Beats Vinyl New Releases - News

The second release on Multitone Recordings is a 4 track project called Take Off EP from German artist, Scale. Taking you from crime scapes to dream scapes, this journey through a mix of jungle and drumfunk will have you wondering whether you're asleep or awake. Mysterious and brooding, Scale's Take Off EP will transport you and keep you drifting effortlessly between subtly nuanced, shadowy moods.

LSB returns to his roots for this very special EP… ‘Renaissance Songs’.
Following the release of his deep and introspective nameless mini album on Footnotes earlier this summer (which was his first solo release is almost three years), Luke Beavon continues this sudden spate of proliferation with four timeless soulful D&B grooves on the label that played a huge role in his development… Spearhead.
A link that goes deeper than many might think, Steve BCee and LSB have supported each other from the off: Spearhead was one of the earliest labels to sign and champion LSB productions and played a big role in LSB’s discography and sound before he joined the ranks at Soul:r. But a few years before that, LSB was also a major influence for BCee as he was the first DJ to play and test out BCee’s productions at a night called Bounce in Norwich.
This mutual appreciation, respect and friendship has existed ever since and this EP is a long time coming. Flexing that golden age liquid sound – big samples and even bigger grooves – each of these four cuts hits hard and with a sense of familiarity for all soulful and deep D&B heads.
‘Renaissance Song’ hits with a dusty string sample and vocal that smacks of early High Contrast while ‘Tango Belt’ lilts with a Creative Source era jazzy swing and cute piano flurries on the fills. Deeper into the EP we hit a more reflective heads-down moment on ‘Hotpants Bouncer’ before ‘Ghost Dub’ finishes the EP with a big club-hitting swagger.
Four tracks, perfectly formed: All shades of deep, soulful drum & bass, all chapters of the night catered for, all reasons why LSB is in a league of his own… We guarantee this will still sound good next time LSB returns to his roots.

Kimyan Law belongs to the African Diaspora. The son of a Congolese father and Austrian mother, he resides in Vienna, unable to return to his homeland due to the devastating Congolese Civil War.
Born on Christmas Day 1994, Kimyan Law was a melancholic child. A lone black youth studying in all-white environments he was a victim of racism; a difficult and depressing atmosphere which led him to find respite and consolation in music. Making recordings using instruments improvised from trash he soon graduated from using wood, glass and his own voice to a mastery of drums, piano, marimba and flute, channelling his childhood difficulties into creation.
At the age of 12 he started exploring the possibilities of electronic music, experimenting with primitive looping on a PSP and then pursuing audio-engineering courses, learning so fast he rapidly started tutoring others. The last couple of years have seen Kimyan Law blossom into the artist we see before us today. Deep explorations into his African roots have led him to create complex mosaics of ancient sound with modern aesthetics. A true 'artist' rather than the all-too-common 'engineer' found in modern electronica, he constantly talks of the themes, meaning and imagery in his music, referring to his tracks as "portraits" or "pieces" and of them having "fragrances".
Having its roots in Drum & Bass, the music flies far beyond the confines of that often-formulaic genre, expanding sonic ranges and disrupting standard arrangements. Kimyan Law incorporates African instruments and influences into his set up, achieving a rare organic and human quality amongst the cold electronics. Glittering cascades of tuned percussion are expertly weaved into layers of state-of-the-art bass and the result is a stunning, future/primitive array of romantic and cinematic music that, with its sheer humanity, seduces everyone who experiences it.
















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Foundation X's white label 'Amenizer' project returns with volumes 4 & 5.

Both landing at the same time, each feature heavily requested Foundation X classics previously only available digitally but now available on wax!

"Compilation albums have a special place in my heart and to mark our birthday year I really wanted to release a project that was distinctive and exciting. An album that showcases the diversity of the label, the talents of the many artists we work with and ties together the many threads and themes the producers explore.

The 22 exclusive tracks are a perfect snapshot of the sound that Critical is wanting to be at the forefront of. Underground drum and bass in many different forms but always with a cutting edge.

The physical album is a strictly limited edition 6 piece vinyl box set with artwork designed by Steiner Grafik. The box itself is beautiful with silver ink printed on both the inside and outer shell, the records are pressed on 140gsm virgin vinyl and the 6th plate has a special etching to commemorate the birthday.

It feels good to look back and be proud but the future is even more exciting and I hope you get a view of that through this album the amazing music it contains." - Kasra

Frontline is the 9th studio album by Dub Pistols. Chief rabble-rousers & festival favourites, the band are known for their veritable feast of jump-up party-starting sounds, melding dub, reggae, dancehall, ska & DnB into an irresistible tonic that has seen them amass a merry band of Pistoleros across the world.

For this chapter, they are joined by a stellar band of featured artists including both legendary & award-winning collaborators such as Horseman, Top Cat, The Freestylers, Myki Tuff and Chezidek alongside long-term Posse members The Ragga Twins, Lindy Layton, Natty Campbell, King Yoof and Cheshire Cat, and regular Dub Pistol frontman Seanie T.

So, saddle up and join the gang, it's time to ride to the Frontline!

Riffz gives no rest and hits back once again with this new Limited edition 12” vinyl only release. Recently this new skool Junglist has been relentlesly dropping jungle bombs and shows no sign of slowing down with this new 2 tracker.
Unreal (Mellow Mix) - is a smooth journey between melancholic melodies, spacious sounds and jazzy structures which inevitably turns into energetic dancefloor tunage for which he is known.
Unreal (Hard Mix) – as the title describes, is a ruffer, harder and darker approach to this tune, a combination of dark and atmospheric sounds in a rude boy jungle style. A deeper, emotional vibe is maintained while surgically precise, chopped breaks, typical of Riffz are displayed at their full capacity.

3 slices of DJ Trax stompers make up release number 12. Polar Opposite, Out of Love and Hands of Time combine all of Dave's love for splashes of drum funk, intricate beats, emotion, atmosphere and groove.

Zero T returns to the imprint with his Irish soul brother Steo for their much anticipated joint EP on wax.

In collaboration with Myth, the lead track ‘Go’ will be opening sets for days with its long and soulfully energetic intro that crescendos into full dancefloor epicness.

Title track ‘Stop/Start’ draws in on classic jungle-inspired drum and bass edits, beautifully executed with timeless appeal.

Much-hyped French foursome Visages also feature with their techno-inspired rework of the duos much loved ‘Can’t Hide’ – an impressive first outing on the imprint with their signature hypnotizing grit and edge.

Mark your calendars now with August X as the official release of Zero T & Steo’s Stop/Start vinyl EP.

License Revoked EP, Cold Leader brings 4 fresh tunes that fit as well in a mid 90s unlicensed broadcast, as they do on todays contemporary Jungle dancefloor.

Support by : FFF, Jay Cunning, DJ Sofa, Moakz, Yorobi.

12” Blue Single sided vinyl in a full art sleeve.

After releasing on Elevate Records in 2017, 'Tour' has gone on to become one of the most streamed, talked about, and recognisable tracks that the drum and bass scene has ever seen. A euphoric and instantly recognisable dancefloor smasher in every sense of the term, Macky Gee's biggest track to date is still as relevant today as it was when it first took the drum and bass scene by storm. 

From the moment it was released, ‘Tour’ dominated every single drum and bass forum and online space for years to come, cementing itself as the most notable and memorable drum and bass release in recent memory. 

Exclusively released on vinyl for the first time ever this is one of the hottest drops of the year!

CALLING ALL FRENETIC LOONS - cursed to strut on thy toes, or to point them to the sky. Has a lack of dance based activity made you weary? The deprivation of bass inflected oxygen surging thru your body resulted in a euphoric fatigue? Well rise and shine all you

Spiritually Deluded kinder, the hit parade is back, with Roza T & D. Tiff tip-toeing in with 8 tracks high in kinetic synergy and low in “bOriNGG!!”. The sound of 2 artists; serious in their intent yet blowing raspberries at the cork sniffers/snobs, obstinate to the world of industrial decay press shots + plastic ravers.

Instead they straddle the Edge of Innocence. Residue of lines once written, now your own personal tightrope. You wobble to and fro as part of a troupe of ethereal jesters, composed of Lil’ Drummer Boi’s pitter pattering on Gravity Bongo’s. Both tracks repping and following the rhythm of the ozone bounce house. With enough elasticity you’ll ^^break thru^^, experiencing Possession by momentary ascension. The weightless sensation of falling in a circle; catch yourself if you please. Such transcendence is lucrative, the Paparazzi on hand to flash and burn the retina, providing instant short-circuit delusions of grandeur. Sonically every hard knock is met with a “bOinKK!!”, illuminating the dark yet cartoonish nature of the practice - guaranteed to make u skip, achieve the perfect sly pout. You and your gang can terraform into bodacious bass-bins, and cast your personal Redemption Arc onto the ether.

Inhibitions are to be absolved, and fat kickdrums to be followed. In this hyper-informed yet unknowing present tense, who can ignore the beat based intrinsic incentive to fuck up the circadian rhythm - the music becoming a byte-based silkworm, spinning its digital silk from synapse to synapse, until your brain is a translucent cocoon playfully ricocheting, the cranium its pleasure dome. Call the drum dealer.

A trio of drum & bass kings return to the label for a vintage-esque Metalheadz release ushered in by the space-age sounds of 'Irrelevant' by Loxy & Ink.

'Token' takes a darker, more sinister turn as Resound gets in on the act.

0860 is a project by Charlie Fieber aka Fracture inspired by London Pirate Radio. The project includes an album, radio station and interview series that explores the history and legacy of Pirate Radio and its importance in the development of UK underground music.

0860 is presented via an 8-track, DJ-friendly 2 x 12" Vinyl Album, 19-track mixtape cassette and the radio station 0860.fm, which is broadcasting now. There is also a Pirate Radio Art Print from UTILE and T-Shirts. Broadcasting now on 0860.fm is an additional 90-min 'Signal Test' ambient album by Fracture.

Over the coming weeks, 0860.fm will broadcast interviews with Bryan Gee, Eastman, DJ Flight, Scratcha, Dextrous, Uncle Dugs, Mantra, Missing, Eddie Peake, Om Unit & Laurent Fintoni, Naina & Sherelle, Stamina MC and more. It will also broadcast lost recordings of original 90s & 00s London pirate station broadcasts from the likes of Kool, Rinse, Pulse and more.k about it.

Track two is ‘Where Are U’ and encourages us to ask ourselves that question through the exploration of full speed Breakbeat Electro. If we know where we are, we can begin to look into where we are going. Probably the dance floor.

Track three is ‘it's NP-Complicated’ which sets out an uncomplicated blend of bubbling bass and simple sympathetic drums, providing us with a network to feel more empowered and to build a sense of community.

Track four is ‘Donut Time’ - Well done for finishing the course! You can congratulate yourself with a donut full of squelchy acid jam, glazed with frosted pads and hi hat sprinkles.

“Together we can help ourselves be alone together.” - Nikki Nair

It’s been a time of poignant reflections and landmark moments for Spearhead bossman Steve Jefroy. Last year marked 20 years of his BCee alias while just last month he re-linked with Kubiks, the artist he launched his first ever label with and started this journey on.

Now time for another significant moment as the label unleashes its 200th Spearhead release. And BCee has the honours of curating it. Say hello to ‘TSC’.

The meaning of this triple-initial title will remain shrouded in secrecy for now. What matters is the music as BCee goes back to his roots and lays down four sublime sessions just in time for the summer. Taking a break from his signature vocal collaborations, ‘TSC’ is all about foundation flexing as he rolls out with the samples and digs deep on the vibes.

Timeless elevation music and tailored for deep mix pleasure, each cut sparkles with that dusty sun-kissed soul so many of us fell in love with drum & bass through. From the gentle ebbs and flows and hazy horn toots of the opener ‘TSC’ to the space funk flurries of the finale ‘If I Had To Die For Someone’, the whole EP rumbles and rolls with a classic funk flare that BCee first made his name with… Setting us up for another 200 Spearhead releases in the process.

Now who can guess what TSC stands for?

Super deep n’ rolling ambient junglist mutations from hyped cloakroom attendent Florian T M Zeisig and mysterious XPQ? operator PVAS, uniting under the NUG moniker for a highly atmospheric session beamed directly from that short-lived, elusive sweetspot in the mid 90’s when Omni Trio and DJ Crystl collided with Mo Wax’s Some Scientific Abstract Type Shit! and Gescom’s Disengage, all red lights dappling thru a dense fog of smoke.

Rinsed out under the timeless influence of “bong & sterni” - who sound like a legendary Berlin ambient duo, but are just weed and beer - Zeisig and PVAS collide in midair for a stereo-swirled recollection taking us back to 1995 - that Autechre radio show on Kiss FM, peak Mo Wax, Kodwo Eshun’s ‘club trax’ column, just before everything went fully tasteful. Throwing links to more contemporary refractions found on various J. Albert workouts as much as Skee Mask’s most vapourised breaks, the NUG sound keeps toes and heads off the ‘floor with a rugged but lush suite of rave suspension systems making critical use of negative space and recoiling dub dynamics.

One for the early hours of the club, ‘Not Many People Here yet’ gives acres of room to bounce off the walls, while the ruder ‘Filthy Club’ sounds like the backroom heard from ceramic tiled bogs, and you’re already healthily zonked for the zombie float of ‘Is Under The Blanket.’ The radiant pads and swingeing breaks of ‘Morpheus’ dial up Skee Mask’s most pendulous rave visions, and ‘Napping Under God’ rolls out on 9 minutes of webbed breakbeat for the locked-in steppers, with Florian’s ambient texturing fully coming into effect on the blurry-eyed flex of ‘Lite.’

Thursday 30 June - marks 25 years since the release of The Prodigy’s ‘The Fat of the Land’; an album so iconic it turned the sound of underground rave music into a global force; capturing the world's attention and dominating the charts. In celebration XL Recordings announces two-anniversary releases including a limited edition 2LP silver 12” vinyl package of the original album with a reimagined version of Alex Jenkin’s artwork, and a brand-new remix of “Firestarter” by drum and bass pioneer Andy C.

The Prodigy's third studio album “The Fat of the Land” became a global phenomenon, debuting at number one on album charts around the world it has gone on to sell over 10 million copies. The album's journey started with the single “Firestarter”, which was released alongside a bold video that was shot in London’s abandoned Aldwych Tube station directed by Walter Stern.

Sofia Nøt from the project IAmNøt is a DJ and a producer from Bratislava/Slovakia, who just released her debut album “Changes”.
The album stems from the sounds of electronic dance music of the 90s and describes Sofia’s battle with gender identity. The music video for the track “Changes” won a prize at an international festival in Košice and participated in a prestigious ‘London Music Video Festival. In this video, Sofia kills her “old self” with an axe.

Since 2019 IAmNøt has posted her singles online. Many are also accompanied by story-driven music videos from director Simon Seriš. The music style comprises many genres, including breakbeat, techno, and synth-wave.
In the past three years, Sofia played DJ’s sets filled with breakbeats and 4/4 rhythms across the Czech Republic and Slovakia. You could see her, for example, at the Brutal Assault festival this summer.
Sofia’s debut album “Changes” was released on 9th September and is now available on all major digital platforms and a 12” LP vinyl record.

All tracks were written, produced & recorded by Sofia Nøt

except ‘Estrogen’: written by Sofia Nøt & Pkrek and

‘2020’ contains a guitar by Jakub Spiszak

Grey Marbled Vinyl

Dread Recordings is very happy to announce the release of ‘The Dark Soldier Remixes. We have two absolute first class retakes of the legendary ‘The Dark Soldier’. Both Critical Impact and Alcemist have outdone themselves with these gems.

* A Regular Player At The Ever Popular Spearhead Presents Events, Seba Returns To Spearhead Records With The Close To You Ep.

* Showcases A Few Sides To Seba's Production The 'close To You Ep' Is A Real Journey. From The Dirty Stabby Sounds Of 'she Looks Real' To The Lush Melodies Of Title Track 'close To You', It's Clear To See Why After So Many Years Seba Is Still In Such High Demand As Both A Dj And Producer.

* Support From Rene Lavice, London Elektricity, Doc Scott, Lsb, Bcee, S.p.y And More...

Stretch and enjoy a.k.a. The Last Ronin returns to AKO150 Arcade with two beautifully crafted jungle tracks.

Changeling VIP starts off with a rare groove rift with sound system samples that build up before the drop comes that will get you going on the dance floor.
Roll the dice is another track that rolls and keeps getting better as it goes along with pads, subs, brakes, and deep baseline with the iconic sample ‘roll a dice’ do you know what movie this is from?

“XCPT is back with the third chapter of Time Horizon series: a six track palette illustrating the variegate broken beat sound of this full italo squad, blending their different backgrounds in a multi face dancefloor weapon.
The A side starts with return on wax by Modes and his breakbeat symphony "FB2thsn" followed by a no mercy chemical assault by Train to Eltanin and a hybrid footwork tune by DJ Plant Texture. Flipping the record here is label co owner Nothus’s first appearance on the series with his track Konnor 3012, followed by Marco Segato’s live-taken debut track on a 12” “Pirate Utopias”, finfishing up with Soreab's grimy samba “AVP”."

Pressed on 130 g crystal transparent vinyl with transparent matt graphic insert in a clear plastic sleeve.





e 05. Marco Segato - Pirate Utopias live

Repress

CÉRÉMONIE is a collective, movement and label from Turkey, which was founded by Maguar. KARMA 001 will be the first release of this project and you can find 16 unique tracks from 16 talented artists.

The name "KARMA" is coming from beloved CÉRÉMONIE family member cat, who lost her life last year.

There are various types of sounds in this album; mostly fast and groovy, sometimes dreamy but always classy!

When you talk about the origins of jungle music, DJ Dextrous is most definitely cited as a name that helped define the genre. His tracks were always on heavy rotation on the mighty Kool FM and every Jungle/DnB radio station across the country. Dextrous VIP dubplate specials were weapons in the record bags of Micky Finn, DJ Ron, Kenny Ken and his old mate from school DJ Hype!

The 1994 Jungle anthem Charged was released on the ground-breaking Suburban Base Records imprint as part of a ‘King Of The Jungle’ Trilogy. Now updated for 2022 Charged gets a couple of fresh licks from two modern day jungle specialists, backed up with original and VIP exclusive versions, all packaged on a beautiful 12” vinyl picture disc.

First up are the mighty Serial Killaz who’ve taken the original track and applied their trademark, award winning sound which has seen them releasing on Congo Natty, Philly Blunt, Souped Up and their own self-titled Serial Killaz label.

Next up is AKAS who’s recent Old Skool New Skool track on DeVice spend almost 3 months in the Beatport Top 10!! AKAS keeps things jungle for his Charged remix but tweaks the elements and pushes the genre to have the maximum impact on any dancefloor across clubs or festivals.

On the flip is an original unreleased VIP dubplate version, sourced from the archives or Da Kings Of The Jungle studio DAT recordings, which DJ Dextrous was playing in his sets exclusively.
Finally we have the classic original mix of Charged which has been beautifully remastered from the original source recording to make this picture disc release sound as good as it possibly can.
This is an extremely limited pressing & will never be re-issued so we’d advise jungle aficionados, both new & old, to buy on sight!!

For us at 1985 Music, our Various Artists series are extremely important to us. It not only provides a great platform to celebrate music from a wide range of artists, it enables us to promote both veterans and newcomers in the scene, and to introduce them as part of our extended family.

We have had great success with our first series of VA releases called Edition, for which there were 3 parts. This year, we present our next Various Artists release, and it is named Atlas. This LP features both established artists and newcomers to the scene, as well as label staples and label newcomers. Atlas features Deft, Visages, Drone, Nymfo, Monty, Alix Perez, Echo Brown, Foreign Concept, Headland, Sfaire, DRS, Nymfo and of course, Eprom. Atlas is a journey through numerous styles and tempos, showcasing a group of the most talented artists in bass music today.

Conduct's focus is firmly on the juxtaposition between electronic and acoustic instrumentation, with a cinematic approach to composition influenced by the likes of Hans Zimmer and Jesper Kyd. Conduct strive to create an emotional response in the listener, aiming to create a timeless body of work.

Conduct's focus is firmly on the juxtaposition between electronic and acoustic instrumentation, with a cinematic approach to composition influenced by the likes of Hans Zimmer and Jesper Kyd. Conduct strive to create an emotional response in the listener, aiming to create a timeless body of work.

Unseelie is celebrating the one year anniversary of goddexx by galen tipton, an Ohio-based electronic producer who continues to push boundries in the world of pop experimentalism.

Since releasing goddexx last year, galen has appeared as a guest on Rinse FM, contributed a mix to TANK Magazine, interviewed by PAPER, and featured on The Needledrop's Best of 2021 Spotify playlist as well as Anthony Fantano's official YouTube Channel.

goddexx was instantly met with positive reviews upon its release, with Our Culture magazine giving it 4/5 stars and saying "goddexx rightfully claims its own place in today's flourishing experimental music scene".

The EP was written by galen in her homestate of Ohio with cover art by Sam Rolfes. It was originally released on unseelie in Summer of 2020 and quickly became a best-selling release on Bandcamp.

The deluxe edition includes galen's second single on unseelie called pixie ring, and another song of hers called elf fetish that introduce the listener to the next chapter of the goddexx story. The remaining songs on side B are remixes by Orange Milk artists Seth Graham and Giant Claw (Keith Rankin) ft. Tamanaramen, as well as a dancefloor heater by Cologne-based DJ and producer Swan Meat.

Only a week or two after dropping the second of two ambient albums in 2022, masterful sound sculptor ASC is back with another release. This one finds him embracing drum & bass on limited coloured vinyl for Past Inside The Present. The majestic Eye Of The Storm is a suspensory trip through the heavens with delicate drum & bass rhythms and lush swathes of synths. 'Reflection' is just as awash with smeared synth beauty over the floating drum breaks, then 'Low Tide' is a lo-fi workout from the depths, a vibe that continues on the more busy and dark 'Life Cycle.' Another exceptional bit of work form the one and only ASC.

Dead Dreams Don’t Die vol 1 marks the inception of Half Grand Records, a label focused on no-frills, raw talent electronic music. This artefact contains new output from several members of legendary Borft Records. Nimam (Spregleda) gives us a riotous and exuberant Drum and Bass banger that will have your teeth jingling. Jon Doppler’s signals transform from searing blasts of psychedelia to soaring synths that will make you pine for days of yore. A Stantz drops some body music that's equal parts acid and mosh pit. The closing track is by a group specific to the label; Cracktros. Cracktros is a collaborative group project that will continue to grow as more artists join the HG fold. With this number, the collective explores fantastic textures in this riveting deep house ditty. Keep your eyes peeled on this label.

'Arrival', das Debütalbum des Schwedenduos Aasthma der für ihre Erfolge im Technobereich bekannten Produzenten Pär Grindvik & Peder Mannerfelt, ist ein Hifi-Wirbelsturm mit schillernder Klangwelt, in der Top-40-Balladen und Breakbeat-Walzen fröhlich mit Trap-Bangern, neonglänzendem EDM und fauchendem Dancehall kokettieren. Vocalfeatures kommen von HTRK-Sängerin Jonnine Standish, der schwedischen Rapperin Silvana Imam, Shout Out Louds-Frontmann Adam Olenius, Equiknoxx-Mitbegründer Gavsbourg und dem glitzernden Pop-Crooner Casey MQ. Abgemischt von Aasthma zusammen mit Johannes Berglund (FKA Twigs, The Knife, Fever Ray), kombiniert 'Arrival' Technicolor-Maximalismus mit dem Glanz des skandinavischen Pop.