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Beats Vinyl New Releases - News
Airhead continues to impress and confound with his run of releases on R&S. His last release 'Wait/South Congress' found itself gaining praise right across the board. It showcased his atmospheric guitar styles as well as his deft programming skills, resulting in some trying to pigeon-hole his sound in a post rock/electronica direction. This EP proves it not that easy to pin him down with two new tracks of fresh club music. Pyramid Lake again showcases his expert manipulation of samples, but this time weaves them into a drunken dance groove, full of whirring percussion and heavy bass. Black Ink is a bubbling, percussive roller that in the hands of a lesser producer would sound like a traincrash. It bounces along almost out of control and sucks you into its charms until it hits you with some uplifting, haunted chords, at which point it's impossible to resist. Tracklist A. Pyramid Lake B. Black Ink
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Held' is the debut album from Holy Other on Triangle. The anonymous Manchester producer first emerged in
2010 with a split cassette release and a 7-inch on Transparent containing 'Yr Love,' which was carried over to
his debut ep 'With U', released through Robin Carolan's Tri Angle imprint.^
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Third Sensate Focus 12". A new label for neat House tracks. Curated in association with Editions Mego.
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Lunar Disko Records presents its first LP from Dutch artist VC-118A. 'International Airlines' is based on a retro-futuristic concept of aircrafts, drawing inspiration from this idea throughout to create an ethereal sculpture of sounds. VC-118A aka Samuel van Dijk guides the listener through a network of light and emotions via seven intense and atmospheric electro/techno tracks that will leave you floating deep within inner space...
Constructed in the north of Holland, 'International Airlines' explores the artists concept of aircrafts through emotive soundscapes, brooding over an array of analytic drum programming. Each track levitates the listener to another atmosphere - never attached to geographical locations or time. Gravitating from beginning to end, 'International Airlines' displays the artists focus on his subject - an air flight through different colours of sound.
Intelligent music for deep and subtle minds.
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This recording contains 7 remixes by Mark Fell of the first three 12' singles released on the record label Sensate Focus in 2012. These were called '10', '5' and '3.3...'. The first of these, '10', was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The 7 remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook Pro running Digital Performer, FM8 (featuring manipulated DX100 and TX81Z presets), Battery and Razor; monitored and mixed with Sennheiser HD 25 headphones. Here hand claps are constructed from the Roland TR707 clap, two copies of which are detuned and panned hard left and right, with an additional Yamaha RX11 Clap 2 panned centrally; kick drums have been constructed with the Roland TR707 Kick 1 pitched up with bass content attenuated, overdubbed with samples from vinyl derived, it is assumed, from the Roland TR909. Two hi hats are used: the Yamaha RX11 Closed Hat 1, and a sample from Bassmental's '2 Daye Revisit (Kerri Chandler remix)', released on Nite Grooves, 1994. Recommended contextual materials include: 'Can You Feel It (Dubby Dub Marc Kinchen remix)' by Chez Damier, released on KMS, 1992; 'Hard To Get' by Choo Ables, released on E-SA records, 1993.
Additional DJ notes for playback synchronisation: Track 1 has a tempo of 137 beats per minute with a rhythmic loop of 30 units each lasting 109.49 milliseconds. Track 2, 126 bpm with 31 units each lasting 119.05ms. Track 3, 113 bpm with 17 units each lasting 88.5ms. Track 4, 128 bpm with 60 units each lasting 117.19ms, with inserted pauses of between 4 and 80 units. Track 5, 128 bpm with 16 units each lasting 117.19ms. Track 6, 128 bpm with 64 units each lasting 117.19ms. Track 7, 125 bpm with 31 units each lasting 120ms.
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William Bennett - founder and sole constant member of Whitehouse - earned considerable acclaim for his reincarnation last year
as Cut Hands and the release of the album Afro Noise Vol.1. His sophomore full-length in this guise, Black Mamba, is due out
on Susan Lawly in Autumn; to herald its arrival, Blackest Ever Black is releasing it's thunderous title track as a 12" maxi single.
On the A-side Africa's deadliest, most beautiful snake breeds with insane, vaudou-obsessive polyrhythms to give birth to
the monstrous, consuming, convulsive 'Black Mamba' - without doubt the most potent manifestation of Cut Hands' malign
energy yet. On the flip: 'Krokodilo Theme', an extraordinarily pensive, heart-rending piece first aired on the soundtrack of
last year's Siberia: Krokodil Tears documentary.
This is a vinyl-only release; first edition of 1000 copies in full picture sleeve with original artwork by Mimsy DeBlois.
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"Survival & Resistance" - the brand new solo album by pioneering producer and On-U Sound founder Adrian
Sherwood is "a swirling maelstrom of skull-shaking, heavy electronic tones and masterful deployment of space
and alien echo, 'Survival & Resistance' is the sound of avant-garde dub music in 2012."
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"Survival & Resistance" - the brand new solo album by pioneering producer and On-U Sound founder Adrian
Sherwood is "a swirling maelstrom of skull-shaking, heavy electronic tones and masterful deployment of space
and alien echo, 'Survival & Resistance' is the sound of avant-garde dub music in 2012."
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feature exact repro LP artwork to retain authenticity, but are now on 180 gram heavyweight vinyl
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- A1: INTRODUCTION (3:02)
- A2: CITY OF DREAMS (2:33)
- A3: OVER THE EDGE (5:35)
- A4: THE NIGHTSHIFT (0:52)
- A5: PAPER CHASE (3:29)
- A6: OUTSIDE LOOKING IN (2:07)
- B1: MIDNIGHT SUN (2:29)
- B2: BEHIND THE WHEEL (5,29)
- B3: THICKER THAN BLOOD (3:36)
- B4: A SORT OF HOMECOMING (3:34)
- B5: WINNER TAKE ALL (3:29)
- C1: DEATH MASK (5:34)
- C2: JACKIE'S EYES (3:33)
- C3: THE FADING FACES (2:15)
- C4: MIND GAMES (3:14)
- C5: THE MAZE (3:59)
- C6: THRESHOLD (3:13)
- D1: FLASHBACK (3:56)
- D2: BLOOD SPORT (3:42)
- D3: SURVIVAL INSTINCT (2:54)
- D4: HALL OF MIRRORS (4:17)
- D5: EULOGY (2:58)
- D6: THE MESSENGER (3:57)
- E1: LOVE THEME (1:56)
- E2: THROUGH THE GAUNTLET (3:42)
- E3: GHOST TOWN (4:25)
- E4: CRUISE CONTROL (3:24)
- E5: WAVE GOODBYE (1:04)
- E6: MAGIC GARDENS (2:05)
- E7: AN EYE FOR AN EYE (2:03)
- F1: THE POINT OF NO RETURN (5:55)
- F2: CREMATION (2:54)
- F3: THE NIGHTSHIFT (Reprise) (1:04)
- F4: MEMORIES ARE FOREVER
- F5: ECHOES OF THE MIND (1:22)
- F6: STREETS OF FIRE (4:53)
Three years in the making, Symmetry - the project that began as a conceptual tangent between Glass Candy, Chromatics, Mirage, & Desire's more abstract sides - finally sees its release this month. Themes For An Imaginary Film is two hours of claustrophobic cinematic bliss compiled for Painters, Writers, Photographers, Designers, Cruisers, Night Walkers, & Dreamers. Adrenaline drips thick like syrup across a horizon where memories become blurred scenes behind the windshield & yesterday's faces fade as the road strobes to aggressive rhythms. Romantic melodies linger in the rearview mirror as chimera bells saturate the electric fog that's slowly rolling in.
[N] C3 | THE FADING FACES (2:15)
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Part three to The Unheard's Untold stories in music is here, and it's another 8 tracker!
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Since February's Ekoplekz EP, Public Information have been toiling behind closed doors, the cold Spring rain outside, working to bring you new voices, new sounds for the six-months ahead and beyond.
To kick off this run we present Austin Cesear, here with his first ever release. An LP shaped on the West Coast of America... a Bay Area Backdrop.
Welcome to Cruise Forever.
Not a great deal is known about Austin himself, but that matters not, these ten tracks tell us much.
From the strobing synth arcs and cosmic-pulse of opener 'Cloud Hall' to the narcotic, dubwise-nod of album closer 'Travellers Of Faith', Cruise Forever represents an innovative, exhilarating ride, loaded with twists, turns and trips from the 'floor to the comedown. The claustrophobic Chi-town melancholy of 'The Groove', the hard-Brum-meets-Berghain techno of 'The Beast' and the massive nine-minute vocal rush of 'Shut In' are where the dance-floor moments collide: raw, expressive, euphoric moments in the Sun and the Dark.
Then we shift toward stranger more insular climes... A fractured middle-east sampledelia, 'Peralta Palace', lonely walks through the gloaming 'Forest Forever' and 'Mountain Ascension' then soaring climbs into clipped, watery electronics, 'In The Depths...' This is a special record from a bold, young producer. A Public Information Guarantee.
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Very rare obscure, minimal, synth LP, in a similar vein to Klaus Schulze, Richard Wahnfried, Sky Records, etc.15 tracks of arpeggiated synths, pulsing rhythms, with "Pages" standing out with it's Baldelli / 'Cosmic' Proto-Italo-Disco sound. stunning, with lots of other good tracks.Rumours of some Peter Baumann involvment here!
Very highly recommended!
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New MORPHINE!! yes! Morphosis goes there... two great electronic excursions from the nomad! TIP!
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Absent from this side of the Channel for far too long, London/Paris/Brighton-based collective ARCHIVE return with the epic and beautiful With Us Until You're Dead. The album, produced by longtime collaborator Jerome Devoise, will be released on the band's own Dangervisit Records via Cooperative Music on 27th August 2012.
Part-orchestral, part-electronic, part-soulful, part-progressive and wholly emotion-soaked and cinematic, the album touches tangents with Massive Attack, Radiohead, The Aloof, UNKLE and Secret Machines, with four dynamic singers fronting a restlessly inventive landscape constructed by Archive's long-standing core of Darius Keeler and Danny Griffiths.
Archive's dark and dramatic 1996 debut Londinium was a recognised trip-hop classic but the band's fortunes over the last 15 years have taken a strange turn. Third album You All Look The Same To Me and 2004's Noise made them superstars across Europe when Warner France signed them. But while Archive would routinely sell out venues such as Paris' Zenith Arena (tantamount to selling out Alexandra Palace here), contractual problems meant none of these albums received a UK release, and Archive remained a hidden treasure in their own backyard.
Until now. With a new record deal, With Us Until You're Dead has a UK release and the band couldn't be happier. 'It's great to be a big band all over Europe and we don't take it for granted, but we're a UK act, and we want to be successful here too,' says Keeler. This Autumn will see Archive embark on an extensive European tour that includes two nights at the Zenith in Paris on 16/17th November before ending in Prague in early December. A London headline show will be announced soon.
First taster from the album comes in the form of the 'Wiped Out / Violently EP' released on July 2nd. Featuring remixes from the likes of Man Without Country, Sei A and Rosko John, the EP will be released on 12" and download formats. 'Violently' comes with a suitably dark promo video directed by legendary graphic designer Brian Cannon who created album covers for Oasis and The Verve.
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Described by BBC Radio1's Huw Stephens as "Stunning", Bonnie Baxer's debut vinyl drop comes out of the UK's Pictures Music (alumni: Koreless, Lapalux, Dark Sky, Dauwd) this July. ShadowBox's unique sound has drawn comparisons to Laurel Halo and the Cocteau Twins and is all cooked up on hardware in her Brooklyn studio. Live this reconstructed from component parts in an energetic and captivating live show. ShadowBox's vocals sit amongst varied production, from the fuzzing full spectrum wash of synths on "A M" to a more minimally electronic guitar lead style on Running Like A Ghost. What we ha...
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Blackest Ever Black is releasing the first ever vinyl edition of Gareth Williams and Mary Currie's Flaming Tunes.
This remarkable album was recorded at DDM and Cold Storage in London after Williams had left This Heat and returned from the
first of several trips to India. It was officially released on cassette in 1985, before being bootlegged on CD more than a decade later.
The bootleg in question, the Japan-issued After The Heat, described the Flaming Tunes pieces as "This Heat's final demo
recordings", much to Gareth's understandable dismay - after all, the album marked a conscious attempt to create a music
with a different mood and texture to that of This Heat, one which would allow the full expression of his eclectic
and distinctive tastes.
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Must have for fans of Surgeon, Regis and the Birmingham Techno sound. Comes in full printed sleeve.
A new series by Transhuman Records. Thematic: a manual of domination. Arcanoid melts again breaks, gears and epic melodies, creating a new substance, being himself the only owner of its formula. Two tracks of The TransHumans. Hypnotic and intense techno. Energy and rawness in Birmingham's way. Experimental noisy ambient finish this release. Industry and asphyxiating atmosphere. A cry for help by the oppressed.
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finally repressed! LIMITED COPIES
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Almost two years after his stunning debut album release, John Roberts is back with a wonderful journey into sounddesign, sample research and contemporary club music.
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Dual Capacity is the first collaborative EP by London based artist Shelley Parker and curator and electronic musician Paul Purgas. The duo have presented performances at galleries, festivals and art fairs and the release represents their first officially recorded output. Dual Capacity was recorded from a series of live improvised sessions continuing their enquiry into the relationship between old and new media, hypnotic sonics and the accidental and emergent qualities of improvised performance. The project acts as a meeting point for Parker's background working with sound installation and digital technology alongside Purgas' exploration of customised hardware and analogue modes of production.
Across the three tracks Dual Capacity explores the potential for dense rigid percussive structures to operate as a framework for non-grid based electronics. The recordings investigate aspects of texture and tonality alongside primordial and ritualistic approaches to sound and the continued influence of bass driven production. The material reflects the energy and immersive tension of their live performances acknowledging influences such as minimal avant techno, abstract drone and industrial noise.
Released on July 9th 2012 Dual Capacity is the fifth release on the London based experimental electronics label We Can Elude Control founded in 2008 by Paul Purgas, one half of Emptyset, as a means of expanding dialogues between contemporary art, sound and experimental electronic music.
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The deeply biographical nature of the recordings is further heightened by the fact that his music has drawn its inspiration directly from his surroundings. If Increases documented his journey from Newcastle to London, Increases II is record of Archer having found a new home in Brixton - from the slow burning ebb and flow of cinematic opener 'Three Years, to the desolate urban balladry of Bruised (courtesy of guest vocalist Tamara Quaddoumi), to the sublime, horn-led beauty of taster track Lean Over (which you can stream now) - the six track EP reflects and refracts the rhythms of the city he now calls home.
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"Ufabulum" ist wie ein Schritt vorwärts in die Vergangenheit! Tom Jenkinson aka Squarepusher konzentriert sich auf die Essenz seines musikalischen Credos und liefert harten, elektronischen Ravesound ab, pur und dynamisch, voller Bässe, schnellen Breakbeats und Synthmelodien, wie in seinen Anfangstagen. Diesen kombiniert er - dank Videosynthesizer - mit einer imposanten neuen Lightshow, die teils auf der grossen LED-Wand hinter ihm, und teils auf dem Display seines Helmes, der jetzt zu seinem festen Inventar gehört, abläuft. Mit dieser audiovisuellen neuen Konzeption spricht 'der Querschläger' nicht nur seine ursprünglichen Fans, sondern auch die neue Electrogeneration an, die verstärkt auf seinen Konzerten zu sichten ist.
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DJ/producer from Cheshire w/distinct recognisable sound that traverses beat music, ambient, 2-step and autonomic whilst being punctuated by myriad of unique & personal influences. Catpures feeling of urban solitude. Transparent blue vinyl.
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Rome's Egisto Sopor has been making little waves with his releases for quite a while now. As Polysick he's released a CDr album on Legowelt's Strange Life Records and a cassette on the much admired 100% Silk label. As TheAwayTeam he's released a DVD 'Relax & Sleep' and a CD 'Star Kinship' on Japanese label Maomoo, and is also one half of the low key video unit AAVV, whose work has graced many of the important releases of the new lo-fi electronic movement. 'Digital Native' is his first proper album, 15 tracks of glowing, nocturnal, analogue grace that hark back to acid house and early techno, but with a mood and intent that seem to be designed for watching images dance on closed eyelids. It's no surprise that his work as a video artist resonates so strongly with the music he makes. Polysick says of his approach, "When I make music I always have a visual part in mind. In this case, many of the tracks have been influenced by visions of tribal nocturnal mysterious explorations like in 'Preda' which is the Italian word for "quarry". I tried to convey a sense of mystery and danger with those swirling flutes and the timpani rolls too, like if you were in the middle of a jungle, in a deep dark night and you're running away through the trees, haunted, like in some of those old zombie splatter movies from the '80s.. same with 'Tic-Tac Toe', with that clock ticking and the deep bass..." Polysick has tapped straight into the synthetic pleasures of early dance music's otherworldly pulses, the hypnotic arpeggios of Italo disco, soaring Detroit chords, cosmic disco, the '4th World' music of Jon Hassell and the library exotics of Piero Umiliani. Imagine a nexus between early acid house and Italo music being used for mental therapy, exotic travelling and imagining, exciting the brain waves and journeying into imagined spaces; 'Digital Native' is set in such an imagined line of enquiry - this is body music for the resting body.
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released on the original jumpin' & pumpin' label on limited edition 10' single, the first time it has been released on this format. the release comes complete with a brand new track for 2012, 'murmurations', especially finished ahead of this release and exclusive here on vinyl. 'murmurations' will later feature on an album 'evironments' vol.4.
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VOLFE is full of warped and pulsing pan-global club music; a signature marriage of tropical riddims, dubbed out soundscapes, and modern R&B minimalism. Striking the perfect balance of booming bass and tricky rhythms, our first taste from the upcoming EP "Gore Text" makes for some serious sideways heat.
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Housed in a gorgeous silk screened sleeve. Out now, painfully limited.
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After the recent 7" from L.A.'s 'The Vivids', Downwards return with a delightful minI-split from the much loved Antonym and the
returning Collin Gorman Weiland...
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very strong double LP of beautifully executed synth explorations.. it's been given a wonderful mastering job too.. real deal stuff! TIP!
Moving further into territories of experimental electronics comes debut album from Brooklyn artist, Jahiliyya Fields.
This double lp evokes emotions of equal pain, passion, beauty and disgust as it delves into areas of the psyche many are afraid to come in contact with. Read between the lines, close your eyes and listen. Not unlike new age music of the past meeting the harsh textures of the early industrial pioneers, this music serves as another narrative to our quickly deteriorating Western societal structure. Outsider music for those of us pushed to the side and living on the fringe. Pressed loud on 4 sides for maximum aural damage!
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- CD 1: Jaloux De Mon Succès
- CD 2: Pixelize Me
- CD 3: Die Frau In Der Musik
- CD 4: Qu'est-ce que tu veux
- CD 5: Le Ridicule Ne Tue Plus
- CD 6: Chopin Ou Quoi
- CD 7: Caféteria Idélae
- CD 8: Ein Lied für Vegetarier
- CD 9: Das Monstrum
- CD 10: J'Aime Le Synthétique
- CD 11: Nympho-Maniaque
- CD 12: Diese Musik Hört Sich An
- CD 13: LA, CA, USA
- CD 14: Ich Will Blut Sehen
- CD 15: We Don't Wanna Dance
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Frustrated Funks Limited Vinyl Series drops another crazy slice of experimental electro wax. Gary Kempston, brother of Clatterbox, and co-owner of the Z-Bop label has been on Frustrated Funks to-do list for a long time.We have been running his music though the Frustrated Funk quality control for some years and now the time is right to drop this amazing collection of tracks. Goliath has his own fresh and unique sound palette and his music is miles away from anything else.All nicely packed,highly limited hand stamped and numbered colored vinyl. Grab one before its gone!
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