House Come in

BAR:LOW#1

Blended incantations for dancefloor situations.

Benedict returns with his fourth record in a collaboration with London's So'Fierce, after a strong run of three incredibly well received releases.
For 004 expect a different mood on each side of this timeless sounding driving Chicago House record...

The Belfast duo make ready this exceptional 6-Track Sampler from their forthcoming debut LP...

After showcasing their broad and boisterous tastes on a series of super limited Edits 12's, plus original releases on labels like Touch Sensitive, Hoga Nord, Duca Bianco and Optimo Music, we finally have a fully formed suite of original cuts which take us on a journey through their varied and vivid vibrations...

A general tip of the hat to the dark, post industrial basements illuminated by Weatherall's 9 O'Clock Drop comp.
From haunted dancehall, via beautifully throbbing ethno-chug and mesmerising clank-fests, to gloriously scuffed and foreboding Crammed Disc and Wax Trax! reminiscent offerings to the strobe gods.

One very limited press wrapped in screen-printed sleeves - one for the ages !

As ever, the Belfast duo come out swinging !
Tailor-made for raucous dancefloors, a 4-way of extensions and amendments from their private stash !

Second release on Via Jupiter from label boss Psychederek this time teaming up with Behind The Groove's Bobby Thorpe for a full pelt Dancefloor 4-way
Born from a series of studio jams throughout the winter, the Manchester-based artists deliver a slick EP inspired by late 80's club joints and driven by a clean, stripped-back approach.

Artwork and label design by Ben Brumpton. Limited to 250 copies (of which we're allocated 150 - so be quick !!)

Flammer Dance Band saxophonist Bror Havnes opens a new chapter with his solo debut on Lyskestrekk Records...
Three evolving grooves that push the dancefloor into deep, spiritual territory, merging Afro-percussion, drum machines, synths and sax.
A devoted vinyl digger, DJ and Jazz improviser, Havnes channels years of global crate-digging and sound experimentation into an organic and cosmic sound that is completely his own.

This EP marks the first release from a collaborative project between Tokyo based DJ/producer Iori Wakasa and Okayama's Keita Sano, born from a quiet resonance between their musical sensibilities.

In Japan, the academic year begins in April. Though born in 1988 and 1989, the two artists belong to the same school-year cohort under this system, yet within Japan's gengo era structure they stand at the symbolic end of one era and the beginning of another. The title 'A Shift of Eras' points to the moment when one era gives way to the next, suggesting not only the passage of time, but the subtle renewal of culture, perception, and values.

'Filtered Jewels' draws from the image of light shimmering like gemstones, or a space scattered with countless jewels, perceived through an imagined filter that gently alters the way the scene reveals itself.
'Heaven's Door' envisions the ascent of a transparent staircase floating above a sea of clouds, leading toward a quietly resting emerald-green door.
'Shocking Yellow', originally created in response to a specific request, incorporates carefully placed vocal samples while grounding the track in warm, rounded low frequencies and organic textures, shaped with DJ use in mind.
And finally, 'Time To Change' was reconstructed repeatedly with the hope of offering both solace and a quiet sense of encouragement, ultimately becoming a piece that reflects the underlying theme of the EP.

Following up the big room belters on Pablo and Shoey 'Raw Human Emotion' EP was going to be quite the task for those lovable Dublin disco messers at Fatty Fatty Phonographics, so they handed the reins over to one of the true maestros of the artform - NYC legend Mr. K.

The A-side is a propulsive extension of 'Let The Sunshine In', featuring ecstatic, gospel-shouting breakdowns. Dropped at the right moment, this is one of those tunes that brings everyone together with that look on their face, the hairs on the back of the neck standing up, arms instinctively flying toward the sky, disco fingers aloft...Excuse us, we just have something in our eye here...

Flip it over for a serious one for the heads...A few years ago Mr. K put out '1,2,3' on a 7-inch on the aptly named Most Excellent label. It was an edit of a roaring clav-funk number from the acetate collection of the legendary 'DJ's DJ' Walter Gibbons.

The Fatty folk persuaded him to revisit it, and he did a magical job of extending it out across the full 12 inches of vinyl, just the way the good Lord intended. 2 sides of utter dancefloor devastation here, be quick!

Vibrations EP by Reagan Grey takes us back to the early days of Local Talk when classic House and Garage ruled but with a fresh perspective - Remember when House was a feeling?

Reagan does, and with Christie Nelson and Sean Jones presents an EP we are immensely proud to present.

Reagan captures the spirit of House and amplifies its energy for the darker club settings while exploring both deep and soulful sounds into the heart of House.

The 8th edition in the revered Semi Skimmed series...

Another surefire trio of deep digs - lovingly restored, extended and adored nuggets from the deepest crates



SUPER limited hand-stamped vinyl...

Let's be honest. A record collection is hardly complete without a Soulphiction release, right?>

Michel Baumann's second release on 18437 is using his Soulphiction moniker and while 2021 is still young, he manages to pull off the one of the best house tracks so far with the opening track Ballin'
The phrase 'top-shelf material' springs to mind for sure.

Up next is 'What What ??!', an expertly constructed shuffling rhythm workout that fits neatly among a seriously funky bassline and piano hooks.
This is as close as you get sounding like a band doing their version of a Soulphiction track, from a one man band.
Finally 'Midi Funk' sounds like a dubbed out tribute to Shep Pettibone...enough said.

How deep can you go?

Using the original stems, Aroop Roy turns this MJ classic into a unifying dancefloor moment.
The arrangement is key here, building the suspense with an infectious disco/house groove, that will gradually pull in each person on the dancefloor. The raw proto house organs from the original get their moment to shine, before breaking down to euphoric horns and an anthemic vocal drop.
'Badstrumental' maintains the drama of the A side, whilst leaving the vocals to the imagination. The alternate mix saves the vocal for the very end.

Kareem Ali, a rising star from a time marked by the pandemic, unveils Mawimbi, his debut EP with Noire & Blanche Records. With praise from Boiler Room, Rolling Stone, and Resident Advisor, the American artist has come a long way to master his craft. Part of the afrofuturist movement, and drawing on his love of jazz, he redefines the deep house scene with a unique and thoughtful approach. His work, supported by icons like Four Tet, Caribou, and Pete Tong, stands out for its striking fusion of the captivating rhythms of jazz, house, and afrobeat. Mawimbi is a sensory exploration through four purely sensual tracks, where afro, jazz, and hip-hop sounds blend to create a cosmic atmosphere. At the intersection of his Islamic faith and the struggle of African Americans, Kareem Ali has crafted a strong sonic identity, carried by synths that are both liberating and profound. An EP that transcends boundaries and positions the producer for posterity.

Perfectly timed for Systematic's 20th birthday, we have this super special collector's item for you. 19 years after its release, the label presents you with a transparent vinyl version of one of the biggest club hits on the label, "Freakin" by Blake Baxter and Marc Romboy.
Blake has previously released tracks on prestigious labels like Underground Resistance and Tresor. This edition is limited to only 300 copies, and in addition to the two versions from 2005, we've pressed an exclusive and brand-new SID version for you, which teleports the track into the pixelated worlds of SID and Commodore C64 sounds. Close your eyes and feel like you're in a video game. Don't miss out before it's too late!

Swedish artist Martinou crafts deeply immersive electronic music, seamlessly balancing weight and delicacy. His productions oscillate between hypnotic intensity and introspective warmth, always evoking a visceral response on the dancefloor.
After releasing on acclaimed labels like Nous’klaer, Turbo Recordings, and Mule Musiq, the Malmö-based producer now makes his long-awaited debut on Stockholm’s Studio Barnhus. His Linked EP showcases six meticulously layered compositions, where intricate rhythms intertwine with luminous melodies – ethereal synths drifting in and out of the grooves, shaping an atmosphere that’s both expansive and deeply personal.
With Linked, Martinou further refines his signature approach, crafting music that feels at once free-flowing and deliberate. It’s a record that invites deep listening yet remains primed for the floor – a testament to the Malmö maestro's knack for blurring the lines between club functionality and sonic storytelling.

Running Back is delighted to introduce RB Studio Sessions, a new sub-imprint of music envisioned, recorded and fully realised at Running Back’s in-house studio.
Built on the promise of unfettered creative freedom and aided by agreeable local autobahn connections in the Hesse region, the RB Studio Sessions project is christened with the work of Running Back’s founder, chief dreamer, and Geschäftsführer, Gerd Janson.
For this debut edition, he is joined for a momentous jam by the new-school hero of the house, good friend and kindred spirit, Narciss.
Just as Running Back’s earliest releases dropped a stylus to preserve timeless ideals of club culture, the four tracks on ‘No Maze Like Heaven’ further this continuum by turning back the sonic clock just a decade or so. Picture, if you will, a nascent Narciss, youthfully club
hopping and deeply inspired by the selections of Gerd himself, alongside a selection of DJs coaxing the Panorama Bar blinds open with exquisite, mid-tempo precision.
As such, new light immediately floods in for ‘Chicco’s Chips’, which captures many of those irresistible elements—Italo-tinted synths, hooky vocals, and perfect percussion— regenerated with the wide-eyed, high energy of Narciss’s own solo productions. ‘Elka,
meanwhile, is a richer, deeper dish, masterfully interlocking multiple heavenly melodies under layers of optimistic analogue fuzz.
Narciss and Gerd then look to the Netherlands for further collaboration with one of electronic music’s best-loved vocalists and another fine producer, Coloray, who fills ‘Look For You’ with a yearning performance in the vulnerable, synth-pop tradition. Finally, ‘No
Maze Like Heaven’ builds on this mood and melody for a finale that hits the sweet spot between machine power and oh-so-human emotion.
Featuring labyrinthian artwork from the mighty Gasius., via a sleeve that appears to blend M.C. Escher with MC Hammer, ‘No Maze Like Heaven’ proves to be a divine foundation of RB Studio Sessions. For Narciss, “a memory they will cherish forever.”
For Gerd, a taxdeductible working lunch. For DJs and dancers? Four ebullient hits-in-waiting, sounding great and meaning more.

A noughties classic, an earworming anthem, an eventual schoolyard ringtone favourite; Roman Flügel’s once inescapable ‘Geht’s Noch?’ celebrates turning 21 on Running Back, refreshed and remixed by a scene-spanning set of artists paying keen tribute to its absurdist energy.
Casually released as part of a Cocoon Records compilation in 2004, ‘Geht’s Noch?’ rose from the depths with the support of Sven Väth, becoming an international phenomenon, conquering and uniting the dominant scenes of minimal and electroclash alike. Some have said it laid the foundations for the ‘Dirty Dutch’
house scene, albeit from over the border in Germany.
Well known for injecting much-needed levity into the contemporary club landscape via her Live From Earth parties, DJ Gigola adds additional firepower to ‘Geht’s Noch?’, inducing a planet-shaking kick drum, before sending the track’s signature bleeps into nonsensical Morse code for even greater pleasure. Another rave
culture connoisseur, Luca Lozano, offers two alternate takes; his ‘Technocs’ mix rolls deep with additional cowbells, robotic voice commands and stadium-sized claps. Meanwhile, the ‘Gehts Garage Remix’ draws a savvy connection with the original’s as-yet-untapped UK funky potential.
Peder Mannerfelt, who straddles the line between innovation, functionality, humor and seriousness quite like its original author, takes ‘Geht’s Noch?’ to truly wuthering heights. His remix builds unexpected drama and catharsis around the enduring riff, before a collaboration with studio partner Par Grindvik as Aasthma
spins the club out with a glossy, anime-tinted take, full of whimsy and colour.
And while the digital release of Geht’s Noch? also spans interpretations from Audion, Domnik Eulberg & Moguai, this vinyl release presses Steve Angello vs Who’s Who remix to wax, that which helped take ‘Geht’s Noch?’ out of the underground and into the stratosphere. Twenty years on, and Flügel’s offbeat hit is always ascending. Love it or hate it, ‘Geht’s Noch?' will still get you good.
Words by John Loveless

WITH “RHYTHM FOR THE NIGHT”, SASCHA DIVE RETURNS TO BONDAGE MUSIC, PRESENTING FOUR NEW ORIGINAL PRODUCTIONS ROOTED IN HIS SIGNATURE DEEP HOUSE AESTHETIC. A SOLID ADDITION TO THE CATALOGUE — VINYL ONLY.

Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.

Trentemøller's debut album remains one of the few genre-defining and groundbreaking albums in many regards. It's still being praised for its composition and sounddesign alike and sounds as fresh and breathtaking today as it did when it was originally released in 2006.
The Last Resort - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13 instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It
manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods. Although it's an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. The album received fantastic acclaim from both music fans and journalists around the world and made it into the top-lists of the month, the year, the decade - alongside an array of awards for best production or best album.

Back in 2006, the original pressing only included a selection of songs from the original 13-track album release. It missed out on songs which had been released on singles or didn't "fit" on the so called "vinyl edition". Due to 'public demand' and simply because this album deserves a proper vinyl release we are happy to finally present, for the first time, the full album on vinyl. It spans of three vinyl discs and is packed in a beautiful gatefold sleeve which also holds a download-code. The recut has been carefully crafted from first generation, orignal masters by Calyx in Berlin. Since the album has been praised for its fantastic sound the primary directive was to cut the lacquers for the re-issue so that they would sound exactly the same as the original release, which has been the CD version of the album. No 'digital remastering' or any other alterations have been applied.
All 13 songs of the classic album on one vinyl release for the first time. Triple-Vinyl edition. Gatefold sleeve. download code. original sound-quality. NO digital remastering.

Systematic Gent EP brings together four distinctive cuts from artists who each embody a different shade of the label’s sound. For this special various-artists release, Ghent-based Maxim Lany delivers the deep, driving, atmospheric and immersive “Noise”; Dimitri Andreas adds rhythmic drive and tribal energy with “Jungle Circus”; Robert Babicz contributes the hypnotic, progressive and emotive “Soul Traveler”; and Drumcomplex & Frank Sonic round out the EP with the powerful, forward-moving techno gem “Solar.”
Released on 12” vinyl, Systematic Gent EP arrives in perfect sync with the label’s showcase at Wintercircus in Gent on May 8, 2026, creating a direct link between the music on wax and the energy of the dancefloor. With a tracklist that balances atmosphere, groove and peak-time impact, the EP captures the essence of Systematic’s sonic identity while celebrating a special night in one of Belgium’s most exciting cultural spaces.
Marc Romboy, A&R of Systematic, says: “I’m very glad to present this EP, showcasing the different shades of music Systematic currently stands for. Each track could be an A-side on its own. The vinyl will be released on the day of our label showcase at the local record store GENX Recordstore in the city centre, as well as via our distributor, Word and Sound.”

lim. 2xLP colored yellow and oxblood vinyl with Poster, Sticker & Mp3 Download!

We are back with another chapter in our ongoing series of unearthing smooth vibes from all over the world, this time we go back to the FUTURE for you with: THE SUNSET MANIFESTO Volume 2. After a five year break mainly concentrating on the late 70s/early 80s Westcoast Soul/Yacht/AOR sound, we finally dive deep into the modern world of our beloved sister-label Too Slow To Disco NEO (for the third time after 2018s TSTD NEO - En France and 2020s The Sunset Manifesto excursions). But of course it wasn't a real 5 year break since the first Sunset Manifesto compilation, as in the meantime we also released a few digital TSTD Neo singles, and - more importantly - our "Too Slow To Disco NEO - FM" playlist on spotify (handcurated by Dj Supermarkt every week and now hosting more than 1500 tracks of mellow, modern sunshine vibes) was growing steadily and becoming a new, important fixpoint in the TSTD musical universe. TSTD NEO is the outlet Dj Supermarkt is using to unearth modern laidback, smooth, sunny slow disco vibes with a soulful Westcoast/Balearic touch. For him TSTD always has been about a laidback vibe/feeling, not a certain time period in musical history. And that sunny Westcoast vibe we dug out on those traditional TSTD compilations has become a huge influence to so many modern artists. So it makes sense that we present the cream of new slo/mo NuDisco/Sunset Disco/Daytime Disco acts in the TSTD format, a luxurious compilation, with artists from all across the globe: Not only from the two homelands of that modern slow disco sound, Los Angeles/California and France, but also from Beijing, Montreal, Mexico, London, New York, Stockholm, Rotterdam… the moon, you name it! This music is more a state of mind, a feeling, then a geographical thing. We are happy and really excited to annouce the following passengers are on board with exclusive tracks: Poolside, Woolfy, Prep & Eddie Chacon, Turbotito, Young Gun Silver Fox, Lovetempo, Kimchii, Goodvibes Sound a.m.m.

Texas-raised, NYC-based Ben Hixon continues to be one of deep house's most essential new voices. His dusty, lo-fi take on the genre feels instinctive and raw but always carries serious emotion under the surface. After a fine outing announced already on NDTAL this month, he's back on his own Dolfin with another crucial three tracker. 'Purpouse (Jubilee)' is a swinging sound with classic Midwestern vibes, 'Look At Me' spins out into high-paced juke and footwork drum patterns with eerie pads and 'Read Between The Lines' is a low-lit, low-key basement house groove with conscious mutterings adding serious depth. Another doozy from Hixon.

French duo and Get Physical, Rekids and Definitive Recordings regulars Boogie Vice & N-You-Up cook up some silky deep house magic here with the one and only voice of Chicago house past, present and future, Robert Owens. 'Blessing' highlights their creative synergy while Owens' timeless and ever soulful voice delivers a message of gratitude. Nenor's remix adds a sweaty basement house vibe with organic textures but also hazy intensity. These are two tasteful tunes for the real heads who like it super deep.

Colombian-born, Buenos Aires-based DFRA is much loved by real house heads. Quite often, whatever he drops on wax sells out fast, and this one via People Of Earth is likely to follow suit. 'Dreamscape' opens with subtle synth swirls injecting joy into the deep, languid drums as muted chords bring the heat. 'Hold Home' is a comforting hug that locks you in the groove with nimble chords and smeared pads, and injections of aching soul vocals. 'The Free Spirit Of House Music' is a loopy number that taps into the sort of tracky-ness that Rick Wade has made a career of. Canadian legend Abacus steps up with a dreamy, zoned-out remix to close.

Italy's Di Saronno (can you see what he did there? Almond liqueur? No?) drops a couple of nicely raw house jams here and the first one features Parris Mitchell. 'Street Walls' has swirling melodies lopping endlessly in the midst of big, lolloping kicks and chopped up vocals bring some playful vibes. 'Out Of Control' is more tight and tech-y - constructed under Di Saronno's Mindbuster alter-ego - with a jazz-inflected but tough MAW style groove and horns up top, adding a softer, more musical counter point. Last of all is Di Saronno's On The Rocks mix of a much loved Inland Knights tune, 'Like This', which flips it into a filter-heavy house jam with swing, jazz and the sort of energy you want in cosy back rooms.

Oakland's DJ Mes returns with a fresh dose of jacked-up house in the 'D3w W3rk' series. Volume three blends gritty funk and rawness into fun, functional sounds. The EP opens with 'Detroit Ratchet City,' a bold, chunky anthem for pumping up the sweat before moving into the loopy 'For The People' where slinky percussion and soulful vocal hooks build a bristling arrangement. 'Look at Ya Shine' turns up the heat with a sleazy, slamming low end and then 'Peace of Mind' closes on a steamy, old-school tip with filtered synths, hooky male vocals and a retro charm that proves DJ Mes knows how to work the floor by joining the dots between the past, present and future.

As far as disco bangers go, they don't come much better than 'To Be With You Again'. The shock is hits is actually a brand new tune on a new label rather than an unearthed old gem. It's a heart-swelling sound with symphonic strings and swooning energy all finished in magnificent style by the stunning vocals from the Choir of Angelic Disco Angels. Getaway Jones adds the tight bassline and some superb keys to make this a must-cop 12" this is guaranteed to fly off the shelves. An instrumental on the flip is just as moving, but it's the vocal-fuelled A-side that really soars.

Welcome to the second instalment of the collaboration between THE REFLEX’ DISCOLIDAYS label and BECAUSE MUSIC in Paris, remixing gems from the ZAGORA catalogue.

Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood.

On this 12’’, we’ve got two first time ever remixes from LA COMPAGNIE CREOLE, one of the most successful acts in France during the 80’s who expertly mixed tropical sounds from the West Indies with pop and disco to staggering record sales.

With tapes thought to be long lost, a chance find of stems from two of their songs not only makes this release possible, but also perfectly showcases two sides of the band with ‘Le Bal Masqué’ which was a huge hit commercially in 1984 and ‘La Nuit Des Requins’ which is probably their least known and most underground track, both masterminded by songwriters DANIEL VANGARDE and JEAN KLUGER.

‘LE BAL MASQUE’, now devoid of its cheesiest sections, puts the focus on that infectious groove adorned with percussions and electronics but with its singalong chorus intact and stronger than ever. A guaranteed tropical disco floor filler at 122bpm, regardless of your knowledge of the French language!

‘LA NUIT DES REQUINS’, an ode to session musicians found regularly in Paris studios back in the day, gets a complete overhaul by putting the exhilarating drums and killer bass line of the original to the fore into a brand new 124bpm version that is destined to rock the most discerning dance floors the world over.

Released on 180g vinyl with custom artwork on card sleeve designed by AL KENT / MILLION DOLLAR DISCO.

Frankfurt's celebrated producer, Philip Lauer returns to Especial, this time teaming up with Berlin based vocalist Dena for a special collaboration, covering Julie Stapleton's soulful House classic with a modern interpretation across a number of versions (vinyl and digital).

After the success of the Hotel Lauer EP on Especial way back in 2016, Lauer has continued his ascendency with albums for Permanent Vacation and Running Back, as well as releasing a string of sure-fire, dancefloor friendly EPs for the likes of Cin Cin, Futureboogie and Skatebard's Digitalo Enterprises.

Born and raised in Bulgaria, before making the move the music mecca of Berlin, Denitza Todorova has a carved a path with her electronic, dance pop stylings across releases for the likes of K7 and Kitsune Music. First appearing on Make It Stay from Lauer's last album, it jumped out as the perfect partnership to bring the raw, soulful and uplifting sounds of the cult V4 Visions label up to date. Founded by Alex Palmer, the label was part of the UK's early 90s club sound, releasing street soul, deep house and more, in Where's Your Love Gone, Palmer and 18-year-old writer/vocalist Julie Stapleton hit on the perfect marriage of Lovers Rock and Street Soul yearning with the haunting sounds of US House. Presented as a new take on the classic, but with utmost respect, the EP starts with the Club Mix, a Larry Heard bassline joins a marimba melody, lifting Dena's vocals of youth's lost love and pain. This is followed by the Demo Mix, a warm, beautiful string laden original take that Lauer and the label felt had to be included.

DJ Slyngshot is welcomed to provide a deep, tech remix. A name to watch via his releases on his YAPPIN label and recent EP for Workshop, his remix is an analogue twist of hypnotic, raw dub techno percussion and counter breaks builds as string and piano join. The EP ends in the Synthapella, as bongos, cowbell and whistle are added to create a drifting Balearic version for late summer nights and dawn that highlight Dena's vocals in a 'sunrise' light.

2026 Repress

The Illegal Disco Limited series is already so wrong it's right and once again it is the inimitable Monsieur Van Pratt dropping two undeniable edits on this one. 'What About Me' kicks off and is a clever flip of a classic groove that has a Chic-style baseline keeping busy down below natty piano work and with hefty drums powering it on. 'Sunset
Driver' is a chugging retro-future disco sound with Michael Jackson vocals from an elusive demo. On the flip, Van Pratt teams up with Boogietraxx for a bright take on the Japanese viral fav 'Stay With Me' and Boogietraxx then takes over solo, first with the funk-driven 'Moving Down the Line' before closing with the feel-good spark of 'Pretty Good Feeling.'

Born less than an hour from Chicago but now based in Detroit, Rick Wade cut his DJ teeth in Michigan's Nectarine Ballroom in the 80s and early 90s, at the same time as a certain Jeff Mills was also making giant strides at the venue. Wade's sound is more rooted in deep house but, as this four tracker demonstrates, there's a cosmic spirituality and otherworldliness to his music that it shares with the best of UR and other notable Detroit greats. We kick off with 'Groove Tool', powered by a beautifully pliable, funky bassline and embellished with floating chords and subtle bell sounds way up in the high frequency range. 'Pimp Prophecy' boasts a little more disco swagger, with its niggling guitar riff and some excellent bongo bashing. 'Jazzy Tears' revolves around a sturdy kick and a processed, timestretched vocal refrain, played off against jazzy guitar chords and strings ascending to the heavens. 'Ooo Ahh' is probably the catchiest of the lot, with a shuffling beat undercarriage and an infectious hook, all wrapped up - as all four tracks are - in some understated but still lush musicality. 'Deep Incantations' indeed.

Disco-house fusionist Risk Assessment rounds off another successful year with a third and final EP of 2025. Braithwaite deals a near perfect hand on 'Play Your Cards', where excerpts from a Loleatta Holloway/Salsoul Orchestra style maximalist disco hit rise above a chunky, bass-heavy groove, before reaching for elements from a jaunty, piano-heavy disco number on the rolling and ear-catching 'Juicy Smollett'. Elsewhere, 'Testing Testing' is a gargantuan disco-house extravaganza full of sampled horns, rubbery bass, stellar orchestration and urgent male vocals, while 'Baby Call Me' sees him re-imagine a smooth and colourful 80s soul jam as a tactile and funky house workout.

DC10 remains one of the most authentic clubbing experiences on the White Isle. It has different golden eras depending on your age, but for minimal lovers, that was 15 years ago, when you would get the likes of Romanina outfit a:rpia:r doing a cult b4b with Ricardo Villalobos. That's the vibe these new edits are going for from the Sorry We Play Vinyl label. 'EDIT4' is all wonky rhythms and twisted synthetic sounds and rising sine waves with chopped vocal fragments. 'EDIT5' is dubby house scattered with congas and 'EDIT6' is a more light and soulful sound for the early morning session with funky guitar twangs and skeletal rhythms locking you in for the duration.

Stonie Blue and Stephen Carmona come from house music's true school and combine here for a set of timeless, tough, but emotive jams steeped in Midwest magic. 'Joyful Noise' is a playful tease that rides mid-tempo kicks but is buzzing with little synth details that want you to go faster. 'Embrace The Night' is moody, smoky late-night house swing, 'Max Potential' has analogue drums coated in dust with plenty of room left for the sparse chords to make an impact way beyond their minimal design. 'Stone' ramps up a gear with more dense grooves and 'About Time' is all about pinging kicks and fuzzy pads as conscious spoken words bring the mental heat.

Theo Parrish has a catalogue that is pretty much classic from front to back, but if we were pushed to name a standout, 'Solitary Flight' might just be it. The shamanic 2002 sound has everything that makes the Sound Signature boss's music so great: drums that are wonderfully undercooked and live-sounding. Everything is frayed and imperfect, though the sense of lush escape that comes from the swimming strings brings to mind cruising down the Amalfi coast with the top down. Next to the original is a new live mix that is even more lived-in and warm. Unreal from the Motor City maverick.

London label Only Music Matters rolls out more mysterious goodness here from another unknown artist. On this evidence, they like the afters and the moments in the night when time and space dissolve and subtly rule. 'AAA001A' is an elastic, dubby minimal tech cut with liquid pads and trippy vocal twist while the next cut is speedier but no less supple. This cosmic odyssey is marbled with vocal fragments, prickly acid and deft percussion and it all weaves endlessly while hypnotising perfectly. 'BBB002B' is more sparse and roomy, with grubby bass ripples and glitchy electronics colouring the groove. Priku and Arapu have already dropped this one to great receptions at Sunwaves 36 so if it's good enough for them...

The No Fuss label hits release number 15 with another tasteful exploration of the deeper end of the house spectrum. This Various Artists 12" opens with James Curd's funky, loopy remix of Saison's 'Feel This', which is a subtle good time groove. Saison then steps up with a remix of Yuichi Inoue's 'Night In The Room', which is a jazzy and expressive sound that rides a fat bassline. Flip it over for Saison & Piem's 'Fall On Me', which is a timeless and driving deep house gem with fleshy chords and seriously weighty dub kicks, then Local Options' 'Catch Hell' is gritty and punchy but seriously hot.

Disco Mind taps into a rich vein full of Italy's freshest electronic talents here with a glorious new EP for retro-future dancefloors. Kicking things off is Naples-based Lance, who channels proto-house ruggedness and glossy Italo disco melodies on 'Renato Superstar, which is an homage to a cult 80s film. Club Mediterraneo follows with 'Prima Cala' and provides a shimmering Balearic bliss for sunset sessions, and Sparking Attitude makes a strong first impression with 'Au Revoir Bonsoir,' which sinks into slinky deep house grooves with a touch of filter sync madness. Leslie Lello and Luksek join forces on 'Caravan' for a sugary-sweet nu-disco finish, lovely analogue drums and a carefree attitude.

Plastik People keep it deep once more with a new outing of their ongoing Collections series. There is plenty of ol' school nostalgia in the opening cut, Ricky Montanari's 'Back To Love', with its US garage snares and dusty piano stabs making for a great mix of drive and soul. There's a pared-back dub version too plus an amped up and sweaty Dave Charlesworth dub of Aurora B's 'Good Love.' Last of all is the hurried and soulful house whomp of 'Hard Times' (original 96 mix). Four very useful jams.

Igor Radošević aka Cosmic G is next to join the E&X roster with his encapsulating “Human Spirit EP” for our first delve into 2024.

The Serbian DJ & Producer has been in high demand over the past 12 months releasing a plethora of well received records on respected labels such as Haws, Goddezz & Neptune Discs, ensuring a rapid rise through the progressive house & trance scene.

Both originals are backed by two stunning remixes from up and coming French talent Clint who has added plenty of raw energy into both his renditions, turning this record into a must have for any discerning DJ or record collector.

Introducing ‘Principauté de Bowl-Air’.

A brand-new label founded by DJ Bowlcut from South Korea, a key figure in supporting Seoul’s underground scene through Seoul Community Radio. This project presents his vision of deep, glitchy, minimal house music—woven with the story of a secret micronation hidden in the heart of Seoul.

The debut vinyl release, PBAVINYL001, features an original track by DJ Bowlcut, alongside reinterpretations by his friends DOTT and Rudolf C.

The A-side opens with “Tibetan Bowl”, a track built around the sound of a Tibetan singing bowl and vocal samples taken from a singing bowl tutorial—inviting listeners into the surreal world of Bowl-Air.

The second A-side track, “The Moment”, delivers a minimal yet gritty bassline and a hypnotic minimal house rhythm, layered with glitchy, acidic patterns and a Korean vocal sample that says, “Now it’s the moment you are waiting for.”

The B-side features remixes by DOTT and Rudolf C. DOTT reimagines “Tibetan Bowl” into a deeper, darker exploration of Bowl-Air’s hidden layers. Meanwhile, Rudolf C transforms “The Moment” into a nostalgic machine-funk-style track reminiscent of the early 2000s—perfect for injecting some funk into the dance floor.

The sixth release on Les Enfants Records marks a collaboration between two established names in the house music landscape: Djebali and Miroloja.

The record opens with "Vista", a track built around crisp percussion and a steady, evolving groove. On A2, Voigtmann delivers a remix that reinterprets the original with a tighter, more angular approach, adding a new dimension while respecting its core energy.

On the B-side, "Dance With Me" brings a warm, dynamic flow aimed at the dancefloor, followed by "Leather", a deep, percussive closer with weight and restraint.

A solid addition to the Les Enfants catalogue.

Following appearances on our first three releases and on Chez Damier's latest label 'House Of Chez', El Kazed is back with his first solo EP !

Over the years, El Kazed's sound has become more refined, but you can still recognise his own touch.

On that matter, the A side is a prime example : DeePulse and Yunni perfectly blends that famous FM bass with dreamy pads and a strong 90s Italian house influence.

On the B-side, The Positive stands out with a more club-friendly vibe. Our friend Lea Lisa did her own version of it, driving it even more in that direction.

The fifth release on Les Enfants Records showcases a captivating EP from Felipe Bravo.

This record features four tracks that skillfully explore diverse sonic landscapes while keeping Felipe's distinctive touch. Side A opens with "Adapt Or Die", an energetic statement track brimming with hypnotic grooves, followed by "High Volatility," a refined piece that blends intricate rhythms with deep, melodic undertones.

Flipping to Side B, "Love That Keys (Priku Remix)" delivers a fresh reinterpretation infused with Priku's unmistakable minimalistic charm. The EP closes with the original "Love That Keys," a vibrant and soulful journey that ties the record together seamlessly.

Backspin first release is delivered by French producer Framboisier with a massive 4-tracker spanning from house to hardgroove, neatly designed for the dancefloor.

Baby Rollén and Wilba (Fraise), embark on their new collaborative project Heartbreak Hombres. Straight ahead dancefloor house cuts and no nonsense!

Already drawing support from a diverse spread of DJs including Raresh, Ben UFO, Dr Banana, Eris Drew, Chris Stussy, Wallace, Louise Chen (NTS) and more - the Heartbreak sound is designed for the DJ; a selectors handy weapon at the ready!

For its inaugural vinyl release, Saudi-based imprint Gabu steps boldly into the analog era with The Night We Had, a landmark record from Jerome (of Foehn & Jerome) in collaboration with Sonya Zlo. Heralding the start of the label’s physical catalogue, this first pressing introduces Gabu’s deep, groove-led ethos through an evocative vision of deep that balances emotional depth with dancefloor intuition.

Named after the Arabic word for basement, Gabu represents a space where sound is felt as much as it is heard, intimate, grounded, and conceived from the roots upward. The Night We Had embodies this spirit in full, capturing the essence of late hours, close rooms, and music that thrives in the underground

Promising new talent Joolmad is quickly becoming a name to watch out for, his latest body of work comes in the form of the “Perspective” EP, the third release from the thriving English producer, off the back of his sought after EP on TSOL. Although young Joolmad’s refined taste and years of tweaking his sound enabled him to construct tried and tested underground material, meaning his music and the PILLZ label could not be better suited. Gritty, straight edged peak time action from a producer on the rise. The new school showing their hand here as Joolmad shares his interpretation of mysterious sounds of modern times, melding electro and techno genres as he moves.

2026 Repress

Reactivated after 20 years, 666 Recordings ‘Different Knowledge EP’ brings a Mind bending, thought provoking masterclass of sinistertechhouse (SiTH).

The EP delivers a classic Len Lewis re release from 2002 plus 2 tracks resurrected and revamped from The Lexicons - a Grant Dell / Len Lewis collaboration from 2002.

It’s raw, it’s old school, it’s 666 Recordings.

Lee Humphreys and Evasive head honcho Rob Pearson returned to the imprint for their 2nd EP together as Lovable Rogues. This followed on from their first collaboration which launched Evasive Records : Look Into Your Eyes / Chica / Twilight Manouvres (EVA001)

For this Ep Rob travelled out to work with Lee in the depths of the German countryside at Lee’s Tofu Studios. EVA003 delivered 3 more tasty underground cuts for main floors and urban warehouse spaces and pleased all the right DJ movers and shakers in the year 2000. It now finds favour in 2024 with Tech House connoisseurs hungry for that early South London Tech sound.

Time Zones delivers some peak time twisted year 2k Tech. Swirling ear candy synths and tripped out almost acidic twangs are the order of the day. A head nodding bass combines with the filtered and sample triggered vocal phrase ‘Eternal Energy Music’. As if the production pair were indeed clairvoyants able to look ahead and prophesize the future state of underground dance floors some 20 years later! This cut has since become a classic requested early noughties gem for those in the know.

On ‘Integer’ Lee Humphreys rides solo to showcase his unique talent and slick production sound. Driving filtered percussion elements and an infectious bass combine with ‘Body Grooving’ vocal cuts and eerie reverse synths and sounds. Lee basically hit this track out of the park here so Rob had no choice but to request this cut and it was snapped up for the EP.

‘Thursday’ see’s Rob & Lee back on the joint production for some Tech Funk shenanigans that are ‘sure to get you high’. Not sure what Mr Humphreys was on to allow Rob to play the lead keyboard solo on this funk fuelled excursion but it stills sounds fresh over 2 decades later.! A very different vibe that has not been equalled or surpassed on Evasive since.

Facing Realities releases its first vinyl EP, and it's with the label creator. Sakro delivers 4 tracks on this occasion; the first side features two tracks, one a reinvention of "Midnight Talking" that was released in the digital version, and another original track named The Basement. Side B includes two collaborations with friends of the label, namely Louie Fresco and Chklte.

Toxy Kated is a free-spirited, chameleon-like band that produces different styles of music without labeling them. Dani Casarano, Camilo Castaldi, Kitty, and Galo Akun—who have known each other for over two decades—decided to join forces to create something new, without rules. Everything happens collectively, in sessions where emotion intersects with sensitivity, and improvisation coexists with intention. Their upcoming EP is a testament to this unique sonic journey, a defiant refusal to conform and a bold declaration to expand the boundaries of music.

Daydream is back with its first V/A in almost 3 years. Four tracks crafted by historical talents - Valen and Ali Demir with Valde - alongside two great additions to the crew - Thomas Wood & Venda. Top producers who deliver deep and dubby house filled with dreamy punchy groove.

Four of the best tracks from Nug-Net's 2024 crop are here. Deep Speed Garage, multi-bassline wonders, and more highlight this package. As always, you can take the course too at

As Planka Records continues its relentless pursuit of sonic exploration, delving deeper into the shadows of the underground. PLNK004 showcases a seamless blend of fresh, boundary-pushing talent alongside solid contributions from familiar artists. Together, they craft a soundscape where hypnotic rhythms, ethereal textures, and bold experimentation merge to redefine what we know about the underground.

These tracks transcend the confines of time and place, speaking to the moments where the music wraps around you, drawing you closer into its enigmatic energy. Whether it’s the pulse of the club at midnight or a reflective session in solitude, PLNK004 is a testament to the transformative power of sound.

With this release, Planka reaffirms its commitment to nurturing innovation and pushing the scene forward, always evolving, always underground.

Venetia presents The Face of The Deep EP. The rising artist from Belle-Île-en-Mer, delivers an elevated deep house record infused with shades of melancholy and nostalgia, exploring a rich spectrum of moods and emotions through driving rhythms, pulsating energy, and deep, resonant basslines. Crafted for late-night dancefloors or early-mornings, wrapped in warm, immersive textures, culminating in an outro that feels like soundscape frame of a moving film.

40 Thieves have been part of the Leng family since 2011 during which time they have released many quality singles and EPs as well as their sole full-length album, 2014’s epic The Sky Is Yours. Even so, double A-side ‘Love Is’/’Let Me Show You’ still marks their first release on Leng for almost three years.

In keeping with their signature sound, ‘Love Is’ is trippy, hallucinatory and gently mind-altering, with psychedelic guitar sounds, echoing percussion, and a heady lead vocal courtesy of crew member and Alona, all of which rides a chunky dub disco bassline and chugging mid-tempo beats. Richard Sen, a DJ and producer known for his love of dubbed-out sonics and pulsating grooves, delivers a typically spaced-out and otherworldly rework. Rooting his revision to the dancefloor via an undulating electronic bassline that throbs away restlessly throughout, Sen stretches out the track and emphasises its more trippy elements before introducing dreamier chords and heady vocals with a brilliant interpretation.

On ‘Let Me Show You’, 40 Thieves step things up to deep house tempo while remaining firmly rooted in 21st century San Francisco nu-disco with rich, dubby bass guitar, tactile piano chords, futurist synths and knowing nods to Patrick Cowley productions of the late 1970s and early ‘80s. The track is presented in two forms: the superb ‘Vocal Mix’, where Alona’s vocal rises above the groove and intoxicating electronics, and a genuinely radical and out-there dancefloor focused ‘Dub’. Pushing the track’s wilder and more out-there elements to the max via stripped-back arrangements and a smorgasbord of effects, 40 Thieves re-wire the cut as a heads-down psychedelic disco chugger topped off with wonderfully loved-up chords.

On The Arboretum, Analogue Attic co-founder Alex Albrecht leans further into the dancefloor, channelling the more hypnotic and driving energy that Butter Sessions is known for. Across the five tracks, listeners are treated to Albrecht's signature melody-driven deep house, bolstered by intricate rhythms, a deeper low end, and hypnotic loops designed for larger systems and later hours.

The tracks are playful yet serious, functional yet full of personality. There's the joy of long blends and the tiny details that bubble up in the mix: field recordings from time spent away, nostalgic archival material, and subtle harmonic shifts that keep the tension simmering.

It's a record built for dancers, but also for home listening. By embracing a tougher, more energetic sound, this release expands Albrecht's sonic world while staying true to the textural depth and sense of journey that run through all his work.credits

Anané’s colourful life in music has seen her do everything from singing at the famous pre-game show at Super Bowl XLI as part of the group Elements of Life, DJ at hotspots like Hi Ibiza, Pacha NYC and Ushuaïa to name a few, while also curating her own monthly residency Nulu Movement, now ten years strong at Le Bain NYC, release unique blends of Afro, house, and pop on labels like Vega Records, and head up her own imprints, Nulu Music and Nulu Electronic. The Cape Verdean-born DJ, producer, vocalist, and songwriter has had countless club hits and has released acclaimed albums like ‘Ananésworld’ and ‘Chapters Of Becoming’, often with a lush, live, and orchestrated style that is truly unique.

With this release, Anané steps forward with her first solo production to date. Here she serves up the sumptuous ‘It Looks Like Love’, a poised, elegant house sound with her own smoking, soulful vocals and classy strings bringing colour to an Afro groove packed with infectious bounce. Neat guitar riffs and silky synths all enrich this most sophisticated sound. The first mix sees Anané link up with veteran Italian Christian Mantini, who has hosted Sunset Ritual parties with Anané and Louie Vega since 2013. Their dub is rooted in warm, rubbery drums that are even deeper and more immersive than the original.

Manda Moor & Sirus Hood are a red-hot contemporary pair who run the Mood label and are defining the contemporary underground. Their remix is more driving, but it retains the soulful vibe with breezy pads and jazzy motifs drifting in and out above the swaggering groove.

Rotterdam-based Chicagoan Jamie 3:26 is a master at blending disco, soul, and house into timeless sounds, and here he delivers a loopy rework that pairs deep drive and sun-kissed vibes with funky, Chic-style bass guitar motifs.

Berlin-based Australian musician and producer Declan McDermott steps forward with his debut EP for Delusions Of Grandeur,

bringing a raw yet soulful sound that reflects his unique journey through disco, funk, and soul music.

Having cut his teeth as a multi-instrumentalist before delving deep into house and club culture, Declan naturally fuses his live musical talents with warm, analog-driven grooves. The result is a record that feels equally at home on the dance floor and in the living room, carrying both emotional depth and undeniable energy. Remixes from Tom Trago & Lovetempo !

repressed !

Francois Kevorkian is a name that should need no introduction. With over 40 years in the game FK has occupied numerous roles in his long and storied career - drummer, DJ, A&R man, remixer and producer - his skills know no boundaries. Having DJ-ed during the nascent days of club culture in NYC alongside Walter Gibbons, Larry Levan and more, Kevorkian has been there from day one. Years spent in the seminal clubs of the day sharpened his ears and his prowess behind the mixing desk saw him become the A&R man at the legendary Prelude records in the early 80's, this in turn led to him working with everyone from The Eurythmics, Depeche Mode, Erasure, D-Train, Yazoo, The Smiths, Kraftwerk and many many more. A true NYC original and legend, Kevorkian is still active today and the respect he commands amongst his peers has never waned, his adventurous extended DJ sets, seminal mixes and remixes and his open ears and open mind have ensured that he will go down in history as a musical pioneer.

Rewind to 1995. Kevorkian's 'Wave Music' imprint has come into existence with a handful of releases. No-one could imagine that his self-produced 'FK EP' - the next release on the label - would be a stone cold classic. Easily one of the most consistent, exciting and solid EP's to come out of NYC during this golden era of dance music. Across 4 tracks we are taken on a sound journey through a world that is undoubtedly informed by FK's time as an engineer, DJ and most importantly, a music lover.

EP opener 'Hypnodelic' brings us into this world, a deep, driving cut that fuses the dubbed out vocals of Freddie Turner against FK's keyboards and immaculate drum programming, oozing cosmic electronic soul, this track was destined to be a future classic. 'Mindspeak' also boasts some tough drums and with a respectful nod to Chicago is an incredibly mixed and arranged peak-time cut that will drive your dancefloor into deep space again and again. 'Edge Of Time' welcomes us to the flipside of the EP, wild Latin percussions, tablas and old school horn stabs drive this monstrous cut, not to mention cavernous dub FX and that huge bassline that just doesn't let up. Essential. 'Moov' rounds things out on a more subdued, stripped back vibe. Reversed percussions and spaced-out synth chords lace this beautifully understated and warm track, one that builds into a crescendo of melodies and hypnotic rhythms and the perfect way to close what has been a truly special musical journey.

This essential reissue of the 'FK EP' has been fully licensed, sanctioned and remastered in conjunction with FK from the original master sources by Optimum Mastering, Bristol UK, repressed onto high quality vinyl and packaged as the 1995 release was. A truly classic record indeed, available again for 2018. Welcome back Wave Music!

We’re thrilled to be working with Isaac Carter’s much-lauded Ochi imprint and delighted to kick things off with the debut vinyl release on the London-based label.

This 4-track EP from Isaac Carter & Biyi has been a long time coming. You will no doubt have heard the likes of Ben UFO, Seth Troxler, Floating Points & Moxie to name few, playing these over the past 18 months. By popular demand they are now available for the first time ever, on wax.

Logistics makes a highly anticipated return after a three-year hiatus, with a whopping 24-track album.

Released across four 12 inch records, housed in spined sleeves, and presented in a premium two-piece lift-off box with scratch resistant matt laminate, matt varnish, and with fully printed packaging throughout. It is a beautiful presentation of this new LP from a Hospital Records legend.

Dropping almost out of the blue, the current reception from fans, artists & industry heads off the back of the 'ambush' announcement has been incredible. The album campaign is illusive, but rewarding to fans who have been waiting so long for brand new music from Logistics, they've now got 24 brand new tracks to get stuck into!

Brighton-born, Cincinnati-based producer Marsh a.k.a Tom Marshall. ‘Lailonie’ is Marsh’s second studio album and debut Anjunadeep LP. After joining Anjunadeep back in 2018 via ‘Explorations 07’ with ‘Black Mountain’, Marsh has gone on to release a string of well received original EPs including ‘Prospect’ with label mate Nox Vahn, ‘Eu Topos’ and his latest ‘Lost In You’ as well as remixing some of the biggest artists in dance music including Above & Beyond and Armin van Buuren.

Marsh has previously released on Silk Music, where he released his debut album ‘Life On The Shore’ in 2017; and Enhanced Music’s progressive house imprint Colourize. Over the past 2 years, Marsh has become a firm Anjunadeep fan favourite all the while establishing himself as a future star of the electronic scene with a steady stream of tastemaker backing from Joris Voorn, Rufus Du Sol, Kölsch and BBC Radio 1’s Pete Tong and Phil Taggart. Recent years have seen him tour globally with Above & Beyond as well as share the bill with legends like Sasha & Digweed and Guy J.

Grammy award-winning titan of dance music Purple Disco Machine joins the illustrious list of Defected House Masters with a celebratory compilation. The German producer, DJ and global household name Tino Pointek, AKA Purple Disco Machine, is the blueprint for what makes a successful dance music artist in the modern age; respected on the underground scene while achieving major crossover success with remixes for the likes of Sir Elton John, Dua Lipa and Mark Ronson. The crate digging kingpin of house and disco first landed on Defected over a decade ago, and has since delivered remixes of iconic tracks like Fatboy Slim’s ‘Praise You’ and the London label’s top tracks including Shakedown’s ‘At Night’ and ‘Coma Cat’ by Tensnake – as well as striking originals like ‘Beat Fantasy’. From edits of the classics to remixes of the modern, as well as uplifting originals, Purple Disco Machine has birthed a distinct sound that is instantly recognisable, one that is not afraid to reference or not reference and is always bursting with joy. Across Defected presents House Masters: Purple Disco Machine, the full breadth of the iconic German selector’s sound is felt from the 2019 smash hit ‘Dished (Male Stripper)’ to deep cuts like his re-work of Fallout’s ‘The Morning After’ as well as remixes of legendary tracks like ‘Lola’s Theme’ by The Shapeshifters and Spiller’s ‘Groovejet’ featuring Sophie Ellis-Bextor. Defected presents House Masters: Purple Disco Machine is here to showcase the sound of a bona fide electronic maverick in full.

Repress!

Every once in a while, a record comes along which resonates in a special way, stands the test of time, and brings the same reaction to the dancefloor now as it did all those years ago. 'Groovejet (If This Ain’t Love)' is one of those records, a classic in every sense of the word. Originally released in 2000, Defected are, re-releasing this club essential for new and original fans alike in a special, limited edition deluxe remix reissue.

This unique two vinyl pack comes in full colour gatefold sleeve with augmented reality cover that will come to life once you scan the mask image on your phone accompanied by a four page 12” insert written by Spiller detailing the full story of ‘Groovejet’; from original production, early reactions, chart success and new 2021/22 remixes.

The releases features the original versions plus new mixes Purple Disco Machine & Lorenz Rhode, Riva Star, Breakbot & Irfane and Harvey Sutherland. Exclusive to the vinyl are Riva Starr’s Skylight Mix and the Harvey Sutherland Instrumental version.

Single-Sided 12 inch with etched B Side, cut and remastered from the original tapes and housed in a new foil sleeve printed on 300gsm card with gold Stardust is Thomas Bangalter, Alan Braxe and vocalist Benjamin Diamond. Twenty one years since its original release in 1998, their iconic track "Music Sounds Better With You" is now available again on vinyl and digitally for the first time.

Label Boss TSVI is back with a brand new release on Nervous Horizon: Dance Tripping EP! Inspired by his early years in London, where he spent countless nights at minimal and tech house raves, the EP draws elements from these styles through stripped back productions and groove driven basslines. Moving away from TSVI’s signature percussion focused sound, the record prioritises a more sound design approach, exploring texture, movement and club functionality.
The EP opens with Music is Moving, a high energy festival weapon built around a groovy bassline and a UK garage leaning swing. A sharp, restless lead drives the track forward before exploding into a euphoric climax of phased and distorted sawtooth waves. Next comes The Wasp Track, combining pitched down leads with a rolling tech house groove, built for peak time tension and release. The title track Dance Tripping sees TSVI at his most stripped back, featuring loopy analog textures and hypnotic rhythmic elements that focus on repetition. The last two tracks Kataklisma and Turbo Motion create a literal sonic apocalypse by pounding the club with heavy reeses and mean beats.

TSVI Dance Tripping EP is the ultimate club weapon for 2026!

Another classic dancefloor scorcher from France's finest, with the original disco track that was jacked to make it. Limited numbers as usual.

A heavyweight classic! 'Don't Laugh' is one of those records, you know you've heard it, you may not who, what or where, but you know it!

The original Winx mix is a classic, often imitated, never bettered, but the real gem here is Richie Hawtin's manic, almost borderline sinister 15+ minute reworking.

Monster doesn't do it justice, tweaked out, narcotic, minimalist jacking gear. A dope combination of severe LOW end and some bracing sine waves that cut straight through. This one will surely test any club sound-system, if the venue is built for it you will know! This is one for the real heads, pure late night business oft overlooked for the more famous A-side, but trust us - Hawtin's mix will smash any dance! Oh, and there's an insane laughing acappella for those who want to mix and blend! Reissued, remastered and re-sorted for 2017 by Above Board Records with the full involvement of Nervous Records NYC.

Altarf and Denev bring on no-nonsense minimal on 123.ro label. Enjoy the smooth and dark ride from this powerful duo.

2025 Repress

Sterns Edits returns after the sell-out success of its debut edition with another two catalogue reworks from Ben Gomori. This time he turns his attention to Burkina Faso's much-loved taxi-driver- turned-singer, Amadou Balake´.

Balake´ ('porcupine' in Mandinka) is Burkina Faso's proudest musical export, and in 2013 he recorded his final album before passing away: 'In Conclusion'. The record saw him revisit some of his most popular tracks from his remarkable 50-year career, backed by an eight-piece Burkinabe´ band who took the country's traditional sounds and brought them into a contemporary light.

Gomori retains the essence of the original recordings - which were mostly captured in one take - and marries them to vigorous afro-house stylings. 'Bar Konon Mousso (Musicien C'est Pas Quelqu'un)', in which Balake´ tells of a bar lady being unimpressed by his profession, gets a gentle push towards the modern dancefloor, its wonderful sax lines resplendent. 'Massa Kamba' is taken for a drive down the more traditional route, with commanding drums bolstering the original grooves and a marvelous triple harmony brass section at its core. Balake´'s freewheeling style suits the hypnotic feel of the edits to a tee.

Sterns Edits is an official collaboration between African music stalwarts Sterns Music and London's Ben Gomori.

2026 Repress

CUSDE010 marks the debut vinyl release by DJ PEPER. Four stripped-back house cuts built for the dancefloor, rooted in classic Detroit aesthetics and deep machine groove. Former member of the duo YYYY, now exploring deeper house territories while maintaining a steady, evolving groove.

Next up, Some Wizardry from our man dot13,
Played by Herodot, Nu Zau & more.

'GO Wax' is a vinyl only record label designed to show off the underground sound that is the life and soul of the Game Over X One Night Stand parties in Ibiza.

The first release welcomes Salty Nuts & BE9 rising star Fabe who has been one of the all stars of the Game Over parties this summer -
The A-Side is straight club cuts designed to blow minds, while the
B-Side shows off the trademark Fabe groove which has made him one of the biggest names in the scene throughout 2019.

Vinyl Only.

Fred again.. has announced the release of ‘USB001’ - the first volume of his ‘infinite’ album project, now available as a limited vinyl drop.

‘USB001’ is an infinite, ever-evolving album that includes recent releases ‘Baby Again’, ‘Rumble’ w/ Skrillex & Flowdan, ‘Jungle’, ‘leavemealone’ w/ Baby Keem and ‘stayinit’ w/ Lil Yachty, plus remixes featuring HAAi, Rico Nasty and Nia Archives.

‘USB001’ also features two new records; ‘BerwynGesaffNeighbours’, which samples BERWYN & Gesaffelstein, and ‘ItsNotREEAALLLLLLLL’. The latter samples DuoTeque, Orion Sun and uses a drum beat first sent to Fred by Four Tet, lifted from an hour-long Richie Hawtin mix 'DE9 - Closer To The Limit' recorded in 2001. Richie trawled back through the mix stems of over 100 records spliced together to track down where the drums originated from, tracing them back to a producer called Steve Sullivan.

In Soft Power, Funk Assault turns their surgical precision toward the invisible forces that shape modern life - control not through force, but through aesthetics, etiquette, and algorithms. Across five tightly woven tracks, the duo dissects how obedience is engineered through desire, conformity, and digital seduction.

From the sterile luxury of Aesthetics of Desire to the algorithmic exhibitionism of Like Me, Watch Me, and the chilling calm of Obedience Spa, this EP is a reflection on how control has evolved -smoother, quieter, but no less powerful. Soft Power invites listeners to dance, reflect, and perhaps notice the strings they didn't know were there.

Ilario Liburni returns to Invade Records with a driving new release built for deep, late-night floors. Raw grooves and hypnotic energy, staying true to the Invade sound. Alexander Skancke steps in with a powerful remix, adding his signature atmospheric depth and pulsating momentum.