HAND STAMPED WHITE LABEL
Hailing from the Low End, Chicago.DJ Clent is one of the Juke scene's pioneers, debuting with the 100% Ghetto release on Dance Mania in 1998.
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Unreleased live session from '72 from prolific co-founder of Tangerine Dream & Kluster. Although very much from the "experimental" side of things, he has had a wide ranging influence on musicians of many different slants. Screen print gatefold sleeve.
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Vaetxh's inaugural release Libet Tones for Detroit Underground draws on both musical themes—Electronic IDM and musique concrète—and non-musical themes from mathematics, resulting in four labyrinthine tracks that are studies in free association, a state in which ideas float from the unconscious to the conscious. Record sleeve design by Dmas3.
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2 special mixes for vinyl...
"Take the ghost train from Los Mochis to Veracruz and travel cross country, coast to coast, Pacific to Atlantic. Ride the rhythm of the rails on board the Ferrocarriles Nacionales de México (FNM) and the music of a journey that has now passed into history."
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It's a great honour for us to be able to present Conrad Schnitzler's last work. Endtime will be released as DLP, CD and download. Only a few days before he passed away last August, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. This record is not only for fans of Conrad Schnitzler. It's like a trip through 40 years of electronic music.
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It's a great honour for us to be able to present Conrad Schnitzler's last work. Endtime will be released as DLP, CD and download. Only a few days before he passed away last August, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. This record is not only for fans of Conrad Schnitzler. It's like a trip through 40 years of electronic music.
27. Endtime - 27
28. Endtime - 28
29. Endtime - 29
30. Endtime - 30
31. Endtime - 31
32. Endtime - 32
33. Endtime - 33
34. Endtime - 34
35. Endtime - 35
36. Endtime - 36
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Ernstalbrecht Stiebler is the first German composer that based his compositions on minimal techniques. This record is the first part of an edition of his works on the label m=minimal. Stiebler, whose first reductionist work "Extension I" was first performed in 1963 clearly showed an opposite position to the serial composers of that time. As a composer Stiebler is unfortunately still very unknown, but he has a great reputation as a producer for the German radio.
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Ernstalbrecht Stiebler is the first German composer that based his compositions on minimal techniques. This record is the first part of an edition of his works on the label m=minimal. Stiebler, whose first reductionist work "Extension I" was first performed in 1963 clearly showed an opposite position to the serial composers of that time. As a composer Stiebler is unfortunately still very unknown, but he has a great reputation as a producer for the German radio.
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10 Track minimal ambient album 'about the cycle of life and both its sundry and seemingly important moments.' Beautiful release, drenched in melancholia. Nice!
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"Animal Husbandry" is the result of absolute, genuine obsession: a devotional masterwork with song craft, exquisite production and aesthetics regarding the ultra-damaged times we live in all in perfect harmony. Burrowed away in private studio sessions over the course of a year, Human Teenager have emerged with a profound and colorful masterpiece.
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Minimalist drones meets modern-classical meets avant-garde. Exciting music to explore.
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now back in !!
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We are beyond excited to present you with the highly anticipated vinyl debut of the Head Boggle project. The world has been waiting for this day to come, and finally a full-length long player has arrived.
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Recorded at Studio GOK Sound, Tokyo April 7 2010 by Hamamoto Yohei.~
Produced by Masami Akita and Lasse Marhaug.
Cut by Rashad Becker at Dubplates & Mastering, Berlin
Cover design by Lasse Marhaug.
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Valanx is the new project of Arne Weinberg. After deciding to stop releasing under his own name, the project is focusing on his new-found passion for electronic music beyond the techno productions he is best known for. This first album is the result of liberation and recovered inspiration in the studio, and the ability to express musical experimentation without boundaries. This is how Arne Weinberg sounds in 2012.
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Stalwart of the Netherlands electro squat scene (Bunker Records, Legowelt's Strange Life Records) creates a claustrophobic minimalism w/the industrial ambience of empty office towers. Usual Further hand screened jackets
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Dies ist das erste Album des Labels und man ist überrascht,
in welche Richtungen die Nummer 11 so aus schlägt. Downtempo, House,
Ambient und ein unterschwelliger Hauch von Techno und Jazz, füllen
die zehn Geschichten dieses Albums, welches vom Label-Macher Thomas Bachner
produziert wurde. Hier bekommt man zum ersten mal einen Einblick in das Innere des runden
Playtrackskopfes und es fühlt sich irgendwie seltsam und einfangend zugleich an,
was da an das menschliche Ohr heran tritt.
ABOUT CURRE / VIMEO)
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Twisted halfstepping experimental edged Dubstep/Techno hybrids
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Music performed by:
Anthony Pateras: Piano/Prepared Piano/Organs/Electronics
Anna McMichael: Violin
Erkki Veltheim: Viola
Judith Hamann: Cello
Brock Imison: Basson
Liam Kinson: Clarinet
Andrew Young: Horn
Speak Percussion featuring Eugene Ughetti & Matthias Schack-Arnott
Elizabeth Welsh: Additional Strings
All music composed by Anthony Pateras
All music recorded and mixed by Lachlan Carrick at Sing Sing Studios, Melbourne
Except XIJ, constructed at Gold Tony Love's Audio Hell, Coburg, with Drums performed by Max ...
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This is the dream of every nouveau art indie intellectualism label: A limited edition print / sticker by one of the hottest new graphic artists of the Berlin scene (no. 3 in his Universa sequence). And as free give-away: a NERDy/hard to dj with record by Icasol.
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he yearly summit of Keiji Haino, Jim O'Rourke and Oren Ambarchi continues with Imikuzushi, which finds the group extending the power-trio strategies of last year's highly praised 'in a flash everything comes together as one there is no need for a subject' (BT05) and bringing to them a newly sustained intensity.
The yearly summit of Keiji Haino, Jim O'Rourke and Oren Ambarchi continues with Imikuzushi, which finds the group extending the power-trio strategies of last year's highly praised 'in a flash everything comes together as one there is no need for a subject' (BT05) and bringing to them a newly sustained intensity.
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The yearly summit of Keiji Haino, Jim O'Rourke and Oren Ambarchi continues with Imikuzushi, which finds the group extending the power-trio strategies of last year's highly praised 'in a flash everything comes together as one there is no need for a subject' (BT05) and bringing to them a newly sustained intensity.
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Over the course of a year, Keith Fullerton Whitman performed a piece of live electronic music a few dozen times entitled "Generator." The debut was given in San Francisco at Root Strata's "On Land" festival at Cafe Du Nord on September 19th, 2009 ... over the months that followed stagings took place in venues ranging from flooded basements to festival stages in Baltimore, Boston, Brooklyn, Chicago, Easthampton, Iowa City, Jamaica Plain, Northampton, Raleigh, Saint Louis, San Francisco, Somerville, & Washington D.C.
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Demdike Stare and Hype Williams present sun-dazed, 180º revisions of the Shangaan Electro sound for Honest Jon's Records !
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Total Reflection X-ray Fluorescence (TXRF)* is a method used to analyze the surfaces of materials by firing extremely flat X-rays. Subsequently, the physicist Joachim Knoth (1941-2004) developed a patent for precise measurement of defects in semiconductor chips.
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Info:Total Reflection X-ray Fluorescence (TXRF)* is a method used to analyze the surfaces of materials by firing extremely flat X-rays. Subsequently, the physicist Joachim Knoth (1941-2004) developed a patent for precise measurement of defects in semiconductor chips. In 10 sequenced based electronic miniatures, Felix Kubin, who presently consists of dangerous uninsulated powerlines, conducts the TXRF through an acoustical test arrangement. The experiment consists solely of a synthesizer, filter and sequencer. Full-bodied consecutive organisms arise out of which kaleidescopic irridescent blossoms sprout. At times they appear as acoustic by-products of high energy discharges on an X-ray picture and sometimes as quiescent fluorescent images. Who knows when the experiment will come to an end Will X-rays break at irregularities Will transparent ears crawl over fixtures and make laboratory benches corrode In view of the entire event's musical beauty, all these questions are completely unimportant. Artist Info: Felix Kubin is one of electronic music's most dynamic and versatile personalities. A lovechild of the home recording era, his various experiments and epithets include radio playwright, composer of futurist and dadatronic experimental pop as well as chamber orchestra music, filmmaker, incendiary performer, record label owner, lecturer and curator. He has made artwork in all sorts of fields since the 1980s, after studying media art at the ArtEZ Hogeschool voor de Kunsten in Enschede, Netherlands and illustration/animation at the University of Applied Sciences in Hamburg. Kubin's music is saturated with enthusiasm for disharmonic pop, industrial noise, and 20th-century avant-garde music.
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'Bokoboko' comes from the Japanese, like the other track titles, and means 'uneven', 'hollow-sounding' - adjectives aptly describing the album's crooked, dynamic grooves as well as the many percussively resounding instruments. Friedman, recognizable more or less by the sound of the ten instrumental tracks, plays prepared oil barrels/steel drums, all kinds of wood and metal percussion, gongs, monochord, a home-made rubber-band guitar, organ, synthesizer, and electric guitar. He is sometimes joined by Hayden Chisolm (wind instruments), Joseph Suchy (guitar), Daniel Schröter (bass), as well as, making his first guest appearance, Takeshi Nishimoto, a Berlin-based Japanese musician playing the sarod, a traditional Indian string instrument.
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RISP is Richard Devine's most advanced exploration of experimental acoustic space to date, now available from Detroit Underground. These compositions were created and initially sequenced on the Euro rack modular and Elektron Octatrack machines.
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Fantastic collection of Karl's early works on the rarest of Downwards 7" titles released in 2000 but recorded way back in the day...
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New 2 x LP pressing, finished to match the original specifications, now including an 8 page booklet.
The album is a collaboration between Brazilian artists Lula Crtes and Z Ramalho, a wonderfully off-kilter record full of fantastic hooky and strange tunes that range from full-on freakouts to quiet pastoral numbers displaying the entire range of 1970s hippie Brazilian musician culture.
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Written by Eyvind Kang.
Visible Breath & Monadology recorded and mixed at Avast, Seattle, WA by Mell Dettmer November 2008.
Stewart Dempster, trombone
Julian Priester, trombone
Cuong Vu, trumpet
Taina Karr, oboe
Timb Harris, violin
Eyvind Kang, viola
Jessika Kenney, voice
Miguel Frasconi, glass
Cristina Valdez, piano
Steve Moore, electric piano
Thick Tarragon recorded at the Brink, Fairfax, VA by Mike Reina July 2011. Mixed by Mell Dettmer at Aleph, Seattle, WA August 2011.
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