Beats Vinyl New Releases - News

We present the final part of the our 10th anniversary trilogy. For the A side one of the most iconic tracks from the Tsuba catalogue gets a very special remix from Dungeon Meat.

The DM duo of Brawther and Tristan Da Cunha retain the hooks from the original adding a break heavy groove and their own unique touches resulting in a remix that successfully straddles genres and will appeal to a variety of tastemaking DJs.

For the B1 Midnight Special, the project comprising Tsuba boss Kevin Griffiths and Justin Drake, deliver Nude Runner which nods ahead towards Disco with a rolling bassline and sampled strings.

The closing track on the EP and our 10 year celebrations comes from M.ono and Luvless with the proto nu house of Fettluke.

Creme Organization's Jericho One label continues to set a fine agenda with its fifth EP, this time from DJ Plant Texture aka Dona Basile, who also releases as Dona and Given. This is only his second EP under this alias, and is one that again marries breakbeats, techno and electro into electrifying new forms. Things kick off with 'Maybe Sometimes', three minutes of brutal old school rave. 'Maybe Sometimes (2_3 Psymono Mix)' is then a heavily filtered and stripped back version of the same tune that is brilliantly weird and otherworldly. 'Lello From SDA' then picks up the pace once more with reversed stabs, slamming drums and rubbery bass all cut up with yelping vocals and dusty breaks that take you right back to the early 90s. On the flip, 'Gargantuans' is on a deeper and more trippy old school flex with bright pads and gurgling bass taking you higher, then 'Cyclone (Tribute To The 90's)' is just that with its frenzied drums, filters and euphoric breakdowns all run through with Street Fighter samples. 'D_One' then ends the trip with a bit of ambient electronics, with odd sine waves and sharp sound designs placing you in an unhinged world.

* Detboi was bought to Metalheadz attention via Special Request and immediately signed up for a project. As it turned out Detboi was a long life Metalheadz fan and the news of the signing could was absolute music to the Dubliners ears. Goldie immediately added his sparkle to the title track Joyride whilst Detboi polished off the rest of the EP. We look forward to releasing more of his music.

Electro classic london label is back ! Digging oldschool Hip Hop electro sound for our greatest pleasure ! Enjoy !

Original 1994 12"s !!

Here we see Italian brother duo Elia and Niro Perrone, release their debut long player in the shape of 'Pescaiola' the name of the suburbs the pair grew up and paying homage to their musical roots growing up together.

Across the duration of the 'Pescaiola' LP Easy To Remember serve up a amalgamation of raw and intriguing electronic, house and techno cuts. Opener 'Hanckora' lays down a lo-fi infused Hip Hop style to kick things off, while 'Checkma Dem' lies in similar territory with the addition of some vocal stylings as well.

For the most part though Easy To Remember lay the focus on emotive house music, title track 'Pescaiola' plays on multi-layered melodies and retro synths, 'Hijack Percussion' focuses on gritty rhythm and soft atmospherics and 'Try To Escape' brings to light ethereal synth leads and snaking bass grooves. The duo instil some funk influence into the LP as well via 'Feelings' and some experimental touches as well with their Giulio Etiope collaboration 'Degolas' amongst others. All in all Easy To Remember deliver a refreshing take on modern electronica across the project and further prove Unclear is a force to be reckoned with in the underground.

* Tom Szirtes (Shur-I-Kan)
'Really interesting music with soul...'
* Moderna (Ghostly International)
'Some really nice sounds - liking the try to escape track! thanks'
* Sebastien Devaud (Agoria)
'Downloaded for Agoria, Thanks for the music!'
* Francesca Lombardo (Crosstown Rebels)
'lovely ep! love Hanckora and Chekma Den'
* 1 (Italojohnson)
'Good music!'
* Laurent Garnier (none)
'nice moody EP'
* Shadow Child (Dirtybird / Moda Black)
'dope.. love these vibes, '
* Sebastien Devaud (Agoria)
'Downloaded for Agoria, Thanks for the music!'
Andy Graham (Sei A)
'Liking Chekma Den track'
Doc Martin (none)
'Mental BLVD.!!! '
Dakini9 (Plan B Recordings / Sound Warrior)
'Amazing vintage sound, a love letter to classic 80s house. Well done. My fave is Pescaiola. Nice addition of a modern sound with Chekma Den. '
Shane Johnson (Fish Go Deep, Innervisions, Defected)
'Good listening music with plenty going on to keep the interest. Nice reverbs!'
Colin (Drums of Death)
'I like the slow vibe a lot.. maybe it's the sunshine.. the blend of hiphop and slow house is dope!'
Baikal (Maeve)
'pescaiola is dope'
Tim Toh (Ornaments Music, Philpot, City Fly)
'yes, digging those vibes a lot! Top release.'
Mystic Bill (Classic / Trax / Relief)
'Mental Boulevard, Pescaiola & Hijack Persuasion are incredibly beautiful '
Lauren Flax (Young Turks / K7)
'smooth jams'
Reza Athar
'All of them bring me to summer. Which is a very good thing and my head needed that!'
Ali Herron (Ooft)
'Digging this, the vintage sounds work a treat :)'
Charles Webster (Peacefrog)
'Pescaiola and Hijack are v v nice...thnx'
Jim Stanton (Horse Meat Disco)
'This track really took me somewhere '
Tensnake
'beautiful, looking forward to the whole LP, thanks'
Isaac Tichauer (French Express)
'excellent release'
Ricardo Miranda (Rush Hour)
'A breath of fresh musical air. Forgot what I was doing as the vibe just took me somewhere. Big SOUNDS. MUSIC!'
'Thought provoking sound design with solid groove tripp'n music. Better than super hot. Dig the tape. Top LP. '
Eric Duncan (Rub N Tug)
'Thanks.'
Jacques Renault
'sounding good to me, will test em out!'
Eli / Charles (Soul Clap (Wolf & Lamb))
'feelin it!'
Jackson Ryland (Holic Trax, Sccucci Manucci, DaBit, Music Is Love)
'lush and interactive, I love the interplay and all the moving parts on Hijack Persuasion and Pescaiola. Dynamic, interesting work. respect!!'
Dorsia (LOFT Records, Southern Fried, Chasing Unicorns)
'Hijack Persuasion for us!'
Soul Of Hex / Sebastien Vorhaus (Vicario LTD, Delusions of Grandeur, Faces Records)
'Interesting EP. Hijack Persuasion sounds dope. Love the 80's vibe. '
Ben Pistor (Disco Bloodbath)
'Mental Boulevard & Pescaiola are sounding ace'
Franklin De Costa (none)
'beautiful release.'

Alexander Palmestal was fifty procent of the electro duo Pistol Disco - a band that during the 00's bustled around in the music scene of Gothenburg and became known for having a certain sound and for their unpredictable and often magical live shows. The later incarnation of the band took a step away from the German 70's influences to move towards a more club friendly universe. In 2015 the band released the 7inch 'Goo/Pool' on Hoga Nord Rekords which was their last release and now Palmestal, under the name Mythologen, make a release on Hoga Nord Rekords.
Mythologen continues building on the foundations that Pistol Disco and Palmestal's other band Iberia was made upon. The songs on this album named 'Mythologen' is the perfect combination of the fragility and melancholy of Iberia and Pistol Disco's monotony and drive. Underneath layers of dreamy, free floating synthesizers and restrained yet steady drumbeats lies muffled melodies waiting for the air to be let in. And then, all of a sudden the clouds disappear and the sunlight is beaming down over the music, like on the closing track 'Brighter Summer Day'. In other songs on the album the darkness is more present, embodied by polyrhythmic tribal drums giving the music weight and suggestion.
'Mythologen' is the soundtrack for recovering from a depression. The album seduces the whole spectrum of your moodswings, eliminates your ego and moves your focus from the past to the future.

great summertime tracks...

Vor über 15 Jahren war jeder in Deutschland von diesem Ding besessen. Jetzt wird der Track von Reamonn mit grazilen Synthies und großartigen Beats ausgestattet, um ihn sogar noch weiter upzugraden.
Aber wer oder was ist das "Supergirl" 2015
Anna Naklab; die Stimme, das Mysterium, die neue geheimnisumwitterte Stimme am Charthimmel. Allein Kraft ihrer außergewöhnlichen Vocals verschafft sie jedem Song einzigartigen Zauber und ewigen Wiedererkennungswert.
Mit ihr in der Luft: Alle Farben; Künstler, DJ, Musikliebhaber und Younotus; Produzenten, Newcomer aus Berlin. Fast ein halbes Jahr ist seit dem Sommerhit "She Moves" feat. Graham Candy vergangen, da läutet der nächste Kracher den vorzeitigen Frühsommer ein: Super-Farben bekommt seine Super-Muse. Gregor und Tobias von younotus produzieren extrem hart, sind immer up-to-date und veröffentlichten bereits auf einflussreichen Labels wie Kallias und Love Matters. Gemeinsam haben sie alles gemischt, was Rang und Namen hat. Für diese Jungs geht's nur noch nach oben. Genau wie für "Supergirl" - stolz und stark wie ein "Supergirl" sein sollte.

A classic - Mint Copy ! Enjoy Evil Is Heaven... pure tune there !

Swedish Synthwave producer Tape Loader and canadian rapper Phatt Rok Ski team up for the
grand opening of the new old school Electrofunk and Bass Music label Ground Control.

Featured in three DJ-friendly versions on this release, the song Prime Time
is pure Electro Hip Hop power with funky beats, a fat bassline, a catchy
vintage synth melody hook and rap delivered in early 1980s style. Fresssh!

Der schwedische Synthwave-Produzent Tape Loader und der kanadische Rapper Phatt Rok Ski vereinen
sich für die Eröffnung des neuem Old School Electrofunk und Miami Bass Labels "Ground Control".

Der Song "Prime Time", hier in 3 DJ-freundlichen Versionen enthalten, ist pure Electro-Hip-Hop-Power
mit funky Beats, einer fetten Bassline, catchy Vintage-Synth Refrain-Melodie und Rap im früh-1980er Stil. Fresssh!

* Basement Phil setup the Basement Record Label in 1989 from his record shop
'The Record Basement' in Reading, and sister Labels Homegrown, 4 To The Floor, Basement House, Basement Classics, Nu Basement Records, Sound Of The Underground, Juicy Choons, Spotlight, Street Beats, Precious Material, Mystic Moods, Pivotal Entertainment, Pivotal Grooves, Pristine & Street Life.
* Distibution Companies
Vinyl Distribution 1991 - 1997 & Nu Urban Music (2000 - 2012)
* Phil recorded as a solo artist and also produced projects with Jack Smooth and recently Shadow Cartel. Phil released under the names Basement Phil, Jack n Phil, Mystic Moods, Beatmen and Darkstar.
* Fifth of eight vinyl singles taken from the limited Basement Phil 'Past, Present and Future' boxset.

Basement Records subsidiary label Homegrown Records released a string of Anthems back in the day, these 16 tracks set the Rave Scene alight back in 1993, all of these tunes were played by the top DJs of the time including Top Buzz, Mickey Finn, Ratty, Tango, Swan-e, Phantasy, Kenny Ken, DJ SS, Seduction, Slipmatt, Stu Allan and Keith Suckling to name but a few.

All of these releases are now extremley sought after by the old skool vinyl collectors and most are commanding high prices, for the first time the tunes are now available on CD & Digital Release as well as two triple pack Vinyl Sets for the lovers of Vinyl.

Steffen Laschinski`s project Rising Sun, make a welcome return to Fauxpas Musik after the album Release "The Lamentations Of Rising Sun". Here we have the final single in the series of 3 including five brand new full-length Tracks from the EP Serie Trilogy. Vinyl tastes better...

The late 1990s was a fertile time in the American electronic underground. A growing body of artists, spread around the nation, were engaging in the latest round of a decades-long transatlantic musical conversation. At the convergence of hip-hop, electronic, and soul music, these artists sought to carve out their own lane. In September 2001, New Orleans' Telefon Tel Aviv, high school friends Joshua Eustis and the late Charles Cooper, joined the conversation with their debut album, Fahrenheit Fair Enough, released by Hefty Records. A labour of love, Fahrenheit was an attempt by the pair to contribute something meaningful' Eustis says today, something definitely American, and kinda southern too.' On the fifteenth anniversary of its release, Ghostly International is reissuing Fahrenheit Fair Enough with a vinyl edition and bonus digital material

Living in New Orleans in the late 1990s, Eustis and Cooper were in the thrall of two musical orbits: black America——New Orleans' bounce, Detroit's techno, Chicago's house——and British electronica——Au-techre, Aphex Twin, Jega. Recorded over the course of a year in Eustis' childhood bedroom in the Riverbend neighborhood of New Orleans, Fahrenheit mapped out a potential for American electronic music in a time of hope. The music features delicate Rhodes and guitar instrumentation wrapped in a southern bounce shell, smothered in r&b, and cut up by digital rhythm programming. The tracks were meant to be constantly, evolving sculptures.' Fascinated by IDM, the pair sought to inject some swagger into it, loosen it up a little but also make it hyper romantic.'

Eustis and Cooper had imagined making a hard club record,' but instead Fahrenheit came to be seen as a delicate slice of electronica by fans and critics who misconstrued its stylistics roots. This was, perhaps, hardly surprising. Telefon Tel Aviv arrived at a time when there was no roadmap for an American electronic music scene comparable to what the UK had produced in the 1990s. They were the latest artists to find themselves in a strange middle ground between hip-hop and electronic music that had yet to be understood.

Following the loss of Cooper in 2009, Eustis spent years unwilling to revive the Telefon Tel Aviv project, doubting his ability to do it justice. But time is a great healer. After seven years Eustis is now working on new Telefon Tel Aviv material. And time is also proving the pair right. The sonic sculptures of Fahrenheit Fair Enough they spent thousands of hours' carving have proven resilient. The music sounds all the more relevant in 2016 because the roadmap Eustis and Cooper desired then exists today. And because today everyone listens to what the South has to say.

We just wanted to see if we could make it work,' recalls Eustis. We didn't know. Our aim was to make something we could be proud of.'

Reissue of classic 2001 LP originally released on Hefty, out of print for years

Gorgeous yet completely devoid of cliché, Fahrenheit Fair Enough is a quiet, unpretentious beauty of a record. Treat yourself." - BBC

2xLP housed in gatefold jacket with liner notes by Laurent Fintoni & download of bonus material

The second outing from BTG follows, in tradition, their 2 originals and 2 remixes format. This time round TOYC creates a slower paced dance floor obliterator titled 'Kicks' sounding like a wonky laser gun trapped inside a broken 808 landing somewhere between broken techno and bass. On the remix Project Mooncircle and 20/20 LDN affiliated Deft deconstructs and reconstructs TOYC's track into a maximalist beast fusing the current sounds of 160 BPM 170 BPM and half­time DnB with the technical precision of Amon Tobin. Up next the booty­shaking stormer they call Itoa, known for releases on Bad Taste and being featured in storming 160­/170bpm sets by DJs and tastemakers such as Om Unit and Sam Binga. 'Snake Pass' is a classic Itoa track, playful bouncing subs and flickering percussion and shards of vocal, landing somewhere between footwork and booty bass. BTG co­founder Etch sets the pace with his remix of Snake Pass, coming through with a schizophrenic beats influenced sub heavy stepper that slowly evolves into a breakbeat onslaught.

During their European tour earlier this year, Canadian duo Jokers Of The Scene stopped over for a couple of days at Club Bizarre studio in Northern France. The two pair of producers locked up and came up with Betaville and Breakwater, two killer lo-fi and spaced out tracks. Betaville is a fuzzy dream that will make you dance in slow motion with your head in the clouds. Boasting a strong melodic and nostalgic feel, it unfolds its warm analog synth pads, old school sequences and drum machine to psychedelic effect. Imagine Boards Of Canada wanting to make you dance.. Even slower is Breakwater, a dirtier, chunkier track that ditches the softness of Betaville in favour of a more 'in your face' bass line and all together rougher attitude. It chugs along to old fashioned beat box claps and percussion and quirky synth melodies. Lastly Betaville gets the Timothy J Fairplay treatment of being violently pulled apart and chucked in all corners. Reminiscent of early Chemical Brothers music, a heavy beat slaps over agressive drugged up analog sound effects while a repetitive, haunting melody screams on top and reverberated vocals whisper in your ears. Scary.

'Joy' is BBF's fourth album and the first one to be truly vocalist-focused and song-centric.

With the help of Canadian poet-singer Beaver Sheppard who played an prominent role the composition, BBF explore what the band-members describe as 'post-religious' themes, such as struggling to find joy in times of uncertainty and instability. This makes it without any doubt BBF's 'Nietzsche album'.

Following on from their latest album 'Miami' (2013) BBF keeps moving away from the dark mood of their early releases and the image of a 'classical new music ensemble' to resemble more closely an 'experimental rock band'. With much more grit and growl than before, they draw upon genres and styles that are not conventionally associated with joy: krautrock, punk, drum'n'bass, indie rock, new wave, and pretty much every other '-wave' from the 80s.

With each track offering a contrasting combination of styles and genres, BFF succeed in devoting a whole album to a single feeling without making it either monotone or cliché. Instead, they build on euphoria to expand and enrich electronic music's emotional range with new textures. More than an album, it is an emotional journey.

Driveclub has sold over 2million copies on the PS4 and for the first time the critically acclaimed soundtrack (inc Driveclub Bikes OST) is available on limited edition vinyl. It features an original score by Hybrid who fuse their trademark bass & electronics with epic cinematic orchestral stylings. Remixes come from luminaries across the electronica, techno and drum n' bass worlds including DJ Shadow, Clark, Noisia, Photek & Machinedrum.

Sonority is the operational alias for the electronic music producer, Live & DJ performer, Jan Hanak. He is from the Czech Republic. After the recent, well-received "Virtus" single earlier in the year we are pleased to be releasing Jans debut album "Raw". The album is high on the Distinctive sound with Expansive wide vision, Electronic intrigue and a progressive rhythms.

The album with the brooding electronic sunrise of "Elsewhere" before the vocal house tune of "Inner Child" which features the driving and powerful voice of Pat Fulgoni. "Leaving" carries on the electronic theme this time adding layers of processed vocals.

Recent single Virtus is next which features the real strings from the Prague Symphony Orchestra laid over solid breakbeat core and emotive chord changes.

"Between The Lines" lightens the mood slightly with some upbeat electronic pop. "Melted" is an offbeat electro interlude before the quirky "Egoless" mixes reggae rhythms and bleepy electronica.

The electronica section of the record comes to a close with the arrival of the driving house beats of "Raw Dist". Big grooves, driving synths and sky-scraping distorted riffs. "Catharsis" is a refreshing, uplifting databurst of musicality. As a closing hurrah "Could Be Normal" is a shimmering breakbeat fest of dance floor grooves and layers on the tech house sheen. We round things off with the closing downtempo electronica of "Going Home".

The ninth installment on House Is OK comes from Homeboy who brings four fresh joints to the table. After making the move to Berlin earlier this year, this Mediterranean goodboy brings some newly acquired production techniques with his latest record. Live drum sampling, loose synth riffs and other more personal notes can be heard across the entire release. For "Decisions Ricochet", Homeboy teamed up with the Croatian blues man Bebe Na Vole who takes this record into unexplored territories for the label. These four tracks weren't necessarily designed to move bodies on the dance floor, but more likely mirror his inspiration from the past 12 months and show his abilities to simply write great music. It's House Not House, post-disco, jazz, and acid synth hippie music all at the same time.

Hazel: Humble, diligent and dedicated to the beatmaking craft. Sonically, Häzel has already established a mature signature sound, deeply rooted in Soul and influenced by the legacy of the late J Dilla. Whilst never intentionally seeking the industry byproducts of fame and notoriety, the strength of his releases have placed him firmly at the forefront of soulful hip-hop music. Following the viral success of his 16-track beat tape, 'The Lost Tapes', which gained an impressive number of plays in the space of weeks; Häzel's subsequent body of work shows a marked progression in his artistry and has forged a legion of seasoned international music fans.The Playground EP, a collection of majestic self-vocalled cuts inspired by romantic misadventures, was released on Onra's Catblock records in 2011 and was received warmly in significant musical strongholds such as Japan and the US,featuring as a choice selection on Japanese iTunes and MTV US respectively.As a music fan first and foremost, Häzel's authentic, collaborative approach to constructing sounds has aligned him with a peer group of celebrated,progressive international musicians and artists which include the likes of Onra,Mikäel Columbu, (France) Slakah The Beatchild, Ebrahim, (Canada) and T-Fox (US) Their collaborations have gone some way in declaring these artists as torchbearers for the development of their genres. Slakah The Beatchild and Häzel's longstanding collaborations have previously spawned hits for the likes of Drake and has more recently produced 'This', an instrumental EP spliced with ambient melodies and mellow grooves.

Deep dark electronix by Paka on this second Metaphysik release. Including work from Norwegian Dark Ambient Artist Therradaemon also known as Northaunt

Outstanding EP by Finest Ego Beat Championship Winner
Promotional support through Project: Mooncircle and Finest Ego
Limited Edition - 300 copies!
Video for "Maria Parhuzan" (End of December)
Berlin's producer wonderkid and Finest Ego Beat Championship winner Playpad Circus is finally ready to drop his debut solo EP "Phantasma" on Equinox Records - an experimental, but yet utterly banging adventure in electronic music! Exteme edits are combined with a flipped vocals, impeccable drumbeats and multiple layers of sounds and melodies. With the EP Playpad Circus enters the beatmaker scene with a completely inimitable style. Through the additional support from Project: Mooncircle and Finest Ego the EP should be another big step forward in Playpad's uprising career.

Charles Hayward formed This Heat in 1976, with Gareth Williams and Charles Bullen: an experimental mix of Can, dub, punk and industrial. (DFA is a glint in its eye.) He also drummed for The Raincoats and Crass. The Kemal selections here are from his tribute to Mark Rothko, released in 1990 by the wonderful Brussels label Sub Rosa: grooving, stripped, moody DJ assassinators, fresh as anything.

On the second vinyl, Maxmillion Dunbar is possessed by Photek disguised as DJ Premier. His favourite of his own remixes, according to a recent interview. And another hard-core CH fan, JD Twitch rocks up with a carrier of Giallo videos and New Beat singles, gobbling Goblin and Belgian acid.

Beautiful, gatefold artwork, again.

John Frusciante's Foregrow doesn't sound like any Acid Test record, or any record, that's come before it. After the unlikely alliance between the Los Angeles label and the iconoclastic Venice, CA musician on Trickfinger, all bets are off. This one's truly a passage through night. Foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

WNCL Recordings enters the next phase of its release programme. Having issued a neat collection of ten 10" singles, the label now launches a series of 4 track 12" EPs. First up is a showcase featuring 4 new cuts by 4 of the label's cornerstone artists. L.A's DON FROTH comes out fighting with the hard-as-nails LIFTIN' WEIGHTS, while MILYOO from Kentucky gets frantic on the raucous PANCAKE. SE27's own WEST NORWOOD CASSETTE LIBRARY offers up WHAT IT IS (MAH VIP), originally created for Mz. Hobbs' Radio 1 show. Rounding things off from Toronto, KNOWING LOOKS gives us CYTAL FINK, angular funk for all discerning discotheques. We hope you will enjoy our show.

Spondylolisthesis' is the forward displacement of a vertebra, especially the fifth lumbar vertebra, most commonly occurring after a fracture. Backward displacement is referred to as retrolisthesis."

{Four songs in autobiographical sequence}
- Abandonded
Abandonment through Tibetan eyes
- Kataniksis
From death to life again!
- Cortisone
Cortisone who restored hope when it seemed lost.
- Endorphins
Endorphins are one of three main groups of endogenous opioids produced in the brain, with representative beta-endorphin, which has the strongest analgesic action.
Marked worldwide as the anti-stress hormones and natural analgesia and happiness..

15 years after its original release back in 2000 we managed to get hold of of a few archive copies of - Smart Dust , the debut album of the former Cologne-based electronic supergroup consisting of Dr. Walker, Freddy Fresh, Wulfmanson, Thee Joker, Nik Frost, M.Flux, LL Nino, Frank Heiss, Thomas Thorn and Mike O'Connell.

Together this amazing collective explores the realms of BigBeat, Downtempo, TripHop and Electro on a stunning 14-track gatefold double LP that introduced elements of Jazz and World Music to the electronic scene many years before these influences became widely recognized in the electronic mainstream. A classic, groundbreaking record!

Wet top mud off huggers! Deaf font answer back Wii thaw foe king numb a real heaven order for thin stall meant often rex drawing CAD or can ease sum serious angst worries - ouuuuut hear. Deep young hole, baby. Blood hymn edit a reign in mere e-wood soaked hick forties shit. Grab a pipe at descends damned line a cut text raw wags sends low could view T. Soul I've had reaping old riding Shoe breathin'! And guess whose cramp pulled the X sought tough dead banging CC Lion shock healer Know less than the moth hair fog in sea care hum self - owe chess - hats write - C cares in turn Nash on all is seen Dao's and hiss gelling like your deepfreeze on a meat so morse knightin' down tongue wins. Oh yes brothers and sisters, say C cares, say U if O, say aimin' ants nap patio core puss!

"Turntable wizard Dj Ritch, and the famous Dj Absurd, meet for the 4th Scratch album on KioskRecordings.

'Hand Style Breaks vol. 2, is brimming to the rim with skip proof, beats, breaks, loops, voices, phases, bass hits, and fx.

All mastered and engineered, to the highest level to give the ultimate battle scratch tool!"