kenan who became proud father. BIG DADDY KEEN btw Aamir bring back the CDJ !!!"

Spazio Disponibile welcomes Valentino Mora for a new EP featuring four tracks of rhythmic exploration. Boss of the IDO label and known for his atmospheric deep techno sets, he brings a richly infused palette to his music. The four tracks on 'Transmagnetic' are steep in moody atmospheres, with exquisite sound design colouring in the grooves which range from dark and eerie to more subtly uplifting and enlightened. Icy synths, abstract motifs and a sense of paranoia and tension characterise each one, with barely-there drums all working to sink you into a trance.

mental tunnel techno, bassy soundadancefloor killer ! Must have !

The perfect balance between spontaneous melodies and astonishing beats, the exact dose of freshness and the basic ingredients that you can only find in top classic techno and house tracks. This is what many producers look for when they get into the studio, but this vision isn't something you can force: you either have it or you don't, but you can't fake it.

Dj, producer and label owner, Joris Biesmans' new Rhythm Cult Records EP reflects this bright and pushing energy music only found in those who innovate without sounding pretentious. Based in Berlin, you will easily find Biesmans sets in city's main clubs, from Salon zur Wilde renate to Watergate or Chalet. You don't need to find his studio to discover what he's been recently on, just use your vinyl needle and enjoy Sunday Love, Step by Step and Steady Stabbin' without rushes. Be careful, no one will let you go home if you play one of Biesmans' tracks in a club.

OTK005 - Bucurie
300 limited copies, 180 gr
Mastered at Laboratori Otaku

Leading Berlin house label MOTHER RECORDINGS hits five years of age with the first EP of a three part Compilation anniversary release to mark the occasion. It features some of the core label members in MAT.JOE, NHAN SOLO, SUPERNOVA, ROBOSONIC and showcases the straight up house sounds Mother is so well known and loved for.
Starting with MAT.JOE with their overall #1 Hit - Love Stream in a very special Tropical Mix. This Mix is only exclusive available on our limited Vinyl Edition. The boys bringing the carribean vibe and coolness with fresh percussions and a funky groove!
NHAN SOLO opens the account with - For The Groove , an energetic house track with big vocals and driving drums that will rock any club to the core. It's full fat and dynamic and really makes an impact.
Lapsus Music bosses SUPERNOVA then offer up - The Loft which is an upbeat track with big synth stabs that are bright and shiny. It's one to get hands in the air and never lets up.
ROBOSONIC's - Spanked is another warm and heart felt house cut with silky drums and synths bringing deep flavours. Vocals, nice chords and cute samples fill the track with emotion and SUPERLOVER's - Time For House closes things down with more amped up house thanks to the loopy chords, bristling sense of energy in the vocals, and reversed stabs.
This is another full fat EP of essential and contemporary house sounds from one of the best labels in the game.

Welcome Tolga Top, the Berlin based Mannheim native with Turkish roots gives his debut on KUSI Records. The remix this time comes from the upcoming French dream team Zendid.
Written & produced by Tolga Top. Remix by Zendid.

Vikkei techno Project ! Massive acid industrial Bass !

BOMB! Late support from Lillavobos, Culiano, The Tarminez Sisters, Mionel Lessi and others. Digital only, no vinyl bullshit!

Lost Futures is a new label that explores experimental and often radical approaches to dance music from the past. In a musical landscape that increasingly claims to seek and reward new forms and ideas, Lost Futures delves into the recent past to revisit forward-thinking, optimistic projects that, owing to the social, musical or outright political climate, perhaps struggled to find an audience. Allowing only time to re-contextualise these leftfield, sometimes misunderstood and ultimately human bodies of work, Lost Futures taps into the inherent idealism of rave.

LF001 trips back until the early nineties to revisit the alternative scene emerging from the Dutch city of Utrecht. Here, three young men - DJ Zero One (Sander Friedeman), TJ Tape TV (Arno Peeters) and DJ White Delight (Richard van der Giessen) - joined forces to form 'The Awax Foundation'. Inspired by the transcendent and revolutionary electronic music arriving on their shores imported from Chicago and Detroit, combining their knowledge, gear and ever-expanding vinyl collection allowed additional freedom in paying sincere tribute to these intoxicating sounds, while also developing their tastes in a more personal, eclectic direction.

The musical flavours of Awax initially leaned toward acid house and the roots of techno. However, with three different mindsets in the mix, their tastes were rarely fixed. One thing each shared in common was a devotion to collecting rare sounds, specifically more adventurous and international samples than those emanating from the increasingly-hard, masculine dance music emerging from the Netherlands during the period. Inspired by the cross-over global sound of bands like Suns of Arqa, or 'World Music', as it was perhaps patronisingly termed at the time, the trio became interested in the idea of making techno with 'ethnic instruments'.

Of course, this being 1992, none of The Awax Foundation had access to such instruments, instead, they had a vast, collective library of samples from all over the world. There were no collaborations and no clear plan. Instead, they set to work using a Yamaha TX16W sampler, the legendary Atari 1040ST computer, a cheap mixing desk and a couple of low-end synths and FX machines. When Richard mentioned the project to his friend, Akin Fernandez, the London DJ and owner of cult label Irdial Discs, Fernandez was intrigued enough to invite the trio to record a one-hour show for his 'Monster Music Radio' series on London's then-burgeoning Kiss FM.

Forced to come up with a name, 'CultureClash' seemed like the obvious choice, even if the members of Awax were only creatively sparring among themselves. Along with the term 'ethno-techno', slightly dubious to a hopefully more conscious Western audience in 2017, these were the only guiding principles to the quietly ambitious project that soon combined cutting-edge machine rhythms with samples sourced from everywhere from Bolivia to Togo, and inspired by everything from Ravi Shankar's epic soundtrack to the Oscar-winning movie Ghandi, to the technical limits of their own setup requiring a dazzling degree of cut-and-paste work. Some tracks even emerged out of academic studies within the ethnomusicology department at The University of Amsterdam.

The show aired on October 2nd, 1992, recorded in one blistering take and without any rehearsals, traversing a huge variety of tempos and styles. If the performance wasn't seamless, it was undeniably thrilling, fresh and ambitious. As such, several labels, including Fernandez's aforementioned Irdial Discs expressed an interesting in commercially releasing CultureClash, while another imprint proposed a series of twelve-inches and an album. But the sheer complexity of the project meant that it never saw the light of day, while the trio embarked on different journeys ahead, both creative and personal.

Twenty five years later, and the original CultureClash lineup and founding members of The Awax Foundation provide the sound of the first release from Lost Futures. An otherworldly, ambitious and optimistic compilation, accompanied by extensive sleeve notes from the trio, CultureClash is a timeless ode to experimentation in dance music's ever-overlapping culture.

Here comes the blast off: Brand new label Space Cadet propels itself into the ether with their launch release. Bursting through the ozone, destined for your own zone, DRS's new spaceship sets coordinates to stun with a valiant V/A mission that takes us to the furthest peripheries of the drum & bass solar system.
Captained by co-pilots GLXY, Artificial Intelligence, Skeptical and Dogger & Mindstate, the four-track trip guides us through emotional and conscious star clusters as the label's chief astronaut DRS lays down four new narratives. Distraction, temptation, frustration and confused affection are just some of the themes the Manchester MC parlays with resonance over crisp, forward-thinking productions from a vital range of kindred bass spirits...

Shogun stars GLXY live up to their name as they shake and stir us with a piano cocktail on 'Rain Dance' while long-time planet boundingexcursionists Artificial Intelligence lay down a stark step blueprint for 'Overdose'. Elsewhere fellow cosmos enthusiast Skeptical delivershis first production since his album 'Enjoy This Trip' with the glacial soul of 'Forget This All', a track you may well recognise from Space Cadet's prototype quest; LSB's 'Space Age Volume 1', a mix that's soundtracked trips over 40,000 times and counting.
Finally rising rocketeers Dogger and Mindstate provide the essential happy landing; 'Falling For You' is the deepest, most delicate cut of the crusade. Not only does it bring you back to an emotional reality that every single one of us humans with souls can relate to, but it also sets the scene for the next Space Cadet voyage.... A brand new DRS artist album.
You read it here first and you won't have light years to wait for it, either.
Stay tuned for more astronomical transmissions very soon...

Madcap & Jaybee - Settle Down - Madcap and Jaybee team up to create the musical masterpiece called, "Settle Down". The song starts out rather jazzy, with it's smooth rhodes keys and heavy cymbal riding drum lines. When the song hits the breakdown, the whole tone of the tune changes. The punchy sub bassline is unleashed and becomes one of the driving forces of the track. Echoing reggae style vocals are beautifully weaved into the background of the track, transforming the vibe into a reggae/dub style D&B classic. The Amen drums also help to create an intoxicating energy that make this one a sure thing for dance floor mayhem. Instant classic!


Madcap - Hear Comes - "Hear Comes" takes over where "Settle Down" left off. The song begins with big amen drums, backed with a Reggae style skanking guitar chop. During the breakdown, a thoughtful Roots Reggae vocal sample is introduced that helps lift the track into a true Dubwise gem. When the drop hits, the baseline kicks in and begins to wobble and throb behind all the deep atmospherics. The track has a beautiful breakdown, which takes the listener to a more melodic place. After a moment of serenity, the song breaks back into the chaotic old school flavor, which Madcap does so well. This one's a beauty!!

New Svreca 12" will appears on January 2019, completing an hiatus of almost 4 years from his last EP on Semantica. 'An Unfolding Portrait' is a collection of separate pieces shaping a complete work but continuously undefined.

From Deathchant Records 1972 with love !

STRICTLY STRICTLY enters the second round: The Obsessed EP by TOBS (co-founder of Drowned-Records) comes with 3 driving highly energetic cuts. The title track is putting the stamp on the A-side with pounding Lo-Fi-Power at its best and side B teaches the science of licking a battery with a piling drive of arpeggios before falling apart in the best possible way with IOW.

!!! repressed !!!

After captivating the scene with different singles and EPs released on labels such as Crosstown Rebels, Clown & Sunset and All Day I Dream, Be Svendsen presents his first full-length album entitled 'Between a Smile and Tear'

Be Svendsen - Dancefloor heavy hitter and pioneer of the desert-tech sound, releases his first full length album on Copenhagen's Music For Dreams label. Here he reaches beyond the dusty dance floors that brought him recognition, and connects with nostalgic roots of music from his childhood. After a series of very well received singles and ep's on labels like Crosstown Rebels and All Day I Dream, we now get a deeper peep into what it's like Be'ing Svendsen.

Between A Smile a Tear is a wide spanning album in terms of mood, instrumentation, tempi and style, with clear references that reach back to a time where experimental innocence met the futuristic and forward thinking. Be Svendsens describes his music as 'Tarantino Techno'. He brings in emotional guitar melodies and dry strings, and adds it to his club universe where moods can change in an instant. With many talented musicians featured on the album, Be Svendsen shows us his diversity that spans from innovative deep new-disco cuts, galactic journey melodies, analogue ambient atmosphere to classic song writing, soundtrack'esque epicness, and a deep-tech organic collaboration with Henri Texier. We even get a taste of Be Svendsens own vocals.

Invoking imagery of condensed, interstellar warfare - Dayzero takes command of the controls for Sentry Records' eighth release. Based in Japan, the acclaimed producer follows up on his substantial outings for Wheel & Deal and Hatched Music among others - having continuously refined his highly effective compound of Dubstep with vocal support from the scene's vital tastemakers. Now joining the Sentry roster with two monumental armaments, the newest signee shows us how it's done. Enrichening the sound system music scene with a no-nonsense production style as well as his innovative, experimental approach - all killer, no filler.

Taking off to another dimension in 'Sunday on Spaceship', listeners are met with feigned lo-fi soundscapes, carved out of analogue noise and detuned echoes. A state of overt tension dissolves into Dayzero firing up the heavy weaponry with stripped down sub bass tremors and meticulously crafted off-kilter groove. Amongst granular, apocalyptic percussion reverberating voices of days past flicker. Diverse drum instrumentation and supple distortion keep it lively, a no-questions-asked onslaught and guaranteed way to light up any dance.

Flipping over to the B-Side, we're placed on the receiving end of another ton of musical napalm. Finding ourselves being churned through bare concrete, laced with psychedelics. 'Down By Law' oozes of sonic variance, as industrial plucks shine through the cracks - furthering the aberration alongside narcotic staccato arpeggios. Subtle use of eerie harmonies and surging feedback wails is firmly kept in check by brute-force kicks and snares - ceremonious pressure underneath. Venting high-pressure 808's amidst supremely crafted breaks, leaving us yearning for more. A pair of mean-spirited sound-bwoy murder tracks on a twelve-inch platter - enough said!

vinyl only!

A slow burning anthem: the holy grail of all producers. A tune that keeps building and building momentum gradually and naturally To the point crowds singing the bassline back when you drop it. This is the case with Gregor Treshers Goliath. Released February 2015 on Bedrock, its been smouldering ever since. The Frankfurt DJ considers it up there with A Thousand Nights and About A Good Place as one of his most successful tunes in his career so far, its distinctive hooky bass riff capturing moments and imaginations as more and more DJs exploited its unifying charm. Over two years later, Gregor and Bedrock present two precision-tailored remixes that add to the Goliath story. French techno OG Emmanuel Top, a man whose records inspired Gregor to produce in the first place, takes the lead with a 10 minute monolith that doesnt even hint at the riff for the first four minutes. Focusing on the machine funk rhythm of the original and turning it inside out, Top lets it sizzle for as long as possible before suddenly dropping the full musical scope of Goliath on us mid way. Alan Fitzpatrick, a man who doesnt need much of an introduction to fans of mordern Techno, also subverts the original in an equally remarkable way. Allowing himself to be taken in a whole new direction by the pads, a new topline and is added to create an entirely new experience that still instantly brings home the original tones and feels of Goliath. Remixes that build on the original and take it to entirely new pastures: The momentum continues.

Fourth release on Floorpiece comes from Berlin based Just_Me with his 'Side Step' EP which comes with 2 massive remixes from Lorenzo Chiabotti and Cosmjn. Supported by Janeret, Arapu, Swoy, Monika Ross, Chad Andrew and more

Dream Eater Records returns with another burning hot plate of sought-after dubs from one the true pioneers of both dubstep and the grime scene. Kromestar vs. Iron Soul battle against each other for the first time on the same record. This one is not to be

Days & Times Debuts With Their First Vinyl Release. After 9 Digital Releases We Decided To Represent Our Sound On Our Most Loved Medium. From Funky Fresh Nu Disco, Over Sample Styled- To Jazzy Deep House.this 4 Tracker Is Limited To Vinyl Only, We Wont Release It Digital!

Future child of Paula Temple's Noise Manifesto, Decon/Recon puts strength and artivism into a new idea of scene. The first Decon/Recon release is planned on 20 April 2015, both vinyl in limited edition and digital. The brand new project is based on a new series of electronic dance music releases presenting a unique and libertarian approach to collaboration, production and dance floor action. It converges artists' samples in an open archive which is reassembled in four different tracks by the artists themselves. This project wants to put identity into a crisis by giving a collective authoriality and by letting all hierarchies collapse into a collective resonance who dares to become.
Decon/Recon is not just about new forms of self representation, the deconstructive process of the "artist" status in terms of superiority or the elaboration of new politically active business models but about composition as a scene and quality dance music at its best. The release will de/compose four future pioneers who responds to the names of Aquarian Jugsa new alias from Jam Rostron aka Planningtorock, rRoxymore, Oni Ayhun and Paula Temple herself as Jaguar Woman. The Releases' paratextual structure will play the same game. All artists shall be credited on the cover without authorial connections with the title of their own tracks exposing the listener, reader, dancer in to taking active part in the whole process.
Where Deconstructing is Reconstructing, dancing is enacting future live models into present floors.