Beats Novedades

Con-Struct the 2nd - When we asked Andreas Reihse to produce a Con-Struct album for us he didn't hesitate to accept.Andreas Reihse, member of Kreidler and solo artist (album: Romantic Comedy m=minimal mm-008) is one of the most important representants of the post-kraut generation, he also knows and loves the music of Conrad Schnitzler. The result is this second Con-Struct album.

Eine kleine Sensation für alle Roots- und Dub-Vinylliebhaber ist die Erstveröffentlichuing der Dub Version zum legendären"Black Star Liner" Album von 1976 (als ESSENTIEL ausgezeichnet vom Rough Guide To Reggae). Mit dem Gütesiegel der Studios Channel One, Harry J, Randy's, Treasure Isle - am Mischpult saßen Sylvan Morris, Pablo Black, Errol Brown, Ernest Hoo Kim, Errol Thompson und Sangie Davis!

Gilles Peterson präsentiert vierzehn neue exklusive Electronic-Geheimtipps aus seinen Playlists & DJ-Sets! Die Künstler bewegen sich im Spannungsfeld zwischen Hip Hop, House, Techno, Dubstep und Drum & Bass.....

Ragga-psychedelic funk project comprised of producer/DJ Rex Riddem, Fort Knox Five & Thunderball vocalist Mustafa Akbar, & Thievery Corporation Bassist Ashish "Hash" Vyas. F/ remixes from QDUP Foundation & All Good Funk Alliance.

Limited Vinyl LP of 1972 debut Krautrock album

"HALLOGALLO" (10:07)
"SONDERANGEBOT" (4:50)
"WEISSENSEE" (6:42)
"I'M GLUCK" (6:52)
"NEGATIVELAND" (9:46)
"LIEBER HONIG" (7:15)

1st part of trilogy, each one exploring unique sonic landscape envisaged & formed individually by a member of the collective. Written and produced by LTO, 'Realise' provides glimpse into feral workings of a consumed inventor. Pic sleeve.

- Richard D. James's masterpiece originally released in 1994

- Long out of print and highly sought after on vinyl

- The album peaked at #11 on the UK Albums Chart

- Pitchfork rated it #62 among the top 100 albums of the '90s

Aphex Twin's 1994 masterpiece Selected Ambient Works Volume II includes barely anything resembling a beat or any sign of typical song structure, yet the album continues to garner adulation generally reserved for holy music. Fans have been testifying on its behalf for nearly two decades, as if it were capable of curing ills or healing the soul. Its synthetic construction belies the intuitive, human, melancholic and uplifting nature of the music. Some have speculated the album was intended by Aphex Twin's Richard D. James as a farce, as if its über-minimalism was a joke played on an electronic community that relied so heavily on the beat; an expectation-defying statement from ambient-house's young hero. The album induces varied responses and often from the same person. A listener may go from being incredulous to drenched in tears within the span of a single track. Music critic Frank Owen described the music as 'veering between an eerie beauty and an almost nightmarish desolation.' James himself described it as 'like standing in a power station on acid.' The album's raw emotional power is built upon the influences of Brian Eno, Erik Satie, Steve Reich, Terry Riley and The Orb. Each of its tracks has an elegiac and desolate feel far removed from the tooth-rattling, drill-'n'-bass or abstract electronica for which James was originally known. The soft, nimble flow leaves one in a tranquilized state. Throughout the album, James resists the temptation to layer the sound with beats or samples. Instead, he relies on swathes of sound and harmonics and almost-implied pulses. When the music

does incorporate subtle industrial sounds, rhythmic drums or muted samples, it is only to affect a menacing feel in the textures. Remarkably, for an album that is often perceived as difficult, Selected Ambient Works Volume II is quite accessible. Featured in films, commercials and video games, the music continues to offer an entry point for listeners new to the ambient genre while remaining a classic touted by connoisseurs.








9. Tree
10. Domino
11. White Blur

12. Blue Calx 13. Parallel Stripes

14. Shiny Metal Rods 15. Grey Stripe

16. Z Twig 17. Window Sill 18. Hexagon

19. Lichen 20. Spots 21. Tassels

22. White Blur 2 23. Match Sticks

Here on Caspa presents Dubstep Sessions 2012, he showcases some of his biggest singles including War, his new single featuring The Prodigy's Keith Flint, Fulham 2 Waterloo exclusive debut of You Sell Out tried & tested remixes of top level artists such as deadmau5, Nero and Burka Som Sistema; plus huge tracks from chart hitters Chase & Status, Skrillex, Nero, Sub Focus, and Subscape. Top this lot off with some of the freshest cuts from Caspa's own labels, Sub Soldiers & Dub Police and it all mixes up to make a heady Bass heavy brew.


























27. Trolley Snatcher - Make My Whole World
28. deadmau5 - Raise Your Weapon (Noisia Remix)
29. Emalkay ft. P Money - Bad *
30. Nero - Must Be The Feeling (Flux Pavilion & Nero Remix)
31. Mydas - What I Do *
32. Subscape - Universal *
33. Reflekt ft. Delline Bass - Need To Feel Loved (The Others Remix) *

FOUR40 LIMITED

Here it is! It's been around 12 month since his last outing proper, the long awaited return of Black Acre's big gun is here and this time he's enlisted the assistance of young blood Alby Daniels. As usual FMF displays his polygenre beatmaking abilities yet manages to deliver a sound so distinctively his, it's instantly recognizable.

After storming onto the scene in 2008, in four short years Harvest has received support from the likes of Andy C, DJ Hype, Hazard, Taxman, Twisted Individual, Marky and Heist. 

The Jackal dropped like a bomb at the start of the year so we thought we'd get the main man dBridge to work his production wonders and his hypnotic bass & excellent drum workout makes it a must have in the collection.
Kinetic & Mark Recoil are 2 new guys that we wanted to introduce, their future classic 'Cold Streets' has had heavy support from dBridge on his Rinse Fm shows & it's murky atmospherics & sharp beats suit Ingredients down to a tee.

The super talented Major Notes drop a huge slab of uk filthy music on Holyroller recordings.
The O'Beasity EP is a dance floor killer that takes the UK ghetto house flex to new levels of duttyness!!!
His style has evolved into a blend of all things tribal, beats, percussion, syncopated and bleeps.
This varied sound has gained notice from DJ's world wide with his tracks included in sets filling dancefloors at some of the biggests venues around including Fabric, Lovebox, Egg , Glastonburyname a few.
His productions and remixes have gained support from likes of Ras Kwame on BBC Radio 1, Marcus Nasty (Rinse FM), Pioneer(Kiss 100) Greenmoney (Ministry of Sound Radio), Firin Squad (Choice fm), Steve Sutherland (Galaxy fm) and a wide variety of other big names.

Memory9, or Gadi Sassoon as he is legally known, is a jazz musician, producer and sound experimenter internationally known for his numerous live performances and radio mixes, which have included several appearances on Ninja Tune's Solid Steel series. He recently came to prominence as a producer thanks to his popular remix of the first single by DJ Vadim's band The Electric.

Brooklyn's own returns with this LTD 7" from his second album, inspired by sunny days; positive sonic vibes from all over the globe.

Space Cadets return for a fifth excursion to the furthest stratospheres of Drum and Bass with another stunning 12" from Russian producer and label stalwart Oak. Following the success of NASA004 from Australian producer Nether, Oak returns with two tracks that build upon earlier efforts, amalgamating still more influence into his already unique mode
to create music quite unlike anything currently available in the 170bpm structure.

Post - dubstep mixes from Egyptrixx, Kaiser, Rusi Zygadlo, Ital Tek.
The 4 vinyl tracks, plus:
Beats: Space Traitor Vol 1 Narrative by Halfcast and Starkey

Straight out the doors of the freshly rebranded SGN-LTD imprint is the latest showing from new exclusive signings Technimatic, who bring their strongest release to date with these two exquisite slices of fluttering liquid funk. Having proved themselves as Technicolour & Komatic over a multitude of labels these past few years, here they demonstrate in spades just why Shogun have snapped them up all for themselves under their brand new moniker, Technimatic.

The Slakadeliqs is the brainchild of Toronto-based producer and songwriter Byram 'Slakah' Joseph, known to audiences around the world by his hip hop alter egoSlakah the Beatchild (BBE Records) and also as one half of the electro-soul-house duo The Art of Fresh (Universal). His new album, The Other Side Of Tomorrow, balances an epic range of sounds, from 60s psychedelic and progressive rock to contemporary soul, hip hop and funk -- as Slakah describes it, 'an alternate version of the future.

Support for this EP already from Crissy Criss, DJ Hype, DJ Marky , Hazard, Grooverider and many more.

Having carved a niche for himself over recent years with numerous prime quality and cavernously deep releases on Mala's infallable Deep Medi imprint, V.I.V.E.K. now turns his dub-wise talents to present this impeccible single for Tectonic. V.I.V.E.K. has very much been putting the 'dub' into dubstep recently, both by means of his spacious 140bpm productions, and the 'System' event he runs with Mala, where he uses his self-built soundsystem to pound avid crowds into a deep dub coma. Keeping faith with the original spirit of UK dubstep, V.I.V.E.K. uses his sense of space to thoughfully pace out his powerful sonic blows to maximum effect. 'Against The Tide' builds initially with old school Metalheadz style pads and neatly clipped soulful vocal cuts before suddenly unleashing the full weight of bass; championed by the sound of a demented robot war-cry, charging full force into the night... it takes a very skilled producer to present the old-school sentiments of dubstep in an energised, progressive way, yet V.I.V.E.K. has achieved exactly that because he IS exactly that. More like this please! Similar sonic flavours are echoed in 'Trinity', which takes the momentum of 'Against The Tide' into darker territories, letting some of V.I.V.E.K.'s more junglistic influences shine through in the process. This pounding half-step rhythm is laced with a series of potent growling bass parts that sets the dystopian mood of this dark, dubwise soundscape. Bass-weight-dubstep-purism. Undiluted.

Klute delivers yet another killer for his Commercial Suicide imprint. For the A side 'This Is Why' Ill Skillz team up with S.P.Y a sumptuous glory hole of a tune. Flip over for 'Moonrocker' a sublime shocker of brutish beats and deftly delicate bassery from our favourite Viennese cock rockers. Dkay & Rawfull do it again.

This wonderful self-titled album by pianist, singer and composer, Johnny Alf, was first released on vinyl in 1966 by Rozenblit. Here the bossa nova pioneer sings beautiful songs, featuring the legendary musicians Hermeto Paschoal (flute) and Airto Moreira (drums).

Two of Australia's most talented prospects have collaborated on a stand alone release. Overachieving producer Flume and left-field crooner-on-the-verge Chet Faker will release the Lockjaw EP worldwide on via Future Classic. Having worked together on 'Left Alone', the plan for a collaborative release was hatched when they toured together on the 2013 Laneway Festival. Shortly after, the two headed to Sandy Point and Narre Warren Victoria for a four day writing binge. The result is a three-track release that unites the strengths of each artist - the classy, understated beats of the ARIA Producer of the Year (Flume) and Chet's incredibly soulful voice and keen ear for a melody.

Live performed club-music, danceoor-jazz deep as dark house, a sound like a warm cave:
With the three-piece band The Von Duesz, electro-organic music from Germany gets a
projectile which taps the pulse of the age. Animating the monotony of minimalist electronic
music with errors, improvisation and physical energy, their "Dancekraut" becomes the
soundtrack to plunge, turn around and start to shake.
We are looking forward to the new album GARANT, to be released in September 2012.
Beforehand, the two DL singles DIESEL and THE WORST HAS YET TO COME will be
released.

The parameters of musical possibility are vast on Valgeir Sigurðsson's third LP; Architecture of Loss. The music flows from no 'notes' at all to lyrical, folk-like melody, from spare, acoustic sound to dense digital intervention. Originally composed for the same titled ballet by Stephen Petronio. Architecture of Loss is a powerful work in its own right in which Valgeir works from a broad palette of absences.
The performers were handpicked from trusted Bedroom Community regulars: in addition to Valgeir himself and composer/keyboardist Nico Muhly, the album features classical violist Nadia Sirota - her sound is as deeply individual and immediately recognizable as the sound of her speaking voice and takes full possession of the notes on the page—and multi- instrumentalist Shahzad Ismaily - a secret weapon of a sideman who excels at exactly the things you can't put down on paper, from solid grooves to scribbles of noise.

Redrum Rotterdam's headhoncho Deformer unleashes his Hybrid monster on PRSPCT sublabel RVLT!

Another hard banging release from the Citrus Camp. 2 heavy built anthems by several of the labels flagship artists. A and B side are absolute dancefloor killers.

Dynamic and Command Strange bring the lush liquid vibes to part 8 of the Fokuz Expressions series. If slick, melodic and well-crafted dance music is your thing, you've probably come to the right place.
On the A side Dynamic delivers once again with a track called 'Little Cotton Club', it's an uplifting slice of sunshine! Jazzy vibes all over backed by a funky drumline and a couple of clever drum edits to go with it.
On the flipside we have Dynamic & Command Strange in a colab. 'Girls' is an excellent display of both these artists musicality. It's like a dreamy story with enticing melodies and honey like snatches of horns, strings and keys in the distance.

A.Jade & Chris SU - Digital Mind These two heavyweights of modern dnb need no introduction.With a large number releases on the most prestigious imprints of the planet beyond any dnb producer's dreams.'Digital Mind' is a perfect blend between both artists's touches, with a balance between techy & melodic output and fierce rolling power coated with a touch of darkness.It's been rerubbed for 2012 and it's banging more than ever. As you can guess it's already a favourite of many big heads, so.. join the team !AA.State of Mind - Spastic Audio
Equally prestigious in term of worldwide recognition, the duo from Auckland in NZ provides us with a classic SOM styled tune containing all the elements that propelled them among the most demanded artists of the moment. A catchy melody running over a groovy bassline with a slamming snappy beatwork.
Sounds like the perfect plan for the dancefloor!

KJ Sawka has made his mark in the jungle scene as well as the outer reaches of the industry.
Releasing on monumental establishments such Sony , Warner Bros Records, Tommy Boy
Entertainment, Ear Storm, Ninja Tune, Hive's Violence Recordings, Hospital Records, & A
Sides' Eastside Records, KJ doesn't have to prove he's a one man army on the drums out live and in the studio. Now back in the states after being on an intensive two year world tour with the platinum selling, award winning electronic rock band, Pendulum.

Seahawks return once again with a supremely psychedelic dip into the ocean of sound. 'Aquadisco' was originally conceived as a 2 track 12' but spun out of control by a fast moving cyclone developed into an epic double vinyl journey to the depths.

It's not easy to put a tag on the kaleidoscopic sound contained within although 'Sun Ra jamming with Level 42 on a Caribbean Yacht produced by Conny Plank' comes close.
Spaced out aquatic afro jazz, interstellar lilo funk and new age disco are just a few of the ports of call.
A concept album of sorts, 'Aquadisco' imagines a time when instead of fleeing into space to avoid calamity, mankind is relocated deep beneath the waves.
'In the clubs there's a new sound...it reminds people of when they used to live on the surface, when they could go to real beaches and feel the warmth of the sun, taste the salt and feel the breeze in their hair. Now there are beaches under the oceans, in the vast pyramids where cities have been built there is everything you need but it's not the same....there are forests, rivers and sky....and of course nightclubs where people go to dream as they listen to the soft throb and warm tones they call Aquadisco'.
Time to take a trip into the deep.

The Outside Agency delivers the final Killing Sheep release for 2010, two tracks that feature sounds from DNB, Hardcore, Dubstep and Speedcore genres.

After IUEKE's stormy techno we wanted to head for something more laid back and luminous, something more summerish. Antoine Kogut brings us this perfect three tracker largely inspired by his wide culture of Euro-Jazz, Afro and Electronics curiosities. Antinote is really glad to add this sentimental UFO to its catalog and to welcome this brilliant and talented artist in the crew. As the first release of the label, it's a matter of groove mixed up with sensitivity, and fragility. Both unclassifiable and really respectful of the good'ol french traditions (from Bernard Estardy to Air), Syracuse is just giving their most sincere joyful vibrations and their love for non-stigmatized music.

In the process of compiling ASC's recent "Out Of Sync', album, we discovered we had at least 2 albums worth of incredible music that we wanted to be part of releasing. As ASC has also always been part of the reason we created the HORO series at all, it made sense to compile some of the most special cuts that we couldn't fit onto the album onto their own Horo catalogue numbers as 'Lost Sync' Parts 1 and 2. These are not left overs, these are main courses we couldn't fit into the perfectly rounded and beautifully realised product that 'Out Of Sync' became. For the full story of the building of 'Out Of Sync', ' Lost Sync' Part 1 and 2 complete the experience. This is the soundtracking of a complex future world we can only imagine if we close our eyes and let these expertly crafted aural pathways transport us.

BadboE is back with the second EP from his upcoming album Pump Up The Funk coming out in the end of 2012. 4 brand new hot funky jams from the funk master himself - all mixed up and road-tested to perfection. Following up on the success of his One of Those Days EP which has topped the breakbeat charts on both digital and physical format.
BadboE is one of the key players in the nu funk scene and with this release he is stepping well into the world of Ghetto bass and electro vibes, but without loosing the funk and soul that he's so respected and loved for. This release is already getting support from some of the major players in the Ghetto Funk scene and has been very well received on a recent BadboE tour to Australia and New Zealand.

Here comes a record that shouldn't have been released in the first place. Who first started to circulate the CD-R with the blue inscription 'Waiting For Kim / We Get High' is totally unknown. The more known though, is who has been playing these two tracks ‚the one subtly uplifting, the other cranky dark ‚over the last few months. It's still an unsolved riddle who is responsible for those two very divergent (but obviously coming from a single source) productions. The fact that now these two tracks are coming out as a white label doesn't shed any more light on the affair either. But will please the DJ and club world nonetheless.

First Release on Coki's brand New Label...

Hazard's known for a certain type of adrenalin guided jump up drum & bass but his mix - as you might well expect from one that incorporates 50 tracks in 66 minutes - covers a lot of ground between the divides of d&b as we now know it. Including the works of DJ Devize and Tyke (aka Retronym), ensures that he covers that intricate techy sound, album opener 'Never The Same' and Ray Keith's 'Deeper Love' marry soulful vocals with 170bpm beats whilst Boosta & Atmos T explore the rhythmical variety possible within the genre. Sure, there are plenty of unabashed rave moments like Taxman, Mampi Swift and his own contributions, but for someone who's been involved in drum & bass since the turn of the millennium it stands to reason that Hazard has extensive knowledge and tastes within the sphere. He's not using FABRICLIVE 65 to try and reinvent the style, he's wantonly showcasing a little bit of the variety that already exists within it.
[A] CD 1 | DJ Hazard - Never The Same [Playaz]
[B] CD 2 | Phace & Misanthrop - Progression [Neosignal]
[C] CD 3 | DJ Devize - Shock Time [3D Mode]
[D] CD 4 | Tyke - Vice Squad [Radius]
[E] CD 5 | Dialogue & Total Recall - Fox Bite [Radius]
[F] CD 6 | Tyke - Buzzards [Grid]
[G] CD 7 | Boosta & Atmos T - Where You At [Radius]
[H] CD 8 | DJ Hazard - Cherry Bomb [Playaz]
[I] CD 9 | Noisia - Diplodocus (The Upbeats Remix) [Mau5trap]
[J] CD 10 | DJ Hazard - Time Tripping [Playaz]
[K] CD 11 | DJ Hazard - Air Guitar [Playaz]
[L] CD 12 | Malachai & Voltage - A Bunch Of Fives [Radius]
[M] CD 13 | Bass Brothers - Mr Jungle (Hazard's Exclusive VIP) [Easy]
[N] CD 14 | Ray Keith - Deeper Love [Dread]
[O] CD 15 | Sub Zero - Your Flex VIP [Playaz]
[P] CD 16 | Taxman - Cool It Judy [Playaz]
[Q] CD 17 | Konichi - Engulfer [Radius]
[R] CD 18 | DJ Hazard - Do Without You [Playaz]
[S] CD 19 | Annix - Ghetto Blaster [Radius]
[T] CD 20 | DJ Rowney - Cheek Of It [Radius]
[U] CD 21 | DJ Hazard - Ramblers [Playaz]
[V] CD 22 | DJ Hazard - Meen Time [Playaz]
[W] CD 23 | Konichi - Tools Of The Trade [Muzik Hertz]
[X] CD 24 | Decimal Bass - All In [Muzik Hertz]
[Y] CD 25 | DJ Hazard - It's A Secret [Playaz]
[Z] CD 26 | DJ Devize & Shookz feat. MC Blu-Bomma - Coming In Stealth [Playaz]
27. Boosta & Atmos T - Delinquent [Muzik Hertz]
28. Retronym - They're Not Human [Radius]
29. Joe Seven - Untitled Monotron [Exit]
30. DJ Devize - X-Groove [3D Mode]
31. P.A - Iron Fingers [Radius]
32. Annix - Unnatural Element VIP [Animated]
33. DJ Hazard & D Minds - Mr Happy (DJ Hazard VIP) [Playaz]
34. Dirty Harry - Watch Ya Teeth [Playaz]
35. Origin & Cabbie - Sharade [Subway Soundz]
36. DJ Devize - Squash Dem [3D Mode]
37. Konichi - Signol Smoke [Radius]
38. Lynx - Midnight Funk [Playaz]
39. Taxman - Cop Killa [Playaz]
40. FuntCase - Let's Go [Maximum Boost]
41. Dirty Harry - Badman [Playaz]
42. Mampi Swift - Gangster [Charge]
43. Noisia & Spor - Falling Through [Vision]
44. DJ Hazard - Hand In Hand [Playaz]
45. Decimal Bass - Reefa Tactics [Radius]
46. Level 2 - Red Note [V Recordings]
47. DJ Hazard - Foodfight VIP [Playaz]
48. Gerra & Stone - Droneheads (Octane & DLR Remix) [Alignment]
49. Decimal Bass - Hypnotise [Radius]50
50. DJ Hazard - Mark Q [Playaz]

Black Reflections Records is glad to announce our third 12" vinyl forthcoming after summer. This time we are proud to start working with dRamatic & dbAudio. Two of the producers who are setting standards at the moment and responsible of an amazing and long awaited track, brilliant roller with deep vibes. Watch the sub on this one !!!
Joining forces, on the flipside we find Blade delivering a fantastic track called McNallys Theme. A dancefloor killer from start to end.Because WE care about music, and trying to provide the best quality in sound, mastering has been done by Stuart Hawkes @ Metropolis studios. One of the heads of professional audio. Our last but not less important thank you goes out again to our vinyl artwork designer Kike Besada for another excellent work.Massive support from Fabio Radio 1, Nookie & LTJ Bukem.

Renegade Hardware is pleased to welcome the newest recruit to the label's ranks. A producer who has steadily been building a dedicated following in recent years with his consistently solid releases and clinically crisp production style.
Having already received huge acclaim in the d&b scene following the massive "Straight to Bad" released on Ircus Audio and more recently his collaboration with Optiv on his own Subculture Records. He has also created waves outside of the scene remixing the likes of Intiman & Foreign Beggars as well as producing for Netherlands based hip-hop outfit Dope D.O.D.

Sam KDC's follow up to his ground breaking previous Symbol 12" has arrived, expanding on what he threw down on #3. 3 stunning tracks of elegant melodies and harmonious puddles of sound paint the picture.

Continuing their reign over deep and technical drum and bass sets everywhere, the inimitable Spinline are back with a pair of incredible remixes from two of the scene's most wanted individuals. From the drum and bass' extremes of tar-black bass and granite-heavy rhythms, both Clarity and Stray have brought the goods for this release. But what did you expect
Clarity never minces his words when it comes to working that minimal vibe and as you'd expect Life morphs from Spinline's original into something far nastier. Dark, deep and with enough space to let that uneasy feeling roll in alongside the barely-there weave of didgeridoo bass, this is the stuff of crowded clubs and evil intentions. Clarity proves once again that he cannot be stopped.For Sundays Stray has created a different type of unease, instead opting for cut-andspliced juke flavours scattered sharp and ragged over a barely recognisable 170bpm beat. Building the tension then refreshing the track with hints at the original melody,Stray's reworking is not for the faint-hearted. For fans of skittish hi-hats and drum and bass of the heaviest, deepest kind, you'vecome to the right place.

Birmingham based producer Subzee-D has his debut EP on Sin City Recordings.
A:Hold me: The massive summer anthem featured on UKF. Tearing Jump up Bassline and infectious sample "Hold me". This Track is bound to set the dance floor alight! This track has been battered by Hatcha, N-Type, Skream, Benga, and Mistajam to name a few. B:Void: Void is dark and grimy! This track has been battered by Benga, during his tour with Youngman of recent! This has Subzee's signature baseline style but with an aggy and aggressive flow.
C: Haunted House: This track is a stomping jump up smasher! Swinging beats and drum, 8bit distorted bass pulses and stabs. This track is a Hatcha favourite, battered on his show on Kiss 100.
D:Judge Dredd: Swinging Hi Hats, stabbing 8bit baseline, Blips, Boings and all the swagger you could ask for! This is yet a another banger from Subzee-D.
Snakes & Ladders: This track is heavily focused arounds its rolling 8bit bassline, it just keeps building and getting harder! Sirens and searing lazers cut through the hard skanking beats. This E.P is bound to smash every dancefloor Worldwide.

Following on from his more techy exploits on Black Box with DJ Madd and June Miller, it's time for yet another dubstep excursion with TMSV via the ever-reliable Box Clever label.

Trevino aka Marcus Intalex has been wowing all and sundry with his tight Detroit / Chicago / whoknoswhere take on UK Bass music. His early tracks like 'Chip' on Martyns 3024 and 'Derelict' on Naked Lunch, showed tough, melodic, techno and electro were back on the menu, but filtered thru the mind and ears of a man who was been releasing fresh UK music since 1994.Appleblim was amongst the first to hear and start playing Trevino's new cuts, and has seen him go from strength to strength. Trevino is one of those producers who's tracks people are constantly running up to the booth, freaking out about and enquiring about, and that is a sure fire indication of big tunes!
So naturally when Trevino said he'd be happy to put some tracks out on Pips, Appleblim was buzzing...'Indulge' has been a mainstay of his sets and shows Marcus's versatility...gentle undulating melodic stabs seem to weave together for an age before hydraulic bursts of wavejumper bass start to fill the gaps. When a tough electro style stepping rhythm comes in, the dancefloor is ready for heads down skanking!
On the flip is an almost lost classic, 'Under Surveillance', many of the DJs who have been dropping this for a while are pleased to see it come out, its dystopian sci-fi stepping rhythm combining with claustrophobic synths spraying all over the gaff! Proper head nod biz, which hints at the feelings induced at the early DMZ parties...all in all a tasty package.
early DJ / Radio Support already from:
Martyn, Loefah, 2562, Scuba, Mary Anne Hobbs, Oneman, Rob Booth, Rob Da Bank, Ben UFO, Pearson Sound, Axel Boman, Distal, Objekt, Synkro

This summer TEAL Recordings has prepared a remix EP - and as usual they do not disappoint. Detriot acid maestro Jared Wilson
remixing Copenhagen prodigy Beastie Respond and longtime TEAL buddies and all-around good guys Northern Structures and West
Norwood Cassette Library remixing the new kid South London Ordnance. Act fast - limited white label pressing only! No digital!

Arca says "Stretch is about kids, cities, jump ropes, syncopation, yo-yos, & a ball & chain." We say it's really good, in a James Blake meets Autechre meets Tricky kind of way. Played by Oneohtrix Point Never, James Ferraro, Planningtorock. Pic sleeve.

This album is a club dance floor filler if you like Jungle Drum and Bass Liquid or Tech this will appeal to a wide spectrum of fans ,this album has been written produced and engineered by Ray Keith finally a real piece of one of the originators of Jungle/Drum and Bass. DREAD COME TO CONQUOR.

A departure from astral electronics after releases on 100% Silk, No Age's PPM, remixes for Blondes & Scion AV. Digging into dancefloors, combining 4-on-the-floor grit w/ethereal synth sounds, think "pop acid", for this stuff surely is catchy.

Vienna's Disko404 organisation launch new label Franjazzco combines enthusiasm for jazz, soul & disco w/weighty footwork/juke kit, resulting in 3 deadly 160BPM anthems. On flip Sun People on more UK-influenced style w/references to '90s jungle & garage.

Turn up audio to full volume, switch off all the lights, press

Follows their well-received "Dub For Mali" w/more uptempo tracks on the Afro-disco tip f/vocalist Fresh is Life from Trinidad. "Revolution" f/Pleasuremaker on vox, & "Bade Malou" f/Yacouba Diarra on vox round out the EP.

Remixes from "Into Bass And Time" Kabanjak, Subatomic Sound System, Deela, J-Boogie, Maker. That's a full slate of funked up boom bap, epic drum heavy rockers, up-tempo broken beat, lush Latin flavors, + bonus Maker instrumental.

Anonymous artist reveals a diversity w/3 tracker. The EP starts off with a Tangerine Dream vibe, moves into jackin' territory, & finishes on a deep melodic tip. Good response from Nebraska, Disco Nihilist, Infinitestatemachine, et al.

Hailing from Sarajevo, Billain represents one of the neurofunk scene's most talented producers. Influenced by the twisted vibes from the films of Stanley Kubrick, David Cronenberg and John Carpenter, Billain began producing minimal techno, but after hearing Ed Rush & Optical's Wormhole, Billain made the inspired jump to drum & bass.

Beautiful 12' picture vinyl of Marley's most influential and revolutionary work, newly remixed and remastered from the original 1970 Lee Scratch Perry masters, including 'Sun Is Shining,' 'Don't Rock My Boat,' 'African Herbsman,' 'Mr. Brown,' 'Soul Rebel and more!

might be a new face to the drum & bass scene he already produced music for notable artists like Wiley and the Roll Deep crew.

Kicking off with 'All My Love' ChartStalker shows his diversity as a producer combining hip/glitch-hop breakdowns with powerfull drums, raging basslines and soothing vocals.

The flipside 'Sunlight Filters Trough' is a certified floorfiller with an epic drop, serious bassline and rolling drums. A perfect ending to this EP. Best believe that this is well worth checking out!

#7 of the split series sees CBs taking a fairly straight ahead approach, and AS doing a dub-steppy digi-Jahtari take. Stellar stuff for the modern age dub aficionado.

ESL's French Connection drops 2 Afrobeat-inflected bomps directed at the Afrocentric dancefloor. "Toxic Smoke" is a fast paced blazer. "The Sequence of Spectators" is a more laid-back horn-heavy groover w/funky organ.

A darker pallet underpins the record but this is inverted then lifted with inserts of scattered euphoria. Whilst all that is synonymous with the current face of techno lurks consistently in the background throughout, in an almost redemptive fashion, we are hoisted upward from a chromatic descent and set forth onto a crisp, bouncy path peppered with light. The depth of stereo field is utilised perfectly here and the use of dimension is something of a staple for all of those who call Wigflex home. Hizatron is known for his seamless arrangements, catchy melodies and punchy percussion and this record has that unquestionable 'Tron swagger but the familiar sound is accelerated by new influences from Bashley who although a relatively unknown member of the family brings a fresh range of timbres that compliment Hiza's signature grooves.

How The Other Half Lives is back for a second outing and this time proudly present 'Purple Stuff' by Hounds Of Hate.

HOH - masterminded by London-based Stan Iordanov but featuring a rotating cast of members - were active between 2009 and 2011. Their objective was simple: perform live electronic music completely without a backing track. While shortlived, the band's two sought-after 12"s, mix cassette collaboration with Hype Williams ('Deuces') and refreshingly ambitious take on live performance saw them swiftly billed alongside the likes of Caribou, Gold Panda, Toro Y Moi and more while touring Europe and America. With their sound fast-evolving and splintering into new individual experiments, they disbanded last year to focus on other projects.




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There's been a recent resurgence of the deep and dark "foundation sounds". No one is building made-for-system music quite like
Kaiju; arguably two of the finest producers in the 140bpm space. Don't be fooled into thinking they're not pushing the genre though,
Kaiju are building a monstrous back catalogue that'll be celebrated by those that know for years to come.
Support from the likes of Youngsta, Biome, Distance, Truth, Vivek, Thelem, N-Type and many more.

Continuing their policy of ear to the ground A&R-ing, Svetlana follow up the sellout success of Kelpe's 'I Felt Fuzzy' EP with the debut release from an artist known as Microburst. Microburst is the quiet type of artist: he doesn't live in London, Bristol or Berlin, can't be seen hanging out in the background at Boiler Room or joining in scene debates on Twitter. What he does is live by the sea, spending a lot of his time out on the water, and condenses storms and seascapes and what people feel about them into nuggets of music that carry weight and power and large helpings of beauty. Despite keeping himself to himself, Microburst has already attracted serious attention. His remix for 'Talk In Color' was widely blogged and led to further remix requests from a range of artists including Seams, while his debut performance was described in The Line Of Best Fit as 'a revelation'. Most importantly, his music was chosen for a Calvin Klein Spring / Summer 2012 campaign, astonishing given he hadn't yet had a single release. A microburst is a weather phenomenon - a very localized column of sinking air that causes winds similar to a tornado, but travelling in straight lines rather than a circle. Similarly, 'Hadal Lagoon' has a lot of direct power. There's a clearly detectable link to dubstep, with a solid bass weight all the way through the record, and at the same time the strong melodies and reflective calm make a connection with the more human side of electronica, in the vein of Four Tet and Burial. 'Hadal Lagoon' is not a direct portrait of the sea. As the album cover indicates, it's an imaginary world of happy sadness that draws on the sea for its inspiration. It's music for underground train rides; for the shuttle bus to the terminal coming home on a rainy Thursday night; for the point in the long drive when two of the people in the car are asleep, and the other two of you can't be bothered to talk anymore. After a small burst of noise, reminiscent of static or rain on a car roof, 'Clutch' bursts from the speakers with a weighty elegance. The sound is balanced between propulsive bassline, a haunting vocal melody, and percussive synth stabs set in a rich texture. Less proud, more melancholy, 'Effects' steps up the tempo but, like BNJMN, while this is house music's tempo, somebody left the cowbell outside and traded it for a gorgeous deep and reflective element. A note of anger and aggression creeps in with 'Statues Glare'; the feel is reminiscent of 'Clutch', but the synths are sharper, there's an edge about this piece we haven't heard before. Kicking off the second side, the pace starts to pick up with 'Life In Angles', and the melancholy has given way to confidence. A shuffle beat is wed to a catchy vocal melody, and after two minutes everything suddenly gains strength. The wind's picked up and we're up and moving now for sure. 'Conformachord' is even more chipper, sneaking in some dubstep squelches and coming on with some proper attitude. We're starting to lay back and enjoy it, to get more in your face. This tune hints best at Microburst's live sets which can get properly rinsing. Finally, 'Flare' is the point at which we arrive ... wherever it was we were going. Where 'Clutch' contained a trace of dread, by the end of the record this has given way to a warm contentment. This is the sunset, the homecoming. Dotted with disembodied vocals, strums of guitar, and a lightness of touch concealing incredible layers of detail, 'Hadal Lagoon' is a production tour de force and a mature expression of the middle mood. With kicks and claps on top.

An exciting addition to the Dust Audio roster, 2012 looks set to be a sparkling year for the Slovakian, Minor Rain.

Coming out with one of the most anticipated and long-awaited albums so far on Brainfeeder is Samiyam aka Sam Baker. 'Sam Baker's Album' is 40 minutes of pure listening pleasure, a series of woozy, off-centre hip hop instrumentals drawing heavily on Baker's love of electronic funk but never in hock to it. Intensely detailed and carrying considerable emotional weight, this is not 'Rap Beats Volume 2' but an album of fully-realised pieces of music which stand on their own without the need for an MC's intervention.
Ann Arbor native, Samiyam (born Sam Baker) moved to Los Angeles in 2006. In his short time out West, he has become one of the city's most progressive and recognized producers, a man who has spearheaded the revival of interest in instrumental hip-hop music over the last few years. Baker's 'Rap Beats Vol.1' collection was the very first release on Brainfeeder. He has also collaborated with old friend Flying Lotus as Flyamsam as well as having releases on Hyperdub and Poo-Bah records.Samiyam describes the work contained in his "Debut album" simply as, 'my favourite stuff' - and what could be better than that

Auf "Breakthrough" verschmilzt kalifornisch-inspirierter Psych mit Einflüssen aus aller Welt. Durchdrungen von ominösen und verzerrten Tönen sowie entfesselten Drums ist "Breakthrough" vielmehr als eine Sammlung von Beats - hier fusionieren Elektronik, Psychedelic-Pop, Funk/Soul, Hip Hop und Dubstep zu etwas eigenständigen und aufregendem Neuen. Gastaufritte von Gonjasufi, Adrian Younge, Dimlite, Daedelus, SAMIYAM oder Computer Jay machen "Breakthrough" zu einer Reise der kreativen Verbundenheit und einer Stammes-Zeremonie mit einem Gefühl von Gemeinschaft, welches den Stellenwert der kollektiven Erfahrung für The Gaslamp Killer wiederspiegelt. Mit "Breakthrough" gelingt The Gaslamp Killer eines der spannendsten Debütalben in 2012! Check it out!

Castratii are a paradox, a wonderful vision of a life that might have been, and still could be. Enveloping shrouds of ambient musical strands, woven together into a swinging bridge that hangs over a chasm of endless possibility. Created and constructed from one Australian summer to the next, the creation of their debut long-player Eora persisted through the extremities of the Australian bush; heat, humidity, cold, and rain to create a singular document vast and mysterious as the landscape it was created for. A lucid journey that takes place mostly through the darkness, the tension and foreboding atmospheres looming tie together Castratii's first long-player of witchy doom pop. Heavy one moment, channeling a drone and pulse into the concise framework of electronic pop of the more industrial persuasion, while at other times, it's easy to get lost in their sustaining, enveloping ambient sprawl. Inspired by their remote surroundings and paralleling it to our own individual desolation caused by the internal dialogue within all of us, Eora aims to sonically and lyrically map this wilderness.

LAB012 sees the highly-touted return of original South London don Cluekid. Two years since his last Aquatic Lab twelve ('The Sound'/'Late Nights'), the perennial favourite of DMZ and FWD>> returns with a big plate that's bang on the money. It finds Cluekid on a fresh, colourful tip - ensuring Aquatic Lab's re-emergence as one of bass music's key international players. The eyes-down bliss of 'After the Storm' is a smooth liquid roller, which rides a glistening veneer of Silkie-esque turquoise synths and a soulful mid-tempo groove. Underpinned by a stunning escapist melody, Cluekid delves deep on this slow-jam, which sways between clean piano vibes and floating bassweight with unrivalled conviction. The flipside of 'Cyber Funk' blends a hefty slice of watercolour dancehall with streetwise urban bass-pressure. This pummelling bruiser sprints through a swarm of hi-hats and a thick coat of 'verb, with sporadic bursts of melody espousing the confident sonic progression of one of dubstep's finest innovators. Exclusive to the digital release are two additional tracks - 'Minimals' and 'River Troll' - which both find Cluekid on a dark dungeon flex akin to V.I.V.E.K and J:Kenzo. DJ support from N-Type, Quest, Chef and Kutz.
a Cluekid - After The Stormaa Cluekid - Cyber Funk

Trim / Tab is the latest broadcast from the subsonic soul cave of Downliners Sekt.

Limited hand stamped vinyl from Crazy Way Trax.

Following up after the mental drop by Detroit's Master of Repetition, Population One, we have a new signing hailing from the Land of the Rising Sun, helping us to set the standards for this new imprint— uncompromised techno funk! Japanese producer Imugem Orihasam has spent the past 3 years slowly evolving. His early work on Ilian Tape and Esperanza sounds like that of an already seasoned craftsman digesting Detroit bit by bit, with a focus on lush textures and swooning eerie melodies.

Borrowed Language returns with their second release this year, and the second collaborative effort to date from Chicago-based producer/DJ Jeff Pietro & label owner Israel Vines. Following Jeff Pietro's future classic "Still" (charted by Surgeon, Peter Van Hoesen, Silent Servant, and many others) and Justin Ivey's exemplary "Apparition Bay" (which won favor by the likes of Rob Hall and Dj Pete) was never going to be an easy task, but Vines & Pietro prove that they're more than up to the challenge -- this is perhaps an even stronger statement of intent than their earlier joint effort, "Distance No Object" (BLX-2).

Following on closely on from his much talked about 'Commodo' EP released earlier in the year, Commodo is back with his 3rd release for DEEP MEDi. After the well received EP, Commodo has found himself busy on the DJ circuit playing busier and more varied shows allowing him to showcase his sound to a bigger audience, from the sell out DEEP MEDi party in Denver for Sub:mission's 6th Birthday to Istanbul an beyond.
With every release we see Commodo develop and evolve his sound. This single is no different, Buckwild kicks off immediately with it densely layered percussion, off-beat drums and twisted flow, add to that Commodo's dark funk, warped rhythms and low end bass weight, giving us a unique slice of Dubstep for the mind, chest and feet.
Axis on the flip is a more straight up, heads down 140 jam but not this dull, washed out dungeon sound you hear, Commodo adds hidiosyncratic swagger and slick grooves to give this one that raw cutting edge.

Mit - Dubsteppaz Worldwide' auf Caramelle (CAR 1013-2) war ZYX Music der Vorreiter in Sachen Dubstep auf dem Deutschen Markt. Viele Künstler, die darauf vertreten waren, sind heute im Genre fest etablierte Größen! Jetzt kommt die neue Compilation Serie, die sich ganz simpel DUBSTEP nennt. Neben den internationalen Top-Künstlern wie dem
Superstar der Szene SKRILLEX, NOISIA, SKREAM, DATSIK, EXCISION und CALVERTRON befindet sich auch die erste Liga der deutschen Dubstep-Szene mit LONDON NEBEL, TIKAY, BUKEZ FINEZT und COP DICKIE auf dieser Doppel-CD und findet somit einen ausgewogenen Kompromiss zwischen Mainstream und Kredibilität.
Präsentiert von DUBBASE.FM, dem größten deutschsprachigen Dubstep-Webradio-Sender! DUBSTEP - Vom Tracklisting und Coverartwork defintiv die BESTE Dubstep-Compilation auf dem Markt!

With releases as rare as a week of sunshine in London, and a profile that makes Burial look press hungry, it's with great pleasure we give you Joe's first tracks of 2012. Two wickedly sleazy and satisfyingly peculiar tunes that as you'd expect, completely defy categorisation.MB- A loopy, sleazy, slo-mo roller with the slinkiest guitar lick riding a big-boned bassline.
As with all of Joe's tunes, a little = A LOT.Studio Power On- The sounds of 94 Jungle smashed to bits, thrown around a studio and taped back together for 2012.

Grabbed from Lorn's recent 'Ask The Dust' album 'Weigh Me Down' is a glitchy, bass heavy number that bears more than a little resemblance to 'Gangsta's Paradise', now it's been bundled up with a grab bag of remixesFirst remix out the blocks comes from Illum Sphere, who removes some of the rhythmic relentlessness and focuses on the beauty in the vocal before wobbly bass fucks with your equilibrium. Now based in NYC, Glaswegian Mike Slott laces together a skipping, clever rhythm, pitches up the vocals a little and gives the whole thing a surprising soul-jazz tinge. Sometime fellow Brainfeeder labelmate and LA resident Mono/Poly, meanwhile, goes for rumbling bottom end, pterodactyl cries, bubbling keyboard lines and a psychedelic emphasis on sonic atmospherics. The package is rounded out by a 'no verse' version of the original, where the chorus is left on its own and no more knives have to be watched as they're sharpened!

Vinyl Boxset includes 4 x 180g vinyl, including free download code with bonus tracks. Album sampler BWOOD089 also fits in to complete the boxset.The results of a true culture clash, 'Mala in Cuba' marries the intricate rhythms and deep, spiritual
roots of Cuba with Mala's own roots in South London and his dedication to bass culture.Travelling to Havana with DJ / broadcaster / record collector Gilles Peterson and fellow producer
Simbad in 2011 where they were recordingsessions for Gilles's 'Havana Cultura: The Search Continues' album at Abdala Studios Mala installed himself in a small studio across the corridor from the
main hub. With a constant stream of gifted local musicians and vocalists passing through, from diva Danay Suarez to the legendary percussionist Changuito and acclaimed pianist Roberto Fonseca,
this was a true journey of discovery for everyone concerned. Mala is universally respected as an innovator and leader not only within the global dubstep movement but also within the broader
electronic realm.

Legend is a word so overused in the music business that it has lost it's much of original meaning. But Freestyle Records feels wholly justified in describing our latest signing as precisely that.
Martha Highs' impeccable soul credentials are beyond question, and for the uninitiated, here is a potted history of the ladies incredible musical history!
A member of The Jewels, who, in 1964 became part of The James Brown Revue, touring all over America on a relentless schedule of one-nighters, alongside Vicky Anderson and other stalwarts of that incredible live phenomenon that was beautifully captured on tape and released by Smash Records on the 1967 release Presenting the James Brown Show.

Method One returns to Auxiliary with 4 fresh cuts, including a collaboration with Auxiliary new boys, Synth Sense. 4 deep and
brooding pieces of music as you'd expect from Method One. Side A is aimed more towards the DJ play, while Side B aims to soothe.

Afterabusysummeroffestivaldatesandsun-drenchedsummerparties,Hotflusharebacktoattendtotheirautumnrelease
schedule, the first of which welcomes a new collaborative project from two anonymous producers, united under the guise of NeferTT.Bothproducershavebecomesynonymouswithadistinctandversatileapproachtomusic-making.Betweenthem,theyhavecovered everythingfromhip-hop,dubstep,drone,UKG,soul,jungle,broken-beatandelectronicainthebodyoftheirownprevious
productions.Thisnewcollaborationseesthepairinvokeaslightlymoredancefloor-orientatedspirit,takingamarkedstepawayfromtheheavily swung, nervy house / garage hybrids of their previous material, preferring to focus on irrestistible groove and lush melody.

No Logo is a special collaboration between Steve Miller, the super producer behind downtempo sensation Afterlife and renowned, versatile DJ and long standing Mambo, Ibiza resident Pete Gooding. following their debut on Melodica last year with a Balaeric cover of Eurythmics classic this City Never Sleeps, the duo return to the label as promised for a startlingly accomplished full length.the album kicks off with the aptly titled 'Darkstar,' brooding warm atmospherics and a punchy breakbeat ride the track until the breakdown, with plenty of synth accents to keep interest high. Party Animal is a whole different beast. Latin patterns and piano chops tuck in below a sumptuous vocal from Marion Benoist

This is the Plate 2 of Method in the Madness Album.

Oris Jay Darqwan, one of the most revered beatmakers in the history of British bass music, will release his debut album 'To The Fly' on Monday 30th July.
Born and bred in the Steel City of Sheffield, UK, Oris Jay has been at the forefront of the UK's underground sound for the past 15-years+. As one of the original member's of the eponymous FWD>> nightclub that launched in 2001, Oris's journey first started at the birth of the hugely influential Sheffield 'bleep and bass' sound of the late 80s/early 90s. A sound that's been a prominent feature throughout his career as a DJ and producer, it was in these early years that he would find the creativity to push the boundaries of producing dark-side garage to eventually lay down the blueprint of what's now titled 'Dubstep'.Regarded as one of the forefathers of the scene, it's with great anticipation and huge excitement that after all these years of cutting personal dub plates and releasing 12s, Oris (aka Darqwan) will release his debut artist album. A producer that has always refused categorisation, he now presents 'To The Fly' which is able to span grime, jungle, house, garage, dubstep, dancehall and more, yet every track clearly rooted in Sheffield bass, and every track instantly recognisable as Oris Jay.Featuring a whole range of guests, including Toddla T, Amit, Pinch, MC Ranking, Harper Lake and more.

Shenoda's forthcoming release on Hypercolour's little sister label Losing Suki (run by Kings of the Underground Jamie Russell and Alex Jones) is called 'A Homage' EP and is a painfully on point exploration of modern interpretations of garage. Shenoda, a UK based producer, DJ and freelance composer, has had previous releases out on Hypercolour, Fear Of Flying and Connaissour and has had ongoing support from underground heavyweights Mosca, Deetron and Martyn with his mid-2011 'Shots EP'. After recently bringing down the house (or shall we say tent) at Gottwood with a set that rivalled some of the most prolific acts there, Shenoda is quickly rising through the undercurrents of this new wave of super talented producers. 'A Homage' EP is a three track adventure of garage, house and techno and compiles in one release the sounds that the kids just cannot get enough of at the moment. The first track 'Flex' has a menacing, soul drilling sub bass, fast paced snares and whirring chords. One for the warehouse, big sound bass and affected vocals will have the rave arms pumping and the screwfaces forming nicely. 'Bubbles' has the same fusion house/garage vibe; complex drum patterns, percussive claps and disjointed vocal samples, with the continuing growling sub bass. High hit snares and well concocted rising and falling compositions means this track is constantly re-exploding, with consistent spine tingling drops. 'Every Time I Say' has the garage pitched up vocal cry, stepping kick drum and is the most 'garage' out of the three. Two-steppy, high note 'baby girl' vocals ensure this wouldn't be out of place in a Vauxhall rave circa 98, but it's fresher than that, and of course, beautifully produced. The honest truth is that this EP can only be described as 'naughty'. Shenoda's showcased his talent in a way that is perfectly in tune with the current soundscape trends of the moment and has executed it with brutal perfection, adding his own new unique twist. Down to the warehouse ple

Ready For The Good Life is a call to arms to anybody out there willing themselves into better times. The track is the second single from Amateur Best a.k.a. Joe Flory (Ex-Primary 1) and features Chilly Gonzales on piano. Flickering bass drops and pitched drums make for an ominous setting, but the song's gorgeous pianos and lilting vocals sugarcoat the pill. By the time you reach the conclusion of 'Ready For The Good Life' this little pop song feels pretty life-affirming.

1. If You Really Love Me (6:27)2. Victoria Park (7:37)3. Summer Is Here At Last (5:50)4. Changes (4:12)5. Street Life (4:22)6. Sleeping Giants (6:11)7. Rainbows (6:04)8. While The City Sleeps (4:47)9. New Beginnings (5:42)10. Rise (5:13)11. Rise Of The Phoenix (5:02)12. Say What (6:37)13. Yesterday's Gone (5:11) 14. Victoria Park (Radio Version) (4:31)

Chicago blues pioneer Big Bill Broonzy spent much of the 1950s (up until his death in 1958) touring and recording in Europe, where he was revered as a living legend of the blues able to make a decent living from his music, after decades of financial hardship. Recorded live at Copenhagen's 'Club Montmartre' on 4 May 1956, this rare LP is one of the few remaining live recordings of Broonzy from this period. While the track selection of standard blues numbers is typical of his European performances, Broonzy was always a crowd pleaser and tried to play the songs each individual audience wanted to hear, never letting his ego get in the way and, thereby, winning the hearts of fans everywhere! Liner notes by one of the founding fathers of British Blues, Alexis Korner.
SIDE A: 1. I'm Goin' Down The Road 2. This Train 3. Bill Bailey Won't You Please Come Home 4. A Shanty In Old Shanty Town 5. Hey, Bub Blues
SIDE B: 1. The Crawdad Song 2. The Blue Tail Fly 3. Black, Brown And White 4. Guitar Blues 5. Goodnight, Irene

Of all of the personalities to emerge from the Mutek affiliated Montreal electronic music scene which exploded onto the global stage at the turn of the millennium Scott Monteith, better known to audiences worldwide as Deadbeat, has unquestionably shown himself to be its most prolific and restless spirit. Through a steady stream of critically acclaimed singles and 7 studio albums for labels such as ~Scape, Echocord, Wagon Repair and most recently his own BLKRTZ imprint, and his genre defining Radio Rothko mix, which drew comparisons to some of the greatest mix CDs of all time (Richie Hawtin's Decks, EFX & 909 : Jeff Mills's Live at the Liquid Room), Monteith has established himself as perhaps Dub Techno's greatest champion. Yet anyone intimately familiar with said catalog could rightly accuse even that lofty title of being an over simplification. In a genre dominated by stoic reverence to the creative framework laid down by Mark Ernestus and Mortiz Von Oswald's Basic Channel and related projects of the mid 90s, Monteith has consistently charted his own course over the last 13 years, tearing up and re-writing the rule book several times over. Having burrowed to the very deepest depths of echo and dread of the Jamaican variety with last year's hypnotic Drawn and Quartered album, Deadbeat once again sets sail into uncharted waters with his latest hour long salvo, humbly entitled Eight.

Even if Death Grips finally signed up with Epic witch is Sony music.... We can call this Death grips 01.... A way to to give back to mister Death Grips what belongs to him. Hopefully. Fingercrossed.

Limited edition 3x12" 180gram vinyl, shrinkrwapped and all EXTENDED versions... Limited 200 copies and hand number: 1 to 200...

IOT is back from Yunan, in China. The recorder full of sounds... Contacting many artists thjey invite each of them to uses samples and sounds to remix, mix, cut and transform... A new sound is born. Once again, all benefits will be used to support their action in China with childs and homeless... A superb project, from A to Z.

Taking a break from the recording of their respective new albums, Niveau Zero and Matta, two acts at the core of Ad Noiseam's dubstep side, pair up again for two highly infectious and massive tunes. Not just the sum of Matta's pounding sharpness and Niveau Zero's club-smartness, but an actual sublimation of each of these musician's talent: both tracks on this new EP marry the weight and drive you could expect but do so with a great care for details and finesse. Molotov cocktails and riot gears have never sounded so fitting

*Presenting a new collaboration featuring Oren Ambarchi on guitar, the electronics of Robin Fox, and both performing on various other instruments. The music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned Australian contemporary dance company Chunky Move for their Connected production.
" Chunky Move's artistic director Gideon Obarzanek was drawn to the organic and deeply musical qualities of Ambarchi's work and the digital, almost scientic quality of Fox's sound. Over a process of many weeks these two aesthetics were merged. Working both in the Chunky Move studio and Head-gap studio in Melbourne, new works were forged from both digital and analog sources. 
" This release brings together two of the most extraordinary artist/musicians working in Australia today. Both are renowned internationally for their individual practices, and here they join forces to produce powerful music that fuses Ambarchi's legendary guitar sound with Fox's mathematically rigorous tones and textures. This fusion results in sound works that stretch in scope from the sublime and spacious to the intensely dense and foreboding. Treading a precarious line between music and abstract sound, between organic and inorganic tones, this collaboration is a must listen for anyone interested in contemporary soundworks.

I Want To Be Where You Are
Ain't Nothing Wrong
Don't Be Afraid
I Just Want To Be There
No Way
Sara Smile
Just As You Are
I Can't Believe That
You're Number One
A Song For You
Close To You
The More You Do It (The More I Like It)
You Set My Spirits Free
You And Me
Love Won't Let Me Wait
Lovin' Feelin'
Won't You Come Stay With Me
Jive Talkin'

One of the finest piano players and vocalists of post-war Chicago blues, Mississippi native, Sunnyland Slim first came to prominence playing on the Chicago scene with the likes of Sonny Boy Williamson, Howlin' Wolf, Little Walter and Muddy Waters. By 1947 he had landed a recording contract with Aristocrat (soon-to-be Chess Records), recording his first single, 'Johnson Machine Gun', in September of that year with none-other-than Muddy Waters on guitar. This, of course, led to Muddy's historic signing to the label soon afterward. 1961's Slim's Shout, however, finds this giant of the Windy City in far-off New Jersey, at a classic recording session for the Bluesville label. Here, Slim—backed by the legendary King Curtis (best known for his sax playing on recordings by the Coasters and Aretha Franklin)—lays down favorites like 'The Devil Is A Busy Man', 'It's You Baby', and the driving 'Shake It' (check out Robert Banks' organ solo on this track). Also featuring two bonus tracks not found on the original vinyl: 'Everytime I Get to Drinking' and 'Tired Of You Clowning'!
SIDE A: 1. I'm Prison Bound 2. Slim's Shout 3. The Devil Is A Busy Man 4. Brownskin Woman 5. Shake It 6. Everytime I Get To Drinking (bonus)

SIDE B: 1. Decoration Day 2. Baby How Long 3. Sunnyland Special 4. Harlem Can't Be Heaven 5. It's You Baby 6. Tired Of You Clowning (bonus)

Euphrates   Have You Ever Tried It   Summer Breeze   California My Way   Happiness Is Just Around The Bend   Looks Like Rain   Don't You Worry 'Bout A Thing   Just Don't Want To Be Lonely   Superwoman   Where Were You When I Needed You  I Am Yours   Work To Do   Girl Blue   You Can Call Me Rover   Something 'Bout Love   Love Of My Life   Something Lovely   Goodbye My Love   Let Me Prove My Love To You

The biggest selling record of Tunji Oyelana who has been influencing the music of Africa an the rest of the world.
LP1 Side 1: 
Ojo / Ipasan /Fiya Jemi
LP1 Side 2 
Lisabi Egba / Ifa / Osekere
Panbolanbola
LP2 Side 1
Iwo Ko Lo Dami / Omoba D'eru Ri / Jewele Jewele
LP2 Side 2
Oloti / E Gbe Mi / Lenle
LP3 Side 1
Aiye Nla / Koriko Nde / Irawo Mi / Alaru T' Onje Buredi
LP 3 Side 2
Agba Lode (45 version) / Omonike / Ogun Adubi / To Whom It May Concern

Compilatton of Italians artists bringing electro wierd sounds from breakcore to hardbreaks. New commers to discover there. Indie prod !

As the title suggests the new Before The Show album depicts beginnings and endings.We believe that life has many different beginnings and endings, and that the various journeys we take from one beginning to one end are filled with detours - and it is these detours which continually shape and define us as the people we are.