LTDBLBL023 introduces Pove, a producer from near Venice with a deeply personal and intuitive approach to music. Built around a love for groove, the six tracks explore jazzy house and funk influences, driven by warm basslines and playful rhythms. Created without expectation and guided purely by feeling, the record captures a sense of freedom and quiet confidence
The item is already on it's way to us and is expected to be shipped from 15.05.2026.
This relatively new Stockholm duo have been making waves with their latest vinyl output. This EP conveys their love for the disco house sounds of Chicago, spearheaded by the likes of DJ Sneak. ‘Spoon Bait’ leads the way using an almost dreamlike vocal hook over a deep bass led groove with dub effects to boot. ‘Tuborg Translate’ picks up the tempo, chopping up a Philly style hook, underpinned by crisp beats and otherworldly space effects. Title track ‘Silja Line Superstar’ keeps the peak-time action going utilising warm emotive strings and brass whilst ‘Kenneth Knaster’ bounces along on a sublime disco ride bringing the EP to a close.
Basile de Suresnes' "So Good" EP is now available on vinyl. The digital release has become an instant hit, with the title track being playlisted by Laurent Garnier on his Fabric mix. The 2 tracks and its remix are now expected to fly off the shelf at record stores, don't sleep on this one!
The title track proves once again that the parisian producer is a master at bringing a disco cut into House music territory. The epic violin sample gets straight into the head while the groovy bassline call the feet to dance, the vocal adding a pinch of sexiness this great, dancefloor-orientated tune.
« Ask me to dance » is as catchy as it is funky, the samples are layered and filtered with flair and savoir-faire. It certainly will become both a DJ’s delight and dancer’s favorite.
Closing the EP with style is Naux’ remix of « So Good » : the lyon based producer uses chopped vocals and a strong bouncy bassline, adding his own flavor to the track while completely respecting the orginal work. Great job.
Frappé and Basile de Suresnes Strike again and dam it is (so) good !
Second release on Via Jupiter from label boss Psychederek this time teaming up with Behind The Groove's Bobby Thorpe for a full pelt Dancefloor 4-way
Born from a series of studio jams throughout the winter, the Manchester-based artists deliver a slick EP inspired by late 80's club joints and driven by a clean, stripped-back approach.
Artwork and label design by Ben Brumpton. Limited to 250 copies (of which we're allocated 150 - so be quick !!)
Black Vinyl[12,56 €]
The EP opens with CRYMEs original mix of HOLD ON, a track driven by a weighty low-end, saturated rhythms, and hypnotic vocals. Cinthie's remix brings her soulful house touch, layering choppy stabs, airy strings, and a bouncy bass hook. Obscure Shape then takes the track into techno territory with a robust drum workout and dubbed-out fragments of the original keys and vocals.
On the flip side, Lydia Eisenblatters remix highlights crisp breaks, gritty rave stabs, and pulsing subs. Volpe closes out the release with an ethereal dub techno rework, featuring spiralling echoes, a groovy bassline, and heavily shuffled percussion.
London Records and Central Station Records join forces for a spectacular array of new music releases. As the first offering, David Penn takes on the Sex-O-Sonique classic from 1997, which samples the Herbie Hancock anthem 'I Thought It Was You'. David Penn, a master of his craft, has earned critical acclaim for his innovative approach to house music and his ability to create infectious grooves that resonate with audiences worldwide.
Full Intention aka Sex-O-Sonique also deliver their own updated version for 2023.
DJ support:
Bob Sinclar, Eliza Rose, Jamie Jones, Oliver Heldens, Mark Knight, Mousse T, Anton Powers, Just Kiddin, Roger Sanchez, Bakermat, Westend, Sgt Slick, Kokiri, Hector Romero, Horse Meat Disco, Kevin McKay, Michael Gray, Superlover, Watermat, Russell Small (Freemasons), Sugarstarr, Dario D'Attis
Samosa Records 10 is the brand new spin off label from Samosa Records concentrating on 2 choice cuts from some of the finest producers at the label one each side of a 10” vinyl. It also see’s Samosa announce an exciting collaboration with another of the finest labels out there Tropical Disco who will be handling the digital release for this one down the line.
Launching the brand new imprint it’s only fitting for the label bosses De Gama and Les Inferno to lead things out.
First up is De Gama’s Sometimes Sometimes which see’s him creating a much more reflective track than his previous powerful peak-time percussive club jams. Despite its ever so bluesy laid-back sentiments it’s no less a sublime outing. Velvety smooth the lead vocal is definitely one of those once heard never forgotten magical musical moments. It’s a track of simplicity, a smooth bassline, subtle guitar licks and the wonderful vocal performance. It’s an entrancing life affirming track which has all the hallmarks of a track which absolutely must be listened to again and again. And yeah, maybe just one more time!
Over on the flip Les Inferno takes us off towards classic Philly territory with an equally subtle but ever so funky slice of feel-good disco in ‘Yeah C’Mon’. Smooth percussion, an ever so danceable bassline, brilliantly performed yet subtle keys and another absolute monster vocal. And did we forget to mention the disco flute? Yeah Disco flute, does it get any better. We think not?
This is a 10” which is quite simply undeniable. You must have this in your collection right now because you will need to listen to it time and again. Samosa continues its quest to dominate the disco vinyl landscape with yet another ridiculously superb release.
What are you waiting for just order this and thank us later.
After a long hiatus since the release of Medicine Music 001, the scalpel has been sharpened and in full effect in the DP studio with the master surgeon cutting and splicing some fine edits to create a frenzy on the dancefloor.
Delivering 4 edits, providing the perfect prescription for all terrains.
Supported by LNTG, Michael Gray, Greg Wilson, Sgt Slick, Casual Connection, Mell Hall & Trent Rackus!
Vol.1[26,85 €]
If the ideal greatest hits collection captures the fundamental truth about an artist, Eric Kupper’s – “A Lifetime In Dance Music” highlights an envious catalogue, extraordinary production skills and ultimately reveals a passionate maven of house music.
The 24-track compilation celebrates the vast work and revered career of Eric Kupper and is a collectable occasion to re-acknowledge his influence and golden touch as a remixer for over five decades. This second volume of “A Lifetime In Dance Music” highlights another selection of Kupper’s finest productions and remixes of greats such as Whitney Houston, Earth, Wind and Fire, Curtis Mayfield and Moloko.
Emblematic of an iconic nightlife and reflecting on the sheer scale of his work for seminal artists including Diana Ross, Gloria Gaynor and Donna Summer, this ultimate collection serves as a reminder of Kupper’s astounding blend of studio power, control, and agility as a producer and remixer. As the writing and production partner of the late godfather of house music, Frankie Knuckles, Kupper is a true musician and multi-instrumentalist who has played on, remixed, produced or engineered over 2,000 records spanning a wide range of contemporary musical genres.
An eavesdrop to Kupper’s sophisticated, faultless production style that has amassed an unprecedented catalogue captivates the imagination back to bygone musical decades. His work in the mid-to-late 1980s/early 1990s, especially with Def Mix Productions and remixes for the genre’s superstars Alison Limerick, Ce Ce Peniston, Inner City and Frankie Knuckles is considered to be part of the foundation for house music as it exists today.
Multi-Instrumentalist composer and producer Paolo Fedreghini aka FAM Disco is back on Groove Culture with a stellar new four-track EP Titled "Cinemetic Travel". The project, all played live, including the drums, is inspired from 70s movies soundtracks. It's hard to describe in words the atmosphere these tracks create. An EP worth listening to. High-quality music, truly well produced.
Clear Green Vinyl
Prolific Colombian producer Felipe Gordon returns to RNT to deliver his first offering in a two-EP and album project series.
The records kicks off with the swingy Strings of the Afterlife, evoking classic Chez-N-Trent vibes and moves to the sultry emotive tones of The Fall of A Withered Empire. On the flip, Felipe takes us into high gear with the hypnotic looped synth groove and relentless beats of Clásico, and lets us down easy with the jazzy lilt of Julia y Luis. A truly standout EP, even for Felipe who delivers quality time and time again.
New Zealand disco-boogie outfit Flamingo Pier plant some Brooklyn roots with their fresh new ‘Beneath the Neon EP’ on Razor-N-Tape. Known for parties in East London and their massive hometown festival, as well as previous releases on Soundway, the Kiwi collective deliver a trio of new songs that solidify and expand their signature danceable blue-eyed indie-soul sound.
Lead off single 'How 2 Feel' shows a clubbier side of the band, with a pulsating house rhythm track and layers of angular synth stabs, vibey horn lines, and vocal chants. 'Beneath the Neon' and 'Remedy' are more familiar Flamingo Pier territory, upbeat indie disco anthems that boast incendiary vocal hooks, funky guitar work, and crisp production by Luke Walker.
Rounding out the EP are remixes by Chicago house legend Glenn Underground, and RNT co-head JKriv, whose mix features a guest appearance by Afro-boogie royalty Steve Monite.
Oozing with hazy sun, Beneath the Neon is the perfect soundtrack to soak up the dog days of summer.
Razor-N-Tape goes big for their first ever edits VA on their legendary white label series! Timed to drop at their Detroit Movement weekend event, this spicy 12 Inch includes contributions from four of the artists on the bill: Glenn Underground, Rahaan, The Patchouli Brothers and JKriv. Classic RNT style, all killer no filler disco heat on this one!
This EP marks the first release from a collaborative project between Tokyo based DJ/producer Iori Wakasa and Okayama's Keita Sano, born from a quiet resonance between their musical sensibilities.
In Japan, the academic year begins in April. Though born in 1988 and 1989, the two artists belong to the same school-year cohort under this system, yet within Japan's gengo era structure they stand at the symbolic end of one era and the beginning of another. The title 'A Shift of Eras' points to the moment when one era gives way to the next, suggesting not only the passage of time, but the subtle renewal of culture, perception, and values.
'Filtered Jewels' draws from the image of light shimmering like gemstones, or a space scattered with countless jewels, perceived through an imagined filter that gently alters the way the scene reveals itself.
'Heaven's Door' envisions the ascent of a transparent staircase floating above a sea of clouds, leading toward a quietly resting emerald-green door.
'Shocking Yellow', originally created in response to a specific request, incorporates carefully placed vocal samples while grounding the track in warm, rounded low frequencies and organic textures, shaped with DJ use in mind.
And finally, 'Time To Change' was reconstructed repeatedly with the hope of offering both solace and a quiet sense of encouragement, ultimately becoming a piece that reflects the underlying theme of the EP.
Klubb Global Groove returns with its third release in the series of hidden gems across the globe.
These four cuts are carefully edited in the spirit of the OG for maximum pleasure on the dance floor.
On the A-side, “Okej, Daddy” delivers a piano-driven SA house heater, while “Kojo” an electronic highlife jam with hypnotic energy. On the flip side, “Tå Dans” a funk-heavy boogie cut with vocal hooks, followed by “Bäbä Groove”—a euro-house curveball for the deep diggers.
Limited release. No repress. No digital.
Move fast—or live with regret.
Some words from the man himself on way he chose these tracks: Make Me Feel: Classic disco track from Sylvester. Always gets the dance floor completely pumped. Love2Love: I love everything that Donna and Giorgio have done. Love To Love You Baby is definitely a big favourite. Just wanted to put my spin on it. Great vibe for the early hours of the morning. He's Mine: One of my favourite R'n'B tracks from the 90's given some LNTG muscle.
Samosa Records releases are coming thick and fast in what could be their finest year yet. Lex & Locke are the latest talent to make their Samosa debut with their ‘Pacifica’ EP – a sublime three tracker which is mouth watering from the off.
First up is Balandra. From the moment you hear the raw four to the floor drumbeat, you’re under its spell. The infectious bass riff moves the scenery around a little, whilst the subtle bongo attack teases what’s to come. And what’s coming is a funky, rolling cosmic lead synth that has no right to sound that damn sexy, no right at all. The vibe quickly grows into an interstellar journey, aided by an outrageously funky clav jam that gets inside your head. Balandra feels like the soundtrack to an ‘after dark’ undercover stakeout in a 1970s cop thriller. Detectives Lex & Locke are on the case and the evidence is compelling. A unique, 122bpm funk bomb which has the Samosa fingerprints all over it.
A2 is Cabo Pulmo – continuing the vibe of Balandra, Lex & Locke lay down some serious grooves in what initially sounds like a live funk band jamming away in the studio without a care in the world. No soon as we get into the beat and the bass, there’s an immediate switch to a swirling, bold cocktail of funk infused with a touch of jazz that belies the 124bpm tempo. The production is expertly tight; layers of synth, electric organ and punchy guitar riffs make this ideal for both the sun terrace and the dance floor. You’re under arrest, and Lex & Locke are reading you your rights!
The final track, Nine Palms has a real quirky, almost broken beat feel to it with its high-hat ride pattern and punchy bass drum. A wickedly twisted analogue organ riff is quickly introduced, which is cleverly used as both a rhythm device and the melodic platform that sets up the whole track. Lex & Locke seem to be total masters of a ‘free-style funky synth lead’, and we’re treated to another slice of this particularly tasty pie in ‘Nine Palms’. Whereas Balandra is the late-night stake-out, Nine Palms is the final act where Lex & Locke high five each other following another successful bust.
The Pacifica EP has a wonderfully intimate and assured vibe about it and is sure to feature in many a summer soundtrack. This release also proves that Samosa Records aren’t afraid to go off the beaten path occasionally - and when it’s this good we’re more than happy to follow. Grab this amazing cut of wax while you can!
DJ Support: Greg Wilson, The Reflex, Jkriv, DJ Harvey
Four new edits LUXXURY’s infamous series now on wax showcasing some of the LA-based producer’s most sought after cuts: 'Is It Real, Now' dubs out a popular modern Aussie indie disco hit, while 'Rap Chore' highlights the slinky bassline from an early new wave/hip hop crossover classic. 'Groove Prove' similarly highlights the sick 16th note bassline from another beloved 80s pop hit by a NYC female; and 'Disco 82' takes us halfway around the world to bring the Indian funk.
2026 Repress
Four standout remixes to celebrate the 20th anniversary of iconic Australian duo Madison Avenue’s classic, ‘Don’t Call Me Baby’ from Patrick Topping, Spencer Parker, Mousse T and Super Disco Club. Be prepared as one of the world’s most prominent vocal tracks just got bigger.
Australia’s Madison Avenue continue to celebrate their 20th anniversary of ‘Don’t Call Me Baby’ a certified UK, European and US Billboard hit that returned late 2019 to cement no.1 positions across Aria Charts, Beatport and Traxsource. Now Patrick Topping, Spencer Parker, Mousse T and Super Disco Club take it to a higher level that’ll see it dominating clubs for many years to come!
A tale of two halves the A side see’s man of the moment Patrick Topping and veteran of the scene Spencer Parker provide two tech-y interpretations, the former an acid tweaked destructive whirlwind and the later a looped-up dub stomper. On the flip it’s nu disco at its best with a pair of remixes from Mousse T and Super Disco Club.
On Patrick Topping / Spencer Parker remixes:
Ben UFO - Very Nice Acid Mix
Danny Howard (BBC Radio 1) - Absolutely ripped it to shreds and turned into an absolute club weapon for 2020 (Patrick Topping’s Remix)
Annie Nightingale BBC R1 - Great reworks!
Black Madonna - Nice! | Change Underground - Premiere
Hannah Wants - Both bangaaaaaaaas. nice packageeeeeee
Prime are delighted to announce the long-awaited OFFICIAL 12 inch re-release of probably the most revered Paradise Garage anthem of all time - M.F.S.B. feat The Three Degrees and the now legendary "Love Is The Message". Originally released in 1973, "Love Is The Message" has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from Tom Moulton which is always a £25-30 record if you've ever been lucky enough to find a mint one and copies of the rarer U.S. 12" with the long mix are like gold! Worry no more as the quality on this 180 gram 12" is from the best master and 100% sanctioned by Sony Music. On the flip we are proud to re-release "T.S.O.P. (The Sound Of Philadelphia)" aka the official Soul Train theme, using Tom Moulton's full original 5.42 mix.
Another piece of significant dance-floor history.
As double-siders go, it really doesn't get any better than this. There is already high-demand from lots of DJs needing to replace their battered copies so accept no substitute. This is the real deal.
Groove Foolosophy, the new Ep of Micky More & Andy Tee. Incl. 4 tracks, on side A we find "Karma Sutra" and "Da Funk". On Side B: "Deep Into Soul" and "It Ain't Easy". We can say that side A is more soul funk disco vibes while Side B is more classic Deep House. All tracks here are produced with a touch of class where musicians play a fundamental role and create an organic groove. The quality you expect from the italian duo.
Following up the big room belters on Pablo and Shoey 'Raw Human Emotion' EP was going to be quite the task for those lovable Dublin disco messers at Fatty Fatty Phonographics, so they handed the reins over to one of the true maestros of the artform - NYC legend Mr. K.
The A-side is a propulsive extension of 'Let The Sunshine In', featuring ecstatic, gospel-shouting breakdowns. Dropped at the right moment, this is one of those tunes that brings everyone together with that look on their face, the hairs on the back of the neck standing up, arms instinctively flying toward the sky, disco fingers aloft...Excuse us, we just have something in our eye here...
Flip it over for a serious one for the heads...A few years ago Mr. K put out '1,2,3' on a 7-inch on the aptly named Most Excellent label. It was an edit of a roaring clav-funk number from the acetate collection of the legendary 'DJ's DJ' Walter Gibbons.
The Fatty folk persuaded him to revisit it, and he did a magical job of extending it out across the full 12 inches of vinyl, just the way the good Lord intended. 2 sides of utter dancefloor devastation here, be quick!
Red Vinyl Repress!
(Feat. Joe Killington & Duane Harden)
The world’s leading disco house artist Purple Disco Machine teamed up with Joe Killington & Duance Harden to deliver ‘Devil In Me’ which was the first official single taken from his highly anticipated debut LP ‘Soulmatic’.
This vinyl features an extended mix, a Club Dub mix from Purple Disco Machine himself and a mix from one of dance music’s most established and decorated stars, Fatboy Slim.
Two titans of modern disco and funk unite to produce a present-day love ballad (or rather love ache), drenched in 80s nostalgia, complete with melodic arpeggio, thumping drums, electric guitar solos and plenty of vocoder action. Heartbreaker is the title of the project, brought to you by none other than Purple Disco Machine & Chromeo. The 12-inch is released with an extended cut alongside the original mix and an instrumental version for good measure. An upbeat electronic track with early Daft Punk influence
2025 Repress
Originally released in 2002 the Martin Solveig remixes of Madan by Salif Keita is one of those rare releases that even now, 22 years on still gets played everywhere from festivals in Croatia to super clubs in Ibiza. Anyone who has graced any dancefloor in the past 20 years will no doubt instantly recognise this one!
Afro house with a French touch, Salif Keita, often referred to as the 'Golden Voice of Africa' lends his impeccable vocals to flawless production by Martin Solveig.
Until now the only way to obtain a copy on vinyl would be to pay close to £50 on second hand market. For the first time since its original release in 2002, South Street International have remastered and officially reissued this modern classic. Both the Exotic Disco Mix & Exotic Disco Dub are included here, one side each & cut loud for maximum enjoyment.
Repress!
Melbourne's Sgt Slick slides on over with five of his finest re-edits on a newly formed label Sgt Slick Recuts. 20 years deep in the game, accolades aplenty, collabs with some the finest out there and a serious string of his own productions, Sgt Slick knows what works on the dancefloor and these edits showcase that to a T. Some out and out classics, reworked with the club clearly in mind.
Coming Back Strong marks the milestone 75th vinyl release on Whiskey Disco and the first solo EP from label head Sleazy McQueen since 2020. The A-side seamlessly blends deep house and disco, featuring the rhythmic mastery and evolving builds of Terry Grant, a long-standing Bedrock contributor who has recently been showcasing his skills alongside Luke Solomon’s various projects. On the B-side, High On A Mountain delivers an energetic and percussive disco workout, with subtle tribal undertones. Closing out the EP, Coming Strong is a groovy, disco-infused house track that wraps up this release on a high note.
Collecting Orders for 2026 Repress!
The third option on our dining menu is a two course meal prepared by Soul Reductions.The critics are unanimous - utterly delicious.Take Away delivers music for you breakfast, lunch and dinner. It's not trendy or rare.Just the music you really want to hear, in your own home, whenever you want.
Support from: Dave Lee ZR, Birdee, Mousse T, Da Lukas, Dr Packer, John Morales, Terry Farley, Horse Meat Disco, Basement Jaxx, Oliver Dollar, Yuksek, Bill Brewster, Bibi Seck, Chloe Callait, Glenn Underground, Nick The Record, Mark Brickman, Jimpster, Damian Lazarus, NTS Radio, BBC Radio 1, Joey Chicago & many more..
Full steam ahead! Put on your dancing shoes and jump aboard The Disco Express as the much loved London label unveils its hugely anticipated Best of 2024 compilation.
Pressed on special edition purple neon vinyl, this electrifying compilation showcases the wider breadth of the label's sound. Best of 2024 ventures into a multitude of styles: Soul, Disco, Italo and House, all made with cutting-edge production.
A brilliant fusion of established and emerging artists, the compilation boasts a stacked line up of talent; celebrating the vibrant spirit of The Disco Express whilst perfectly infusing modern twists, optimised for contemporary dance floors.
This is original house & disco for 21st century dance floors and this train ain't slowing down anytime soon...
A family affair since the early days, WOLF Music have been shining a light on the scenes and sounds the duo are ingrained in. Staying true to form and rolling deep for WOLFEP065, the spotlight turns to a selection of familiar faces and new recruits for a four track VA EP that’s strictly for the groovers.
WOLF OG, man like Medlar kicks it off in signature style with 'Bandit', a heads-down, techno-tinged trip. Machine music with the soul of south London. Next, professor of the dark arts, Manuel Darquart, conjures up the aptly named 'Euphoria' a deep, ‘90s leaning house excursion, synth wizardry and all, that works just as well as a sunset cruiser, as it does an end of the night closer.
On the flip, two long time listeners, first time callers, with a double dose of debuts on the label. Jon Sable takes the B1 with 'Infinite Care', offering up that trademark strong and Sable, In Dust We Trust flavour. Deep, emotive, intricate house with a nod to the worlds of Bruk and Chicago house melded together with that NZ feel.
Closing it out, debut number two comes in the form of rising star moon who lays down a beatsy, broken earworm ‘Handmade’ featuring some dreamy bars from Tamu.
Full crew, through and through – this one hits different!
Groove Culture – a label that has become synonymous with consistently timeless tunes, capturing all the best elements of decades gone by, whilst placing them firmly on today’s dancefloors.
Three is the magic number with Groove Culture Jams Vol. 3 showcasing another fine assemblage of funk and disco driven house sounds with music coming courtesy of Micky More & Andy Tee, Serge Funk, Reverendos Of Soul, Danny Losito and Anduze. A must have.
DJ Support:
Dimitri From Paris, Dave Lee, Simon Dunmore, Brian Tappert, Mello Baptist, Seamus Haji, Terry Hunter, Dj Spen, Hector Romero, Dr. Packer, Kenny Carpenter; Marc Cotterell, Husky, Birdee, Derrick Mckenzie, Angelo Ferreri, Joe T. Vannelli.
RNT drops their fourth installment of the beloved compilation series Family Affair with a diverse offering of vibes, and adds some fresh new faces to their ever expanding roster of artists. On the A side an Afro-electro secret weapon from label co-head JKriv’s DJ set is released into the wild, and German legend Vincenzo delivers a tune that harkens back to the lush deep house of his early 2000s glory era. The 3 songs of the B side bring even more variety, from the stomping hypnotic new disco of Ilija Rudman’s ‘Discoteka Parmida,’ to the head - nodding R&B groove of Yasmin’s ‘Real High’ and the modern live-arranged Afrobeat vibe of Arnau Obiols’ ‘Pagan Mambo.’ With ever gorgeous jacket art that is now the signature style of this series, this record is one for both the listening shelf and the bag!
After a short break Samosa Records explodes back on the scene with ‘Earth Wind & Funk’, a deadly four-tracker EP that is sure to get the juices flowing and body moving.
A1 sees New Zealander producer ‘Strange’ make a most welcome return, spinning the funk loom with the ‘Hard Working’ (De Gama Re-Drums). A truly addictive and distinctive bassline sets the pace, tone and feel for this gorgeously constructed track. It has it all; sumptuous vocal, high-end brass and an acid squelch to die for. Dig it, you will.
A2 lands with Frank Virgilio’s ‘Love Is Positivity’ – a melting pot of twisted disco, feel-good scatty rhythm and lifting vocals. The melody is literally dripping with positivity, but also has an almost transcendental vibe secretly going on. The last drops of summer are right here. Enjoy them.
On the B-side, Mosaik Kollektive raise the temperature with the De Gama Re-Drums applied ‘Keep’. A tough, perfectly cooked groove that gets right in your face and makes no apologies for screaming at you. The bass on this unstoppable monster is all-consuming. Rhythm guitar licks blend with soaring strings and that’s the full basket. Sublime meaty goodness.
Closing matters for this incredible EP at B2 is the effervescent Monsieur Van Pratt and Funk De Ibiza. MVP stretches his funky legs to the full here, laying down a solid beat, arpeggio and a bass so tough you could train it to box. Expertly blended with J-pop-esque vocal and shrill church organ. Drop this at midnight and watch the carnage unfold and hands in the air.
Earth, Wind and Funk is the exposure to the elements you absolutely want. A more perfect slice of wax you couldn’t find and one that’s sure to find its way into the record boxes of those who know.
Samosa Records quickly follows up the first volume of Afrikano treats with Volume 2; a veritable melting pot of Afro beats and rhythms packed in to an exceptional four tracker.
Kicking the EP off on the A-side is Vincent Galgo and J’ngolo. This hypnotic Afro sizzler takes full advantage of the effortless bass, congo beats, African horns and (subtle) funky guitar. Add the mesmerising chanting and you have a perfect ‘Bunny Chow’ of a tune that will tantalise the tastebuds for a long time after the music has stopped. Second helpings? Why not?
A2 unleashes ‘Zaire’ by the supremely talented Matalo! Dark and broody beats take centre stage with this one, as you’re slowly enveloped in a ritual you never knew you were part of but now you can’t help sway with the rest of the worshippers. ‘Zaire’ is one of those rare tracks that you feel could create fire if you let it. With sweeping synths, tribal chanting and a detached sense of being, this monster lives under your bed and waits for lights out. Beware!
On the B-side Leslie Lello ups the tempo with ‘Alcyone’. Solid, punchy bass, driving guitar and gorgeous piano riff and vocal combine with a synth lead you absolutely need in your life. The track morphs and transforms into a full-on (almost housey) stomper; nailing its tribal colours to the mast with intent. A real beast of a tune.
Closing this superbly diverse EP is label boss De Gama and ‘E.T.A’. You know De Gama doesn’t mess about. You know De Gama wants to hit you with all he has and with ‘E.T.A’ he unleashes his ‘inner Chief. Indigenous beats pound, roll and build up to a Ramkie guitar infused chorus that’s as joyful, uplifting and inspiring as the dawn itself. A genuine, incredible slice of Afrikano from a master of the genre.
Afrikano Vol. 2 proves once again that Samosa Records know this genre like no other label out there. If this isn’t in your record box on release day, then we simply can’t be friends.
Caserta’s favourite era of house was when the line between hip hop and house was really only made visible by the tempo of the songs. An art mastered by legends like Kenny Dope, Armand Van Helden and DJ Sneak to name a few.
FF to 2023, Caserta returns to that form with Joe’s Boutique. An obvious nod to the craftwork of the seminal album Paul’s Boutique by the Beastie Boy’s. Caserta fired up the samplers and sliced and diced his way to his first EP in years. With swinging drums, heavy basslines, chopped up vocals and music you might think you stumbled across a lost Strictly Rhythm acetate but mixed and mastered to year 2728 by the man himself.
Complete with vocal interludes segueing from track to track this truly is a listening experience as well as a dance floor filler all in one.
Back In stock
2020 edition of this total bomb from 93. Re-remastered from the original DAT tapes and fresh new labels to boot.
A Sampling masterclass from a DJ in tune & head over heels in love with his favorite records. This was the first record on Wang's own Balihu label, that went on to release classic after classic well into the next decade. HUGE TIP!
Italy's Di Saronno (can you see what he did there? Almond liqueur? No?) drops a couple of nicely raw house jams here and the first one features Parris Mitchell. 'Street Walls' has swirling melodies lopping endlessly in the midst of big, lolloping kicks and chopped up vocals bring some playful vibes. 'Out Of Control' is more tight and tech-y - constructed under Di Saronno's Mindbuster alter-ego - with a jazz-inflected but tough MAW style groove and horns up top, adding a softer, more musical counter point. Last of all is Di Saronno's On The Rocks mix of a much loved Inland Knights tune, 'Like This', which flips it into a filter-heavy house jam with swing, jazz and the sort of energy you want in cosy back rooms.
Dave Lee has tackled the legendary Brazilian disco cut 'Que Tal America' by Two Man Sound, originally released back '78.. Dave subtly adds new breakdowns, live percussion and even some additional vocals to give his version extra pizzazz, whilst making the most of the insistent flowing groove that made this a sure fire floor filler. On the flip things get more more echo heavy, whilst the sharp jazzy musicianship shines through.
There was never an instrumental version on the original 12". Add an acapella and bonus beats then you have an essential disco package for every Disco DJ's record box.
Dr Packer's is back with his masterful rework of Candi Staton’s timeless disco classic 'You Got The Love!' Renowned for his unparalleled expertise in the electronic dance music landscape, Dr Packer's remixes consistently captivate audiences, earning him accolades and chart-topping success across leading platforms.
With over three decades of DJ experience and a distinguished portfolio of achievements including countless Traxsource awards,, Dr Packer stands as a trailblazer in the industry. His rework of 'You Got The Love' is one of his finest moments to date and sure to heat up the dance floor, with Dr Packer’s trademark groove pumping all the way through the track.
On remix duties is Sydney rising talent St Croix, who has already built a solid reputation for her own productions and a slew of top charting Aria Club chart moments. St Croix amps things up even further with her peak time dancefloor weapon.
As far as disco bangers go, they don't come much better than 'To Be With You Again'. The shock is hits is actually a brand new tune on a new label rather than an unearthed old gem. It's a heart-swelling sound with symphonic strings and swooning energy all finished in magnificent style by the stunning vocals from the Choir of Angelic Disco Angels. Getaway Jones adds the tight bassline and some superb keys to make this a must-cop 12" this is guaranteed to fly off the shelves. An instrumental on the flip is just as moving, but it's the vocal-fuelled A-side that really soars.
Pure unadulterated boogie fire from the Gold Mink vaults, which combined the power of James Bedford with the production genius of Roy Ayers back in ’81. With original copies trading hands for £150+ it’s high time a remastered and officially licensed reissue came around.
A firm favourite of the likes of Mr Scruff and Sadar Bahar, ‘Just Keep My Boogie’ is that uplifting slice of boogie that is a tried and tested dancefloor bomb. The brightest of funk keys dance around delicious little guitar licks as those infectious vocals burrow their way into your brain.
Take to the B side for another staple, and go-to gem, for some of the biggest around including, Antal, Hunee, Ge-ology and Sadar Bahar. ‘Happy Music’ is one of those funk-heavy, mesmerising cuts that seemingly evaporates all prior worries and instantly injects the urge to dance, no matter the scenario.
Two certified must-haves on either side of a 12 inch, gold for sure.
Licensed from Uno Melodic Records, Inc, courtesy of Expansion Records.
Reissue of a lost hit by the British composer Kevan Frost, now championed and given a brand-new Dub Mix by Mark Grusane. Up for pre-order now and due late-March on our RSS series!
Kevan Frost grew up in Jos, Nigeria where he became a self-taught musician and developed a deep understanding of rhythm and melody. In the 90's, Frost was a session musician for many studios in London, one of these was unable to pay him so they gave him a few free days in the studio and the result was "Give It Up" as he explains:
"I went in and recorded all the music in a day, and the vocals and mix on day two. This was the days of only having 24 tracks available on tape so I programmed the drums, bass and keyboard parts on C-Lab which was only available on the Atari computer and the samples I made on my Akai S-1000 sampler. Full of floppy disks I went in early on day one and printed all of this on tape. I then recorded the guitar parts. Day two was me layering the lead vocals and Backing vocal parts as quick as I could before starting to mix."
However, the track fell into obscurity with no major label backing or marketing budget. A friend of Mark Grusane’s came across it in Brooklyn at the African Record Centre and it eventually ended up in Mark's hands and from there he edited the original track to a more stripped-back dub mix and began playing it out to great effect on dancefloors.
After a bit of digging, we tracked down Kevan and a fully licensed reissue is due on Rush Hour in late March 2026, including a brand new ‘Dub Mix’ from Mark Grusane.
Welcome to the second instalment of the collaboration between THE REFLEX’ DISCOLIDAYS label and BECAUSE MUSIC in Paris, remixing gems from the ZAGORA catalogue.
Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood.
On this 12’’, we’ve got two first time ever remixes from LA COMPAGNIE CREOLE, one of the most successful acts in France during the 80’s who expertly mixed tropical sounds from the West Indies with pop and disco to staggering record sales.
With tapes thought to be long lost, a chance find of stems from two of their songs not only makes this release possible, but also perfectly showcases two sides of the band with ‘Le Bal Masqué’ which was a huge hit commercially in 1984 and ‘La Nuit Des Requins’ which is probably their least known and most underground track, both masterminded by songwriters DANIEL VANGARDE and JEAN KLUGER.
‘LE BAL MASQUE’, now devoid of its cheesiest sections, puts the focus on that infectious groove adorned with percussions and electronics but with its singalong chorus intact and stronger than ever. A guaranteed tropical disco floor filler at 122bpm, regardless of your knowledge of the French language!
‘LA NUIT DES REQUINS’, an ode to session musicians found regularly in Paris studios back in the day, gets a complete overhaul by putting the exhilarating drums and killer bass line of the original to the fore into a brand new 124bpm version that is destined to rock the most discerning dance floors the world over.
Released on 180g vinyl with custom artwork on card sleeve designed by AL KENT / MILLION DOLLAR DISCO.
We’ve all experienced that feeling when a song instantly transports us back to the moment we first heard it and became completely hooked. For Linda & Norm, “Moments to Want You” by the Jerry Lillard Band carried the warm vibes of a Parisian summer in 2019. Fast-forward to 2025, they revisited the track with a complete twist, nudging it toward an AOR resurgence for the label’s Soft Rock for Hard Times series.
The original version by the Jerry Lillard Band was released in 1981 on a German rock sampler, created in protest against the closure of their rehearsal space in an old school building. “Moments to Want You” stands out for its haunting melody, heartfelt lyrics, and compelling arrangements. Inspired by these elements, Linda & Norm cast the song in a new light, leaning into ’80s-tinged guitar pop à la Trevor Horn, with hints of psych bedroom pop in a distinctly Californian fashion.
Joining the release are two favorite artists of theirs, further expanding the song’s potential into dancefloor territory. Sydney’s own DD Mirage delivers the smoky, dubby disco blend we’ve admired since their debut album, while seasoned producer Justin Van Der Volgen brings the B-side magic, echoing the authentic stripped-back dub approach in the vein of Pettibone and Baker. To round it out, an instrumental version, along with an extended mix courtesy of Justin, complements the release, making it a 12” worth pulling out whenever the moment calls.
The item is already on it's way to us and is expected to be shipped from 20.05.2026.
2026 Repress
The Illegal Disco Limited series is already so wrong it's right and once again it is the inimitable Monsieur Van Pratt dropping two undeniable edits on this one. 'What About Me' kicks off and is a clever flip of a classic groove that has a Chic-style baseline keeping busy down below natty piano work and with hefty drums powering it on. 'Sunset
Driver' is a chugging retro-future disco sound with Michael Jackson vocals from an elusive demo. On the flip, Van Pratt teams up with Boogietraxx for a bright take on the Japanese viral fav 'Stay With Me' and Boogietraxx then takes over solo, first with the funk-driven 'Moving Down the Line' before closing with the feel-good spark of 'Pretty Good Feeling.'
Repress!
Purple Disco Machine unleashes ‘playbox’ the thrilling next chapter of his disco-house odyssey.
The Dresden based disco megastar leads a rallying call to his disco army of super fans across the globe, with the release of his new single ‘Playbox’, a vibrant, high energy, disco-house treat that marks yet another exciting chapter of his sophomore album release.
With three extraordinary singles having made their way into the ether, Purple Disco Machine has kept his fans grooving throughout this past year - providing a huge ray of sunshine as we need it most. Already a globally renowned producer, Purple Disco Machine has quickly become a household name with the success of his international hit singles ‘Hypnotized feat. Sophie and the Giants’ (an anthem the world over having been streamed over 250 million times) and more recently ‘Fireworks feat. Moss Kena & The Knocks’ (with over 35 million streams to date).
‘Playbox’ is accompanied by an extraordinary video illustrated and animated by Juppi Juppsen, and Mathias Lemaitre Sgard, who created a vibrant homage to classic science-fiction, cyberpunk, retro-futurism spiced up with disco influences for ‘Playbox’. In the clip, Tino, in the form of a space superhero, and his female droid search for an ancient artefact which is said to hold the essence of music and, therefore, possess unimaginable power.
With just shy of 900 million streams across his catalogue to date, and over 9 million monthly listeners on Spotify, Purple Disco Machine continues to live up to the hype of #2 Beatport Artist of All Time. With a succession of notable remixes for Dua Lipa, Mark Ronson, Foals, Calvin Harris, Fatboy Slim, Sir Elton John, Royal Blood, Lady Gaga & Ariana Grande, Duke Dumont, and Diplo & SIDEPIECE, coupled with his own dominating originals ‘Body Funk’, ‘Dished (Male Stripper)’, and ‘Devil In Me feat Duane Harden & Joe Killington’ from his debut album Soulmatic, Purple Disco Machine continues to innovate and elevate at every turn.
Disco-house fusionist Risk Assessment rounds off another successful year with a third and final EP of 2025. Braithwaite deals a near perfect hand on 'Play Your Cards', where excerpts from a Loleatta Holloway/Salsoul Orchestra style maximalist disco hit rise above a chunky, bass-heavy groove, before reaching for elements from a jaunty, piano-heavy disco number on the rolling and ear-catching 'Juicy Smollett'. Elsewhere, 'Testing Testing' is a gargantuan disco-house extravaganza full of sampled horns, rubbery bass, stellar orchestration and urgent male vocals, while 'Baby Call Me' sees him re-imagine a smooth and colourful 80s soul jam as a tactile and funky house workout.
2026 Repress
Up next in Champion’s LTD 12 inch reissue series is Sandy B’s club stomper, ‘Make The World Go Round’ with Washington D.C. don’s Deep Dish on remix duties. Iconic ’96 stateside house gold. On the B, Deep Dish take on, ‘Ain’t No Need To Hide’ with their ‘97 Sequel Re-edit with a dose of vocal house at its finest.
DJ Support: The Shapeshifters, Riva Starr, Mousse T., Michael Gray, Dr. Packer, Richard Earnshaw
Serge Funk having made a recent name for himself as a wonderkid for disco- and funky-house versions. A re-editor for the diggers as opposed to the baitheads, 'Groovy Theme' and 'Cherry Bomb' are utter bangers devoid of much relation to their originals (indeed, there's no way of telling what the samples are without a record buyers' knowledge), in large part thanks to their working into beat-centric structures that drown out the vocals in favour of kick slappage and gut-punchage. Rhythm over theme; keeping things vibey, felt.
Disco Mind taps into a rich vein full of Italy's freshest electronic talents here with a glorious new EP for retro-future dancefloors. Kicking things off is Naples-based Lance, who channels proto-house ruggedness and glossy Italo disco melodies on 'Renato Superstar, which is an homage to a cult 80s film. Club Mediterraneo follows with 'Prima Cala' and provides a shimmering Balearic bliss for sunset sessions, and Sparking Attitude makes a strong first impression with 'Au Revoir Bonsoir,' which sinks into slinky deep house grooves with a touch of filter sync madness. Leslie Lello and Luksek join forces on 'Caravan' for a sugary-sweet nu-disco finish, lovely analogue drums and a carefree attitude.
Disco Mind keeps the vibes flowing in the New Year with this delicious new collaboration with fellow Italian label Polyamore Artists. It's an extravagant collision of Afro, disco and house styles from Leslie Lello and Paul Older. 'African Layers' opens with rich percussion and organic grooves that bring the heat, then 'Acid Bass' has a more synth-driven sound and electronic edge, but with retro disco motifs. 'There's Light' is a chugger that keeps the pressure on with slapping hits and drum rolls, and 'Winners' then cuts loose with a more sentinel sound full of roomy chords and loved-up whimsy. Useful stuff.
expected to be published on 20.05.2026
