Beats Vinyl New Releases - News

Mystic sounds and more percussive Bedroom Shreds by Gerry Franke. Big

On 6 th November Bristolian master Krust presents 'The Edge Of Everything' – his first album in 14 years. The pre-eminent electronic icon – who continuously prolifically blew minds throughout the 90s and 00s – has now fully returned from a long break, rejuvenated and artistically liberated.

The album appears if beamed-in from the edge of the universe, way beyond the precipice in a metaphysical netherworld. This is Krust as futurist revisionist, making exhilarating, standout music of depth and substance, which is unlike anything else, above-and-beyond floor-focussed confines. Krust’s music is more individualistic; closer to the vivid brushstrokes of a fauvist painting, and less like a diagram on a grid.

The sound is unmistakably Krust, but now wider, deeper, freer, more intense and more fully-realised. If past anthems like ‘Warhead’ and ‘Soul In Motion’ gave you a peek through the creator’s doors of perception, here they are flung wide open, pulling you across into awe-inspiring new worlds.

It’s clear this electronic icon who constantly and prolifically blew minds throughout the 90s and 00s is back, and on his best ever form, having explored radical new philosophical, mental and creative processes.

Keen to seek new paths and subvert the norm, Krust opted to release via Crosstown Rebels following the fervid advances of Damian Lazarus. The pair have a longstanding history, which began when the label owner played drum & bass in his former DJ duo, PM Scientists.

As Could Change begins, you'll notice how little audio material is really needed for your brain to start turning things into things. The merest slice of a plosive becomes a beat. The notes buried in every vowel are a bass line that nobody's fingers can reach. And of course the lyrics are the music: a synthetic voice, stripped of its humanity, that will relentlessly call to your brain like a siren and beg you to make sense of what doesn't. This piece isolates your perceptive abilities in the audio realm the way an optical illusion works on your eyes. Its melody is the amount you'll struggle to turn sound into sense. On top of that, it's delightfully fucking annoying. Marc Matter first came around as part of Institut fuer Feinmotorik, The Durian Brothers and Salon des Amateurs and has been politely shoving vocal recordings through various sorts of blenders ever since. (Angela Sawyer)

Nous'klaer Audio presents Mathilde Nobel's debut album May + Be. A collection of eight early recordings showcasing her talent for songwriting, producing and the capacity of her voice. Raw, emotion-fraught takes that strike as being sketches, making them all the more pure and powerful. An exercise in serenity and composure, while simultaneously revealing dark outskirts of her universe. Originally self-released by Mathilde in 2019, now in 2022 available on vinyl in a limited pressing of 100 copies.

Founds on Land, a new album by Mathilde Nobel, will be released in autumn 2022 on Nous'klaer Audio

We are combining 2 artists whose standout EP's were the turbo highlight we needed in 2021.

Nova Cheq & Samurai Breaks representing the best of Hooversound has to offer, for the first time released on vinyl for RSD 22.

Nova Cheq’s music is pure party fuel, Ghetto house styled jungle-juke pounders on Sherelle & Naina’s Hooversound Recordings. Samurai Breaks is one of the UK Bass scene’s best-kept secrets.

A rich palette of influence shines through past productions, making nods to pioneering generations on the way to futuristic gunfinger euphoria—and this latest release makes no exception in delivering the goods to the Hooversound imprint.

Repress

Kalahari is the first EP from producer Sindh, who, like many of the artists on Valentino Mora's IDO, expresses a wistful fondness for nature in its myriad forms. The project Sindh was named as such after the musician had an affecting encounter with the magnificent Indus River in Ladakh, the lush vegetation and landscapes in this region clearly inspiring Sindh's sound. Sindh's regard for the natural world as well as science fiction is reflected in the instruments employed in Kalahari ranging from flute, bongo, percussions and modular and Ciat Lonbarde synthesisers. Over the four tracks, Sindh leads us through four distinct landscapes, the narrative unfolding track by track. In Saptura, ethereal atmospheres guide us through a ruin-strewn terrain where vegetation has virtually obscured all traces of human life. The resoundingly tranquil mood maintaining faith in the arch of the universe. Sidam opens with a more mysterious tone, inviting curiosity into the next environment as a gentle rhythm guides, allowing space for strange, other-worldly surprises. As winds whisper and synthetic rain responds, the pared back percussions that prevail in Nun-kun introduce a human touch. The warm grooves and atmospheres hint at a more temperate (future?) climate than the tracks namesake currently suggests. Arriving at the closing track of the EP, Kalahari delivers deep grooves and spirited high-hats that will ignite the weariest of travellers. The bizarrely brilliant inflections will remain in your ears long after the track is finished. A stunning sixth release for IDO, Kalahari demonstrates the evolution of the label's sound, offering the opportunity to include traces of minimal and glitch sound palettes whilst maintaining IDO's luscious, spiritual qualities.

Excellent mini-LP filled with tripping electronics by Reykjavik based Johann Omarsson a.k.a. Skurken. Limited to 300 copies.

Winthorpe Electronics all stars go downtown to the arcade for a Beat 'em Up classic. Roy of the Ravers, Lee Kelly, Crispy Jason, Myoptik and Minos make a solid team and as ever full cover art from Sonel Ali.

Delft-based label Omen Wapta's second release is An, an EP by Japanese producer Yuki Matsumura. Born and raised in Kochi, Yuki has previously released two albums of avant-glitch techno through Moph Records and Artificial Domain. On his new EP, the artist continues to pursue a sparse and introspective sound, defined by his heavy processing and editing techniques, labyrinthine sound design, and distinctive rhythmic patterns.

Versatility does not even come close to describing how the humble Japanese ¥ØU$UK€ ¥UK1MAT$U is considered to be one of the best DJs in the world by many of his peers. From his debut at DJ Nobu’s FUTURE TERROR event to performing 3 years consecutively at Berlin Atonal Festival, Yukimatsu’s sets have to be heard for you to understand.

In this special mix album, Yukimatsu gathers round his producer friends to build vessels of the story structure. Threading the pages together, interweaved by friendship and sine waves, he has crafted a masterful presentation from their individual messages. Pulling and stretching all sonic shapes and shades while exploring the farthest reaches of sound, the result is a frequency soup of twelve outstanding tracks that when sequenced together, become part of a greater, grander story: Midnight is Comin’.

From the sound art experimentations of orhythmo – Nagel and wide yawning strings in Ryo Murakami – Reminiscence to the rhythmic slo-mo haze of Sapphire Slows – Hinotori and the exponentially pulsing colours from DJ Nobu - Yakou Gai. The DMT-like spacious virtual meditation hall of KEIHIN – Exhale follows the uneasy footsteps of YPY – MS to the intermissioning chapter of City – 9K. Fall into the wormhole of COMPUMA –Flowmotion (IN DUB) and be transported to the reverb-drenched, intimate experience of Coni – Ängelsbäcksstrand, the primal invocations of Gabber Modus Operandi – Kisah (which also means story in Bahasa Indonesian) to the transcendent notes of SPINNUTS - Zweimal schlafen atmosphäre. The soaring universe of Albino Sound – Celestial Sphere wraps up the album with crystalline notes.

“Versatile is not even close to describing his music selection and mixing skills as he plays anything without prejudice and is purely music loving. He is extremely humble, can mix anything and make it sound interesting.” – nolens.volens (Bangkok, Thailand)

Manchester’s veteran Junglist Chimpo steps up on Astrophonica to tune in to his pirate radio influences and broadcast an EP full of explosive Jungle energy and Hardcore charm. Phone line crew, this ones for you . . .

“On The Dial is my take on the Jungle music I grew up listening to on Manchester pirate radio stations in the nineties. The two main pirates that played Jungle are referenced directly in two of the tracks: Buzz FM and Luv NRG. The tracks reference styles I’ve picked up from some of my favourite producers growing up: Danny Breaks, Krust, Die, Sappo, L Double, etc. Rig Doctor is more Old Skool using a sample referencing the guy who would fix up the technicals in running a pirate and styled by early Hardcore Jungle Techno. The whole EP is essentially a love letter to one of the first genres I fell in love with on the format I really learned about it on.” - Chimpo.

Rig Doctor kicks off the weekend with a rush of high speed vocals and a homage to the ones behind the scenes making the station tick… The Rig Doctor. Up after ads is the positive lunch time roller LUV NRG and a trademark Chimpo bubble to set speed. Stay up past bedtime and you’ll hear the mysterious Buzz Army with its murky bass riff and graveyard shift aesthetic. Finishing things off Sunday style, Chimpo drops some science on the stoned groove of Broad.

Under the moniker Hviledag, Anton Friisgaard works with his electro-acoustic ambient music. His compositions mixes impressions of analogue, digital and acoustic sound sources, and recorded and archived phrases are designed and altered digitally to create enclosing soundscape-collages. The music focuses on perishability and change as well as the realization of these through presence and time.

As his first full-length release, Hviledag has created the piece ‘Over Mellem Under’. The album is built up from archival recordings and ideas, which has been given new life through post-production, recontextualization and timbral manipulation. The musical expression moves from an eternally reflective tone, which spans from the dark and gloomy to the melancholically beautiful and thoughtful, which in parallel both fantasizes and remembers. In an insisting exploration of slowness, with fragmented and unexpected acoustical elements manipulated and woven together by electronic soundscapes, the album appears as musical still lifes, which can effortlessly slide in the background whilst simultaneously setting expectations of its listener.

'Over Mellem Under' is the first release from Danish label A Quiet Room Recording, and the album sees the light of day on September 4th on limited edition vinyl and on all streaming services.

Ish Returns To System Error With Drum & Bass Infused LP titled “Psychedelic Renaissance”.

Berlin based artist and live performer, Ish, showcases his diverse productions once more on the quickly establishing, System Error imprint. Taking care of the launch of their ERROR300 series. The “Psychedelic Renaissance'' LP is for the versatile tastemakers amongst us, focusing on a drum & bass style with a futuristic edge. The album meanders through six tracks that sum up the genre straining ethos the System Error brand continues to push, embracing the unique, and propelling otherworldly sound environments for listeners to enjoy.

“Psychedelic Renaissance” sees the Swiss producer utilise his vast musical knowledge, proving his versatility once more with an intriguing body of work that sits comfortably under the System Error umbrella as they inaugurate their Drum &

GU are proud to present #GU43 Joris Voorn – Rotterdam. A monumental mix and a groundbreaking journey from one of the most exciting DJs on the planet.

Over 100 tracks including more than 20 exclusive originals & remixes from Joris Voorn and featuring music from CJ Bolland, Kölsch, Rone, Speedy J & so many more.

JORIS VOORN SAID: “Rotterdam is a city close to my heart, it’s where I started my career as a music producer, and gave me the inspiration to make my first tracks. GU43 takes you on a true journey.... One moment you feel you’re in the industrial Rotterdam harbour, next you’re in the vibrant cultural city centre. Sometimes you’re in a dark tunnel under the river that splits North and South before coming up to the tranquillity of a green park. GU43 is an ode to the city that gave me a life in music.”

This is a follow up vinyl only release to the widely successful Joris Voorn - Rotterdam #GU43 release last year. The previous vinyl #1 release completely sold out, so we decided to do a vinyl edition #2 with a host of brand new tracks, many of them exclusives to vinyl with several from Joris Voorn himself.

New Swiss label Rababoo is proud to present his first release: Marcel de Sie! Oscillating between melodic industrial and shaky psychedelic music, Mr. de Sie overcomes his first 3 tracks with a static approach of electronic low drifts – in that sense, we decided to call it a soundtrack “to schuss'', in dedication to all our skiing friends from here and there. The First 2 tracks, “Filter Seq'' and “Mezzo FM'' pitch the tone of the EP and are built as explorations of dance floor narratives, with the purpose to generate a wave state of mind through a real sound experience. While the first track is a relentless technoïd filter-driven smasher which immediately bleeps your mind and floods it with sound, the second track unleashes a cascade of sounds that bring any lost hiker and drive him into a shamanic waltz in the mountain.

The Title track “Poetic Frame” is a direct response to these soundscapes, where howling disturbing synths are at times chimera that fractures the pattern and calls you back into reality.

For his 1st release, Marcel de Sie is joined by Greek producer Anatolian Weapons (Dark Entries) and Belgian’s Victor de Roo (Stroom) for the remixes. Each one delivers a proper interpretation of the 3rd track of the EP « Poetic Frame ». While Anatolian Weapons explore a tribal trance sonic journey that can drive a dervish dancer crazy, De Roo makes use of his distinguishable style and creates the most abstracted version of this track. Not scared to apply kind of a trap snare ratcheting, he brings us to a space urban take.

Put your seatbelt on, seasons are not existing for long anymore.

A subconscious inhale of precious tranquillity, Step No.4 hosts a rare and sentimental collaboration between Roza Terenzi and Australian virtuosic enigma jd. An intrinsic connection of friendship, understanding and mutual exchange of instinctive musical roots in the form of EP Third Nature. Divided by different continents, live recordings from a studio in Melbourne have been sent via cyberspace and sculpted into four genre expansive explorations, from new-age junkyard to devious dnb.

Textural research is extensively carried out through the records A side; polyrhythms galore as hand drums collide with shimmered shakers; forming tripped out tessellations. A leftfield nod to Madonna drools below the opening track, an anchor for mind-wandering timbre and chordal bliss, glorious saxophone trickles throughout an uplifting swell of suspended melodics. Constant evolution as things progress to a downtempo subterranean soundscape, A2 dropping deeper into pulsating bass, ricochets of drum cuts flickering in and out to haze out rhythmic stagnation yet maintain a complex flow. In contrast, the B side speeds soar, firstly a dreamy, steamy progressive peak timer; playful in nature yet packing a punch. The closer showcasing a sexy sinister side, dark drum and bass where pitched gongs hover and drip, rough and ready bass growls and breaks are sliced and diced with Michelin quality.

This highly anticipated pairing proves a contemporary form of analog/electric hybrid collaboration; an endless portal into groundbreakingly tweaked visions and the mergings of minds.

Light On Earth returns with a split EP. Both Sentiments and Hyas on the B-sides with some B-more flavours, influenced by piano-house gimmicks, progressive basslines and dubstep constructions. Must-Have!

Carl Finlow keeps on keeping on. As the world changes around him, the veteran producer continues to do what he does best - craft top-quality electro tunes which invoke the sound's Drexciyan heyday, yet carry themselves with an assurance that is all of Finlow's own.

Finlow remains a prolific producer more than a quarter of a century on from his emergence. Still averaging several records a year across a variety of aliases, recent times have seen Finlow forge particularly strong links with the Central Processing Unit label. Now, after a run of EPs for the Sheffield imprint which began with 2018's 'Projections', Finlow's Silicon Scally project offers up CPU's first drop of 2022 in the form of the 'Field Lines' LP.

Silicon Scally productions have long been marked out by how they combine piston-precise beat programming with more textured synth play. 'Field Lines' runs with this formula to deliver some of Finlow's most atmospheric material to date. At once shadowy and expansive, listening to 'Field Lines' is the aural equivalent of taking a night-time drive around some futuristic metropolis.

The beats cruise sleekly here. Many of these burbling machine-funk numbers hover at mid-tempo, the crisp clip of their drum programming given shape and depth by all sorts of percussive tones fizzing around at the fringes of the mix. Even when 'Field Lines' seems to set its sights on the club - the Bunker Records-aping 'Amino', for instance, or the dystopian whizz-bang of 'Static Fire' - the tracks here strut sturdily rather than giving in to full-on freakouts.

However, from this sturdy base, Finlow moves outwards. Working with tones which range from rapid-fire machine-gun bass to keening, dawn chorus keyboard pads, Finlow leads us through the futurescape with the expertise of a seasoned guide. Cuts like 'Submerged' and 'Yield' are brilliantly cinematic, blooming from those reliable drum pulses into miniature masterpieces of nocturnal electronics. Elsewhere on 'Field Lines' there is a mechanical majesty to 'Inhibitor' and 'Altered Domain' which invokes the brave new worlds that Kraftwerk repeatedly conjured in their heyday.

Central Processing Unit's first release of 2022 is 'Field Lines', an LP of electro-funk explorations from Carl Finlow's Silicon Scally project which will thrill regardless of whether it's experienced through headphones or out on the dancefloor.

RIYL: Drexciya, Kraftwerk, Cygnus, Annie Hall

Boogie Times Records returns with this incredibly rare release as a fantastic looking collectible ‘picture disc’ must-have release.

The Legendary Boogie Times Record Store founded in 1989 which gave birth to rave and jungle pioneering label Suburban Base also released under the Boogie Times imprint itself as a sister label to the illustrious SubBase.

DJ Krome & Mr Time were making so many big tunes during this period that we found that to schedule all those great releases they had to be separated onto a second label under another guise, this gave us the very rare Krome & Time alias Timebase feat Kromozone. Which has become one of the most revered tracks in the catalogue. Much requested and in demand but has never been repressed since its initial 1991 release!

Not only is this a fitting release to start of a new era of Boogie Times Records, it also allows us to set history straight, when you realize that it is the song ‘Unity’ that formed the entire basis for the Garage Anthem ‘A Little Bit Of Luck’, and it is well over due that Krome & Time get the credit they deserve!

With a continuation of the original catalogue numbers this is the first Boogie Times release since 1993. This incredible collectible picture disc proudly wears a faithful replica of the original label artwork looking like a huge, oversized label. Amazing!

The Imaginary Museum is pleased to open its doors in 2021. It is the first museum of the imagination in the world: driven by insatiable curiosity, a deep belief in music as reliable witness and document to human history, and sound research, reflecting the desire to expand the wealth of human knowledge.

The first exhibition is a joint endeavour from Utopia Cloak and The Jaffa Kid, presenting priceless artefacts collected from their respective kingdoms where melodic electronica reigns supreme. Presented on beautiful marbled vinyl, each artist shares a side expressing their unique sonic aesthetics.

Utopia Cloak comes forth with melancholic whimsy in “Summer Holiday ‘98”, explores textures and hauntological soundscapes in “Matter Changing State” and enlists Mause to relocate that particularly meaningful holiday to a Brighton beach front with a cold can and seagulls included for good measure.

Flip over to witness The Jaffa Kid illustrate smokey ambient atmospherics in “A Certain Retro”, punchy dynamic electro scenery in “Jig Jag Electron” and pure braindance indebted melody in the masterful “Carago”, worthy of Richard D James at his very best.

Velvet Velour makes his EP debut on the 2nd outing for Scratch Discs. Each records comes with a scratch card and prizes to be won!

Klinical heads back to Overview for one of the most anticipated releases for 2021.

Yes, it's finally here, the VIP of his all conquering Around Me, backed with the original as well as an incredible remix from the one and only Workforce.

Absolute danger.

clear Vinyl

These tracks were proppa game changers n were pure classic anthems of the day and a time when we were nurturing the british hardcore sounds that pushed the boundaries.

A.Set Me Free - This track produced in 1992 by Noise Factory it was a big anthem of it's time back then a real game changer and has that ravy feel n piano stab filled. With strong hardcore and techno elements with the speeded up vocals n keeping in with the 4/4 beat.

AA.Bring Forth The Noise - This track from Noise Factory produced in 1992 this is when we found our british identity n stamped our authority on the hardcore scene. It has strong synth piano stabs n speeded up vocals with heavy sub bass resonating thru along with the hardcore n techno feel.

AAATo The Top - This was produced in 1992 by Noise Factory keeping in with the hardcore theme this track was more jungle techno.
With its looping bass n hardcore 4/4 beat n sample vocals.

This spring, Atomnation is to serve up three remixes from Sam Goku's cultured East Dimensional Riddims album. The original full length landed in spring last year, and now contemporary innovators Lauer, Paula Tape and Ineffekt all offer their own unique versions.

Goku sees this remix EP as a way of showcasing the sort of tunes he plays in his mixes, most recently for the RA podcast series as well as for Ransom Note and Live At Robert Johnson. The Chinese-born but long Munich-based artist is an assured DJ who unites his different heritages when he plays. He's someone who taps into the similar emotions and motivations of east and west and does so with a nuanced, storytelling brand of house and techno that is warm and uplifting.

Leeds twosome Soul Mass Transit System have been one of the success stories of the last 18 months, with their bass-heavy blends of UK dance music styles old and new gracing such labels as Timeisnow, Warehouse Rave and Dr Banana. Their latest EP, the pair's second outing on Instinct, is another strong offering. They begin with the seductive, sub-powered two-step revivalism of '1 ofa Kind', before reaching for darker sonic textures, serious wobble bass and echoing ragga snippets on 'Extremely Dangerous'. 'Never Turn My Back' is a pleasingly bouncy chunk of bassline-influenced two-step heat, while 'Turn The Lights Down' ratchets up the low-end pressure while showcasing chiming melodies and ultra-dreamy pads. High-grade garage business that should be an essential for anyone who loves two-step.

For their third release SAISEI present a reissue of highly respected Japanese producer Suzukiski’s 1993 debut album Thought LP.

The full 12 tracks from the original release will be released on vinyl for the first time - with the majority of tracks exclusively re-edited for vinyl extended play.

Takahiro Suzuki is hugely prolific within Japanese electronic music culture yet has remained under the radar despite releasing over 9 albums between 1993 and 2006. Thought was his debut long player and is a perfect example of his minimal and poised approach to production. Across the 12 tracks he shows off his aptitude for creating delicate yet effective house and techno, referencing the Detroit sound that was eminanating and revolutionaising electronic music at the time. For sleeve notes of the release Suzukiski lent this quote, speaking of the Detroit influence “These artists created these simple and minimal tracks that were so beautiful and gave me joy, yet I’d never seen their faces before.”

Based on a solid groove and created on the limited hardware setups which were key to the time of its creation, the album carries all the charm of minimal all hardware made music. The result is a timeless collection of tracks that show a serious commitment to refined sound with a joyous and carefree uplifting feeling.

SAISEI - run by London based, Japan born DJ Junki Inoue continues to unearth and present vital and special recordings from the 90s era of Japanese electronic music production. In this case Thought was first self released by the artist as a private CD that was literally delivered hand to hand or by post until it was licensed by Soup Disk licenced the music in 2003 and received a wider CD release with some export outside of Japan.

The double pack vinyl package is accompanied by two sets of liner notes by Rei Harakami and Soup Disk label owner Masaaki Hara written for Soup Disk’s 2003 reissue with a English translations and will be released in October 2021.

»C'est Disco« was the first studio album by the Italian band Rats. It was released in 1981 by Italian Records and is a record strongly inspired by the wave and dark scene of that period. The band's line-up featured vocalist Claudia Lloyd on vocals, and on guitar the only member present in the more famous version active in the late '80s and '90s, Wilko Zanni, who in the next album would take Claudia Lloyd's place on vocals.

hese Cheeba City tracks were originally released back in 1992 on the Swedish label "Steppin' Razor". The title track "Hardcore Disco" was played by all the top DJs back in the early 90s. It's been impossible to find a decent copy for a reasonable price.... until now!! This release contains all 3 tracks from the original release sourced from digital files.

For Bukva's second release, Swedish producer Coral serves us his debut single. A tribute to the old rave days with a fresh vibe and an updated groove.

While Norwegian jungle magician Msymiakos adds his remix to the dinner table, Dutch "man of the moment" Coco Bryce opens up a bottle of vocal madness!

Shall Not Fade champions its hometown of Bristol for this next release on the Time Is Now White Label series; Daffy has built a name for himself on the local scene putting out forward-thinking garage on labels to watch like Dim Sum Records and Equal People. This will be his first full vinyl EP and it's not one to miss.

Run Around EP builds up the tension throughout; starting off with "Put Your Feet Up", a ghostly atmospheric piece with a sparse beat, sprinkling of ear candy and crescendo of headsy melodies. The title track oozes a growling bassline beneath staccato vocal snatches - it's a deconstructed style of garage that maintains tension while adding a dreamlike quality. More tension encompasses "Nerves" alongside teases of low end wobbles and harsh breaks that coalesce into a punishing jungle track.

"Lost Again" brings in the B-side with this same energy, an explosion of rolling breaks forming the backbone of this rouch and ready Metalheadz style crowd pleaser, calling out to the rave. "Mishap" serves up ragga vocals, impenetrable sub bass and pouncing two-step ripe for a reload, all rounded off with "Wasp's Nest" - a raucous, no holds barred climax to the EP.

Dyad return to a collaborative mode with their signature forceful, tunneling techno sound.

Jozef K continues with part 2 of this stunning project on Takeout under his Eternal Blood moniker, showcasing his stunning take on post-Rave tinged House & Techno.

These tracks will tick so many boxes for those who love the atmospherics of Jamie XX to the rawness of 808 State as both EP's take you on a fascinating journey with the vibe of the UK's magnificent North West.

Jozef's material is regularly supported by the likes of Dixon, Mano le Tough, The Blessed Madonna and Sasha, and we're excited to have him join us with 2 sublime EP's

This split album featured the Italian composer Gigi Masin on side-a with delicate piano movements rippling above undulating electronics. Its second track 'Clouds,' has become an ambient standard with Bjork, Nujabes and cloud-rap duo Main Attrakionz all sampling its rich and euphoric tones.

Side-b belonged to Charles Hayward and the twenty three minute sound portrait 'Thames Water Authority'. A founding member of post-punk and avant groups This Heat and Camberwell Now, Hayward's natural inclination towards percussive instrumentation is highlighted by shape-shifting cymbal recordings that trace the expansive systems that meander beneath Greater London.

P-VINE is thrilled to reissue Les Nouvelles Musiques de Chambre Volume 2 on limited edition vinyl with an iconic Japanese obi strip attached.