Beats Vinyl New Releases - News

PRSPCT Loves Yellow Stripe. Thats a fact!
We have so much love and respect for our Portugese brothers that we just needed to organize this special release dedicated to our strong friendship with this awesome crew.
4 tracks by 4 Badass and very talented Yellow Stripe artists!

* Following a string of successful label releases in a short period of time, DLR is ready to unleash his debut solo album on Dispatch Recordings, entitled eeing Sounds* Having previously collaborated with Octane on the ethod In The Madnessalbum, DLR has quickly established his own signature sound; an instantly recognizable groove mischievously poking through the mix, terrorizing dancefloors in a truly unique way.

* As an album concept, eeing Soundsis DLR exploration into sound design and how the manipulation of organic elements and subtle soundscapes can create imagery within the music; to set the scene and immerse the listener up to a cinematic level.

* Commencing this quest from abstract beginnings, DLR investigates over a selection of different formats and styles, ranging from the tantalizing neck snapper harlie Brownto sinister breakbeat nonchalance of Found Out * Inviting external influences to the fold; specially selected guests join the project to explore further, including Total Science, creating the cataclysmic ontrol The Sound Hydro, the ambient chords and emotive vocal sample in mpyrealand partner in crime Break, resulting in the mighty, yet constrained uman Error

* Since Resident Advisor initial announcement, the album has had support from all corners, including Noisia, Friction (numerous Radio 1 plays), Goldie, Calyx & Teebee and The Upbeats, with Mixmag selecting it as their February lbum of the Month

* With an innate understanding of the technology available and a shrewd willingness to exploit it, eeing Soundsis the culmination of DLR very best work to date.

* THIS IS LIMITED EDITION COLLECTORS ITEM, WITH ONLY 350 BEING PRESSED OF EACH PART. MARK ARCHER HAS SIGNED ALL COPIES INDIVIDUALLY.

If you love Dark 93 through to prototype 94 & 95 Drum & Bass, this 2 part 12' will be music to your ears.

Legendry Mark Archer of Nexus 21 / Altern 8 / DJ Nex fame wrote these track's throughout those golden years of cutting edge Break Beat & Bass influenced home-grown UK music.

Why they never see the light of day, we will never know. This is 5 tracks of underground futuristic bliss for all lovers of cutting edge Old Skool music.

You can just close your eyes and hear these being played at World Dance, AWOL, Helter Skelter, Dreamscape, Voodo Magic et all.

A SERIOUS PIECE OF OLD SKOOL HISTORY, ESSENTIAL FOR ANY VINYL ENTHUSIAST S COLLECTION!

Here we have you the next instalment of the 'Nymfo releases music on Commercial Suicide' story. Gather around and rejoice this occasion.

* To mark this special release we have manufactured a limited pressing of 5000 copies but will perform a ritualistic burning of the majority of copies at an undisclosed secluded beach location in Belgium prior to its release.

* Praise the lord and pass the ammunition.

Duo Infernale are back with a new heavyweight release on Infiltrator Records. With tunes like Feeling Blue, Pipe Dreams and Lost In The Worlds on labels such as Soul:r, Timeless Recordings, Dispatch, Shadybrain, as well as Horizons and being featured on Marcus Intalex' top selling Fabric Live CD, Duo Infernale made a heavy impact on the Drum & Bass scene over the years - with airplay on L Doubles 1Xtra Show, BBC Radio 1 & Baileys 'Intabeats' and support from DJs such as Bailey, Kasra, SKC & Physics, Pendulum, Fresh, Adam F, Swift, Bryan Gee, Flight and many more. With their new release on German label Infiltrator Records they continue with another high quality, deep and soulful record, featuring TripHop artist Panic Girl on "Closer" and a remix of Cause4Concerns "Makes Me Wonder".

'The Mistress'. 'We were obsessed by it. We were slaves to it. We both loved and hated it. All we did was think about it. We worked tirelessly to fulfil it. And we did so in relative secrecy...' Spectrasoul, 2015

* Production powerhouse SpectraSoul return with their second studio album, 'The Mistress'. Building on the foundations laid by their critically acclaimed debut 'Delay No More', the follow up sees Jack Stevens and Dave Kennett return with an album that takes their songwriting skills to new heights, exploring more deep and diverse electronic territories, all the while retaining their unmistakable drum and bass brand. Alongside hugely talented vocalists including Harleighblu, Joshua Idehen, Lilly McKenzie, Tamara and more, Spectrasoul have created yet another beautifully crafted long player that looks set to satisfy bass music aficionados the world over.

Digital's Function Records returns with 2 choice D'n'B cuts with Light Years featuring man of the moment Response.
The release is backed up on the B2 with a follow up to Digital's dubwise excursion onLioncharge Recordings.

* After more than 25 years in dance music, Brazilian drum & bass pioneer DJ Marky has announced long-awaited debut artist album 'My Heroes' - scheduled for release in April this year.

* No stranger to success and an icon in his South American homeland, DJ Marky is an internationally renowned DJ and producer and label boss of his own Innerground Records imprint. Igniting dancefloors with with the same passion for music he first started producing with two decades ago, DJ Marky's compilations, mixes and remixes number over 100 - including edits for Everything But The Girl, Claude Van Stroke, Fatboy Slim and Deadmau5 - and it's high time he got to work creating an artist album.

* The album's lead single, 'Silly', sees a hazy, whimsical vocal layered over Marky's signature acoustics and relaxed Brazilian groove - a playful introduction with a hint of his jungle roots. ''Feelin' Fine' ft. A Sides & Singing Fats continues the more ambient theme - albeit offset by up-tempo programming - as the vocal introduces elements of funk, whilst Getaway' feat. Adrienne Richards & Random Movement looks to a harder beat aesthetic amidst a flurry of looped piano chords and warped bass. 'Medusa', another stand out track on the LP, opens with a frenetic burst of drums and synths as DJ Marky showcases just how far his production remit stretches - an important facet of his work that lies at the core of Marky's continued longevity and success.

* Smooth and progressive, 'My Heroes' thus explores the full spectrum of drum & bass and even further afield - from full-tilt club fare to laid-back, house-laden grooves - and is a testament to both the innovative producer and endearing personality that DJ Marky remains.

MKFN return to Touchin' Bass after last years 'Substrate EP' with their latest offering, 'This Divide EP.'

Through a sustained and methodical exploration of studio techniques, the trio of Babar Raza (US), Ovais Hassan (UK) and Fahad Ahmad (Canada) continue to refine and evolve their signature sound.

Manipulated sounds accent the meticulous rhythms to form the foundation upon which this release is defined. Over the course of these four tracks, MKFN create a sense of place inviting listeners to traverse landscapes that exist independent of any singular perception or experience.

TECHMOSPHERE .01 is a 12-track digital LP featuring mostly dancefloor oriented atmospheric drum&bass by Mav, Area 31, Stunna, Seathasky, ActRaiser, Deepflow (PRPLX), Inertia, Parhelia, Radicall, Physics, P.B.K & Tim Cant DNB, EugenicsEight.
The 12" vinyl sampler contains 3 tracks by Scientific Records labelhead Mav, chicago based Stunna and new talents Area 31. Sounding amazing!

Seba returns with a deep techno inspired 12 inch.

Inside yourself is built on a techno stab and altered pads. The track is an attempt to fuse drum&bass with modern techno. This is the type of sound that I listen to when i go out clubbing. The only difference is that the tempo is usually 125-130 BPM. Berberian sound starts with a minimal beat and a agressive bass, arranged with fading arpeggios and sound effects. This track was inspired by the movie 'Berberian sound studio'. Surealistic and spooky.

* Grooverider returns to Headz with his Codename John alias

* The Avenger
Grooverider dons his gritty hat for this stepping roll out, all tense mids mid-range and snarls, perfect dancefloor material
* John & Tony
Gangster samples from Codename John on this one, cheeky steps and bass stabs are the order of the day
* Saviour Selector
A clash tune if there was any, the war cry for all other selectors is there for them to take heed!

* ED:IT is a producer that needs very little introduction. His epic sound has graced many a label, including Critical Music,
SGN:LTD and Hospital Records to name just a few. Now he fires Addictive Behaviour in to 2015 with their first release for
the year and tenth in total. A 3 track EP consisting of an Eastcolours remix, a collaboration with J Daure and finishing off
with one of his own scintillating compositions.
* EASTCOLORS - MAD DAY - ED:IT REMIX
Opening with a sprawling, rich, atmospheric soundscape that although maintains the identity of the original takes it
deeper and warmer. The tweaked sounds of the original combining with the new, whilst flickering high hats sit before the
haunting and hanging vocal that dissolves away into the drop. An example of how to deliver clean but yet gritty drum
programming reminiscent of classic MetalHeadz. Altered, enhanced and superbly re-licked for 2015
* INTO THE LIGHT - ED:IT & J DAURE
A short octave changing chord gets this one underway before an urgent sounding phat kick and a huge cracking snare
prime the track for the introduction of a full, thick, pounding, rhythmic bass. And with plenty of subtle background noises
filling the track out, making this a big dance floor stepper, proper rolling vibes.
* VALHALLA - ED:IT
Starts off innocuously enough, some soft hat and tom toms with some dark wandering synthy goodness in the back-
ground. We're then treated to a little tease of the bass before dropping into a simply sick beat composition. Smartly
chopped up breaks give the track a nice busy aggressive feel to it that's balanced out perfectly with that rumbling beastly
sub bass, the track just flows, a remarkably well produced piece of DNB

* About Fourward:
Prepare yourselves for a high performance, sonic onslaught as we introduce the most breathtaking drum & bass outfit to have emerged from Austria in recent years, Fourward.* Influenced heavily by the likes of Bad Company, Noisia and Ed Rush & Optical, the collective formed back in 2007, bringing together a myriad of styles into one slick package to take the scene by storm with huge releases on a host of prestigious labels including Virus, Vision, Audioporn and most recently SGN:LTD.* Their breakthrough release came in 2009 on DJ Trace's legendary DSCI4 label while their collaboration with Body & Soul on Ed Rush & Optical's Virus Recordings took their profile to the next level with support from all corners of the globe. Since then Ludwig, Lukas, Dominik and Nik have travelled the globe as their renowned DJ sets continue to set dance floors alight with their own trademark take on drum & bass.

* MIKAL is back on Headz after a short break with 3 killers comprised of 1 solo track and 2 collaborations.

* Where They At
Dancehall vocals and a huge no nonsense drum and sub rhythm lead the A side for this release. It's a style that Mikal has become a master at over recent releases and this just another example of his razor sharp production skill

* The Chosen w/ Nymfo
The second track on the release adds a great variety to proceedings, it's a sprawling tech infused number with an ever moving bassline, almost nausea inducing in its execution, an unrelenting stepper.

* Control Of People w/ RIOT
Another rhythmically moving piece to finish off the release, it's a dancehall for the future- wicked drum fills keep things moving as the bass pounds through, percussion and vocal shots illuminate the track to its end.

Being a production line of carefully crafted composition with a meticulous production standard, Calyx & Teebee have delivered yet again. And after dominating the Beatport Top 100 with their most recent single 'A Day That Never Comes / Snakes & Ladders', they won't be applying the brakes anytime soon, especially in the lead up to their greatly anticipated second album on the Ram imprint.
Back on vocal duties, Calyx demonstrates the pair's multi-dimensional approach to beat making. With plucky percussion relaying you through bouncing subs and a drivingly solid bassline, it defines their vast repertoire of style. They're not scared to dip into unfamiliar territories, with Calyx's cool vocals sitting on top of lulling guitar rhythms to provide the first part of a diverse and brilliantly crafted record.
'Sawn Off' rolls out next; it's a grittier track than its predecessor, with a conundrum of hi-hats and aggressive drum patterns. Pounding pads take you towards a colossal break, heighten by the effect of a cleverly placed sample. The track ricochets throughout, not losing momentum or impact, with an intricately weaved structure, one only achievable by a team who've been running the game for decades.
With an album laying just out of reach, each single is bringing us closer and closer to the inevitable. All four tracks prove their still a formidable force to be reckoned with; this LP will only emphasise that fact.

Quintessential stadium anthems are Delta Heavy's forte and 'Reborn' demonstrates how they've gained this reputation. Setting show stopping-agendas since their first release on the RAM imprint, this next one is no different, however, a cinematic roller isn't all this release has to offer. With remixes from Spoils and June Miller, there's a colour reel of sound spinning throughout; a host of tracks to suit every palette.

'Reborn' embodies exactly what Delta Heavy represents as a collaborative project. An arpeggio of notes leads delicately into emotionally charged vocals, pedestalling the record and creating a musically picturesque backdrop. With the undertow of a pounding morphine bassline and the relentless instrumentation of jungle infused drums, there's no mistaking the artists' nod towards their harder productions. Epic, timeless and puffed out with a grandeur composition, Delta Heavy have yet to disappoint.

On the remixes, June Miller carefully crafts their take against the original, uncompromising yet delicately woven and not without its predecessors' emotional crescendo. And lastly, Spoils introduces us to a genre-infused uptake that catches you unaware, with a steppy melody which stays true to its roots yet delves deep into Spoil's production aptitude.

So once again, it's time to take up Delta Heavy's offerings. They've delivered the perfect successor to their 'Apollo EP', yet again reasserting their title as one of the bass scene's heavyweights.

Two years after the album 'Identity' comes a single with remixes of two of the album tracks.

First remix is by John B, who transforms 'Nothing can replace' in to a progressive track with a nice buildup to a EDM-like drop that will make any crowd throw their hands in the air.

The second remix is by Blu Mar Ten. This remix of 'Too much too soon' is as beautiful as you would expect from Blu Mar Ten. The track has been put in to laid back mode without loosing the pace.

Limited edition white label featuring the LTJ Bukem and Benton Remixes of the Dusky smash hit "Yoohoo".

The Classic Horn Track is 20 years old and to celebrate we have some new versions to unleash upon the world DJ Marky / SPL & Mark Archer rip it up.

This E.P. was taken from a larger project titled "Ancient Pond". It was offered earlier on the same label as a limited digital download.
Later, it was split into two different E.P. records (clear blue vinyl) to be released throughout this year.

OMG Deathmachine on PRSPCTXTRM!!

Plasma Audio bring the heat with their third release and first outing for 2015. With three releases under their belt so far they have succeeded in cutting a solid path with enormous cuts from Icicle and Sabre among others. For the third release they've enlisted Fre4knc.
Plasma like to keep things on the grittier side of drum and bass and these two Fre4knc cuts do just that. The A side, Chain of Command is a rumbling roller that swoops and crunches through your ears and on the flip Sinjek feels more spacious and lean, but still delivers a hefty punch.

Nekrolog1k Recordings is on fire!
We have a long list of scheduled Vinyl releases: with this release we unleash the long awaited VIP versions of 'The Journey' by Deathmachine and 'Violent Orchestra' by Noizeskill

* Sonata Recordings embark on their new offshoot label, Sonata Limited, and first up on the controls we have new act Dynamize with their track 'Friday Night' and seasoned pro Blue Motion with 'Flying High'. The Dynamize track is remixed by Sonata's very own Vibrant Scientists and they bring their usual intelligent and laid back sounds in for a real shake up on the original track. Dynamize consist of Sean Tucker and guitarist/producer Fraser Allenby, so it made sense that Sean (Vibrant) should bring in long term production partner Melos (together they are Vibrant Scientists) for the re-rub of a track Sean & Fraser had already written. Massive 808 bassline combined with original guitar solo's, tight drums and a vibe that blasts you into space. Blue Motion's 'Flying High' is a subtle builder oozing with pure soul and emotion until it releases the clever bassline and exquisite pianos in a crescendo of pads and uplifting vibes. Definitely not a B-side on this release! Both tracks are mystical and deep and have been receiving some superb feedback:

After the release of their 'Colours' EP in 2014, Mind Vortex have switched up a gear and are now rolling forward with even more intensity. Presenting yet another four slabs of sonic-attitude, they've solidified their mark in Ram's roster and are this time coming for the jugular. If you were looking for the same pent-up aggression as 'Hotbox' and 'Gravity', Mind Vortex are not here to disappoint.
Title-track 'Against the Grain' serves as the perfect entrée. Pulsating subs are underpinned by quickening drum patterns, which pull you against a baying tide. Snapping against booming kicks and elevating into an exploding crescendo, one which is meticulously planned. Mind Vortex have shifted the drum & bass paradigm, by merging different stylistic patterns demonstrated even within the EP's very first track.
Rolling out next with quick fire beats and the intimidating growl of Evil B is 'Bigger than that'. The MC leads you into a construction line of chaos, crafted by funk driven basslines and breaks which are bulging at their seams. Weighty, menacing and instantly grappling your attention, it's a sure-fire club anthem... One which has already ignited dancefloors.
With longing piano notes steppily taking you through its introduction, 'Curve Ball' throws you headfirst into a midst of infectious synths and fluctuating key patterns. A driving anthem, yet one which takes its time to methodically build segments, the track stays true to its name. Constantly throwing you jauntily into different directions, this is demonstrative of Mind Vortex's ability to hold you by the ears. There's no stopping this pounding riddim; it beholds a pulse to keep you dancing.
Then finally, comes 'Stand High'. Daniela's vocal delights take you through a journey between breaks, elevated with each beat pattern. Again, Mind Vortex epitomises their command over every nerve in your body. Aboard vocal crescendos, risen by elevating synths you're baited by each hook and snared almost too easily. It's the perfect accompaniment to three already hard-hitting stompers... Proving Mind Vortex's versatility, a trait which is sure to see them explode in the next twelve months.

Let there be darkness. Limited to 500 copies these might be the last available of the 2006-released debut EP of Pik1, also known under his Xbron-moniker or as the founder of the horror-influenced Breakcore-imprint Crop Circles Industries. With seven tracks on this EP the French producer explores heavily chopped Breakcore-attacks, DarkJungle on hyperspeed as well as brutal, super heavy Industrial Drum'n'Bass.

*Better than me
Energetic drums and soundscapes are the order of the day with the opener. The track has the hallmarks that you would come to expect of a SCAR track. Gut wrenching bass and drums.

*Runaway
Aggressive tech step vibes, Runaway is 1998 brought up bang up to date. Bass stabs against lashing drums keep the whole track as lively as possible.

*Shadows
One of the two vocal tracks on the EP is shadows, No u turn drums with a vocal that brings the right level of emotion to proceedings

Calibre (aka Dominick Martin) needs no introduction. Having been one of the most prolific and consistent artists within the drum and bass scene over the last 15 years, he's graced the catalogues of many labels; including Exit Records, Soul:r and countless others.
His first solo album, the highly acclaimed 'Musique Concrete' on Fabio's Creative Source was released in 2001 and was followed
by nine more on his own imprint Signature Records. Releasing two further albums of downtempo electronica under the Dominick
Martin moniker, Calibre has proved time and time again that his musical talent knows no bounds.
Here we have his 'Strumpet ' EP, in which once again he showcases his seemingly effortless productions that engage the listener throughout, accompanied by a groove and emotion that simply cannot be matched.
As with most of his releases, Calibre also made his own artwork, which gives the EP a unique visual identity to accompany the music.

Syndrome 019 ''Rule Of Thumb / G Force'' is an absolute banger. This is the embodiment of the true Syndrome sound. The A side '' Rule Of Rumb'' by Rawtekk is a real tension build with one of the most thick roaring bass you ever heard.

PRSPCT015:
PRSPCT is the ruler of hard edged drumnbass and once again labelboss Trasher is on top of the game! COOH is a relatively new to the scene, but has so many hits on his name lately you would think he is one of the veterans. Can't here any hard dnb dj play out without several COOH monsters in the set.
SEZON Starts of the classic 4x4 hardcore gabber kick, soon filled with snares and even more bass! Bounce bounce bounce on this one!
TERAN will gice you the creeps. The Hororesque intro falls into a screeching sound edited perfectly in the beat. Bats flying all over the cave. Top class production, and devastating on the dancefloor! Supported by everybody.
---
PRSPCT018:
Another killer for the infamous PRSPCT imprint. Limewax hits so hard its indescribable, there's nothing left to say... BIG!
---
PRSPCT021:
As you all have probably noticed, here at PRSPCT HQ the vinyl releases don't stop.
This month we already released the massive PRSPCT Family Album and PRSPCT XTRM 007 by Dither but were not done yet..
PRSPCT 021 by Limewax & Acid Diaper will be hitting the streets next week!!

A very special limited release on engraved 7inch vinyl with handmade lino prints. Shit looks badass to the bone!

On the A side we have Riget by Limewax. On this monster track Limewax has gone completely back to his old signature sound and for me personally this track one of the sickest tunes I have heard in a long time. Pure next level amen filth! Uniquely produced and 110% Limewax signature sound!!

There is no B side on this release as we chose to have that side of the 7inch engraved with some pretty occult fucked up artwork.

However, with every PRSPCT vinyl release the buyers get a free download code for the digital files so there is a (digital) flip side to this release by PRSPCT's newest signing: Acid Diaper
There is quite some mystery surrounding this 'new' producer. Even us at PRSPCT HQ have no idea who he is and where he is from. He has chosen to keep his identity secret to the world. Kind of like Batman but instead of fighting bad people this vigilante's goal is to terrorize the world with pure Audio Violence. 4/4, Acid, Gabber DnB designed to torture the average mainstream music listener.
However, us deranged individuals at PRSPCT HQ fucking love it and can assure you.. This tune called Mending Monday rocks out hard!!!

Hope you guys enjoy this release as much as we do and play the fuck out of it!!!!

* James Boyle AKA Breakage is UK sound system culture's dark magus, shape shifting through the submarine pathways of the British 'ardcore continuum, master of tension and chest rattling sonic frequencies.

* In 2014 after a break of 4 years, this notoriously reclusive perfectionist is ready to give a new album to the world - namely album # 3 'When The Night Comes'.

* The albums comes off the back of singles 'Treading Water', 'Future' and album free grat 'Revelation' - all of which has received Radio 1 support from Annie Mac, Zane Lowe, Toddla T and more.

* His last record 2012's 'Foundation' created both a Top 40 hit with Jess Mills and 'Fighting Fire' and a certified grime classic when Newham General's jumped on an instrumental to make the thuggish 'Hard'.

* The unmistakable Breakage sound was forged in the 'scenius' innovations of the sweaty, dark spaces of drum'n'bass and dubstep. It's full of Industrial timbre's, dancing between tension and release, Lover's Rock for a dystopian future. And now his new album brings with it a new cast of characters, Liam Bailey, Detour City, Lily McKenzie not to mention a return from Jess Mills.

* James route started with lauded drum'n'nbass releases on key labels early 00s labels Bassbin, Reinforced, Critical Recordings. 12's like his remix of Equinox's 'Acid Rain' for the Inperspective label saw him push the Amen break as far as it could go, reintroducing the jungle toughness, that reinvigorated that scene. By his debut album 'This To Shall Pass' in 2006 he had started to experiment with slower tempos, In 2007 he signed with Shy FX's Digital Soundboy label and made waves in dubstep clubs with atmospheric half tempo releases like 'Clarendon b/w Shroud.' His sophomore release for Shy Fx in 2010 'Foundation' was a national break through moment. Especially when Jess Mill's dramatic 'Fighting Fire' unexpectedly hit the Top 40. It was the best sort of authentic pop, the most sub heavy, futuristic, British-born thing on the FM dial.

* His way into music began as a rock obsessed teen, accepted into music sixth form college on the strength of his virtuoso guitar playing, a Jimi Hendrix wannabe. Music was omnipresent, growing up in a busy, noisy household: his sister was a reggae lover, his dad played rock, and his Jamaican mum was heavily into country and western - plus he had a foster-brother who was seriously into rave-era dance music. That was all around thanks to living in Buckingham; a key node in the London orbital rave scene - always within reach of pirate radio signals, so hardcore was in the air and young James absorbed it happily.

* The music that he first really adopted as 'his' however, was hard and heavy rock. 'As soon as puberty hit,' he says, 'it was Zeppelin, Metallica, Beatles, Anthrax, Pink Floyd'. Arriving at his new music school though, he was seduced back to the darkside of rave music. 'People I met would go 'oh are you into jungle',' he remembers, 'and I wouldn't have a clue, but pretty quickly I started listening to things like One Nation tape packs, and that was it.' He jumped in at the deep end at 15, going to a Slammin' Vinyl rave at the notorious Bagleys, Kings Cross: 'It was basically the best night ever, even though it was a total calamity because I managed to fall asleep at Kings Cross bus depot at 6am and had to get my dad to pick me up!' Programming beats become a full on obsession and his guitar was all but forgotten. He released 12's of his own and used to sit in classes 'thinking why am I listening to this guy going on when I already know I can do what's needed to make a record'

* 'When the Night Comes' is completely rooted in the thousands of hours of club time that James has put in, with a sense of space, groove and direct physical chest rattling impact that come direct from soundsystem culture - but it is also about the entirety of his life. It may not be a rock record but it has rock's dark intensity and virtuosity, not to mention love songs that would fit the most Gothic Country & Western tales..
* It brings in ambient, UK garage, soul, house, Industrial electro into its palette, and has the confidence to build from chilled and chilly atmospheres into high dance floor drama. 'When The Night Comes', no one channels it's blackness like Breakage.

After what many would consider one of the most meteoric rises to D&B infamousy in recent times, Mefjus gets set to deliver his debut album 'Emulation' through Critical Music. An extension of his explosive trademark production style, the music of Mefjus stands tall as an aggressive powerhouse of some the most deadly dance floor drum & bass seen in 2014. Drawing on a handful of carefully selected collaborators from the jaw-dropping Phace & Misanthrop to the hip-hop infusions of Dope D.O.D, 'Emulation' looks set to shatter dance floors for years to come, marking a clear-cut arrival of one of the most gifted producers in the D&B game, Mefjus.

Limited Orange Vinly Pressing!
After a huge response to the original version, released on Rubik in 2012, Submorphics's 'Organ Grinder' gets even more special, as the prolific drum & bass icon Calibre jumps in on the remix!
The original version of 'Organ Grinder' is a downbeat Summertime head-bobber and Calibre delivers like only he can on the remix, picking up the tempo and rolling out some classic Calibre vibes on this one.
Forthcoming on Rubik Records 12" with the original version of the tune on the flipside. Lookout for full release date and info to follow soon!
"Classic Calibre vibes." - Friction - BBC Radio1
"Bless this remix!" - Bailey - MoS Radio
"Summer classic, standard!" - Technimatic - Shogun Audio

S.T. Files is a name that requires no introduction. One half of the magic duo alongside Marcus Intalex & he dates way back to 1993 under his different guises. Quite possibly our favourite producer here at Ingredients, so we're absolutely delighted to see this 12' in the catalogue. Both these tracks were written with oldskool mate Dj Response, 'Nailbomb' harks back to 1996 'Speed' vibes but it's almighty bass drop makes this far from a mellow roller. 'Hard Times' is a more chilled affair, soft vocal touches, dubbed out effects and smooth bass notes roll effortlessly.
*Dj support comes from dBridge, Loxy, Skeptical, Kasra, Dub Phizix, Storm, Doc scott, Marcus Intalex.

From the suburbs of Italy to the Swiss ghettos, breakcore, industrial and drum n bass sounds are shooted from the best necrophiliac's heavyweights. djs and producers with machine guns through all over the world......to kill the shit you listen day after day, to delete the concept you have about music, to create a new era of breaks destruction.
Prepare your brain to the next level of the Techno, Hardcore DnB, Nekrolog1k is coming, and is coming FAST, HARD and BRUTAL !