The Myor HQ are proud to finally welcome Percussive P to the family for the third installment of their LUV subseries. Whereas both tunes deal with heartbreak and other love life insecurities, Percussive P's number is definitely on a different vibe than Coco's slightly moody effort. The intro of 'Livin Without' is laced with scratch edits and vocal snippets, after which it drops into a neat little loop of pitched, male R&B crooning, only to morph into a somewhat quirky sounding 4x4 hardcore jam some two minutes in. Cute. Coco's 'Trust Issues' has a more serious sounding, wavy feel to it, not a million miles removed from what some might consider a 'liquid roller', albeit with a strong early/mid 90s breakbeat hardcore foundation, and a solid amount of tape saturation, giving the tune a nice and woolly vibe.
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For that new split EP, we welcome two producers who like to surpass the usual frames of electronic music's styles. Melancholic jungle, gloomy electro, slo-mo hardcore, revolutionary trance, emphatic breakbeat... AAAA and Soul Edifice invite you to a direct trip from Mexico to Paris - welcome on board !
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Old school UK hardcore, giving birth to the legendary or Jungle, Hardcore and garage. All style united origins.. Like Adam & Eve for the electronic music !
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Etch's 'Ups & Downs' album is a collection of dubs which date as far back as 2014 and up to the present day. The album's tracks are united by being examples of the artists' efforts to escape the shackles of reality by using music as a vehicle.
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Basic Rhythm arrives on Arcola following two killer albums for Type and one as East Man for Planet Mu. Up top, 'Dough Boy' rolls a tough LFO heavy dance floor number that is sure to mash heads up everywhere it is deployed, while the anthemic 'Can't You See' shifts between early AI synths and an ambient dancehall vibe that while it has its roots in early 90's jungle and hardcore, has its sight fixed firmly on the future."
Made in the Designers Republic. 12" EP house in full print outer sleeve with clear foil detailing and custom die-cut holes plus custom print inner sleeve.
Mastered and cut by Beau at Ten Eight Seven.
Limited to 500 units worldwide
Masters for this Danny Styles Dark Jungle classic were long lost. This edition is carefully restored from Mint Vinyl, Professionally Remastered and Recut as a 4 track EP with the addition of a Nicky Allen Remix of Dark Secrets.
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Supercharger head honcho Black Orchid goes in for some seriously deep and authentic sounding
breakbeat driven D&B under his Ark X moniker. X2LV is basically the perfect representation of the
vibe Diamond Life was set up for in the first place: lush pads, solid beats and a slightly euphoric yet
melancholic feel throughout.
On the flip Myor Massiv and Diamond Life stalwart FFF drops one of his prettiest cuts to date.
Know How showcases the breakcore legend's ability to keep things sparse and beautiful, a slow
burner of epic proportions.
Chase & Status release their next two-track bundle from the RETRUN II JUNGLE project, featuring dancehall legends Burro Banton and Mr. Vegas.
RETURN II JUNGLE IS cultural movement - inspired by British music and fashion of the golden years of Jungle music from the mid-late 90's. The sound, project and accompanying documentary and installation, will draw on Jungle music whilst also transporting it into the present day, and re-vamping the genre for the modern day music fan. 'We will be representing DnB at it's most soulful, raw, and uncut level' (Will Kennard)
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Originally released on White House Records. Remastered from digital masters by Robert Macciochi with full restored cover done by myself. This EP should need no introduction to Ravers as often cited as an Anthem (whatever that means to you, to me that just means classic and good and still worth hearing any day again and again)."Baptised By Dub" was originally on World Beat Records with "Virtual Reality" on the flip side and later licensed to White House Records with other tracks and the totally different but equally awesome Re Baptised By Dub by DJ Halo. This Ravers favourite has never been reissued on vinyl in its original 4 track form. it did make it to a White House Classics series but only Baptised By Dub and not the greatest quality.According to DJ Spatts the DAT's were misplaced in the 90's and only unearthed again in 2014 when I searched the Warehouse. All CD licensed versions on compilations are allegedly a vinyl rip supplied by White House. These official DIGITAL remasters were issued to TCM Records as digital only. This is your first chance to get your hands on what will definitely be the best vinyl reproduction of this music since it's original release in 1992.
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Josephs Perception's first release on Junglist Records titled Four Elements EP' have been a great success on the label and beyond. Red Now' which held the number one position on the 'Ragga Drum & Bass Chart' for over a month on TrackItDown, was later included on their compilation album 'Trackitdown Top 100 Drum & Bass Tracks of 2016' with the best Drum and Bass selling tunes of 2016 alongside a stellar line-up of artists into the scene like Drumsound & Bassline Smith, Annix, Taxman, Mob Tactics, High Contrast, Break, DJ Aphrodite, Upgrade, Nicky Blackmarket, Voltage, Andy C, Breakage, just to name a few.
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"Zed Bias is an electronic music pioneer, throughout his career he has traversed genres with ease whilst all the while retaining his signature sound.
It was in 2016 that he debuted on Exit Records with a three tracker featuring Zoe Violet, the release was a sign of things to come. Modern U.K. soul delivered in the 160bpm format, this aesthetic has now been developed with the Different Response album.
It's the sound of Zed Bias in 2017, undeniable soul with one eye on the dancefloor. He's gathered a formidable feature list to voice the album- artists from his native Manchester and beyond all lend their talents to the album.
Label owner dBridge says of the release: An LP that fits perfectly in what I believe Exit is about. Artists creating music with soul and a sound uniquely their own. Zed has shown again what's possible when you listen to your own voice'
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Madcap & Jaybee - Settle Down - Madcap and Jaybee team up to create the musical masterpiece called, "Settle Down". The song starts out rather jazzy, with it's smooth rhodes keys and heavy cymbal riding drum lines. When the song hits the breakdown, the whole tone of the tune changes. The punchy sub bassline is unleashed and becomes one of the driving forces of the track. Echoing reggae style vocals are beautifully weaved into the background of the track, transforming the vibe into a reggae/dub style D&B classic. The Amen drums also help to create an intoxicating energy that make this one a sure thing for dance floor mayhem. Instant classic!
Madcap - Hear Comes - "Hear Comes" takes over where "Settle Down" left off. The song begins with big amen drums, backed with a Reggae style skanking guitar chop. During the breakdown, a thoughtful Roots Reggae vocal sample is introduced that helps lift the track into a true Dubwise gem. When the drop hits, the baseline kicks in and begins to wobble and throb behind all the deep atmospherics. The track has a beautiful breakdown, which takes the listener to a more melodic place. After a moment of serenity, the song breaks back into the chaotic old school flavor, which Madcap does so well. This one's a beauty!!
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Craigie Knowes' infamous fundraiser continues with a complete revamp. The double 12inch is replaced by two individual 12inch releases. Luke Vibert, DJ Overdose, Cygnus, TEXTASY, ASOK and London Modular Alliance join on CKNOW3-PT1 with a blend of Acid, Electro, Techno and Jungle sounds to help raise money for the charity War Child.
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Subtle Audio unveil their latest sub-division with the launch of 'Treaty Treats' - an imprint dedicated to beats originating in Limerick (aka the Treaty City) - the home of Subtle Audio. The first release features Subtle Audio head honcho Code and long time associate K3Bee with a track each. The label output will be mostly developed in their studio's but they'll be broadening the scope by collaborating with other artists / collectives based in Limerick as well as remixing other Irish acts across different genres.
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London based Grime MC and Producer Jammz continues to build upon his I Am Grime Imprint, and once again caters to his instrumental fan base, with the instrumental release of Warrior 2 (on Vinyl only). Written and produced in 2017, this release stands to be the most well rounded body of work Jammz has released yet, and shows Jammz's growth and development as one of Grime's most promising mainstay producers. In recent years Jammz has managed established himself as a very sought after producer, with previous releases such as Keep it Simple & the world being underground favourites (of both fans and DJ's) which have managed to remain in rotation even today. Once a part of 2014's 'pirate radio renaissance', Jammz has also managed to infiltrate his way into the playlists of DJ's such as Sir Spyro & Logan Sama (amongst others) who always have a Jammz instrumental to hand. Yes - I Am Grime is the label, however Jammz takes this opportunity to explore the boundaries of Grime, playing with a range tempos and influences on this EP, with music ranging from 130BPM to 150BPM. Songs like 'Everything Dead' nod to Jammz's Jamaican and British influences, with minimal weighty baselines and vocal stabs, whilst songs like the 'Intro' and 'Interlude' see Jammz experiment with the idea of Grime without drums or percussion. B side tracks like "Set You Free' and 'Play That' nod back to an earlier era of Grime and Garage; with simplistic brass-backed riffs and vocal chops. Additional production credits come from the likes of Sebastian Sartor, Bristol favourites Joker and New York Transit Authority, USA's Collapsing Scenery and Jack Dat who also has his production hat on for the occasion. Over the last 3 Years Jammz has spent his time building his I Am Grime Imprint, which is fast building a reputation for releasing sought after releases. With a newly announced Rinse FM residency and a brand new line of merchandise - it's safe to say Jammz isn't going anywhere anytime soon.
The follow up to the Quest for Intelligence album. This collection is made up of the last remaining unreleased Fast Floor tracks salvaged from Ron Wells's DAT Tapes. Restored by the Music
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Alter follow on from the bilingual dark ambient theatricals of Liberez with this four track EP from veteran Hamburg producer Christoph De Babalon.
As an affiliate of Digital Hardcore, Fat Cat and the recently founded V I S, CDB has tirelessly explored the intersections of breakcore, illbient and drum and bass. His work is at once uncompromising yet stylish - broken, punishing rhythms collide with dreary, doom-laden melodies and those eerie in-between spaces of vintage Unit Moebius or Deutsch Nepal. With Hectic Shakes he delivers a meditation on the 'inner abyss', the sort of abyss that lulls the listener into his sound world with next to no resistance.
'Shakes and Shivers' fixates itself on deceptively playful grooves with eerie, nightbus-to-nowhere atmospherics whilst opening cut 'Harakiri' manages to distort familiar jungle tropes into something even die hard devotees of the sound will find fresh. The EP closes with what we can only describe as a homage to 90s ambient techno in a ruff, post-hardcore fashion. Skittering drums weave in and out of longing, futurist synth lines and enough breakdowns to satisfy the dance floor.
Gamble's new three-part album for Hyperdub, which will be revealed in a series of EPs.
The triptych sonic documentary loosely explores three stages of the 'Semioblitz' - the aggressive onslaught of visual and sonic stimuli of contemporary cities and virtual spaces. The first part of the series - 'In a Paraventral Scale' - zooms in on the seductive/destructive nature of present-day reality through a symbolic prism inhabited by snakes, vehicles and mirages. From the sound morphologies of 'BMW Shuanghuan X5' where recordings of high performance cars melt and spectrally morph into synthesized orchestral timbres, through the arpeggiated neon hyper patterns of the beautiful 'Folding' and the electro slam of 'Moscow', this chapter veers into a crystalline, neon sound mirror of 'In The Wreck Room', where 21st century jungle meets footwork and electro, takes a ride on board a hypothetical super highway in the rain at night, leaving us in the haunted tension of Lee's most emotive tracks to date - 'Many Gods, Many Angels' - to await the second part of the triptych. 'In A Paraventral Scale' is a clash of Gamble's brand of hyper-concrète, where unmanned vehicles hover around us, steel ball bearings roll and scatter, jet engines end up as smashed objects, voices instruct, orchestral instruments morph into the sounds of doppler-shifting vehicles - all this distilled into signature jungle mirages, with brash, restless DJ Stingray-style 160bpm electro and haunting ambience. Gamble exposes us to a new type of digital theater, a unique and futuristic filmic world blurring the distinction between non-musical sound, music and dance floor, a push and pull between reality and fictional worlds. All sonics co-exist in an unreal place whose spatial and temporal location is left for us to assemble.
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Magic Drum Orchestra's limited edition double A-side 7' of 'Original Nuttah feat. Bunty/Dread Nourishment' features a captivating rework of the ragga-jungle classic 'Original Nuttah' alongside the dubinfused rhythms of 'Dread Nourishment' and presents a glimpse into the genre-spanning array of influences on offer in this thrilling new project.
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