Beats Vinyl New Releases - News

On UKNOWYs latest release 'Homeless Soul Music' NEMOY delivers a trilogy of warm & unique house grooves further extending and developing UKNOWYs catalog of organic dance music. From the rolling and hard hitting banger 'We made it' to the percussive piece 'Particular Beat' to the laid back, bassline driven 'One for CKENZ' NEMOYs sophisticated blend of delicious synth- and samplework with additional remixes by Sam Irl & Chief makes for an overall exciting EP. Ranging from classic house cuts to afrobeat elements this crisp production will get into your head & legs!

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel's new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

In 1997 the crew of Electro Bunker Cologne-released Wagon Christ's seminal chopped TripHop / IDM alltime classic - London Is A Country' as very limited 11' pressing.

Four years later, back in 2001, an unofficial and limited to 500 copies 12' pressing featuring two re-mixes by the likes of Link and Rei$$dorf Force and the original Wagon Christ track appeared via the Cologne-based label Hotel Lotte - and rumours had it that it was sold out immediately.

Now, 13 years after the initial release, a few lost and unplayed copies of this unofficial gem were discovered in the dust-covered boxes that make up the archives of this long gone label - bringing back the fascination of chopped intelligent breaks, heavy timestretching and Dub-heavy, super psychedelikk Dope Beats.

All mixes 33 RPM!

It's time for the Procurator! Hyperdub is happy to announce the first release from Edinburgh born and bred producer Proc Fiskal - otherwise known as Joe Powers. Like a Scottish relation to the recent faster Grime productions Lewisham MC Novelist has coined 'Ruff Sound', Proc Fiskal ups the energy of the stark cubist rhythms of the early Grime of Wiley and Ruff Sqwad by accelerating and retooling them to fit the faster 160bpm grid, engineering a delirious hybrid that also subtly makes explicit the relationship between Grime and Jungle and Happy Hardcore. The EP starts with '£', which is the most classically 'Grime' sounding of the tracks, with 8 bar switches, chord stabs, sino-motifs and a bassline that ripples underneath. 'Lamentation' combines airy swing, rolling percussion and chunky dubwise bouncing bass that recalls Digidub. 'Skulka' opens up the flipside with surreal whizzing, wheezing and gunshots, dropping into a rolling melodic bassline and caffeinated strings. 'Acidic Hoes' has a bassline that bubbles and warps with an airy melody whirling over the top and incidental coughs and sword clashes. Proc Fiskal's debut EP is joyfully aggressive and an energetic contrast to the slowing down of most contemporary Grime, plus it mixes into Footwork really well too.

Rising Melbourne-based producer Thrupence releases his latest creative piece, Ideas of Aesthesis, featuring track 'Rinse Repeat', guest feature from Wafia and his brother Edward Vanzet

Mondo are proud to present the soundtrack to Fight Club on Vinyl for the first time in over 15 Years. The Dust Brothers only film score to date, Fight Club is arguably one of the most enjoyable soundtrack albums to come out of the 90's and part of that has to do with the fact that it is one of the best sequenced scores of all time. Weaving all of the films cues from the film into 16 songs, the album winds up feeling like the best instrumental Trip-Hop album you've never heard. Buy it, or you will be incomplete. But be warned, this album is not beautiful, clean or perfect. It is not Mint, or even VG+. It is Fair at best. Just like you.

You are not your record collection.

Man haette die Platte auch >Melancholie der Seligen< nennen koennen, wenn der Titel nicht schon von Rainald Goetz besetzt waere. So finden wir hier zwei autarke Stuecke vor die gleichsam diabolischen Ursprungs sind und vielleicht die Frage beantworten können, ob ein Leben im Vakuum tatsaechlich moeglich ist oder ob das Reale einfach nur nicht mehr greifbar ist. Entscheidet selbst!

Cold Busted is the label based in downtown Los Angele releasing trip-hop, lo-fi, instrumental hip-hop, and other downtempo beats showcasing beatmakers from all over the place. Hailing from Austin - Texas, The Deli serves up old school vibes spread across 18 jazz inspired instrumentals.

With a career spanning two decades, five studio albums, over 16+ million records sold world-wide, and a plethora of accolades, Nelly Furtado is a proven chart-topping luminary.  Furtado is now readying her sixth studio album, The Ride, due out 31st March 2017 via her imprint, Nelstar Entertainment, through 10th St. Entertainment/Eleven Seven Music Group.

With a career spanning two decades, five studio albums, over 16+ million records sold world-wide, and a plethora of accolades, Nelly Furtado is a proven chart-topping luminary.  Furtado is now readying her sixth studio album, The Ride, due out 31st March 2017 via her imprint, Nelstar Entertainment, through 10th St. Entertainment/Eleven Seven Music Group.

Nostalgic, soulful and, of course, boogie-woogie.' That's how Belgian DJ producer Boogie Belgique (AKA Oswald Cromheecke) describes the enticing combination of styles and sources from different decades that make up his music. Taking vintage inspirations, most notably from swing and jazz eras, and merging them with contemporary beats and textures is the young producer's forte. This is pleasingly evident on Volta, the latest Boogie Belgique album for the Cold Busted label. Jungle Law' gives a glimpse into Boogie Belgique's sonic palette. Tough hip hop beats and funky live guitar follow an intro of jungle ambience as a trumpet presents the melody. Soon some swingy big band jazz enters the song in an almost ghostly manner, while the insistent beat keeps the dance floor moving. Album opener Go Slow' shows a different side to the coin giving the listener an uptempo broken beat rhythm, some bouncy bass guitar, snippets of string loops, and a lovely, forlorn vocal line that echoes the past. It's a beautiful concoction, and Boogie Belgique delivers on many aspects of this style throughout his eleven track album. Volta is a satisfying trip in an aural time machine.

Steffen Laschinski`s project Rising Sun, make a welcome return to Fauxpas Musik after the album Release "The Lamentations Of Rising Sun". Here we have the final single in the series of 3 including five brand new full-length Tracks from the EP Serie Trilogy. Vinyl tastes better...

[A] thinkin' about you baby

22 tracks mixed by Score 5. This mix is completely exclusive to the third CD.

Exploring the long lost archives of the former Cologne-based label Hotel Lotte we've discovered another stack of original pressings that were originally released by in 1999! On his second release on the label, also limited to 500 copies only, we see Wulfmanson provide a vibe pretty close to what once was filed under the flag of TripHop / Downtempo but comes up with a more muscular and pretty hefty beat foundation as well as drawing inspiration from genres like BigBeat and producers like Depth Charge. This is opium den music for those who know!

Steffen Laschinski`s project Rising Sun, which consists only of himself, was very productive since the release of the last album "
"The Lamentations Of Rising Sun". In the past two years the musician and dj was a real demon of work and he loves to work in different Genres and is he very diligent. His next EP series "TRILOGY" will be released in early October, comprising three vinyl's. Graphic designer and art director Andreas Haase from Hamburg took care of the design. Vinyl tastes better....

Milky Bomb Records are releasing the debut album from SLF&Co titled No Beats In Algebra.

SLF&Co - No Beats In Algebra is a collaboration of vocalists and musicians - also known as the lovely folk & friends from around the towns of blighty. The SLF&Co project came to light from a PC, in a flat, in Norwich. Clocks tick, tracks emerge, people lend an ear, a voice, some insight and the occasional slap.

Influenced and inspired by many different genres and production techniques with a few bits and bobs of rock, electronica, ambient, dance, hip/trip-hop, avant-garde and progressive music. No Beats In Algebra will fulfill all of your musical preferences in one nicely rounded package for the ears and mind to ponder.

Featured artists on No Beats In Algebra can also be found with their respective groups on the compilation release An Amalgamation of Sorts...Part Zero (2015) through Milky Bomb Records.

After the HUGE success of his critically acclaimed, debut album "Augmented 7th, Ash Walker is back with his 2nd studio album, entitled "Echo Chamber"

Support on the singles leading up to album has been nothing short of fantastic, hearing the likes of Don Letts, Gilles Peterson, Gideon Coe, Tom Ravenscroft (all BBC 6Music), Dom Servini (Wah Wah 45's), Lefto, Joe Kay (Soulection) & Zeb Samuels all spinning tunes on regular rotation.

The album continues a similar feel and energy of "Augmented 7th", but you can hear Walker has settled into his "sound" with confidence and that all important swagger.

As you would expect, Jazz sits at the very core of the album with Trip-Hop beats providing the tread that holds it all together.

The balance of instrumental tracks & featured vocals is a perfect mix. It focuses heavily on musicianship and instrumental recordings, but features a total of 4 tracks with vocals, all provided by close friends from Ash Walker, that will be names to keep an eye on for sure.

Ash Walker has been compared with the likes of Flying Lotus, Massive attack, U.N.K.L.E, DJ Shadow & Nightmares on Wax, to name some artists you might be familiar with.

Here is some information on some of the musicians Ash Walker has collaborated on for this album.

Marc Cyril, who has played Bass and electric guitar on several productions, has an impressive musical CV and provides some jaw dropping layers to Walker's music.

He has collaborated with the likes of Joss Stone, Dennis Bovell, Jr Walker and the All Stars and Faithless' Maxi Jazz, to name some highlights.

And for the lead single "Dark Hour", none other than Saxophonist Benjamin Barnet features, who has worked with some big names in the music business as well. Some highlights include: DJ Fresh, Paul Oakenfold & The Black Eyed Peas.

As a DJ, Ash has long performed in support of prestigious acts including The Specials, Lee Scratch Perry, and David Rodigan, but now signed to Deep Heads, his productions are receiving the increased attention they deserve. 'Augmented 7th', received staunch radio support from BBC 6 Music, with air time play from the likes of Gideon Coe, Gilles Peterson Don Letts and Tom Robinson whilst also receiving glowing praises from publications such as Clash Magazine, Okayplayer, XLR8R & Konbini.

After the success of his 'Backwards Light' EP Slackk returns to R&S with another 6 tracker of instrumental grime mutations.
A figurehead of the UK scene through the influential Boxed night he runs alongside Mr. Mitch, Logos and Oil Gang, Slackk aka Paul Lynch distils the Boxed sound into his own inimitable, richly melodic style. The six tracks on offer on this EP continue to blur the lines between genres as RA described in their glowing review of the Backwards Light EP. 'A producer whose music is moving beyond its origins in grime to something undiscovered.'
The tracks range from the opening moody club styles of 'Swan Filters' and twisted bass of Mumdance and Logos favourite 'Skeleton Crew' to the more reserved and delicate headphone moments of 'Replenish' and 'Pigeons'. 'Hundred Flute' returns a common Slackk inspiration source into the sampler, but the results on this one could be the best yet. 'Returning Geese' finishes the EP in what could be one of the producers last examples of the Japanese styles for a while. R&S and Boxed will be teaming up to host a stage at this years Bloc festival featuring Slackk, Lone, Logos, Lakker, Appleblim, Second Strorey & Mr. Mitch.

Warehouse find! Back in 1997 this 12 single by Brotherz In Armz, the collaborational project of Ingmar Koch a.k.a. Dr. Walker and Frank Heiss, marked the start of Cologne-based imprint Syncom Productionz. Three tracks featuring heavy analogue super bass, tripping sequences and BigBeat references, bouncy, experimental House minimalisms and quirky ElectroPhonk introduce the original flavour and state of the art of the Cologne underground scene built around legendary events like Electro Bunker Cologne in these days.

IRAH makes a particular brand of alternative pop inspired by everything from traditional ceremonial music to modern melodic songwriting. The three members find creative power in their spiritual awareness and their music have a truly unique ability to both create feelings of unity with the audience as well as a sense of being part of something bigger.
In the past year IRAH have performed select shows in Denmark, always to full houses and critical acclaim. Media has highlighted their unique and intense presence in the music on stage. Earlier this spring their first single also entitled Into Dimensions' was released and was described by The Line of Best Fit as "An incredible, epic debut single" and soon followed the song Mirroring' which has enjoyed airplay on several key stations around Europe.

Loop Diary is Brooklyn based beat maker and producer Marihito "MARI" Ayabe's solo project. This instrumental album was simply produced with vinyl, samplers and synthesizers similar to 1990's hip hop productions, recorded at his home studio in Bed-Stuy Brooklyn, NY, 2014-2016. Tracks were chosen from over 50 rough sketches and he is currently compiling Vol.2

He is also a member of Chimp Beams and Helio Parallax

Minneapolis mentalist Paul Birken debuts on UK's premium wonk label, Don't Recordings. Four brand new tracks from the man who has been 'making mishaps & mistakes' for 25 years

#3 Live Act of 2013 at Resident Advisor, one of the most in demand remixers around, a total of 156 gigs in 2013, releases for Rush Hour, Ovum, Macro; booked out months in advance from Berghain to Ibiza to the main electronic festivals ... KiNK: Arguably the world of dance music has not witnessed anyone else rising so clearly from bottom to top just by the centrifugal force of sheer talent. Being based in Sofia, Bulgaria, without a support network, a campaign or any media hype, his music alone - live and in the studio - created a momentum whose end we have yet to see. Lenin said: 'Communism is Soviet power + electrification of the whole country.' Hardly did Lenin suspect what an inspired take on these words could do: post-socialist techno. A child of 80's late socialism, KiNK grew up on the home computers Bulgaria's IT scientists had created by backwards-engineering Western technology. Fueled by nuclear energy on the edge of desaster, a whole generation of kids was trained to hack. Dance music gradually dripping in through early dial-up internet connections, the acoustic fingerprints of distant parties put Eastern producers from KiNK to Nina Kraviz to Vakula under a spell. Yet KiNK spent years of backwards-engineering the sounds of Detroit, Chicago and early Warp.

MELBOURNE'S FINEST WITH A SPECIALLY SELECTED VARIOUS ARTISTS RELEASE: FEATURING FANTASTIC MAN / BOX AUS HOLZ MAIN MAN MAX GRAEF & ANDY HART PRESSED ON 10 INCH VINYL.

Featuring, Vocals - Tinky Kerruish 7:14

Extra Virgin was the first release for British Trip Hop band Olive, released in 1996. This album defined Olive's style, spawning three singles, 'You're Not Alone', 'Outlaw', and 'Miracle'. The Trip Hop influence of Massive Attack and Portishead, while in small quantities, are evident, mixed in with synth-based electronic dance.

A year after its initial release, Olive's debut album Extra Virgin produced a number one British hit with 'You're Not Alone,' a low-key Trip-Hop number with a graceful melody. It's a strong single, and there are similarly strong moments on Extra Virgin.

The band created some samples by recording live sounds, edited and subsequently filtered. Synthesizers used on the album were a Roland Juno-60, an E-mu Systems Vintage Keys, and an Akai S3000XL sampler. All in all this makes for an organic, trippy experience.

A joint release by LA's Hippos In Tanks and Montreal's Arbutus Records, the Darkbloom EP is a thrilling split by d'Eon and Grimes. Harnessing the dark energy of her sophomore album Halfaxa, along with the shimmering dream pop of her debut Geidi Primes, Grimes' side represents a synthesis of her two sonic personalities. Displaying a level of clarity and craftsmanship heretofore unseen in her releases, Boucher presents a stunning new collection of ethereal dreamscapes that expand her creative palette without compromising the spectral presence she is known for. Following the Middle-Eastern-tinged R&B of 2010's Palinopsia, d'Eon broadens his stylistic breadth through reference to a number of electronic genres - for example, he simultaneously incorporates elements of Chicago footwork and new jack swing, but surprises the listener with strange forays into bygone genres such as UK drum and bass and trip hop. Presently available worldwide on CD and Digital formats, Darkbloom will be available on vinyl, for the frst time in many territories, on May 20th, 2016.

Back to the year 1999 with beats getting dope as dope can. Four untitled tracks produced by Michael O'Connell for the formerly Cologne-based label Hotel Lotte bring out the very best in Dope Beats, Instrumental HipHop, Downtempo, TripHop, NuJazz or whatever you'd like to call it.

Laid back with a funky attitude this once limited to 700 copies pressing popped up again in a dusty Berlin-basement only recently, where a only a few boxes were waiting for rediscovery for the past 15 years. Essential for all beat lovers.

Another classic tune rediscovered again. Originally released back in 1999 the hit single taken off Air Liquide's - Anybody Home -album sees the formerly Cologne-based electronic supergroup dive deep into musical realms of unique HyperFunk and seductive Breaks / BigBeats with all versions of the title track whilst - Again And Again enters super trippy, laid back Dub / Downbeat territories.

Dubstep vs. Trap ... zwei der heißesten und vor allem basslastigsten Musikgenres auf einer CD! 18 der heißesten Dubstep und Trap Granaten auf einem Silberling zum Mitnahmepreis! Mit Tracks & Remixen von Borgore, Figure, Dillon Francis, Eptic, Wolfstep, Wildchild und vielen mehr!

'I watch you drown, with neutral eyes, I caught you
up with hate that you have never heard - But it's only
words'.
Alex Rendall spins a delicate web of words over a
chilling beat, rich in texture and detail, created by the
crate-digging producer Amos Childs, collectively known
as JABU of the Young Echo collective.
The pair collaborate on the frst vinyl release on the
No Corner label to tell two sonic tales of love and
loss - one that everyone can relate to, put in suitably
abstract terms. Rendall's voice paints a vivid picture of
after-hours melancholy, backed by delicately effected
percussion and haunting pads.
The fip side - You & I, a JABU set staple has been
remixed by another Young Echo member, Kahn.
Retaining the delicate textures of the original, Rendall's
voice softens and his wordplay becomes even more
effortless -

The hugely successful first colour vinyl edition sold out in only 2 weeks from release date so due to demand we are already repressing this instant classic! We appreciate that the expensive luxuriously packaged first edition was not for everyone's budget so the second edition is standard black vinyl and a regular sleeve design. These changes have brought the cost back in line with a standard double LP without cheapening the product and is still a superior quality package compared to many other independent releases.

The artwork has been tweaked to work with the standard sleeve format which is presented on heavyweight 380gsm card and is factory sealed in shrink wrap instead of plastic sleeves. We kept the original hype sticker design to retain the overall aesthetic from the first edition along with the same full colour insert but have included an extra information sticker for the back cover with track listing. We have also kept to double vinyl for pressing quality and have even reworked the label design as we found that the first edition labels didn't suit black vinyl quite the same as the colour vinyl edition so even though this is aimed at being cheaper than the first pressing we're still paying close attention to detail.

So as to be able to reach a wider audience we have added a Compact Disc release to the formats available which is presented in a factory sealed card sleeve with full colour inner sleeve so that the design remains in line with the vinyl issue.

It's been just over a year since the launch of Electro-Blues Vol.1. After an incredible 14 months programming stages from Glastonbury to Bestival and monthly residencies in London and Brightons club land, Freshly Squeezed now return with the second instalment of this groundbreaking compilation series and a further 12' vinyl sampler lifted from it.


Vol.2 whets the appetite for the forthcoming double CD with a second eclectic helping of blues-based dance-floor goodness.


Bobby C Sound TV - "the master of funky breaks" (Krafty Kuts) - and self-appointed president of Ghetto Funk - weights in with a little Rhythm and Blues booty that smashes the door down and totally comes into it's own at club volume. Ecklectic Mick makes an emphatic return, meeting with Brighton's studio dub-maestro King Chubby to present a second exclusive slab of wildly infectious blues. And then, to top it all, we throw in an absolute cracker from Switzerland's Cee-Roo that heats things up to boiling point.


This is tried and tested dance-floor dynamite and expected to disappear off the racks to become a collectors item just as quickly as it's predecessor.


It's a second tantalising hint of what to expect on the upcoming Electro-Blues Vol.2 double CD compilation, highlighting the broad appeal (and divergent styles) of this micro vintage remix genre that is quickly finding it's feet. Do not miss. This will fly.

With his debut album 'Once Smitten', London newcomer Elliott Power explores genre-defying sounds of club-savvy soul, UK bass and paranoid trip-hop - echoing the history of era defining label Mo'Wax and the forward thinking spirit of Marathon Artists.



Constructed alongside Elliott's NuBrain cohort Dorian Lutz, it is an ethereal journey through the underbelly of his native city, regaling tales of dark corners, shady characters and riotous nights, all set against luscious arrangements and driving rhythms.

all art has to be combined with the notion of outlast. this can be only realized when the energies of the expenditure do not disappear and get stored in the creation. to get this creative process started, an artist needs to open himself to the world collapsing upon him.

'a day in the life' - the brand-new ambient and beyond album by lawrence, confirms this assumption - yet no world really collapsed on the dj and producer from hamburg. instead his emotional perception danced upon friendship and wanderlust and he put together twelve tracks for an album dedicated to his long lasting relation to toshiya kawasaki, man of action behind labels like mule musiq, endless flight and mule electronic, and the artist stefan marx.

besides co-running the label dial and the mathew gallery in berlin lawrence is constantly releasing music on his own labels and befriended platforms like smallville records. furthermore the north german regularly contributes to kawasaki's imprints mule musiq and electronic. just recently he dropped the ep 'blue mountain' on mule musiq - a deep emotional foretaste of what 'a day in the life' delivers on album length.

the music he shares on his latest long player isn't linked to a special place or event. he mostly produced it up-road on his dj trips around the globe including toshiya's homeland japan. back in his cosy backyard studio in hamburg he finished all musical pieces and mixed them down with a lot of joy.

they are listening to great track names like "nowhere is a place" or "lost in joy", which allow in combination with the lovingly detailed sounds imaginative mind games. in terms of style ambient calls the tune and opens the genre into the wide open with the very own musical and emotive language of lawrence.

a track like 'nowhere is a place' spreads smoothly twisted spectral vibes with blurring sounds that could easily originate from alienated instruments like a damaru or a conch horn. lawrence himself keeps it secret and let the music speak for itself. sometimes soft sizzling noise slides under gentle balanced ambient air like in the track 'the visit'.

in other arrangements he let the chords dance with cute smacking electronic glimpses or odd slow-motion melodies remind on the work of hans-joachim roedelius and his love for the gentle swing.

all compositions float and sound like the improvisations of a virtuoso who has forgotten his virtuosity in order to drown real deep in his creations. for lawrence the album is 'a triple buddy record' as not only his emotional content is included in the finished product. also his friends stefan marx - who is in charge for the artwork - and mule musiq head toshiya kawasaki have been profoundly involved in the outcome.

'since ten years the three of us work together. the record shows this very nicely in terms of our love for ambient music and cover artwork. the cover shows stefan's sublet apartment in nyc - also a very ambient place.
the idea for the record emerged out of a sudden inspiration and this fits prefect to the way how toshiya runs a label where sharing a good natural wine is more important than marketing.'

lawrence confesses about the genesis of 'a day in the life' and its emotional content. it is a weightless one where all feelings are stored supremely in what you can hear, see and hold in hand. and they are not made for them alone. they are there to share.

- Debut LP
- 12' Black, 140 gram vinyl
- 300 copies
- Artwork by Bee Graphics

KingUnderground is proud to annonce the realease of 'Soundogolism' the debut LP from Dj Boora.
Hailing from the Ukraine, Boora is clearly a student of hip hop and a great exmaple of how good music transcends all races and cultures. Boora's beats are sample filled, boom bap delights with layers of sound and crisp drums to make your head nod. Varied in his sample sources Boora gives his beats an extra little something that just makes the whole LP a great listening experience.
The LP contains 14 instrumental tracks, with 3 of those tracks getting blessed by the scratching skills of Maxi Skratch.
If you like that classic sound with a fresh perspective then this is an LP you don't want to miss.