Hip-Hop Vinyl New Releases - News

This is a reissue of the classic 2007 album , which has been unavailable for 5
years and is now being repackaged and given a proper European release.
SELLING POINTS:
The first time the album has been available on any format in Europe for 5 years.
Premium Package - 180g Vinyl in 350gsm heavyweight reverse board sleeve with
inner lyric sleeve.

Jaya The Cat are a US band from Boston now based in Amsterdam with a
loyal worldwide following
Touring constantly, they play an original mix of reggae, punk rock and ska music,
from booze fuelled anthems to chilled out dance tracks to political commentary.
This will be their fifth album and the first to have a full UK release.

A previously unreleased version of "Gunman of JA". Both sides come from dubplates that were remixed at King Tubby's Studio. Backed by Sly & Robbie. In hand stamped sleeves.

Joe Morgan's "Basement Session" has the trademark Wackie's sound, deep and deeper. Its got great lyrics about the runnings of NYC basement sessions in the 1970's, a wicked dub to match, and a tough rhythm laid by the Reckless Breed band. Released on the "Bullwackie" label using the stock font and layout of one of NYC's long-shuttered pressing plants, according to Mr. Barnes this one was released "right before I got my logo."

Hailing from North-west UK, singer and producer Joe Yorke is classed as one of the most promising UK reggae artists of his generation. His exceptional and unique falsetto voice paired with his profound and poetic lyrics have caught the attention of some of the best producers and labels and an ever-growing fanbase. Joe has entered the stage with support from reggae/dub legends such as David Rodigan, Don Letts, Dennis Bovell, Nick Manasseh and Stand High Patrol. His latest single comes via Steppas Records in collaboration with upcoming UK dub producer Yaksha, “Rocking Ship” is a poignant and compassionate commentary on the plight of refugees. Mixed by Alpha Steppa, featuring a heavyweight, stripped back dub mix for company. A crucial 7” for collectors, home listening and sound systems alike.

The oracle in the Brixton area Joe Mansano is known as the true pioneer of the London sound of Reggae. After the success of his single “Brixton Cat” Trojan asked him to record an album under the same name. He agreed and started working on this new album together with great musicians such as the trombonist Reco Rodreguez and top DJ Hopeton Reid. “Rico’s Torpedo” is a straight horn cut on the rhythm and one of the highlight of the record. The oracle continued recording different fine tunes for the skinhead Reggae lovers.

Brixton Cat is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

The ‘3000 Volts of Holt’ album was the third in a series of records that launched John Holt into the UK charts in the 1970’s. To say that every home had a copy of a 1000 Volts and many 2000 Volts of Holt might be an overstatement but it certainly felt that way, as all good radio stations and parties seemed to have these tracks on permanent rotation.’3000 Volts of Holt’ was the more roots sounding of the three albums but still carried that sweetened string sound that set these recordings together.

Reggae classic from Johnny Osbourne, produced by Henry 'Junjo' Lawes, backing band Roots Radics with Engineer Scientist. Classic reggae on a limited pressing with custom sleeve .

Fans of the Escapers know the love of Rock Steady and Reggae Music. This time they pay homage to a Johnny Taylor sung Stax classic and transform it into a Lover’s Rock thriller. A bass heavy Roots rhythm combined with Colton’s haunting lead guitar create a perfect platform. Johnny Ruiz to express his love. Hey baby “Ain’t That Lovin You”? Definitely, and for “More Reasons Than One”

More of a double A-Side release, the b-side has The Escapers calling on The Heavyweight Dub Champion himself...the mighty Scientist to reinterpret their biggest single “Stay”! Overton “Scientist” Brown gives this tune a classic style “version” with all the echo and distortion any reggae fan would want. A real privilege to work with one of the true legends of dub music!

Taking his stage name from a classic Prince Buster song, Judge Dread (born Alexander Minto Hughes) was one of the most popular UK reggae artists of all-time. Known for his salacious humor and over the top live shows Dread was a favorite among UK rude boys. The year 1975 was a big one for Judge Dread, he released several highly charting singles, including his over-the-top rendition of Serge Gainsbourg's sultry classic "Je T'Aime" and the naughty holiday classic "Christmas in Dreadland." The album Bedtime Stories, originally released late in 1975 reached the Top 30 of the UK charts. Featuring those singles and a host of other Dread classics, the album showcases Judge Dread's unique brand of braggadocio mixed with self-deprecating humor. Another UK reggae classic from Judge Dread reissued by Radiation.

First vinyl reissue since 1987 with 2 bonus tracks

Jammy revisits a serious selection of missiles from the golden age giving the likes of Hugh Mundell, Junior Delgado, Sugar Minott, Frankie Paul etc. the King Jammy Superpower dub treatment.

With a specially commissioned illustrated sleeve by original Greensleeves album illustrator Tony McDermott



COVER ART POSTER ONLY INCLUDED IN THE FIRST PRESSING,

SUBSEQUENT PRESSINGS WILL NOT INCLUDE THIS.

So viel Ärger in der Welt...Aber - die Reggae Legende King Jammy kehrt in sein Dub-Labor zurück, um eine neue Klangbotschaft mit positiven Vibrationen im Dub zu schmieden. Jammys handverlesene Friedenstruppe von Kingston 11 Stalwarts lässt 10 frische Boomshots zur Heilung der Nationen fallen, um die Welt mit Hilfe von Dub zu vereinen - wenn diese Dubs einschlagen, fühlst du keinen Schmerz! Frisch aufgenommene 2024 Dub Attack von King Jammy, Versionen in Hülle und Fülle von Jammys 21st Century A Team, Musikern Andre Dennis, I Sax, Brandon Harris plus eine Anspielung auf seine illustre Vergangenheit Jammy zieht Vintage Parts von Sly & Robbie und High Times Band heraus, um sie auf zwei Deep Dives (Climate Action Dub und Ceasefire Dub) zu mixen. Alle Tracks wurden von King Jammy, Romeo 'Shemmo' Facey und John John fachmännisch aufgenommen und abgemischt.

From the early ‘90s King Prawn’s infectious blend of ska, hip-hop & punk rock earned them a reputation as one of the most entertaining live acts coming out of London. The rock press loved their sense of unpredictability and their huge fanbase adored their ability to simultaneously implode and explode on stage. In 2003 the band decided to split. Their farewell show to a sold out Forum was testament to the growing popularity of the band.

It took a request from the infamous BOOMTOWN festival in 2013 to headline the DEVIL KICKS stage to re-unite the members and for them to discover a new audience whose enthusiasm for the band had grown and were embraced as true pioneers of mid 90’s ska-punk scene.

The fifth studio album from London’s ska-punkers KING PRAWN, and their first since they reformed in 2013, takes the listener through a vibrant and eclectic journey through their musical heritage.

Studio One was founded by Clement "Coxsone" Dodd1 in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston.1[2] Amongst its earliest records were "Easy Snappin" by Theophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one of the largest and most reputable sound systems in the Kingston ghettos.
In the early 1960s, the house band providing backing for the vocalists were the Skatalites[3] (1964–65), whose members (including Roland Alphonso, Don Drummond, Tommy McCook, Jackie Mittoo, Lester Sterling and Lloyd Brevett) were recruited from the Kingston jazz scene by Dodd. The Skatalites split up in 1965 after Drummond was jailed for murder, and Dodd formed new house band the Soul Brothers (1965–66), later named the Soul Vendors (1967) and Sound Dimension (1967-). From 1965 to 1968 they played 9 a.m. to 5 p.m., 5 days a week, 12 rhythms a day (about 60 rhythms a week) with Jackie Mittoo as music director, Brian Atkinson (1965–1968) on bass, Hux Brown on guitar, Harry Haughton (guitar), Joe Isaacs on drums (1966–1968), Denzel Laing on percussion, and on horns (some initially and some throughout): Roland Alphonso, Dennis 'Ska' Campbell, Bobby Ellis, Lester Sterling, among others on horns during the era of Rock Steady. Headley Bennett, Ernest Ranglin, Vin Gordon and Leroy Sibbles were included among a fluid line-up, to record tracks directed by Jackie Mittoo at Studio One from 1966-1968.
During the night hours at Studio One from 1965-1968, singers like Bob Marley, Burning Spear, The Heptones, The Ethiopians, Ken Boothe, Rita Marley, Marcia Griffiths, Judy Mowatt, Alton Ellis, Delroy Wilson, Bunny Wailer[4] and Johnny Nash, among others, would put on headphones to sing lyrics to original tracks recorded by the Soul Brothers earlier each day. These seminal recordings included "Real Rock" (by Sound Dimension), "Heavy Rock", "Jamaica Underground", "Wakie Wakie", "Lemon Tree", "Hot Shot", "I'm Still In Love With You", "Dancing Mood", and "Creation Rebel".
Jackie Mittoo, Joe Isaacs, and Brian Atkinson left Studio One in 1968, recorded drums and bass for Desmond Dekker's and Toots' biggest hits at other Kingston studios, then moved to Canada. Hux Brown stayed in Jamaica to record on the soundtrack The Harder They Come, The Harder They Fall, and toured in Nigeria with Toots and the Maytals and Fela Kuti. The Soul Brothers (a.k.a. Sound Dimension) formed the basis of reggae music in the late 1960s, being versioned and re-versioned time after time over decades by musicians like Shaggy, Sean Paul, Snoop Lion, The Clash, String Cheese Incident, UB40, Sublime, and countless other Billboard originals and remakes trying to emulate their original Rock Steady sound at Coxsone's Studio One.
The label and studio were closed when Dodd relocated to New York City in the 1980s.

It is not without reason that during his lifetime Laurel Aitken acquired the mantles of ‘The Godfather of Ska’ and ‘The High Priest of Reggae’, for he was true pioneer of the modern Jamaican music industry whose works helped shape the sound of Reggae.
His breakthrough came in 1957 when, after making his name on the talent show circuit he recorded a series of hugely popular discs for pioneering producer, Dada Tuari.
By the early sixties he was Jamaica’s most popular artiste, recording in variety of styles from Calypso and Mento to the local Blues or Boogie Beat, an early form of Ska.
In 1960, he relocated to the UK where over the next 45 years he continued to record for an array of labels including Blue Beat, Pama and Trojan, remaining a hugely popular figure on the European Ska scene up until his untimely death in 2005 following a heart attack.
By the mid-sixties, Laurel Aitken had established a large and dedicated following in the UK, his recordings for London-based labels such as Rio and Ska Beat providing many British listeners with their first taste of Ska. It came as no surprise then, when in 1966 Rio chose capitalise on his popularity by issuing a collection of his works – a rarity for Jamaican acts during this time. Pressed in limited numbers, ‘Ska With Laurel’ promptly sold out and over the years that followed acquired an almost mythical status among collectors.
Now, some 45 years later, Black Bucther is proud to present a vinyl version of this groundbreaking, ultra-rare LP, its original dozen tracks almost all of which have been unavailable for over four decades.

Over 50 minutes of classic traditional ska from the Founding Fathers of ska The Skatalites and the Godfather of ska Laurel Aitken! - This historic recording represents the reunion of these two groundbreaking artists in 1996 some 30 years after their original meeting in Jamaica! - The studio tracks feature excellent new versions of Aitkins classics "Rudy Boy Dreams" and "It's Too Late" plus Skatalites performing "Come Down!"

Jetzt auch als VINYL! 180 Gramm und fettes Artwork. Auf dem Planeten Dub haben Dubblestandart mit mittlerweile zehn Alben bereits einen eigenen Krater hinterlassen. Gegründet Ende der Achtziger unter dem Eindruck von Lee Perrys einzigartigen Black Ark-Produktionen und Adrian Sherwoods radikalen Mixmanövern auf On-U-Sound, hat die bewährte und begehrte Backing Band (Ari Up, Lee "Scratch" Perry, Dillinger, Lilian Allen, Top Cat), um Paul Zasky den jamaikanischen Produktionstechniken ihr eigenes, europäisches Gesicht gegeben: bassbasiert, New Wave-infomiert, mixtechnisch auf dem neusten Stand und versiert im Seiltanz zwischen digitalem Wumms und analoger Wärme, wortlos vermittelnd zwischen Patois und Schmäh. Mit dem elften Album krönen sie ihre Karriere mit einer Serie Aufsehen erregender Kollaborationen (u.a. Lee "Scratch" Perry, Ari Up und Regiemeister David Lynch!) und einer in dieser Saison in Sachen Dichte, Fülle, Tiefe und Schwere ihresgleichen sucht. Aufgenommen wurde in Kingston, der Bronx und im heimatlichen Studio in Wien.

Lee ‘Scratch’ Perry’s 2002 album Jamaican E.T. marked his ‘comeback’. The extra-terrestrial is back with some groovy reggae which creates a bridge between dub, roots and hip hop. But in the end it never ventures to far away from the traditional reggae. The album continues in showing his fascination with aliens, drugs and religion. His own voice is often multi-layered and contrasting with each other. In 2003, the album won a Grammy Award for Best Reggae Album.

Lee ‘Scratch’ Perry was a pioneer in the 1970s development of dub music and worked together with artists such as Bob Marley and the Wailers, The Clash and The Beastie Boys. Up until his passing, Perry was active in producing and performing his music.

Jamaican E.T. is available on black vinyl.

Battle of Armagideon is one of the essential albums by Jamaican reggae artist Lee ‘Scratch’ Perry. His backing group by that time were The Upsetters. This album will get you to the heart of Perry’s unique work as a mixer and producer. He explores the music by adding a lot of sound effects to the different tracks. “I’m a Madman” is the best known album track, where Perry is going to the max. It’s pure craziness at it’s best.

Lee ‘Scratch’ Perry was a pioneer in the 1970s development of dub music and worked together with artists such as Bob Marley and the Wailers, The Clash and The Beastie Boys. Nowadays he’s still performing and recording music.