Return of the Devil's Son has 21 unreleased songs, including Right To The Top featuring Royal Flush and Kool G Rap.
This album will show where he should have been and where he was about to go. It's going on 12-years since he's been gone. He would have been that one; this project will show where he should have been at,said Donald Phinazee.
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80's Soul Classics Volume 2 mit seltenen 80er Jahre Tracks von The Reddings, Cashmere, Gene Dunlap, Jr. Tucker, Plush und Skool Boyz. Zu allem Überfluss selektierte PTG ein Paar mellow Swingers wie Lillo Thomas "Your Love 's Got A Hold On Me", The Controllers "Got A Thang" und Paul Laurence "Strung Out". Die jazziger cut "Day By Day" beweist, dass, wenn Shakatak sich mit Sänger Al Jarreau vereint, nichts schief gehen kann. Und auf dieser sehr starken Kopplung fehlen auch nicht Aurra "Live and let live" feine contemporary R&B von dem Salsoul Records Label und Leprechaun "Loc-it-up" noch nie auf einer Kopplung gesehen .....
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Beautiful Afrobeat 12" by our new artist Bukky Leo including two Original songs from his upcoming album ANARCHY as well as two Remixes by Gilles Peterson.
"Exactly the sound I love. The guys at Agogo did the right thing to release this beauty. 100% support from the Tramp crew!" (Tobias Kirmayer)
"That Dub is HEAVY! Full support." (Dom Servini)
"resh, evocative and massive sound for your best 2012 summer vibes" (Antonino Musco)
"Afrobeat Jam will works perfect to brazilian crowd ! Great release !" (Tahira)
"Love the chill afro vibes" (Danny Massure)
"Afrobeat Jam for me,,the absolute summer tune!" (Basement Freaks)
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Two brand-new old-sounding gems from the dynamic duo of Ike N Mike. Logic Family - a very groovy synth disco jam with lots of wobbling Moog melodies over world-class funky guitar picking and smooth Rhodes. Highly Illogical - an uplifting funky fusion joint featuring fuzzed-out guitar over a bleeping modular synth patterns with live bass and raw drumming.
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As a special treat Soundway here serve up three courses of Panamanian calypso-funk
and Caribbean soul from down on the isthmus. The 1960s and 70s were fertile times for
Panamanian music as Soundway's three volumes of the much loved Panama! series of
compilations has proved. Being the bridge between North and South America, Panama
became a melting pot of musical influences, with local bands playing to entertain not only
Panamanians, but also the hordes of sailors that passed through the canal from all over
the world. Consequently, the Combos Nacionales (as the family of local bands became
known) stuffed as many styles as possible into their repertoires from cumbia to salsa,
reggae, calypso and funk.
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Fryers and Jazzman are used to dealing with tracks that fall under the radar for all kinds of reasons, but this legendary Sister Funk cut out of sunny Florida is almost unique in that it missed its chance to shine twice. Originally recorded as a hard-nosed James Brown inspired funk number, then again years later as a more open disco-soul inspired dance floor cut that fits in with the current trend of the new funky Northern sound.
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The 9th release in the JAZZ DANCE SERIES brings you some serious, previously unreleased library funk!
Born 1921 as Friedel Berlipp near Hannover, Germany, Berry Lipman became one of Germany's most successful heroes of 60s and 70s groovy lounge-pop. Before that, he was an in-house composer for the record label EMI, working for Gitte, Chris Howland, Cliff Richard, and many more.
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"I gotta say the when I heard the track 'Why' I was VERY pleasantly surprised by how tight the band and the singer just blew me away. I cannot believe she is born and raised in Sweden but she is definitely channeling Lauren Hill vibes!"
- Amir / Kon & Amir
"Love it!!!"
- Rahaan
"Nice production, the vocalist is dope!"
- Ashley Beedle
"Great funk single, vocalist sounds like the new Alice Russell! Great double sider, solid release!''
- Nik Weston / Mukatsuku, Guynmamukat
"Nice to hear that our lovely neighbor has more soul sometimes than we have in Finland. Right on sisters and brothers. Well done."
- Lagerman
"Best voice if have heard on a new funk/soul record in a long time."
- Fryer
"Wow I love that! Like a female Curtis Mayfield with Lauren Hill gruff."
- Cosmic Boogie
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Finally.. its here the full Deep Disco and Boogie vol.1 compilation containing 8 full lenght rare disco/boogie winners! The UK-based dealer and collector Zaf Chowdry a.k.a. Zafsmusic.com, selected some of his finest and in-demand jams for this double pack. The compilation opens with the sought after extended mix of a KILLER and ultra-rare disco track by China Burton, which has possibly one of the most heaviest break-downs around. Ojeda Penn delivers a dancefloor smasher called 'Brotherson', heavy bassline. 'Afternoon of a Faun' is most known for being sampled by Moodymann in 'Mahogany Brown'. 'Cash - Hot Thang' closes the first half of the compilation as a proper boogie funk slammer. 'Chemistry - Closer' is a production by Dr. Otto Gomez, known for his recent reissue on PPU records. It is originally featured as a b-side on the hard to find Chemistry 12" on Masterpiece records. 'Rock Your Roll' is one of the lesser known tracks by Roy Ayers, but def a must have. 'Set It Out' by Razzmatazz was originally released in 1982 on Hit Records, a perfect boogie tune with strong synths and vocals. The CD features the 12" mix of Master Force's 'Don't Fight The Feeling', featuring a sick breakdown, a solid disco stomper and still a heavily sought after tune.
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Volume 3 of the highly collectable Digital Deviance series has landed ! And yet again it is another big-hitting, floor-filling compilation of their top selling reworks for all you digital disco DJs out there. Featuring hot versions by a stellar line up of today's top disco connoisseurs including Dr Dunks, The Revenge, Onur Engin, Pete Herbert, Dicky Trisco, Social Disco Club, InnerWestSoul and Situation, these tracks have received huge support from all the world's best disco jockeys and are tried and tested dance floor bombs .The CD includes a number of exclusive reworks by many of the featured editors that have never been released before and will only be available via this format. These include massive cuts like 'Music' by The Revenge & 'Sunset' by Pete Herbert. Also available for the first time in digital format is the highly in demand 'Get Up' by InnerWestSoul which was originally put out only as an extremely LTD vinyl release. The music has been pressed onto black based vinyl-look CDs and housed in beautiful sleeves to create a very hi-end package.
Collect them all while you can and enjoy the music!
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The 10th release in the JAZZ DANCE SERIES brings you some serious, previously unreleased library funk!
Born 1921 as Friedel Berlipp near Hannover, Germany, Berry Lipman became one of Germany's most successful heroes of 60s and 70s groovy lounge-pop. Before that, he was an in-house composer for the record label EMI, working for Gitte, Chris Howland, Cliff Richard, and many more.
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Finally, after 2 years of touring her debut album with the Mighty Mocambos, Gizelle Smith is now ready to reveal a first sample of her newly recorded solo material. The 45 is available for sale in very limited quantities as most of the edition is for DJ use only. Comes in authentic brown paper sleeve, with DJ-friendly vocal version and instrumental edit.
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The single was released in the latter part of "82" it became pick hit of the week in Billboard Magazine in early "83". Both tunes were the first songs ever written by Harold, and his first recordings as a single artist.
The early 80's was a time of uncertainty. The economy was in a shambles and male/female relationships were starting to deteriorate, thus why is "A Shortage Of Love" is a pure reflection of the sentiment during those times.
Ironically, no one had flipped this record over until recently.
The band was a dynamic group of guys called The Brew City Band, with Johnnie Mills on guitar, Tommy Ford on bass, Michael Reese on keyboards, and Leonard Washington (deceased) on drums. The horns were arranged by Warren (Vito) Wiegratz now the leader of The Milwaukee Bucks (NBA) Basketball band. He is also the sax soloist. The background singers were Harold's sister, Charity Marie, his cousin, Cora Kemp, and his daughters, Latasha, and Taneka. This was recorded at Cornerstone Recording studio, a state of the art facility, engineered by David Seibaur.
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Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with the greats such as Donald Byrd and Miles Davis. He was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound. In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an original and distinctive voice.
'Sextant' from 1973 was recorded just before 'Headhunters'(MOVLP030), and can be seen in the same vein, but it's more than just an introduction to a masterpiece. It features a kind of post-modal, free impressionism while gracing the edges of funk. Three long instrumental tracks explore how far minimalism in jazz can go. Music On Vinyl is re-issuing this Hancock gem for the first time since 1973!
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g3 | Kromestar - To Ane E Lo Memo Stexteto Nena (remix)
h1 | Felipe Venegas - Siktio Untitled (remix)
h2 | Aurelian Riviere - Cumbia 20 de Enero Santiago Mareno (remix)
i1 | Secondo - Manuela Torres Porque te ries de mi
i2 | Rocketnumbernine - Santiago Ospino Mi Gallina (remix)
j1 | Jay Haze - Manuela Torres Pajarito (Jay Haze Fly Birdoe remix)
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A - Side: I Love My Lady (The Black Bahia Version) Ashley reworks an unreleased collaboration between Chic and lounge legend Johnny Mathis. What!!!! This has summer anthem written all over it. Beedle waves his magic wand over this future classic beach groove to create a joyful sing-a-long.
B - Side: Addis Ababa (Afrikanz On Marz Kosmik Rework ) Ashley and his musical partner Darren Morris add their trippy AOM vibes to this rare Studio One classic to create an afro/reggae/drone/psychedelic monster. It pulls you in and does not let you out. This is an essential rework for all the true heads out there.
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the evolution of afrobeat - TONY ALLEN Jungle By Night drops their first full studio album on Kindred Spirits.
'Hidden' is the first full studio album from this group of dutch lads, who retain their youthful exuberance and innocent energy, and delve deeper into their own sound. Moving slightly away from the afro-beat blueprint that characterized last year's self-titled debut LP, the nine-piece have added Gamelan tones and studio effects to their afro-funk template, as well as exploring other parts of Africa like Mali's desert soul and djembe rhythms from Senegal. After two years of playing, and having performed over 80 gigs last year, the group have settled in their own rhythm, and 'Hidden' sees them trying out new ideas and forms.
Still keeping the unit strictly instrumental, one strength of Jungle By Night is their innate sense of democracy - the quality control of the hive mind. Tracks are jammed out and developed from the rehearsal room to the stage, keeping the audience in mind all the time. 'Hidden' feels very much like a live record, in the vein of classic jazz albums for example, while at the same time utilizing all the digital options that todays recording techniques have to offer.
The album opener 'Rangda' marks this new improved version of the band, using selected pieces of Gamelan. 'Two of our band members, their families are from Indonesia, and their houses are loaded with gamelan instruments. But the Gamelan tunings have little to do with western tunings. It just sounds eerie, hypnotic and mysterious,' said the band. 'Rangda' nods to the spirit of early Tortoise and mid-90's MoWax, and while Jungle By Night know how to stick to what they do best, they're partial to the odd experimental excursion too.
The album is laid out by a group who clearly understand live dynamics, building the tension of the first half of the LP with the tight riffs of 'Togetherness', the mix of west-coast organ and plaintive horns of '2 Days Before 2012' and 'Gallowstreet 34', which could easily soundtrack the 70's edition of GTA Addis Ababa. Mid-way through the album also points to an interesting path, the drum-less ambience of 'Night Fight', a duel of thumb pianos and slide guitar, awash with delays and reverbs, evoking fireflies and glow worms amid the nocturnal jungle creatures.
In the second half, tracks like 'Ethiopino', 'The Past Is History' and 'Marsvin' represent what Jungle By Night do best - taut, multi-layered grooves that are perfect for dancing to, or any other nocturnal activity you like to indulge in. One thing the boys know how to do is find the pocket and lock it, playing around with time signatures while keeping it dynamic. Perhaps the album's surprise gem is 'Ghettos Of The Mind', a languid, Tuareg-inspired roller where you can almost hear the wind whistling across the desert in the background. Producer Wiboud Burkens (Leon Ware, Michael Franti, Carleen Anderson, N'Dambi) has certainly helped craft the complex JBN dynamics into a coherent shape, which has allowed the band to play and experiment without having to worry about the final sound.
Hidden demonstrates natural talent and sensibility, but there's something more at work. While those outside the bubble will try to pinpoint or uncover the band's appeal and what makes them tick, somewhere between the many layers of sounds and rhythm, between the audience and the players, lies a connection that can't really be explained. Jungle By Night know better than to shine too bright a light on it.
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Famed for their self-released KM Editions series, Keyboard Masher join Daphni and Tom Croose in the Resista family with the roaring 'Afro Editions', two faultless edits that distill the spirit of mother Africa.
Opener 'JuJu' is an epic fifteen minute long journey filled with joyous, duelling guitars, syncopated percussion, shuffling rhythms and a myriad of unexpected passages and turns. Captivating from the off, there's only one word to describe 'JuJu' - magical.
On the flip ' Tcham Tcham' takes a more direct route to the dancefloor... Riding on a more electronic 4/4 beat, it's unashamedly leftfield, with a thunderous chug, a great guitar riff and deadpan calls of 'Tcham Tcham', which all builds up to an anthemic climax. Drop it and watch the dancefloor melt.
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